OPERATION MANUAL
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56 programs |
U.0 |
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8 types analog Distortion |
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Harmonized Pitch Shifter |
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32 Individual effects |
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GROUP |
BANK |
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U :USER |
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P :PRESET |
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.:BOTH |
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COMP DIST |
EQ2 VOL |
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EQ1/WAH |
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EQ1/WAH |
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PARM 1 |
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Sens |
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Type |
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Type |
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Presence |
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Type |
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Type |
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Pedal Assign |
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1:EQ1 |
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PARM 2 |
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Attack |
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Freq/Sens |
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Gain |
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Treble |
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Pitch/Depth/Key |
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Depth/Time |
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Time |
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Pedal Mode |
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2:PEDAL WAH |
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3:AUTO WAH |
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PARM 3 |
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Tone |
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Gain/Mix |
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Tone |
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Mid |
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Fine/Rate/Time |
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Rate/TmFine |
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PreDLY/FB |
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Serl/Para |
DIST |
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PARM 4 |
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Mode |
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Q/Mode |
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Level |
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Bass |
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Shift/Peak |
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Tone/Width/FB |
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Tone/Mode |
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Amp Sim |
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1:OD 1 |
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2:OD 2 |
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PARM 5 |
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Patch Level |
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Position |
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ZNR |
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Level |
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Mix/Bal/Mode |
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Bal/Clip |
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Mix |
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Master Vol |
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3:DIST 1 |
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4:DIST 2 |
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PEDAL |
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B |
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B 2 |
B 3 |
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B 4 |
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B 1 |
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B 2 |
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B 3 |
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5:BLUES OD |
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OFF |
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TOTAL |
6:FUZZ |
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COMP |
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EQ1/WAH |
DIST |
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EQ2 |
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EFF1/SFX |
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EFF2 |
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REVERB |
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7:LEAD |
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VOL |
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♯ |
8:METAL |
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EXP |
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TUNER |
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EFF1 EFF2 |
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(MODULE ON/OFF) |
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TUNER CALIB |
+ |
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EFF1 |
REV |
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435-445Hz |
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EFF2 |
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– |
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SFX |
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STORE |
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GROUP |
EDIT |
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MODULE |
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PARAMETER |
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VALUE |
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EFF1 |
SFX |
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1:PEDAL PITCH |
1:SUPER BENDER |
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2:PITCH SHIFT |
2:PITCH DLY |
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3:FLANGER |
3:HPS |
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4:PHASE |
REVERB |
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5:CHORUS |
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6:SLOW ATTACK |
1:HALL |
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7:STEP |
2:ROOM |
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8:TREMOLO |
3:PINGPONG DLY |
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9:METALLIC |
Pedal Assign |
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0:OFF |
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EFF2 |
1:VOLUME |
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2:WAH |
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1:STEREO CHORUS |
3:DIST |
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2:AUTO PAN |
4:EFF1/SFX |
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3:MONO DLY |
6:EFF2 |
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4:PINGPONG DLY |
6:REVERB |
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®
CONTENTS
CONTENTS
INTRODUCTION• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
1 |
PANEL DESCRIPTION • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
2 |
Front Panel • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
2 |
Rear Panel• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
2 |
GETTING CONNECTED • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
3 |
Before Playing• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
3 |
ABOUT 3030 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
4 |
Overview of 3030• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
4 |
About Patches• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
5 |
About 3030 Modes• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
5 |
LET'S LISTEN TO SOME PATCHES
(Play Mode Operation) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 6
Panel Display for Play Mode • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 6 Patch Selection • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 7 Adjusting Master Volume • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 8
Temporarily Switching Effect Sound OFF
and Outputting Original Sound
(Bypass Function) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 9
Temporarily Switching Original Sound and Effect Sound OFF, for Silent Status
(Mute Function) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 10
Tuning Your Guitar (Autotuner Function)• • • • • • • • • 11 Adjusting Standard Pitch of Tuner
(Calibration) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 12
CHANGING PATCH TONE
(Edit Mode Operation) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 13
Switching between Edit and Play Modes • • • • • • • • • 13
Panel Display in Edit Mode• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 14
Switching Effect Modules ON/OFF • • • • • • • • • • • • • • • • • • • 15 Changing Parameter Settings of Effects • • • • • • • • • • 16 Setting Delay Time with Foot Switch
(Tap Input) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 17 Storing Patches• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 19
CONTROL THROUGH
EXP/VOL PEDAL • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 20
OTHER FUNCTIONS• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 22
Control Using FS01 (Manual Mode) • • • • • • • • • • • • • • • • • 22
Control Using FP01 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 24 Using Amp Simulator• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 25
Returning to 3030 Factory Settings
(All Initialize) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 26
EFFECT TYPES AND PARAMETERS• • • 27
Effect Module 1:
COMP (Compressor) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 27
Effect Module 2:
EQ1/WAH (Equalizer 1/Wah) • • • • • • • • • • • • • • • • • • • • • • • • • 27 Effect Module 3:
DIST (Distortion) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 28
Effect Module 4:
EQ2 (Equalizer 2)• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 29
Effect Module 5:
EFF1 (Effect 1) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 29
Effect Module 5:
SFX (Special Effect) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 32
Effect Module 6:
EFF2 (Effect 2) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 33
Effect Module 7:
REVERB (Reverb) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 34 TOTAL (Total Parameter) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 35
MALFUNCTION?
FIRST, CHECK THESE ITEMS. • • • • • • • 36
SPECIFICATION • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 37
USAGE AND SAFETY PRECAUTIONS
INTRODUCTION
Thank you for selecting the ZOOM PLAYER 3030 (hereafter simply called the "3030").
The 3030 is a multi-effect device with the following features:
•Furnishes 32 types of diverse single effects; also contaius an amp simulator and noise reduction function (ZNR). A maximum of seven effects can be combined freely.
•The effects can be used by switching among a maximum of 28 user and 28 preset types of patches (for a total of 56 patches).
•Houses an expression/volume pedal. Specific elements of volume and effect can be changed in realtime. Further, when the optional foot pedal FP01 is used, volume and effect elements can be manipulated simultaneously.
•Includes a built-in harmonized pitch shifter (HPS), which is an intelligent pitch shift for matching the scale being played.
•Supports changes of connections (the pattern in which effects are connected) for the order of the effect line-up and the serial-parallel connections.
•Three types of amp simulators generate a guitar amp sound pressure for audio speakers and headphone monitors.
•Incorporates auto-chromatic tuner for guitar, enabling easy tuning on stage.
•Distortion effects are generated using analog circuitry, assuring rich and naturalsounding sustain and distortion effects.
•By using the optional foot switch FS01, you can switch the single effect module ON and OFF during performance by simple foot operation.
•Tap input instantly changes the delay time to match the tempo during performance.
Please take the time to read this manual carefully so as to get the most out of your 3030 and to ensure optimum performance and reliability.
INTRODUCTION
■1
NOMENCLATURE
NOMENCLATURE
Front Panel
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Display |
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Parameter Cursor LEDs |
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SFX (Special Effect) LED |
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Module Cursor LEDs |
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TUNER LED |
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U.0 |
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PARM 1 |
Sens |
Type |
Type |
Presence |
Type |
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Pedal Assign |
EQ1/WAH |
EFF1 |
SFX |
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8 types analog Distortion |
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1:EQ1 |
1:PEDAL PITCH |
1:SUPER BENDER |
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PARM 2 |
Attack |
Freq/Sens |
Gain |
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Treble |
Pitch/Depth/Key Depth/Time |
Time |
Pedal Mode |
2:PEDAL WAH |
2:PITCH SHIFT |
2:PITCH DLY |
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Harmonized Pitch Shifter |
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3:AUTO WAH |
3:FLANGER |
3:HPS |
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32 Individual effects |
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4:PHASE |
REVERB |
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56 programs |
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PARM 3 |
Tone |
Gain/Mix |
Tone |
Mid |
Fine/Rate/Time |
Rate/TmFine |
PreDLY/FB |
Serl/Para |
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5:CHORUS |
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DIST |
6:SLOW ATTACK |
1:HALL |
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2:ROOM |
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PARM 4 |
Mode |
Q/Mode |
Level |
Bass |
Shift/Peak |
Tone/Width/FB |
Tone/Mode |
Amp Sim |
1:OD 1 |
7:STEP |
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8:TREMOLO |
3:PINGPONG DLY |
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2:OD 2 |
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PARM 5 |
Patch Level |
Position |
ZNR |
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Level |
Mix/Bal/Mode |
Bal/Clip |
Mix |
Master Vol |
3:DIST 1 |
9:METALLIC |
Pedal Assign |
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GROUP |
BANK |
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4:DIST 2 |
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0:OFF |
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U :USER |
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PEDAL |
B |
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B |
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B |
3 |
B |
4 |
B |
1 |
B |
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B |
3 |
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5:BLUES OD |
EFF2 |
1:VOLUME |
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6:FUZZ |
2:WAH |
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P |
:PRESET |
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OFF |
COMP |
EQ1/WAH |
DIST |
EQ2 |
EFF1/SFX |
EFF2 |
REVERB |
TOTAL |
1:STEREO CHORUS |
3:DIST |
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.:BOTH |
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7:LEAD |
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VOL |
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8:METAL |
2:AUTO PAN |
4:EFF1/SFX |
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EXP |
TUNER |
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♯ |
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3:MONO DLY |
6:EFF2 |
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4:PINGPONG DLY |
6:REVERB |
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EFF1 |
EFF2 |
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(MODULE ON/OFF) |
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TUNER CALIB |
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COMP DIST |
EQ2 |
VOL |
EFF1 |
REV |
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435-445Hz |
+ |
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EQ1/WAH |
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EFF2 |
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– |
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SFX |
STORE |
GROUP |
EDIT |
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MODULE |
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PARAMETER |
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VALUE |
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VALUE + / – keys |
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PARAMETER |
/ (Parameter Select) keys |
Foot switches 1 – 4 |
MODULE / (Module Select) keys |
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BANK foot switch |
EDIT (Edit /Cancel) key |
EXP/VOL (Expression / Volume) pedal |
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EDIT (Edit mode) LED |
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GROUP key |
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STORE key
Rear Panel
INPUT |
OUTPUT |
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PHONES |
DC9V/300mA |
MAMUAL (SW) |
R |
L/MONO |
ZOOM CORPORATION |
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VOLUME(PEDAL) |
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MADE IN JAPAN/FABRIQUE AU JAPON |
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PHONES (Headphone) jack |
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VOLUME /MANUAL |
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OUTPUT L/MONO/R jacks |
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(Foot Pedal/Foot Switch) jack |
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INPUT jack |
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DC INPUT (AC adapter) jack |
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■2
GETTING CONNECTED
To use with stereo headphones, connect them to the PHONES jacks. This setup is suitable for
private practice.
Guitar
INPUT
INPUT |
OUTPUT |
DC9V/300mA |
MAMUAL (SW) |
R |
L/MONO |
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VOLUME(PEDAL) |
OUTPUT R
OUTPUT L
Guitar amplifiers
When using with two guitar amplifiers
To use the 3030 with two guitar amplifiers, connect the amplifiers to 3030 OUTPUT L/R jacks. When stereo effects are used, you will obtain
a magnificent range.
DC INPUT |
VOLUME/MANUAL |
FP01
AC adapter
FS01
To use the 3030 with one guitar amplifier, connect the musical instrument to the INPUT jack of the 3030, and the amplifier to the 3030 OUTPUT L/MONO jack. With this connection setup, stereo effects such as Reverb and Ping pong are output from one channel only.
Before Playing
After completing connection, the volume has to be adjusted according to the following procedure.
1 Cut the power to the amplifier, turn the volume down to its minimum level, and connect the 3030 correctly to the musical instrument and amplifier.
2 Power up the 3030.
Connect the accessory AC adapter to the DC INPUT jack. The power to the 3030 is ON when the AC adapter is plugged into a power outlet.
3 Switch ON the power to the amplifier.
Adjust the volume of the musical instrument and the amplifier while playing the instrument.
CONNECTED GETTING
■3
3030 ABOUT
ABOUT 3030
Overview of 3030
The 3030 is a multi-effect processor featuring seven effect modules (effect blocks). Each effect module works as a single effect, equivalent to a compact effect device. In other words, the 3030 can be thought of as functioning in the same way as seven compact effect devices linked together.A compact effect device comes with knobs for adjusting the type of effect and depth. Similarly, the effect modules have parameters that determine the type of effect and depth.
Please take a look at the 3030 front panel. The effect modules are listed horizontal at the top of the panel (COMP – REVERB). The vertical list (PARM 1 – 5) gives the parameters of the effect modules.
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PARM 1 |
Sens |
Type |
Type |
Presence |
Type |
Type |
Type |
Pedal Assign |
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Parameters |
PARM 2 |
Attack |
Freq/Sens |
Gain |
Treble |
Pitch/Depth/Key |
Depth/Time |
Time |
Pedal Mode |
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PARM 3 |
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Tone |
Gain/Mix |
Tone |
Mid |
Fine/Rate/Time |
Rate/TmFine |
PreDLY/FB |
Serl/Para |
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PARM 4 |
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Mode |
Q/Mode |
Level |
Bass |
Shift/Peak |
Tone/Width/FB |
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Tone/Mode |
Amp Sim |
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PARM 5 |
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Patch Level |
Position |
ZNR |
Level |
Mix/Bal/Mode |
Bal/Clip |
Mix |
Master Vol |
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B 1 |
B 2 |
B 3 |
B 4 |
B 1 |
B 2 |
B 3 |
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COMP |
EQ1/WAH |
DIST |
EQ2 |
EFF1/SFX |
EFF2 |
REVERB |
TOTAL |
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Effect modules
The 3030 effect modules are of the following types:
• COMP |
Compressor. |
• EQ1/WAH |
Connection can be changed; equalizer and wah effects for creating the |
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tonal quality of the sound (three effect types). |
• DIST |
Analog distortion effects (eight effect types). |
• EQ2 |
Equalizer for creating the basic tonal quality of the sound. |
• EFF1/SFX |
Modulation effects for changing the pitch and tonal quality of Pitch Shift, |
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Flanger, etc (nine effect types), and special effects (three effect types). |
• EFF2 |
Spatial stereo effects such as Stereo Chorus and Delay (four effect types). |
• REVERB |
Echo effects (three effect types). |
The horizontal list, "TOTAL", on the left of the panel, is not for the effect modules, but HINT indicates the parameters for setting the connection methods for pedal functions and
effect modules.
Most of the effect modules include variations. These are called "effect type". One effect type can be selected for each effect module.
The following diagram shows the signal flow in the 3030, and the effect types that can be selected for each effect module.
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*2 serial |
EFF2 |
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ZNR |
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EFF1 |
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VOL |
L |
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COMP |
DIST |
EQ2 |
parallel |
EFF1 |
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REV |
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EFF2 |
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EQ1/WAH |
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SFX |
R |
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SFX |
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*1 |
AMP SIMULATOR |
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*1 The EQ1/WAH effect module can be placed before or after the DIST effect module.
*2 The EFF1 and EFF2 effect modules can be connected in sequence or in parallel. Also, if SFX effect type has been selected for an EFF1 effect module, EFF2 is forcibly switched off.
■4
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Patches |
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COMP |
EQ1/WAH |
DIST |
EQ2 |
EFF1/SFX |
EFF2 |
REVERB |
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1 EQ1 |
1 OD1 |
EQ2 |
1 PEDAL PITCH |
1 STEREO CHORUS |
1 HALL |
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2 PEDAL WAH |
2 OD2 |
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2 PITCH SHIFT |
2 AUTO PAN |
2 ROOM |
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3 AUTO WAH |
3 DIST1 |
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3 FLANGER |
3 MONO DLY |
3 PINGPONG DLY |
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4 DIST2 |
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4 PHASE |
4 PINGPONG DLY |
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5 BLUES OD |
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5 CHORUS |
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6 FUZZ |
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6 SLOW ATTACK |
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PATCH LEVEL |
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7 LEAD |
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7 STEP |
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8 METAL |
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8 TREMOLO |
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9 METALLIC |
EXP/VOL SETTING |
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10 SUPER BENDER |
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11 PITCH DLY |
Connecting efect modules |
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12 HPS |
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ZNR |
10 12 SFX |
EFF1 and EFF2 |
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About Patches
Internal settings for the 3030 can be stored to memory and retrieved from memory in units called "patches". Patches can compose a maximum of seven effect modules; settings for patch level, settings for the EXP/VOL pedal, and methods for connecting EFF1 and EFF2 can be added to the detailed settings of the elements (parameters) making up the corresponding effect modules. In the above diagram, the portion enclosed by the dotted line is the patch section.
The storage for patches in the 3030 accommodates two types of groups, the USER group that can be freely created, altered and stored by the user, and the read-only PRESET group that is factory-defined. Each group supports 28 types of patches, for a storage total of 56. When using the 3030, you can call up these patches instantly by pressing the foot switch on the panel.
Also, the parameters comprising the patches can be adjusted, and stored in the USER group. In the 3030, patches are invoked in sets of four, and patches can be changed by using the foot switch. These sets of four patches are called "banks". The USER group and the PRESET group each have banks numbered from 0 through 6. To select a patch, first switch to the appropriate bank number and then select the desired patch.
About 3030 Modes
The workings of the 3030 can be divided into major function categories according to their purpose. These functions are called "modes". The 3030 supports the following types of mode:
•Play mode• • • • • • • • • • For performance by selecting a patch (setting) and using an effect
In this mode, you perform by selecting a patch and using an effect. You can turn the effect sound off temporarily, and use the tuning function in this mode.
•Edit (Manual) mode• • • • • • • • • • • • • • For altering effect sound parameters and for switching
individual effect modules ON/OFF
In this mode, you can edit the parameters of the effect module incorporated in the currently selected patch. Also, this mode can be used as a Manual mode for switching effect modules ON/OFF during performance using the front panel's BANK foot switch and Foot Switches 1 – 4.
• Special mode
This is a special function for returning the 3030 to its original factory settings.
3030 ABOUT
■5
LET'S LISTEN TO SOME PATCHES (Play Mode Operation)
The Play mode is for selecting a patch and playing. When you power-up the 3030, it automatically activates in Play mode, and the USER group's Bank 0, Patch Number 1 is selected.
Panel Display for Play Mode
In Play mode, the display LEDs on the panel show the following information:
(1) (2) |
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(5) |
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(4) |
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GROUPU.0BANK |
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PARM 1 |
Sens |
Type |
Type |
Presence |
Type |
Type |
Type |
Pedal Assign |
EQ1/WAH |
EFF1 |
SFX |
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1:EQ1 |
1:PEDAL PITCH |
1:SUPER BENDER |
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PARM 2 |
Attack |
Freq/Sens |
Gain |
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Treble |
Pitch/Depth/Key |
Depth/Time |
Time |
Pedal Mode |
2:PEDAL WAH |
2:PITCH SHIFT |
2:PITCH DLY |
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3:AUTO WAH |
3:FLANGER |
3:HPS |
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PARM 3 |
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4:PHASE |
REVERB |
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Tone |
Gain/Mix |
Tone |
Mid |
Fine/Rate/Time |
Rate/TmFine |
PreDLY/FB |
Serl/Para |
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5:CHORUS |
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1:HALL |
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DIST |
6:SLOW ATTACK |
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PARM 4 |
Mode |
Q/Mode |
Level |
Bass |
Shift/Peak |
Tone/Width/FB |
Tone/Mode |
Amp Sim |
1:OD 1 |
7:STEP |
2:ROOM |
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8:TREMOLO |
3:PINGPONG DLY |
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2:OD 2 |
9:METALLIC |
Pedal Assign |
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PARM 5 |
Patch Level |
Position |
ZNR |
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Level |
Mix/Bal/Mode |
Bal/Clip |
Mix |
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Master Vol |
3:DIST 1 |
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U :USER |
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4:DIST 2 |
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0:OFF |
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PEDAL |
B |
1 |
B |
2 |
B |
3 |
B |
4 |
B |
1 |
B |
2 |
B |
3 |
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5:BLUES OD |
EFF2 |
1:VOLUME |
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P :PRESET |
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OFF |
TOTAL |
6:FUZZ |
2:WAH |
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COMP |
EQ1/WAH |
DIST |
EQ2 |
EFF1/SFX |
EFF2 |
REVERB |
7:LEAD |
1:STEREO CHORUS |
3:DIST |
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.:BOTH |
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VOL |
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8:METAL |
2:AUTO PAN |
4:EFF1/SFX |
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EXP |
TUNER |
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♯ |
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3:MONO DLY |
6:EFF2 |
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4:PINGPONG DLY |
6:REVERB |
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EFF1 |
EFF2 |
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(MODULE ON/OFF) |
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TUNER CALIB |
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COMP DIST |
EQ2 |
VOL |
EFF1 |
REV |
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435-445Hz |
+ |
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EQ1/WAH |
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EFF2 |
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– |
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SFX |
STORE |
GROUP |
EDIT |
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PARAMETER |
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VALUE |
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SOME TO LISTEN S 'LET |
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PATCHES |
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(3) |
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(1)Group
Type of group currently selected is indicated in the display's GROUP column.
(2)Bank Number
The currently selected bank number is indicated in the display's BANK column.
(3)Patch Number
The LED light for the Foot Switch (1 – 4) corresponding to the currently selected patch number.
(4)Effect Module ON/OFF
The panel module cursor LED's light for the effect module that is ON in the currently selected patch.
(5)EXP/VOL Pedal Function
The parameter cursor LEDS 4 and 5 indicate the function assigned to the EXP/VOL pedal for the currently selected patch.
■6
Patch Selection
In Play mode, you can play by choosing one of the patches from among the 56 types (28 types of patches in the PRESET group plus 28 types of patches in the USER group) in memory.
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PARM 1 |
Sens |
Type |
Type |
Presence |
Type |
Type |
Type |
Pedal Assign |
EQ1/WAH |
EFF1 |
SFX |
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1:EQ1 |
1:PEDAL PITCH |
1:SUPER BENDER |
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8 types analog Distortion |
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PARM 2 |
Attack |
Freq/Sens |
Gain |
Treble |
Pitch/Depth/Key |
Depth/Time |
Time |
Pedal Mode |
2:PEDAL WAH |
2:PITCH SHIFT |
2:PITCH DLY |
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Harmonized Pitch Shifter |
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3:AUTO WAH |
3:FLANGER |
3:HPS |
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32 Individual effects |
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4:PHASE |
REVERB |
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56 programs |
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PARM 3 |
Tone |
Gain/Mix |
Tone |
Mid |
Fine/Rate/Time |
Rate/TmFine |
PreDLY/FB |
Serl/Para |
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5:CHORUS |
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1:HALL |
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DIST |
6:SLOW ATTACK |
2:ROOM |
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PARM 4 |
Mode |
Q/Mode |
Level |
Bass |
Shift/Peak |
Tone/Width/FB |
Tone/Mode |
Amp Sim |
1:OD 1 |
7:STEP |
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U.0 |
8:TREMOLO |
3:PINGPONG DLY |
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2:OD 2 |
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PARM 5 |
Patch Level |
Position |
ZNR |
Level |
Mix/Bal/Mode |
Bal/Clip |
Mix |
Master Vol |
3:DIST 1 |
9:METALLIC |
Pedal Assign |
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GROUP |
BANK |
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4:DIST 2 |
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0:OFF |
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U :USER |
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PEDAL |
B |
1 |
B 2 |
B 3 |
B 4 |
B 1 |
B 2 |
B 3 |
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5:BLUES OD |
EFF2 |
1:VOLUME |
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6:FUZZ |
2:WAH |
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P |
:PRESET |
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OFF |
COMP |
EQ1/WAH |
DIST |
EQ2 |
EFF1/SFX |
EFF2 |
REVERB |
TOTAL |
1:STEREO CHORUS |
3:DIST |
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.:BOTH |
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VOL |
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8:METAL |
2:AUTO PAN |
4:EFF1/SFX |
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EXP |
TUNER |
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♯ |
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3:MONO DLY |
6:EFF2 |
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4:PINGPONG DLY |
6:REVERB |
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1 |
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EFF1 EFF2 |
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(MODULE ON/OFF) |
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TUNER CALIB |
+ |
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COMP DIST |
EQ2 VOL |
EFF1 |
REV |
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435-445Hz |
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EQ1/WAH |
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EFF2 |
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SFX |
STORE |
GROUP |
EDIT |
MODULE |
PARAMETER |
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VALUE |
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3 |
1 Press, the GROUP key to select the group. |
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GROUP |
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When choosing a patch, first decide which group of patches you |
USER |
PRESET |
BOTH |
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want to use. Each time you press the GROUP key, the GROUP |
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column indicates one of the following three types, in order. |
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GROUP |
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GROUP |
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• U (USER) • • • • • • • • • • • • • Only USER group patches can be used. |
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•P (PRESET) • • • • • • • • • Only PRESET group patches can be used.
•U. or P. (BOTH)• • • • Patches of both USER and PRESET
groups can be used.
2 Select a bank by stepping on the BANK foot switch.
Each time you step, you change to the next higher bank number. (The bank number flashes.)
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GROUP=PRESET |
HINT |
In this status, the patch will not yet be changed. |
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GROUP=USER |
GROUP=BOTH |
3 Step on Foot Switch (1 – 4) to select a patch.
The LEDs lights for the foot switch you stepped on, telling you that a patch has been selected. Also, the indicated bank number changes from flashing to constantly lit display.
Here, try switching the patches while you are actually playing HINT your instrument, and find out what types of patches are stored in
the 3030.
PATCHES SOME TO LISTEN S 'LET
■7
PATCHES SOME TO LISTEN S 'LET
Adjusting Master Volume
In Play mode, regardless of the selectable patches, the final volume output by the 3030 can be controlled by the
Master Volume.
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4 0 |
PARM 1 |
Sens |
Type |
Type |
Presence |
Type |
Type |
Type |
Pedal Assign |
EQ1/WAH |
EFF1 |
SFX |
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1:EQ1 |
1:PEDAL PITCH |
1:SUPER BENDER |
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8 types analog Distortion |
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PARM 2 |
Attack |
Freq/Sens |
Gain |
Treble |
Pitch/Depth/Key |
Depth/Time |
Time |
Pedal Mode |
2:PEDAL WAH |
2:PITCH SHIFT |
2:PITCH DLY |
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Harmonized Pitch Shifter |
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3:AUTO WAH |
3:FLANGER |
3:HPS |
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32 Individual effects |
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4:PHASE |
REVERB |
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56 programs |
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PARM 3 |
Tone |
Gain/Mix |
Tone |
Mid |
Fine/Rate/Time |
Rate/TmFine |
PreDLY/FB |
Serl/Para |
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5:CHORUS |
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DIST |
6:SLOW ATTACK |
1:HALL |
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PARM 4 |
Mode |
Q/Mode |
Level |
Bass |
Shift/Peak |
Tone/Width/FB |
Tone/Mode |
Amp Sim |
1:OD 1 |
7:STEP |
2:ROOM |
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8:TREMOLO |
3:PINGPONG DLY |
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2:OD 2 |
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PARM 5 |
Patch Level |
Position |
ZNR |
Level |
Mix/Bal/Mode |
Bal/Clip |
Mix |
Master Vol |
3:DIST 1 |
9:METALLIC |
Pedal Assign |
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GROUP |
BANK |
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4:DIST 2 |
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0:OFF |
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U :USER |
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PEDAL |
B |
1 |
B 2 |
B 3 |
B 4 |
B 1 |
B 2 |
B 3 |
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5:BLUES OD |
EFF2 |
1:VOLUME |
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P |
:PRESET |
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OFF |
COMP |
EQ1/WAH |
DIST |
EQ2 |
EFF1/SFX |
EFF2 |
REVERB |
TOTAL |
6:FUZZ |
1:STEREO CHORUS |
3:DIST |
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.:BOTH |
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7:LEAD |
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8:METAL |
2:AUTO PAN |
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EXP |
TUNER |
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EFF1 EFF2 |
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TUNER CALIB |
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COMP DIST |
EQ2 VOL |
EFF1 |
REV |
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The display will indicate the current value (0 – 50) of the Master |
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Volume. |
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While the value is displayed, continue pressing the |
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2 VALUE + / – keys to adjust the volume to the best |
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level. |
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HINT • The Master Volume setting works in common for all the patches. |
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Storage cannot be done for separate patches. |
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• If you want to change the volume for specific patches, adjust the patch |
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level in Edit mode. For details, see page27. |
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• To increase the value rapidly, hold the VALUE+ key down while |
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pressing the VALUE – key. To decrease the value rapidly, hold the |
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VALUE – key down while pressing the VALUE+ key. |
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• This Master Volume parameter is valid for all patches. The value is
NOTE
maintained even when the patch is switched. However, if the value is not stored before power-off, the value at the next power-on will be the same as that before adjustment.
•To store the value, select one of the USER group patches, and then store it. (For the storing procedure, see page 19.)
■8
Temporarily Switching Effect Sound OFF and Outputting Original Sound (Bypass Function)
You can switch the 3030 Effect mode OFF temporarily (this is called "bypass"), and monitor the instrument's direct sound. This is a handy function for checking how the effects are working.
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U.0 |
PARM 1 |
Sens |
Type |
Type |
Presence |
Type |
Type |
Type |
Pedal Assign |
EQ1/WAH |
EFF1 |
SFX |
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1:EQ1 |
1:PEDAL PITCH |
1:SUPER BENDER |
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8 types analog Distortion |
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PARM 2 |
Attack |
Freq/Sens |
Gain |
Treble |
Pitch/Depth/Key |
Depth/Time |
Time |
Pedal Mode |
2:PEDAL WAH |
2:PITCH SHIFT |
2:PITCH DLY |
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Harmonized Pitch Shifter |
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3:AUTO WAH |
3:FLANGER |
3:HPS |
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32 Individual effects |
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4:PHASE |
REVERB |
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56 programs |
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PARM 3 |
Tone |
Gain/Mix |
Tone |
Mid |
Fine/Rate/Time |
Rate/TmFine |
PreDLY/FB |
Serl/Para |
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5:CHORUS |
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DIST |
6:SLOW ATTACK |
2:ROOM |
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PARM 4 |
Mode |
Q/Mode |
Level |
Bass |
Shift/Peak |
Tone/Width/FB |
Tone/Mode |
Amp Sim |
1:OD 1 |
7:STEP |
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3:PINGPONG DLY |
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2:OD 2 |
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PARM 5 |
Patch Level |
Position |
ZNR |
Level |
Mix/Bal/Mode |
Bal/Clip |
Mix |
Master Vol |
3:DIST 1 |
9:METALLIC |
Pedal Assign |
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4:DIST 2 |
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0:OFF |
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PEDAL |
B |
1 |
B 2 |
B 3 |
B 4 |
B 1 |
B 2 |
B 3 |
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5:BLUES OD |
EFF2 |
1:VOLUME |
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6:FUZZ |
2:WAH |
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:PRESET |
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OFF |
COMP |
EQ1/WAH |
DIST |
EQ2 |
EFF1/SFX |
EFF2 |
REVERB |
TOTAL |
1:STEREO CHORUS |
3:DIST |
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VOL |
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8:METAL |
2:AUTO PAN |
4:EFF1/SFX |
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EXP |
TUNER |
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♯ |
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3:MONO DLY |
6:EFF2 |
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4:PINGPONG DLY |
6:REVERB |
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EFF1 EFF2 |
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(MODULE ON/OFF) |
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TUNER CALIB |
+ |
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COMP DIST |
EQ2 VOL |
EFF1 |
REV |
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435-445Hz |
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EQ1/WAH |
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EFF2 |
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– |
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SFX |
STORE |
GROUP |
EDIT |
MODULE |
PARAMETER |
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VALUE |
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1, 2
Step on the foot switch for the currently selected |
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1 patch number (the foot switch whose LED is lit) and |
Release your foot |
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straight away |
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release your foot straight away. |
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If you lightly step on the foot switch and then release your foot |
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within a second, the 3030 will enter the Bypass status. The LED |
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for the currently selected patch will flash, and the tuner LED will |
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light. Also, the display will indicate the Bypass status |
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with " |
", and then change to " |
". |
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To release this status, lightly step on and release |
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2 your foot from the foot switch again, or select another |
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patch. |
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The 3030 will return to the usual Play mode.
PATCHES SOME TO LISTEN S 'LET
■9
Temporarily Switching Original Sound and Effect Sound OFF, for Silent Status (Mute Function)
The mute function temporarily turns the output OFF.
PATCHES SOME TO LISTEN S 'LET
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U.0 |
PARM 1 |
Sens |
Type |
Type |
Presence |
Type |
Type |
Type |
Pedal Assign |
EQ1/WAH |
EFF1 |
SFX |
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1:EQ1 |
1:PEDAL PITCH |
1:SUPER BENDER |
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8 types analog Distortion |
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PARM 2 |
Attack |
Freq/Sens |
Gain |
Treble |
Pitch/Depth/Key |
Depth/Time |
Time |
Pedal Mode |
2:PEDAL WAH |
2:PITCH SHIFT |
2:PITCH DLY |
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Harmonized Pitch Shifter |
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3:AUTO WAH |
3:FLANGER |
3:HPS |
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32 Individual effects |
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4:PHASE |
REVERB |
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56 programs |
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PARM 3 |
Tone |
Gain/Mix |
Tone |
Mid |
Fine/Rate/Time |
Rate/TmFine |
PreDLY/FB |
Serl/Para |
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5:CHORUS |
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1:HALL |
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DIST |
6:SLOW ATTACK |
2:ROOM |
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PARM 4 |
Mode |
Q/Mode |
Level |
Bass |
Shift/Peak |
Tone/Width/FB |
Tone/Mode |
Amp Sim |
1:OD 1 |
7:STEP |
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8:TREMOLO |
3:PINGPONG DLY |
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2:OD 2 |
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PARM 5 |
Patch Level |
Position |
ZNR |
Level |
Mix/Bal/Mode |
Bal/Clip |
Mix |
Master Vol |
3:DIST 1 |
9:METALLIC |
Pedal Assign |
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GROUP |
BANK |
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4:DIST 2 |
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0:OFF |
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U :USER |
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PEDAL |
B |
1 |
B 2 |
B 3 |
B 4 |
B 1 |
B 2 |
B 3 |
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5:BLUES OD |
EFF2 |
1:VOLUME |
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6:FUZZ |
2:WAH |
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P |
:PRESET |
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OFF |
COMP |
EQ1/WAH |
DIST |
EQ2 |
EFF1/SFX |
EFF2 |
REVERB |
TOTAL |
1:STEREO CHORUS |
3:DIST |
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.:BOTH |
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7:LEAD |
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VOL |
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8:METAL |
2:AUTO PAN |
4:EFF1/SFX |
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EXP |
TUNER |
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|
♯ |
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3:MONO DLY |
6:EFF2 |
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4:PINGPONG DLY |
6:REVERB |
||||||
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EFF1 EFF2 |
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(MODULE ON/OFF) |
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|
TUNER CALIB |
+ |
|
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|
|
COMP DIST |
EQ2 VOL |
EFF1 |
REV |
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|
435-445Hz |
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|
||
|
|
EQ1/WAH |
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EFF2 |
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– |
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|
|
SFX |
STORE |
GROUP |
EDIT |
MODULE |
PARAMETER |
|
VALUE |
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|
|
|||
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|||||||||
1, 2
Keep your foot
more tham one second
■10
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