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MX200-12
User Manual
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User Manual
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Operation Manual
57 pgs1.54 Mb0

Yamaha MX200-12, MX200-16, MX200-24, MX200-8 User Manual

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MIXING CONSOLE TABLE DE MIXAGE MISCHPULTE CONSOLA DE MEZCLA
Operation Manual Manuel d’instructions Bedienungsanleitung Manual de Operación
123456789
123456789
123456789
OUT IN
20dB
–16
–15 +15
–15
–15
010
0
0
0
LR
PFL
20dB
–16
80
–15 +15
HIGH
–15
–15
LOW
010
AUX 1
0
AUX 2
0
AUX 3
0
AUX 4
LR
PAN
PFL
20dB
20dB
–16
–16
–60
–60
–60
GAIN
GAIN
GAIN
PEAK
PEAK
PEAK
80
80
–15 +15
–15 +15
HIGH
HIGH
+15
+15
+15
–15
–15
MID
MID
MID
+15
+15
+15
–15
–15
LOW
LOW
P
P
P
010
010
R
R
R
AUX 1
AUX 1
E
E
E
0
0
10
10
10
AUX 2
AUX 2
P
P
P
10
10
10
0
0
O
O
O
AUX 3
AUX 3
S
S
S
T
T
0
0
10
10
10
AUX 4
AUX 4
LR
LR
PAN
PAN
PFL
PFL
10
10
10
5
5
5
0
0
0
5
5
5
10
10
10
15
15
15
20
20
20
30
30
30
40
40
40
00
00
00
20dB
–16
–60
–60
GAIN
GAIN
PEAK
PEAK
80
80
–15 +15
HIGH
HIGH
+15
+15
–15
MID
MID
+15
+15
–15
LOW
LOW
P
P
010
R
R
AUX 1
AUX 1
E
E
0
10
10
AUX 2
AUX 2
P
P
10
10
0
O
O
AUX 3
AUX 3
S
S
T
T
0
10
10
AUX 4
AUX 4
LR
PAN
PAN
PFL
10
10
5
5
0
0
5
5
10
10
15
15
20
20
30
30
40
40
00
00
20dB
20dB
20dB
–16
–16
–16
–60
–60
GAIN
GAIN
GAIN
PEAK
PEAK
PEAK
80
80
80
–15 +15
–15 +15
–15 +15
HIGH
HIGH
HIGH
+15
+15
–15
–15
–15
MID
MID
MID
+15
+15
–15
–15
–15
LOW
LOW
LOW
P
P
010
010
010
R
R
AUX 1
AUX 1
AUX 1
E
E
0
0
0
10
10
AUX 2
AUX 2
AUX 2
P
P
10
10
0
0
0
O
O
AUX 3
AUX 3
AUX 3
S
S
T
T
T
0
0
0
10
10
AUX 4
AUX 4
AUX 4
LR
LR
LR
PAN
PAN
PAN
PFL
PFL
PFL
10
10
5
5
0
0
5
5
10
10
15
15
20
20
30
30
40
40
00
00
10 11 12 13 14 15 16 17 18 19 20 21 22 23 24
INPUT A
10 11 12 13 14 15 16 17 18 19 20 21 22 23 24
INPUT B
10 11 12 13 14 15 16 17 18 19 20 21 22 23 24
20dB
–16
–60
GAIN PEAK
80
–15 +15
HIGH
+15
–15
MID
+15
–15
LOW
P
010
R
AUX 1
E
0
10
AUX 2
P
10
0
O
AUX 3
S T
0
10
AUX 4
LR
PAN
PFL
10
5 0
5 10 15 20 30
40 00
INPUT CH INSERT I/O 0dB
20dB
–16
–15 +15
–15
–15
010
0
0
0
LR
PFL
20dB
20dB
–16
–16
–60
–60
–60
GAIN
GAIN
GAIN
PEAK
PEAK
PEAK
80
80
80
–15 +15
–15 +15
HIGH
HIGH
HIGH
+15
+15
+15
–15
–15
MID
MID
MID
+15
+15
+15
–15
–15
LOW
LOW
LOW
P
P
010
010
R
R
R
AUX 1
AUX 1
AUX 1
E
E
0
0
10
10
10
AUX 2
AUX 2
AUX 2
P
P
10
10
10
0
0
O
O
O
AUX 3
AUX 3
AUX 3
S
S
T
T
0
0
10
10
10
AUX 4
AUX 4
AUX 4
LR
LR
PAN
PAN
PAN
PFL
PFL
10
10
10
5
5
5
0
0
0
5
5
5
10
10
10
15
15
15
20
20
20
30
30
30
40
40
40
00
00
00
20dB
20dB
–16
–16
–60
–60
–60
GAIN
GAIN
PEAK
PEAK
80
80
–15 +15
–15 +15
HIGH
HIGH
+15
+15
+15
–15
–15
MID
MID
+15
+15
+15
–15
–15
LOW
LOW
P
P
P
010
010
R
R
R
AUX 1
AUX 1
E
E
E
0
0
10
10
10
AUX 2
AUX 2
P
P
P
10
10
10
0
0
O
O
O
AUX 3
AUX 3
S
S
S
T
T
T
0
0
10
10
10
AUX 4
AUX 4
LR
LR
PAN
PAN
PFL
PFL
10
10
10
5
5
5
0
0
0
5
5
5
10
10
10
15
15
15
20
20
20
30
30
30
40
40
40
00
00
00
20dB
20dB
20dB
–16
–16
–16
–60
–60
–60
GAIN
GAIN
GAIN
PEAK
PEAK
PEAK
80
80
80
–15 +15
–15 +15
–15 +15
HIGH
HIGH
HIGH
+15
+15
+15
–15
–15
–15
MID
MID
MID
+15
+15
+15
–15
–15
–15
LOW
LOW
LOW
P
P
P
010
010
010
R
R
AUX 1
AUX 1
AUX 1
E
E
E
0
0
0
10
10
10
AUX 2
AUX 2
AUX 2
P
P
P
10
10
10
0
0
0
O
O
AUX 3
AUX 3
AUX 3
S
S
S
T
T
T
0
0
0
10
10
10
AUX 4
AUX 4
AUX 4
LR
LR
LR
PAN
PAN
PAN
PFL
PFL
PFL
10
10
5
5
0
0
5
5
10
10
15
15
20
20
30
30
40
40
00
00
12345678
20dB
20dB
20dB
–16
–16
–16
–60
–60
GAIN
GAIN
GAIN
PEAK
PEAK
PEAK
80
80
80
–15 +15
–15 +15
–15 +15
HIGH
HIGH
HIGH
+15
+15
–15
–15
–15
MID
MID
MID
+15
+15
–15
–15
–15
LOW
LOW
LOW
P
P
P
010
010
010
R
R
R
AUX 1
AUX 1
AUX 1
E
E
E
0
0
0
10
10
AUX 2
AUX 2
AUX 2
P
P
P
10
10
0
0
0
O
O
O
AUX 3
AUX 3
AUX 3
S
S
S
T
T
T
0
0
0
10
10
AUX 4
AUX 4
AUX 4
LR
LR
LR
PAN
PAN
PAN
PFL
PFL
PFL
10
10
10
5
5
5
0
0
0
5
5
5
10
10
10
15
15
15
20
20
20
30
30
30
40
40
40
00
00
00
RR
LL
LR
–10dB
–10dB
TAPE IN REC OUT
1R
1L/MONO2R2L/MONO
OUT IN
20dB
20dB
20dB
–16
–16
–16
–60
–60
–60
GAIN
GAIN
PEAK
PEAK
80
80
–15 +15
–15 +15
–15 +15
HIGH
HIGH
+15
+15
+15
–15
–15
–15
MID
MID
+15
+15
+15
–15
–15
–15
LOW
LOW
P
P
P
010
010
010
R
R
R
AUX 1
AUX 1
E
E
E
0
0
0
10
10
10
AUX 2
AUX 2
P
P
P
10
10
10
0
0
0
O
O
O
AUX 3
AUX 3
S
S
S
T
T
T
0
0
0
10
10
10
AUX 4
AUX 4
LR
LR
LR
PAN
PAN
PFL
PFL
PFL
10
10
10
5
5
5
0
0
0
5
5
5
10
10
10
15
15
15
20
20
20
30
30
30
40
40
40
00
00
00
AUX RETURN +4dB
20dB
–16
–60
–60
GAIN
GAIN
PEAK
PEAK
80
80
–15
–15
+15
HIGH
HIGH
+15
–15 +15
–15
–15
–15
010
0
0
0
LR
ONONONONONONONON
PFL
HIGH
MID
LOW
AUX 1
AUX 2
AUX 3
AUX 4
PAN
+15
+15
P R E
10
P
10
O S T
10
10
5 0
5 10 15 20 30
40 00
–15
LOW
0
0
10
AUX 1
AUX 1
0
0
10
LEVEL
LEVEL
AUX RETURN 1AUX RETURN 2
10
5 0 5 10 15 20 30 00
ON
10
5 0
5 10 15 20 30
40 00
L ST R
LOW
HIGH
+15
MID
+15
LOW
P R
AUX 1
E
10
AUX 2
P
10
O
AUX 3
S T
10
AUX 4
PAN
10
5 0
5 10 15 20 30
40 00
+4B
STEREO OUT +4dB
MONO OUT
314
2
AUX SEND +4dB
MIXING CONSOLE
+6
+6
+4
+4
+2
+2
0
0
+15
–2
–2
–4
–4
–7
–7
+15
–10
–10
–15
–15
–20
–20
–00
–00
10
L ST R
MONO PFL/AFL
1 AUX 2
3 AUX 4
METER SELECT
10
PHANTOM
10
10
10
5 0 5 10 15 20 30 00
10
5 0
5 10 15 20 30
40 00
5 0 5 10 15 20 30 00
AFLAFLAFL AFL
ON
AFL
10
5 0
5 10 15 20 30
40 00
PFL 5 0
5 10
10
15
0
REC OUT
20 30 00
0
10
TAPE IN
AUX SEND 4AUX SEND 3AUX SEND 2AUX SEND 1
010 PHONES
PHONESMONO

Introduction

Thank you for purchasing a Yamaha MX200 Mixing Console. The MX200 series provides an excellent balance of operability, functionality and ease of use. In order to take full advantage of the MX200’s capabilities and enjoy years of trouble-free use, please read this manual carefully.

Features

● The MX200-8 provides 8 channels of input (the MX200-
12 has 12 channels, the MX200-16 has 16 channels, and the MX200-24 has 24 channels) that can be mixed down to a stereo signal.
● The MONO OUT output provides a convenient connection
for a sub amp for monitoring, or for checking phase cancel­lation.
● The PFL (Pre Fader Listen) function allows you to monitor
any input channel before the channel fader.
● The AFL (After Fader Listen) function allows you to
monitor the output signal from ST OUT L,R, MONO OUT or AUX SEND through headphones at any time.
● XLR type connectors are provided for the INPUT A jacks
and phone connectors are provided for the INPUT B jacks, allowing easy connections with a variety of input sources. The inputs can accept levels ranging from microphones to line level devices.
● Phantom power is provided for easy connection of con-
denser microphones requiring an external power supply.
● Each input channel has an INPUT CH INSERT I/O jack,
allowing you to connect effect devices independently for each channel.
● Four AUX SEND systems and two stereo AUX RETURN
systems are provided. Even when two 1-in/2-out effect de­vices are connected, two more AUX SEND systems are still available for use.
● The TAPE IN and REC OUT jacks provide convenient
connections for tape deck playback and recording.

Contents

Precautions ............................................................................1
Control panel .........................................................................2
Channel control section ...................................................2
Master control section......................................................4
Connectors .......................................................................6
Rear panel .............................................................................. 7
Application Example ............................................................. 8
Specifications ........................................................................9
General specifications......................................................9
Input specifications ........................................................ 10
Output specifications .....................................................10
Block and level diagrams...............................................11
Dimensions ....................................................................12

Precautions

1. Avoid Excessive Heat, Humidity, Dust and Vibration
Keep the unit away from locations where it is likely to be exposed to high temperatures or humidity — such as near radiators, stoves, etc. Also avoid locations which are subject to excessive dust accumulation or vibration which could cause mechanical damage.
2. Ventilation
The unit has ventilation slots on the side and bottom panels. Do not block these vents.
3. Avoid Physical Shocks
Strong physical shocks to the unit can cause damage. Handle it with care.
4. Do Not Open the Case or Attempt Repairs or Modifica­tions Yourself
This product contains no user-serviceable parts. Refer all maintenance to qualified Yamaha service personnel. Opening the case and/or tampering with the internal circuitry voids the warranty.
5. Always power off before making connections
Always turn the power OFF before connecting or discon­necting cables. This is important to prevent damage to the unit itself as well as other connected equipment.
6. Handle Cables Carefully
Always plug and unplug cables — including the AC power cord — by gripping the connector, not the cord.
7. Clean With a Soft Dry Cloth
Never use solvents such as benzine or thinner to clean the unit. Wipe clean with a soft, dry cloth.
8. Always Use the Correct Power Supply
Make sure that the power supply voltage specified on the rear panel matches your local AC mains supply. Also make sure that the AC mains supply can deliver more than enough current to handle all equipment used in your system.
Dette apparat overholder det gaeldende EF-direktiv vedtrørende radiostøj.
Cet appareil est conforme aux prescriptions de la directive communautaire 87/308/CEE.
Diese Geräte entsprechen der EG-Richtlinie 82/499/EWG und/oder 87/308/EWG.
This product complies with the radio frequency interference requirements of the Council Directive 82/499/EEC and/or 87/308/EEC.
Questo apparecchio è conforme al D.M.13 aprile 1989 (Direttiva CEE/87/308) sulla soppressione dei radiodisturbi.
Este producto está de acuerdo con los requisitos sobre interferencias de radio frequencia fijados por el Consejo Directivo 87/308/CEE.
YAMAHA CORPORATION
IMPORTANT NOTICE FOR
THE UNITED KINGDOM
Connecting the Plug and Cord
IMPORTANT: The wires in this mains lead are coloured in accordance with the following code:
BLUE : NEUTRAL BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Making sure that neither core is connected to the earth terminal of the three pin plug.
This applies only to products distributed by YAMAHA KEMBLE MUSIC (U.K.)
*
LTD.
1

Control panel

20 50100  200  500  1k  2k    5k  10k 20k
FREQUENCY (Hz)
+20 +15 +10
+5
0
–5 –10 –15 –20
RESPONSE (dB)

■ Channel control section

A B
20dB
–16
–60
GAIN
PEAK
80
–15 +15
HIGH
+15
–15
MID
+15
–15
LOW
010
AUX 1
0
10
AUX 2
10
0
AUX 3
0
10
AUX 4
LR
PAN
ON
PFL
P R E
P O S T
1 2
3
4 5
6
7
8
9 0
1 Input selector
This button selects the input connector for the channel. When A ( ) is selected, the input signal will be taken from the rear
panel INPUT A connector (balanced XLR type). When B ( ) is selected, the input signal will be taken from the rear panel INPUT B con­nector (balanced phone jack).
2 PAD switch
This pad switch provides 20dB of level reduction. If the input signal level is too high and the 3 GAIN control will not reduce it sufficiently, use this pad switch.
3 GAIN control
According to the level of the input signal, use this knob to adjust the input to an appropriate level. The best balance of S/N and dynamic range will be achieved if you adjust the GAIN control so that the 4 peak indicator lights occasionally. If you wish to further reduce the input level, use the 2 PAD switch.
4 PEAK indicator
This indicator detects peak levels after the EQ. It will light red at 3dB before clipping to warn that clipping level has nearly been reached.
5 80Hz high-pass filter switch
This switch turns on/off a high-pass filter that cuts the signal below 80Hz at 12dB/octave.
6 Equalizer
The equalizer section provides ±15dB of control over the high, mid and low ranges at the following frequencies.
HIGH: 12kHz MID: 2.5kHz LOW: 80Hz
Frequency response will be flat when the knob is at the “▼” position.
10
2
5 0
5
10 15 20
30 40
00
A
7 AUX1–4 controls
These knobs control the level of the signals sent to the AUX buses.
• The AUX1 and AUX2 controls are pre-fader, and the signal levels sent to the AUX 1 and 2 buses will be un­affected by the channel fader setting.
• The AUX3 and AUX 4 controls are post-fader, and the signal levels sent to the AUX 3 and 3 buses will be af­fected by the channel fader setting.
8 PAN (panpot) control
This knob assigns the signal of each channel to the STEREO L, R bus, determining the stereo position of the sound.
9 Channel ON switch
When this switch is on, the signal of each channel will be sent to the STEREO L, R bus and the AUX1–4 buses. When this switch is off, the output signal to each bus will be muted completely. This switch should be turned off for unused channels.
0 Channel PFL switch
This switch allows you to monitor the pre-fader channel input signal through headphones. It is convenient to use PFL when you wish to check the sound of the input signal, or when troubleshooting a specific channel.
A Channel fader
This fader controls the output level of the input channel signal, determining the volume balance between channels. The channel fader should be lowered for unused channels.
INPUT A
INPUT B
1-*
1-*
PHANTOM
(INPUT A)
(PHANTOM)
*=8,12,16,24
OFF
ON
PHANTOM
A
20dB GAIN
B
(+48V)
HAPAD
INPUT CH
INSERT I/O
0dB 1-*
HPF
PEAK
CTRL
STEREO
AUX
1RL
3BAND
EQ
80
MID
LOW
HIGH
ON
(+V)
PAN
AUX 1
AUX 2
AUX 3
PFL
AFL
PFL
AFL
PFL
432
3

■ Master control section

MIXING CONSOLE
8
–15
–15
AUX RETURN 1 AUX RETURN 2
7
6
3 1 4
0
AUX 1
0
LEVEL
ON
HIGH
LOW
–15
+15
+15
10
10
10
5 0
5 10
15 20
30 00
+15
HIGH
+15
–15
LOW
0
10
AUX 2
0
10
LEVEL
10
5 0
5 10
15 20
30 00
+6 +4 +2
0
–2 –4
–7 –10 –15 –20 –00
L ST R 1 AUX 2
10
5 0
5 10
15 20
30 00
AFLAFLAFL AFL
ON
AFL
AUX SEND 4AUX SEND 3AUX SEND 2AUX SEND 1
+6 +4 +2
0
–2 –4
–7 –10 –15 –20 –00
MONO PFL/AFL
3 AUX 4
METER SELECT
10
5 0
5 10
15
0
REC OUT
20 30 00
0
010
PHANTOM
PFL
TAPE IN
PHONES
1 STEREO ON switch
This switch turns the ST OUT output on/off. When this switch is off, levels will not be displayed in the ST meters. The MONO OUT signal will be sent regardless of this switch.
2 STEREO L, R master faders
These faders adjust the final level of the combined signals from all channels, and send them from the STEREO OUT connectors. The ST meters allow you to monitor the L and R outputs.
3 MONO ON switch
This switch turns the MONO OUT on/off.
4 MONO AFL switch
When this switch is on, the signal being output to MONO OUT can be monitored in the headphones.
C
D E
9
10
0
10
A
5 MONO fader
This fader adjusts the output level of the MONO OUT con­nector.
6 AUX SEND 1–4 AFL switches
When you wish to monitor the output signals being sent to AUX SEND 1–4, press the appropriate switch. The level of the AUX SEND whose switch is on will be in­dicated by the PFL/AFL meter.
7 AUX SEND faders
These faders adjust the level of the output signals sent from AUX SEND 1–4. The 8 METER SELECT switch can be set so that these AUX SEND signals are monitored in the level meters.
10
5 0
5
10 15 20
30 40
00
L ST R
10
5 0
5
10 15 20
30 40
00
10
5 0
5
10 15 20
30 40
00
PHONESMONO
B
8 AUX RETURN 1, 2 controls
<LEVEL>
The LEVEL knobs control the level at which signals from effect units etc. connected to the L/MONO, R jacks of AUX RETURN 1, 2 are sent to the L, R bus. If a plug is inserted into only the L/MONO jack, the same signal will be sent to both L and R buses.
<AUX1 (AUX2)>
The AUX1 knobs control the level at which signals from
52
effect units etc. connected to the L/MONO, R jacks of AUX RETURN 1, 2 are sent to the AUX SEND 1 (2) fader. After being adjusted at the fader, the signal is output from the rear panel AUX SEND 1 (2).
<LOW>
This knob is a low frequency equalizer that provides 80Hz shelving equalization of the signal input at AUX RETURN.
4
<HIGH>
This knob is a high frequency equalizer that provides 12kHz shelving equalization of the signal input at AUX RETURN.
L
AUX RETURN
1 +4dB
R
2BAND
EQ
LOW
2BAND
EQ
HIGH
SUM
LEVEL
AUX 1
INV
INV
9 REC OUT control
This knob adjusts the output level of the REC OUT jacks (connector 5) connected to a tape deck, etc.
0 TAPE IN control
This knob adjusts the monitor volume of a tape deck etc. connected to the TAPE IN jacks.
A PHONES control
This knob adjusts the volume of a set of headphones con­nected to the headphone jack (PHONES).
B PHONES jack
Connect the headpones here. You can monitor the following signals:
— Signals available for monitoring —
• The main signal output to the ST OUT jacks (Turn off all PFL and AFL switches.)
• The signals input to each input channel and processed through the 3-band EQ and the INPUT CH INSERT I/ O jack (Turn on a channel PFL switch.)
• The signal output to MONO OUT (Turn on the MONO OUT AFL switch.)
• The AUX signals output from each AUX SEND 1–4 jack (Turn on an AUX SEND 1–4 AFL switch.)
C METER SELECT switch and meter section
The meters are dual-function LED meters that indicate signal levels as selected by the METER SELECT switch.
<When METER SELECT is OFF>
• STEREO L,R ...... displays the output levels of the STEREO OUT jacks.
• MONO OUT level ...... displays the output level of the MONO OUT jack.
• PFL/AFL level ...... displays the input level of the channel whose PFL switch is on, or the output level of the ST, MONO OUT, or AUX SEND jack whose AFL switch (master control section 4, 6) is on.
<When METER SELECT is ON>
• AUX SEND 1–4 ...... displays the level of the AUX sig­nals output to the AUX SEND 1–4 jacks.
D PHANTOM indicator
This indicator will be lit when the PHANTOM switch (rear panel 2) is on.
E PFL indicator
This indicator will be lit when any of the channel PFL switches (channel control section 0) is on. At this time, the PFL/AFL meter in the meter section will indicate the level of the channel whose PFL switch is on.
STEREO
1RL
AUX
CTRL
AFL
PFL
AFL
PFL
432
INV
SUM
INV
SUM
SUM
(+V)
AFL
SUM INV
(+V)
AFL
SUM
PFL
(METER)
INV
INV
(ST OUT)
ON
REC OUT
ON
PHONES
(METER)
(PHONES)
(METER)
(METER)
L
STEREO OUT
+4dB
R
L
REC OUT
-10dBv
R
MONO OUT
+4dB
AUX SEND
1-4 +4dB
PHONES
5

■ Connectors

1
12345678
2
3
12345678
12345678
OUT IN
INPUT A
INPUT B
INPUT CH INSERT I/O 0dB
OUT IN
45 6 7
RR
LL
–10dB TAPE IN REC OUT
1R
1L/MONO2R2L/MONO
AUX RETURN +4dB
LR
–10dB
STEREO OUT +4dB
3
1
AUX SEND +4dB
4
2
9
MICROPHONE CABLES AND MICROPHONES CONNECTION
TO PREVENT HAZARD OR DAMAGE, ENSURE THAT ONLY MICROPHONE CABLES AND MICROPHONES DESIGNED TO THE IEC268-15A STANDARD ARE CONNECTED.
+4dB
MONO OUT
8
1 INPUT A
These are XLR type connectors. (1: sleeve, 2: hot, 3: cold) Microphones of 50–600Ω or 600Ω line level devices can be connected here. When the PHANTOM switch (rear panel 2) is turned on, DC+48V will be supplied to pins 2 and 3 of these connectors.
2 INPUT B
These are balanced phone connectors. (T: hot, R: cold, S: sleeve) Microphones of 50–600Ω or 600Ω line level devices can be connected here. Unbalanced phone plugs can also be connected, however, noise may occur with long cables, or cables subjected to strong electromagnetic fields caused by radio and TV broadcasts.
3 INPUT CH INSERT I/O 0dB
These are input/output jacks located between the head amp and the equalizer of the input channel section. The nominal input level and impedance is 0dB/600Ω, and the nominal output level and impedance is 0dB/10kΩ. These jacks allow you to insert your own graphic equalizers, compressors, noise filters, or other devices.
INSERT OUT
INSERT IN
4 TAPE IN
Your DAT or cassette deck can be directly connected here for convenient monitoring. Use the TAPE IN control (master control section 0) to adjust the level.
5 REC OUT
Your DAT or cassette deck can be connected here to record the audio signal from STEREO OUT.
6
In this case, the final output level is adjusted by the REC OUT control (master control section 9), and the STEREO L,R fader settings will have no affect.
6 STEREO OUT (L, R)
This is the stereo output of the combined audio signals. Connect these jacks to the power amp that drives your main speakers. Alternatively, you can record the output from these jacks if you wish to use the STEREO L,R faders to adjust the audio level being recorded.
7 MONO OUT
This is the MONO OUT output jack. The MONO OUT can be used for simple recordings of a live performance, for driving a sub power amp, or to check for phase cancellation. An internal jumper can be reconnected to change the location of the MONO OUT to post-ST fader. If this is done, the MONO OUT signal will be affected by the STE­REO ON switch. Internal jumper wires can be changed to move the MONO OUT signal so that it is taken after the ST fader. If you would like this change to be made, consult with your dealer.
INV
SUM
INV
SUM
SUM
INV
SUM
INV
SUM
SUM
ON
INV
ON
ON
INV
ON
L
STEREO OUT R
MONO OUT
L
STEREO OUT
R
MONO OUT
8 AUX SEND (1, 2, 3, 4)
These are unbalanced jacks with a nominal output and im­pedance of +4dB/600Ω. (AUX 1 and 2 are pre-fader, and AUX 3 and 4 are post-fader.)
9 AUX RETURN (1L/MONO, 1R, 2L/MONO, 2R)
These are unbalanced jacks with a nominal input level and impedance of +4dB/10 kΩ. These jacks are usually used to receive the audio returned from an effect unit such as reverb or delay, but they can also be used as supplementary inputs. If a plug is inserted only in L/MONO, the same signal will be sent to both the L and R buses.

Rear panel

1 POWER switch
This switch turns on the power of the mixer. When turning off the power of audio equipment, it is im­portant to start with the device closest to the speakers. (Normally, this will be the power amp.)
POWER
ON
OFF
PHANTOM
12
2 PHANTOM switch
This switch turns on/off the phantom power supply for all channels.
OFFON
Use this switch when you are using condenser microphones. When this switch is turned on, DC +48V will be supplied to pins 2 and 3 of each INPUT A XLR connector. If you do not need phantom power, be sure to leave this turned off.
* It is safe to connect balanced dynamic microphones or
line level devices even if this switch is left on, but con­necting unbalanced devices or devices whose trans­formers are center-grounded will cause hum or malfunctions.
7

Application Example

Stagemonitors
Poweramp
Frontofhouse
mainspeakers
Poweramp
Effects processor
88
GraphicEQ
Headphone
AUX SEND1
AUX SEND2
AUX
SEND3
88
AUX SEND4
AUX RTN2
AUX RTN1
STEREO
OUT
MIXING CONSOLE
TAPE IN
REC OUT
Cassette
Deck or
DAT
Micandlineinput
8

Specifications

■ General specifications

Maximum output level +24dB (STEREO L/R) @600Ω, 0.5% THD at 1kHz
+24dB (MONO OUT) @600Ω, 0.5% THD at 1kHz +20dB (AUX SEND) @600Ω, 0.5% THD at 1kHz
Total harmonic distortion < 0.1% @+14dB 20Hz–20kHz
(ST L/R, MONO, AUX SEND @600Ω)
Frequency response 20Hz–20kHz +1dB, –2dB
(ST L/R, MONO, AUX SEND @600Ω)
Hum and noise –127dB equivalent input noise
(Average, Rs=150Ω) –95dB residual output noise (STEREO L/R, MONO) (Measured with DIN AUDIO) –95dB residual output noise (AUX SEND 1–4)
–88dB (STEREO, MONO) Master fader at nominal level, and all channel
assign switches off.
–63dB (67dB S/N) (STEREO, MONO) Master fader and one channel fader at nomi-
nal level.
–78dB (AUX SEND 1–4) AUX SEND master fader at nominal level, and
all channel assign switches off.
–63dB (67dB S/N) (AUX SEND 1–4) AUX SEND master fader and one channel
AUX at nominal level.
Maximum voltage gain 84dB CH IN to STEREO OUT
84dB CH IN to MONO OUT 80dB CH IN to AUX SEND 1, 2 90dB CH IN to AUX SEND 3, 4 16dB AUX RETURN 1, 2 to STEREO OUT 16dB AUX RETURN 1, 2 to AUX SEND 1, 2 28dB TAPE In 1, 2 to STEREO OUT
Crosstalk at 1kHz –70dB between input channels
–70dB between output channels
Gain control (input channel) 44dB variable (–60– –16dB) Pad switch (input channel) 0/20dB
Input channel equalization ±15dB maximum boost or cut
HIGH: 12kHz shelving MID: 2.5kHz peaking LOW: 80Hz shelving
* Turnover/rolloff frequencies: located 3dB below maximum boost/cut
LED meters 10-segment LED × 4
POWER (–∞) STEREO L/AUX SEND 1 (switchable) STEREO R/AUX SEND 2 (switchable) MONO/AUX SEND 3 (switchable) PFL or AFL/AUX SEND 4 (switchable)
Channel peak indicators
An indicator for each channel turns on when the pre-channel fader signal is 3dB below clipping.
Phantom power +48V, DC
Power supply/Power consumption
US and Canadian model MX200-8 120V AC 60Hz 45W, MX200-12 120V AC 60Hz 55W
MX200-16 120V AC 60Hz 65W, MX200-24 120V AC 60Hz 80W
General model MX200-8 230V AC 50Hz 45W, MX200-12 230V AC 50Hz 55W
MX200-16 230V AC 50Hz 65W, MX200-24 230V AC 50Hz 80W
British model MX200-8 240V AC 50Hz 45W, MX200-12 240V AC 50Hz 55W
MX200-16 240V AC 50Hz 65W, MX200-24 240V AC 50Hz 80W
9
Dimensions (W × H × D) 449 × 124.6 × 461.7 mm MX200-8
569 × 124.6 × 461.7 mm MX200-12 689 × 124.6 × 461.7 mm MX200-16 929 × 124.6 × 461.7 mm MX200-24
Weight 9.5kg MX200-8
11kg MX200-12
13.5kg MX200-16 17kg MX200-24

■ Input specifications

0dB=0.775 Vrms
Input connectors
PAD
CH Input
OFF
(0dB)
ON
(20dB)
AUX RETURN (1, 2) (195mV) (1.23V) (7.75V) phone jack
INSERT IN 5kΩ
TAPE IN 10kΩ
Input impedance Nominal impedance
Gain
trim clipping
–60 50–600Ω mic
4kΩ &
–16
600Ω line
10kΩ
600Ω line –20dB 0dB +20dB Phone jack (TRS)
Sensitivity Nominal level
–80dB –60dB –40dB INPUT A
(77.5µV) (775µV) (7.75mV) XLR 3-31 type
–36dB –16dB +4dB
(12.3mV) (123mV) (1.23V)
–16dB +4dB +24dB Phone jack (TRS)
(123mV) (1.23V) (12.3V)
–12dB +4dB +20dB Unbalanced
(77.5mV) (775mV) (7.75V) T=OUT,R=IN, S=GND
–26dBV –10dBV
(50.1mV) (316mV)
Input level
Max. before
— RCA pin jack
Connector type
balanced
INPUT B T=hot, R=cold, S=GND
0dB=0.775 Vrms 0dBV=1 Vrms

■ Output specifications

Output connector Output impedance Nominal impedance
Nominal Max. before clipping
Output level
Connector type
STEREO OUT L/R, MONO OUT
REC OUT L/R 2kΩ 10kΩ Lines –10dBV (316mV) +16dBV (6.31V) RCA pin jack AUX SEND 1–475Ω 600Ω Line +4dB (1.23V) +20dB (7.75V) Phone jack
INSERT OUT 600Ω 10kΩ Line 0dB (775mV) +20dB (7.75V)
PHONES (head phone) OUT
Specifications and appearance are subject to change without notice for product improvement.
150Ω 600Ω Lines +4dB(1.23V) +24dB (12.3V) XLR-3-32 type
Phone jack (TRS) T=OUT, R=IN, S=GND
100Ω 40Ω Phones 3mW 120mW ST phone jack
0dB=0.775 Vrms 0dBV=1 Vrms
10

■ Block and level diagrams

METER
METER
(ST OUT L)
(ST OUT R)
(AUX SEND 1)
(AUX SEND 2)
METER
METER
(PHONES)
(MONO OUT)
(AUX SEND 4)
(AUX SEND 3)
AFL
CTRL
PFL AFL
PFL 4
3
AUX
2 1
R
STEREO
L
L
METER SELECT
(METER)
SUM INV
+4dB
STEREO OUT
R
ON
INV
SUM
L
(PHONES)
-10dBv
REC OUT
R
(METER)
REC OUT
+4dB
MONO OUT
ON
SUM
(METER)
AFL
1-4 +4dB
AUX SEND
INVSUM
(ST OUT)
(METER)
AFL
PHONES
INVSUM
PFL
PHONES
+10
AUX SEND ST
0
MONO
STEREO
AUX
-70
-60
-50
-40
-30
-20
-10
PEAK
(+48V)
ON
OFF
PHANTOM
INSERT I/O
INPUT CH
PHANTOM
(INPUT A)
(PHANTOM)
0dB 1-*
3BAND
HAPAD
1-*
INPUT A
EQ
HPF
PAN
ON
AUX 1
80
GAIN
20dB
A
B
1-*
INPUT B
AUX 2
HIGH
MID
LOW
AUX 4
AUX 3
*=8,12,16,24
PFL
INV
EQ
2BAND
L
INV
LEVEL
EQ
2BAND
LOW HIGH
R
+4dB
AUX RETURN 1
SUM
INV
INV
AUX 1
Same as AUX RETURN 1
L
R
+4dB
AUX RETURN 2
SUM
AUX 2
L
TAPE IN
-10dBv
TAPE IN
TAPE IN
AUX RETURN
R
GAIN MIN
(dB) (dB)
+10
PAD ON
0
PAD OFF
-10
GAIN MIN
-20
GAIN MAX
GAIN MAX
PAD OFF
PAD ON
-70
-60
-50
-40
-30
11

■ Dimensions

8101.2
80.6
295 54.5
D: 461.7
Wi
57.3
W
MODEL
MX200-8
MX200-12
(54.5)(54.5)
MX200-16 MX200-24
H: 124.6
417 537 657 897
Wi
W 449 569 689 929
Units: mm
12
TABLE DE MIXAGE
Manuel d’instructions

Français

Introduction

Nous vous remercions d’avoir fait l’acquisition d’une console de mixage MX200 Yamaha. La série MX200 apporte un excellent équilibre entre fonctionnalité et facilité d’emploi. Afin de tirer pleine­ment partie des possibilités du MX200 et de garantir des années d’utilisation sans problème, lire at­tentivement ce manuel.

Caractéristiques

● Le MX200-8 possède 8 canaux d’entrée (le MX-200-12
possède 12 canaux, le MX200-16 possède 16 canaux, et le MX200-24 possède 24 canaux) qui peuvent être mixés en signal stéréo.
● La sortie mono (MONO OUT) possède une connexion pra-
tique pour un sous-ampli de contrôle, ou pour vérifier l’an­nulation de phase.
● La fonction PFL (écoute pré-fader) permet de contrôler
tout canal d’entrée avant le fader du canal.
● La fonction AFL (écoute post-fader) permet de contrôler le
signal de sortie stéréo (ST OUT) G, D (sortie stéréo gauche et droite), de sortie mono (MONO OUT) ou de sortie auxi­liaire (AUX SEND) avec un casque à n’importe quel mo­ment.
● Des connecteurs de type XLR sont fournis pour les prises
d’entrée (INPUT A) et des connecteurs de casque sont fournis pour les prises d’entrée B (INPUT B), permettant des connexions faciles avec diverses sources d’entrée. Les entrées acceptent des niveaux allant des microphones aux appareils de niveau de ligne.
● L’alimentation fantôme est fournie pour une connexion fa-
cile des microphones à condensateur nécessitant une ali­mentation externe.
● Chaque canal d’entrée possède une prise E/S d’insertion de
canal (INPUT CH INSERT I/O), permettant de connecter des processeurs d’effets indépendamment pour chaque canal.
● Quatre systèmes de sortie auxiliaire (AUX SEND) et deux
systèmes stéréo de retour auxiliaire (AUX RETURN) sont fournis. Même lorsque deux processeurs d’effets 1-entrée/ 2-sortie sont connectés, deux systèmes de sortie auxiliaire (AUX SEND) supplémentaires sont toujours disponibles pour l’utilisation.
● Les prises d’entrée cassette (TAPE IN) et de sortie d’enre-
gistrement (REC OUT) permettent des connexions prati­ques pour la lecture et l’enregistrement sur platine cassette.

Table des matières

Précautions ............................................................................1
Panneau de commande ..........................................................2
Section de contrôle de canal ............................................2
Section de contrôle principale.......................................... 4
Connecteurs .....................................................................6
Panneau arrière ......................................................................7
Exemple d’application...........................................................8
Caractéristiques ..................................................................... 9
Caractéristiques générales................................................ 9
Caractéristiques d’entrée................................................ 10
Caractéristiques de sortie ............................................... 10
Schémas de connexions et de niveaux ........................... 11
Dimensions .................................................................... 12

Précautions

1. Evitez tout emplacement excessivement chaud, hu­mide, poussiéreux ou soumis à des vibrations
Ne placez pas l’appareil dans un endroit où il risque d’être exposé à des températures élevées ou une forte humidité (évitez la proximité de radiateurs, poêles, etc). Evitez éga­lement les endroits poussiéreux ou soumis à des vibrations qui peuvent être à l’origine de dommages mécaniques.
2. Ventilation
L’appareil est pourvu de fentes d’aération sur les panneaux latéraux et inférieur. Ne bloquez jamais ces fentes.
3. Evitez tout choc
Un choc relativement important peut endommager l’appa­reil. Maniez-le donc avec soin.
4. N’ouvrez pas le boîtier et n’essayez pas d’effectuer des réparations vous-même
Cet appareil ne contient pas d’élément pouvant être réparé par l’utilisateur. Veuillez donc confier toute réparation à un technicien Yamaha qualifié. Toute tentative d’ouver­ture du boîtier et de manipulation des circuits internes se soldera par la perte du bénéfice de la garantie.
5. Coupez toujours l’alimentation avant de procéder à des branchements
N’oubliez jamais de mettre les appareils hors tension avant de brancher ou de débrancher des câbles afin de ne pas en­dommager l’appareil lui-même ainsi que le matériel qui y est branché.
6. Manipulez les câbles avec soin
Pour brancher et débrancher des câbles (y compris le câble d’alimentation), prenez-le toujours par la prise et non par le câble.
7. Nettoyez avec un chiffon doux et sec
N’utilisez jamais de solvants, tels que du benzène ou un di­luant pour nettoyer l’appareil. Prenez les poussières avec un chiffon doux et sec.
8. Utilisez toujours une source d’alimentation adéquate
Assurez-vous que la tension spécifiée sur l’arrière de l’ap­pareil correspond bien à celle de votre secteur et que les prises utilisées peuvent assurer le courant nécessaire pour faire fonctionner tout votre système.
1

Panneau de commande

20 50100  200  500  1k  2k    5k  10k 20k
FREQUENCY (Hz)
+20 +15 +10
+5
0
–5 –10 –15 –20
RESPONSE (dB)

■ Section de contrôle de canal

A B
20dB
–16
–60
GAIN
PEAK
80
–15 +15
HIGH
+15
–15
MID
+15
–15
LOW
010
AUX 1
0
10
AUX 2
10
0
AUX 3
0
10
AUX 4
LR
PAN
ON
PFL
P R E
P O S T
1 2
3
4 5
6
7
8
9 0
1 Sélecteur d’entrée
Cette touche sélectionne le connecteur d’entrée du canal. Lorsque A ( ) est sélectionné, le signal d’entrée est pris à partir du
connecteur d’entrée A (INPUT A) (type XLR symétrique) du panneau arrière. Lorsque B ( ) est sélectionné, le signal d’entrée est pris à partir du connecteur d’entrée B (INPUT B) (prise casque symétrique).
2 Commutateur PAD
Ce commutateur fournit une réduction de niveau de 20dB. Si le niveau du signal d’entrée est trop élevé et si la commande de GAIN
3 ne le réduit pas suffisamment, utiliser ce commutateur.
3 Commande de GAIN
En fonction du niveau du signal d’entrée, utiliser cette commande pour ajuster l’entrée à un niveau approprié. Le meilleur équilibre du rapport S/B et de la gamme dynamique est at­teint si la commande de GAIN est ajusté de façon à ce que l’indicateur de crête 4s’allume occasionnellement. Si on veut réduire d’avantage le ni­veau d’entrée, utiliser le commutateur PAD 2.
4 Indicateur de crête (PEAK)
Cet indicateur détecte les niveaux de crête après l’égaliseur. Il s’allume en rouge à 3dB avant l’écrêtage pour avertir que le niveau d’écrêtage est presque atteint.
5 Commutateur de filtre passe-haut 80Hz
Ce commutateur active/désactive le filtre qui coupe le signal au-dessous de 80Hz à 12dB/octave.
6 Egaliseur
La section égaliseur fournit ±15dB pour les gammes haute, médium et basse aux fréquences suivantes:
HIGH (haut): 12kHz MID (médium): 2,5kHz LOW (bas): 80Hz
La réponse en fréquence est plate lorsque la commande est à la position “▼”.
10
2
5 0
5
10 15 20
30 40
00
A
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