Multi-Effects Processor
EffectTypes and Parameters
© 2019 ZOOM CORPORATION
Manufacturer names and product names are trademarks or registered trademarks of their respective owners.The names are used only to illustrate sonic characteristics and do not indicate any affiliation with the Zoom Corporation.
Effect explanation overview
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Guitar Lab additional effects |
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Pedal control possible icon |
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Effect type |
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Effect explanation |
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Parameter range |
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PDL Vol |
The volume curve of the volume pedal can be set. |
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VOL |
Adjusts the volume. |
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0 – 100 |
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Min |
Adjusts the volume when the pedal is at minimum position. |
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0 – 100 |
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Max |
Adjusts the volume when the pedal is at maximum position. |
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0 – 100 |
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Curve |
Sets the volume curve. |
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A, B |
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Effect Screen |
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Parameter |
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Parameter explanation |
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Tempo synchronization possible icon |
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Contents
DYNAMICS • |
3 |
FILTER• |
4 |
DRIVE • |
6 |
AMP• |
8 |
CABINET • |
10 |
MODULATION• |
11 |
SFX• |
13 |
DELAY• |
14 |
REVERB• |
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PEDAL• |
15 |
Additional tables • |
17 |
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2
EffectTypes and Parameters |
B1 FOUR / B1X FOUR |
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[ DYNAMICS ] |
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SlowATTCK |
This effect slows the attack of each note, resulting in a violin-like performance. |
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Time |
Adjusts the attack time. |
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1 |
– 50 |
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Curve |
Set the curve of volume change during attack. |
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– 10 |
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Tone |
Adjusts the tone. |
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0 |
– 100 |
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VOL |
Adjusts the volume. |
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0 |
– 100 |
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ZNR |
ZOOM's unique noise reduction cuts noise during pauses in playing without affecting |
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the tone. |
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DETCT |
Sets control signal detection level. |
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GTRIN, |
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EFXIN |
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Depth |
Sets the depth of noise reduction. |
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– 100 |
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THRSH |
Adjusts the effect sensitivity. |
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0 |
– 100 |
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Decay |
Adjust the envelope release. |
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0 |
– 100 |
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OptComp |
This is an optical compressor. |
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Drive |
Adjusts the depth of the compression. |
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0 |
– 10 |
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Lo |
Adjusts volume of low frequencies. |
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0 |
– 100 |
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Hi |
Adjusts volume of high frequencies. |
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0 |
– 100 |
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VOL |
Adjusts the volume. |
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0 |
– 100 |
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BlackOpt |
This is a simulation of the Demeter COMP-1 Compulator. |
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Added parameters allow you to adjust the tone. |
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Comp |
Adjusts the depth of the compression. |
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0 |
– 100 |
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Lo |
Adjusts volume of low frequencies. |
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0 |
– 100 |
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Hi |
Adjusts volume of high frequencies. |
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0 |
– 100 |
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VOL |
Adjusts the volume. |
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0 |
– 100 |
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LMT-76 This is a simulation of the UREI 1176LN.
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Input |
Adjusts the input level. |
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– 80 |
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Ratio |
Adjusts the compression ratio. |
4:1, 8:1, 12:1, |
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20:1 |
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REL |
This is a limiter that suppresses signal peaks above a certain reference level. |
10 – 70 |
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Output |
Adjusts the output level. |
0 |
– 80 |
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160 Comp |
This compressor is in the style of the dbx 160A. |
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THRSH |
Adjusts the threshold that determines when the effect is activated. |
-60 – 0 |
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Ratio |
Adjusts the compression ratio. |
1.0 – 10.0 |
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Knee |
Sets the type of knee. |
SOFT, HARD |
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VOL |
Adjusts the volume. |
0 |
– 100 |
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DualComp |
This is a compressor which allows separate settings for the low frequency and high |
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frequency range. |
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FREQ |
Adjusts the crossover point between the high frequency and low frequency range. |
300 – 1.5k |
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LoCMP |
Adjusts the compression depth in the low frequency range. |
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– 50 |
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HiCMP |
Adjusts the compression depth in the high frequency range. |
0 |
– 50 |
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VOL |
Adjusts the volume. |
0 |
– 100 |
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MB Comp |
This is a simulation of the MultiComp (MODE:MB). |
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Comp |
Adjusts the depth of the compression. |
0 |
– 100 |
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LoTHR |
Adjusts the threshold that triggers the low-frequency effect. |
0 |
– 100 |
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HiTHR |
Adjusts the threshold that triggers the high-frequency effect. |
0 |
– 100 |
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VOL |
Adjusts the volume. |
0 |
– 100 |
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3
EffectTypes and Parameters |
B1 FOUR / B1X FOUR |
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[ DYNAMICS ] |
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DYN Comp |
This is a simulation of the MXR Dyna Comp. |
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Added parameters allow you to adjust the tone and the compressor attack speed. |
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Sense |
Adjusts the sensitivity of the effect. |
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0 |
– 10 |
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ATTCK |
Sets compressor attack speed to FAST or SLOW. |
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SLOW, FAST |
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Tone |
Adjusts the tone. |
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0 |
– 100 |
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VOL |
Adjusts the volume. |
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0 |
– 100 |
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Glam Comp |
This compressor becomes a glamorous tone as increasing the Shape parameter. |
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Also, you can mix the original sound. |
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Comp |
Adjusts the depth of the compression. |
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0 |
– 100 |
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Shape |
Emphasizes high and low frequencies. |
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0 |
– 10 |
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VOL |
Adjusts the volume. |
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0 |
– 100 |
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DryMx |
Adjusts the volume of the unaffected sound. |
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0 |
– 100 |
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[ FILTER ] |
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SeqFLTR |
The sequence filter has the flavor of a Z.Vex Seek-Wah. |
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Step |
Adjusts number of sequence steps. |
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2 |
– 8 |
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PTTRN |
Sets effect pattern. |
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1 |
– 8 |
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Speed |
Sets the speed of the modulation. |
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1 |
– 50 |
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RESO |
Sets effect resonance. |
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0 |
– 10 |
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Exciter |
This exciter enables flexible control. |
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Bass |
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Adjusts the amount of low-frequency phase correction. |
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Treble |
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Adjusts the amount of high-frequency phase correction. |
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VOL |
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Adjusts the volume. |
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ON/OFF |
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Sets the foot switch function. |
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0 – 100
0 – 100
0 – 100
LATCH,
UnLATCH
BassA-Wah |
You can adjust the mix of this bass guitar auto-wah with the original signal. |
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Sense |
Adjusts the sensitivity of the effect. |
-10 – -1, 1 – 10 |
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RESO |
Sets effect resonance. |
0 |
– 10 |
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Dry |
Adjusts the volume of the unaffected sound. |
0 |
– 100 |
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VOL |
Adjusts the volume. |
0 |
– 100 |
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ZTron |
This is like a Q-Tron Envelope Filter in LP mode. |
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Sense |
Adjusts the sensitivity of the effect. |
-10 – -1, 1 – 10 |
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RESO |
Sets effect resonance. |
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– 10 |
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Dry |
Adjusts the volume of the unaffected sound. |
0 |
– 100 |
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VOL |
Adjusts the volume. |
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– 100 |
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A-Filter |
This is a resonance filter with a sharp envelope. |
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Mode |
Sets direction of movement of the filter. |
UP, DOWN |
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Sense |
Adjusts the sensitivity of the effect. |
1 |
– 10 |
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Peak |
Adjusts the Q value of the filter. |
0 |
– 10 |
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Dry |
Adjusts the volume of the unaffected sound. |
0 |
– 100 |
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Bass Cry |
This talking modulator is suitable for the bass frequency range. |
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Range |
Adjusts the frequency range processed by the effect. |
1 |
– 10 |
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RESO |
Sets effect resonance. |
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– 10 |
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Sense |
Adjusts the sensitivity of the effect. |
-10 – -1, 1 – 10 |
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BAL |
Adjusts the balance between original and effect sounds. |
0 |
– 100 |
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4
EffectTypes and Parameters |
B1 FOUR / B1X FOUR |
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[ FILTER ] |
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BassGEQ |
This 7-band graphic equalizer is suitable for the bass frequency range. |
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50 |
Boosts or cuts the low (50 Hz) frequency band. |
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-12.0 – 12.0 |
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120 |
Boosts or cuts the low (120 Hz) frequency band. |
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-12.0 – 12.0 |
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400 |
Boosts or cuts the low (400 Hz) frequency band. |
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-12.0 – 12.0 |
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500 |
Boosts or cuts the low (500 Hz) frequency band. |
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-12.0 – 12.0 |
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800 |
Boosts or cuts the low (800 Hz) frequency band. |
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-12.0 – 12.0 |
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4.5k |
Boosts or cuts the low (4.5 kHz) frequency band. |
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-12.0 – 12.0 |
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10k |
Boosts or cuts the low (10 kHz) frequency band. |
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-12.0 – 12.0 |
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VOL |
Adjusts the volume. |
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0 – 100 |
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St Ba GEQ |
This stereo graphic equalizer has 7 bands that suit bass guitar frequencies. |
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50 |
Boosts or cuts the low (50 Hz) frequency band. |
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-12.0 – 12.0 |
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120 |
Boosts or cuts the low (120 Hz) frequency band. |
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-12.0 – 12.0 |
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400 |
Boosts or cuts the low (400 Hz) frequency band. |
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-12.0 – 12.0 |
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500 |
Boosts or cuts the low (500 Hz) frequency band. |
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-12.0 – 12.0 |
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800 |
Boosts or cuts the low (800 Hz) frequency band. |
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-12.0 – 12.0 |
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4.5k |
Boosts or cuts the low (4.5 kHz) frequency band. |
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-12.0 – 12.0 |
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10k |
Boosts or cuts the low (10 kHz) frequency band. |
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-12.0 – 12.0 |
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VOL |
Adjusts the volume. |
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0 – 100 |
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BassPEQ |
This 1-band parametric equalizer is suitable for the bass frequency range. |
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FREQ |
Sets the frequency of the equalizer. |
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20 – 20k |
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Q |
Adjusts equalizer Q. |
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0.5 – 16.0 |
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Gain |
Adjusts the gain. |
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-20.0 – 20.0 |
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VOL |
Adjusts the volume. |
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0 – 100 |
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Splitter |
This effect divides the signal into two bands (high/low) and lets you freely adjust the |
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mix ratio of the two bands. |
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FREQ |
Adjusts the crossover point between the high frequency and low frequency band. |
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80 – 2.5k |
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Lo |
Adjusts the mix ratio of the low frequency band. |
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0 – 100 |
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Hi |
Adjusts the mix ratio of the high frequency band. |
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0 – 100 |
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VOL |
Adjusts the volume. |
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0 – 100 |
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Low EQ |
Designed for low frequencies, this equalizer allows you to select the type. |
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Type |
Sets filter type. |
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SHELF, HPF |
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FREQ |
Sets the frequency of the filter. |
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20 – 640 |
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Gain |
Adjusts the gain. |
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-12.0 – 12.0 |
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This setting is disabled when the Type parameter is set to HPF. |
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VOL |
Adjusts the volume. |
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0 – 100 |
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High EQ |
Designed for high frequencies, this equalizer allows you to select the type. |
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Type |
Sets filter type. |
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SHELF, LPF |
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FREQ |
Sets the frequency of the filter. |
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500 – 20k |
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Gain |
Adjusts the gain. |
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-12.0 – 12.0 |
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This setting is disabled when the Type parameter is set to LPF. |
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VOL |
Adjusts the volume. |
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0 – 100 |
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EnvFilter |
This models the MXR envelope filter. |
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THRSH |
Adjusts the effect sensitivity. |
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0 – 100 |
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ATTCK |
Adjusts the attack speed. |
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0 – 100 |
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Mode |
Sets direction of movement of the filter. |
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UP, DOWN |
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VOL |
Adjusts the volume. |
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0 – 100 |
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5
EffectTypes and Parameters |
B1 FOUR / B1X FOUR |
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[ DRIVE ] |
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EP Stomp |
This models the Maestro Echoplex preamp. |
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Gain |
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Adjusts the gain. |
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0 – 100 |
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Bass |
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Adjusts volume of low frequencies. |
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-10 – 10 |
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Treble |
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Adjusts volume of high frequencies. |
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-10 – 10 |
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VOL |
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Adjusts the volume. |
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0 – 100 |
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RC Boost |
This booster covers sounds ranging from clean boosts to light drives. |
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Gain |
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Adjusts the gain. |
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0 – 100 |
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Bass |
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Adjusts volume of low frequencies. |
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0 – 100 |
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Treble |
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Adjusts volume of high frequencies. |
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0 – 100 |
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VOL |
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Adjusts the volume. |
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0 – 100 |
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NYC Muff |
This models an Electro-Harmonix Big Muff Pi. An added parameter allows you to |
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adjust the balance of original sound and distortion. |
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SUSTN |
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Adjusts the gain. |
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0 – 100 |
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Tone |
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Adjusts the tone. |
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0 – 100 |
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BAL |
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Adjusts the balance between original and effect sounds. |
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0 – 100 |
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VOL |
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Adjusts the volume. |
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0 – 100 |
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Squeak |
This models a ProCo RAT. |
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A parameter has been added that allows you to adjust the mix level of the original sound. |
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Gain |
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Adjusts the gain. |
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0 – 100 |
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FLTR |
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Adjusts the tone. |
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0 – 100 |
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VOL |
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Adjusts the volume. |
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0 – 100 |
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DryMx |
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Adjusts the volume of the unaffected sound. |
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0 – 100 |
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Bass DRV |
This is a simulation of the SansAmp BASS DRIVER DI. |
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Bass |
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Adjusts volume of low frequencies. |
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0 – 100 |
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Treble |
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Adjusts volume of high frequencies. |
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0 – 100 |
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PRSNC |
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Adjusts volume of super-high frequencies. |
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0 – 100 |
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Blend |
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Adjusts the balance between the original sound and the effected sound. |
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0 – 100 |
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Gain |
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Adjusts the gain. |
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0 – 100 |
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VOL |
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Adjusts the volume. |
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0 – 100 |
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MID-F |
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Adjusts the center frequency of the mid-range. |
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500, 1.0k |
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MID |
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Adjusts the volume of middle frequencies. |
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0 – 100 |
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D.I Plus |
This is a simulation of the MXR Bass D.I.+, which has both clean and distortion |
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channels. |
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Bass |
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Adjusts volume of low frequencies. |
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0 – 100 |
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MID |
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Adjusts the volume of middle frequencies. |
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0 – 100 |
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Treble |
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Adjusts volume of high frequencies. |
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0 – 100 |
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Color |
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This turns the preset EQ ON or OFF for the clean channel. |
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OFF, ON |
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CHAN |
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Switches between clean and distortion channels. |
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CLN, DIST |
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Blend |
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Adjusts the balance between the original sound and the effected sound for the distortion |
0 – 100 |
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channel. |
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Gain |
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Adjusts the gain of the distortion channel. |
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0 – 100 |
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VOL |
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Adjusts the volume. |
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0 – 100 |
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Dark Pre |
This is a simulation of the Darkglass Electronics Microtubes B7K. |
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Bass |
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Adjusts volume of low frequencies. |
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0 – 100 |
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L-MID |
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Adjusts the volume of lower middle frequencies. |
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0 – 100 |
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H-MID |
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Adjusts the volume of higher middle frequencies. |
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0 – 100 |
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Treble |
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Adjusts volume of high frequencies. |
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0 – 100 |
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Blend |
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Adjusts the balance between the original sound and the effected sound. |
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0 – 100 |
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Gain |
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Adjusts the gain. |
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0 – 100 |
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VOL |
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Adjusts the volume. |
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0 – 100 |
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Boost |
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This sets the frequency bands boosted. |
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LO, HI, LO+HI |
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6
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