Yamaha MX200 User Manual

MIXING CONSOLE

TABLE DE MIXAGE

MISCHPULTE

CONSOLA DE MEZCLA

Operation Manual

Manuel d’instructions

Bedienungsanleitung

Manual de Operación

																																																																																									R			R
																																																																																									L			L
	1				2				3				4				5				6			7				8				9				10				11				12				13				14				15				16				17			18			19			20			21			22			23			24			–10dB			–10dB			L		R	+4B
																																														INPUT A																																										TAPE IN			REC OUT			STEREO OUT +4dB				MONO OUT
	1				2				3				4				5				6			7				8				9				10				11				12				13				14				15				16				17			18			19			20			21			22			23			24			1R			2R			3		4
																																														INPUT B
	1				2				3				4				5				6			7				8				9				10				11				12				13				14				15				16				17			18			19			20			21			22			23			24			1L/MONO		2L/MONO				1		2
		OUT IN																																										INPUT CH INSERT I/O 0dB																																								OUT IN					AUX RETURN +4dB					AUX SEND +4dB
	A				A				A				A				A				A				A				A				A				A				A				A				A				A				A				A				A			A			A			A			A			A			A			A
	B				B				B				B				B				B				B				B				B				B				B				B				B				B				B				B				B			B			B			B			B			B			B			B								MIXING CONSOLE
20dB				20dB				20dB				20dB				20dB				20dB				20dB				20dB				20dB				20dB				20dB				20dB				20dB				20dB				20dB				20dB				20dB			20dB			20dB			20dB			20dB			20dB			20dB			20dB
–16GAIN –60				–16GAIN –60				–16GAIN –60				–16GAIN –60				–16GAIN –60				–16GAIN –60				–16GAIN –60				–16GAIN –60				–16GAIN –60				–16GAIN –60				–16GAIN –60				–16GAIN –60				–16GAIN –60				–16GAIN –60				–16GAIN –60				–16GAIN –60				–16 GAIN –60			–16 GAIN –60			–16 GAIN –60			–16 GAIN –60			–16 GAIN –60			–16 GAIN –60			–16 GAIN –60			–16 GAIN –60										+6			+6
																																																																																															+4			+4
	PEAK				PEAK				PEAK				PEAK				PEAK				PEAK				PEAK				PEAK				PEAK				PEAK				PEAK				PEAK				PEAK				PEAK				PEAK				PEAK				PEAK			PEAK			PEAK			PEAK			PEAK			PEAK			PEAK			PEAK									+2			+2
	80				80				80				80				80				80				80				80				80				80				80				80				80				80				80				80				80			80			80		80			80			80			80			80			–15	HIGH	+15	–15	HIGH	+15		0			0
																																																																																															–2			–2
																																																																																															–4			–4
																																																																																															–7			–7
–15HIGH +15				–15HIGH +15				–15HIGH +15				–15HIGH +15				–15HIGH +15				–15HIGH +15				–15HIGH +15				–15HIGH +15				–15HIGH +15				–15HIGH +15				–15HIGH +15				–15HIGH +15				–15HIGH +15				–15HIGH +15				–15HIGH +15				–15HIGH +15				–15 HIGH +15			–15 HIGH +15			–15 HIGH +15			–15 HIGH +15			–15 HIGH +15			–15 HIGH +15			–15 HIGH +15			–15 HIGH +15			–15 LOW +15			–15 LOW +15				–10			–10
																																																																																															–15			–15
																																																																																															–20			–20
–15		+15		–15		+15		–15		+15		–15		+15		–15		+15		–15		+15		–15		+15		–15		+15		–15		+15		–15		+15		–15		+15		–15		+15		–15		+15		–15		+15		–15		+15		–15		+15		–15	+15		–15	+15		–15	+15		–15	+15		–15	+15		–15	+15		–15	+15		–15	+15		0		10	0		10		–00			–00
	MID				MID				MID				MID				MID				MID				MID				MID				MID				MID				MID				MID				MID				MID				MID				MID				MID			MID			MID			MID			MID			MID			MID			MID			AUX 1		AUX 1			L	ST	R	MONO		PFL/AFL
																																																																																														1	AUX	2	3	AUX	4
																																																																																								0LEVEL10			0LEVEL10						METER SELECT
–15 LOW +15				–15 LOW +15				–15 LOW +15				–15 LOW +15				–15 LOW +15				–15 LOW +15				–15 LOW +15				–15 LOW +15				–15 LOW +15				–15 LOW +15				–15 LOW +15				–15 LOW +15				–15 LOW +15				–15 LOW +15				–15 LOW +15				–15 LOW +15				–15 LOW +15			–15 LOW +15			–15 LOW +15			–15 LOW +15			–15 LOW +15			–15 LOW +15			–15 LOW +15			–15 LOW +15
																																																																																								AUX RETURN 1 AUX RETURN 2
0		10	P	0		10	P	0		10	P	0		10	P	0		10	P	0		10	P	0		10	P	0		10	P	0		10	P	0		10	P	0		10	P	0		10	P	0		10	P	0		10	P	0		10	P	0		10	P	0	10	P	0	10	P	0	10	P	0	10	P	0	10	P	0	10	P	0	10	P	0	10	P
	AUX 1		R		AUX 1		R		AUX 1		R		AUX 1		R		AUX 1		R		AUX 1		R		AUX 1		R		AUX 1		R		AUX 1		R		AUX 1		R		AUX 1		R		AUX 1		R		AUX 1		R		AUX 1		R		AUX 1		R		AUX 1		R		AUX 1	R		AUX 1	R		AUX 1	R		AUX 1	R		AUX 1	R		AUX 1	R		AUX 1	R		AUX 1	R												PHANTOM
			E				E				E				E				E				E				E				E				E				E				E				E				E				E				E				E			E			E			E			E			E			E			E			E
																																																																																										10			10		10		10
																																																																																																			PFL
0 AUX 210				0 AUX 210				0 AUX 210				0 AUX 210				0 AUX 210				0 AUX 210				0 AUX 210				0 AUX 210				0 AUX 210				0 AUX 210				0 AUX 210				0 AUX 210				0 AUX 210				0 AUX 210				0 AUX 210				0 AUX 210				0 AUX 210			0 AUX 210			0 AUX 210			0 AUX 210			0 AUX 210			0 AUX 210			0 AUX 210			0 AUX 210					5			5		5		5
																																																																																										0			0		0		0
																																																																																										5			5		5		5
			P				P				P				P				P				P				P				P				P				P				P				P				P				P				P				P			P			P			P			P			P			P			P			P			10			10		10		10		10
0		10	O	0		10	O	0		10	O	0		10	O	0		10	O	0		10	O	0		10	O	0		10	O	0		10	O	0		10	O	0		10	O	0		10	O	0		10	O	0		10	O	0		10	O	0		10	O	0	10	O	0	10	O	0	10	O	0	10	O	0	10	O	0	10	O	0	10	O	0	10	O			15			15		15		15	0
	AUX 3		S		AUX 3		S		AUX 3		S		AUX 3		S		AUX 3		S		AUX 3		S		AUX 3		S		AUX 3		S		AUX 3		S		AUX 3		S		AUX 3		S		AUX 3		S		AUX 3		S		AUX 3		S		AUX 3		S		AUX 3		S		AUX 3	S		AUX 3	S		AUX 3	S		AUX 3	S		AUX 3	S		AUX 3	S		AUX 3	S		AUX 3	S			20			20		20		20	REC OUT
			T				T				T				T				T				T				T				T				T				T				T				T				T				T				T				T			T			T			T			T			T			T			T			T			30			30		30		30
																																																																																										00			00		00		00
0		10		0		10		0		10		0		10		0		10		0		10		0		10		0		10		0		10		0		10		0		10		0		10		0		10		0		10		0		10		0		10		0	10		0	10		0	10		0	10		0	10		0	10		0	10		0	10												0	10
	AUX 4				AUX 4				AUX 4				AUX 4				AUX 4				AUX 4				AUX 4				AUX 4				AUX 4				AUX 4				AUX 4				AUX 4				AUX 4				AUX 4				AUX 4				AUX 4				AUX 4			AUX 4			AUX 4			AUX 4			AUX 4			AUX 4			AUX 4			AUX 4												TAPE IN
																																																																																								AFL			AFL			AFL		AFL
L		R		L		R		L		R		L		R		L		R		L		R		L		R		L		R		L		R		L		R		L		R		L		R		L		R		L		R		L		R		L		R		L	R		L	R		L	R		L	R		L	R		L	R		L	R		L	R		AUX SEND 1			AUX SEND 2			AUX SEND 3		AUX SEND 4
	PAN				PAN				PAN				PAN				PAN				PAN				PAN				PAN				PAN				PAN				PAN				PAN				PAN				PAN				PAN				PAN				PAN			PAN			PAN			PAN			PAN			PAN			PAN			PAN
																																																																ON			ON			ON			ON			ON			ON			ON			ON			ON						ON
PFL				PFL				PFL				PFL				PFL				PFL				PFL				PFL				PFL				PFL				PFL				PFL				PFL				PFL				PFL				PFL				PFL			PFL			PFL			PFL			PFL			PFL			PFL			PFL									AFL				0	10
																																																																																																		PHONES
			10				10				10				10				10				10				10				10				10				10				10				10				10				10				10				10			10			10			10			10			10			10			10			10			10			10		10
			5				5				5				5				5				5				5				5				5				5				5				5				5				5				5				5			5			5			5			5			5			5			5			5			5			5		5
			0				0				0				0				0				0				0				0				0				0				0				0				0				0				0				0			0			0			0			0			0			0			0			0			0			0		0
			5				5				5				5				5				5				5				5				5				5				5				5				5				5				5				5			5			5			5			5			5			5			5			5			5			5		5
			10				10				10				10				10				10				10				10				10				10				10				10				10				10				10				10			10			10			10			10			10			10			10			10			10			10		10
			15				15				15				15				15				15				15				15				15				15				15				15				15				15				15				15			15			15			15			15			15			15			15			15			15			15		15
			20				20				20				20				20				20				20				20				20				20				20				20				20				20				20				20			20			20			20			20			20			20			20			20			20			20		20
			30				30				30				30				30				30				30				30				30				30				30				30				30				30				30				30			30			30			30			30			30			30			30			30			30			30		30
			40				40				40				40				40				40				40				40				40				40				40				40				40				40				40				40			40			40			40			40			40			40			40			40			40			40		40
			00				00				00				00				00				00				00				00				00				00				00				00				00				00				00				00			00			00			00			00			00			00			00			00			00			00		00
																																																																	1			2			3			4			5			6			7			8			L	ST		R		MONO				PHONES

Introduction

Thank you for purchasing a Yamaha MX200 Mixing Console. The MX200 series provides an excellent balance of operability, functionality and ease of use. In order to take full advantage of the MX200’s capabilities and enjoy years of trouble-free use, please read this manual carefully.

Features

●The MX200-8 provides 8 channels of input (the MX20012 has 12 channels, the MX200-16 has 16 channels, and the MX200-24 has 24 channels) that can be mixed down to a stereo signal.

●The MONO OUT output provides a convenient connection for a sub amp for monitoring, or for checking phase cancellation.

●The PFL (Pre Fader Listen) function allows you to monitor any input channel before the channel fader.

●The AFL (After Fader Listen) function allows you to monitor the output signal from ST OUT L,R, MONO OUT or AUX SEND through headphones at any time.

●XLR type connectors are provided for the INPUT A jacks and phone connectors are provided for the INPUT B jacks, allowing easy connections with a variety of input sources. The inputs can accept levels ranging from microphones to line level devices.

●Phantom power is provided for easy connection of condenser microphones requiring an external power supply.

●Each input channel has an INPUT CH INSERT I/O jack, allowing you to connect effect devices independently for each channel.

●Four AUX SEND systems and two stereo AUX RETURN systems are provided. Even when two 1-in/2-out effect devices are connected, two more AUX SEND systems are still available for use.

●The TAPE IN and REC OUT jacks provide convenient connections for tape deck playback and recording.

Contents
Precautions ............................................................................	1
Control panel .........................................................................	2
Channel control section ...................................................	2
Master control section ......................................................	4
Connectors .......................................................................	6
Rear panel ..............................................................................	7
Application Example .............................................................	8
Specifications ........................................................................	9
General specifications ......................................................	9
Input specifications ........................................................	10
Output specifications .....................................................	10
Block and level diagrams ...............................................	11
Dimensions ....................................................................	12

Precautions

1.Avoid Excessive Heat, Humidity, Dust and Vibration

Keep the unit away from locations where it is likely to be exposed to high temperatures or humidity — such as near radiators, stoves, etc. Also avoid locations which are subject to excessive dust accumulation or vibration which could cause mechanical damage.

2.Ventilation

The unit has ventilation slots on the side and bottom panels. Do not block these vents.

3.Avoid Physical Shocks

Strong physical shocks to the unit can cause damage. Handle it with care.

4.Do Not Open the Case or Attempt Repairs or Modifications Yourself

This product contains no user-serviceable parts. Refer all maintenance to qualified Yamaha service personnel. Opening the case and/or tampering with the internal circuitry voids the warranty.

Dette apparat overholder det gaeldende EF-direktiv vedtrørende radiostøj.

Cet appareil est conforme aux prescriptions de la directive communautaire 87/308/CEE.

Diese Geräte entsprechen der EG-Richtlinie 82/499/EWG und/oder 87/308/EWG.

This product complies with the radio frequency interference requirements of the Council Directive 82/499/EEC and/or 87/308/EEC.

Questo apparecchio è conforme al D.M.13 aprile 1989 (Direttiva CEE/87/308) sulla soppressione dei radiodisturbi.

Este producto está de acuerdo con los requisitos sobre interferencias de radio frequencia fijados por el Consejo Directivo 87/308/CEE.

YAMAHA CORPORATION

5.Always power off before making connections

Always turn the power OFF before connecting or disconnecting cables. This is important to prevent damage to the unit itself as well as other connected equipment.

6.Handle Cables Carefully

Always plug and unplug cables — including the AC power cord — by gripping the connector, not the cord.

7.Clean With a Soft Dry Cloth

Never use solvents such as benzine or thinner to clean the unit. Wipe clean with a soft, dry cloth.

8.Always Use the Correct Power Supply

Make sure that the power supply voltage specified on the rear panel matches your local AC mains supply. Also make sure that the AC mains supply can deliver more than enough current to handle all equipment used in your system.

IMPORTANT NOTICE FOR

THE UNITED KINGDOM

Connecting the Plug and Cord

IMPORTANT: The wires in this mains lead are coloured in accordance with the following code:

BLUE	: NEUTRAL
BROWN	: LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

Making sure that neither core is connected to the earth terminal of the three pin plug.

*This applies only to products distributed by YAMAHA KEMBLE MUSIC (U.K.) LTD.

1

Control panel

■ Channel control section

B		1
A
20dB		2
		3
–16 GAIN –60		4
PEAK
80		5
–15 HIGH +15
		6
–15 MID	+15
–15 LOW +15
0	10	P
AUX 1		R
		E
0 AUX 210		7
0 AUX 310		OP
		S
		T
0	10
AUX 4
		8
L	R
PAN
ON		9
PFL		0

10

5

0

5

10

15

20

30

40 A

00

1Input selector

This button selects the input connector for the channel.

When A ( ) is selected, the input signal will be taken from the rear panel INPUT A connector (balanced XLR type). When B ( ) is selected, the input signal will be taken from the rear panel INPUT B connector (balanced phone jack).

2PAD switch

This pad switch provides 20dB of level reduction.

If the input signal level is too high and the 3 GAIN control will not reduce it sufficiently, use this pad switch.

3GAIN control

According to the level of the input signal, use this knob to adjust the input to an appropriate level.

The best balance of S/N and dynamic range will be achieved if you adjust the GAIN control so that the 4peak indicator lights occasionally. If you wish to further reduce the input level, use the 2 PAD switch.

4PEAK indicator

This indicator detects peak levels after the EQ.

It will light red at 3dB before clipping to warn that clipping level has nearly been reached.

580Hz high-pass filter switch

This switch turns on/off a high-pass filter that cuts the signal below 80Hz at 12dB/octave.

6Equalizer

The equalizer section provides ± 15dB of control over the high, mid and low ranges at the following frequencies.

HIGH: 12kHz MID: 2.5kHz LOW: 80Hz

Frequency response will be flat when the knob is at the “▼” position.

	+20
	+15
(dB)	+10
	+5
RESPONSE
	0
	–5
	–10
	–15
	–20	50 100 200 500 1k 2k 5k 10k 20k
	20

FREQUENCY (Hz)

2

7AUX1–4 controls

These knobs control the level of the signals sent to the AUX buses.

•The AUX1 and AUX2 controls are pre-fader, and the signal levels sent to the AUX 1 and 2 buses will be unaffected by the channel fader setting.

•The AUX3 and AUX 4 controls are post-fader, and the signal levels sent to the AUX 3 and 3 buses will be affected by the channel fader setting.

8PAN (panpot) control

This knob assigns the signal of each channel to the STEREO L, R bus, determining the stereo position of the sound.

9 Channel ON switch

0Channel PFL switch

This switch allows you to monitor the pre-fader channel input signal through headphones.

It is convenient to use PFL when you wish to check the sound of the input signal, or when troubleshooting a specific channel.

AChannel fader

This fader controls the output level of the input channel signal, determining the volume balance between channels. The channel fader should be lowered for unused channels.

When this switch is on, the signal of each channel will be sent to the STEREO L, R bus and the AUX1–4 buses. When this switch is off, the output signal to each bus will be muted completely. This switch should be turned off for unused channels.

PHANTOM

		OFF	(+48V)
						PEAK
		ON
	(INPUT A)	PHANTOM		INPUT CH
				INSERT I/O
	(PHANTOM)			0dB 1-*
INPUT A
1-*		PAD	HA	3BAND
				HPF	EQ
						ON	PAN
INPUT B	A	20dB	GAIN	80			AUX 1
1-*
	B			LOW	MID	HIGH
							AUX 2

*=8,12,16,24	AUX 3
	(+V)
	PFL

STEREO	AUX	CTRL
L R 1 2 3 4		PFL AFL PFL AFL

3

■ Master control section

MIXING CONSOLE

8						+6			+6
						+4			+4
						+2			+2
	–15 HIGH +15		–15 HIGH +15			0			0
						–2			–2
						–4			–4
						–7			–7
	–15 LOW +15		–15 LOW +15			–10			–10
						–15			–15
						–20			–20
	0AUX 110		0AUX 210			–00			–00
					L	ST	R	MONO		PFL/AFL
					1	AUX	2	3	AUX	4
	0	10	0	10				METER SELECT
	LEVEL			LEVEL
	AUX RETURN 1 AUX RETURN 2
7
										PHANTOM
		10		10		10		10
										PFL
		5		5		5		5
		0		0		0		0
		5		5		5		5
		10		10		10		10		10
		15		15		15		15	0
		20		20		20		20	REC OUT
		30		30		30		30
		00		00		00		00
6									0	10
									TAPE IN
	AFL		AFL		AFL			AFL
3	AUX SEND 1		AUX SEND 2		AUX SEND 3		AUX SEND 4
1	ON				ON
					AFL				0	10
4									PHONES
		10		10		10
		5		5		5
		0		0		0
		5		5		5
		10		10		10
		15		15		15
		20		20		20
		30		30		30
		40		40		40
		00		00		00
	L	ST		R	MONO				PHONES

25

1STEREO ON switch

This switch turns the ST OUT output on/off.

When this switch is off, levels will not be displayed in the ST meters. The MONO OUT signal will be sent regardless of this switch.

2STEREO L, R master faders

These faders adjust the final level of the combined signals from all channels, and send them from the STEREO OUT connectors.

The ST meters allow you to monitor the L and R outputs.

3MONO ON switch

This switch turns the MONO OUT on/off.

4MONO AFL switch

When this switch is on, the signal being output to MONO OUT can be monitored in the headphones.

C

5 MONO fader

DThis fader adjusts the output level of the MONO OUT con-

Enector.

96 AUX SEND 1–4 AFL switches

When you wish to monitor the output signals being sent to AUX SEND 1–4, press the appropriate switch.

0The level of the AUX SEND whose switch is on will be indicated by the PFL/AFL meter.

7 AUX SEND faders

AThese faders adjust the level of the output signals sent from AUX SEND 1–4.

The 8 METER SELECT switch can be set so that these AUX SEND signals are monitored in the level meters.

8AUX RETURN 1, 2 controls <LEVEL>

The LEVEL knobs control the level at which signals from effect units etc. connected to the L/MONO, R jacks of

BAUX RETURN 1, 2 are sent to the L, R bus.

If a plug is inserted into only the L/MONO jack, the same signal will be sent to both L and R buses.

<AUX1 (AUX2)>

The AUX1 knobs control the level at which signals from effect units etc. connected to the L/MONO, R jacks of AUX RETURN 1, 2 are sent to the AUX SEND 1 (2) fader. After being adjusted at the fader, the signal is output from the rear panel AUX SEND 1 (2).

<LOW>

This knob is a low frequency equalizer that provides 80Hz shelving equalization of the signal input at AUX RETURN.

4

<HIGH>

This knob is a high frequency equalizer that provides 12kHz shelving equalization of the signal input at AUX RETURN.

		2BAND	INV
	L	EQ

	AUX RETURN	LOW	HIGH
	1 +4dB
		2BAND	INV
	R	EQ
			LEVEL
			SUM
			AUX 1

9REC OUT control

This knob adjusts the output level of the REC OUT jacks (connector 5) connected to a tape deck, etc.

0TAPE IN control

This knob adjusts the monitor volume of a tape deck etc.

connected to the TAPE IN jacks.

•The signals input to each input channel and processed through the 3-band EQ and the INPUT CH INSERT I/ O jack (Turn on a channel PFL switch.)

•The signal output to MONO OUT (Turn on the MONO OUT AFL switch.)

•The AUX signals output from each AUX SEND 1–4 jack (Turn on an AUX SEND 1–4 AFL switch.)

CMETER SELECT switch and meter section

The meters are dual-function LED meters that indicate signal levels as selected by the METER SELECT switch.

<When METER SELECT is OFF>

•STEREO L,R ...... displays the output levels of the STEREO OUT jacks.

•MONO OUT level ...... displays the output level of the MONO OUT jack.

•PFL/AFL level ...... displays the input level of the channel whose PFL switch is on, or the output level of the ST, MONO OUT, or AUX SEND jack whose AFL switch (master control section 4, 6) is on.

<When METER SELECT is ON>

APHONES control

This knob adjusts the volume of a set of headphones connected to the headphone jack (PHONES).

BPHONES jack

Connect the headpones here.

You can monitor the following signals:

— Signals available for monitoring —

•The main signal output to the ST OUT jacks (Turn off all PFL and AFL switches.)

•AUX SEND 1–4 ...... displays the level of the AUX signals output to the AUX SEND 1–4 jacks.

DPHANTOM indicator

This indicator will be lit when the PHANTOM switch (rear panel 2) is on.

EPFL indicator

This indicator will be lit when any of the channel PFL switches (channel control section 0) is on.

At this time, the PFL/AFL meter in the meter section will indicate the level of the channel whose PFL switch is on.

STEREO	AUX	CTRL
L R 1 2 3 4		PFL AFL PFL AFL

(METER)

SUM

INV

L

STEREO OUT +4dB

SUM

INV

R

			ON
			(PHONES)
			L
			REC OUT
			-10dBv
			R
			REC OUT
			(METER)
	SUM	INV	MONO OUT
			+4dB
			ON

(+V)
AFL			(METER)
SUM		INV	AUX SEND
			1-4 +4dB
(+V)		(ST OUT)
AFL
		(METER)
SUM	INV		PHONES
PFL		PHONES

5

■ Connectors

1

	1	2	3	4	INPUT A	5	6
2	1	2	3	4		5	6
					INPUT B
3	1	2	3	4		5	6

OUT IN

INPUT CH INSERT I/O 0dB

1INPUT A

These are XLR type connectors. (1: sleeve, 2: hot, 3: cold)

Microphones of 50–600Ω or 600Ω line level devices can be connected here.

When the PHANTOM switch (rear panel 2) is turned on, DC+48V will be supplied to pins 2 and 3 of these connectors.

2INPUT B

These are balanced phone connectors.

(T: hot, R: cold, S: sleeve)

Microphones of 50–600Ω or 600Ω line level devices can be connected here.

Unbalanced phone plugs can also be connected, however, noise may occur with long cables, or cables subjected to strong electromagnetic fields caused by radio and TV broadcasts.

3INPUT CH INSERT I/O 0dB

These are input/output jacks located between the head amp

and the equalizer of the input channel section.

The nominal input level and impedance is 0dB/600Ω , and the nominal output level and impedance is 0dB/10kΩ .

These jacks allow you to insert your own graphic

equalizers, compressors, noise filters, or other devices.

INSERT OUT

INSERT IN

4TAPE IN

Your DAT or cassette deck can be directly connected here for convenient monitoring. Use the TAPE IN control (master control section 0) to adjust the level.

5REC OUT

Your DAT or cassette deck can be connected here to record the audio signal from STEREO OUT.

		4	5		6		7
		R	R
		L	L
7	8	–10dB	–10dB	L	R		+4dB
					STEREO OUT +4dB
		TAPE IN	REC OUT				MONO OUT
7	8	1R	2R		3	4
							8
7	8	1L/MONO	2L/MONO		1	2
	OUT IN	AUX RETURN +4dB			AUX SEND +4dB

9

MICROPHONE CABLES AND

MICROPHONES CONNECTION

TO PREVENT HAZARD OR DAMAGE,

ENSURE THAT ONLY MICROPHONE

CABLES AND MICROPHONES

DESIGNED TO THE IEC268-15A

STANDARD ARE CONNECTED.

In this case, the final output level is adjusted by the REC OUT control (master control section 9), and the STEREO L,R fader settings will have no affect.

6STEREO OUT (L, R)

This is the stereo output of the combined audio signals. Connect these jacks to the power amp that drives your main speakers.

Alternatively, you can record the output from these jacks if you wish to use the STEREO L,R faders to adjust the audio level being recorded.

7MONO OUT

This is the MONO OUT output jack. The MONO OUT can be used for simple recordings of a live performance, for driving a sub power amp, or to check for phase cancellation.

An internal jumper can be reconnected to change the location of the MONO OUT to post-ST fader. If this is done, the MONO OUT signal will be affected by the STEREO ON switch.

Internal jumper wires can be changed to move the MONO OUT signal so that it is taken after the ST fader. If you would like this change to be made, consult with your dealer.

SUM	INV		L
			STEREO OUT
SUM	INV		R
			ON
	SUM	INV	MONO OUT
			ON
SUM	INV		L

			STEREO OUT
SUM	INV		R
			ON
	SUM	INV	MONO OUT
			ON

6

8AUX SEND (1, 2, 3, 4)

These are unbalanced jacks with a nominal output and impedance of +4dB/600Ω . (AUX 1 and 2 are pre-fader, and

AUX 3 and 4 are post-fader.)

9AUX RETURN (1L/MONO, 1R, 2L/MONO, 2R)

These are unbalanced jacks with a nominal input level and impedance of +4dB/10 kΩ .

These jacks are usually used to receive the audio returned from an effect unit such as reverb or delay, but they can also be used as supplementary inputs.

If a plug is inserted only in L/MONO, the same signal will be sent to both the L and R buses.

Rear panel

1 POWER switch

POWER

ON

PHANTOM

OFF

ON OFF

12

This switch turns on the power of the mixer.

When turning off the power of audio equipment, it is important to start with the device closest to the speakers. (Normally, this will be the power amp.)

2PHANTOM switch

This switch turns on/off the phantom power supply for all channels.

Use this switch when you are using condenser microphones.

When this switch is turned on, DC +48V will be supplied to pins 2 and 3 of each INPUT A XLR connector.

If you do not need phantom power, be sure to leave this turned off.

*It is safe to connect balanced dynamic microphones or line level devices even if this switch is left on, but connecting unbalanced devices or devices whose transformers are center-grounded will cause hum or malfunctions.

7

Application Example

Front of house main speakers

Stage monitors

Power amp

Power amp

Effects processor

	88
Graphic EQ	88

Headphone	AUX SEND2

AUX SEND1	AUX	AUX	AUX	AUX	STEREO
	SEND3	SEND4	RTN2	RTN1	OUT
					MIXING CONSOLE

	TAPE IN		Cassette
REC OUT			Deck or
			DAT

Mic and line input

8

Specifications

■ General specifications

Maximum output level	+24dB (STEREO L/R) @600Ω , 0.5% THD at 1kHz
	+24dB (MONO OUT) @600Ω , 0.5% THD at 1kHz
	+20dB (AUX SEND) @600Ω , 0.5% THD at 1kHz
Total harmonic distortion	< 0.1% @+14dB 20Hz–20kHz
	(ST L/R, MONO, AUX SEND @600Ω )
Frequency response	20Hz–20kHz +1dB, –2dB
	(ST L/R, MONO, AUX SEND @600Ω )
Hum and noise	–127dB equivalent input noise
(Average, Rs=150Ω )	–95dB	residual output noise (STEREO L/R, MONO)
(Measured with DIN AUDIO)	–95dB	residual output noise (AUX SEND 1–4)
	–88dB (STEREO, MONO)				Master fader at nominal level, and all channel
					assign switches off.
	–63dB (67dB S/N) (STEREO, MONO)				Master fader and one channel fader at nomi-
					nal level.
	–78dB (AUX SEND 1–4)				AUX SEND master fader at nominal level, and
					all channel assign switches off.
	–63dB (67dB S/N) (AUX SEND 1–4)				AUX SEND master fader and one channel
					AUX at nominal level.
Maximum voltage gain	84dB CH IN to STEREO OUT
	84dB CH IN to MONO OUT
	80dB CH IN to AUX SEND 1, 2
	90dB CH IN to AUX SEND 3, 4
	16dB AUX RETURN 1, 2 to STEREO OUT
	16dB AUX RETURN 1, 2 to AUX SEND 1, 2
	28dB TAPE In 1, 2 to STEREO OUT
Crosstalk at 1kHz	–70dB between input channels
	–70dB between output channels
Gain control (input channel)	44dB variable (–60– –16dB)
Pad switch (input channel)	0/20dB
Input channel equalization	± 15dB maximum boost or cut
		HIGH: 12kHz shelving
		MID: 2.5kHz peaking
		LOW: 80Hz shelving
	*	Turnover/rolloff frequencies: located 3dB below maximum boost/cut
LED meters	10-segment LED ×		4
		POWER (–∞	)
		STEREO L/AUX SEND 1 (switchable)
		STEREO R/AUX SEND 2 (switchable)
		MONO/AUX SEND 3 (switchable)
		PFL or AFL/AUX SEND 4 (switchable)
Channel peak indicators	An indicator for each channel turns on when the pre-channel fader signal is 3dB below clipping.
Phantom power	+48V, DC
Power supply/Power consumption
US and Canadian model	MX200-8 120V AC 60Hz 45W,			MX200-12 120V AC 60Hz 55W
	MX200-16 120V AC 60Hz 65W,			MX200-24 120V AC 60Hz 80W
General model	MX200-8 230V AC 50Hz 45W,			MX200-12 230V AC 50Hz 55W
	MX200-16 230V AC 50Hz 65W,			MX200-24 230V AC 50Hz 80W
British model	MX200-8 240V AC 50Hz 45W,			MX200-12 240V AC 50Hz 55W
	MX200-16 240V AC 50Hz 65W,			MX200-24 240V AC 50Hz 80W

9

Dimensions (W ×

H × D)

449 ×

124.6 ×

461.7 mm

MX200-8

569 ×

124.6 ×

461.7 mm

MX200-12

689 ×

124.6 ×

461.7 mm

MX200-16

929 ×

124.6 ×

461.7 mm

MX200-24

Weight

9.5kg

MX200-8

11kg

MX200-12

13.5kg

MX200-16

17kg

MX200-24

0dB=0.775 Vrms

■ Input specifications

Input connectors

Input impedance

Nominal impedance

Input level

Connector type

PAD

Gain

Sensitivity

Nominal level

Max. before

trim

clipping

CH Input

–60

50–600Ω mic

–80dB

–60dB

–40dB

INPUT A

OFF

(77.5µ V)

(775µ V)

(7.75mV)

XLR 3-31 type

balanced

(0dB)

4kΩ

&

–36dB

–16dB

+4dB

(12.3mV)

(123mV)

(1.23V)

–16

INPUT B

ON

600Ω

line

–16dB

+4dB

+24dB

Phone jack (TRS)

(20dB)

(123mV)

(1.23V)

(12.3V)

T=hot, R=cold, S=GND

AUX RETURN

10kΩ

–12dB

+4dB

+20dB

Unbalanced

(1, 2)

(195mV)

(1.23V)

(7.75V)

phone jack

600Ω

INSERT IN

5kΩ

line

–20dB

0dB

+20dB

Phone jack (TRS)

(77.5mV)

(775mV)

(7.75V)

T=OUT,R=IN, S=GND

TAPE IN

10kΩ

–26dBV

–10dBV

—

RCA pin jack

(50.1mV)

(316mV)

0dB=0.775 Vrms

0dBV=1 Vrms

■ Output specifications

Output connector

Output impedance

Nominal impedance

Output level

Connector type

Nominal

Max. before clipping

STEREO OUT L/R,

150Ω

600Ω

Lines

+4dB(1.23V)

+24dB (12.3V)

XLR-3-32 type

MONO OUT

REC OUT L/R

2kΩ

10kΩ

Lines

–10dBV (316mV)

+16dBV (6.31V)

RCA pin jack

AUX SEND 1–4

75Ω

600Ω

Line

+4dB (1.23V)

+20dB (7.75V)

Phone jack

INSERT OUT

600Ω

10kΩ

Line

0dB (775mV)

+20dB (7.75V)

Phone jack (TRS)

T=OUT, R=IN, S=GND

PHONES (head phone) OUT

100Ω

40Ω

Phones

3mW

120mW

ST phone jack

0dB=0.775 Vrms

0dBV=1 Vrms

Specifications and appearance are subject to change without notice for product improvement.

10

PHANTOM

INPUT A 1-*

INPUT B 1-*

(dB)

+10

0

-10

-20

-30

-40

-50

(INPUT A)

(PHANTOM)

*=8,12,16,24

PAD ON

GAIN MIN

PAD OFF

GAIN MIN

PAD ON

GAIN MAX

OFF

(+48V)

ON

PHANTOM

		PAD	HA
	A	20dB	GAIN
	B

L

AUX RETURN 1 +4dB

R

L

AUX RETURN 2 +4dB

R

L

TAPE IN -10dBv

R

	PEAK	STEREO	AUX	CTRL
INPUT CH
INSERT I/O
0dB 1-*		L R 1 2 3 4 PFL AFL PFL AFL
3BAND
HPF	EQ
	ON	PAN
80	MID HIGH	AUX 1
LOW		AUX 2
		AUX 3
		AUX 4
		PFL
2BAND		INV
	EQ
LOW	HIGH	LEVEL

2BAND

INV

EQ

SUM

AUX 1

INV

Same as AUX RETURN 1

INV

SUM

AUX 2

TAPE IN

AUX RETURN
	STEREO
TAPE IN	AUX

	-60	PAD OFF
		GAIN MAX
	-70

(ST OUT L)

METER

(AUX SEND 1)

(ST OUT R)

METER

(AUX SEND 2)

(MONO OUT)

METER

(AUX SEND 3)

(PHONES)

METER

(AUX SEND 4)

METER SELECT

(METER)

SUM

INV

L

STEREO OUT +4dB

SUM

INV

R

		ON
				(PHONES)
				L
				REC OUT
				-10dBv
				R
		REC OUT
				(METER)
		SUM		MONO OUT
				+4dB
		ON
AFL				(METER)
SUM			INV	AUX SEND
				1-4 +4dB
AFL		(ST OUT)
		(METER)
SUM	INV			PHONES
PFL		PHONES

(dB)

+10

AUX SEND ST

MONO	0

-10

-20

-30

-40

-50

-60

-70

diagrams level and Block ■

11

■ Dimensions

101.2	8
80.6

54.5

461.7	295
D:

Wi	57.3
W	H: 124.6

			MODEL	Wi	W
			MX200-8	417	449
			MX200-12	537	569
	(54.5)	(54.5)	MX200-16	657	689
			MX200-24	897	929

Units: mm

12

TABLE DE MIXAGE

Manuel d’instructions

Français

Introduction

Nous vous remercions d’avoir fait l’acquisition d’une console de mixage MX200 Yamaha. La série MX200 apporte un excellent équilibre entre fonctionnalité et facilité d’emploi. Afin de tirer pleinement partie des possibilités du MX200 et de garantir des années d’utilisation sans problème, lire attentivement ce manuel.

Caractéristiques

●Le MX200-8 possède 8 canaux d’entrée (le MX-200-12 possède 12 canaux, le MX200-16 possède 16 canaux, et le MX200-24 possède 24 canaux) qui peuvent être mixés en signal stéréo.

●La sortie mono (MONO OUT) possède une connexion pratique pour un sous-ampli de contrôle, ou pour vérifier l’annulation de phase.

●La fonction PFL (écoute pré-fader) permet de contrôler tout canal d’entrée avant le fader du canal.

●La fonction AFL (écoute post-fader) permet de contrôler le signal de sortie stéréo (ST OUT) G, D (sortie stéréo gauche et droite), de sortie mono (MONO OUT) ou de sortie auxiliaire (AUX SEND) avec un casque à n’importe quel moment.

●Des connecteurs de type XLR sont fournis pour les prises d’entrée (INPUT A) et des connecteurs de casque sont fournis pour les prises d’entrée B (INPUT B), permettant des connexions faciles avec diverses sources d’entrée. Les entrées acceptent des niveaux allant des microphones aux appareils de niveau de ligne.

●L’alimentation fantôme est fournie pour une connexion facile des microphones à condensateur nécessitant une alimentation externe.

●Chaque canal d’entrée possède une prise E/S d’insertion de canal (INPUT CH INSERT I/O), permettant de connecter des processeurs d’effets indépendamment pour chaque canal.

●Quatre systèmes de sortie auxiliaire (AUX SEND) et deux systèmes stéréo de retour auxiliaire (AUX RETURN) sont fournis. Même lorsque deux processeurs d’effets 1-entrée/ 2-sortie sont connectés, deux systèmes de sortie auxiliaire (AUX SEND) supplémentaires sont toujours disponibles pour l’utilisation.

●Les prises d’entrée cassette (TAPE IN) et de sortie d’enregistrement (REC OUT) permettent des connexions pratiques pour la lecture et l’enregistrement sur platine cassette.

Table des matières
Précautions ............................................................................	1
Panneau de commande ..........................................................	2
Section de contrôle de canal ............................................	2
Section de contrôle principale ..........................................	4
Connecteurs .....................................................................	6
Panneau arrière ......................................................................	7
Exemple d’application ...........................................................	8
Caractéristiques .....................................................................	9
Caractéristiques générales ................................................	9
Caractéristiques d’entrée ................................................	10
Caractéristiques de sortie ...............................................	10
Schémas de connexions et de niveaux ...........................	11
Dimensions ....................................................................	12

Précautions

1.Evitez tout emplacement excessivement chaud, humide, poussiéreux ou soumis à des vibrations

Ne placez pas l’appareil dans un endroit où il risque d’être exposé à des températures élevées ou une forte humidité (évitez la proximité de radiateurs, poêles, etc). Evitez également les endroits poussiéreux ou soumis à des vibrations qui peuvent être à l’origine de dommages mécaniques.

2.Ventilation

L’appareil est pourvu de fentes d’aération sur les panneaux latéraux et inférieur. Ne bloquez jamais ces fentes.

3.Evitez tout choc

Un choc relativement important peut endommager l’appareil. Maniez-le donc avec soin.

4.N’ouvrez pas le boîtier et n’essayez pas d’effectuer des réparations vous-même

Cet appareil ne contient pas d’élément pouvant être réparé par l’utilisateur. Veuillez donc confier toute réparation à un technicien Yamaha qualifié. Toute tentative d’ouverture du boîtier et de manipulation des circuits internes se soldera par la perte du bénéfice de la garantie.

5.Coupez toujours l’alimentation avant de procéder à des branchements

N’oubliez jamais de mettre les appareils hors tension avant de brancher ou de débrancher des câbles afin de ne pas endommager l’appareil lui-même ainsi que le matériel qui y est branché.

6.Manipulez les câbles avec soin

Pour brancher et débrancher des câbles (y compris le câble d’alimentation), prenez-le toujours par la prise et non par le câble.

7.Nettoyez avec un chiffon doux et sec

N’utilisez jamais de solvants, tels que du benzène ou un diluant pour nettoyer l’appareil. Prenez les poussières avec un chiffon doux et sec.

8.Utilisez toujours une source d’alimentation adéquate

Assurez-vous que la tension spécifiée sur l’arrière de l’appareil correspond bien à celle de votre secteur et que les prises utilisées peuvent assurer le courant nécessaire pour faire fonctionner tout votre système.

1

Panneau de commande

■ Section de contrôle de canal					1 Sélecteur d’entrée
					Cette touche sélectionne le connecteur d’entrée du canal.
					Lorsque A (		) est sélectionné, le signal d’entrée est pris à partir du
	A			1	connecteur d’entrée A (INPUT A) (type XLR symétrique) du panneau
	B				arrière. Lorsque B (			) est sélectionné, le signal d’entrée est pris à partir
				2
20dB					du connecteur d’entrée B (INPUT B) (prise casque symétrique).
				3	2 Commutateur PAD
					Ce commutateur fournit une réduction de niveau de 20dB.
–16 GAIN –60
				4	Si le niveau du signal d’entrée est trop élevé et si la commande de GAIN
	PEAK				3 ne le réduit pas suffisamment, utiliser ce commutateur.
				5
	80				3 Commande de GAIN
					En fonction du niveau du signal d’entrée, utiliser cette commande pour
–15 HIGH +15					ajuster l’entrée à un niveau approprié.
					Le meilleur équilibre du rapport S/B et de la gamme dynamique est at-
				6	teint si la commande de GAIN est ajusté de façon à ce que l’indicateur de
–15 MID		+15			crête 4s’allume occasionnellement. Si on veut réduire d’avantage le ni-
					veau d’entrée, utiliser le commutateur PAD 2.
–15 LOW +15					4 Indicateur de crête (PEAK)
					Cet indicateur détecte les niveaux de crête après l’égaliseur.
					Il s’allume en rouge à 3dB avant l’écrêtage pour avertir que le niveau
0		10	P		d’écrêtage est presque atteint.
	AUX 1		R		5 Commutateur de filtre passe-haut 80Hz
			E
					Ce commutateur active/désactive le filtre qui coupe le signal au-dessous
0 AUX 210				7	de 80Hz à 12dB/octave.
					6 Egaliseur
0		10	P		La section égaliseur fournit ± 15dB pour les gammes haute, médium et
	AUX 3		O		basse aux fréquences suivantes:
			S
			T
						HIGH (haut): 12kHz
0		10				MID (médium): 2,5kHz
	AUX 4					LOW (bas): 80Hz
				8	La réponse en fréquence est plate lorsque la commande est à la position
L	PAN	R			“▼”.
ON				9		+20
PFL				0		+15
					(dB)	+10
						+5
					RESPONSE
			10			0
			5			–5
			0			–10
			5
			10			–15
			15			–20
			20				50	100 200 500 1k 2k 5k 10k 20k
			30			20
			40	A				FREQUENCY (Hz)
			00

2