Roland MX-1 User Manual

Rear Panel

[POWER] switch

This turns the power on/off.

**When powering-on your equipment, you must turn on each device in the following order: devices connected to the input jacks&the MX-1&devices connected to the output jacks. Failure to observe this order could cause malfunctions or damage your equipment.

When powering-off your equipment, you must turn off each device in the following order: devices connected to the output jacks&the MX-1&devices connected to the input jacks.

**Before turning the unit on/off, always be sure to turn the volume down. Even with the volume turned down, you might hear some sound when switching the unit on/off. However, this is normal and does not indicate a malfunction.

**This unit is equipped with a protection circuit. A brief interval (a few seconds) after turning the unit on is required before it will operate normally.

Before using this unit, carefully read leaflet “USING THE UNIT SAFELY” . After reading, keep the

Copyright © 2015 ROLAND CORPORATION

Owner’s Manual

English

document(s) including those sections where it will be available for immediate reference.

All rights reserved. No part of this publication may be reproduced in any form without the

* 5 1 0 0 0 4 4 3 3 3 -

0 1 *

written permission of ROLAND CORPORATION.

DC IN jack	USB HOST (1–4) ports			USB (O) port			MIDI (IN, OUT) connectors	INPUT (1–4, 5/6) jacks
Connect the included AC adaptor here.	These are dedicated USB audio input ports for use only with			Use a commercially available USB 2.0 cable to connect this			For connecting MIDI device.	Connect external sound sources to these jacks. By switching
** To prevent the inadvertent disruption of power to your unit (should	AIRA products (such as the TR-8, TB-3, VT-3, and SYSTEM-1). By			port to your computer. It can be used to transfer USB MIDI			DIGITAL IN/OUT jack	their settings, you can use INPUT 1–4 jacks either as monaural
the plug be pulled out accidentally), and to avoid applying undue	using commercially available USB 2.0 cables to connect your			and USB audio data. You must install the USB driver before				inputs (1, 2, 3, 4) or as stereo inputs (1/2, 3/4). INPUT 5/6 jacks
stress to the jack, anchor the power cord using the cord hook, as	AIRA products, you can input their audio output (stereo) to			connecting the MX-1 to your computer. Download the USB			A two-channel (stereo) digital input/output device can be	support stereo input.
shown in the illustration.	the MX-1 and mix the audio outputs. The USB HOST 3 port can			driver from the Roland website. For details, refer to Readme.			connected here. Switch the setting of this jack between input/	** Do not use connection cables that contain a built-in resistor.
	supply USB bus power. The TB-3 or VT-3, which support bus			htm which is included in the download.			output depending on the device that you connect.	MIX OUT (L/MONO, R) jacks
	power, can be connected here.						AUX SEND (L, R) jacks
Cord hook					Product Support
	** Do not connect any USB device other than an AIRA							Connect your amp or monitor speaker here. These jacks
							These jacks output the send audio to an external effect unit.
	product.			http://www.roland.com/support/				output the master audio.
The cord of the							** The master audio is not output.	** Do not use connection cables that contain a built-in resistor.
		Product Support
supplied AC adaptor							AUX RETURN (L, R) jacks	PHONES jack
	http://www.roland.com/support/
							These jacks input the return audio from an external effect unit.	Connect headphones here.

PHONES

This adjusts the headphone output. The headphones let you listen to the master audio simultaneously with the sound of the channel selected by the [SELECT] button. Even if you lower the level of the selected channel or mute it, you can listen to its sound by turning the [MIXING] knob to the SELECT position; this lets you prepare the next song or make settings for it.

[LEVEL] knob	[MIXING] knob
This adjusts the volume of the headphones.	This adjusts the balance between the master output and
The balance adjusted by the [MIXING] knob is output without	the channel whose [SELECT] button is lit. Turning the knob
further change.	toward SELECT decreases the volume of the master output;
	turning the knob toward MASTER decreases the volume of the
	selected channel.

NOTE

When the [MIXING] knob is in the SELECT position, the sound is output at the volume before the adjustment of the MX-1’s [LEVEL] fader is applied. Before you audition the sound of the selected channel, you should turn down the [LEVEL] knob to avoid damaging your hearing with high volume.

AUX

Here you can adjust the output level of the AUX SEND jacks and the input level from the AUX RETURN jacks.

[SEND] knob	[RETURN] knob
Adjusts the send level that is output from the AUX SEND jacks.	Adjusts the return level that is input from the AUX RETURN
	jacks.

CHANNEL SETTING

Here you can adjust the gain and pan of each channel, as well as settings such as BEAT FX and TONE / FILTER FX.

	Name	Explanation
	[GAIN] button	Adjusts the input gain. The level meter indicates the input gain.Range: -20–30 dB
		&”Operation procedure: Adjusting the input gain”
		Adjusts the pan (stereo position). The monaural channels (1–4) provide a pan adjustment; the stereo channels
	[PAN] button	(5/6, DIGITAL, USB 1–4, PC) provide a left/right balance adjustment.
		Range: L50–C0 (Center)–R50
		&”Operation procedure: Adjusting the pan”
	[TONE] button	Switches the TONE/FILTER FX type.&”Operation procedure: TONE/FILTER FX settings”
	[AUX] button	Adjusts the volume that is output to the AUX SEND jacks.&”Operation procedure: Setting the AUX level”
	[BFX] button	Selects the steps at which BEAT FX is applied, and adjusts the depth level.
		&”Operation procedure: BEAT FX settings”
	[FADER] button	Specifies how the [LEVEL] fader changes the level (fader curve).
		&”Operation procedure: Fader curve settings”

SCENE MEMORY

Scene memory stores the settings of the CHANNEL SETTING section, the effect section, and the mixer section as a single scene, allowing you load these settings when necessary. You can store up to 64 scenes (16 pads x 4 banks).

&”Operation procedure: Storing and recalling scene memories”

[RECALL] button	[STORE] button
Recall a scene memory.	Store a scene memory.

START/STOP

Starts (lit) or stops (blinking) the BEAT FX.

When you start, BEAT FX applies in synchronization with the tempo at the steps you specify using the pads [1]–[16]. You can also use the combination function with MASTER FX so that the type is switched for each step in synchronization with the tempo.

Mixer Section

Here you can adjust settings such as level, TONE / FILTER FX, BEAT FX, and MASTER FX.

	Name	Explanation
	[TONE/FILTER] knob	Edits the TONE/FILTER FX parameter that’s selected by the [TONE] button.
		Selects the channel whose “CHANNEL SETTING” parameters you will edit.
		** Even if the channel whose [SELECT] button is lit is not being output from the master
		output (i.e., if the channel is muted or its level is lowered), you can turn the [MIXING]
		knob toward the SELECT position to audition the sound.
	[SELECT] button
		To select one channel	Press the [SELECT] button.
		To select multiple	Hold down the [SELECT] button and press the [SELECT]
		channels	button of another channel.
		To select all	Hold down the CHANNEL SETTING button and press the
			[SELECT] button.
		Applies the BEAT FX to the sound of the channel.
	[BFX] button	&”Operation procedure: BEAT FX settings”
		** The button blinks if the BEAT FX depth level is set to 0. Adjust the depth level as
		necessary.
		Specifies whether the input sound is output without change (unlit) or the MASTER FX
	[MFX] button	applied (lit).
		&”Operation procedure: MASTER FX settings”
		Adjusts the level.
	[LEVEL] fader	You can specify the fader curve by which the level changes.
		&”Operation procedure: Fader curve settings”
	[MUTE] button	Mutes the sound of the channel.

Effect Section

The effect section contains BEAT FX which lets you modify the sound by applying an effect to each channel, and MASTER FX which applies an effect to the mixed sound of all channels.

Pad [1]–[16]

Select the steps at which the BEAT FX and MASTER FX are applied.

BEAT FX

	For each channel, you can edit the filter, slicer, or side chain	Name	Explanation
	settings, and modify the sound by turning them on/off for each	[FILTER] button	Applies a filter.
	step. The BEAT FX effect is synchronized to the tempo of the
		[SIDE CHAIN] button	Applies a side chain.
	device that’s specified as the clock master.
		[SLICER] button	Applies a slicer.
	&”Operation procedure: BEAT FX settings”

MASTER FX

This applies an effect such as delay, filter, scatter, or roll to the mixed sound of all channels. By using the combination function, you can switch the MASTER FX type at each step in synchronization with the tempo.&”Operation procedure: MASTER FX settings”

**You can’t specify a different MASTER FX type for each channel.

**If the tempo is too fast, the type might not switch at the intended step when using the combination function.

Name	Explanation
	Use this knob to edit the effect parameters.
	The CAindications at the left and right of the [MASTER FX] knob change their appearance
[MASTER FX] knob	depending on the knob position.
	Clit: LOW side	CAlit: OFF	Alit: HIGH side
[TIME] button	Specifies the delay time or the frequency response of the filter etc.
[COMBI] button	Makes settings for the combination function.
[DELAY] button	Applies a delay.
[FILTER] button	Applies a filter.
[SCATTER] button	Applies a scatter.
[FLANGER] button	Applies a flanger.
[BIT CRUSH] button	Applies a bit crusher (producing a distinctive noisy sound).
[ROLL] button	Produces a roll (repeated playback).

TEMPO

Here you can specify the tempo and specify the MIDI clock synchronization source (clock master). You can also adjust the amount of shuffle (rhythmic bounce) on the BEAT FX and combination function.

	Name	Explanation
	[TEMPO] knob	Specifies the tempo. The tempo value is shown in the display above the knob. Range: 40.0–300.0
	[SHUFFLE] button	Adjust the amount of shuffle (rhythmic bounce). Range: -50–0–50
	[FINE] button	Specifies the tempo below the decimal point.
	[SYNC] button	Selects the MIDI clock synchronization source (clock master).&”Operation procedure:
		Synchronization settings”
	[TAP] button	To set the tempo, tap this button several times at the desired interval.

** If the clock master setting is other than “INT,” the [TEMPO], [SHUFFLE], [FINE], and [TAP] buttons are inoperable.

Master Out Section

Here you can adjust the master level and the mastering effect settings.

	Name	Explanation
	[MASTER LEVEL] knob	Adjusts the volume that is output from the MIX OUT jacks.
	[MASTERING] button	Edits the MASTERING FX (mastering effect) settings.
		&”Operation procedure: MASTER FX settings”
	Level meter	Indicates the master output level. If the [GAIN] button is lit, the meter indicates the input level
		of the selected channel.

Operation procedure

Connecting devices

Connect your equipment correctly as described below.

**To prevent malfunction and equipment failure, always turn down the volume, and turn off all the units before making any connections.

77Connecting external audio sources

External audio sources such as an analog synth or a DJ player can be connected to the INPUT 1–4 or 5/6 jacks, or to the DIGITAL IN jack.

NOTE

With the default settings, INPUT 1–4 are assigned as monaural inputs, and DIGITAL IN/OUT is assigned as digital input. If you want to input stereo sources to INPUT 1–4, or if you want to use DIGITAL IN/OUT as digital output, make the appropriate changes to the system settings.

&”System Settings: Channel link”

77Connecting AIRA products

AIRA products such as the TR-8 and TB-3 can be connected via a commercially available USB 2.0 cable to a USB HOST port.

77Connecting computer

If you want to mix the audio playback from your computer, use a commercially available USB 2.0 cable to connect the MX-1’s USB port to your computer. You must install the USB driver before connecting the MX-1 to your computer.

&”Rear Panel: USB (O) port”

**With the default settings, the audio playback from your computer is input to the PC channel in stereo.

**If no AIRA product is connected to the USB HOST ports, the audio playback from your computer can be input to USB 1–4 channels and mixed.

&”System Settings: Mixer mode”

77Connecting MIDI device

The MX-1 can receive MIDI Clock (F8) data to synchronize its tempo. It can also receive MIDI Start (FA) and MIDI Stop (FC) to start/stop itself.

77Connecting external effect device

If you want to use an external effect device or amp via the send/return jacks, connect your equipment to the AUX SEND jacks and AUX RETURN jacks.

&”Operation procedure: Setting the AUX level”

Synchronization settings

Here’s how to select the MIDI clock master in order to synchronize the tempo of the MX-1 and the connected devices.

1.Press the [SYNC] button to make it light.

2.Turn the [TEMPO] knob to select the MIDI clock master.

The clock master you select blinks in the display above the [TEMPO] knob.

	Display	Explanation
		If a MIDI clock is being input from a connected
		device, the MX-1 synchronizes to that MIDI
		clock. If multiple MIDI clocks are being input,
	AVTO (*)	the MX-1 synchronizes to one of them in the
		following order of priority.
		1. USB (O) port	4. USB HOST 2 port
		2. MIDI IN connector	5. USB HOST 3 port
		3. USB HOST 1 port	6. USB HOST 4 port
	INT	The MX-1 is the MIDI clock master.
	NIDI (*)	The MX-1 synchronizes to the MIDI clock of the
		device connected to the MIDI IN connector.
	USB1–4 (*)	The MX-1 synchronizes to the MIDI clock of the
		device connected to the USB HOST ports.
		The MX-1 synchronizes to the MIDI clock
	PC (*)	that’s specified by the DAW running on the
		computer connected to the USB (O) port.

(*) If there is no MIDI clock input, the MX-1 is the MIDI clock master.

3.Press the [SYNC] button to confirm the clock master.

The display changes from blinking to lit.

4.Press the [SYNC] button to make it go dark.

If “INT” is selected as the clock master, use the [TEMPO] knob and [FINE] knob or the [TAP] button to specify the tempo. If a different clock master is selected, the MX-1 synchronizes to the tempo of the connected device.

Adjusting the input gain

1.Press the [GAIN] button to make it light.

2.Press the [SELECT] button of the channel whose input gain you want to adjust; the button lights.

The value of the current setting is shown in the display above the [VALUE] knob, and the level meter changes to

show the input gain.

&”Mixer Section: [SELECT] button”

3.Turn the [VALUE] knob to adjust the gain.

Adjust the gain so that the signal does not exceed 0 dB on the level meter (the green LED at the top).

Adjusting the pan

1.Press the [PAN] button to make it light.

2.Press the [SELECT] button of the channel whose pan you

want to adjust; the button lights.

&”Mixer Section: [SELECT] button”

3.Turn the [VALUE] knob to adjust the pan.

TONE/FILTER FX settings

With the default settings, TONE/FILTER FX is set to “FILTER1.”

1.Press the [TONE] button to make it light.

2.Press the [SELECT] button of the channel which you want

to apply; the button lights.

&”Mixer Section: [SELECT] button”

3.Turn the [VALUE] knob to select the type.

	Number	Type	Explanation
	1	FILTER 1 (FL1)	Low pass and high pass filters
	2	FILTER 2 (FL2)	are applied.
	3	TONE 1 (TN1)	The volume of the low-
	4	TONE 2 (TN2)	frequency and high-frequency
			region is changed.
	5	EQ LOW 1 (LO1)	The volume of the low-
	6	EQ LOW 2 (LO2)	frequency region is changed.
	7	EQ HI1 (HI1)	The volume of the high-
	8	EQ HI2 (HI2)	frequency region is changed.
	9	ISOLATOR 1 (IS1)	The low-frequency and high-
			frequency regions are cut.
	10		The low-frequency, Middle-
		ISOLATOR 2 (IS2)	frequency and high-frequency
			regions are cut.

4.Turn the [TONE/FILTER] knob of each channel to adjust the depth.

**TONE/FILTER FX is off when the [TONE/FILTER] knob is in the center position; turning the knob to left or right applies the effect of the selected type.

BEAT FX settings

By using BEAT FX you can apply an effect such as filter, side chain, or slicer to individual channels. BEAT FX can also be turned on/off for individual steps to create change in the sound.

1.Press the CHANNEL SETTING [BFX] button to make it light.

2.Press the [START/STOP] button to start the BEAT FX.

3.On each channel to which you want to apply the BEAT FX, press the [BFX] button to make it light.

4.On the channel for which you want to make BEAT FX

settings, press the [SELECT] button to make it light.

&”Mixer Section: [SELECT] button”

5.Hold down the CHANNEL SETTING [BFX] button and use pads [1]–[16] to specify the last step (the number of steps).

**The steps loop at the pad that you specify as the last step.

6. Select the BEAT FX type and variation.

	Type	Explanation
	FILTER	Cuts a specific frequency region from the
		input sound.
	SIDE CHAIN	Adjusts (“ducks”) the volume of the audio
		input.
	SLICER	Periodically cuts the output of the input
		sound.

**To select the variation, hold down the [FILTER], [SIDE CHAIN], or [SLICER] button and turn the [VALUE] knob.

7.Use pads [1]–[16] to select the steps at which BEAT FX applies.

**The BEAT FX effect applies at the timing of the pads that are lit.

8.Turn the [VALUE] knob to adjust the depth level.

By holding down the CHANNEL SETTING [BFX] button and turning the [VALUE] knob you can adjust the duration (gate time) during which the BEAT FX effect is applied.

MASTER FX settings

MASTER FX lets you apply effects such as delay, filter, and scatter. By using the combination function, you can switch the effect type at each step.

1.On each channel to which you want to apply the MASTER FX, press the [MFX] button to make it light.

2.Select the MASTER FX type.

	Effect Type	Explanation
	DELAY	Delay is applied.
	FILTER	Filter is applied.
		“Scatter” adds a digital-feeling groove to the
	SCATTER	loop playback by exchanging individual steps
		within the loop playback and also by changing
		the playback direction or gate length.
	FLANGER	Flanger is applied.
	BIT CRUSH	Distorts the waveform, producing a distinctive
		noisy sound.
	ROLL	Plays the sound repeatedly.

**To select a variation, hold down the button for the corresponding type and turn the [TEMPO] knob.

3.Hold down the [TIME] button and turn the [TEMPO] knob to adjust the parameter.

4.Turn the [MASTER FX] knob to adjust the depth.

**The MASTER FX effect is OFF when the [MASTER FX] knob is in the center position (CAlit); turning the knob left or right applies the effect that’s specified for each selected variation.

77Switching the type at each step (Combination function)

The combination function lets you assign a MASTER FX type to each individual step, adding change to the sound.

**You can assign one type to each step.

1.Press the [START/STOP] button.

2.Press the [COMBI] button to make it light.

3.Hold down the [COMBI] button and turn the [TEMPO] knob to select a pattern (combination of the MASTER FX).

You can also edit the pattern.

4.Turn the [MASTER FX] knob to adjust the depth.

77Editing the pattern

1.Press the [COMBI] button to make it light.

The button of the MASTER FX type that’s used by the pattern will light.

2.While holding down the button of the MASTER FX type that you want to assign, press pads [1]–[16] to select the steps on which to apply MASTER FX.

The pads to which MASTER FX applies are lit.

**When you edit the settings, the pattern is overwritten automatically.

MASTERING FX settings

The MASTERING FX applies to all of the audio input.

**If the sound distorts when you enable the MASTERING FX, lower the level of each channel until the sound is no longer distorted.

1.Press the [MASTERING] button to make it light.

The MASTERING FX is enabled.

2.Hold down the [MASTERING] button and turn the [TEMPO] knob to select the type.

Auditioning the selected channel

You can audition the sound of the selected channel in your headphones.&”PHONES”

1.Press the [SELECT] button of the channel whose sound

you want to audition; the button lights.

&”Mixer Section: [SELECT] button”

2.Turn the [MIXING] knob to adjust the volume balance between the selected channel and the master output.

**Turning the knob toward SELECT, you can listen only to the sound of the selected channel.

3.Turn the [LEVEL] knob to adjust the volume of the headphones.

5.Turn the [RETURN] knob to adjust the output volume of

the AUX RETURN jacks.

&”System Settings: AUX RETURN rooting”

Fader curve settings

You can specify the way in which the level changes when you move the [LEVEL] fader (i.e., the fader curve).

1.Press the CHANNEL SETTING [FADER] button to make it light.

2.For the channel whose fader curve you want to specify, press the [SELECT] button to make it light.

By lighting the [SELECT] button of multiple channels, you can set all of the selected channels to the same fader curve setting.

3.Turn the [VALUE] knob to select the fader curve.

	Setting the AUX level		Storing and recalling scene memories
	You’ll use AUX when using an external effect device via a		When you store a scene memory, the current settings for
	send/return connection.
			the channels, effect section, and mixer section are stored in
	1.	Press the CHANNEL SETTING [AUX] button to make it	the MX-1 as a single scene. You can recall the stored settings
		light.	when necessary.
	2.	For each channel that you want to send to the AUX SEND	77STORE
		jacks, press the [SELECT] button to make the button	1. Press the [STORE] button to make it light.
		light.
		&”Mixer Section: [SELECT] button”	2. Use the [VALUE] knob or pads [1]–[16] to select the scene
	3.	Turn the [VALUE] knob to adjust the send level.	number that you want to store.
			The [STORE] button blinks.
	4.	Turn the [SEND] knob to adjust the output volume of the
			3. Press the [STORE] button to store the settings.
		AUX SEND jacks.

&”System Settings: AUX SEND rooting”

77RECALL

1.Press the [RECALL] button to make it light.

2.Use the [VALUE] knob or pads [1]–[16] to select the scene number that you want to recall.

If you used pads [1]–[16] to select a scene, the scene is recalled immediately.Alternatively, you can use the [VALUE] knob to select “NAN (Manual),” which makes the MX-1 use the current settings of the [TONE/FILTER FX] knobs and [LEVEL] faders.

**Immediately after a scene is recalled, the physical positions of the [LEVEL] faders, [TONE] knobs, and [MASTER FX] knob may differ from the recalled values.

**If the recalled value differs from the physical position of a [LEVEL] fader, the periphery of the fader blinks.

3.If you used the [VALUE] knob to select a scene, press the [RECALL] button to recall the scene.

Operation with a DAW

In addition to mixing the sounds of AIRA products and other hardware, the MX-1 can work with a DAW on your computer to mix the playback of the DAW and operate as a DAW controller.

To use the MX-1 with your DAW, you’ll need to change the system settings.

&”System Settings: Mixer mode”

Various Settings

Restoring the Factory Settings (Factory Reset)

1.While holding down the [RECALL] button, turn on the power.

The display indicates “RST” and the [START/STOP] button blinks.

2.Press the [START/STOP] button to execute the factory reset.

3.When the display indicates “CNP,” turn the MX-1’s power off, then on again.

System Settings

Here’s how to change the MX-1’s system settings.

1.While holding down the [GAIN] button, turn on the power.

2.Use the buttons, knobs and the pads to change the settings.

The default values or states are marked with “*.”

	Settings	Operation	Value/ State	Explanation
		Press the channel 1	Channel 2 lit *	Supports monaural input.
	Channel link	or 2 [SELECT] button	Channel 2 unlit	Supports stereo input.
		Press the channel 3	Channel 4 lit *	Supports monaural input.
		or 4 [SELECT] button	Channel 4 unlit *	Supports stereo input.
	DIGITAL jack	Press the DIGITAL	Unlit	The jack operates as an output jack.
		channel [SELECT]
	setting		Lit *	The jack operates as an input jack.
		button.
	USB audio	Press the [BFX]
		button and turn the	44.1, 48, 96	Specifies the sampling rate (kHz). (Default: 96)
	frequency
		[VALUE] knob
		Press the [SHUFFLE]	OFF, C1–C16	Specifies the MIDI transmit/receive channel. The
	MIDI channel			display indicates the channel. (Default: 15)
		button and turn the
				MIDI messages of all channels are received. The
		[TEMPO] knob	ONNI(Omni)
				MIDI transmit channel will be 15.
				If you’ve recalled a scene memory and the physical
			Unlit (Jump) *	position of a fader differs from the value that was
				recalled, operating that fader causes the value to
	LEVEL fader	Press the Pad [1]		jump immediately to the fader position.
	mode			If you’ve recalled a scene memory and the physical
			Lit (Pass through)	position of a fader differs from the value that was
				recalled, fader movement is ignored until the fader
				passes through the recalled value.
			Unlit *	Output the sound before it is adjusted by the
	AUX SEND			[LEVEL] fader (pre-fader send).
		Press the Pad [2]
	rooting		Lit	Output the sound after it is adjusted by the [LEVEL]
				fader (post-fader send).

	Settings	Operation	Value/ State	Explanation
	AUX RETURN		Unlit (Off) *	Specifies whether MASTER FX is applied to the
		Press the Pad [3]		input from the AUX RETURN jacks (lit) or is not
	rooting
			Lit (On)	applied (unlit).
	MIDI through		Unlit (Off) *	Specifies whether data received from the MIDI IN
		Press the Pad [4]	Lit (On)	connector will be retransmitted from the MIDI OUT
				connector (On) or will not be retransmitted (Off).
				Mixes the AIRA products or other hardware that
			NIX	is connected to the MX-1. If no AIRA products are
				connected to the USB HOST ports, the playback
			(MIXER mode) *
				from the computer is input to USB channels 1–4
				and can be mixed.
				MIDI channels (1–11) are assigned starting at
				channel 1 of the MX-1, allowing the MX-1 to
			SVR	operate as a USB controller for your DAW.
		Press the [TONE]	(CONTROL SURFACE	** The sound of hardware connected to the MX-1
	Mixer mode		mode)	is not mixed; the sound adjusted by the [GAIN]
		button and turn the		button is sent to the computer. The sound of
		[VALUE] knob
				the PC channel is sent from the MIX OUT jacks.
				The MX-1 operates with the DAW on your
				computer to mix the playback of multiple tracks.
			EXT	** The gain of the DAW playback cannot be
				adjusted by the MX-1. Adjust the output levels
			(EXTERNAL MIXING
				in your DAW.
			mode)
				** The sound of hardware connected to the MX-1
				is not mixed; the sound adjusted by the [GAIN]
				button is sent to the computer.
	LED demo	Press the [PAN]		Specifies the time (minutes) until the LED demo is
		button and turn the	OFF, 1–30
				shown. (Default: 5 min)
		[VALUE] knob
	Pad	Press the [AUX]		Specifies the pad color scheme for each function.
		button and turn the	CL1–6
	coloration			(Default: CL 1)
		[VALUE] knob
	System	Press the [GAIN]	---	Displays the MX-1’s software version.
	Version	button

3.Press the [START/STOP] button to save the settings.

The settings are saved, and the MX-1 restarts.