Yamaha PSR-620E, PSR-620 User Manual

0 (0)

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha.

This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.

This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist.

IMPORTANT: The louder the sound, the shorter the time period before damage occurs.

NOTICE:

Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

Battery Notice:

This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of

battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.

This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged.

When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information.

Disposal Notice:

Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

Model

Serial No.

Purchase Date

PLEASE KEEP THIS MANUAL

92-BP

	FCC INFORMATION (U.S.A.)
	IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!	the instructions found in the users manual, may cause interference
	This product, when installed as indicated in the instructions contained in	harmful to the operation of other electronic devices. Compliance with
	this manual, meets FCC requirements. Modifications not expressly ap-	FCC regulations does not guarantee that interference will not occur in
	proved by Yamaha may void your authority, granted by the FCC, to use	all installations. If this product is found to be the source of interference,
	the product.	which can be determined by turning the unit “OFF” and “ON”, please try
		to eliminate the problem by using one of the following measures:
	IMPORTANT:	• Relocate either this product or the device that is being affected by the
	When connecting this product to accessories and/or another product use
		interference.
	only high quality shielded cables. Cable/s supplied with this product	interference.

	MUST be used. Follow all installation instructions. Failure to follow in-	• Utilize power outlets that are on different branch (circuit breaker or
	structions could void your FCC authorization to use this product in the	fuse) circuits or install AC line filter/s.
	USA.	• In the case of radio or TV interference, relocate/reorient the antenna.

	NOTE:	If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to
	NOTE:	co-axial type cable.
	This product has been tested and found to comply with the requirements	co-axial type cable.

	listed in FCC Regulations, Part 15 for Class “B” digital devices. Compli-	If these corrective measures do not produce satisfactory results, please
	ance with these requirements provides a reasonable level of assurance	contact the local retailer authorized to distribute this type of product. If
	that your use of this product in a residential environment will not result in	you can not locate the appropriate retailer, please contact Yamaha
	harmful interference with other electronic devices. This equipment gener-	Corporation of America, Electronic Service Division, 6600
	ates/uses radio frequencies and, if not installed and used according to	Orangethorpe Ave, Buena Park, CA90620

• This applies only to products distributed by Yamaha Corporation of America.

Congratulations!

You are the proud owner of a fine electronic keyboard. The Yamaha PSR-620 PortaTone combines the most advanced AWM tone generation technology with state-of-the-art digital electronics and features to give you stunning sound quality with maximum musical enjoyment. A new large graphic display and easy-to-use interface also greatly enhance the operability of this advanced instrument.

In order to make the most of your PortaTone’s features and extensive performance potential, we urge you to read the manual thoroughly while trying out the various features described. Keep the manual in a safe place for later reference.

Important Features

●141 outstanding voices with eight percussion kits.

●A Voice Set function automatically selects appropriate voice parameters whenever a voice is selected.

●100 accompaniment styles, each with independent intro, main A and B, 4 fill-ins, and ending sections.

●Advanced auto-accompaniment technology gives you fully-orchestrated accompaniment to back up what you play on the keyboard.

●Large multi-function LCD display panel makes it easy to select and edit parameters.

●One Touch Setting feature instantly provides you with four types of registration settings, all of which match to the selected accompaniment style.

●Digital Effects — Reverb, Chorus and DSP, let you freely create a variety of different sonic environments.

●Minus One, and Repeat functions are ideal for learning new songs and polishing your keyboard technique.

●Song recording feature lets you record two melody tracks with an accompaniment track.

●With the Multi Pads, you can play and record a number of short rhythmic and melodic sequences, to add a spice to your performance.

●Registration Memory saves 128 your favorite panel settings for instant recall when needed.

●Optional Yamaha Music Cartridges can be plugged in for enjoyable automated performance, keyboard practice, and extra accompaniment styles.

●Internal 3.5” floppy disk drive provides extended memory capacity and quick play capability.

●MIDI compatibility and a range of MIDI functions make the PSR-620 useful in a range of advanced MIDI music systems.

●Built-in amplifier and speaker system delivers top-quality sound without the need for external equipment.

Contents

Taking Care of Your PortaTone .................................................	3
Panel Controls	4
The Music Stand .........................................................................	5
Setting Up	6
Power Supply ..............................................................................	6
■ Using An Optional AC Power Adaptor ..................................	6
■ Using Batteries .....................................................................	6
Connections ................................................................................	7
■ The PHONES Jack ...............................................................	7
■ SUSTAIN Jack ......................................................................	7
■ AUX OUT R and L+R/L Jack ................................................	7
■ MIDI IN and OUT Connectors ..............................................	7
The Demonstration	8
Basic Display Operation	10
Playing the PSR-620	12
Selecting & Playing Voices ......................................................	12
■ Keyboard Percussion .........................................................	14
The Split Mode ..........................................................................	15
Changing the Split Voice & Related Parameters ...................	15
Touch Response .......................................................................	17
Dual Voice ..................................................................................	17
Changing the Dual Voice & Related Parameters ...................	18
Harmony/Echo ...........................................................................	20
Selecting a Harmony/Echo Type ...........................................	20
Sustain .......................................................................................	22
Transposition ............................................................................	23
Pitch Bend .................................................................................	23
Digital Effects	24
Using the Digital Effects ...........................................................	24
Changing the Reverb Effect .....................................................	24
Selecting the Reverb Effect Type ..........................................	24
Setting the Reverb Return Level ............................................	25
Changing the Chorus Effect ....................................................	26
Selecting the Chorus Effect Type ..........................................	26
Setting the Chorus Return Level ............................................	27
Changing the DSP Effect ..........................................................	28
Selecting the DSP Effect Type ..............................................	28
Setting the DSP Return Level ................................................	29
Using Auto Accompaniment	30
■ The Stop Accompaniment Function ...................................	37
Accompaniment Track Control ................................................	38
■ Large/Small Accompaniment ..............................................	39
■ Muting Individual Tracks .....................................................	39
■ Changing Accompaniment Track Voices ............................	40
■ Adjusting Accompaniment Track Volume ...........................	40
Changing the Accompaniment Split Point .............................	41
One Touch Setting ....................................................................	42
Registration Memory	43
Registering the Panel Settings ................................................	43
Recall the Registered Panel Settings ......................................	45
The Accomp Freeze Function ..................................................	45
Song Recording	46
Recording a Melody Track .......................................................	46
Recording Accompaniment With or Without a Melody ..............	49
Accompaniment and Melody Playback ...................................	52
Play from a Specified Measure ..............................................	53
■ Voice & Volume Rewrite .....................................................	54
■ Clearing the SONG TRACKS .............................................	54

The Multi Pads	55
Playing the MULTI PADS ..........................................................	55
Recording the MULTI PADS .....................................................	57
Using Music Cartridges	60
■ Inserting a Music Cartridge .................................................	60
■ Music Cartridge Handling Precautions ...............................	60
Cartridge Accompaniment Styles ...........................................	61
Selecting Cartridge Styles .....................................................	61
Cartridge Songs ........................................................................	62
Cartridge Song Playback .......................................................	62
Cartridge Registration Presets ................................................	63
Selecting Cartridge Registration ............................................	63
Using Floppy Disks	64
■ Floppy Disk Handling Precautions ......................................	64
Formatting a New Floppy Disk ................................................	65
Saving, Loading, & Deleting Disk Files ...................................	66
Saving to Disk ........................................................................	66
Loading From Disk .................................................................	68
The Referred File ...................................................................	70
■ User Style Files Referred to by a Song File .......................	70
■ User Style or Pad Files Referred to by a Registration File . 71
■ Registration File Referred to by a User Style File ..............	71
Deleting a Disk File ................................................................	72
Quick Play: Disk Orchestra Collection & Standard MIDI File Disks ..	73
Practice Features	74
The Minus One Mode ................................................................	74
■ Specifying the Parts To Be Turned On or Off .....................	74
Repeat Play ................................................................................	75
Overall Functions	76
General Functions ....................................................................	77
■ Keyboard Volume ...............................................................	77
■ Octave ................................................................................	77
■ Reverb Level ......................................................................	78
■ Chorus Level ......................................................................	78
■ DSP Level ...........................................................................	78
■ Pan .....................................................................................	78
■ Voice Set ............................................................................	79
■ Accompaniment Volume .....................................................	79
■ Touch Sensitivity ................................................................	79
■ Minus-one Right/Left-hand Channel ...................................	80
■ Pitch Bend Range ...............................................................	80
■ Metronome .........................................................................	80
■ Tuning .................................................................................	80
MIDI Functions ..........................................................................	81
■ Remote Channel .................................................................	83
■ Keyboard Out .....................................................................	83
■ Song Out ............................................................................	83
■ Accompaniment Out ...........................................................	84
■ Local Control ......................................................................	84
■ External Clock ....................................................................	85
■ Initial Data Send .................................................................	85
Appendix
PSR-620 Function Tree .........................................................	86
About Digital Effect ................................................................	88
Troubleshooting .....................................................................	90
Data Backup & Initialization ...................................................	91
■ Data Initialization ................................................................	91
Index ...........................................................................................	92
Specifications .........................................................................	93
Voice List ...............................................................................	94
Percussion Kit List .................................................................	98
MIDI Implementation Chart ..................................................	100
MIDI Data Format ................................................................	103
■ GM System Level 1 ..........................................................	107

Taking Care of Your PortaTone

Your PortaTone will give you years of playing pleasure if you follow the simple rules given below:

■ Location

Do not expose the instrument to the following conditions to avoid deformation, discoloration, or more serious damage.

●Direct sunlight (e.g. near a window).

●High temperatures (e.g. near a heat source, outside, or in a car during the daytime).

●Excessive humidity.

●Excessive dust.

●Strong vibration.

■Power Supply

●Turn the power switch OFF when the instrument is not in use.

●An AC adaptor, if used (the PSR-620 runs from either batteries or an optional AC adaptor), should be unplugged from the AC outlet if the instrument is not to be used for an extended period of time.

●Unplug the AC adaptor during electric storms.

●Avoid plugging the AC adaptor into the same AC outlet as appliances with high power consumption, such as electric heaters or ovens. Also avoid using multi-plug adaptors since these can result in reduced sound quality, operation errors, and possibly damage.

■Turn Power OFF When Making Connections

●To avoid damage to the instrument and other devices to which it is connected, turn the power switches of all related devices OFF prior to connecting or disconnecting MIDI cables.

■Handling and Transport

●Never apply excessive force to the controls, connectors or other parts of the instrument.

●Always unplug cables by gripping the plug firmly, not by pulling on the cable.

●Disconnect all cables before moving the instrument.

●Physical shocks caused by dropping, bumping, or placing heavy objects on the instrument can result in scratches and more serious damage.

■Cleaning

●Clean the cabinet and panel with a dry soft cloth.

●A slightly damp cloth may be used to remove stubborn grime and dirt.

●Never use cleaners such as alcohol or thinner.

●Avoid placing vinyl objects on top of the instrument (vinyl can stick to and discolor the surface).

■Electrical Interference

●This instrument contains digital circuitry and may cause interference if placed too close to radio or television receivers. If this occurs, move the instrument further away from the affected equipment.

■Data Backup

●Internal data (e.g. Registration Memory data) is retained in memory even if the power switch is turned OFF as long as backup batteries are installed or the AC plug is connected. The internal memory can, however, be corrupted by incorrect operation. Be sure to save important data to floppy disk frequently so you have a backup to revert to if the data in memory is accidentally damaged. Also note that magnetic fields can damage data on floppy disks, so it is advisable to make a second backup copy of disks that contain particularly important data. Always keep backup disks in a safe place away from stray magnetic fields (e.g. those produced by speakers, appliances containing motors, etc.). More important precautions for floppy disk use are given in the “Floppy Disk” section begining on page 64.

■Service and Modification

●The PSR-620 contains no user serviceable parts. Opening it or tampering with it in anyway can lead to irreparable damage and possibly electric shock. Refer all servicing to qualified YAMAHA personnel.

YAMAHA is not responsible for damage caused by improper handling or operation.

Panel Controls

■ Top Panel Controls .................................................................

1POWER Switch .............................................	page 8
2MASTER VOLUME Control ...........................	page 8
3DEMO Button ................................................	page 9
4DIGITAL EFFECT Section
• REVERB Button .......................................	page 24
• CHORUS Button .......................................	page 24
• DSP Button ...............................................	page 24
• DSP VARIATION Button ...........................	page 24
5LCD Panel ...................................................	page 10
6Data Dial ..................................................	page 9, 14
7Number [0]~[9] and
[+/YES], [–/NO] Buttons ..........................	page 9, 13
8SONG Section
• REC Button .........................................	page 47, 50
• PLAY/STOP Button ......................	page 48, 51, 52
• REPEAT PLAY Button ..............................	page 75
• MINUS ONE Button .................................	page 74
9AUTO ACCOMPANIMENT Section
• SYNC-START/STOP Button ....................	page 35
• START/STOP Button ..........................	page 35, 37
• INTRO Button ...........................................	page 35
• MAIN A/B Button ................................	page 35, 37
• ENDING Button ........................................	page 37
• ACCOMP LARGE/SMALL Button ............	page 39
• TRACK ON/OFF Button ...........................	page 39
0CURSOR s, t, <, > Buttons ...................	page 10
!TEMPO s, t Buttons .................................	page 34
@FUNCTION s, t Buttons ...........................	page 10
#REGISTRATION MEMORY Section
• MEMORIZE Button ..................................	page 44
• 1~4 Buttons ........................................	page 44, 45
• ACCOMP FREEZE Button .......................	page 45
$MODE ▼ Button ..........................................	page 11
%DISK Section
• JOB SELECT Button ................................	page 67
• EXECUTE Button .....................................	page 65
• QUIT Button ..............................................	page 68
^STYLE Button ..............................................	page 33
4

&VOICE Button ..............................................	page 12
*ONE TOUCH SETTING Button ...................	page 42
(Music CARTRIDGE Slot .............................	page 60
)KEYBOARD Section
• TOUCH RESPONSE Button ....................	page 17
• DUAL VOICE Button ................................	page 17
• HARMONY/ECHO Button ........................	page 20
• SUSTAIN Button .......................................	page 22
qMULTI PADS Section
• MULTI PADS 1~4 ...............................	page 56, 58
• REC/END, TERMINATE Button .........	page 56, 58

Panel Controls

MIDI				AUX OUT


		SUSTAIN			DC IN 10-12V
OUT	IN	SUSTAIN	R	L+R/L

t y u i

w PITCH BEND Wheel ...................................	page 23
ePHONES Jack ...............................................	page 7
rDisk Drive ....................................................	page 64

■ Rear Panel Controls...............................................................

tMIDI OUT and IN Connectors ....................	page 7, 81
ySUSTAIN Jack ...............................................	page 7
uAUX OUT R, L+R/L Jacks .................................	page 7
iDC IN 10-12V Jack ........................................	page 6

The Music Stand

The PSR-620 is supplied with a music stand that can be attached to the instrument by inserting it into the slot at the rear of the control panel.

Setting Up

This section contains information about setting up your PSR-620 and preparing to play. Be sure to go through this section carefully before using your PSR-620.

Power Supply

Your PSR-620 will run either from batteries or an optional power adaptor. Follow the instructions below according to the power source you intend to use.

■ Using An Optional AC Power Adaptor .............................................................

Plug the DC output cable from an optional Yamaha PA-5, PA-5B, or PA5C AC Power Adaptor into the DC IN jack on the rear panel of the PSR620, then plug the Power Adaptor (or the AC cable of the Power Adaptor) into a convenient wall AC power socket. The internal batteries are automatically disconnected when an AC Power Adaptor is used.

DC IN 10-12V

PA-5, AC power socket

PA-5B, or PA-5C

■ Using Batteries...............................................................................................................................................

For battery operation the PSR-620 requires six 1.5V SUM-1, “D” size, R-20 or equivalent batteries.

When the batteries need to be replaced “Btry Low” will appear on the display. Also the volume may be reduced, the sound may be distorted, and other problems may occur. When this happens, turn the power OFF and either replace the batteries or connect an AC adaptor.

Replace the batteries as follows:

ZOpen the battery compartment cover located on the instrument’s bottom panel.

XInsert the six new batteries, being careful to follow the polarity markings on the inside of the compartment.

CReplace the compartment cover, making sure that it locks firmly in place.

•Never interrupt the power supply (e.g. remove the batteries or unplug the AC adaptor) during any PSR-620 record operation! Doing so can result in a loss of data.

•Use ONLY a Yamaha PA-5, PA5B, or PA-5C AC Power Adaptor to power your instrument from the AC mains. The use of other adaptors may result in irreparable damage to both the adaptor and the PSR-620.

•When the batteries run down, replace them with a complete set of six new batteries.

NEVER mix old and new batteries.

•Do not use different kinds of batteries (e.g. alkaline and manganese) at the same time.

•To prevent possible damage due to battery leakage, remove the batteries from the instrument if it is not to be used for an extended period of time.

Setting Up

Connections

■ The PHONES Jack		...................................................................................................................................
		A standard pair of stereo headphones
		can be plugged in here for private prac -
		tice or late - night playing. The internal
PHONES		stereo speaker system is automatically
		stereo speaker system is automatically
		shut off when a pair of headphones is
		plugged into the PHONES jack.
■ SUSTAIN Jack...................................................................................................................................................
		An optional Yamaha FC4 or FC5	• Be sure that you do not press the
		footswitch can be plugged into the rear -	pedal while turning the power
		footswitch can be plugged into the rear -	ON. If you do, the ON/OFF status
		panel SUSTAIN jack for sustain control.	ON. If you do, the ON/OFF status
SUSTAIN		panel SUSTAIN jack for sustain control.	of the footswitch will be reversed.
		The footswitch functions like the damper
		pedal on a piano — press for sustain,
		release for normal sound.
■ AUX OUT R and L+R/L ..................................................................................................Jack
		The AUX OUT R and L+R/L jacks
R	L+R/L	deliver the output of the PSR - 620 for
	AUX OUT
		connection to an external amplifier, mix -
		ing console, PA system, or recording
		equipment. If you will be connecting the
		PSR - 620 to a monophonic sound sys -
		tem, use only the L+R/L jack. When a
		plug is inserted into the L+R/L jack
		only, the left - and right - channel signals
	Stereo	are combined and delivered via the
	Stereo	L+R/L jack so you don’t lose any of the
System		L+R/L jack so you don’t lose any of the
		instrument’s sound.
■ MIDI IN and OUT Connectors .............................................................................................
		The MIDI IN connector receives
		MIDI data from an external MIDI device
	MIDI	(such as a MIDI sequencer) which can
OUT	IN	be used to control the PSR - 620. The
		be used to control the PSR - 620. The
		MIDI OUT connector transmits MIDI
		data generated by the PSR - 620 (e.g. note
		and velocity data produced by playing
		the keyboard) . More details on MIDI are
		provided on page 81.

The Demonstration

Once you’ve set up your PSR-620, try listening to the pre-programmed demonstration songs — they’ll give you a good idea of what the PSR-620 can do! A total of 25 demo songs are provided — songs 01 through 17 have been created to demonstrate several of the instrument’s voices, while songs 18 through 25 demonstrate a range of accompaniment styles.

VOICE

STYLE

SONG

REGIST MEMORY

MULTI PAD

DUAL VOICE

SPLIT VOICE

HARM/ECHO

OVERALL

DIGITAL EFFECT

801 SSax						OTS
						BEAT
REGIST		TEMPO 172 TRANSPOSE10 MEASURE a01 REPEAT					CHORD
RHYTHM		BASS CHORD PAD	PHRASE ACCOMP MELODY		MELODY
1		1	1	1	2	MINUS ONE	TOUCH
ON /						MINUS ONE	TOUCH
ON /
OFF
			REC REC		REC REVERB		DUAL
VOICE	1 134126152105			199101		CHORUS	HARMONY
						CHORUS	HARMONY
VOL
						DSP	SUSTAIN
		ACCOMP TRACK		SONG TRACK

NORMAL

SPLIT

SINGLE

FINGERED

LOAD

SAVE

DELETE

FORMAT

1 Switch ON .................................................................................................................................................................

Turn the power ON by pressing the [POWER] switch.

POWER

ON / OFF

2 Set an Initial Volume Level .......................................................................................................

Turn the [MASTER VOLUME] control up (clockwise) about a quarterturn from its minimum position. You can re-adjust the [MASTER VOLUME] control for the most comfortable overall volume level after playback begins.

MASTER

VOLUME

MIN MAX

The Demonstration

3 Press the [DEMO] Button...........................................................................................................

Press the [DEMO] button to start demo playback. The PSR-620 SONG function will automatically be selected and the number and name of the first demo song will appear on the top line of the display and the SONG [PLAY/ STOP] indicator will light. The demo will begin playing automatically. The demo songs will play in sequence, and the sequence will repeat until stopped.

DEMO

801SSax

4 Skip to the Beginning Of a Different Demo Song.......................

While the demonstration is playing you can select any of the 25 demo songs by using the [–/NO] and [+/YES] buttons, the number buttons or the data dial. Playback will skip to the beginning of the selected song.

VOICE	801	SSax
STYLE	801
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT

*1 * *

1	2	3
4	5	6
7	8	9
0	–/NO	+/YES

5 Exit When Done .............................................................................................................................................

Press the [DEMO] button, the SONG [PLAY/STOP] button, or the AUTO ACCOMPANIMENT [START/STOP] button to stop demo playback, then press the [VOICE] button to exit from the SONG function and return to the normal play-mode display when you’ve finished playing the demo songs.

•You can play along on the PSR620 keyboard while the demonstration is playing.

•The volume bars of the song tracks at the bottom of the display will move in response to the data in each track while the demo plays.

•When playing demo songs which use the PSR-620 internal accompaniment styles:

*Chord names will appear on the display and the volume bars of the accomp. tracks will move in response to the data in each track while the demo plays.

*The harmony effect (see page

20) can be applied when playing along with the chord progression of the song.

•When you stop demo song sequence playback and start again by pressing the [PLAY/STOP] button, only the current song will play, then playback will stop automatically.

DEMO

Basic Display Operation

The PSR-620 LCD panel is a large multi-function type that simultaneously displays and provides access to a number of important parameters. Basic operation of the display as well as the CURSOR, FUNCTION, MODE, JOB SELECT and NUMBER buttons, and the meaning of the icons which appear in the display, are summarized briefly below.

The Cursor Buttons

The CURSOR buttons are used to select the various parameters which appear in the display. Depending on the selected parameter, the “cursor” may appear as an underline, or the selected icon or value may simply flash. Each CURSOR button moves the cursor in the corresponding direction. The [▲] and [▼] CURSOR buttons are also used to select functions within the function groups selected by the FUNCTION buttons in some cases.

Parameter Icons

DISK (Disk)

Appears when a Disk song, style, multi pad or registration is selected (page 64).

CART (Cartridge)

Appears when a Music Cartridge song, style, or registration memory is selected (page 60).

BEAT

Flashes at the current tempo and indicates the BEAT current beat during accompaniment and song

playback. (page 36)

The Functions

The PSR-620 has a range of functions selected via the FUNCTION [▲] and [▼] buttons — e.g. voice selection, style selection, song number selection, etc. The currently selected function is indicated by an arrow in the display next to the function list printed immediately to the left of the display. All of the listed functions can be selected by pressing either the FUNCTION [▲] or [▼] button as many times as necessary until the arrow in the display appears next to the name of the desired function.

CURSOR	SONG				GrandPno OT
FUNCTION	VOICE	801
FUNCTION	STYLE	801
	REGIST MEMORY	REGIST		TEMPO 118 TRANSPOSE10 MEASURE a01 REPE
	MULTI PAD	RHYTHM		BASS CHORD PAD		PHRASE ACCOMP MELODY		MELODY
	DUAL VOICE	1			1	1	1	2	MINU
		ON /							MINU
		ON /
	SPLIT VOICE	OFF
	SPLIT VOICE						REC REC	REC	REVE
	HARM/ECHO	VOICE	1 135102117130				101101		CHOR
	OVERALL								CHOR
	OVERALL	VOL
	DIGITAL EFFECT	VOL
	DIGITAL EFFECT								DSP
				ACCOMP TRACK			SONG TRACK

Accompaniment Track Parameters & Icons

The PSR-620 has 8 accompaniment tracks (RHYTHM1/2, BASS, CHORD1/2, PAD, and PHRASE1/2), each with ON/OFF, voice number, and volume parameters that can be set as required (page 38). The icons, drums for RHYTHM1 and 2, an acoustic applied bass for BASS, an electric guitar for CHORD1 and 2, violins for PAD, a trumpet for PHRASE 1 and 2, will appear when the respective track is ON.

RHYTHM BASS CHORD PAD PHRASE

OTS (One Touch Setting)

Appears when the ONE TOUCH

OTS	SETTING feature is engaged

(page 42).

REGIST (Registration Memory)

Indicates the currently selected REGIST REGISTRATION MEMORY

number (page 45).

TEMPO

Shows the current tempo of ac- TEMPO companiment/song playback (page

34).

TRANSPOSE

The current transpose value (page

TRANSPOSE		23).
		23).
		MEASURE
		Indicates the current measure
		number during song recording and
MEASURE		number during song recording and
MEASURE		playback (page 53).
		playback (page 53).
		REPEAT
		Indicates the “A” and “B” repeat
		Indicates the “A” and “B” repeat
	REPEAT	points when programming a repeat
		section. (page 75)
		CHORD
	m	Indicates the current chord name
	m	during accompaniment/ song play-
	CHORD	during accompaniment/ song play-
	CHORD	back (page36)
		back (page36)

		NORMAL
BEAT		SPLIT
		SPLIT
S		SINGLE
	m	SINGLE
	m	FINGERED
AT	CHORD	FINGERED
S ONE	TOUCH		MODE
		LOAD	MODE
RB	DUAL	LOAD
US	HARMONY	SAVE
US	HARMONY	DELETE
		DELETE	JOB
			JOB
	SUSTAIN	FORMAT	SELECT
			EXECUTE

QUIT

DISK

Song Track Parameters & Icons

Like the accompaniment tracks, each of the 3 song tracks has ON/OFF, voice number (MELODY tracks), and volume parameters that can be set as required (page 46). Each track has its own icon which appears when the track is ON.

ACCOMP MELODY MELODY 1 2

The Modes

The MODE button to the right of the display selects one of the PSR520’s four operational modes: NORMAL, SPLIT, SINGLE, and FINGERED. The currently selected mode is indicated by an arrow in the display next to the mode list printed immediately to the right of the display. All of the listed modes can be selected by pressing the MODE button as many times as necessary until the arrow in the display appears next to the name of the desired mode.

NORMAL: The normal play mode (page 12).

SPLIT: The split-keyboard mode in which different voices can be played by the left and right hands (page 15).

SINGLE: The single-finger accompaniment mode which allows fully-orchestrated accompaniment to be produced by specifying chords using only one, two or three fingers (page 31).

FINGERED: The fingered accompaniment mode in which fully-or- chestrated accompaniment is produced according to chords you play on the keyboard (page 31).

Feature On/Off Icons

MINUS ONE

REVERB

CHORUS

DSP

TOUCH

DUAL

HARMONY

SUSTAIN

MINUS ONE

Appears when the MINUS ONE feature is ON (page 74).

REVERB

Appears when the REVERB EFFECT is ON (page 24).

CHORUS

Appears when the CHORUS EFFECT is ON (page 24).

DSP

Appears when the DSP EFFECT is ON (page 24).

TOUCH (Touch Response)

Appears when the TOUCH RESPONSE is ON (page 17).

DUAL (Dual Voice)

Appears when the DUAL VOICE feature is ON (page 17).

HARMONY

Appears when the HARMONY/ECHO is ON (page 20).

SUSTAIN

Appears when the SUSTAIN is ON (page 22).

The Disk Functions

The [JOB SELECT] button to the right of the display selects one of the PSR620’s four disk jobs: LOAD, SAVE, DELETE and FORMAT. The currently selected job is indicated by an arrow in the display next to the disk job list printed immediately to the right of the display. All of the listed jobs can be selected by pressing the [JOB SELECT] button as many times as necessary until the arrow in the display appears next to the name of the desired job.

LOAD: Loads data from floppy disk (page 68).

SAVE: Saves the specified data to floppy disk (page 66).

DELETE: Deletes a specified data file from the floppy disk (page 72).

FORMAT: Formats a disk for use with the PSR-620 (page 65).

Playing the PSR-620

VOICE

STYLE

SONG

REGIST MEMORY MULTI PAD

DUAL VOICE

SPLIT VOICE

HARM/ECHO

OVERALL

DIGITAL EFFECT

801 GrandPno OTS BEAT

REGIST		TEMPO 118 TRANSPOSE10 MEASURE a01 REPEAT					CHORD
RHYTHM		BASS CHORD PAD	PHRASE ACCOMP MELODY		MELODY
1		1	1	1	2	MINUS ONE	TOUCH
ON /						MINUS ONE	TOUCH
ON /
OFF
				REC REC	REC REVERB		DUAL
VOICE	1 135102117130			101101		CHORUS	HARMONY
						CHORUS	HARMONY
VOL
						DSP	SUSTAIN
		ACCOMP TRACK		SONG TRACK

NORMAL

SPLIT

SINGLE

FINGERED

LOAD

SAVE

DELETE

FORMAT

Selecting & Playing Voices

The PSR-620 has 141 outstanding “pitched” voices (voice numbers 01 through 141) and 8 percussion kits

(numbers 142 through 149) that you can select and play on the keyboard.

1 Select the NORMAL Mode ........................................................................................................

If you want to play a single voice over the entire range of the PSR-620 keyboard, you’ll need to select the NORMAL mode. To do this, press the [MODE] button to the right of the display as many times as necessary until the arrow in the display appears next to “NORMAL” in the mode list to the right of the display. The other modes will be described later in this manual.

NORMAL

SPLIT

SINGLE

FINGERED

LOAD

SAVE

DELETE

FORMAT

2 Select the VOICE Function ......................................................................................................

Before you select a voice to play, the PSR-620 voice function must be selected. The simplest way to do this is to press the [VOICE] button. This immediately selects the VOICE function no matter what function was previously selected.

An alternative method is to press the [FUNCTION] button to the left of the display as many times as necessary until the arrowhead in the display appears next to “VOICE” in the function list to the left of the display.

FUNCTION	SONG		GrandPno	VOICE
	VOICE	801
	STYLE	801
	REGIST MEMORY
	MULTI PAD
	DUAL VOICE
	SPLIT VOICE
	HARM/ECHO
	OVERALL
	DIGITAL EFFECT

•“Kybd Vol” function (see page

77)in the OVERALL function group can be quickly selected by pressing and holding the [VOICE] button.

Playing the PSR-620

3 Select a Voice.....................................................................................................................................................

The PSR-620 has 149 voices that can be selected by using either the [–/ NO] and [+/YES] buttons, the number buttons or the data dial. The voices are listed in the VOICE list printed at the top of the instrument’s control panel. The number and name of the currently selected voice appears on the top line of the display panel while the VOICE function is selected.

●The [–/NO] and [+/YES] Buttons

When the VOICE function is selected these buttons step up or down through the PSR-520’s voices. Press either button briefly to step to the next voice in the corresponding direction, or hold the button to scroll rapidly through the voices in the corresponding direction.

–/NO

+/YES

●The Number Buttons

The number buttons can be used to directly enter the number of the desired voice, thereby immediately selecting that voice without having to step through a number of other voices.

Two-digit voice numbers (i.e. “01” through “99”) are selected simply by entering the two digits in sequence — e.g. to select voice number “57”, briefly press the [5] buttons and then the [7] button.

*1	*		*

1	2	3
4	5	6
7	8	9
0	–/NO	+/YES

Three-digit voice numbers (i.e. “100” through “149”) are entered by first pressing and holding the [1] button until “1” appears in the hundreds position on the display, then press the remaining two digits in sequence.

*	*	*

1– –

STYLE	102 GrandPno	1	2	3
VOICE

SONG	4	5	6

	7	8	9

–/NO

+/YES

•Voice numbers 150 ~ 151 exclusively can be used as the dual voice — see page 19.

•Whenever you select a new voice, the appropriate voicerelated parameters for that voice will be set automatically. This is the PSR-620 Voice Set function.

The Voice Set function can be turned OFF if not required — page 79.

•The stereo pan position of the voice can be set via the “Pan” function in the OVERALL function group — see page 78.

Playing the PSR-620

●The Data Dial

This is undoubtedly the easiest way to select a voice. Simply rotate the dial clockwise to increment or counter-clockwise to decrement.

4 Play & Adjust Volume.........................................................................................................................

You can now play the selected voice on the PSR-620 keyboard. Use the [MASTER VOLUME] control to adjust the overall volume level.

•The optimum octave settings

(OVERALL function: octave=0) are set for each voice (except for the keyboard percussion voices).

•The keyboard volume can be adjusted independently from the accompaniment volume via the “Kybd Vol” function in the OVERALL function group — see page

77. “Kybd Vol” function can be quickly selected by pressing and holding the [VOICE] button.

■ Keyboard Percussion

When one of the eight PERCUSSION KIT voices are selected — voice numbers 142 through 149 — you can play drums and percussion instruments on the keyboard. The drums and percussion instruments played by the various keys are marked by symbols below the keys.

SONG		Std.Kit
VOICE	142
STYLE	142

● The Percussion Kits

142Standard Kit

143Room Kit

144Rock Kit

145Electronic Kit

146Analog Kit

147Jazz Kit

148Brush Kit

149Classic Kit

•The Harmony/Echo and Dual functions (pages 20 and 17) cannot be turned ON while a keyboard percussion voice is selected, and will automatically be turned OFF if a keyboard percussion voice is selected while they are ON.

•The TRANSPOSE parameter (page 23) has no effect on the keyboard percussion voices.

•See page 98 for a complete listing of the keyboard percussion drum instrument assignments.

Playing the PSR-620

The Split Mode

The SPLIT mode lets you play different voices with the left and right hands. You could, for example, play bass with the left hand while playing piano with the right. The right-hand voice is the keyboard voice you select in the normal way (page 12), and the left hand voice is selected via the SPLIT VOICE function, described below. The “split point” is initially set at B2 (note number 59), but it can be set at any key on the keyboard.

The SPLIT mode is engaged by pressing the [MODE] button so that the arrow in the display appears next to “SPLIT” in the mode list to the right of the display.

Split Point

Voice selected via

the VOICE function

Split Voice

NORMAL

SPLIT

SINGLE

FINGERED

LOAD

SAVE

DELETE

FORMAT

•The SPLIT mode and DUAL VOICE features (page 17) can be used at the same time. In this case the dual voice plays simultaneously with the right-hand voice only.

Changing the Split Voice & Related Parameters

1 Select the SPLIT VOICE Function ..............................................................................

Press the [FUNCTION] button to the left of the display as many times as necessary until the arrowhead in the display appears next to “SPLIT VOICE” in the function list to the left of the display.

FUNCTION	SONG		Aco.Bass
	VOICE	855
	STYLE	855
	REGIST MEMORY
	MULTI PAD
	DUAL VOICE
	SPLIT VOICE
	HARM/ECHO
	OVERALL
	DIGITAL EFFECT

2 Select the Function and Set As Required .................................................

Use the cursor [▲] and [▼] buttons to select the desired function, and then the [–/NO] and [+/YES] buttons, the number buttons or the data dial to set as required (the name of the selected function and its current setting appear on the top line of the display).

Playing the PSR-620

CURSOR	*	*	*
	1– –

1	2	3
4	5	6
7	8	9
0	–/NO	+/YES

Function	Description
		• If the Voice Set function is ON
Split Voice	The split voice can be changed as required while the number	• If the Voice Set function is ON
Split Voice	The split voice can be changed as required while the number		(page 79), the Split Voice param-
	and name of the current split voice appear on the top line of		(page 79), the Split Voice param-
			eters will change automatically
	the display.		whenever a different keyboard
			voice is selected.
S.Volume	Sets the volume of the split voice so you can create the opti-		voice is selected.
S.Volume		•	The selected Split Voice param-
	mum blend with the right-hand voice. The volume range is		eter can be reset to its default
	from “00” (no sound) to “127” (maximum split voice volume).		value by simultaneously pressing
			the [–/NO] and [+/YES] buttons.
S.Octave	Shifts the pitch of the split voice up or down one or two oc-		the [–/NO] and [+/YES] buttons.
S.Octave		•	Negative ”S.Octave” and “S.Pan”
	taves. “1”– is down one octave, “2”– is down two octaves; “+1”	•	Negative ”S.Octave” and “S.Pan”
			parameters can be entered by
	and “+2” are up one and two octaves, respectively.		parameters can be entered by
	and “+2” are up one and two octaves, respectively.		pressing the number buttons
			while holding the [-NO] button.
S.RevLvl	Sets the reverb send level for the split voice. The reverb send		while holding the [-NO] button.
S.RevLvl		• Reverb and chorus return levels
	level determines the amount of signal sent to the reverb effect.	• Reverb and chorus return levels
			can be changed via “RevRtnLv”
	The range is from “00”(no effect) to “127” (maximum effect).		can be changed via “RevRtnLv”
			and “ChoRtnLv” in the DIGITAL
			EFFECT function - see pages 25
S.ChoLvl	Sets the chorus send level for the split voice. The chorus send		EFFECT function - see pages 25
S.ChoLvl			and 27.
	level determines the amount of signal sent to the chorus ef-
	fect. The range is from “00” (no effect) to “127” (maximum
	effect).

S.Pan	Positions the split voice in the stereo sound field. The pan
	range is from “7”– to “+7”. “7”– is full left and “+7” is full right.

S.Split	Sets the keyboard split point — i.e. the key that separates the
	leftand right-hand voices (the split-point key is included in the
	left-hand section of the keyboard). Simply press the key you
	want to assign as the split point. The key number of the key
	you press will appear to the left of “S.Split” on the top line of
	the display. You can also use the [–/NO] and [+/YES] buttons,
	the number buttons or the data dial to enter the split point key
	number. The lowest key on the keyboard (C1) is key number
	“36”, middle C (C3) is “60”, and the highest key (C6) is “96”.
	The split point can be set at any key number from 00 through
	127, allowing the split point to be set outside the range of the
	PSR-620 keyboard for MIDI applications. The default split
	point is 59 (B2).

3 Exit .........................................................................................................................................................................................

Press the [VOICE] button or select a different function to exit from the

SPLIT VOICE function.

Playing the PSR-620

Touch Response

This function turns the touch response of the keyboard ON or OFF. Use the KEYBOARD [TOUCH RESPONSE] button to turn TOUCH RESPONSE ON or OFF as required. The touch-response icon will appear next to “TOUCH” in the display when TOUCH RESPONSE is turned ON. The actual touch response sensitivity of the keyboard can be adjusted via the “TouchSns” function in the OVERALL function group (page 79). When OFF (i.e. when the touchresponse icon is not showing) the same volume is produced no matter how hard you play on the keyboard. Touch response can be turned OFF to produce a more realistic effect with voices that normally do not have touch response: e.g. organ and harpsichord.

KEYBOARD

TOUCH RESPONSE

TOUCH

DUAL VOICE

DUAL

HARMONY

HARMONY/ECHO

SUSTAIN

•Touch Response is turned ON whenever the power switch is turned ON.

•The “TouchSns” function in the OVERALL function group can be quickly selected by pressing and holding the [TOUCH RESPONSE] button.

Dual Voice

When the DUAL VOICE feature is engaged you can play two voices simultaneously across the entire keyboard — the keyboard voice you select in the normal way (page 12), and a “dual” voice selected via the DUAL VOICE function.

The DUAL VOICE feature is turned ON and OFF by pressing the [DUAL VOICE] button. The dual-voice icon (overlapping keyboards) will appear next to “DUAL” in the display when DUAL VOICE is turned ON.

KEYBOARD

TOUCH RESPONSE

TOUCH

DUAL VOICE

DUAL

HARMONY

HARMONY/ECHO

SUSTAIN

Playing the PSR-620

Changing the Dual Voice & Related Parameters

1 Select the DUAL VOICE Function ...............................................................................

Press the [FUNCTION] button to the left of the display as many times as necessary until the arrowhead in the display appears next to “DUAL VOICE” in the function list to the left of the display.

FUNCTION	SONG		Strings2
	VOICE	873
	STYLE	873
	REGIST MEMORY
	MULTI PAD
	DUAL VOICE
	SPLIT VOICE
	HARM/ECHO
	OVERALL
	DIGITAL EFFECT

2 Select the Function and Set As Required .................................................

FUNCTION	SONG		D.Volume
	VOICE	150
	STYLE	150
CURSOR	REGIST MEMORY
	MULTI PAD
	DUAL VOICE
	SPLIT VOICE
	HARM/ECHO
	OVERALL
	DIGITAL EFFECT

•“DUAL VOICE” function can be quickly selected by pressing and holding the [DUAL VOICE] button.

Playing the PSR-620

Function	Description

Dual Voice	The dual voice can be changed as required while the
	number and name of the current dual voice appear on the
	top line of the display.
	The PSR-620 has 143 dual voices (voice numbers
	01… 141 and 150… 151). Voice numbers 150… 151 exclu-
	sively can be used as the dual voice.

D.Volume	Sets the volume of the dual voice so you can create the
	optimum blend with the main keyboard voice. The volume
	range is from “00” (no sound) to “127” (maximum dual
	voice volume).

D.Octave	Shifts the pitch of the dual voice up or down one or two
	octaves. “1”– is down one octave, “2”– is down two oc-
	taves; “+1” and “+2” are up one and two octaves, respec-
	tively. The original octave of the dual voice is determined
	by the “Octave” function in the OVERALL function group
	— page 77.

D.RevLvl	Sets the reverb send level for the dual voice. The reverb
	send level detrmines the amount of signal sent to the
	reverb effect. The range is “00”(no effect) to “127”(maxi-
	mum effect).

D.ChoLvl	Sets the chorus send level for the dual voice. The chorus
	send level determines the amount of signal sent to the
	chorus effect. The range is “00”(no effect) to “127”(maxi-
	mum effect).

D.Pan	Positions the dual voice in the stereo sound field. The pan
	range is from “7”– to “+7”. “7”– is full left and “+7” is full
	right.

3 Exit .........................................................................................................................................................................................

Press the [VOICE] button or select a different function to exit from the DUAL VOICE function.

•If the Voice Set function is ON (page 79), the Dual Voice parameters will change automatically whenever a different voice is selected via the VOICE function.

•Keyboard percussion voices cannot be used as the dual voice.

•The selected Dual Voice parameter can be reset to its default value by simultaneously pressing the [–/NO] and [+/YES] buttons.

•The octave of the main and dual voices can be changed via the “Octave” function in the OVER-

ALL function group — page 77.

•Negative “D.Octave” and “D.Pan” parameters can be entered by pressing the number buttons while holding the [–/NO] button.

•Reverb and chorus return levels can be changed via “RevRtnLv” and “ChoRtnLv”, respectively, in the DIGITAL EFFECT functionsee pages 25 and 27.

Playing the PSR-620

Harmony/Echo

The harmony effects (01…10) automatically add appropriate harmony notes to the melody line you play on the keyboard. The harmony is derived from the chords you play on the left hand parts.

The echo effects (11…22) add delay-based effects to the right hand melody parts.

Press the [HARMONY/ECHO] button to turn the HARMONY/ECHO effect ON or OFF. When HARMONY/ECHO is turned ON, the harmony icon will appear next to “HARMONY” in the display.

KEYBOARD

TOUCH RESPONSE

TOUCH

DUAL VOICE

DUAL

HARMONY

HARMONY/ECHO

SUSTAIN

•Harmony/Echo effect can not be turned ON when a keyboard percussion kit is selected for the

Voice.

•Harmony can not be used when the Auto Accompaniment Chord

Cancel function (page 32) is in use.

•Harmony does not apply in the NORMAL mode.

•Harmony can be used in the SPLIT mode as well as in the SINGLE and FINGERED modes.

•The Harmony/Echo effect can not be turned ON when the FIN-

GERED FULL mode (page 33) is in use and will automatically be turned OFF when the FINGERED

FULL mode is selected.

Selecting a Harmony/Echo Type

1 Select the Harmony/Echo Function.......................................................................

Press the [FUNCTION] button to the left of the display as many times as necessary until the arrowhead in the display appears next to “HARM/ ECHO” in the function list to the left of the display.

FUNCTION	SONG		Block
	VOICE	805
	STYLE	805
	REGIST MEMORY
	MULTI PAD
	DUAL VOICE
	SPLIT VOICE
	HARM/ECHO
	OVERALL
	DIGITAL EFFECT

You can also select the HARM/ECHO function by pressing and holding the [HARMONY/ECHO] button until the arrow jumps to the “HARM/ ECHO” position and the current harmony/echo name appears in the display.

Playing the PSR-620

2 Select a Harmony/Echo Type .............................................................................................

Use the [–/NO] and [+/YES] buttons, the number buttons or the data dial to select one of the available harmony/echo types (listed below).

● The Harmony(01…10) & Echo(11…22) Types

Type	Description

01: Duet	This harmony type produces a duophonic melody with the
	second voice below the melody line.

02: 1+5	A parallel voice is produced a fifth above the melody voice.

03: Country	Similar to Duet, but the second voice is above the melody
	line.

04: Trio	This harmony type generates two voices in addition to the
	melody voice.

05: Block	Three or four notes are added to the melody to produce
	four or five-note chords.

06: 4WayClose1	Three harmony notes are generated to produce a four-note
	chord.

07: 4WayClose2	Similar to the preceding type, but depending on the chords
	played this type will sometimes produce a more colorful
	sound.

08: 4WayOpen	Four-note chords with open voice (large intervals between
	the notes). The result is a very “open” sound. Since the
	harmony notes can be as much as two octaves below the
	melody, avoid playing in the lower registers.

09: Octave	One note is added an octave below the melody.

10: Strum	The notes and assignments are the same as in the Block
	type, but the notes are arpeggiated.

11: Echo1/4	This type creates quarter-note delayed repeats.

12: Echo1/6	This type creates quarter-note triplet delayed	3
12: Echo1/6	This type creates quarter-note triplet delayed	3
	repeats.

13: Echo1/8	This type creates 8th-note delayed repeats.

14: Echo1/12	This type creates 8th-note triplet delayed	3
14: Echo1/12	This type creates 8th-note triplet delayed	3
	repeats.

•If the VOICE SET function is ON (page 79), the harmony/echo type will change automatically whenever a different voice is selected via the VOICE function.

•The harmony/echo type can be reset to its default by simultaneously pressing the [–/NO] and [+/ YES] buttons.

Playing the PSR-620

Type

Description

15: Tremolo1/8

This type creates 8th-note tremolos.

16: Tremolo1/12

This type creates 8th-note triplet tremolos.

17: Tremolo1/16

This type creates 16th-note tremolos.

18: Tremolo1/32

This type creates 32nd-note tremolos.

19: Trill1/12

This type creates 8th-note triplet trilled repeats.

20: Trill1/16

This type creates 16th-note trilled repeats.

21: Trill1/24

This type creates 16th-note triplet trilled repeats.

22: Trill1/32

This type creates 32nd-note trilled repeats.

3 Exit .........................................................................................................................................................................................

Press the [VOICE] button or select a different function to exit from the HARM/ECHO function.

Sustain

When the Sustain feature is ON (the sustain icon will appear next to “SUSTAIN” in the display), all notes played on the keyboard have a longer sustain. Press the [SUSTAIN] button to turn the SUSTAIN effect ON or OFF.

KEYBOARD

TOUCH RESPONSE

TOUCH

DUAL VOICE

DUAL

HARMONY

HARMONY/ECHO

SUSTAIN

•Sustain does not apply to some voices.

Playing the PSR-620

Transposition

This functions allow the overall pitch of the PSR-620 to be transposed up or down by a maximum of one octave in semitone increments.

1 Move the Cursor to the Transpose Value ...................................................

Use the CURSOR buttons to select the number to the right of the keyboard icon labelled “TRANSPOSE” on the display (the number will flash when selected).

TRANSPOSE 0

2 Set the Transposition As Required.........................................................................

Use the [–/NO] and [+/YES] buttons, the number buttons or the data dial to set the desired degree of transposition. The transpose range is from –12 to +12, allowing a maximum upward or downward transposition of 1-octave.

A setting of “0” produces the normal pitch.

–/NO

+/YES

•Press the [–/NO] and [+/YES] buttons simultaneously to instantly reset the transpose value to “0”.

•The new transpose value will apply from the next note played.

•Negative values can be entered by pressing the number buttons while holding the [–/NO] button.

Pitch Bend

The PITCH BEND wheel to the left of the keyboard allows the pitch of notes played on the keyboard to be bend up or down - roll the wheel away from you to bend up, and toward you to bend down.

The actual pitch bend range can be adjusted via the “PBRange” function in the OVERALL function group (page 80).

PITCH BEND

Digital Effects

The PSR-620 provides a variety of Digital Effects — 12 Reverb Effects, 9 Chorus Effects and 45 DSP Effects — which can add tremendous variety to your sound.

VOICE

STYLE

SONG

REGIST MEMORY MULTI PAD

DUAL VOICE

SPLIT VOICE

HARM/ECHO

OVERALL

DIGITAL EFFECT

801 ≤Hall1						OTS
						BEAT
REGIST		TEMPO 118 TRANSPOSE10 MEASURE a01 REPEAT					CHORD
RHYTHM		BASS CHORD PAD	PHRASE ACCOMP MELODY		MELODY
1		1	1	1	2	MINUS ONE	TOUCH
ON /						MINUS ONE	TOUCH
ON /
OFF
				REC REC	REC REVERB		DUAL
VOICE	1 135102117130			101101		CHORUS	HARMONY
						CHORUS	HARMONY
VOL
						DSP	SUSTAIN
		ACCOMP TRACK		SONG TRACK

NORMAL

SPLIT

SINGLE

FINGERED

LOAD

SAVE

DELETE

FORMAT

Using the Digital Effects

The digital effects can be turned ON or OFF by pressing the [REVERB] button, [CHORUS] button and [DSP] button respectively. Each DSP effect has a variation which can be accessed by using the [DSP VARIATION] button. The appropriate icon(s) will appear in the display when the effects are turned ON.

DIGITAL EFFECT

REVERB DSP

DSP

CHORUS VARIATION

•The [REVERB], [CHORUS] and [DSP] buttons turn the effects applied to the

VOICE function voice ON or OFF.

•If the Voice Set function (page 79) is

ON, the REVERB, CHORUS, and DSP VARIATION ON/OFF status will be set automatically. DSP will be turned ON whenever a different voice is selected via the VOICE function.

Changing the Reverb Effect

Selecting the Reverb Effect Type

1 Select the Reverb Type Function ...................................................................

Press the [FUNCTION] button to the left of the display as many times as necessary until the arrowhead in the display appears next to “DIGITAL EFFECT” in the function list to the left of the display, and use the cursor [▲] and [▼] buttons to select the Reverb Type function, “Reverb m”.

FUNCTION	SONG	Reverb ≥
	VOICE
	STYLE
CURSOR	REGIST MEMORY
	MULTI PAD
	DUAL VOICE
	SPLIT VOICE
	HARM/ECHO
	OVERALL
	DIGITAL EFFECT

2 Select the Reverb Type ...................................................................................................................

Use the cursor [>] button to enter the Reverb Type function and then select one of the 13 reverb types using the [–/NO] and [+/YES] buttons, the number buttons or the data dial. The name of the selected reverb type appears on the top line of the display.

FUNCTION	SONG		≤Hall1
	VOICE	101
	STYLE	101
CURSOR	REGIST MEMORY
	MULTI PAD
	DUAL VOICE
	SPLIT VOICE
	HARM/ECHO
	OVERALL
	DIGITAL EFFECT

You can also enter the Reverb Type function by pressing and holding the [REVERB] button until the arrow jumps to the “DIGITAL EFFECT” position and the current reverb type name appears in the display.

3 Exit .........................................................................................................................................................................................

Press the [VOICE] button or select a different function to exit from the DIGITAL EFFECT function.

Digital Effects

•See page 89 for a complete listing of the reverb types.

•The default reverb type can be recalled simultaneously pressing the [–/NO] and [+/YES] buttons.

•You can return to the previous display, “Reverbm”, by pressing the cursor [<] button, and choose the CHORUS or DSP effect.

•The Reverb type will change automatically whenever a different style is selected.

•If you want to disable the reverb effect for all except the VOICE function voice, select OFF in the

Type selection.

The Reverb Types

01~04	Hall 1~4
05~08	Room 1~4
09, 10	Stage 1, 2
11, 12	Plate 1, 2
13	OFF

Setting the Reverb Return Level

The reverb return level determines the amount of “wet” (effect) signal output to the amplifier.

1 Select the Reverb Return Level Function ..................................................

164RevRtnLv

2 Set the Reverb Return Level ................................................................................................

Use the [–/NO] and [+/YES] buttons, the number buttons or the data dial to set the desired reverb return level. The range is from “00” to “127”.

3 Exit .........................................................................................................................................................................................

Press the [VOICE] button or select a different function to exit from the DIGITAL EFFECT function.

•See page 88 for more details on the Digital Effects.

•The reverb return level specified here affects the entire setting. The reverb send level, however, can be independently applied to the voice selected via the VOICE function, the split voice and the dual voice via “RevLevel” in the

OVERALL function group, “S.RevLvl” in the SPLIT VOICE function, and “D.RevLvl” in the

DUAL VOICE function (see pages 88, 16 and 19).

•The default reverb return level =64 can be recalled instantly by pressing both the [–/NO] and [+/ YES] buttons simultaneously.

Digital Effects

Changing the Chorus Effect

Selecting the Chorus Effect Type

1 Select the Chorus Type Function...............................................................................

FUNCTION	SONG	Chorus ≥
	VOICE
	STYLE
CURSOR	REGIST MEMORY
	MULTI PAD
	DUAL VOICE
	SPLIT VOICE
	HARM/ECHO
	OVERALL
	DIGITAL EFFECT

2 Select the Chorus Type ..................................................................................................................

Use the cursor [>] button to enter the Chorus Type function and then select one of the 10 chorus types using the [–/NO] and [+/YES] buttons, the number buttons or the data dial. The name of the selected chorus type appears on the top line of the display.

FUNCTION	SONG		≤Chorus1
	VOICE	101
	STYLE	101
CURSOR	REGIST MEMORY
	MULTI PAD
	DUAL VOICE
	SPLIT VOICE
	HARM/ECHO
	OVERALL
	DIGITAL EFFECT

You can also enter the Chorus Type function by pressing and holding the [CHORUS] button until the arrow jumps to the “DIGITAL EFFECT” position and the current chorus type name appears in the display.

•See page 89 for a complete listing of the chorus types.

•The chorus type will change automatically whenever a different style is selected.

•You can return to the previous display, “Chorusm”, by pressing the cursor [<] button, and choose the REVERB or DSP effect.

•The default chorus type can be recalled by simultaneously pressing the [–/NO] and [+/YES] buttons.

•If you want to disable the chorus effect for all except the VOICE function voice, select OFF in the

Type selection.

The Chorus Types

01~05	Chorus 1~5
06~09	Flanger 1~4
10	OFF

Digital Effects

3 Exit .........................................................................................................................................................................................

Press the [VOICE] button or select a different function to exit from the

DIGITAL EFFECT function.

Setting the Chorus Return Level

The chorus return level determines the amount of “wet” (effect) signal output to the amplifier.

1 Select the Chorus Return Level Function .................................................

164ChoRtnLv

2 Set the Chorus Return Level ...............................................................................................

Use the [–/NO] and [+/YES] buttons, the number buttons or the data dial to set the desired chorus return level. The range is from “00” to “127”.

3 Exit .........................................................................................................................................................................................

Press the [VOICE] button or select a different function to exit from the DIGITAL EFFECT function.

•See page 88 for more details on the Digital Effects.

•The chorus return level specified here affects the entire setting.

The chorus send level, however, can be independntly applied to the voice selected via the VOICE function, the split voice and the dual voice via “ChoLevel” in the OVERALL function group,

“S.ChoLvl” in the SPLIT VOICE function and “D.ChoLvl” in the DUAL VOICE function (see pages 88, 16 and 19).

•The default chorus return level = 64 can be recalled instantly by pressing both the [–/NO] and [+/

YES] buttons simultaneously.

Digital Effects

Changing the DSP Effect

Selecting the DSP Effect Type

1 Select the DSP Type Function ..........................................................................................

	VOICE	Dsp	≥
FUNCTION	STYLE
FUNCTION	SONG
CURSOR	REGIST MEMORY
	MULTI PAD
	DUAL VOICE
	SPLIT VOICE
	HARM/ECHO
	OVERALL
	DIGITAL EFFECT

2 Select the DSP Type..............................................................................................................................

Use the cursor [>] button to enter the DSP Type function and then select one of the 46 DSP types using the [–/NO] and [+/YES] buttons, the number buttons or the data dial. The name of the selected DSP type appears on the top line of the display.

FUNCTION	SONG		≤Stage2
	VOICE	110
	STYLE	110
CURSOR	REGIST MEMORY
	MULTI PAD
	DUAL VOICE
	SPLIT VOICE
	HARM/ECHO
	OVERALL
	DIGITAL EFFECT

The DSP Types

01~04	Hall 1~4

05~08	Room 1~4
09, 10	Stage 1, 2
11, 12	Plate 1, 2
13, 14	Early Reflection 1, 2
15	Gate Reverb
16	Reverse Gate
17~21	Chorus 1~5
22~25	Flanger 1~4
26	Symphonic
27	Phaser
28~32	Rotary Speaker 1~5
33, 34	Tremolo 1, 2
35	Guitar Tremolo
36	Auto Pan
37	Auto Wah
38	Delay L, C, R
39	Delay L, R
40	Echo
41	Cross Delay
42	Distortion Hard
43	Distortion Soft
44	EQ Disco
45	EQ Telephone
46	OFF

•See page 89 for a complete listing of the DSP types.

•The default DSP type can be recalled by simultaneously pressing the [–/NO] and [+/YES] buttons.

•If the Voice Set function is ON (page 79) the DSP type will change automatically whenever a different voice is selected via the VOICE function.

•When Rotary Speaker 1… 5 is selected, the [DSP VARIATION] button will switch the speed of the rotating speaker between fast (ON) and slow (OFF).

•You can return to the previous display, “Dspm”, by pressing the cursor [<] button, and choose the REVERB or CHORUS effect.

•If you want to disable the DSP effect for all except the VOICE function voice, select OFF in the

Type selection.

+ 81 hidden pages