SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha.
This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.
This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.
NOTICE:
Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility.
Please study this manual carefully and consult your dealer before requesting service.
This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged.
When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information.
Disposal Notice:
Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:
Battery Notice:
This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.
Model
Serial No.
Purchase Date
92-BP (bottom)
PLEASE KEEP THIS MANUAL
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! |
with FCC regulations does not guarantee that interference will not occur in |
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This product, when installed as indicated in the instructions contained in |
all installations. If this product is found to be the source of interference, |
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this manual, meets FCC requirements. Modifications not expressly |
which can be determined by turning the unit “OFF” and “ON”, please try to |
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approved by Yamaha may void your authority, granted by the FCC, to use |
eliminate the problem by using one of the following measures: |
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the product. |
Relocate either this product or the device that is being affected by the |
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2. IMPORTANT: When connecting this product to accessories and/or |
interference. |
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another product use only high quality shielded cables. Cable/s supplied |
Utilize power outlets that are on different branch (circuit breaker or fuse) |
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with this product MUST be used. Follow all installation instructions. Failure |
circuits or install AC line filter/s. |
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to follow instructions could void your FCC authorization to use this product |
In the case of radio or TV interference, relocate/reorient the antenna. If the |
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in the USA. |
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antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial |
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3. NOTE: This product has been tested and found to comply with the |
type cable. |
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requirements listed in FCC Regulations, Part 15 for Class “B” digital |
If these corrective measures do not produce satisfactory results, please |
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devices. Compliance with these requirements provides a reasonable level |
contact the local retailer authorized to distribute this type of product. If you |
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of assurance that your use of this product in a residential environment will |
can not locate the appropriate retailer, please contact Yamaha Corpora- |
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not result in harmful interference with other electronic devices. This equip- |
tion of America, Electronic Service Division, 6600 Orangethorpe Ave, |
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ment generates/uses radio frequencies and, if not installed and used |
Buena Park, CA90620 |
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according to the instructions found in the users manual, may cause inter- |
The above statements apply ONLY to those products distributed by |
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ference harmful to the operation of other electronic devices. Compliance |
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Yamaha Corporation of America or its subsidiaries. |
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* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. |
(class B) |
OBSERVERA!
Apparaten kopplas inte ur växelströmskällan (nätet) sá länge som den ar ansluten till vägguttaget, även om själva apparaten har stängts av.
ADVARSEL: Netspæendingen til dette apparat er IKKE afbrudt, sálæenge netledningen siddr i en stikkontakt, som er t endt — ogsá selvom der or slukket pá apparatets afbryder.
VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko laitetta verkosta.
Entsorgung leerer Batterien (nur innerhalb Deutschlands)
Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte Batterien oder Akkumulatoren dürfen nicht in den Hausmüll. Sie können bei einer Sammelstelle für Altbatterien bzw. Sondermüll abgegeben werden. Informieren Sie sich bei Ihrer Kommune.
(battery)
(standby)
2
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep these precautions in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
•Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.
•Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings.
•If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the
power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel.
•Use the specified adaptor (PA-3B or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating.
•Before cleaning the instrument, always remove the electric plug from the outlet. Never insert or remove an electric plug with wet hands.
•Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:
•Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.
•When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord.
•Do not connect the instrument to an electrical outlet using a multiple-con- nector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
•Unplug the AC power adaptor when not using the instrument, or during electrical storms.
•Always make sure all batteries are inserted in conformity with the +/- polarity markings. Failure to do so might result in overheating, fire, or battery fluid leakage.
•Always replace all batteries at the same time. Do not use new batteries together with old ones. Also, do not mix battery types, such as alkaline batteries with manganese batteries, or batteries from different makers, or different types of batteries from the same maker, since this can cause overheating, fire, or battery fluid leakage.
•Do not dispose of batteries in fire.
•Do not attempt to recharge batteries that are not intended to be charged.
•When the batteries run out, or if the instrument is not to be used for a long time, remove the batteries from the instrument to prevent possible leakage of the battery fluid.
•Keep batteries away from children.
•If the batteries do leak, avoid contact with the leaked fluid. If the battery fluid should come in contact with your eyes, mouth, or skin, wash immediately with water and consult a doctor. Battery fluid is corrosive and may possibly cause loss of sight or chemical burns.
•Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
•Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the
day) to prevent the possibility of panel disfiguration or damage to the internal components.
•Do not use the instrument near other electrical products such as televisions, radios, or speakers, since this might cause interference which can affect proper operation of the other products.
•Do not place the instrument in an unstable position where it might accidentally fall over.
•Before moving the instrument, remove all connected adaptor and other cables.
•When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths. Also, do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.
•Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors.
•Use only the stand specified for the instrument. When attaching the stand or rack, use the provided screws only. Failure to do so could cause damage to the internal components or result in the instrument falling over.
•Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
■SAVING USER DATA
•Always save data to an external device such as the Yamaha MIDI data filer MDF3 frequently, in order to help prevent the loss of important data due to a malfunction or user operating error.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
Make sure to discard used batteries according to local regulations.
*The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may be different from the ones on your instrument.
3
(4)-7
Congratulations on your purchase of the Yamaha PSR-282 PortaTone!
You now own a portable keyboard that combines advanced functions, great sound and exceptional ease-of-use in a highly compact package. Its outstanding features also make it a remarkably expressive and versatile instrument.
Read this Owner’s Manual carefully while playing your new PSR-282 in order to take full advantage of its various features.
Main Features
The PSR-282 is a sophisticated yet easy-to-use keyboard with the following features and functions:
■Yamaha Education Suite
The PSR-282 features the new Yamaha Education Suite — a set of learning tools that utilize the latest technology to make studying and practicing music more fun and fulfilling than ever before!
The Yamaha Education Suite includes:
● Lesson ............................. |
page 60 |
The convenient and easy-to-use Lesson feature, guides you through the parts of a song — just like a patient teacher! Select from any one of 100 songs on the PSR-282, and learn the leftand right-hand parts independently at first, then together. Lesson features four easy steps that help you master each song: Timing, Waiting, Minus One, and Both Hands.
● Grade & Talking ............................. |
pages 65, 66 |
The PSR-282 also has the Grade and Talking features. Grade is a virtual “teacher,” evaluating your practice sessions and rating your performance. The convenient Talking function “announces” each Lesson step and your “grades,” among other things.
● Dictionary ............................. |
page 45 |
Dictionary is a built-in “chord encyclopedia” that teaches you how to play specific chords by showing you the appropriate notes in the display — perfect for when you know the name of a chord and want to quickly learn how to play it!
■ Portable Grand ............................. |
page 20 |
The PSR-282 also has a Portable Grand function for realistic piano performance. Pressing the [Piano] button instantly calls up the stunningly authentic “Stereo Sampled Piano” voice and configures the entire PSR-282 for optimum piano play. Special Pianist styles — with piano-only accompaniment — are also provided.
■ DJ ............................. |
page 22 |
The DJ feature is an exciting new addition to the PSR-282, that puts a wealth of contemporary sounds and rhythms at your fingertips. Pressing the [DJ] button instantly calls up one of the special DJ songs (“DJ GAME”) and a DJ style, and provides the appropriate voice and sound effects to match.
Other powerful features include:
•256 exceptionally realistic and dynamic voices, utilizing digital recordings of actual instruments.
•Special Split voices, with two different voices playable from separate sections of the keyboard.
•10 different Drum Kit voices, with individual drum and percussion sounds on each key.
•High-quality Reverb, DSP, and Harmony effects for enhancing the sound of the voices — and your performance.
•100 auto accompaniment styles, each with Intro, Main A and B, and Ending sections. An Auto Fill function adds dynamic fills when switching sections.
•Powerful, easy-to-usesong recording operations, for recording and playing back up to five of your original songs.
•Registration Memory presets for storing all of the PSR-282’s panel settings to a single button for instant and automatic recall.
•One Touch Setting function for automatically calling up an appropriate voice to match the style or song you select.
•Touch Response and Dynamic Filter that give you extraordinarily expressive control over the voices. They automatically change both the volume and tone according to your playing strength — just like a real musical instrument!
•Full MIDI and General MIDI (GM) compatibility, letting you easily integrate the PSR-282 into a MIDI music system, and use the built-in GM voices with all GM software.
•Built-in high-quality stereo amplifier/speaker system.
4
Panel Controls and Terminals ........................ |
6 |
Setting Up......................................................... |
8 |
• Power Requirements .......................................... |
8 |
• Turning On the Power......................................... |
8 |
• Accessory Jacks ................................................. |
9 |
Quick Guide |
10 |
Step 1 Voices ........................................................... |
10 |
Step 2 Songs ............................................................ |
12 |
Step 3 Auto Accompaniment ..................................... |
14 |
Step 4 Lesson .......................................................... |
16 |
Panel Display Indications ............................. |
18 |
Portable Grand............................................... |
20 |
• Playing the Portable Grand............................... |
20 |
• Using the Metronome ....................................... |
20 |
DJ .................................................................... |
22 |
• Playing the DJ................................................... |
22 |
Playing Voices ............................................... |
23 |
• Playing a Voice ................................................. |
23 |
• One Touch Setting............................................ |
25 |
• Transpose and Tuning...................................... |
26 |
• Touch and Touch Sensitivity............................. |
28 |
Effects............................................................. |
29 |
• Reverb .............................................................. |
29 |
• DSP .................................................................. |
30 |
• Harmony ........................................................... |
31 |
Auto Accompaniment.................................... |
34 |
• Selecting a Style ............................................... |
34 |
• Playing the Accompaniment ............................. |
35 |
• Sync Stop ......................................................... |
39 |
• Changing the Tempo ........................................ |
40 |
• Accompaniment Sections |
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(Main A/B and Fill-ins) ...................................... |
40 |
• Adjusting the Accompaniment Volume ............. |
41 |
• Using Auto Accompaniment |
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— Multi Fingering ............................................. |
42 |
• Setting the Split Point ....................................... |
44 |
• Dictionary.......................................................... |
45 |
Registration Memory ..................................... |
48 |
• Registration Memory Presets ........................... |
48 |
• Recording a Registration Memory Preset......... |
48 |
• Recalling a Registration Memory Preset .......... |
49 |
Selecting and Playing Songs ....................... |
50 |
• Selecting and Playing a Song .......................... |
50 |
• A-B Repeat ...................................................... |
51 |
• Melody Voice Change...................................... |
52 |
• Changing the Tempo ....................................... |
53 |
• Adjusting the Song Volume.............................. |
54 |
Song Recording............................................. |
55 |
• Recording a User Song.................................... |
55 |
• Song Clear ...................................................... |
58 |
• Track Clear ...................................................... |
59 |
Song Lesson .................................................. |
60 |
• Using the Lesson Feature................................ |
60 |
• Lesson 1 — Timing .......................................... |
62 |
• Lesson 2 — Waiting......................................... |
63 |
• Lesson 3 — Minus One ................................... |
63 |
• Lesson 4 — Both Hands .................................. |
64 |
• Grade ............................................................... |
65 |
Talking ............................................................ |
66 |
MIDI Functions............................................... |
67 |
• What Is MIDI? .................................................. |
67 |
• Connecting to a Personal Computer................ |
69 |
• Controlling PSR-282 Playback from |
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an External Device — External Clock.............. |
70 |
• Using Bulk Dump Send to Save Data .............. |
71 |
• Using Initial Setup Send with a Sequencer...... |
73 |
Troubleshooting ............................................ |
75 |
Data Backup & Initialization ......................... |
76 |
Voice List ....................................................... |
77 |
Style List ........................................................ |
81 |
Drum Kit List .................................................. |
82 |
MIDI Implementation Chart ........................... |
84 |
Specifications ................................................ |
87 |
Index ............................................................... |
88 |
5
PanelControlsand Terminals
■ Front Panel
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q Power switch ([STANDBY/ON]) |
i [DEMO] button |
w [MASTER VOLUME] dial |
This is used to play the Demo songs. (See page 12.) |
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This determines the overall volume of the PSR-282.
e [TOUCH] button
This turns the Touch function on and off. (See page 28.) Holding down this button allows you to adjust the Touch Sensitivity setting. (See page 28.)
r [HARMONY] button
This turns the Harmony effect on and off. (See page 31.)
t [Dict.] (DICTIONARY) button
This calls up the Dictionary function (page 45).
y LESSON [L] (Left) and [R] (Right) buttons
These call up the Lesson exercises for the corresponding hand (left or right) for the selected song. (See page 61.)
u Overall (left, right) buttons
These two buttons on either side of the LCD let you call up various functions, settings, and operations of the PSR-282, including effects, transpose, tuning, and MIDI. (See page 29.)
o [Piano] button
This instantly calls up the Grand Piano voice, plus a special piano song and style. (See page 10.)
!0[METRONOME] button
This turns the metronome on and off. (See page 20.)
!1[DJ] button
This instantly calls up a special DJ voice, song and style.
!2Numeric keypad, [+/YES] and [-/NO] buttons
These are used for selecting songs, voices, and styles. (See pages 24.) They are also used for adjusting certain settings and answering certain display prompts.
!3[ACMP ON/OFF] / [A-B REPEAT] button
When the Style mode is selected, this turns the auto accompaniment on and off. (See page 35.) In the Song mode, this calls up the A-B Repeat function. (See page 51.)
6
Panel Controls andTerminals
!4[SYNC STOP] button
This turns the Sync Stop function on and off. (See page 39.)
!5[SYNC START] / [ PAUSE] button
This turns the Sync Start function on and off. (See page 36.) In the Song mode, it is used to temporarily pause song playback. (See page 52.)
!6[START/STOP] button
!9[TEMPO/TAP] button
This button is used to call up the Tempo setting, letting you set the Tempo with the numeric keypad or [+]/[-] buttons. (See page 20.) It also allows you to tap out the tempo and automatically start a selected song or style at that tapped speed. (See page 36.)
@0[SONG] button
This is for enabling song selection. (See page 50.)
When the Style mode is selected, this alternately starts and stops the auto accompaniment. (See page 35.) In the Song mode, this alternately starts and stops song playback. (See page 51.)
!7[INTRO/ENDING] / [ REW] button
When the Style mode is selected, this is used to control the Intro and Ending functions. (See page 35.) When the Song mode is selected, this is used as a “rewind” control, or move the song playback point back toward the beginning.
!8[MAIN/AUTO FILL] / [ FF] button
When the Style mode is selected, these are used to change auto accompaniment sections and control the Auto Fill function. (See page 40.) When the Song mode is selected, this is used as a “fast forward” control, or move the song playback point toward the end.
@1[STYLE] button
This is for enabling style selection. (See page 34.)
@2[VOICE] button
This is for enabling voice selection. (See page 23.) Holding down this button calls up the Melody Voice Change function. (See page 52.)
@3[SONG MEMORY] buttons
These buttons ([RECORD], [1] - [5], [A]) are used for song recording, letting you record up to six different tracks of a song (including a special Chord track). (See page 56.) They are also used for clearing recorded data of all or specific tracks of a User song. (See pages 59, 58.)
@4REGISTRATION MEMORY buttons
These are used for selecting and recording the Registration Memory presets. (See page 48.)
■ Rear Panel
@5 @6 @7 @8
@5MIDI IN, OUT terminals |
@7PHONES/OUTPUT jack |
These are for connection to other MIDI instruments and devices. (See page 67.)
@6SUSTAIN jack
This is for connection to an optional FC4 or FC5 Footswitch for control over sustain, just like the damper pedal on a piano. (See page 9.)
This is for connection to a set of stereo headphones or to an external amplifier/speaker system. (See page 9.)
@8DC IN 10-12V jack
This is for connection to a PA-3B AC power adaptor. (See page 8.)
7
SettingUp
This section contains information about setting up your PSR-282 for playing. Make sure to read this section carefully before using the instrument.
Although the PSR-282 will run either from an optional AC adaptor or batteries, Yamaha recommends use of an AC adaptor whenever possible. An AC adaptor is more environmentally friendly than batteries and does not deplete resources.
■ Using an AC Power Adaptor • • • • • • • • • • • • • • • • • • • • •
• Never interrupt the power supply (e.g. remove the batteries or unplug the AC adaptor) during any PSR-282 record operation! Doing so can result in a loss of data.
• • • •
To connect your PSR-282 to a wall socket, you will need the optionally available |
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Yamaha PA-3B Power Adaptor. Use of other AC adaptors could result in damage |
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• Use ONLY a Yamaha PA-3B AC |
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to the instrument, so be sure to ask for the right kind. Connect one end of the |
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Power Adaptor (or other adap- |
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adaptor to the DC IN 10-12V jack on the rear panel of your PSR-282, and the |
tor specifically recommended |
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by Yamaha) to power your |
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other end to a suitable electrical outlet. |
instrument from the AC mains. |
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• Unplug the AC Power Adaptor when not using the PSR-282,
■ or during electrical storms.
Using Batteries • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
● Inserting Batteries
Turn the instrument upside-down and remove the battery compartment lid. Insert six 1.5-volt size “D” (SUM-1, R-20 or equivalent) batteries as shown in the illustration, making sure that the positive and negative terminals are properly aligned, and replace the lid.
BATTERIES 1.5V x 6
•Never mix old and new batteries or different types of batteries (e.g., alkaline and manganese).
•To prevent possible damage from battery leakage, remove the batteries from the instrument if it is not to be used for a long time.
● When the Batteries Run Down
When the batteries run low and the battery voltage drops below a certain level, the PSR-282 may not sound or function properly. As soon as this happens, replace them with a complete set of six new batteries.
With the AC power adaptor connected or with batteries installed, simply press the power switch until it locks in the ON position. When the instrument is not in use, be sure to turn the power off. (Press the switch again so that it pops up.)
8
• Even when the switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. When you are not using the PSR-282 for a long time, make sure you unplug the AC power adaptor from the wall AC outlet, and/or remove the batteries from the instrument.
Setting Up
■ Using Headphones• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
For private practicing and playing without disturbing others, connect a set of stereo headphones to the rear panel PHONES/OUTPUT jack. Sound from the builtin speaker system is automatically cut off when you insert a headphone plug into this jack.
■ Connecting a Keyboard Amplifier or Stereo System • • • • • • •
Though the PSR-282 is equipped with a built-in speaker system, you can also play it through an external amplifier/speaker system. First, make sure the PSR-282 and any external devices are turned off, then connect one end of a stereo audio cable to the LINE IN or AUX IN jack(s) of the other device and the other end to the rear panel PHONES/OUTPUT jack on the PSR-282.
•To prevent damage to the speakers, set the volume of the external devices at the minimum setting before connecting them. Failure to observe these cautions may result in electric shock or equipment damage. Also, be sure to set the volumes of all devices at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
Stereo System
■ Using a Footswitch• • • • • • • • • • • • • • • • • • • • • • • • •
This feature lets you use an optional footswitch (Yamaha FC4 or FC5) to sustain the sound of the voices. The footswitch functions the same way as a damper pedal on an acoustic piano — press and hold down the footswitch as you play the keyboard to sustain the sound.
• • • •
•Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning on the power.
•Do not press the footswitch while turning the power on. Doing this changes the recognized polarity of the footswitch, resulting in reversed footswitch operation.
■ Using the MIDI Terminals • • • • • • • • • • • • • • • • • • • • • • • • • • •
The PSR-282 also features MIDI terminals, allowing you to interface the PSR282 with other MIDI instruments and devices. (For more information, see page 67.)
MIDI instrument
9
Quick Step1Voices
Guide
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q |
z q |
Playing the Piano
Simply by pressing the [Piano] button, you can automatically reset the entire PSR-282 for piano play.
z Press the [Piano] button. |
|
Playing along with the Metronome |
|
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z Press the [METRONOME] button. |
000 GrandPno
x Play the keyboard.
Want to find out more? See page 20.
Want to find out more? See page 20.
● Panel Voice List
|
No. |
Voice Name |
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No. |
Voice Name |
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No. |
Voice Name |
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No. |
Voice Name |
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No. |
Voice Name |
|
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PIANO |
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013 |
Jazz Organ 2 |
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025 |
Folk Guitar |
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039 |
Techno Bass |
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CHOIR |
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001 |
Grand Piano |
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014 |
Jazz Organ 3 |
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026 |
12Strings Guitar |
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040 |
Dance Bass |
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053 |
Choir |
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002 |
Bright Piano |
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015 |
Full Organ |
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027 |
Jazz Guitar |
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STRINGS |
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054 |
Choir Aahs |
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003 |
Honky-tonk Piano |
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016 |
Rock Organ 1 |
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028 |
Octave Guitar |
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041 |
Strings |
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055 |
Choir Oohs |
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004 |
MIDI Grand Piano |
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017 |
Rock Organ 2 |
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029 |
Clean Guitar |
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042 |
Chamber Strings |
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056 |
Synth Choir |
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005 |
CP 80 |
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018 |
Church Organ |
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030 |
Muted Guitar |
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043 |
Synth Strings |
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SAXOPHONE |
|
006 |
Harpsichord |
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019 |
Reed Organ |
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031 |
Overdriven Guitar |
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044 |
Slow Strings |
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057 |
Soprano Sax |
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E.PIANO |
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ACCORDION |
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032 |
Distortion Guitar |
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045 |
Tremolo Strings |
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058 |
Alto Sax |
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007 |
Funky Electric Piano |
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020 |
Traditional |
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BASS |
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046 |
Pizzicato Strings |
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059 |
Tenor Sax |
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Accordion |
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008 |
DX Electric Piano |
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033 |
Acoustic Bass |
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047 |
Orchestra Hit |
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060 |
Baritone Sax |
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021 |
Musette Accordion |
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009 |
Hyper Electric Piano |
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034 |
Finger Bass |
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048 |
Violin |
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061 |
Oboe |
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022 |
Bandoneon |
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010 |
Bell Electric Piano |
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035 |
Pick Bass |
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049 |
Cello |
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062 |
English Horn |
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023 |
Harmonica |
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011 |
Clavi |
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036 |
Fretless Bass |
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050 |
Contrabass |
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063 |
Bassoon |
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GUITAR |
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ORGAN |
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037 |
Slap Bass |
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051 |
Banjo |
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064 |
Clarinet |
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024 |
Classical Guitar |
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10 |
012 |
Jazz Organ 1 |
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038 |
Synth Bass |
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052 |
Harp |
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Step 1 Voices
Selecting and Playing Other Voices
The PSR-282 has a huge total of 256 dynamic and realistic instrument voices. Let’s try a few of them out now...
q Press the [VOICE] button. |
w Select a voice. |
002 BritePno
000 GrandPno |
e Play the keyboard. |
|
Want to find out more? See page 23.
Playing with the DJ Feature
The exciting new DJ feature gives you a full variety of dance and DJ sounds — letting you create your own real-time mixes and groove along with various contemporary rhythms.
q Press the [DJ] button. |
w Press the Lesson [L] or [R] button. |
000 DJgame 1
e Play the DJ voice.
Want to find out more? See page 22.
No. |
Voice Name |
|
No. |
Voice Name |
|
No. |
Voice Name |
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No. |
Voice Name |
|
No. |
Voice Name |
|
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TRUMPET |
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078 |
Recorder |
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PERCUSSION |
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103 |
Choir Oohs/Ocarina |
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115 |
DJ game 7 |
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065 |
Trumpet |
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079 |
Ocarina |
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091 |
Vibraphone |
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104 |
Vibraphone/ |
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116 |
DJ game 8 |
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066 |
Muted Trumpet |
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SYNTH LEAD |
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092 |
Marimba |
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Jazz Guitar |
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117 |
DJ game 9 |
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105 |
Classical Guitar/ |
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067 |
Trombone |
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080 |
Square Lead |
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093 |
Xylophone |
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118 |
DJ game 10 |
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Flute |
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||||||||
068 |
Trombone Section |
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081 |
Sawtooth Lead |
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094 |
Steel Drums |
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DRUM KITS |
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106 |
French Horn/Trumpet |
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069 |
French Horn |
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082 |
Voice Lead |
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095 |
Celesta |
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119 |
Standard Kit 1 |
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107 |
Church Organ/ |
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070 |
Tuba |
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083 |
Crystal |
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096 |
Tubular Bells |
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120 |
Standard Kit 2 |
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Choir Aahs |
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BRASS |
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084 |
Brightness |
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097 |
Timpani |
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121 |
Room Kit |
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108 |
Grand Piano/ |
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|||||||
071 |
Brass Section |
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085 |
Analog Lead |
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098 |
Music Box |
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Musette Accordion |
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122 |
Rock Kit |
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072 |
Synth Brass |
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SYNTH PAD |
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SPLIT |
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123 |
Electronic Kit |
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DJ |
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|||||||
073 |
Jump Brass |
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086 |
Fantasia |
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099 |
Strings/Grand Piano |
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109 |
DJ game 1 |
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124 |
Analog Kit |
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074 |
Techno Brass |
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087 |
Bell Pad |
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100 |
Grand Piano/Violin |
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125 |
Dance Kit |
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110 |
DJ game 2 |
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|||||||||
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FLUTE |
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088 |
Xenon Pad |
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101 |
DX Electric Piano/ |
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126 |
Jazz Kit |
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111 |
DJ game 3 |
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075 |
Flute |
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089 |
Angels |
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Harmonica |
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112 |
DJ game 4 |
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127 |
Brush Kit |
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102 |
Grand Piano/ |
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076 |
Piccolo |
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090 |
Dark Moon |
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128 |
Symphony Kit |
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113 |
DJ game 5 |
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Tenor Sax |
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077 |
Pan Flute |
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11 |
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114 |
DJ game 6 |
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Quick Step2Songs
Guide
zx xq
000 GrandPno
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xcr |
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z |
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w |
Playing the Songs
The PSR-282 is packed with a total of 105 songs, including five User songs to which you can record your own performances, plus 100 songs that not only showcase the high-quality sound of the PSR-282 but can also be used with the educational Lesson feature.
Playing the Demo songs |
Playing a single song |
Demo songs (001 - 010) showcase the sophisticated features and stunning sound of the PSR-282. Let’s play the Demo songs now, starting with 001...
z Press the [DEMO] button.
001 Carmel
x Stop the Demo song.
or
Naturally, you can also individually select and play back any of the PSR-282’s songs (001 - 100).
z Press the [SONG] button.
001 Carmel
x Select a song.
002 Virtual
•The PSR-282 also has a Demo Cancel function that allows you to disable Demo playback.
c Start (and stop) the song.
Want to find out more? See page 50.
12
Step 2 Songs
Recording Your Own Song
Much like a multi-track tape recorder, the PSR-282 lets you play and record the individual parts of your own song in real time.
qSelect the desired User song (101 - 105) for recording.
102 User 2
wSimultaneously hold down the [RECORD] button and press the desired track number button ([1] - [5]).
102 User 2
● Song List
eStart recording by playing a melody on the keyboard.
The PSR-282 starts recording as soon as you play the first note on the keyboard.
rTo stop recording, press the [START/STOP] button.
Want to find out more? See page 55.
No. |
Song Name |
|
No. |
Song Name |
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No. |
Song Name |
|
DEMO |
|
026 |
String Quartet No.17 2nd |
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PIANIST |
001 |
Carmel |
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mov. "Serenade" |
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051 |
Melody in F |
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027 |
Menuett |
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002 |
Virtual Insanity |
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052 |
Greensleeves |
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028 |
Canon |
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003 |
Voodoo Chile |
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053 |
Souvenir De Moscou op.6 |
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029 |
The Danube Waves |
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004 |
DX EP |
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054 |
Menuett |
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030 |
From "The Magic Flute" |
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005 |
Arabesque 1 |
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055 |
Leggenda Valacca |
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(Grand Piano) |
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031 |
Piano Sonate op.27-2 |
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056 |
Aura Lee |
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"Mondschein" |
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006 |
Funky EP |
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057 |
Londonderry Air |
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032 |
"The Surprise" Symphony |
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007 |
Jazz Organ |
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058 |
Nocturne op.9-2 |
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033 |
To A Wild Rose |
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008 |
Romance De L'amour |
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059 |
Liebesträume Nr.3 |
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|
(Guitar) |
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034 |
Air de Torëador "Carmen" |
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060 |
Tango (Espana) |
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009 |
Eine Kleine Nachtmusik |
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035 |
O Mio Babbino Caro |
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061 |
Etude op.10-3 "Chanson |
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(Strings) |
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(From "Gianni Schicchi") |
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De L'adieu" |
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010 |
Honky-Tonk Piano |
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ACCOMPANIMENT |
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062 |
Rondo K.V.485 |
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|
PRACTICE |
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036 |
Twinkle Twinkle Little Star |
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063 |
Clair De Lune |
011 |
Little Brown Jug |
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037 |
Beautiful Dreamer |
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064 |
Moments Musicaux op.94-3 |
012 |
Loch Lomond |
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038 |
Battle Hymn Of The Republic |
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065 |
The Entertainer |
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013 |
Oh! Susanna |
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039 |
Home Sweet Home |
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066 |
Träumerei |
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014 |
Song Of The Pearl Fisher |
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040 |
Valse Des Fleurs |
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067 |
Auf Flügeln Des Gesanges |
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(From "The Nutcracker") |
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015 |
Wenn Ich Ein Vöglein Wär ? |
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op.34-2 |
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041 |
Aloha Oe |
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016 |
Die Lorelei |
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068 |
Prelude (Wohltemperierte |
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042 |
I've Been Working On The |
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017 |
Funiculi-Funicula |
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Klavier 1-1) |
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Railroad |
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018 |
Turkey In The Straw |
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069 |
La Viollette |
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043 |
My Darling Clementine |
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019 |
Old Folks At Home |
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070 |
Für Elise |
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044 |
Auld Lang Syne |
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020 |
Silent Night |
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ORCHESTRA |
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045 |
Grandfather's Clock |
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021 |
Jingle Bells |
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071 |
Frühlingsstimmen |
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046 |
Amazing Grace |
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022 |
Muss I Denn |
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072 |
Danse Des Mirlitons From |
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047 |
My Bonnie |
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"The Nutcracker" |
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023 |
Ring De Banjo |
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048 |
Yankee Doodle |
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073 |
Frühlingslied |
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024 |
Jesu, Joy Of Man's Desiring |
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049 |
Joy To The World |
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074 |
"Orphëe Aux Enfers" |
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025 |
Gavotte |
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050 |
O Du Lieber Augustin |
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Ouverture |
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The star mark( ) by certain song names indicates that the Song plays back at a “free” Tempo.(see page 50, 61)
No. Song Name
075 Slavonic Dances No.10
076 American Patrol
077 Camptown Races
078La Primavera
(From Le Quattro Stagioni)
079 Mëditation De Thais
080Ungarische Tänze Nr.5
BANDSMAN
081 |
Rock Chick |
082 |
Love You |
083 |
Electric Path |
084 |
Laidback |
085 |
Twilight |
086 |
Beach Party |
087 |
Sometime |
088 |
Rock Melon Vamp |
089 |
Slunky |
090 |
Always |
|
DJ |
091 |
DJ Game |
092 |
Ragga |
093 |
Digital Rock |
094 |
Hip House |
095 |
All That |
096 |
Pop Reggae |
097 |
Acid House |
098 |
SupaBad |
099Acid Techno
100Flares
13
Quick Step3AutoAccompaniment
Guide
zb |
x |
000 GrandPno
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Using the Auto Accompaniment
The powerful yet easy-to-use Auto Accompaniment features give you professional instrumental backing for your performances. Simply play chords with your left hand — and the PSR-282 automatically produces appropriate bass, chord and rhythm backing. Use your right hand to play melodies, and you’ll sound like an entire band!
•For more infomation on playing proper chords for the auto accompaniment, see “Using Auto Accompaniment — Multi Fingering” on page 42 and “Looking up Chords in the Dictionary” on the next page.
Accompaniment
section
Left hand + Right hand
Auto accompaniment |
Melody |
(for example,
bass + guitar + drums)
zPress the [STYLE] button.
This calls up the Style mode.
001 8BtPop1
xSelect a style.
Refer to the Style List on page 81.
002 8BtPop2
c Turn the auto accompaniment on.
14
Step 3 Auto Accompaniment
Looking up Chords in the Dictionary
The convenient Dictionary function teaches you how to play chords by showing you the individual notes. In the example
below, we’ll learn how to play a GM7 chord...
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Keys for entering |
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Keys for entering |
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the chord type (C3 — B4) |
the chord root (C5 — |
B5) |
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cSpecify the chord type of the chord (in this case, M7).
Learning how to play a specific chord
Example:
G M7
Root note Chord type
z Press the [Dict.] button.
Dict.
xSpecify the root note of the chord (in this case, G).
v Turn the Sync Start function on.
bPlay a chord with your left hand.
The auto accompaniment
starts as soon as you play the keyboard. For more on chords, see “Looking up Chords in the Dictionary” above.
vPlay the notes of the chord as indicated in the keyboard diagram in the display. The chord name flashes when the chord is played properly.
Accompaniment
section
bTo leave the Dictionary function, press the [Dict.] button again
Want to find out more? See page 45.
nSelect a section.
The auto accompaniment has four sections: Intro, Main A/B, and Ending.
m Stop the auto accompaniment.
Want to find out more? See page 35.
15
Quick Step4Lesson
Guide
x |
x |
000 GrandPno
vz z
Using the Lesson Feature
Songs 001 to 100 are specially designed for use with the educational Lesson feature. Lesson makes it fun and easy to master these songs. You can practice the leftand right-hand parts of each song individually: simply press the appropriate button, [L] (left) or [R] (right). The practice steps below apply to either hand.
Lesson 1 — Timing . . . . . . . . .This lesson step lets you practice just the timing of the notes.
Lesson 2 — Waiting . . . . . . . .In this lesson step, the PSR-282 waits for you to play the correct notes before continuing playback of the song.
Lesson 3 — Minus One . . . . .This lesson step plays back the song with one part muted — letting you play and master the missing part yourself.
Lesson 4 — Both Hands . . . . .This lesson step is the same as “Minus One,” except in that both the leftand right-hand parts are muted — letting you play and master both hands.
zSelect one of the Lesson songs.
For instructions on selecting songs, see page 50.
xSelect the part you wish to work on (left or right) and the Lesson step.
If you want to work on the right-hand part, press the [R] button; to work on the left, press the [L] button.
r1 Timing
•Each press of the corresponding button ([L] or [R]) alternately selects Lessons 1 - 3. Pressing both buttons simultaneously calls up Lesson 4, Both Hands.
c Start the Lesson.
v When you’re finished, stop the Lesson.
•You can also exit from the Lesson by pressing one the LESSON buttons ([L] or [R]) repeatedly until “OFF” is shown in the display.
16
Step4 Lesson
Lesson 1 — Timing |
Grade |
This step lets you work on the timing of the notes. In Lesson 1, the particular note you play on the keyboard is unimportant. The PSR-282 checks your timing and how rhythmically “tight” your playing is.
r1 Timing
Want to find out more? See page 62.
Lesson 2 — Waiting
In Lesson 2, you practice playing the notes correctly as they appear in the display notation. The accompaniment pauses and waits for you to play the notes correctly before it continues.
r2 Waiting
Want to find out more? See page 63.
The PSR-282 has a built-in evaluation function that monitors your practicing and — like a real teacher — tells you how well you did each exercise. Four grades are assigned, depending on your performance: “OK,” “Good,” “Very Good,” and “Excellent.”
Want to find out more? See page 65.
Talking
This feature “talks” to you through the speakers, “announcing” the Grade comments as well as the titles of the Lesson steps.
Want to find out more? See page 66.
Changing the Tempo
Naturally, you can change the tempo (speed) of the song to your liking, letting you slow down difficult passages and bring up the tempo gradually until you master them at normal speed.
z Press the [TEMPO/TAP] button.
Lesson 3 — Minus One
In Lesson 3, one of the parts is muted, and you practice the missing part in time with the rhythm.
r3 MinusOne
Want to find out more? See page 63.
Lesson 4 — Both Hands
Lesson 4 is just like Lesson 3, except that the parts for both hands are muted, letting you practice the missing parts in time with the rhythm.
Lr4 BothHand
Want to find out more? See page 64.
120 TEMPO
xUse the numeric keypad to set the desired tempo.
•The PSR-282 also has a convenient Tap Tempo function that allows you to “tap” a new tempo in real time. (See page 36.)
17
PanelDisplayIndications
The PSR-282 features a large multi-function display that shows all important settings for the instrument. The section below briefly explains the various icons and indications in the display.
!0Touch indicator |
w Overall indicator |
i Song/Voice/Style name and |
number, Tempo |
||
!1Harmony indicator |
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q Indicators |
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001 GrandPno
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t Measure |
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|||||
!2Sync Stop indicator |
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e Notation |
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o Song track |
u Chord |
y Beat marks |
||||||||||||||||||||||||||||||
!3Accompaniment On |
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r Keyboard |
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indicators |
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||||||||||||||||||||||
indicator |
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q Indicators |
w Overall indicator |
These indicate the operating condition of the PSR-282 as shown below:
Using the numeric keypad selects voice numbers. Pressing the [START/STOP] button starts song playback.
Using the numeric keypad selects voice numbers. Pressing the [START/STOP] button starts style playback.
Using the numeric keypad selects song numbers. Pressing the [START/STOP] button starts song playback.
The Overall buttons (on either side of the LCD) let you access the Function operations and settings of the PSR-282. The currently selected setting is indicated by a dark bar that appears next to its name (printed on the panel).
e Notation / r Keyboard
These two portions of the display conveniently indicate notes. When a song is being played back, they show the melody or chord notes in succession. When you play the keyboard yourself, the display shows the notes you play.
•For a few specific chords, not all notes may be shown in the notation section of the display. This is due to space limitations in the display.
Using the numeric keypad selects style numbers. Pressing the [START/STOP] button starts style playback.
t Measure
These show the current measure during playback of a song or style.
y Beat marks
These marks (one large, three small) flash in sequence and in time with the song or style. The large arrow indicates the first beat of the measure.
18
Panel Display Indications
u Chord
When a song (with chords) is being played back, this indicates the current chord root and type. It also indicates chords played in the ACMP section of the keyboard when the Style mode and auto accompaniment are on.
iSong/Voice/Style name and number, Tempo
This portion of the display indicates the name and number of the currently selected song, voice, or style. It also displays the name and current value or setting of the Overall functions and the Function parameters, as well as other important operation messages. When the tempo setting is active, the value is shown.
o Song track indicators
In song recording and playback, these indicate the status of the tracks. (See page 56.)
!0Touch indicator
This appears when the Touch function is turned on. (See page 28.)
!1Harmony indicator
This appears when the Harmony effect is turned on. (See page 31.)
!2Sync Stop indicator
This appears when the Sync Stop function is turned on. (See page 39.)
!3Accompaniment On indicator
This appears when the auto accompaniment has been turned on. (See page 35.)
Music Stand
Insert the bottom edge of the included music stand into the slot located at the top rear of the PSR-282 control panel.
19
PortableGrand
This convenient function lets you instantly call up the Grand Piano voice.
Press the [Piano] button.
• When the [Piano] button is pressed, One Touch Setting (page 25) is automatically turned on.
Doing this automatically cancels any other mode or function, and resets the entire instrument for playing the special “Stereo Sampled Piano” Grand Piano voice. It automatically calls up song #051 (Melody in F) and style #086 (Stride).
The Portable Grand setting is designed also for playing with the special Pianist styles (#086 - #100). When auto accompaniment is turned on, these provide piano-only accompaniment in a variety of music styles.
1 Call up the Tempo setting.
Press the [TEMPO/TAP] button.
Current Tempo value
068 TEMPO
2 Change the value.
Use the numeric keypad to set the desired Tempo value, or use the [+]/[-] buttons to increase or decrease the value.
20
Portable Grand
3 Turn on the Metronome.
Press the [METRONOME] button.
Indicates the beat number in the measure.
To turn the Metronome off, press the [METRONOME] button again.
Setting the Metronome Time Signature
The time signature of the Metronome can be set to various quarter-note based meters.
•The time signature changes automatically when a style or song is selected.
Hold down the [METRONOME] button (until “TIME SIG” appears in the display), then press the button on the numeric keypad that corresponds to the desired time signature (see chart at right).
Numeric Time signature keypad
11/4 — Plays only “1” beats (all high clicks)
22/4
33/4
44/4
55/4
66/4
77/4
88/4
99/4
0 Plays no “1” beats (all low clicks)
Indicates current beat number
2 TIME SIG
Adjusting the Metronome Volume
You can adjust the volume of the Metronome sound independently of the other PSR-282 sounds. The volume range is 000 - 127.
1 Call up the Metronome Volume setting.
Press the right Overall button until “MTR VOL” appears in the display.
Current Metronome Volume value
100 MTR VOL
Indicates Metronome
Volume is selected
2 Change the value.
Use the numeric keypad to set the desired Metronome Volume value, or use the [+]/[-] buttons to increase or decrease the value.
Restoring the Default Metronome Volume Value
To restore the default Metronome Volume value (100), press both [+]/[-] buttons simultaneously (when Metronome Volume is selected in the Overall menu).
21
DJ
This exciting feature lets you instantly call up a dynamic DJ voice and style for playing contemporary dance music.
1 Press the [DJ] button.
000 DJgame 1 |
Doing this automatically resets the entire instrument for playing the specially programmed DJ song and voice.
2 Turn on the Lesson feature, and select a Lesson step.
Lesson steps 1 - 3 can be used with DJ play. Press either the [L] or [R] button, repeatedly if necessary, until the desired Lesson step is called up.
The DJ voice is divided into “blocks” (as shown below). Each block has a different sound, and each block’s sound is played with the “F” key.
Block #1 Block #2 Block #3 Block #4
For Lesson 1, any note on the keyboard can be played. For the other Lesson steps, play “F” in the appropriate octave block.
Once the song starts playing, play the appropriate block as indicated in the display. (When Talking is on, the blocks are also “announced” in Lesson 2.)
Block number
•If two sixteenth notes are to be played, the appropriate block numbers appear successively at the same position. If the same block is to be played twice as sixteenth notes, an equal sign appears after the block number (as shown below).
Indicates that the
31 third block and first
block are to be played as succesive sixteenth notes.
Indicates that the 3 = third block is to be played as two six-
teenth notes.
r1 1 32 33
When the DJ “teacher” is playing, the block numbers appear in the display one after another according to the rhythm.
3 Press the [START/STOP] button to stop the song.
•Since there are no left or right parts in the DJ song, the [L] and [R] buttons can be used interchangeably. Also for the same reason, Lesson 3 and Lesson 4 are identical.
•Try playing one of the special DJ voices (#109 - #118) or the DJ songs. (#091 - #100)
22
PlayingVoices
The PSR-282 features a total of 256 authentic voices — all of which have been created with Yamaha’s sophisticated AWM (Advanced Wave Memory) tone generation system. These include 128 General MIDI voices, plus special Split voices, DJ voices and drum kits.
The voices are divided into various instrument categories, and many of the voice names are printed on the panel for convenience. For a complete list of available voices, see page 77.
Special Split voices (#099 - #108) feature two different voices that you can play from separate sections of the keyboard — for example, playing a bass voice with your left hand and a piano voice with your right.
A special set of DJ voices (#109 - #118) provides dynamic, exciting voices for playing many of today’s popular music styles.
The Voice mode also features special effect sections that let you enhance the sound of the voice. These include Reverb and Harmony, as well as a “DSP” section that provides miscellaneous effects, such as tremolo, echo, delay, equalization, and wah. (See page 29.)
There’s also a Touch Sensitivity control (page 28), which determines how the voices respond to your playing technique.
The PSR-282 also includes special cussion sounds from the keyboard.
Drum Kit voices — #119 - #128 — that let you play various drum and per- (Refer to the Drum Kit Voice chart on page 82.)
When a voice is selected, the most suitable DSP Type (page 30) and Harmony Type (page 31) for the voice are automatically called up.
1 Press the [VOICE] button.
Voice name and number
001 GrandPno |
Indicates Voice mode |
is selected |
2 Select the desired voice number.
Use the numeric keypad. The voices and their numbers are shown on the panel. A complete list of the available voices is given on page 77 .
23
Playing Voices
There are two ways to select voices: 1) directly entering the voice number with the numeric keypad, or 2) using the [+]/[-] buttons to step up and down through the voice numbers.
■ Using the numeric keypad
Enter the digits of the voice number as indicated on the panel. For example, to select voice #109, press “1” on the numeric keypad, then “0”, “9.” For voice numbers beginning with zeroes (such as #042 or #006), the initial zeroes may be omitted.
109 DJgame 1
■ Using the [+]/[-] buttons
Press the [+] button to select the next voice number, and press the [-] button to select the previous voice. Holding down either button continuously scrolls up or down through the numbers.
3 Play the selected voice.
Since either the Style or Song mode is active in the background (as indicated by the illustration in the display), you can also play styles or songs, respectively, in the Voice mode by simply pressing the [START/STOP] button. The last selected style or song will be played.
•Each voice is automatically called up with the most suitable octave range setting. Thus, playing middle C with one voice may sound higher or lower than another voice at the same key.
24
Playing Voices
About Panel Voices and GM Voices
Keep in mind that the PSR-282 has two separate sets of voices: 128 Panel voices and 128 GM (General MIDI) Voices. The GM Voices can also be used for optimum playback of GM-compatible song data. This means that any GM song data (played from a sequencer or other MIDI device) will sound just as the composer or programmer intended.
Drum Kit Voice Chart (voices 119 - 128)
When one of the 10 panel Drum Kit voices are selected you can play different drums and percussion instruments on the keyboard.
119 Std.Kit1
No. |
Name |
LCD |
119 |
Standard Kit 1 |
Std.Kit1 |
120 |
Standard Kit 2 |
Std.Kit2 |
121 |
Room Kit |
Room Kit |
122 |
Rock Kit |
Rock Kit |
123 |
Electronic Kit |
Elct.Kit |
124 |
Analog Kit |
AnlogKit |
125 |
Dance Kit |
DanceKit |
126 |
Jazz Kit |
Jazz Kit |
127 |
Brush Kit |
BrushKit |
128 |
Symphony Kit |
SymphKit |
This special “voice” is actually a convenient feature which automatically selects a suitable voice for you when you select a style. The voice is selected to best match the style or song you’ve called up.
1 Select voice #000 (One Touch Setting).
One Touch Setting is selected
000 GrandPno |
The One Touch Setting feature automatically calls up a voice that best matches the style or song you’ve selected.
25
Playing Voices
You can also adjust the tuning and change the transposition (key) of the entire PSR-282 sound with the Transpose and Tuning functions.
■ Transpose • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
Transpose determines the key of both the main voice and the bass/chord accompaniment of the selected style. It also determines the pitch of the songs. This allows you to easily match the pitch of the PSR-282 to other instruments or singers, or play in a different key without changing your fingering. The Transpose settings can be adjusted over a range of ± 12 semitones (± 1 octave).
1 Select the Transpose function.
Press the right Overall button, repeatedly if necessary, until “TRANSPOS” appears in the display.
•• • • • •
•The Transpose function has no effect on the DJ voices (#109 - #118) or the Drum Kits voices (#119 - #128).
Current Transpose value
00 TRANSPOS |
Indicates Transpose is selected
2 Change the value.
Use the numeric keypad to set the desired Transpose value (-12 - +12). To transpose the pitch down, simultaneously press and hold the [-] button, and use the numeric keypad to type in the (negative) value. You can also use the [+]/[-] buttons to increase or decrease the value. Holding down either button continuously increases or decreases the value.
Restoring the Default Transpose Value
If you’ve changed the Transpose setting, you can instantly restore the default setting of “00” by pressing both [+]/[-] buttons simultaneously (when Transpose is selected).
26
Playing Voices
■ Tuning • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
Tuning determines the fine pitch setting of both the main voice and the bass/chord accompaniment of the selected style. It also determines the pitch of the songs. This allows you to accurately match the tuning with that of other instruments. The Tuning settings can be adjusted over a range of ± 100 (approx. ± 1 semitone).
1 Select the Tuning function.
Press the right Overall button, repeatedly if necessary, until “TUNING” appears in the display.
Current Tuning value
000 TUNING |
Indicates Tuning is selected
•The Tuning settings have no effect on the Drum Kit voices (#119 - #128).
2 Change the value.
Use the numeric keypad to set the desired Tuning value (-100 - +100). To tune the pitch down, simultaneously press and hold the [-] button, and use the numeric keypad to type in the (negative) value. You can also use the [+]/ [-] buttons to increase or decrease the value. Holding down either button continuously increases or decreases the value.
Restoring the Default Tuning
Value
If you’ve changed the Tuning setting, you can instantly restore the default setting of “00” by pressing both [+]/[-] buttons simultaneously (when Tuning is selected).
27
Playing Voices
The Touch function gives you dynamic, expressive control over the voices, letting you determine how loud or soft the sound is by your playing strength.
Turn the Touch function on or off as desired by pressing the [TOUCH] button.
Touch Sensitivity lets you set how the PSR-282 responds to your playing strength, allowing you to customize this expressive function to suit your own playing style.
1 Select the Touch Sensitivity control.
Press and hold the [TOUCH] button until the Touch Sensitivity setting and name appears in the display.
Current Touch Sensitivity setting
Indicates Touch function is on
2 Change the value.
2 Medium |
Use the numeric keypad or [+]/[-] buttons to set the desired setting: 1, 2, or 3 (explained below).
● Settings:
1 |
(Soft) |
This results in limited touch response, and produces a relatively narrow |
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dynamic range, no matter how lightly or strongly you play the keys. |
2 |
(Medium) |
This lets you play over a normal dynamic range (soft to loud). |
3 |
(Hard) |
This is designed for playing very soft passages, giving you slightly more |
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detailed control in the soft volume range. |
When Touch is turned off, a constant volume (corresponding to a velocity value of 80) is produced.
Restoring the Default Touch
Sensitivity Value
The default Touch Sensitivity is 2 (Medium). To restore the default value, press both [+]/[-] buttons simultaneously (when Touch Sensitivity is selected).
28