TONE GENERATOR
SOUND LIST & MIDI DATA
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MU50 Effect Type List |
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REVERB |
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No. |
Exclusive |
Effect Type |
Description |
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msb lsb |
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0 |
0 |
0 |
NO EFFECT |
Effect turned off. |
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1 |
1 |
0 |
HALL1 |
Reverb simulating the resonance of a hall. |
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2 |
1 |
1 |
HALL2 |
Reverb simulating the resonance of a hall. |
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3 |
2 |
0 |
ROOM1 |
Reverb simulating the resonance of a room. |
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4 |
2 |
1 |
ROOM2 |
Reverb simulating the resonance of a room. |
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5 |
2 |
2 |
ROOM3 |
Reverb simulating the resonance of a room. |
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6 |
3 |
0 |
STAGE1 |
Reverb appropriate for a solo instrument. |
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7 |
3 |
1 |
STAGE2 |
Reverb appropriate for a solo instrument. |
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8 |
4 |
0 |
PLATE |
Reverb simulating a metal plate reverb unit. |
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9 |
10 |
0 |
WHITE ROOM |
A unique short reverb with a bit of initial delay. |
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10 |
11 |
0 |
TUNNEL |
Simulation of a tunnel space expanding to left and right. |
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11 |
13 |
0 |
BASEMENT |
A bit of initial delay followed by reverb with a unique resonance. |
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CHORUS |
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No. |
Exclusive |
Effect Type |
Description |
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msb lsb |
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0 |
0 |
0 |
NO EFFECT |
Effect turned off. |
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1 |
41 |
0 |
CHORUS1 |
Conventional chorus program that adds natural spaciousness. |
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2 |
41 |
1 |
CHORUS2 |
Conventional chorus program that adds natural spaciousness. |
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3 |
41 |
2 |
CHORUS3 |
Conventional chorus program that adds natural spaciousness. |
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4 |
41 |
8 |
CHORUS4 |
Chorus with stereo input. The pan setting specified for the Part will also apply to the effect sound. |
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5 |
42 |
0 |
CELESTE1 |
A 3-phase LFO adds modulation and spaciousness to the sound. |
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6 |
42 |
1 |
CELESTE2 |
A 4-phase LFO adds modulation and spaciousness to the sound. |
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7 |
42 |
2 |
CELESTE3 |
A 5-phase LFO adds modulation and spaciousness to the sound. |
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8 |
42 |
8 |
CELESTE4 |
CELESTE with stereo input. The pan setting specified for the Part will also apply to the effect sound. |
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9 |
43 |
0 |
FLANGER1 |
Adds a jet-airplane effect to the sound. |
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10 |
43 |
1 |
FLANGER2 |
Adds a jet-airplane effect to the sound. |
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11 |
43 |
8 |
FLANGER3 |
Adds a jet-airplane effect to the sound. |
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VARIATION |
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No. |
Exclusive |
Effect Type |
Description |
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msb lsb |
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0 |
0 |
0 |
NO EFFECT |
Effect turned off. |
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1 |
1 |
0 |
HALL1 |
Reverb simulating the resonance of a hall. |
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2 |
1 |
1 |
HALL2 |
Reverb simulating the resonance of a hall. |
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3 |
2 |
0 |
ROOM1 |
Reverb simulating the resonance of a room. |
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4 |
2 |
1 |
ROOM2 |
Reverb simulating the resonance of a room. |
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5 |
2 |
2 |
ROOM3 |
Reverb simulating the resonance of a room. |
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6 |
3 |
0 |
STAGE1 |
Reverb appropriate for a solo instrument. |
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7 |
3 |
1 |
STAGE2 |
Reverb appropriate for a solo instrument. |
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8 |
4 |
0 |
PLATE |
Reverb simulating a metal plate reverb unit. |
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9 |
5 |
0 |
DELAY L,C,R |
A program that creates three delay sounds; L, R, and C (center). |
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10 |
6 |
0 |
DELAY L,R |
A program that creates two delay sounds; L and R. Two feedback delays are provided. |
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11 |
7 |
0 |
ECHO |
Two delays (L and R) and independent feedback delays for L and R. |
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12 |
8 |
0 |
CROSS DELAY |
A program that crosses the feedback of two delays. |
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13 |
9 |
0 |
ER1 |
An effect that produces only the early reflection component |
of reverb. |
14 |
9 |
1 |
ER2 |
An effect that produces only the early reflection component |
of reverb. |
15 |
A |
0 |
GATE REVERB |
A simulation of gated reverb. |
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16 |
B |
0 |
REVERSE GATE |
A program that simulates gated reverb played backwards. |
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17 |
14 |
0 |
KARAOKE 1 |
A delay with feedback of the same type as used for karaoke reverb. |
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18 |
14 |
1 |
KARAOKE 2 |
A delay with feedback of the same type as used for karaoke reverb. |
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19 |
14 |
2 |
KARAOKE 3 |
A delay with feedback of the same type as used for karaoke reverb. |
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20 |
41 |
0 |
CHORUS1 |
A conventional chorus program, providing natural spaciousness. |
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21 |
41 |
1 |
CHORUS2 |
A conventional chorus program, providing natural spaciousness. |
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22 |
41 |
2 |
CHORUS3 |
A conventional chorus program, providing natural spaciousness. |
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23 |
41 |
8 |
CHORUS4 |
Chorus with stereo input. |
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24 |
42 |
0 |
CELESTE1 |
A 3-phase LFO adds modulation and spaciousness to the sound. |
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25 |
42 |
1 |
CELESTE2 |
A 4-phase LFO adds modulation and spaciousness to the sound. |
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26 |
42 |
2 |
CELESTE3 |
A 5-phase LFO adds modulation and spaciousness to the sound. |
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27 |
42 |
8 |
CELESTE4 |
Celeste with stereo input. |
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28 |
43 |
0 |
FLANGER1 |
Adds a jet-airplane effect to the sound. |
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29 |
43 |
1 |
FLANGER2 |
Adds a jet-airplane effect to the sound. |
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30 |
43 |
8 |
FLANGER3 |
Adds a jet-airplane effect to the sound. |
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31 |
44 |
0 |
SYMPHONIC |
A multi-phase version of CELESTE. |
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32 |
45 |
0 |
ROTARY SPEAKER |
A simulation of a rotary speaker. You can use an AC1 (assignable controller) etc. to control the speed of rotation. |
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33 |
46 |
0 |
TREMOLO |
An effect that cyclically modulates the volume. |
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34 |
47 |
0 |
AUTO PAN |
A program that cyclically moves the sound image to left and right, front and back. |
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35 |
48 |
0 |
PHASER1 |
Cyclically changes the phase to add modulation to the sound. |
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36 |
48 |
8 |
PHASER2 |
Phaser with stereo input. |
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37 |
49 |
0 |
DISTORTION |
Adds a sharp-edged distortion to the sound. |
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38 |
4A |
0 |
OVER DRIVE |
Adds mild distortion to the sound. |
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39 |
4B |
0 |
AMP SIMULATOR |
A simulation of a guitar amp. |
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40 |
4C |
0 |
3-BAND EQ(MONO) |
A mono EQ with adjustable LOW, MID, and HIGH equalizing. |
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41 |
4D |
0 |
2-BAND EQ(STEREO) |
A stereo EQ with adjustable LOW and HIGH. Ideal for drum Parts. |
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42 |
4E |
0 |
AUTO WAH(LFO) |
Cyclically modulates the center frequency of a wah filter. With an AC1 etc. this can function as a pedal wah. |
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43 |
40 |
0 |
THRU |
Bypass without applying an effect. |
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1
MU50 Effect Parameter List
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parameter 1~10 = required parameters |
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BASIC EFFECT TYPE |
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parameter 11~16 = optional parameters |
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No. Parameter |
Display |
Value See Table |
MU80 |
MU50 |
Control |
CHORUS1,2,3,4
CELESTE1,2,3,4 |
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• |
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1 |
LFO Frequency |
0.00~39.7Hz |
0-127 |
table#1 |
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2 |
LFO PM Depth |
0~127 |
0-63 |
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• |
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3 |
Feedback Level |
-63~+63 |
1-127 |
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• |
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4 |
Delay Offset |
0~127 |
0-127 |
table#2 |
• |
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5 |
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6 |
EQ Low Frequency |
50Hz~2.0kHz |
8-40 |
table#3 |
T 4-40 |
32Hz~2.0kHz |
7 |
EQ Low Gain |
-12~+12dB |
52-76 |
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• |
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8 |
EQ High Frequency |
500Hz~16.0kHz |
28-58 |
table#3 |
• |
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9 |
EQ High Gain |
-12~+12dB |
52-76 |
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• |
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10 |
Dry/Wet |
D63>W ~ D=W ~ D<W63 |
1-127 |
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• |
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11 |
EQ Mid Frequency |
100Hz~10.0kHz |
14-54 |
table#3 |
• |
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12 |
EQ Mid Gain |
-12~+12dB |
52-76 |
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• |
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13 |
EQ Mid Width |
1.0~12.0 |
10-120 |
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• |
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14 |
LFO AM Depth |
0~127 |
0-127 |
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• |
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15 |
Input Mode |
mono/stereo |
0-1 |
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16 |
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FLANGER1,2,3 |
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• |
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1 |
LFO Frequency |
0.00~39.7Hz |
0-127 |
table#1 |
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2 |
LFO Depth |
0~127 |
0-127 |
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• |
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3 |
Feedback Level |
-63~+63 |
1-127 |
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4 |
Delay Offset |
0~63 |
0-63 |
table#2 |
• |
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5 |
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6 |
EQ Low Frequency |
50Hz~2.0kHz |
8-40 |
table#3 |
T 4-40 |
32Hz~2.0kHz |
7 |
EQ Low Gain |
-12~+12dB |
52-76 |
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• |
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8 |
EQ High Frequency |
500Hz~16.0kHz |
28-58 |
table#3 |
• |
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9 |
EQ High Gain |
-12~+12dB |
52-76 |
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• |
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10 |
Dry/Wet |
D63>W ~ D=W ~ D<W63 |
1-127 |
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• |
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11 |
EQ Mid Frequency |
100Hz~10.0kHz |
14-54 |
table#3 |
• |
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12 |
EQ Mid Gain |
-12~+12dB |
52-76 |
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• |
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13 |
EQ Mid Width |
1.0~12.0 |
10-120 |
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• |
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14 |
LFO Phase Difference |
-180~+180deg |
4-124 |
resolution = 30deg. |
• |
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15 |
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16 |
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SYMPHONIC |
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• |
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1 |
LFO Frequency |
0.00~39.7Hz |
0-127 |
table#1 |
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2 |
LFO Depth |
0~127 |
0-127 |
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• |
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3 |
Delay Offset |
0~127 |
0-127 |
table#2 |
• |
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4 |
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5 |
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6 |
EQ Low Frequency |
50Hz~2.0kHz |
8-40 |
table#3 |
T 4-40 |
32Hz~2.0kHz |
7 |
EQ Low Gain |
-12~+12dB |
52-76 |
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• |
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8 |
EQ High Frequency |
500Hz~16.0kHz |
28-58 |
table#3 |
• |
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9 |
EQ High Gain |
-12~+12dB |
52-76 |
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• |
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10 |
Dry/Wet |
D63>W ~ D=W ~ D<W63 |
1-127 |
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• |
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11 |
EQ Mid Frequency |
100Hz~10.0kHz |
14-54 |
table#3 |
• |
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12 |
EQ Mid Gain |
-12~+12dB |
52-76 |
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13 |
EQ Mid Width |
1.0~12.0 |
10-120 |
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14 |
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15 |
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16 |
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ROTARY SPEAKER |
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• |
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1 |
LFO Frequency |
0.00~39.7Hz |
0-127 |
table#1 |
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2 |
LFO Depth |
0~127 |
0-127 |
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3 |
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4 |
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5 |
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6 |
EQ Low Frequency |
50Hz~2.0kHz |
8-40 |
table#3 |
T 4-40 |
32Hz~2.0kHz |
7 |
EQ Low Gain |
-12~+12dB |
52-76 |
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• |
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8 |
EQ High Frequency |
500Hz~16.0kHz |
28-58 |
table#3 |
• |
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9 |
EQ High Gain |
-12~+12dB |
52-76 |
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• |
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10 |
Dry/Wet |
D63>W ~ D=W ~ D<W63 |
1-127 |
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• |
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11 |
EQ Mid Frequency |
100Hz~10.0kHz |
14-54 |
table#3 |
• |
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12 |
EQ Mid Gain |
-12~+12dB |
52-76 |
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• |
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13 |
EQ Mid Width |
1.0~12.0 |
10-120 |
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• |
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14 |
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15 |
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16 |
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TREMOLO |
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• |
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1 |
LFO Frequency |
0.00~39.7Hz |
0-127 |
table#1 |
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2 |
AM Depth |
0~127 |
0-127 |
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• |
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3 |
PM Depth |
0~127 |
0-127 |
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4 |
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5 |
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6 |
EQ Low Frequency |
50Hz~2.0kHz |
8-40 |
table#3 |
T 4-40 |
32Hz~2.0kHz |
7 |
EQ Low Gain |
-12~+12dB |
52-76 |
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• |
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8 |
EQ High Frequency |
500Hz~16.0kHz |
28-58 |
table#3 |
• |
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9 |
EQ High Gain |
-12~+12dB |
52-76 |
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• |
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10 |
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• |
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11 |
EQ Mid Frequency |
100Hz~10.0kHz |
14-54 |
table#3 |
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12 |
EQ Mid Gain |
-12~+12dB |
52-76 |
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• |
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• |
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•T 0-127 |
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• |
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•• |
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• |
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• |
• |
• |
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• |
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• |
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• |
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• |
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• |
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•• |
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• |
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• |
• |
• |
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T resolution = 3deg. |
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• |
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•• |
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• |
• |
• |
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• |
• |
• |
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•• |
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• |
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• |
• |
• |
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•• |
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2
MU50 Effect Parameter List
No. |
Parameter |
Display |
Value |
See Table |
MU80 |
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13 |
EQ Mid Width |
1.0~12.0 |
10-120 |
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• |
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14 |
LFO Phase Difference |
-180~+180deg |
4-124 |
resolution = 30deg. • |
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15 |
Input Mode |
mono/stereo |
0-1 |
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16 |
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AUTO PAN |
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• |
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1 |
LFO Frequency |
0.00~39.7Hz |
0-127 |
table#1 |
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2 |
L/R Depth |
0~127 |
0-127 |
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• |
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3 |
F/R Depth |
0~127 |
0-127 |
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• |
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4 |
PAN Direction |
L<->R,L->R,L<-R,Lturn,Rturn,L/R |
0-5 |
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• |
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5 |
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6 |
EQ Low Frequency |
50Hz~2.0kHz |
8-40 |
table#3 |
T 4-40 |
32Hz~2.0kHz |
7 |
EQ Low Gain |
-12~+12dB |
52-76 |
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• |
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8 |
EQ High Frequency |
500Hz~16.0kHz |
28-58 |
table#3 |
• |
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9 |
EQ High Gain |
-12~+12dB |
52-76 |
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• |
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10 |
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• |
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11 |
EQ Mid Frequency |
100Hz~10.0kHz |
14-54 |
table#3 |
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12 |
EQ Mid Gain |
-12~+12dB |
52-76 |
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• |
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13 |
EQ Mid Width |
1.0~12.0 |
10-120 |
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• |
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14 |
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15 |
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16 |
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PHASER1,PHASER2 |
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• |
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1 |
LFO Frequency |
0.00~39.7Hz |
0-127 |
table#1 |
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2 |
LFO Depth |
0~127 |
0-127 |
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• |
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3 |
Phase Shift Offset |
0~127 |
0-127 |
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• |
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4 |
Feedback Level |
-63~+63 |
1-127 |
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• |
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5 |
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6 |
EQ Low Frequency |
50Hz~2.0kHz |
8-40 |
table#3 |
T 4-40 |
32Hz~2.0kHz |
7 |
EQ Low Gain |
-12~+12dB |
52-76 |
|
• |
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8 |
EQ High Frequency |
500Hz~16.0kHz |
28-58 |
table#3 |
• |
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9 |
EQ High Gain |
-12~+12dB |
52-76 |
|
• |
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10 |
Dry/Wet |
D63>W ~ D=W ~ D<W63 |
1-127 |
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• |
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11 |
Stage |
3~10 |
3-10 |
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▲ 4,6,8, |
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12 |
Diffusion |
Mono/Stereo |
0-1 |
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• |
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13 |
LFO Phase Difference |
-180~+180deg. |
4-124 |
resolution = 3deg. |
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14 |
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15 |
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16 |
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DISTORTION |
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OVERDRIVE |
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• |
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1 |
Drive |
0~127 |
0-127 |
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2 |
EQ Low Frequency |
50Hz~2.0kHz |
8-40 |
table#3 |
• 4-40 |
32Hz~2.0kHz |
3 |
EQ Low Gain |
-12~+12dB |
52-76 |
|
• |
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4 |
LPF Cutoff |
1.0k~Thru |
34-60 |
table#3 |
• |
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5 |
Output Level |
0~127 |
0-127 |
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• |
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6 |
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7 |
EQ Mid Frequency |
500Hz~10.0kHz |
28-54 |
table#3 |
T 14-54 100Hz~10.0kHz |
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8 |
EQ Mid Gain |
-12~+12dB |
52-76 |
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• |
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9 |
EQ Mid Width |
1.0~12.0 |
10-120 |
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• |
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10 |
Dry/Wet |
D63>W ~ D=W ~ D<W63 |
1-127 |
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• |
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11 |
Edge(Clip Curve) |
0~127 |
0-127 |
mild~sharp |
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12 |
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13 |
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14 |
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15 |
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16 |
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GUITAR AMP SIMULATOR |
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• |
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1 |
Drive |
0~127 |
0-127 |
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2 |
AMP Type |
Off,Stack,Combo,Tube |
0-3 |
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• |
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3 |
LPF Cutoff |
1.0k~Thru |
34-60 |
table#3 |
• |
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4 |
Output Level |
0~127 |
0-127 |
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• |
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5 |
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6 |
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7 |
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8 |
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9 |
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• |
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10 |
Dry/Wet |
D63>W ~ D=W ~ D<W63 |
1-127 |
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11 |
Edge(Clip Curve) |
0~127 |
0-127 |
mild~sharp |
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12 |
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13 |
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14 |
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15 |
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16 |
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3-BAND EQ |
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|
• |
|
|
1 |
EQ Low Gain |
-12~+12dB |
52-76 |
|
|
|
2 |
EQ Mid Frequency |
500Hz~10.0kHz |
28-54 |
table#3 |
T 14-54 100Hz~10.0kHz |
|
3 |
EQ Mid Gain |
-12~+12dB |
52-76 |
|
• |
|
4 |
EQ Mid Width |
1.0~12.0 |
10-120 |
|
• |
|
5 |
EQ High Gain |
-12~+12dB |
52-76 |
|
• |
|
6 |
EQ Low Frequency |
50Hz~2.0kHz |
8-40 |
table#3 |
T 4-40 |
32Hz~2.0kHz |
7 |
EQ High Frequency |
500Hz~16.0kHz |
28-58 |
table#3 |
• |
|
8 |
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9 |
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10
11
12
MU50 |
Control |
T resolution = 3deg. |
|
• |
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• |
• |
• |
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• |
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• |
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•• |
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• |
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• |
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• |
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• |
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• |
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•• |
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• |
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• |
• |
• |
•▲ 6~10(phaser1) / 3~5(phaser2)
• phaser2 only
•• |
• |
• |
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• |
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• |
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•• |
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•• |
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• |
• |
• |
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•• |
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•• |
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• |
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•• |
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• |
|
3
MU50 Effect Parameter List
No. |
Parameter |
Display |
Value |
See Table |
13 |
|
|
|
|
14 |
|
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|
15 |
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16 |
|
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|
|
2-BAND EQ |
|
|
|
|
1 |
EQ Low Frequency |
50Hz~2.0kHz |
8-40 |
table#3 |
2 |
EQ Low Gain |
-12~+12dB |
52-76 |
|
3 |
EQ High Frequency |
500Hz~16.0kHz |
28-58 |
table#3 |
4 |
EQ High Gain |
-12~+12dB |
52-76 |
|
5 |
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6 |
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7 |
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8 |
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9 |
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|
10 |
|
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|
11 |
EQ Mid Frequency |
100Hz~10.0kHz |
14-54 |
table#3 |
12 |
EQ Mid Gain |
-12~+12dB |
52-76 |
|
13 |
EQ Mid Width |
1.0~12.0 |
10-120 |
|
14 |
|
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|
15 |
|
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16 |
|
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|
AUTO WAH |
|
|
|
|
1 |
LFO Frequency |
0.00~39.7Hz |
0-127 |
table#1 |
2 |
LFO Depth |
0~127 |
0-127 |
|
3 |
Cutoff Frequency Offset |
0~127 |
0-127 |
|
4 |
Resonance |
1.0~12.0 |
10-120 |
|
5 |
|
|
|
|
6 |
EQ Low Frequency |
50Hz~2.0kHz |
8-40 |
table#3 |
7 |
EQ Low Gain |
-12~+12dB |
52-76 |
|
8 |
EQ High Frequency |
500Hz~16.0kHz |
28-58 |
table#3 |
9 |
EQ High Gain |
-12~+12dB |
52-76 |
|
10 |
Dry/Wet |
D63>W ~ D=W ~ D<W63 |
1-127 |
|
11 |
Drive |
0~127 |
0-127 |
|
12 |
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13 |
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14 |
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15 |
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16 |
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HALL1,HALL2 |
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ROOM1,ROOM2,ROOM3 |
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STAGE1,STAGE2 |
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PLATE |
|
|
|
|
1 |
Reverb Time |
0.3~30.0s |
0-69 |
table#4 |
2 |
Diffusion |
0~10 |
0-10 |
|
3 |
Initial Delay |
0~63 |
0-63 |
table#5 |
4 |
HPF Cutoff |
Thru~8.0kHz |
0-52 |
table#3 |
5 |
LPF Cutoff |
1.0k~Thru |
34-60 |
table#3 |
6 |
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7 |
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8 |
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9 |
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|
10 |
Dry/Wet |
D63>W ~ D=W ~ D<W63 |
1-127 |
|
11 |
Rev Delay |
0~63 |
0-63 |
table#5 |
12 |
Density |
0~3 |
0-3 |
|
13 |
Er/Rev Balance |
E63>R ~ E=R ~ E<R63 |
1-127 |
|
14 |
High Damp |
0.1~1.0 |
1-10 |
|
15 |
Feedback Level |
-63~+63 |
1-127 |
|
16 |
|
|
|
|
DELAY L,C,R |
|
|
|
|
1 |
Lch Delay |
0.1~715.0ms |
1-7150 |
|
2 |
Rch Delay |
0.1~715.0ms |
1-7150 |
|
3 |
Cch Delay |
0.1~715.0ms |
1-7150 |
|
4 |
Feedback Delay |
0.1~715.0ms |
1-7150 |
|
5 |
Feedback Level |
-63~+63 |
1-127 |
|
6 |
Cch Level |
0~127 |
0-127 |
|
7 |
High Damp |
0.1~1.0 |
1-10 |
|
8 |
|
|
|
|
9 |
|
|
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|
10 |
Dry/Wet |
D63>W ~ D=W ~ D<W63 |
1-127 |
|
11 |
HPF Cutoff |
Thru~8.0kHz |
0-52 |
table#3 |
12 |
LPF Cutoff |
1.0k~Thru |
34-60 |
table#3 |
13 |
EQ Low Frequency |
50Hz~2.0kHz |
8-40 |
table#3 |
14 |
EQ Low Gain |
-12~+12dB |
52-76 |
|
15 |
EQ High Frequency |
500Hz~16.0kHz |
28-58 |
table#3 |
16 |
EQ High Gain |
-12~+12dB |
52-76 |
|
DELAY L,R |
|
|
|
|
1 |
Lch Delay |
0.1~715.0ms |
1-7150 |
|
2 |
Rch Delay |
0.1~715.0ms |
1-7150 |
|
3 |
Feedback Delay 1 |
0.1~715.0ms |
1-7150 |
|
4 |
Feedback Delay 2 |
0.1~715.0ms |
1-7150 |
|
5 |
Feedback Level |
-63~+63 |
1-127 |
|
6 |
High Damp |
0.1~1.0 |
1-10 |
|
MU80 |
|
MU50 |
Control |
T 4-40 |
32Hz~2.0kHz |
• |
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• |
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• |
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• |
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• |
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• |
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• |
• |
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• |
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• |
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• |
|
T 4-40 |
32Hz~2.0kHz |
• |
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• |
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• |
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• |
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• |
• |
• |
|
T 0-4 *REV(0-4),VAR(0-3) |
• |
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• |
• |
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• |
• |
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• |
• |
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• |
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• |
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• |
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• |
• |
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• |
• |
|
4
MU50 Effect Parameter List
No. |
Parameter |
Display |
Value |
See Table |
7 |
|
|
|
|
8 |
|
|
|
|
9 |
|
|
|
|
10 |
Dry/Wet |
D63>W ~ D=W ~ D<W63 |
1-127 |
|
11 |
HPF Cutoff |
Thru~8.0kHz |
0-52 |
table#3 |
12 |
LPF Cutoff |
1.0k~Thru |
34-60 |
table#3 |
13 |
EQ Low Frequency |
50Hz~2.0kHz |
8-40 |
table#3 |
14 |
EQ Low Gain |
-12~+12dB |
52-76 |
|
15 |
EQ High Frequency |
500Hz~16.0kHz |
28-58 |
table#3 |
16 |
EQ High Gain |
-12~+12dB |
52-76 |
|
ECHO |
|
|
|
|
1 |
Lch Delay1 |
0.1~355.0ms |
1-3550 |
|
2 |
Lch Feedback Level |
-63~+63 |
1-127 |
|
3 |
Rch Delay1 |
0.1~355.0ms |
1-3550 |
|
4 |
Rch Feedback Level |
-63~+63 |
1-127 |
|
5 |
High Damp |
0.1~1.0 |
1-10 |
|
6 |
Lch Delay2 |
0.1~355.0ms |
1-3550 |
|
7 |
Rch Delay2 |
0.1~355.0ms |
1-3550 |
|
8 |
Delay2 Level |
0~127 |
0-127 |
|
9 |
|
|
|
|
10 |
Dry/Wet |
D63>W ~ D=W ~ D<W63 |
1-127 |
|
11 |
HPF Cutoff |
Thru~8.0kHz |
0-52 |
table#3 |
12 |
LPF Cutoff |
1.0k~Thru |
34-60 |
table#3 |
13 |
EQ Low Frequency |
50Hz~2.0kHz |
8-40 |
table#3 |
14 |
EQ Low Gain |
-12~+12dB |
52-76 |
|
15 |
EQ High Frequency |
500Hz~16.0kHz |
28-58 |
table#3 |
16 |
EQ High Gain |
-12~+12dB |
52-76 |
|
CROSS DELAY |
|
|
|
|
1 |
L->R Delay |
0.1~355.0ms |
1-3550 |
|
2 |
R->L Delay |
0.1~355.0ms |
1-3550 |
|
3 |
Feedback Level |
-63~+63 |
1-127 |
|
4 |
Input Select |
L,R,L&R |
0-2 |
|
5 |
High Damp |
0.1~1.0 |
1-10 |
|
6 |
|
|
|
|
7 |
|
|
|
|
8 |
|
|
|
|
9 |
|
|
|
|
10 |
Dry/Wet |
D63>W ~ D=W ~ D<W63 |
1-127 |
|
11 |
HPF Cutoff |
Thru~8.0kHz |
0-52 |
table#3 |
12 |
LPF Cutoff |
1.0k~Thru |
34-60 |
table#3 |
13 |
EQ Low Frequency |
50Hz~2.0kHz |
8-40 |
table#3 |
14 |
EQ Low Gain |
-12~+12dB |
52-76 |
|
15 |
EQ High Frequency |
500Hz~16.0kHz |
28-58 |
table#3 |
16 |
EQ High Gain |
-12~+12dB |
52-76 |
|
EARLY REF1,EARLY REF2 |
|
|
|
|
1 |
Type |
S-H, L-H, Rdm, Rvs, Plt, Spr |
0-5 |
|
2 |
Room Size |
0.1~7.0 |
0-44 |
table#6 |
3 |
Diffusion |
0~10 |
0-10 |
|
4 |
Initial Delay |
0~63 |
0-63 |
table#5 |
5 |
Feedback Level |
-63~+63 |
1-127 |
|
6 |
HPF Cutoff |
Thru~8.0kHz |
0-52 |
|
7 |
LPF Cutoff |
1.0k~Thru |
34-60 |
|
8 |
|
|
|
|
9 |
|
|
|
|
10 |
Dry/Wet |
D63>W ~ D=W ~ D<W63 |
1-127 |
|
11 |
Liveness |
0~10 |
0-10 |
|
12 |
Density |
0~3 |
0-3 |
|
13 |
High Damp |
0.1~1.0 |
1-10 |
|
14 |
|
|
|
|
15 |
|
|
|
|
16 |
|
|
|
|
GATE REVERB |
|
|
|
|
REVERSE GATE |
|
|
|
|
1 |
Type |
TypeA,TypeB |
0-1 |
|
2 |
Room Size |
0.1~7.0 |
0-44 |
table#6 |
3 |
Diffusion |
0~10 |
0-10 |
|
4 |
Initial Delay |
0~63 |
0-63 |
table#5 |
5 |
Feedback Level |
-63~+63 |
1-127 |
|
6 |
HPF Cutoff |
Thru~8.0kHz |
0-52 |
|
7 |
LPF Cutoff |
1.0k~Thru |
34-60 |
|
8 |
|
|
|
|
9 |
|
|
|
|
10 |
Dry/Wet |
D63>W ~ D=W ~ D<W63 |
1-127 |
|
11 |
Liveness |
0~10 |
0-10 |
|
12 |
Density |
0~3 |
0-3 |
|
13 |
High Damp |
0.1~1.0 |
1-10 |
|
14 |
|
|
|
|
15 |
|
|
|
|
16 |
|
|
|
|
OPTION EFFECT TYPE |
|
|
|
|
PITCH CHANGE |
|
|
|
|
1 |
Pitch |
-24~+24 |
40-88 |
|
2 |
Initial Delay |
0~127 |
0-127 |
table#7 |
MU80 MU50 Control
• |
• |
• |
• |
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• |
• |
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• |
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• |
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• |
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• |
• |
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• |
• |
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• |
• |
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• |
• |
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• |
• |
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• |
• |
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• |
• |
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• |
• |
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• |
• |
• |
• |
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• |
• |
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• |
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• |
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• |
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• |
• |
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• |
• |
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• |
• |
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• |
• |
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• |
• |
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• |
• |
• |
• |
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• |
• |
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• |
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• |
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• |
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• |
• |
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• |
• |
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• |
• |
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• |
• |
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• |
• |
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• |
• |
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• |
• |
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• |
• |
• |
• |
• |
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• |
• |
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• |
• |
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• |
• |
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• |
• |
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• |
• |
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• |
• |
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• |
• |
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• |
• |
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• |
• |
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• |
• |
• |
• |
• |
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• |
• |
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• |
• |
|
•
•
5
MU50 Effect Parameter List
No. |
Parameter |
Display |
Value |
See Table |
3 |
Fine 1 |
-50~+50 |
14-114 |
|
4 |
Fine 2 |
-50~+50 |
14-114 |
|
5 |
Feedback Gain |
-99~+99% |
1-127 |
|
6 |
|
|
|
|
7 |
|
|
|
|
8 |
|
|
|
|
9 |
|
|
|
|
10 |
Dry/Wet |
D63>W ~ D=W ~ D<W63 |
1-127 |
|
11 |
Pan 1 |
L63~R63 |
1-127 |
|
12 |
Output Level 1 |
0~127 |
0-127 |
|
13 |
Pan 2 |
L63~R63 |
1-127 |
|
14 |
Output Level 2 |
0~127 |
0-127 |
|
15 |
|
|
|
|
16 |
|
|
|
|
AURAL EXICETER |
|
|
|
|
1 |
HPF cutoff |
500Hz~16.0kHz |
28-58 |
|
2 |
Drive |
0~127 |
0-127 |
|
3 |
Mix Level |
0~127 |
0-127 |
|
4 |
|
|
|
|
5 |
|
|
|
|
6 |
|
|
|
|
7 |
|
|
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|
8 |
|
|
|
|
9 |
|
|
|
|
10 |
|
|
|
|
11 |
|
|
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|
12 |
|
|
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|
13 |
|
|
|
|
14 |
|
|
|
|
15 |
|
|
|
|
16 |
|
|
|
|
TOUCH WAH,WAH+DIST |
|
|
|
|
1 |
Sensitive |
0~127 |
0-127 |
|
2 |
Cutoff Frequency Offset |
0~127 |
0-127 |
|
3 |
Resonance |
1.0~12.0 |
10-120 |
|
4 |
|
|
|
|
5 |
|
|
|
|
6 |
EQ Low Frequency |
32Hz~2.0kHz |
4-40 |
table#3 |
7 |
EQ Low Gain |
-12~+12dB |
52-76 |
|
8 |
EQ High Frequency |
500Hz~16.0kHz |
28-58 |
table#3 |
9 |
EQ High Gain |
-12~+12dB |
52-76 |
|
10 |
Dry/Wet |
D63>W ~ D=W ~ D<W63 |
1-127 |
|
11 |
Drive |
0~127 |
0-127 |
|
12 |
|
|
|
|
13 |
|
|
|
|
14 |
|
|
|
|
15 |
|
|
|
|
16 |
|
|
|
|
COMPRESSOR |
|
|
|
|
1 |
Attack |
1~40ms |
0-19 |
table#8 |
2 |
Release |
10~680ms |
0-15 |
table#9 |
3 |
Threshold |
-48~-6dB |
79-121 |
|
4 |
Ratio |
1.0~20.0 |
0-7 |
table#10 |
5 |
Output Level |
0~127 |
0-127 |
|
6 |
|
|
|
|
7 |
|
|
|
|
8 |
|
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|
|
9 |
|
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|
10 |
|
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|
11 |
|
|
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|
12 |
|
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|
13 |
|
|
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|
14 |
|
|
|
|
15 |
|
|
|
|
16 |
|
|
|
|
NOISE GATE |
|
|
|
|
1 |
Attack |
1~40ms |
0-19 |
table#8 |
2 |
Release |
10~680ms |
0-15 |
table#9 |
3 |
Threshold |
-72~-30dB |
55-97 |
|
4 |
Output Level |
0~127 |
0-127 |
|
5 |
|
|
|
|
6 |
|
|
|
|
7 |
|
|
|
|
8 |
|
|
|
|
9 |
|
|
|
|
10 |
|
|
|
|
11 |
Ratio |
1.0~5.0 |
0-7 |
|
12 |
|
|
|
|
13 |
|
|
|
|
14 |
|
|
|
|
15
16
MU80 |
MU50 |
Control |
• |
|
|
• |
|
|
• |
|
|
• |
|
• |
• |
|
|
• |
|
|
•
•
•
•
•
•
• •
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
6
MU50 Effect Parameter List
No. |
Parameter |
Display |
Value |
See Table |
MU80 |
MU50 |
Control |
WHITE ROOM |
|
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TUNNEL |
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CANYON (MU80 Only) |
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BASEMENT |
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• |
• |
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1 |
Reverb Time |
0.3~30.0s |
0-69 |
table#4 |
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2 |
Diffusion |
0~10 |
0-10 |
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• |
• |
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3 |
Initial Delay |
0~63 |
0-63 |
table#5 |
• |
• |
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4 |
HPF Cutoff |
Thru~8.0kHz |
0-52 |
table#3 |
• |
• |
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5 |
LPF Cutoff |
1.0k~Thru |
34-60 |
table#3 |
• |
• |
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6 |
Width |
0.5~10.2m |
0-37 |
table#11 |
• |
• |
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7 |
Heigt |
0.5~20.2m |
0-73 |
table#11 |
• |
• |
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8 |
Depth |
0.5~30.2m |
0-104 |
table#11 |
• |
• |
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9 |
Wall Vary |
0~30 |
0-30 |
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• |
• |
• |
10 |
Dry/Wet |
D63>W ~ D=W ~ D<W63 |
1-127 |
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• |
• |
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11 |
Rev Delay |
0~63 |
0-63 |
table#5 |
• |
• |
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12 |
Density |
0~3 |
0-3 |
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T 0-4 |
*REV(0-4),VAR(0-3) • |
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13 |
Er/Rev Balance |
E63>R ~ E=R ~ E<R63 |
1-127 |
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• |
• |
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14 |
High Damp |
0.1~1.0 |
1-10 |
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• |
• |
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15 |
Feedback Level |
-63~+63 |
1-127 |
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16 |
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KARAOKE1,2,3 |
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• |
• |
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1 |
Delay Time |
0~127 |
0-127 |
table#7 |
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2 |
Feedback Level |
-63~+63 |
1-127 |
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• |
• |
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3 |
HPF Cutoff |
Thru~8.0kHz |
0-52 |
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• |
• |
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4 |
LPF Cutoff |
1.0k~Thru |
34-60 |
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• |
• |
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5 |
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6 |
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7 |
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8 |
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9 |
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• |
• |
• |
10 |
Dry/Wet |
D63>W ~ D=W ~ D<W63 |
1-127 |
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11 |
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12 |
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13 |
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14
15
16
7
Changes from the MU80
Delete tables #8,#9,#10(comp attack time,comp release time, comp ratio).
Exchange table#1 with updated table
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table#1 |
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table#2 |
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table#3 |
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table#4 |
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table#5 |
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table#6 |
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table#7 |
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table#8 |
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LFO Frequency |
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Modulation Delay Offset |
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EQ Frequency |
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Reverb time |
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Delay Time(200.0ms) |
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Room Size |
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Delay Time(400.0ms) |
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Reverb Width;Depth;Height |
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Data |
Value |
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Data |
Value |
|
Data |
Value |
Data |
Value |
|
Data |
Value |
|
Data |
Value |
Data |
Value |
|
Data |
Value |
Data |
Value |
|
Data |
Value |
|
Data |
Value |
Data |
Value |
|
Data |
Value |
Data |
Value |
|
0 |
0 |
|
64 |
2.69 |
|
0 |
0.0 |
64 |
6.4 |
|
8 |
50 |
|
0 |
0.3 |
64 |
17.0 |
|
0 |
0.1 |
64 |
100.8 |
|
0 |
0.1 |
|
0 |
0.1 |
64 |
201.6 |
|
0 |
0.5 |
64 |
17.6 |
|
1 |
0.04 |
|
65 |
2.77 |
|
1 |
0.1 |
65 |
6.5 |
|
9 |
56 |
|
1 |
0.4 |
65 |
18.0 |
|
1 |
1.7 |
65 |
102.4 |
|
1 |
0.3 |
|
1 |
3.2 |
65 |
204.8 |
|
1 |
0.8 |
65 |
17.9 |
|
2 |
0.08 |
|
66 |
2.86 |
|
2 |
0.2 |
66 |
6.6 |
|
10 |
63 |
|
2 |
0.5 |
66 |
19.0 |
|
2 |
3.2 |
66 |
104.0 |
|
2 |
0.4 |
|
2 |
6.4 |
66 |
207.9 |
|
2 |
1.0 |
66 |
18.2 |
|
3 |
0.12 |
|
67 |
2.94 |
|
3 |
0.3 |
67 |
6.7 |
|
11 |
70 |
|
3 |
0.6 |
67 |
20.0 |
|
3 |
4.8 |
67 |
105.6 |
|
3 |
0.6 |
|
3 |
9.5 |
67 |
211.1 |
|
3 |
1.3 |
67 |
18.5 |
|
4 |
0.16 |
|
68 |
3.02 |
|
4 |
0.4 |
68 |
6.8 |
|
12 |
80 |
|
4 |
0.7 |
68 |
25.0 |
|
4 |
6.4 |
68 |
107.1 |
|
4 |
0.7 |
|
4 |
12.7 |
68 |
214.2 |
|
4 |
1.5 |
68 |
18.8 |
|
5 |
0.21 |
|
69 |
3.11 |
|
5 |
0.5 |
69 |
6.9 |
|
13 |
90 |
|
5 |
0.8 |
69 |
30.0 |
|
5 |
8.0 |
69 |
108.7 |
|
5 |
0.9 |
|
5 |
15.8 |
69 |
217.4 |
|
5 |
1.8 |
69 |
19.1 |
|
6 |
0.25 |
|
70 |
3.19 |
|
6 |
0.6 |
70 |
7.0 |
|
14 |
100 |
|
6 |
0.9 |
|
|
|
6 |
9.5 |
70 |
110.3 |
|
6 |
1.0 |
|
6 |
19.0 |
70 |
220.5 |
|
6 |
2.0 |
70 |
19.4 |
|
7 |
0.29 |
|
71 |
3.28 |
|
7 |
0.7 |
71 |
7.1 |
|
15 |
110 |
|
7 |
1.0 |
|
|
|
7 |
11.1 |
71 |
111.9 |
|
7 |
1.2 |
|
7 |
22.1 |
71 |
223.7 |
|
7 |
2.3 |
71 |
19.7 |
|
8 |
0.33 |
|
72 |
3.36 |
|
8 |
0.8 |
72 |
7.2 |
|
16 |
125 |
|
8 |
1.1 |
|
|
|
8 |
12.7 |
72 |
113.4 |
|
8 |
1.4 |
|
8 |
25.3 |
72 |
226.8 |
|
8 |
2.6 |
72 |
20.0 |
|
9 |
0.37 |
|
73 |
3.44 |
|
9 |
0.9 |
73 |
7.3 |
|
17 |
140 |
|
9 |
1.2 |
|
|
|
9 |
14.3 |
73 |
115.0 |
|
9 |
1.5 |
|
9 |
28.4 |
73 |
230.0 |
|
9 |
2.8 |
73 |
20.2 |
|
10 |
0.42 |
|
74 |
3.53 |
|
10 |
1.0 |
74 |
7.4 |
|
18 |
160 |
|
10 |
1.3 |
|
|
|
10 |
15.8 |
74 |
116.6 |
|
10 |
1.7 |
|
10 |
31.6 |
74 |
233.1 |
|
10 |
3.1 |
74 |
20.5 |
|
11 |
0.46 |
|
75 |
3.61 |
|
11 |
1.1 |
75 |
7.5 |
|
19 |
180 |
|
11 |
1.4 |
|
|
|
11 |
17.4 |
75 |
118.2 |
|
11 |
1.8 |
|
11 |
34.7 |
75 |
236.3 |
|
11 |
3.3 |
75 |
20.8 |
|
12 |
0.50 |
|
76 |
3.70 |
|
12 |
1.2 |
76 |
7.6 |
|
20 |
200 |
|
12 |
1.5 |
|
|
|
12 |
19.0 |
76 |
119.7 |
|
12 |
2.0 |
|
12 |
37.9 |
76 |
239.4 |
|
12 |
3.6 |
76 |
21.1 |
|
13 |
0.54 |
|
77 |
3.86 |
|
13 |
1.3 |
77 |
7.7 |
|
21 |
225 |
|
13 |
1.6 |
|
|
|
13 |
20.6 |
77 |
121.3 |
|
13 |
2.1 |
|
13 |
41.0 |
77 |
242.6 |
|
13 |
3.9 |
77 |
21.4 |
|
14 |
0.58 |
|
78 |
4.03 |
|
14 |
1.4 |
78 |
7.8 |
|
22 |
250 |
|
14 |
1.7 |
|
|
|
14 |
22.1 |
78 |
122.9 |
|
14 |
2.3 |
|
14 |
44.2 |
78 |
245.7 |
|
14 |
4.1 |
78 |
21.7 |
|
15 |
0.63 |
|
79 |
4.20 |
|
15 |
1.5 |
79 |
7.9 |
|
23 |
280 |
|
15 |
1.8 |
|
|
|
15 |
23.7 |
79 |
124.4 |
|
15 |
2.5 |
|
15 |
47.3 |
79 |
248.9 |
|
15 |
4.4 |
79 |
22.0 |
|
16 |
0.67 |
|
80 |
4.37 |
|
16 |
1.6 |
80 |
8.0 |
|
24 |
315 |
|
16 |
1.9 |
|
|
|
16 |
25.3 |
80 |
126.0 |
|
16 |
2.6 |
|
16 |
50.5 |
80 |
252.0 |
|
16 |
4.6 |
80 |
22.4 |
|
17 |
0.71 |
|
81 |
4.54 |
|
17 |
1.7 |
81 |
8.1 |
|
25 |
355 |
|
17 |
2.0 |
|
|
|
17 |
26.9 |
81 |
127.6 |
|
17 |
2.8 |
|
17 |
53.6 |
81 |
255.2 |
|
17 |
4.9 |
81 |
22.7 |
|
18 |
0.75 |
|
82 |
4.71 |
|
18 |
1.8 |
82 |
8.2 |
|
26 |
400 |
|
18 |
2.1 |
|
|
|
18 |
28.4 |
82 |
129.2 |
|
18 |
2.9 |
|
18 |
56.8 |
82 |
258.3 |
|
18 |
5.2 |
82 |
23.0 |
|
19 |
0.79 |
|
83 |
4.87 |
|
19 |
1.9 |
83 |
8.3 |
|
27 |
450 |
|
19 |
2.2 |
|
|
|
19 |
30.0 |
83 |
130.7 |
|
19 |
3.1 |
|
19 |
59.9 |
83 |
261.5 |
|
19 |
5.4 |
83 |
23.3 |
|
20 |
0.84 |
|
84 |
5.04 |
|
20 |
2.0 |
84 |
8.4 |
|
28 |
500 |
|
20 |
2.3 |
|
|
|
20 |
31.6 |
84 |
132.3 |
|
20 |
3.2 |
|
20 |
63.1 |
84 |
264.6 |
|
20 |
5.7 |
84 |
23.6 |
|
21 |
0.88 |
|
85 |
5.21 |
|
21 |
2.1 |
85 |
8.5 |
|
29 |
560 |
|
21 |
2.4 |
|
|
|
21 |
33.2 |
85 |
133.9 |
|
21 |
3.4 |
|
21 |
66.2 |
85 |
267.7 |
|
21 |
5.9 |
85 |
23.9 |
|
22 |
0.92 |
|
86 |
5.38 |
|
22 |
2.2 |
86 |
8.6 |
|
30 |
630 |
|
22 |
2.5 |
|
|
|
22 |
34.7 |
86 |
135.5 |
|
22 |
3.5 |
|
22 |
69.4 |
86 |
270.9 |
|
22 |
6.2 |
86 |
24.2 |
|
23 |
0.96 |
|
87 |
5.55 |
|
23 |
2.3 |
87 |
8.7 |
|
31 |
700 |
|
23 |
2.6 |
|
|
|
23 |
36.3 |
87 |
137.0 |
|
23 |
3.7 |
|
23 |
72.5 |
87 |
274.0 |
|
23 |
6.5 |
87 |
24.5 |
|
24 |
1.00 |
|
88 |
5.72 |
|
24 |
2.4 |
88 |
8.8 |
|
32 |
800 |
|
24 |
2.7 |
|
|
|
24 |
37.9 |
88 |
138.6 |
|
24 |
3.9 |
|
24 |
75.7 |
88 |
277.2 |
|
24 |
6.7 |
88 |
24.9 |
|
25 |
1.05 |
|
89 |
6.05 |
|
25 |
2.5 |
89 |
8.9 |
|
33 |
900 |
|
25 |
2.8 |
|
|
|
25 |
39.5 |
89 |
140.2 |
|
25 |
4.0 |
|
25 |
78.8 |
89 |
280.3 |
|
25 |
7.0 |
89 |
25.2 |
|
26 |
1.09 |
|
90 |
6.39 |
|
26 |
2.6 |
90 |
9.0 |
|
34 |
1.0k |
|
26 |
2.9 |
|
|
|
26 |
41.0 |
90 |
141.8 |
|
26 |
4.2 |
|
26 |
82.0 |
90 |
283.5 |
|
26 |
7.2 |
90 |
25.5 |
8 |
27 |
1.13 |
|
91 |
6.72 |
|
27 |
2.7 |
91 |
9.1 |
|
35 |
1.1k |
|
27 |
3.0 |
|
|
|
27 |
42.6 |
91 |
143.3 |
|
27 |
4.3 |
|
27 |
85.1 |
91 |
286.6 |
|
27 |
7.5 |
91 |
25.8 |
28 |
1.17 |
|
92 |
7.06 |
|
28 |
2.8 |
92 |
9.2 |
|
36 |
1.2k |
|
28 |
3.1 |
|
|
|
28 |
44.2 |
92 |
144.9 |
|
28 |
4.5 |
|
28 |
88.3 |
92 |
289.8 |
|
28 |
7.8 |
92 |
26.1 |
|
|
29 |
1.22 |
|
93 |
7.40 |
|
29 |
2.9 |
93 |
9.3 |
|
37 |
1.4k |
|
29 |
3.2 |
|
|
|
29 |
45.7 |
93 |
146.5 |
|
29 |
4.6 |
|
29 |
91.4 |
93 |
292.9 |
|
29 |
8.0 |
93 |
26.5 |
|
30 |
1.26 |
|
94 |
7.73 |
|
30 |
3.0 |
94 |
9.4 |
|
38 |
1.6k |
|
30 |
3.3 |
|
|
|
30 |
47.3 |
94 |
148.1 |
|
30 |
4.8 |
|
30 |
94.6 |
94 |
296.1 |
|
30 |
8.3 |
94 |
26.8 |
|
31 |
1.30 |
|
95 |
8.07 |
|
31 |
3.1 |
95 |
9.5 |
|
39 |
1.8k |
|
31 |
3.4 |
|
|
|
31 |
48.9 |
95 |
149.6 |
|
31 |
5.0 |
|
31 |
97.7 |
95 |
299.2 |
|
31 |
8.6 |
95 |
27.1 |
|
32 |
1.34 |
|
96 |
8.41 |
|
32 |
3.2 |
96 |
9.6 |
|
40 |
2.0k |
|
32 |
3.5 |
|
|
|
32 |
50.5 |
96 |
151.2 |
|
32 |
5.1 |
|
32 |
100.9 |
96 |
302.4 |
|
32 |
8.8 |
96 |
27.5 |
|
33 |
1.38 |
|
97 |
8.74 |
|
33 |
3.3 |
97 |
9.7 |
|
41 |
2.2k |
|
33 |
3.6 |
|
|
|
33 |
52.0 |
97 |
152.8 |
|
33 |
5.3 |
|
33 |
104.0 |
97 |
305.5 |
|
33 |
9.1 |
97 |
27.8 |
|
34 |
1.43 |
|
98 |
9.08 |
|
34 |
3.4 |
98 |
9.8 |
|
42 |
2.5k |
|
34 |
3.7 |
|
|
|
34 |
53.6 |
98 |
154.4 |
|
34 |
5.4 |
|
34 |
107.2 |
98 |
308.7 |
|
34 |
9.4 |
98 |
28.1 |
|
35 |
1.47 |
|
99 |
9.42 |
|
35 |
3.5 |
99 |
9.9 |
|
43 |
2.8k |
|
35 |
3.8 |
|
|
|
35 |
55.2 |
99 |
155.9 |
|
35 |
5.6 |
|
35 |
110.3 |
99 |
311.8 |
|
35 |
9.6 |
99 |
28.5 |
|
36 |
1.51 |
|
100 |
9.75 |
|
36 |
3.6 |
100 |
10.0 |
|
44 |
3.2k |
|
36 |
3.9 |
|
|
|
36 |
56.8 |
100 |
157.5 |
|
36 |
5.7 |
|
36 |
113.5 |
100 |
315.0 |
|
36 |
9.9 |
100 |
28.8 |
|
37 |
1.55 |
|
101 |
10.0 |
|
37 |
3.7 |
101 |
11.1 |
|
45 |
3.6k |
|
37 |
4.0 |
|
|
|
37 |
58.3 |
101 |
159.1 |
|
37 |
5.9 |
|
37 |
116.6 |
101 |
318.1 |
|
37 |
10.2 |
101 |
29.2 |
|
38 |
1.59 |
|
102 |
10.7 |
|
38 |
3.8 |
102 |
12.2 |
|
46 |
4.0k |
|
38 |
4.1 |
|
|
|
38 |
59.9 |
102 |
160.6 |
|
38 |
6.1 |
|
38 |
119.8 |
102 |
321.3 |
|
38 |
10.4 |
102 |
29.5 |
|
39 |
1.64 |
|
103 |
11.4 |
|
39 |
3.9 |
103 |
13.3 |
|
47 |
4.5k |
|
39 |
4.2 |
|
|
|
39 |
61.5 |
103 |
162.2 |
|
39 |
6.2 |
|
39 |
122.9 |
103 |
324.4 |
|
39 |
10.7 |
103 |
29.9 |
|
40 |
1.68 |
|
104 |
12.1 |
|
40 |
4.0 |
104 |
14.4 |
|
48 |
5.0k |
|
40 |
4.3 |
|
|
|
40 |
63.1 |
104 |
163.8 |
|
40 |
6.4 |
|
40 |
126.1 |
104 |
327.6 |
|
40 |
11.0 |
104 |
30.2 |
|
41 |
1.72 |
|
105 |
12.7 |
|
41 |
4.1 |
105 |
15.5 |
|
49 |
5.6k |
|
41 |
4.4 |
|
|
|
41 |
64.6 |
105 |
165.4 |
|
41 |
6.5 |
|
41 |
129.2 |
105 |
330.7 |
|
41 |
11.2 |
|
|
|
42 |
1.76 |
|
106 |
13.4 |
|
42 |
4.2 |
106 |
17.1 |
|
50 |
6.3k |
|
42 |
4.5 |
|
|
|
42 |
66.2 |
106 |
166.9 |
|
42 |
6.7 |
|
42 |
132.4 |
106 |
333.9 |
|
42 |
11.5 |
|
|
|
43 |
1.80 |
|
107 |
14.1 |
|
43 |
4.3 |
107 |
18.6 |
|
51 |
7.0k |
|
43 |
4.6 |
|
|
|
43 |
67.8 |
107 |
168.5 |
|
43 |
6.8 |
|
43 |
135.5 |
107 |
337.0 |
|
43 |
11.8 |
|
|
|
44 |
1.85 |
|
108 |
14.8 |
|
44 |
4.4 |
108 |
20.2 |
|
52 |
8.0k |
|
44 |
4.7 |
|
|
|
44 |
69.4 |
108 |
170.1 |
|
44 |
7.0 |
|
44 |
138.6 |
108 |
340.2 |
|
44 |
12.1 |
|
|
|
45 |
1.89 |
|
109 |
15.4 |
|
45 |
4.5 |
109 |
21.8 |
|
53 |
9.0k |
|
45 |
4.8 |
|
|
|
45 |
70.9 |
109 |
171.7 |
|
|
|
|
45 |
141.8 |
109 |
343.3 |
|
45 |
12.3 |
|
|
|
46 |
1.93 |
|
110 |
16.1 |
|
46 |
4.6 |
110 |
23.3 |
|
54 |
10.0k |
|
46 |
4.9 |
|
|
|
46 |
72.5 |
110 |
173.2 |
|
|
|
|
46 |
144.9 |
110 |
346.5 |
|
46 |
12.6 |
|
|
|
47 |
1.97 |
|
111 |
16.8 |
|
47 |
4.7 |
111 |
24.9 |
|
55 |
11.0k |
|
47 |
5.0 |
|
|
|
47 |
74.1 |
111 |
174.8 |
|
|
|
|
47 |
148.1 |
111 |
349.6 |
|
47 |
12.9 |
|
|
|
48 |
2.01 |
|
112 |
17.5 |
|
48 |
4.8 |
112 |
26.5 |
|
56 |
12.0k |
|
48 |
5.5 |
|
|
|
48 |
75.7 |
112 |
176.4 |
|
|
|
|
48 |
151.2 |
112 |
352.8 |
|
48 |
13.1 |
|
|
|
49 |
2.06 |
|
113 |
18.1 |
|
49 |
4.9 |
113 |
28.0 |
|
57 |
14.0k |
|
49 |
6.0 |
|
|
|
49 |
77.2 |
113 |
178.0 |
|
|
|
|
49 |
154.4 |
113 |
355.9 |
|
49 |
13.4 |
|
|
|
50 |
2.10 |
|
114 |
19.5 |
|
50 |
5.0 |
114 |
29.6 |
|
58 |
16.0k |
|
50 |
6.5 |
|
|
|
50 |
78.8 |
114 |
179.5 |
|
|
|
|
50 |
157.5 |
114 |
359.1 |
|
50 |
13.7 |
|
|
|
51 |
2.14 |
|
115 |
20.8 |
|
51 |
5.1 |
115 |
31.2 |
|
59 |
18.0k |
|
51 |
7.0 |
|
|
|
51 |
80.4 |
115 |
181.1 |
|
|
|
|
51 |
160.7 |
115 |
362.2 |
|
51 |
14.0 |
|
|
|
52 |
2.18 |
|
116 |
22.2 |
|
52 |
5.2 |
116 |
32.8 |
|
60 |
THRU(20.0k) |
|
52 |
7.5 |
|
|
|
52 |
81.9 |
116 |
182.7 |
|
|
|
|
52 |
163.8 |
116 |
365.4 |
|
52 |
14.2 |
|
|
|
53 |
2.22 |
|
117 |
23.5 |
|
53 |
5.3 |
117 |
34.3 |
|
|
|
|
53 |
8.0 |
|
|
|
53 |
83.5 |
117 |
184.3 |
|
|
|
|
53 |
167.0 |
117 |
368.5 |
|
53 |
14.5 |
|
|
|
54 |
2.27 |
|
118 |
24.8 |
|
54 |
5.4 |
118 |
35.9 |
|
|
|
|
54 |
8.5 |
|
|
|
54 |
85.1 |
118 |
185.8 |
|
|
|
|
54 |
170.1 |
118 |
371.7 |
|
54 |
14.8 |
|
|
|
55 |
2.31 |
|
119 |
26.2 |
|
55 |
5.5 |
119 |
37.5 |
|
|
|
|
55 |
9.0 |
|
|
|
55 |
86.7 |
119 |
187.4 |
|
|
|
|
55 |
173.3 |
119 |
374.8 |
|
55 |
15.1 |
|
|
|
56 |
2.35 |
|
120 |
27.5 |
|
56 |
5.6 |
120 |
39.0 |
|
|
|
|
56 |
9.5 |
|
|
|
56 |
88.2 |
120 |
189.0 |
|
|
|
|
56 |
176.4 |
120 |
378.0 |
|
56 |
15.4 |
|
|
|
57 |
2.39 |
|
121 |
28.9 |
|
57 |
5.7 |
121 |
40.6 |
|
|
|
|
57 |
10.0 |
|
|
|
57 |
89.8 |
121 |
190.6 |
|
|
|
|
57 |
179.6 |
121 |
381.1 |
|
57 |
15.6 |
|
|
|
58 |
2.43 |
|
122 |
30.2 |
|
58 |
5.8 |
122 |
42.2 |
|
|
|
|
58 |
11.0 |
|
|
|
58 |
91.4 |
122 |
192.1 |
|
|
|
|
58 |
182.7 |
122 |
384.3 |
|
58 |
15.9 |
|
|
|
59 |
2.48 |
|
123 |
31.6 |
|
59 |
5.9 |
123 |
43.7 |
|
|
|
|
59 |
12.0 |
|
|
|
59 |
93.0 |
123 |
193.7 |
|
|
|
|
59 |
185.9 |
123 |
387.4 |
|
59 |
16.2 |
|
|
|
60 |
2.52 |
|
124 |
32.9 |
|
60 |
6.0 |
124 |
45.3 |
|
|
|
|
60 |
13.0 |
|
|
|
60 |
94.5 |
124 |
195.3 |
|
|
|
|
60 |
189.0 |
124 |
390.6 |
|
60 |
16.5 |
|
|
|
61 |
2.56 |
|
125 |
34.3 |
|
61 |
6.1 |
125 |
46.9 |
|
|
|
|
61 |
14.0 |
|
|
|
61 |
96.1 |
125 |
196.9 |
|
|
|
|
61 |
192.2 |
125 |
393.7 |
|
61 |
16.8 |
|
|
|
62 |
2.60 |
|
126 |
37.0 |
|
62 |
6.2 |
126 |
48.4 |
|
|
|
|
62 |
15.0 |
|
|
|
62 |
97.7 |
126 |
198.4 |
|
|
|
|
62 |
195.3 |
126 |
396.9 |
|
62 |
17.1 |
|
|
|
63 |
2.65 |
|
127 |
39.7 |
|
63 |
6.3 |
127 |
50.0 |
|
|
|
|
63 |
16.0 |
|
|
|
63 |
99.3 |
127 |
200.0 |
|
|
|
|
63 |
198.5 |
127 |
400.0 |
|
63 |
17.3 |
|
|
Table Assign Value Data MU50
MU50 EFFECT TYPE
REVERB TYPE |
|
|
|
|
|
|
|
|
|
|
|
|
The following effect types are required under XG. |
|
|
|
|
|
11typ |
||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
TYPE MSB |
|
|
|
TYPE LSB |
|
|
|
|
|
|
|
|
DEC |
|
HEX |
|
00 |
|
01 |
|
02 |
... |
|
08 |
|
000 |
|
0 |
[0] |
NO EFFECT |
|
|
|
|
|
|
|
|
001 |
|
1 |
[1] |
HALL1 |
[2] |
HALL2 |
|
|
|
|
|
|
002 |
|
2 |
[3] |
ROOM1 |
[4] |
ROOM2 |
[5] |
ROOM3 |
|
|
|
|
003 |
|
3 |
[6] |
STAGE1 |
[7] |
STAGE2 |
|
|
|
|
|
|
004 |
|
4 |
[8] |
PLATE |
|
|
|
|
|
|
|
|
005 |
|
5 |
|
NO EFFECT |
|
|
|
|
|
|
|
|
: |
|
: |
|
: |
|
|
|
|
|
|
|
|
015 |
|
F |
|
NO EFFECT |
|
|
|
|
|
|
|
|
016 |
|
10 |
[9] |
WHITE ROOM |
|
|
|
|
|
|
|
|
017 |
|
11 |
[10] |
TUNNEL |
|
|
|
|
|
|
|
|
018 |
|
12 |
|
NO EFFECT |
|
|
|
|
|
|
|
|
019 |
|
13 |
[11] |
BASEMENT |
|
|
|
|
|
|
|
|
020 |
|
14 |
|
NO EFFECT |
|
|
|
|
|
|
|
|
: |
|
: |
|
: |
|
|
|
|
|
|
|
|
127 |
|
7F |
|
NO EFFECT |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
NO EFFECT |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
|
|
|
|
|
|
|
|
same as BASIC EFFECT(LSB=0) |
|||
CHORUS TYPE |
|
|
|
|
|
|
|
|
|
|
11type |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
TYPE MSB |
|
|
|
TYPE LSB |
|
|
|
|
|
|
|
|
DEC |
|
HEX |
|
00 |
|
01 |
|
02 |
... |
|
08 |
|
000 |
|
0 |
[0] |
NO EFFECT |
|
|
|
|
|
|
|
|
001 |
|
1 |
|
NO EFFECT |
|
|
|
|
|
|
|
|
: |
|
: |
|
: |
|
|
|
|
|
|
|
|
064 |
|
40 |
|
NO EFFECT |
|
|
|
|
|
|
|
|
065 |
|
41 |
[1] |
CHORUS1 |
[2] |
CHORUS2 |
[3] |
CHORUS3 |
|
[4] |
CHORUS4 |
|
066 |
|
42 |
[5] |
CELESTE1 |
[6] |
CELESTE2 |
[7] |
CELESTE3 |
|
[8] |
CELESTE4 |
|
067 |
|
43 |
[9] |
FLANGER 1 |
[10] FLANGER 2 |
|
|
|
[11] FLANGER3 |
|
||
068 |
|
44 |
|
NO EFFECT |
|
|
|
|
|
|
|
|
: |
|
: |
|
: |
|
|
|
|
|
|
|
|
127 |
|
7F |
|
NO EFFECT |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
NO EFFECT |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
|
|
|
|
|
|
|
|
same as BASIC EFFECT(LSB=0) |
|||
VARIATION TYPE(0~63) |
|
|
|
|
|
|
|
42type |
||||
|
|
|
|
|
|
|
|
|
|
|
|
|
TYPE MSB |
|
|
|
TYPE LSB |
|
|
|
|
|
|
|
|
DEC |
|
HEX |
|
00 |
|
01 |
|
02 |
... |
|
08 |
|
000 |
|
0 |
[0] |
NO EFFECT |
|
|
|
|
|
|
|
|
001 |
|
1 |
[1] |
HALL1 |
[2] |
HALL2 |
|
|
|
|
|
|
002 |
|
2 |
[3] |
ROOM1 |
[4] |
ROOM2 |
[5] |
ROOM3 |
|
|
|
|
003 |
|
3 |
[6] |
STAGE1 |
[7] |
STAGE2 |
|
|
|
|
|
|
004 |
|
4 |
[8] |
PLATE |
|
|
|
|
|
|
|
|
005 |
|
5 |
[9] |
DELAY L,C,R |
|
|
|
|
|
|
|
|
006 |
|
6 |
[10] |
DELAY L,R |
|
|
|
|
|
|
|
|
007 |
|
7 |
[11] |
ECHO |
|
|
|
|
|
|
|
|
008 |
|
8 |
[12] |
CROSS DELAY |
|
|
|
|
|
|
|
|
009 |
|
9 |
[13] |
ER1 |
[14] ER2 |
|
|
|
|
|
|
|
010 |
|
A |
[15] |
GATE REVERB |
|
|
|
|
|
|
|
|
011 |
|
B |
[16] |
REVERSE GATE |
|
|
|
|
|
|
|
|
012 |
|
C |
|
NO EFFECT or THRU |
|
|
|
|
|
|
|
|
: |
|
: |
|
: |
|
|
|
|
|
|
|
|
019 |
|
13 |
|
NO EFFECT or THRU |
|
|
|
|
|
|
|
|
020 |
|
14 |
[17] |
KARAOKE1 |
[18] KARAOKE2 |
[19] KARAOKE3 |
|
|
|
|
||
021 |
|
15 |
|
NO EFFECT or THRU |
|
|
|
|
|
|
|
|
: |
|
: |
|
: |
|
|
|
|
|
|
|
|
063 |
|
3F |
|
NO EFFECT or THRU |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
NO EFFECT (for SYS) or THRU (for INS) |
|||
|
|
|
|
|
|
|
|
|
||||
|
|
|
|
|
|
|
|
|
same as BASIC EFFECT (LSB=0) |
|||
VARIATION TYPE(64~127) |
|
|
|
|
|
|
|
|
|
|||
|
|
|
|
|
|
|
|
|
|
|
|
|
TYPE MSB |
|
|
|
TYPE LSB |
|
|
|
|
|
|
|
|
DEC |
|
HEX |
|
00 |
|
01 |
|
02 |
... |
|
08 |
|
064 |
|
40 |
[43] |
THRU |
|
|
|
|
|
|
|
|
065 |
|
41 |
[20] |
CHORUS1 |
[21] CHORUS2 |
[22] CHORUS3 |
|
[23] CHORUS4 |
|
|||
066 |
|
42 |
[24] |
CELESTE1 |
[25] CELESTE2 |
[26] CELESTE3 |
|
[27] CELESTE4 |
|
|||
067 |
|
43 |
[28] |
FLANGER 1 |
[29] FLANGER 2 |
|
|
|
[30] FLANGER3 |
|
||
068 |
|
44 |
[31] |
SYMPHONIC |
|
|
|
|
|
|
|
|
069 |
|
45 |
[32] |
ROTARY SPEAKER |
|
|
|
|
|
|
|
|
070 |
|
46 |
[33] |
TREMOLO |
|
|
|
|
|
|
|
|
071 |
|
47 |
[34] |
AUTO PAN |
|
|
|
|
|
|
|
|
072 |
|
48 |
[35] |
PHASER1 |
|
|
|
|
|
[36] PHASER2 |
|
|
073 |
|
49 |
[37] |
DISTORTION |
|
|
|
|
|
|
|
|
074 |
|
4A |
[38] |
OVER DRIVE |
|
|
|
|
|
|
|
|
075 |
|
4B |
[39] |
AMP SIMULATOR |
|
|
|
|
|
|
|
|
076 |
|
4C |
[40] |
3-BAND EQ(MONO) |
|
|
|
|
|
|
|
|
077 |
|
4D |
[41] |
2-BAND EQ(STEREO) |
|
|
|
|
|
|
|
|
078 |
|
4E |
[42] |
AUTO WAH(LFO) |
|
|
|
|
|
|
|
|
079 |
|
4F |
|
THRU |
|
|
|
|
|
|
|
|
: |
|
: |
|
: |
|
|
|
|
|
|
|
|
127 |
|
7F |
|
THRU |
|
|
|
|
|
|
|
|
THRU
same as BASIC EFFECT (LSB=0)
9
MU50 MIDI Data Format
1. Channel messages
1.1Key on / Key off
Reception note range =C-2~G8
Velocity range = 1~127 (Velocity is received only for Note Off)
Not received by a Part for which the Multi Part parameter Rcv NOTE MESSAGE = OFF
Not received by a Rhythm Part for which Rcv NOTE OFF = OFF
Key On is not received by a Rhythm Part for which Rcv NOTE ON = OFF
1.2Control change
Control Changes are not received by a Part for which the Multi Part parameter Rcv CONTROL CHANGE = OFF
1.2.1Bank Select
Cntrl# |
parameter |
Data Range |
0 |
Bank Select MSB |
0:Normal, 64:SFX, 126-127:Drum |
32 |
Bank Select LSB |
0...127 |
Bank Select processing is suspended until a Program Change is received. When Sound Module Mode = C/M, all Bank Select messages are ignored.
1.2.2Modulation
Cntrl# |
parameter |
Data Range |
1 |
Modulation |
0...127 |
When the Multi Part parameter Rcv MODULATION = OFF, that Part will not receive Modulation messages.
1.2.3Portamento Time
Cntrl# |
parameter |
Data Range |
5 |
Portamento Time |
0...127 |
When the parameter 1.2.9 Portamento = ON, this adjusts the speed of pitch change. A setting of 0 is minimum portamento time, and 127 is longest portamento time.
1.2.4Data Entry
Cntrl# |
parameter |
Data Range |
6 |
Data Entry MSB |
0...127 |
38 |
Data Entry LSB |
0...127 |
Use this to set the value of the parameter specified by RPN and NRPN.
1.2.5Main Volume
Cntrl# |
parameter |
Data Range |
7 |
Main Volume |
0...127 |
When the Multi Part parameter Rcv VOLUME = OFF, that Part will not receive Volume messages.
1.2.6 |
Pan |
|
|
|
Cntrl# |
parameter |
Data Range |
|
10 |
Pan |
0...127 |
0 is left, 127 is right.
When the Multi Part parameter Rcv PAN = OFF, that Part will not receive Pan messages.
1.2.7Expression
Cntrl# |
parameter |
Data Range |
11 |
Expression |
0...127 |
When the Multi Part parameter Rcv EXPRESSION = OFF, that Part will not receive Expression messages.
1.2.8Hold1
Cntrl# |
parameter |
Data Range |
64 |
Hold1 |
0...127 |
|
|
(0-63:off, 64-127:on) |
When the Multi Part parameter Rcv HOLD1 = OFF, that Part will not receive Hold1 messages.
1.2.9Portamento
Cntrl# |
parameter |
Data Range |
65 |
Portamento |
0...127 |
|
|
(0-63:off, 64-127:on) |
When the Multi Part parameter Rcv PORTAMENTO = OFF, that Part will not receive Portamento messages.
1.2.10Sostenuto
Cntrl# |
parameter |
Data Range |
66 |
Sostenuto |
0...127 |
|
|
(0-63:off, 64-127:on) |
When the Multi Part parameter Rcv SOSTENUTO = OFF, that Part will not receive Sostenuto messages.
1.2.11Soft Pedal
Cntrl# |
parameter |
Data Range |
67 |
Soft Pedal |
0...127 |
|
|
(0-63:off, 64-127:on) |
When the Multi Part parameter Rcv SOFT PEDAL= OFF, that Part will not receive Soft Pedal messages.
1.2.12Harmonic Content
Cntrl# |
parameter |
Data Range |
71 |
Harmonic Content |
0...127 |
(0:-64, 64:+0, 127:+63)
This message adjusts the resonance specified by the voice data. Since this is a relative change parameter,
specify the increase or decrease relative to a center value of 64. Higher values will result in a more characteristic sound.
Depending on the voice, the range of effect may be narrower than the range available for setting.
1.2.13Release Time
Cntrl# |
parameter |
Data Range |
72 |
Release Time |
0...127 |
(0:-64, 64:+0, 127:+63)
This message adjusts the envelope release time specified by the voice data. Since this is a relative change parameter,
specify an increase or decrease relative to a center value of 64.
1.2.14Attack Time
Cntrl# |
parameter |
Data Range |
73 |
Attack Time |
0...127 |
(0:-64, 64:+0, 127:+63)
This message adjusts the envelope attack time specified by the voice data. Since this is a relative change parameter,
specify an increase or decrease relative to a central value of 64.
1.2.15Brightness
Cntrl# |
parameter |
Data Range |
74 |
Brightness |
0...127 |
(0:-64, 64:+0, 127:+63)
This message adjusts the cutoff frequency specified by the voice data. Since this is a relative change parameter,
specify an increase or decrease relative to a central value of 64. Lower values will result in a softer sound.
For some voices, the range of effect may be narrower than the range available for adjustment.
1.2.16Portamento Control
Cntrl# |
parameter |
Data Range |
84 |
Portamento Control 0...127 |
Portamento Control is transmitted specifying the Note On Key of currently-sounding note.
Specify a Portamento Source Key number of 0~127. When a Portamento Control message is received,
the currently sounding pitch will change with a Portamento Time of 0 to the key of the next-received Note On on the same channel.
This message is received even if Rcv PORTAMENTO = OFF
1.2.17Effect1 Depth ( Reverb Send Level )
Cntrl# |
parameter |
Data Range |
91 |
Effect1 Depth |
0...127 |
This message sets the send level for the reverb effect.
1.2.18Effect3 Depth ( Chorus Send Level )
Cntrl# |
parameter |
Data Range |
93 |
Effect3 Depth |
0...127 |
This message sets the send level for the chorus effect.
10
MU50 MIDI Data Format
1.2.19Effect4 Depth ( Variation Effect Send Level )
Cntrl# |
parameter |
Data Range |
94 |
Effect4 Depth |
0...127(when Variation Connection = 1 (System)) |
This message sets the send level for the Variation effect.
If Variation Connection = 0(Insertion), this has no effect.
1.2.20Data Increment / Decrement (for RPN)
Cntrl# |
parameter |
Data Range |
96 |
RPN Increment |
0...127 |
97 |
RPN Decrement |
0...127 |
The data byte is ignored.
These messages increase or decrease the MSB value of Pitch Bend Sensitivity, Fine Tune, or Coarse Tune in steps of 1.
When the maximum value or minimum value is reached, the value will not be incremented or decremented further.
(Incrementing the Fine Tune will not cause the Coarse Tune to be stepped up.)
1.2.21NRPN (Non-Registered Parameter Number)
Cntrl# |
parameter |
Data Range |
98 |
NRPN LSB |
0...127 |
99 |
NRPN MSB |
0...127 |
When the Multi Part parameter Rcv NRPN = OFF, that Part will not receive NRPN messages.
First send the NRPN MSB and NRPN LSB to specify the parameter which is to be controlled. Then
use Data Entry to set the value of the specified parameter.
The following NRPN numbers can be received.
NRPN |
Data entry |
|
|
MSB LSB |
MSB |
Parameter name and value range |
|
$01 |
$08 |
$mm |
Vibrato Rate |
|
|
|
mm : $00 - $40 - $7F (-64 - 0 - +63) |
$01 |
$09 |
$mm |
Vibrato Depth |
|
|
|
mm : $00 - $40 - $7F (-64 - 0 - +63) |
$01 |
$0A |
$mm |
Vibrato Delay |
|
|
|
mm : $00 - $40 - $7F (-64 - 0 - +63) |
$01 |
$20 |
$mm |
Filter Cutoff Frequency |
|
|
|
mm : $00 - $40 - $7F (-64 - 0 - +63) |
$01 |
$21 |
$mm |
Filter Resonance |
|
|
|
mm : $00 - $40 - $7F (-64 - 0 - +63) |
$01 |
$63 |
$mm |
EG Attack Time |
|
|
|
mm : $00 - $40 - $7F (-64 - 0 - +63) |
$01 |
$64 |
$mm |
EG Decay Time |
|
|
|
mm : $00 - $40 - $7F (-64 - 0 - +63) |
$01 |
$66 |
$mm |
EG Release Time |
|
|
|
mm : $00 - $40 - $7F (-64 - 0 - +63) |
$14 |
$rr |
$mm |
Drum Filter Cutoff Frequency |
|
|
|
mm : $00 - $40 - $7F (-64 - 0 - +63) |
|
|
|
rr : drum instrument note number |
$15 |
$rr |
$mm |
Drum Filter Resonance |
|
|
|
mm : $00 - $40 - $7F (-64 - 0 - +63) |
|
|
|
rr : drum instrument note number |
$16 |
$rr |
$mm |
Drum EG Attack Rate |
|
|
|
mm : $00 - $40 - $7F (-64 - 0 - +63) |
|
|
|
rr : drum instrument note number |
$17 |
$rr |
$mm |
Drum EG Decay Rate |
|
|
|
mm : $00 - $40 - $7F (-64 - 0 - +63) |
|
|
|
rr : drum instrument note number |
|
|
|
Applies to both Decay1 and 2. |
$18 |
$rr |
$mm |
Drum Instrument Pitch Coarse |
|
|
|
mm : $00 - $40 - $7F (-64 - 0 - +63) |
|
|
|
rr : drum instrument note number |
$19 |
$rr |
$mm |
Drum Instrument Pitch Fine |
|
|
|
mm : $00 - $40 - $7F (-64 - 0 - +63) |
|
|
|
rr : drum instrument note number |
$1A |
$rr |
$mm |
Drum Instrument Level |
|
|
|
mm : $00 - $7F (0 - max) |
|
|
|
rr : drum instrument note number |
$1C |
$rr |
$mm |
Drum Instrument Pan |
|
|
|
|
mm : $00 |
- $40 - $7F (random, left - center - right) |
|
|
|
rr : drum instrument note number |
|
$1D |
$rr |
$mm |
Drum Instrument Reverb Send Level |
|
|
|
|
mm : $00 |
- $7F (0 - max) |
|
|
|
rr : drum instrument note number |
|
$1E |
$rr |
$mm |
Drum Instrument Chorus Send Level |
|
|
|
|
mm : $00 |
- $7F (0 - max) |
|
|
|
rr : drum instrument note number |
|
$1F |
$rr |
$mm |
Drum Instrument Variation Send Level |
|
|
|
|
mm : $00 |
- $7F (0 - max) |
|
|
|
rr : drum instrument note number |
MSB 14h-1Fh(for Drum)is valid only when that channel is in Drum mode and Drum Setup 1 or 2 is selected.
1.2.22RPN (Registered Parameter Number)
Cntrl# |
parameter |
Data Range |
100 |
RPN LSB |
0...127 |
101 |
RPN MSB |
0...127 |
Default:7F 7FH
When the Multi Part parameter Rcv RPN = OFF, that Part will not receive these messages.
The following RPN numbers can be received.
RPN |
|
Data entry |
|
MSB LSB |
MSB LSB |
Parameter name and value range |
|
00H |
00H |
mmH — |
Pitch Bend Sensitivity |
|
|
|
mm:00-18H(0-2 chromatic steps) |
|
|
|
Settable in chromatic steps up to 2 octaves |
|
|
|
Default:02H |
|
|
|
LSB value is ignored. |
00H |
01H |
mmH 11H |
Fine Tuning |
|
|
|
mm:00H-40H-7FH(-64-0-+63) |
00H |
02H |
mmH — |
Coarse Tuning |
|
|
|
mm:28H - 40H - 58H(-24 - +24 chromatic steps) |
|
|
|
LSB value is ignored. |
7FH |
7FH |
— — |
RPN null |
Set condition in which RPN and NRPN numbers are not specified.
Internally set values are not affected.
1.2.23Channel Mode Messages
The following Channel Mode Messages are received.
2nd byte |
3rd byte |
|
120 |
0 |
All Sound Off |
121 |
0 |
Reset All Controllers |
123 |
0 |
All Note Off |
124 |
0 |
Omni Off |
125 |
0 |
Omni On |
126 |
0 ~ 16 |
Mono |
127 |
0 |
Poly |
1.2.23.1 All Sound Off
Turn off all sounds currently sounding on the specified channel.
However the status of channel messages such as Note On and Hold On is maintained.
1.2.23.2 Reset All Controllers
The values of the following controllers will change.
Controller |
Value |
Pitch Bend |
± 0 (center) |
Channel Pressure |
0 (off) |
Polyphonic Key Pressure |
0 (off) |
Modulation |
0 (off) |
Expression |
127 (max) |
Hold |
0 (off) |
Portamento |
0 (off) |
Sostenuto |
0 (off) |
Soft Pedal |
0 (off) |
Portamento Control |
resets the Portamento Source Note |
|
Number that was received |
RPN |
number not specified; internal data |
|
will not change |
NRPN |
number not specified; internal data |
|
will not change |
11
MU50 MIDI Data Format
1.2.23.3 All Note Off
This message turns off all notes currently on for the specified channel.
However if Hold 1 or Sostenuto are on, notes will continue sounding until these are turned off.
1.2.23.4 Omni Off
Perform the same processing as when All Note Off is received.
1.2.23.5 Omni On
Perform the same processing as when All Note Off is received.
1.2.23.6 Mono
Perform the same processing as when All Sound Off is received, and if the 3rd byte (mono number) is in the range of 0~16,
set the applicable channel to Mode 4 (m = 1).
1.2.23.7 Poly
Perform the same processing as when All Sound Off is received, and set the applicable channel to Mode 3.
1.3Program Change
If the Multi Part parameter Rcv PROGRAM CHANGE = OFF, that Part will not receive Program Changes.
If Sound Module Mode = C/M, all Program Changes for the Drum Voice Part are ignored.
1.4Pitch Bend
If the Multi Part parameter Rcv PITCH BEND CHANGE = OFF, that Part will not receive Pitch Bend messages.
1.5Channel Aftertouch
With the default setting there will be no function.
If the Multi Part parameter Rcv CHANNEL AFTER TOUCH = OFF, that Part will not receive Channel Aftertouch.
1.6Polyphonic Aftertouch
With the default setting there will be no function.
If the Multi Part parameter Rcv POLYPHONIC AFTER TOUCH = OFF, that Part will not receive Polyphonic Aftertouch.
There will be an effect only for note numbers 36-97.
2. System Exclusive Messages
2.1Parameter Changes
This device uses the following parameter changes.
[ UNIVERSAL REALTIME MESSAGE ]
1) Master Volume
[ UNIVERSAL NON REALTIME MESSAGE ]
1)General MIDI Mode On
2)Identity Request(INQUIRY MESSAGE)
3)Identity Reply(INQUIRY MESSAGE)
[ XG NATIVE ]
1)XG System on
2)XG System Data parameter change
3)System Information
4)Multi Effect1 Data parameter change
5)Display Data parameter change
6)Multi Part Data parameter change
7)Drums Setup Data parameter change
[ MU80, MU50 NATIVE ]
1)MU80, MU50 System data parameter change
2)Current Performance parameter change
3)Remote switch
[ Other ]
1)Master tuning
2)TG300 System Data Parameter change
3)TG300 Multi Effect Data parameter change
4)TG300 Mutli Part Data parameter change
5)Disk Orchestra On
2.1.2Universal Realtime Messages
2.1.2.1Master Volume
11110000 |
F0 |
= Exclusive status |
01111111 |
7F |
= Universal Real Time |
01111111 |
7F |
= ID of target device |
00000100 |
04 |
= Sub-ID #1=Device Control Message |
00000001 |
01 |
= Sub-ID #2=Master Volume |
0sssssss |
*SS |
= Volume LSB |
0ttttttt |
TT |
= Volume MSB |
11110111 |
F7 |
= End of Exclusive |
or, |
|
|
11110000 |
F0 |
= Exclusive status |
01111111 |
7F |
= Universal Real Time |
0xxxnnnn |
XN |
= Device Number, xxx = don’t care |
00000100 |
04 |
= Sub-ID #1=Device Control Message |
00000001 |
01 |
= Sub-ID #2=Master Volume |
0sssssss |
SS |
= Volume LSB |
0ttttttt |
TT |
= Volume MSB |
11110111 |
F7 |
= End of Exclusive |
When this is received, the Volume MSB will be reflected in the System Parameter MASTER VOLUME.
*SS is the hex expression of 0sssssss Same for others
2.1.3Universal Non-Realtime Messages
2.1.3.1General MIDI Mode On
11110000 |
F0 |
= Exclusive status |
01111110 |
7E |
= Universal Non-Real Time |
01111111 |
7F |
= ID of target device |
00001001 |
09 |
= Sub-ID #1=General MIDI Message |
00000001 |
01 |
= Sub-ID #2=General MIDI On |
11110111 |
F7 |
= End of Exclusive |
or, |
|
|
11110000 |
F0 |
= Exclusive status |
01111110 |
7E |
= Universal Non-Real Time |
0xxxnnnn |
XN |
= Device Number, xxx = don’t care |
00001001 |
09 |
= Sub-ID #1=General MIDI Message |
00000001 |
01 |
= Sub-ID #2=General MIDI On |
11110111 |
F7 |
= End of Exclusive |
When On is received, the SOUND MODULE MODE will be changed to XG mode. Ignored when in C/M mode.
Not received when Rcv GM EXCLUSIVE = OFF
Since approximately 50 ms is required to execute this message, leave an appropriate interval before the message that follows it.
2.1.3.2Identity Request
11110000 |
F0 |
= Exclusive status |
01111110 |
7E |
= Universal Non-Real Time |
0ccccccc |
ccccccc |
= Device Number |
00000110 |
06 |
= General Information |
00000001 |
01 |
= Identity Request(Sub-ID #2) |
11110111 |
F7 |
= End of Exclusive |
When this message is received, this device will transmit the following 2.1.3.3 Identity Reply message.
2.1.3.3 Identity Reply
11110000 |
F0 |
=Exclusive status |
|
11111110 |
7E |
=Universal Non-Real Time |
|
0nnnnnnn |
0nnnnnnn |
=Device Number |
|
00000110 |
06 |
=General Information(Sub-ID #1) |
|
00000010 |
02 |
=Device Identity Reply(Sub-ID #2) |
|
01000011 |
43 |
=YAMAHA ID |
|
00000000 |
00 |
=Device Family Code LSB |
MU50ID#1 |
01000001 |
41 |
=Device Family Code MSB |
MU50ID#2 |
01000110 |
46 |
=Device Number Code LSB |
MU50ID#3 |
00000001 |
01 |
=Device Number Code MSB |
MU50ID#4 |
00000000 |
00 |
|
|
00000000 |
00 |
|
|
00000000 |
00 |
|
|
00000000 |
01 |
=XG ID |
|
11110111 |
F7 |
=End of Exclusive |
|
This device transmits this message when it receives a 2.1.3.2 Identity Request message.
12
MU50 MIDI Data Format
2.1.4XG Native Parameter Change
11110000 |
F0 |
Exclusive status |
01000011 |
43 |
YAMAHA ID |
0001nnnn |
1n |
device Number |
01001100 |
4C |
XG Model ID |
0aaaaaaa |
aaaaaaa |
Address High |
0aaaaaaa |
aaaaaaa |
Address Mid |
0aaaaaaa |
aaaaaaa |
Address Low |
0ddddddd |
ddddddd |
Data |
| |
| |
|
11110111 |
F7 |
End of Exclusive |
For parameters whose data size is 2 or 4, transmit the appropriate number of data bytes.
2.1.4.1XG Sytem On
11110000 |
F0 |
Exclusive status |
01000011 |
43 |
YAMAHA ID |
0001nnnn |
1N |
device Number |
01001100 |
4C |
XG Model ID |
0aaaaaaa |
00 |
Address High |
0aaaaaaa |
00 |
Address Mid |
0aaaaaaa |
7E |
Address Low |
00000000 |
00 |
Data |
11110111 |
F7 |
End of Exclusive |
When On is received, the SOUND MODULE MODE will change to XG.
Since approximately 50 ms is required to execute this message, leave an appropriate interval before
the message that follows it.
2.1.4.2XG System Data parameter change
Refer to tables <1-1> and <1-2>.
2.1.4.3System Information
Data transmission is performed in response to a Dump Request, but data reception is ignored.
Refer to tables <1-1> and <1-3>.
2.1.4.4Multi Effect1 Data parameter change
Refer to tables <1-1> and <1-4>.
2.1.4.5Display Data parameter change
Refer to tables <1-1> and <1-5>.
2.1.4.6Multi Part Data parameter change
Refer to tables <1-1> and <1-6>.
2.1.4.7Drums Setup Data parameter change
Refer to tables <1-1> and <1-7>.
If a DRUM SETUP RESET parameter change is received while in XG mode, the Drum Setup parameter values will be initialized.
In any mode, selecting a Drum Set will cause the Drum Setup parameter values to be initialized.
2.1.5MU80, MU50 native parameter change
11110000 |
F0 |
Exclusive status |
01000011 |
43 |
YAMAHA ID |
0001nnnn |
1n |
device Number |
01001001 |
49 |
MU80, MU50 Model ID |
0aaaaaaa |
aaaaaaa |
Address High |
0aaaaaaa |
aaaaaaa |
Address Mid |
0aaaaaaa |
aaaaaaa |
Address Low |
0ddddddd |
ddddddd |
Data |
| |
| |
|
11110111 |
F7 |
End of Exclusive |
For parameters with a data size of 2 or 4, transmit the appropriate number of data bytes.
2.1.5.1MU80, MU50 System Data parameter change
Refer to tables <2-1> and <2-2>.
2.1.5.2Current Performance parameter change
Refer to tables <2-1> and <2-3>.
2.1.5.3Remote Switch
Refer to tables <2-1> and <2-4>.
2.1.6Other parameter changes
2.1.6.1Master Tuning
11110000 |
F0 |
Exclusive status |
01000011 |
43 |
YAMAHA ID |
0001nnnn |
1n |
device Number |
00100111 |
27 |
Model ID |
00000001 |
30 |
Sub ID2 |
00000000 |
00 |
|
00000000 |
00 |
|
0mmmmmmm |
mm |
Master Tune MSB |
0lllllll |
ll |
Master Tune LSB |
0ccccccc |
cc |
|
11110111 |
F7 |
End of Exclusive |
This message simultaneously changes the pitch of all channels.
2.1.6.2Disk Orchestra On
11110000 F0
01000011 43
01110011 73
00000001 01
00010100 14
11110111 F7
This message sets the SOUND MODULE MODE of this device to DOC MODE.
2.2Bulk Dump
This device handles the following bulk dump data.
[ XG NATIVE ]
1)XG System Data
2)Multi Effect1 Data
3)Multi Part Data
4)Drums Setup Data
[ MU80, MU50 NATIVE ]
1)MU80, MU50 System data
2)Internal Performance
2.2.1XG Native Bulk Dump
11110000 |
F0 |
Exclusive status |
01000011 |
43 |
YAMAHA ID |
0000nnnn |
0n |
device Number |
01001100 |
4C |
XG Model ID |
0bbbbbbb |
bbbbbbb |
ByteCount |
0bbbbbbb |
bbbbbbb |
ByteCount |
0aaaaaaa |
aaaaaaa |
Address High |
0aaaaaaa |
aaaaaaa |
Address Mid |
0aaaaaaa |
aaaaaaa |
Address Low |
00000000 |
00 |
Data |
| |
| |
|
| |
| |
|
0ccccccc |
ccccccc |
Check-sum |
11110111 |
F7 |
End of Exclusive |
For the Address and Byte Count, refer to the supplementary tables.
The Check Sum is the value that results in a value of zero for the lower 7 bits when the Start Address, Byte Count, and the Check Sum itself are added.
No more than 512 bytes shall be transmitted at one time. If one of the above Dump Request messages for 513 bytes or more is received,
the data will be divided into appropriate packets of 512 bytes or less, and transmitted at appropriate intervals (of at least 120 msec).
2.2.1.1XG System Data bulk dump
Refer to tables <1-1> and <1-2>.
2.2.1.2Multi Effect1 Data bulk dump
Refer to tables <1-1> and <1-4>.
2.2.1.3Multi Part Data bulk dump
Refer to tables <1-1> and <1-6>.
2.2.1.4Drums Setup Data bulk dump
Refer to tables <1-1> and <1-7>.
13