SPECIAL MESSAGE SECTION
PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.
CAUTION |
RISK OF ELECTRIC SHOCK |
DO NOT OPEN |
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. |
DO NOT REMOVE COVER (OR BACK). |
NO USER-SERVICEABLE PARTS INSIDE. |
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. |
The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
The lightning flash with arrowhead symbol within the equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical shock.
IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected.
SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.
ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:
Battery Notice: This product MAY contain a small nonrechargable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.
Warning: Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you.
Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc.
NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.
NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
Model _____________________________________
Serial No. __________________________________
Purchase Date ______________________________
92-469 1
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English |
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Owner’s Manual |
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Bedienungsanleitung |
Deutsch |
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Mode d’emploi |
Français |
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Congratulations!
You are the proud owner of an extraordinary electronic keyboard. The Yamaha PSR-7000 PortaTone combines the most advanced AWM tone generation technology with state-of-the-art digital electronics and features to give you stunning sound quality with maximum musical enjoyment. The advanced Auto Accompaniment and One Touch Setting features, in particular, are brilliant examples of how Yamaha technology can significantly expand your musical horizons. A new large-size graphic display and easy-to-use interface also greatly enhance the operability of this advanced instrument.
In order to make the most of your PortaTone’s features and vast performance potential, we urge you to read the manuals thoroughly while trying out the various features described. Keep the manuals in a safe place for later reference.
Contents
Taking Care of Your PortaTone |
2 |
Floppy Disks & the Disk Drive ........... |
3 |
Panel Controls |
4 |
Connections & Music Stand |
6 |
The Demonstration |
8 |
The Random & Single Demo Play |
|
Modes ...................................................... |
9 |
The PSR-7000 Display & |
|
Display-based Controls |
10 |
The Display & Multi-function |
|
Controls ................................................ |
10 |
■ The [MIXER] Button ........................ |
10 |
■ The [LIST HOLD] Button ................. |
11 |
■ The [LCD CONTRAST] Control ...... |
11 |
■ The 5-language Help Function ........ |
11 |
Playing the PSR-7000 |
12 |
■ Before You Begin ............................. |
12 |
Selecting & Playing Voices ............. |
12 |
Using the Organ Flute Voices ......... |
16 |
■ FOOTAGE ....................................... |
16 |
■ VOLUME & ATTACK ...................... |
17 |
■ NAME & ROTARY SPEAKER ........ |
17 |
■ Using the Rotary Speaker Effect ..... |
18 |
Keyboard Percussion ....................... |
19 |
Changing the “L” Split Point .......... |
20 |
Transposition, Tuning, & |
|
Octave Change |
21 |
TRANSPOSE & TUNE ........................ |
21 |
OCTAVE CHANGE .............................. |
22 |
Using the Accompaniment |
|
Section |
23 |
■ Fade-ins and Fade-outs .................. |
30 |
■ Accompaniment Volume ................. |
30 |
■ The Auto Mute Function .................. |
30 |
Changing the “A” Split Point .......... |
31 |
The Chord Assist Function ............. |
32 |
The Arranger Buttons ....................... |
34 |
One Touch Setting |
35 |
■ THE TEMPO SET FUNCTION ........ |
36 |
Expression & Effects |
37 |
■ Harmony .......................................... |
37 |
■ Sustain ............................................ |
37 |
■ Touch Response ............................. |
38 |
■ Reverb ............................................. |
38 |
■ Chorus ............................................. |
39 |
■ DSP Effects ..................................... |
39 |
■ Left Hold .......................................... |
39 |
■ Pitch Bend Wheel ............................ |
40 |
■ Modulation Wheel ........................... |
40 |
■ Digital Equalizer .............................. |
41 |
The Multi Pads |
42 |
The PHRASE/CHORD Mode ............ |
42 |
The PHRASE Pads (pads 1 … 4) ...... |
42 |
■ Recording Phrases .......................... |
43 |
■ Phrase Playback ............................. |
44 |
The CHORD Pads (pads 5 … 8) ....... |
44 |
■ Recording Chords ........................... |
44 |
■ Chord Playback ............................... |
45 |
■ The Repeat & Chord Match Settings46 |
|
● REPEAT ...................................... |
46 |
● CHORD MATCH ......................... |
46 |
The PERCUSSION Mode .................. |
47 |
■ Assigning Different Instruments |
|
To the PERCUSSION Pads ............ |
47 |
■ Playing the Percussion Pads .......... |
48 |
Registration Memory |
49 |
Registering the Panel Settings ....... |
49 |
Entering a Registration Name .......... |
50 |
Recalling the Registered Panel |
|
Settings ................................................. |
51 |
The Freeze Function .......................... |
52 |
The Freeze Group Settings .............. |
52 |
Song Playback & Recording |
53 |
Song Playback .................................... |
53 |
■ Pause, Fast Forward & Reverse ..... |
54 |
Chain Playback ................................. |
55 |
Volume & Mute/Solo Settings .......... |
56 |
Song Recording .................................. |
58 |
Quick Record ..................................... |
60 |
■ THE TRACK INDICATORS ............. |
62 |
■ TRACK DELETE ............................. |
62 |
■ PLAYBACK ..................................... |
62 |
■ EXITING .......................................... |
62 |
Chord Step Recording ...................... |
63 |
■ DELETING EVENTS ....................... |
64 |
Quick Record Mode Edit Functions ... |
65 |
■ SONG DELETE ............................... |
65 |
Multitrack Record .............................. |
66 |
■ THE TRACK INDICATORS ............. |
68 |
■ TRACK DELETE ............................. |
68 |
■ RECORDING & EFFECTS ............. |
68 |
■ PLAYBACK ..................................... |
69 |
■ EXITING .......................................... |
69 |
Punch-In Recording .......................... |
69 |
Track Volume Control ....................... |
72 |
Multitrack record Mode |
|
Edit Functions ................................... |
72 |
■ QUANTIZE ...................................... |
72 |
■ TRACK COPY/MIX ......................... |
73 |
■ INITIAL EDIT ................................... |
74 |
■ SONG DELETE ............................... |
74 |
Custom Accompaniment |
75 |
Effects ................................................ |
79 |
■ REVERB DEPTH ............................ |
79 |
■ CHORUS TYPE & DEPTH .............. |
80 |
■ PAN ................................................. |
80 |
Edit ..................................................... |
81 |
■ QUANTIZE ...................................... |
81 |
■ COPY .............................................. |
81 |
■ REMOVE EVENT ............................ |
82 |
Store/Clear ......................................... |
83 |
■ STORE ............................................ |
83 |
■ CLEAR CUSTOM STYLE ............... |
83 |
Custom Voice Edit |
84 |
Engaging the Easy/Full Edit Mode 84 |
|
■ EXITING .......................................... |
84 |
The Easy Edit Parameters ............... |
85 |
EDIT .................................................... |
85 |
■ NAME .............................................. |
85 |
■ PAN ................................................. |
85 |
■ VIBRATO ........................................ |
85 |
■ TONE .............................................. |
86 |
■ ENVELOPE ..................................... |
86 |
STORE/CLEAR .................................. |
87 |
■ STORE ............................................ |
87 |
■ CLEAR CUSTOM VOICE ............... |
87 |
The Full Edit Parameters .................. |
88 |
E1:BASIC ........................................... |
88 |
■ NAME .............................................. |
88 |
■ WAVE (except for the DRUM KITS) ........... |
88 |
■ TUNE (except for the DRUM KITS) ............ |
89 |
■ VOLUME (except for the DRUM KITS) ...... |
89 |
■ KEY ON DELAY |
|
(except for the DRUM KITS) ...................... |
89 |
■ PAN ................................................. |
89 |
E2:CONTROLLER ............................. |
89 |
■ PITCH BEND WHEEL ..................... |
89 |
■ MODULATION WHEEL .................. |
90 |
■ INITIAL TOUCH CURVE ................. |
90 |
■ AFTER TOUCH ............................... |
90 |
E3:ENVELOPE ................................... |
91 |
■ AMPLITUDE ENVELOPE ............... |
91 |
■ FILTER ............................................ |
92 |
E4:EFFECTS ...................................... |
93 |
■ LFO ................................................. |
93 |
■ DELAY VIB ...................................... |
93 |
■ REVERB DEPTH ............................ |
93 |
■ CHORUS DEPTH ........................... |
93 |
■ DSP EFFECT .................................. |
93 |
■ LEAD EFFECT ................................ |
94 |
STORE/CLEAR .................................. |
94 |
■ STORE ............................................ |
94 |
■ CLEAR CUSTOM VOICE ............... |
94 |
The Drum Kit Edit Mode ................... |
95 |
Disk Operations |
96 |
Load From Disk .................................. |
96 |
Save To Disk ........................................ |
98 |
Rename File/Song .............................. |
99 |
Delete File/Song ................................ |
101 |
Format FD ........................................... |
102 |
Song Copy .......................................... |
102 |
HD Utility ............................................. |
104 |
■ DIRECTORY EDIT ........................ |
104 |
● RENAME ................................... |
104 |
● MAKE ........................................ |
104 |
● DELETE .................................... |
105 |
■ HD FORMAT ................................. |
105 |
■ CHECK .......................................... |
105 |
The PSR-7000 “Functions” |
106 |
General Function Selection & |
|
Editing Procedure ............................ |
106 |
■ The [EXIT] Button .......................... |
107 |
F1: Scale (Arabic)/Voice Part 108 |
|
■ SCALE (ARABIC) .......................... |
108 |
■ VOICE PART ................................ |
108 |
● SCALE CURVE ......................... |
108 |
● PART TUNE .............................. |
109 |
● OCTAVE ................................... |
109 |
● PAN ........................................... |
109 |
F2: Split Point/ABC Mode/ |
|
Multi Pad |
110 |
■ SPLIT POINT/ABC MODE ............ |
110 |
● SPLIT POINT ............................ |
110 |
● ABC MODE ............................... |
110 |
■ MULTI PAD ................................... |
111 |
● REPEAT .................................... |
111 |
● CHORD MATCH ....................... |
111 |
F3: Controller |
112 |
■ FOOT CONTROLLER ................... |
112 |
● VOLUME ................................... |
112 |
● SW1 (FOOTSWITCH 1) & |
|
SW2 (FOOTSWITCH 2) ............ |
112 |
■ PANEL CONTROLLER ................. |
114 |
● SUSTAIN BUTTON ................... |
114 |
● PITCH BEND WHEEL ............... |
114 |
● MODULATION WHEEL ............. |
114 |
● INITIAL TOUCH ........................ |
115 |
● AFTER TOUCH ......................... |
115 |
F4: Style Revoice |
116 |
● VOLUME OFFSET .................... |
116 |
● VOICE ....................................... |
116 |
● REVERB DEPTH ...................... |
117 |
● CHORUS DEPTH ...................... |
117 |
F5: Reverb/Chorus/DSP Effect |
118 |
■ REVERB TYPE & DEPTH ............ |
118 |
● REVERB TYPE ......................... |
118 |
● REVERB PARAMETER EDIT ... |
119 |
● REVERB DEPTH ...................... |
119 |
■ CHORUS DEPTH ......................... |
120 |
■ DSP EFFECT TYPE & DEPTH ..... |
120 |
● DSP EFFECT TYPE ................. |
120 |
● DSP EFFECT PARAMETER EDIT . 121 |
|
● DSP EFFECT DEPTH ............... |
121 |
F6: Harmony/Registration |
122 |
■ HARMONY .................................... |
122 |
■ REGISTRATION ........................... |
122 |
● NAME ........................................ |
122 |
● FREEZE GROUP SETTING ..... |
122 |
F7: Utility |
123 |
■ MEMORY BACKUP ...................... |
123 |
● MEMORY BACKUP .................. |
123 |
● DISPLAY - MIDI BANK SEL. & |
|
PROG. CHANGE #, TIME ......... |
123 |
■ RECALL PRESET DATA .............. |
123 |
F8: MIDI |
124 |
SYSTEM .............................................. |
124 |
■ LOCAL CONTROL ........................ |
124 |
■ CLOCK & TRANSPOSE ............... |
125 |
● CLOCK ...................................... |
125 |
● TRANSPOSE ............................ |
125 |
■ MESSAGE SWITCH ..................... |
125 |
● START/STOP ............................ |
125 |
● EXCLUSIVE .............................. |
126 |
TRANSMIT ..................................... |
126 |
● TRANSMIT MONITOR .............. |
126 |
● CHANNEL ................................. |
126 |
● PART ......................................... |
126 |
●NOTE, CONTROL CHANGE, PROGRAM CHANGE, & PITCH BEND
SWITCH .................................... |
127 |
RECEIVE ....................................... |
128 |
● RECEIVE MONITOR ................. |
128 |
● CHANNEL ................................. |
128 |
● MODE ....................................... |
128 |
●NOTE, CONTROL CHANGE, PROGRAM CHANGE, & PITCH BEND
SWITCH .................................... |
128 |
PANEL CONTROL ........................ |
129 |
● OCTAVE ................................... |
129 |
● NOTE ........................................ |
129 |
● TYPE SELECT & SUB ............. |
129 |
Troubleshooting ............................... |
131 |
Index .................................................... |
132 |
Voice List ............................................ |
134 |
Percussion Kit List .......................... |
138 |
Style List ............................................. |
139 |
Setup Parameters ............................. |
140 |
Fingering Chart ................................. |
144 |
The DSP Effects & Parameters ..... |
153 |
MIDI Implementation Chart ............ |
159 |
MIDI Data Format .............................. |
162 |
Sample Data Disks ........................... |
167 |
Specifications .................................... |
168 |
Taking Care of Your PortaTone
Your PortaTone will give you years of playing pleasure if you follow the simple rules given below:
■ Location
Do not expose the instrument to the following conditions to avoid deformation, discoloration, or more serious damage.
●Direct sunlight (e.g. near a window).
●High temperatures (e.g. near a heat source, outside, or in a car during the daytime).
●Excessive humidity.
●Excessive dust.
●Strong vibration.
■Power Supply
●In some areas the PSR-7000 will
have a voltage selector on the bot- |
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●Turn the power switch OFF when the instrument is not in use. (The PSR-7000 uses a very small amount of power to maintain the internal memory contents even when no batteries are installed and the power is turned off.)
●The power supply cord should be unplugged from the AC outlet if the instrument is not to be used for an extended period of time.
●Unplug the instrument during electric storms.
●Avoid plugging the instrument into the same AC outlet as appliances with high power consumption, such as electric heaters or ovens. Also avoid using multi-plug adapters since these can result in reduced sound quality, operation errors, and possibly damage.
■Memory Backup Batteries
The PSR-7000 requires four 1.5 V C size (LR14) batteries for memory backup power. If no backup batteries are installed, the memory contents will be lost when then instrument is unplugged from the AC mains supply.Please use alkaline batteries.The average life of a set of alkaline batteries is about 12 months.
1.Open Battery Compartment Cover
Open the battery compartment cover — located on the instrument’s bottom panel — by pressing on the two latches on the cover and pulling outward, as shown in the illustration.
2.Insert Batteries
Insert the four batteries, being careful to follow the polarity markings on the bottom panel.
3.Replace Cover
Replace the compartment cover, making sure that it locks firmly in place.
NOTES
•Never mix old and new, or different type of batteries!
•To prevent damage due to battery leakage, it is a good idea to remove the batteries from the PSR-7000 (after saving any important data to disk) if it is not to be used an extended period of time. (YAMAHA is not responsible irretrievable internal data.)
■Turn Power OFF When Making Connections
●To avoid damage to the instrument and other devices to which it is connected (a sound system, for example), turn the power switches of all related devices OFF prior to connecting or disconnecting audio and MIDI cables.
■Handling and Transport
●Never apply excessive force to the controls, connectors or other parts of the instrument.
●Always unplug cables by gripping the plug firmly, not by pulling on the cable.
●Disconnect all cables before moving the instrument.
●Physical shocks caused by dropping, bumping, or placing heavy objects on the instrument can result in scratches and more serious damage.
■Cleaning
●Clean the cabinet and panel with a dry soft cloth.
●A slightly damp cloth may be used to remove stubborn grime and dirt.
●Never use cleaners such as alcohol or thinner.
●Avoid placing vinyl objects on top of the instrument (vinyl can stick to and discolor the surface).
■Electrical Interference
●This instrument contains digital circuitry and may cause interference if placed too close to radio or television receivers. If this occurs, move the instrument further away from the affected equipment.
■Data Backup
●Save all important data to disk before turning off for longer periods.
●Internal data (e.g. Registration data) is retained in memory even if the power switch is turned OFF when backup batteries are installed as described above. If you do not intend to use the PSR-7000 for an extended period of time, it is a good idea to unplug the instrument from the AC outlet and remove the batteries.
2 |
●Internal memory data can be corrupted due to incorrect operation. Be sure to “save” important data to a floppy disk frequently so you have a backup to revert to if something happens to damage the data in memory. Also note that magnetic fields can damage data on the disk, so it is advisable to make a second back-up copy of disks that contain very important data, and keep backup disks in a safe place away from stray magnetic fields (i.e. away from speakers, appliances containing motors, etc.).
Taking Care of Your PortaTone
■Service and Modification
●The PSR-7000 contains no user serviceable parts. Opening it or tampering with it in anyway can lead to irreparable damage and possibly electric shock. Refer all servicing to qualified YAMAHA personnel.
Floppy Disks & the Disk Drive
■ Type of Disk
Use only 3.5-inch 2DD or 2HD floppy disks.
■Disk Insertion & Removal
●To insert a floppy disk in the disk drive, hold the disk with the label side facing up and the sliding shutter facing the disk drive door, then insert carefully until the disk clicks into place.
●To remove a floppy disk from the disk drive, make sure the “DISK IN USE” light is not lit and press the disk eject button firmly as far as it will go and then, when the disk is full ejected, remove it by hand.
If the eject button is only partially pressed or pressed too quickly the eject mechanism may not function properly, leaving the disk stuck halfway. Do not attempt to remove the disk forcefully if this happens, since excess force can damage the disk and/or the drive mechanism. Try either pressing the eject button carefully again, or push the disk all the way back into the drive and repeat the eject procedure.
●Never attempt to remove a floppy disk during a record or playback operation!! This can corrupt the data on the disk, and actually damage the disk drive!
●Be sure to remove the floppy disk from the disk drive before turning off the power. A floppy disk left in the drive for extended periods can easily pick up dust and dirt that can cause data read/write errors.
■Clean the Read/Write Head Regularly
This instrument employs a precision magnetic read/write head which, after an extended period of use, will pick up a layer of magnetic particles from the disks used that will eventually cause read and write errors. To maintain the disk drive in optimum working order we recommend that you use a commercially-available Dry-type Head Clean-
ing Disk to clean the head about once a month. Ask your Yamaha dealer about the available of head-cleaning disks.
■ Floppy Disk Handling & Storage
The actual recording medium inside a floppy disk has a fine coating of magnetic particles in which the data is “stored”. To protect this coating as well as the disk drive’s delicate read-write head, please observe the following:
●Always keep floppy disks in their case when they are not in use. Never place heavy objects on a disk or bend the disk in any way. Also keep disks away from liquids and dust.
●Never open the disk’s shutter and touch the exposed surface of the disk.
●Keep floppy disks away from strong magnetic fields such as those produced by television sets, speakers, motors, etc.
●Never leave floppy disks in areas exposed to strong direct sunlight, excessively high or low temperature, or high humidity.
●Never use a floppy disk with a deformed shutter or housing.
●Do not attach anything other than the provided labels to a floppy disk. Also make sure that labels are attached in the proper location.
■Protecting Your data
●To prevent accidental erasure of important data you have saved to floppy disk, be sure to slide the disk’s write-protect tab to the “write protect” position (the tab window should be open). When this is done the disk cannot be written to.
●Make regular backup copies of important data to a separate floppy disk, and keep your backup disks in a separate, safe place.
●To ensure the safety of your data (and of the disk drive itself) always use floppy disks from a well-known, reliable manufacturer. “No-brand” disks can cause trouble.
Write protected |
Write enabled |
YAMAHA is not responsible for damage caused by improper handling or operation. YAMAHA provides no guarantee against disk damage.
3 |
Panel Controls
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LEFT HOLD |
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MAX |
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PHONES |
MIC |
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1 POWER Button .......................................... |
page 8 |
2 DEMO Button ............................................. |
page 8 |
3 MASTER VOLUME Control ........................ |
page 8 |
4 MIC VOLUME Control ................................ |
page 6 |
5 ARRANGER Buttons ............................... |
page 34 |
PHRASE, PAD, CHORD, BASS, RHYTHM |
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6 ACCOMPANIMENT Buttons .................... |
page 26 |
7 ONE TOUCH SETTING Button ................ |
page 35 |
8 AUTO BASS CHORD Button ................... |
page 23 |
9 ACCOMPANIMENT DIRECTOR Buttons
........................................................pages 27 – 30
FADE IN/OUT, INTRO/FILL to A/B, MAIN A/B, ENDING/rit., SYNCHRO START, START/STOP
0 LEFT ORCHESTRA Buttons ............ |
pages 13, 14 |
! LEFT HOLD Button .................................. |
page 39 |
@ SONG PLAY Button ................................. |
page 53 |
# CUSTOM VOICE EDIT Button ................. |
page 84 |
$ FUNCTION Button ................................. |
page 106 |
% SONG RECORD Button .......................... |
page 58 |
^ CUSTOM ACCOMP. REC Button............. |
page 75 |
& DISK Button ............................................. |
page 96 |
* TEMPO [–] and [+] Buttons ...................... |
page 26 |
( MULTI PAD Buttons ................................. |
page 42 |
REC/STOP, PHRASE/CHORD-PERCUSSION, 1 — 8
4 |
Panel Controls
HELP/ LANGUAGE
EXIT
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P
) Liquid Crystal Display (LCD) .................... |
page 10 |
q LCD Buttons ............................................. |
page 10 |
w DIGITAL EQUALIZER Button ................... |
page 41 |
e MIXER Button .......................................... |
page 10 |
r LIST HOLD Button ................................... |
page 11 |
t LCD dials ................................................. |
page 10 |
y HELP/LANGUAGE Button ....................... |
page 11 |
u EXIT Button ....................................... |
pages 9, 107 |
i HARMONY Button ................................... |
page 37 |
o SUSTAIN Button ...................................... |
page 37 |
p TOUCH RESPONSE Button .................... |
page 38 |
Q REVERB Button ....................................... |
page 38 |
W CHORUS Button ...................................... |
page 39 |
E DSP EFFECT Button ............................... |
page 39 |
R LCD CONTRAST Control ........................ |
page 11 |
T REGISTRATION Buttons ......................... |
page 49 |
FREEZE, MEMORY, BANK 1~16 [–] and [+], |
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1 — 8 |
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Y PART SELECT Buttons ............................ |
page 14 |
R1, R2 |
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U RIGHT ORCHESTRA Buttons .......... |
pages 13, 14 |
I LEAD Buttons ................................... |
pages 13, 14 |
O ORGAN FLUTE Buttons .......................... |
page 16 |
P Disk Drive .................................... |
pages 53, 58, 96 |
a PITCH BEND Wheel ................................ |
page 40 |
s MODULATION Wheel .............................. |
page 40 |
5 |
Connections & Music Stand
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
AVIS: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR.
AUX OUT |
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FOOT SWITCH FOOT VOLUME |
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L/L+R |
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WARNING: |
ELECTRIC SHOCK, |
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TO REDUCE THE RISK OF FIRE1OR |
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DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE. |
AC INLET |
5 |
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3 4 |
■ Check the Voltage (Before you connect the AC cord) .........................................................................
In some areas the PSR-7000 will have a voltage selector on the bottom panel. Make sure that the voltage selector is set for the AC mains voltage in your area. The voltage selector can be set (rotated) by using a screwdriver. If in doubt, contact your Yamaha dealer.
110V
1 3 0 V
240V |
220V |
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■ The PHONES Jack......................................................................................................................................................................
A standard pair of stereo headphones can be plugged in here for private practice or late-night playing. The internal stereo speaker system is automatically shut off when a pair of headphones is plugged into the PHONES jack.
PHONES MIC
■ The MIC Jack & MIC VOLUME Control .................................................................................................................
The PSR-7000 includes a microphone (“MIC”) jack into which just about any standard microphone with a 1/4" phone plug connected can be plugged (a dynamic microphone with an impedance of 250 ohms is recommended). The microphone sound is amplified and reproduced via the PSR-7000’s sound system along with the sound of the internal tone generator. The volume of the microphone sound is independently controlled by the MIC VOLUME control.
NOTES
•The level of the microphone sound may vary according to the type of microphone used.
PHONES MIC
MIC VOLUME
MIN • |
• MAX |
1 The AUX OUT L/L+R and R Jacks .............................................................................................................................
The rear-panel AUX OUT L/L+R and R jacks deliver the output of the PSR-7000 for connection to a keyboard amplifier, stereo sound system, a mixing console, or tape recorder. If you will be connecting the PSR-7000 to a monaural sound system, use only the L/L+R jack. When a plug is inserted into the L/L+R jack only, the leftand rightchannel signals are combined and delivered via the L/L+R jack so you don’t lose any of the PSR-7000 sound.
Stereo System
AUX OUT
R L/L+R
6 |
Connections & Music Stand
2 The AUX IN L/L+R and R Jacks ....................................................................................................................................
The rear-panel AUX IN L/L+R and R jacks accept input from an external instrument or audio souce. The signal received at the INPUT jack is mixed with PSR-7000 sound and delivered via the speaker system. When a plug is inserted into the L/L+R jack only, the signal is delivered via the both channels.
CD Player
AUX IN
R L/L+R
3 FOOT SWITCH 1 and 2 Jacks.........................................................................................................................................
One or two optional Yamaha FC5 footswitches connected to these jacks can be used to control sustain and a range of other important functions. Refer to the “FOOT SWITCH 1” and “FOOT SWITCH 2” functions described on page 112.
FOOT SWITCH
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4 FOOT VOLUME Jack ................................................................................................................................................................
An optional Yamaha FC7 Foot Controller can be connected to this jack to allow foot volume (expression) control. The foot controller can be assigned to control overall volume or the volume of individual accompaniment and/or voices via the “FOOT VOLUME” function — page 112.
FOOT VOLUME
5 MIDI IN, THRU and OUT Connectors ......................................................................................................................
The MIDI IN connector receives MIDI data from an external MIDI device (such as a MIDI sequencer) which can be used to control the PSR-7000. The MIDI THRU connector re-transmits any data received at the MIDI IN connector, allowing “chaining” of several MIDI instruments or other devices. The MIDI OUT connector transmits MIDI data generated by the PSR-7000 (e.g. note and velocity data produced by playing the keyboard). More details on MIDI are provided on page 124.
MIDI
IN OUT THRU
Music |
Tone Generator |
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Computer |
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The Music Stand
The PSR-7000 is supplied with a music stand that can be attached to the instrument by inserting it into the holes at the rear of the speaker panel.
7 |
The Demonstration
To give you an idea of the PSR-7000’s sophisticated capabilities, it is programmed with 14 demonstration sequences which can be played in a number of ways.
ZSwitch ON ............................................................................................................................................................................................
Plug the AC power cord into a convenient AC outlet, then press the [POWER] button to turn the PSR-7000 ON.
DEMO POWER
XSet an Initial Volume Level ................................................................................................................................................
Set the [MASTER VOLUME] control to a position about a quarter of the way toward the highest setting. You can re-adjust the [MASTER VOLUME] control for the most comfortable overall volume level after playback begins.
MASTER VOLUME
MIN • |
• MAX |
CPress the [DEMO] Button ...................................................................................................................................................
Press the [DEMO] button and the PSR-7000 demo display will appear.
VStart & Stop Playback as Required
Press the START LCD button to start playback of all demo songs. Press the STOP LCD button when you want to stop playback.
DEMO POWER
BExit When Done ..........................................................................................................
Press either the [DEMO] button or the [EXIT] button to exit from the demo mode and return to the normal play-mode display when you’ve finished playing the demo songs.
DEMO
EXIT
8 |
The Demonstration
The Random & Single Demo Play Modes
If you play the demo as described above, you’ll hear all 14 demo songs played in random order. By selecting an appropriate play mode you can also play back all the songs sequence, or play a single specified song.
ZSelect a Play Mode ....................................................................................................................................................................
Use either of the LCD dials under MODE on the display to select one of the available play modes.
ALL |
All 14 demo songs are played |
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back in sequence. |
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RANDOM |
All 14 demo songs are played back |
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SINGLE SONG |
Only the selected song is played. |
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XSelect a Song .........................................................
Press the LCD button corresponding to the type of demo song you want to play, then use the same LCD button to select either of the two demo songs in that group. You can also use either of the LCD dials under SONG on the display to select any of the 14 demo songs.
CTurn the Repeat Mode ON or OFF .............................................................................................................................
Use the REPEAT LCD dial to turn repeat playback ON or OFF as required (when ON, the selected song or sequence of songs will be repeated until the STOP LCD button is pressed)
VStart & Stop Playback as Required .........................................................................................................................
Press the START LCD button to start playback of the selected demo song(s). Press the STOP LCD button when you want to stop playback.
BExit When Done ............................................................................................................................................................................
Press either the [DEMO] button or the [EXIT] button to exit from the demo mode and return to the normal play-mode display when you’ve finished playing the demo songs.
DEMO
EXIT
9 |
The PSR-7000 Display & Display-based Controls
The Display & Multi-function Controls
The PSR-7000 makes general operation and programming easier than ever with a large backlit LCD display panel and multi-function controls. The 8 LCD selectors
— four on either side of the display panel — and 8 LCD dials below the display perform the function indicated by the adjacent section of the display. In the example display shown here, for example, the LCD dial immediately below LEAD on the display can be used to adjust the volume of the LEAD voice. Rotate the dial upward to increase the volume, or rotate the dial downward to decrease the volume. In the same way, the LCD button immediately to the right of LEAD on the display is used to set the normal octave for the lead voice (“0”), shift it one octave up (“+1”), or one octave down (“–1”).
■ The [MIXER] Button ..................................................................................................................................................................
The lower section of the normal play mode display, shown above, provides individual volume controls for the PSR-7000’s song, multi pad, accompaniment, left, right 1, right 2, lead, and organ sound. Pressing the ACCOMP. VOLUME LCD button switches to the individual auto-accompani- ment part volume controls: rhythm 1, rhythm 2, bass, chord 1, chord 2, pad, phrase 1, and phrase 2. This is essentially a “mixer” that you will use the achieve the best overall balance for your musical needs. The mixer controls will disappear when functions which have different displays are selected, but can be instantly recalled without exiting from the current display mode by pressing the [MIXER] button. Pressing the [MIXER] button a second time (or the [EXIT] button) causes the mixer controls to disappear.
DIGITAL EQUALIZER
MIXER
LIST
HOLD
10 |
The PSR-7000 Display & Display-based Controls
■ The [LIST HOLD] Button......................................................................................................................................................
When selecting voices (page 14) or accompaniment styles (page 26), or using the ONE TOUCH SETTING feature (page 35), the voice, style, or ONE TOUCH SETTING list will appear on the display, but will automatically disappear after a few seconds if no selections are made. The list can be kept on the display for as long as required by pressing the [LIST HOLD] button so that its LED lights. Press [LIST HOLD] a second time (the LED will go out) to disengage the list hold function.
DIGITAL EQUALIZER
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MIXER |
NOTES |
LIST |
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HOLD |
• If the [LIST HOLD] button is engaged when a list is not showing, the list will not appear even when a voice group, style group, or ONE TOUCH SETTING button is pressed.
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The [LCD CONTRAST] Control.....................................................................................................................................
The PSR-7000 display panel is a liquid-crystal
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The 5-language Help Function .....................................................................................................................................
To make operation as smooth and easy as possible, the PSR-7000 provides “on-line help” for most features and functions.
Press the [HELP/LANGUAGE] button to see help text for the current display, or press any other panel button after pressing the [HELP/LANGUAGE] button to see help text for that button. Press the
[EXIT] or [HELP/LANGUAGE] button when you’re ready to exit from the help mode. If more than one page of help text is available for the selected topic, use the LCD buttons to the right of the display to switch pages as necessary.
Help text and screen messages are available in five languages: English, German, French, Spanish, and Italian. Use the LCD dials in the help display to select the desired language.
HELP/ LANGUAGE
EXIT
11 |
Playing the PSR-7000
■ Before You Begin
Before playing your PSR-7000 for the first time, it might be a good idea to re-initialize it to the original factory settings just in case these have been changed at some point before you receive the instrument. To do this, turn the [POWER] switch ON while holding the [DEMO] and [EXIT] buttons.
When the display shown to the right appears press the OK LCD button.
•When the above initialization procedure is carried out, all internal data (e.g. REGISTRATION, CUSTOM STYLE, CUSTOM VOICE, MULTI PAD) will also be initialized and therefore lost!
DEMO POWER
EXIT
Selecting & Playing Voices
The PSR-7000 allows you to individually select and play up to four “orchestra parts” at the same time in a number of ways. A range of voices can be assigned to each orchestra part. There’s also an “ORGAN FLUTE” part which simulates an extremely wide range of organ sounds — complete with realistic rotary speaker effect.
RIGHT ORCHESTRA 1 |
Both the RIGHT 1 and RIGHT 2 voices are polyphonic voices which can be played over |
RIGHT ORCHESTRA 2 |
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LEAD |
This is a monophonic voice which can be played over the entire keyboard or to the right of |
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a specified split point. The default split point is the F#2 key. The LEAD voice can be played |
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alone, or simultaneously with either or both of the RIGHT ORCHESTRA voices. The LEAD |
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When only the LEAD voice is being played it has “last note priority”. That is, only the last |
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voice it has “highest note priority” — the highest note is played by the LEAD voice. |
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LEFT ORCHESTRA |
A polyphonic voice which can be played to the left of a specified split point while the |
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RIGHT 1, RIGHT 2, and/or LEAD voices are played to the right of the split point. The de- |
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fault split point is the F#2 key. The LEFT voice can be selected from a range of 205 voices |
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organized in 6 groups. |
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ORGAN FLUTE |
This is a polyphonic voice which can be played over the entire keyboard or to the right of a |
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specified split point. The default split point is the F#2 key. The ORGAN FLUTE voice can- |
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GAN FLUTE voices are provided on page 16. |
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* Voice numbers include Custom Voice. |
12 |
Playing the PSR-7000
ZSet Initial Volume Levels .....................................................................................................................................................
Set the [MASTER VOLUME] control to an appropriate level, and make sure that the LEFT, R1, R2, LEADand ORGANvolume levels in the MIXER MAIN VOLUME display are set to their maximum “100” levels (use the corresponding LCD dials to set these volume levels if necessary). You can set the [MASTER VOLUME] control for the most comfortable overall volume level after beginning to play.
NOTES
•No sound will be produced if all volume levels other than the [MASTER VOLUME] control are set to their minimum values.
MASTER VOLUME
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XSelect the Orchestra Parts You Want To Play ................................................................................................
Press the [RIGHT 1], [RIGHT 2], [LEAD], and/or [LEFT] button(s), turning on the |
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13 |
Playing the PSR-7000
If you press the EASY SETTING LCD button before it disappears, the easy-setting display for that part will appear providing access to the split point parameters as well as the individual octave, pan, and tune parameters for that part. These same parameters can be accessed via the FUNCTION displays (page 106), but the easy-setting displays offer an easier, more efficient way to set these parameters when selecting parts. The easy setting display for a part that is already on can be accessed by pressing the EASY SETTING LCD button while holding the corresponding part button (in this case the part button indicator will not go out when the button is released). See the following pages for details on each of the orchestra part easy setting parameters:
NOTES
•The more parts you play simultaneously, the fewer the total number of notes that can be played on the keyboard at the same time.
•When the RIGHT 1 and RIGHT 2 parts are both on and the same voice is selected for both parts, the sound may be slightly different from the normal voice.
•When the LEFT part is on, the left voice will automatically be transposed up one octave.
SPLIT POINT [L] |
Page 20 |
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SPLIT POINT [A] |
Page 31 |
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OCTAVE |
Page 109 |
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PAN |
Page 109 |
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TUNE |
Page 109 |
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CSelect a Voice or Voices........................................................................................................................................................
To select a RIGHT 1 or RIGHT 2 voice use the RIGHT ORCHESTRA voice selectors, to select a LEAD voice use the LEAD voice selectors, to select an ORGAN FLUTE voice use the ORGAN FLUTE voice selectors ([COMBI 1-6], [COMBI 7-12], or [COMBI 13-18]), and to select a LEFT voice use the LEFT ORCHESTRA voice selectors.
When selecting a RIGHT 1 or RIGHT 2 voice it is also necessary to press the [R1] or [R2] PART SELECT button prior to actually selecting the voice, according to whether you want to select a RIGHT 1 or RIGHT 2 voice (this is not necessary if the [R1] or [R2] indicator for the part you want to select is already lit).
Use the voice group buttons to select the group from which you want to select a voice. The corresponding voice display will appear.
NOTES
•The display will automatically revert to the main display after a few seconds if the [LIST HOLD] button is not engaged (page 11).
•Custom voices which can be selected via the RIGHT ORCHESTRA, LEFT ORCHESTRA, and LEAD [CUSTOM] buttons can be created via the CUSTOM VOICE EDIT mode described on page 84, or loaded from disk.
14 |
Playing the PSR-7000
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Use the page-number LCD dials the select the page containing the voice you want if more than one page is available, then press the LCD button corresponding to the desired voice. You can also use either of the SELECT LCD dials to select any of the voices within the selected group.
VPlay & Adjust Volume..............................................................................................................................................................
You can now play the selected voice or voices on the keyboard. Use the [MASTER VOLUME] control to adjust the overall volume level, and the MIXER MAIN VOLUME LCD dials to set the desired balance between the parts.
15 |
Playing the PSR-7000
Using the Organ Flute Voices
The PSR-7000 has 18 preset ORGAN FLUTE voices which can be selected in the same way as the RIGHT, LEAD and LEFT voices: press an ORGAN FLUTE voice group button — [COMBI 1-6], [COMBI 7-12], or [COMBI 13-18] — and then press the LCD button corresponding to the desired voice in the selected group. The main difference between the ORGAN FLUTE voices and others is that the ORGAN FLUTE voices can be directly edited via the voice list display. The editing controls appear below the voice list (turn [LIST HOLD] on to keep the voice list and editing controls on the display).
ORGAN FLUTE
COMBI 1~6
COMBI 7~12
COMBI 13~18
ROTARY
SPEAKER
SLOW
SPEED
FAST
ORGAN FLUTE
■ FOOTAGE .............................................................................................................................................................................................
The basic sound of the currently selected ORGAN FLUTE voice is edited via FOOTAGE bars corresponding to the LCD dials. If the FOOTAGE display is not showing, press the FOOTAGE LCD button in the ORGAN FLUTE voice list display. The term “FOOTAGE” is a reference to the fact that the sound of pipe organs was adjusted via “stops” which turned on or off pipes of different lengths (in feet). The longer the pipe, the lower the pitch of the sound, thus the 16' (16-foot) FOOTAGE bar adjusts the volume of the lowest pitched component of the voice while the 1' bar adjusts the highest-pitched component of the voice. Use the LCD dials to increase or reduce the amount of the corresponding footages to create the desired overall sound. The longer a graphic footage bar, the greater the amount of the corresponding footage added to the sound.
16 |
Playing the PSR-7000
■ VOLUME & ATTACK ..................................................................................................................................................................
To access the VOLUME and ATTACK parameters for the ORGAN FLUTE voices, press the
VOLUME/ATTACK LCD button from the FOOTAGE display.
The VOLUME control adjusts the overall volume of the current ORGAN FLUTE voice. The longer the graphic bar, the greater the volume.
The ATTACK controls adjust the attack sound of the current ORGAN FLUTE voice. The 4', 2 2/3' and 2' controls increase or reduce the amount of attack sound at the corresponding footages. The longer the graphic bar the greater the attack sound. The LENGTH control produces a longer or shorter decay after the initial attack. The longer the graphic bar the longer the decay. The MODE control selects the FIRST or EACH attack mode: in the FIRST mode attack will only be applied to the first note in a chord or group of notes played and held simultaneously; in the EACH mode attack will be applied equally to all notes. The RESP control increases or decreases the length of attack and release on voices based on the FOOTAGE controls. The higher the value the longer the attack and release.
■ NAME & ROTARY SPEAKER ...........................................................................................................................................
To access the NAME and ROTARY SPEAKER parameters for the ORGAN FLUTE voices, press the NAME/ROTARY SP. LCD button from the FOOTAGE display.
The NAME controls can be used to enter an original name for the current ORGAN FLUTE voice. Voice names can be up to 12 characters long. Use the < > LCD dials to move the name cursor to the various character positions, then use the A~Z, a~z or 0~9… LCD dial to select the required character for each position. The A~Z LCD dial selects capital letters, the a~z LCD dial selects lower-case letters, and the 0~9… LCD dial selects numbers and special characters.
17 |
Playing the PSR-7000
The ROTARY SPEAKER controls set up the rotary speaker effect for the current ORGAN FLUTE voice. The TYPE control selected one of 5 different rotary speaker types. The SPEED control sets the speed of the rotary speaker effect when the FAST mode is selected: the greater the value the faster the speed. The RATE control sets the rate of variation between the FAST and SLOW modes: the greater the value the faster the rate of change when the FAST or SLOW rotary speaker mode is selected. The DEPTH control sets the depth of the rotary speaker effect: the higher the value the more pronounced the effect.
NOTES
•All of the above parameters can be individually programmed for each ORGAN FLUTE voice. The settings are retained in memory even when the power is turned off as long as a good set of backup batteries is present in the PSR-7000 (page 2).
•The ORGAN FLUTE settings can be saved to disk and recalled when needed via the SAVE TO DISK and LOAD FROM DISK functions described on pages 96 and 98.
•The original factory settings can be recalled via the RECALL PRESET DATA function described on page 123.
■Using the Rotary Speaker Effect ................................................................................................................................
When the ORGAN FLUTE voice is selected, press the [ROTARY SPEAKER] button so that its indicator lights to engage the ROTARY SPEAKER effect. Press the [ROTARY SPEAKER] button again to turn the effect off. The [SPEED] button alternately switches between the slow and fast speeds. The current speed is indicated by the SLOW and FAST indicators next to the [SPEED] button.
ORGAN FLUTE
COMBI 1~6
COMBI 7~12
COMBI 13~18
ROTARY
SPEAKER
SLOW
SPEED
FAST
ORGAN FLUTE
18 |
Playing the PSR-7000
Keyboard Percussion
When one of the RIGHT ORCHESTRA [DRUM KIT] voices is selected, you can play 61 different drums and percussion instruments on the keyboard. The drums and percussion instruments played by the various keys are marked by symbols above the keys. Some of the instruments in the different drum kit voices sound different even though they have the same name, while others are essentially the same.
NOTES
•When the DRUM KIT voice OCTAVE parameter is set to “–1”, 11 different instruments are available in the lowest octave.
• The Transpose, Tune, Sustain, Harmony, Left Hold, and Modulation functions do not affect the DRUM KIT voices.
•The pitch bend wheel can be used to bend the pitch of the keyboard percussion voices to create unique musical effects, but it has little effect on some percussion sounds.
•See page 138 for a complete listing of the keyboard percussion drum instrument assignments.
19 |
Playing the PSR-7000
Changing the “L” Split Point
The PSR-7000 has two programmable split points — one which divides the LEFT and RIGHT/LEAD/ORGAN FLUTE orchestra parts, and one which divides the auto-accompaniment and manual sections of the keyboard when AUTO BASS CHORD accompaniment (page 31) is engaged. In the split point displays accessed by the EASY SETTING LCD button described below, and the FUNCTION displays (page 110), the former is indicated by the “L” marker and the latter by the “A” marker above the graphic keyboard. The current split points are indicated on the display both by the split markers and the “splits” in the graphic keyboard. We’ll look at the ABC (“A”) split point in more detail in “Using the Accompaniment Section”, page 31. For now, here’s how you can change the “L” split point via the orchestra part easy-setting displays to suit your own playing requirements.
ZSelect an Orchestra Part Easy Setting Display ..........................................................................................
Select an orchestra part easy-setting display either by turning a part on or off and pressing the EASY SETTING LCD button before it disappears, or by pressing the EASY SETTING LCD button while holding an orchestra part button that is already on.
XSet the Split Point .......................................................................................................................................................................
The split point can be set in two ways: either use the SPLIT POINT L LCD dials, or press the desired key on the keyboard while holding the L DIRECT SETTING LCD button. The new split point will be indicated on the graphic keyboard in the LCD.
NOTES
•The “L” split point cannot be set lower than the “A” split point.
•When the “L” and “A” split points are set at different keys, the LEFT voice can be played between the “A” and “L” split points when the AUTO BASS CHORD function on. When the “L” and “A” split points are set to the same key, the LEFT voice can be played anywhere to the left of the “L” and “A” split points.
CReturn to the Previous Display
When Done .......................................
Press the EXIT LCD button or [EXIT] panel button to return to the previous display when done.
Press a key while holding the L DIRECT SETTING LCD button.
20 |
Transposition, Tuning,
& Octave Change
The most important and fundamental adjustment for any musical instrument is tuning. The TRANSPOSE, TUNING, and OCTAVE CHANGE functions described below let you control the pitch of the PSR-7000 in a number of ways.
TRANSPOSE & TUNE
These functions allow the overall pitch of the PSR-7000 to be transposed up or down in semitone steps, and finetuned in 0.2 Hertz steps.
ZPress the TRANSPOSE/TUNE LCD Button .....................................................................................................
Select the transpose and tune functions from the normal play mode display by pressing the TRANSPOSE/TUNE LCD button.
XSet the Transposition and/or Tuning As Required...................................................................................
Use the TRANSPOSE LCD dials to set the desired degree of transposition, and the TUNE LCD dials to set the desired degree of tuning.
The transpose range is from –24 to +24, allowing a maximum upward or downward transposition of 2 octaves. A setting of “0” produces the normal pitch.
The tuning range is from 414.6 Hertz to 466.8 Hertz, adjustable in 0.2-Hertz steps. A3 = 440.0 Hertz is “normal” pitch.
CReturn to the Main Display When Done ..............................................................................................................
Press the MAIN VOLUME LCD button to exit from the transpose and tune functions and return to the main display.
21 |
Transposition, Tuning, & Octave Change
OCTAVE CHANGE
This function allows the LEFT, RIGHT 1, RIGHT2, LEAD, and ORGAN FLUTE voices to be independently transposed up or down by one octave.
The LEFT, R1, R2, LEAD, and ORGAN LCD buttons directly set the octave of the corresponding voice. Pressing one of these buttons changes the corresponding octave setting to “+1”, “–1”, and then “0”, in sequence. “+1” shifts the voice up one octave “–1” shifts the voice down one octave, and “0” sets the voice to its normal octave.
NOTES
•These parameters are also available in the F1 VOICE PART function display — page 109.
•Some voices may suddenly shift octaves when played at the extreme ends of the keyboard if they are set to a lower or higher octave than normal. This can also occur when the PITCH BEND wheel is used on extremely low or high notes.
•If you change the transpose, octave change, or tuning settings while playing one or more notes on the keyboard, the new octave change settings will take effect from the next notes played while tune and transpose settings take effect immediately.
22 |
Using the Accompaniment Section
The PSR-7000 has 120 different preset accompaniment “styles” and up to 32 custom accompaniment styles that can be used to provide fully-orchestrated or rhythm-only accompaniment. The PSR7000’s sophisticated Auto Bass Chord accompaniment system can provide automated bass and chord backing that is perfectly matched to the selected accompaniment style.
ZTurn ABC ON ....................................................................................................................................................................................
Press the [AUTO BASS CHORD] button so that its indicator lights, thereby turning the ABC mode on.
NOTES
•Rhythm-only accompaniment will be produced if you don’t turn the [AUTO BASS CHORD] button on.
•The maximum number of notes that can be played simultaneously on the PSR-7000 keyboard is reduced when the Auto Bass Chord feature is used.
•The PSR-7000 employs “last-note priority”, which means that when the number of notes played on the keyboard exceeds the total number that can be produced by the PSR-7000 at that time, the last notes played take priority.
ACCOMPANIMENT
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XSelect the Desired ABC Mode .......................................................................................................................................
Press the ABC EASY SETTING LCD button immediately after pressing the [AUTO BASS CHORD] button to select the ABC MODE and SPLIT POINT display. Use the ABC MODE LCD dials to select the SINGLE FINGER, FINGERED 1, FINGERED 2, FULL KEYBOARD, AUTO MIDI BASS, or MANUAL MIDI BASS mode. If you select the MANUAL MIDI BASS mode, and press the BASS VOICE LCD button which appears, you can use the GROUP LCD dials to specify the bass voice to be used. Press the ABC MODE LCD button to return to the ABC MODE display as required.
Press the EXIT LCD button or [EXIT] panel button to return to the main display when done.
The SINGLE FINGER, FINGERED 1, FINGERED 2, FULL KEYBOARD,AUTO MIDI BASS and MANUAL MIDI BASS modes function as follows:
23 |
Using the Accompaniment Section
● SINGLE FINGER (SF)
Single-finger accompaniment makes it simple to produce beautifully orchestrated accompaniment using major, seventh, minor and minor-seventh chords by pressing a minimum number of keys on the lefthand section of the keyboard. The abbreviated chord fingerings described below are used:
■For a major chord, press the root key only.
■For a minor chord, simultaneously press the root key and a black key to its left.
■For a seventh chord, simultaneously press the root key and a white key to its left.
■For a minor-seventh chord, simultaneously press the root key and both a white and black key to its left.
● FINGERED 1 (FC1)
This is the default ABC mode. The FINGERED 1 mode lets you finger your own chords on the ABC section of the keyboard (i.e. all keys to the left of and including the split-point key — normally F#2), while the PSR-7000 supplies appropriately orchestrated rhythm, bass, and chord accompaniment in the selected style.
The FINGERED 1 mode will accept the 34 chord types.
● FINGERED 2 (FC2)
This mode accepts the same fingerings as the FINGERED 1 mode, but the lowest note played in the ABC section of the keyboard is used as the bass root, allowing you to play “on bass” or “fraction” chords (in the FINGERED 1 mode the root of the chord is always used as the bass root).
24 |
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● FULL KEYBOARD
When this advanced auto-accompaniment mode is engaged the PSR-7000 will automatically create appropriate accompaniment while you play just about anything, anywhere on the keyboard: chords, a bass line, arpeggiated chords, a melody line. The name of the detected chord will appear on the display. You don’t have to worry about specifying the accompaniment chords. Although the FULL KEYBOARD mode is designed to work with many songs, some arrangements may not be suitable for use with this feature. Try playing a few simple songs in the FULL KEYBOARD mode to get a feel for its capabilities.
NOTES
•Chord detection occurs at approximately 8th-note intervals. Extremely short chords — less than an 8th note in length — may therefore not be detected.
● AUTO MIDI BASS
In this mode all accompaniment parts except the bass part respond to the chord played on the keyboard. Fingering is the same as in the FINGERED 1 mode. If more than three notes are played on the ABC section of the keyboard in this mode, and if the chord played is not recognized by the PSR-7000, only the top three are used for chord recognition. All others are ignored. The bass part is determined by the note played on an external MIDI bass keyboard connected to the MIDI IN terminal and assigned to the MIDI Bass channel (page 128).
● MANUAL MIDI BASS
In this no chord recognition occurs. All accompaniment parts other than the rhythm part are muted, and a MIDI bass keyboard connected to the MIDI IN connector and assigned to the MIDI Bass channel (page 128) directly plays the bass voice selected via the BASS VOICE parameter that appears when the MANUAL MIDI BASS mode is selected in the ABC easy-setting display.
Using the Accompaniment Section
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Using the Accompaniment Section
CSelect a Style ...................................................................................................................................................................................
The PSR-7000 has 120 preset styles organized in 11 groups (see the “Style List” on page 130).
Use the ACCOMPANIMENT group buttons to select the group from which you want to select a style. The corresponding style display will appear.
NOTES
•The display will automatically revert to the main display after a few seconds if the [LIST HOLD] button is not engaged (page 11).
•For easy selection some styles are repeated in different groups.
•Custom styles which can be selected via the ACCOMPANIMENT [CUSTOM] button can be created via the CUSTOM ACCOMPANIMENT RECORD mode described on page 75, or loaded from disk.
Use the page-number LCD dials to select the page containing the style you want if more than one page is available, then press the LCD button corresponding to the desired style. You can also use either of the SELECT LCD dials to select any of the styles within the selected group.
The PSR-7000 automatically determines the voices to be used for the accompaniment bass and chords according the accompaniment style you select.
NOTES
•Also see “Custom Accompaniment” on page 75.
•The custom style button can be used to access the styles on optional SFF (Style File Format) disks.
ACCOMPANIMENT
ROCK / |
JAZZ |
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ROCK’N’ROLL |
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POP/ BEAT |
LATIN |
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BALLAD |
COUNTRY& |
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WESTERN |
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ONE TOUCH |
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SETTING |
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DANCE |
MARCH / |
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WALTZ |
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DISCO |
BALLROOM |
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RHYTHM & |
CUSTOM |
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BLUES |
STYLE |
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AUTO BASS CHORD |
VSet the Tempo .................................................................................................................................................................................
When you select a different style while the accompaniment is not playing, the “default” tempo for that style is also selected, and the tempo is displayed on the display in quarter-note beats per minute. If the accompaniment is playing, the same tempo is maintained even if you select a different style.
You can change the tempo to any value between 32 and 280 beats per minute, however, by using the TEMPO [–] and [+] buttons. This can be done either
before the accompaniment is started or while it is Tempo playing. To use the [–] and [+] buttons, press either
button briefly to decrement or increment the tempo value by one, or hold the button for continuous decrementing or incrementing.
NOTES
•The default tempo for the selected style can be recalled at any time by pressing both the TEMPO [–] and [+] buttons simultaneously.
TEMPO
– +
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