Specifications
GY-HM100E
Power requirement: DC 11 V (using AC adapter)/DC 7.2 V (using battery) Power consumption: 7.8 W (when LCD screen backlight is set to [STANDARD]) Dimensions: 272 mm (W) x 179 mm (H) x 135 mm (D)
Mass: Approx. 1.4 kg (including battery BN-VF823, SDHC card and microphone)
Temperature: Operating: 0˚C to 40˚C
Storage: -20˚C to 50˚C Humidity:
Operating: 35 % to 80 % RH
Image pickup device: 3-chip 1/4" Progressive CCD Colour separation prism: F1.8, 3-colour separation prism Sync system: Internal sync (built-in SSG)
Filter diameter:
When the hood is detached: 46 mm (screw pitch: 0.75 mm) Compatible with filter, tele-converter and wide-converter When the hood is attached: 72 mm (screw pitch: 0.75 mm) Compatible with filter only
Lens: Fujinon F1.8 to 2.8, 10x, f=3.7-37 mm (35 mm conversion: 39 to 390 mm) ND filter: OFF, +1/10ND
Gain: 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, Lolux, AGC Minimum illumination: 5lx (typical) (1920x1080 mode, F1.8, +18dB, with 16-frame accumulation)
Electronic shutter: 1/3.75 to 1/10000, EEI Viewfinder: 0.44" LCD, 235,000 pixels, 16:9 LCD monitor: 2.8" LCD, 206,000 pixels, 16:9 Supported media: SDHC (Class 6)
Slots: x 2
Recording time: Approx. 25 minutes (8 GB SDHC card, 35 Mbps, VBR mode)
Recording file format: QuickTime™ File Format for Final Cut Pro™/MP4 File Format
Recording format:
Video: MPEG-2 long GOP
HQ mode: VBR, 35 Mbps (Max) MPEG-2 MP@HL SP mode: CBR, 25 Mbps (1440x1080i)/
19 Mbps (1280 x 720p24/25/30): MPEG-2 MP@H-14 19 Mbps (1280 x 720p50/60): MPEG-2 MP@HL Audio: LPCM 2ch, 48 kHz/16bit
Video frame rate: PAL settings:
HQ mode: 1920 x 1080/50i, 25p, 1440 x 1080/50i (MOV only), 1280 x 720/ 50p, 25p
SP mode: 1440 x 1080/50i, 1280 x 720/50p, 25p NTSC settings:
HQ mode: 1920 x 1080/59.94i, 29.97p, 23.98p, 1440 x 1080/59.94i (MOV only), 1280 x 720/59.94p, 29.97p, 23.98p
SP mode: 1440 x 1080/59.94i, 1280 x 720/59.94p, 29.97p, 23.98p
Still picture recording format: JPEG
Recording size: 4 modes (1920 x 1080/1440 x 1080/1024 x 768/640 x 480) Recording quality: 2 modes (Fine, Standard)
Final Cut Pro™ is not supplied.
Microsoft® and Windows® are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. Apple, Apple logo, Macintosh, QuickTime, and Final Cut Pro are trademarks of Apple Inc. registered in the United States and other countries. The SD and SDHC logos are trademarks of the SD Card Association. Product and company names mentioned here are trademarks or registered trademarks of their respective owners.
AV output: Video analogue composite output (576i or 480i: Downconverted, 4:3/16:9): 1.0 V (p-p), 75-ohms, Audio Stereo, analogue output 300 mV, 1 k- ohms (Special cable)
Component output: Y, Pb, Pr component output (576i or 480i: Downconverted/720p/1080i)
Y: 1.0 V (p-p), 75-ohms
Pb, Pr: 0.7 V (p-p), 75-ohms (Special cable)
HDMI™output: HDMI™(576i/p or 480i/p: Downconverted/720p/1080i) (V.1.3, x.v. Colour compliant)
USB: Mini USB-B type, USB 2.0 Headphone: 3.5 mm mini-jack (stereo) Microphone: 3.5 mm mini-jack (stereo) Audio input:
[MIC]: -60 dBs, 3 k-ohms, XLR (balanced), +48 V output (phantom power supply)
[LINE]: +4 dBs, 10 k-ohms, XLR (balanced)
Battery pack (BN-VF823) x 1, AC adapter (AP-V21) x 1,
Battery charger (AA-VF8) x 1, Microphone x 1, Wireless remote control unit x 1, Component cable x 1, A/V cable x 1, USB cable x 1
■ SDHC Class 6 recording time (approx.)
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MOV/MP4 |
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SP |
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HQ |
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720p |
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1080i |
720p/1080i |
4GB |
22 min. |
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17 min. |
12 min. |
8GB |
45 min. |
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35 min. |
25 min. |
16GB |
1 hr. 30 min. |
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1 hr. 10 min. |
50 min. |
32GB |
3 hr. |
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2 hr. 20 min. |
1 hr. 40 min. |
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Optional Accessories
GL-V0746U |
GL-V1846U |
BN-VF823U |
0.7x Wide converter |
1.8x Tele converter |
Battery |
AA-VF8U |
MV-P615U |
MZ-V8U |
Battery charger |
Super direction |
Stereo microphone |
microphone
Simulated pictures. The values for weight and dimensions are approximate.
E.&O.E. Design and specifications subject to change without notice.
Hachioji Business Center of Victor Company of Japan, Ltd. has received ISO9001 Certifications.
Memory Camera Recorder
HD Memory Card Camcorder
GYGY--HM100EHD700
GY-HD100
Unprecedented Mobility
Printed in Japan KCS-8410 CEHM100EPKN0903
“JVC” is the trademark or registered trademark of Victor Company of Japan, Limited.
GY-HM100E
At Last, a Pro Camcorder that Speaks the Same Language as Your Editing System
Ready-to-edit MP4 files are compatible with every major editing system plus the world’s first native support for Final Cut Pro™
The GY-HM100E is the first of a new generation of memory card camcorders designed to integrate seamlessly into the video production workflow. Native support for Apple’s QuickTime™ file format means that you can bring footage into Final Cut Pro™ for editing directly without file conversion: no delays and absolutely no loss of quality. MP4 support means that you can edit your files on most major editing systems with the same astonishing quality. With low-cost media and a lightweight, compact body, you have a handheld camcorder that meets the needs of enthusiasts and professionals alike.
JVC Makes it Possible
Native File Recording |
Reliable, Low-Cost Media |
Record footage directly in ready-to-edit |
The GY-HM100E uses standard, inexpensive and |
QuickTime™ MOV files, the native file format of |
widely available SDHC Class 6 memory cards. |
Apple’s Final Cut Pro™—simply drag the files |
These cards are small, light, robust and reliable, |
into the timeline and start editing. Alternatively, |
and can be read by your computer using any |
you can record MP4 files that are compatible |
standard card reader. |
with all major editing systems. |
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MOV MP4
QuickTime
35
Mbps
Exceptional Quality
Encoding video at higher bit-rates means just one thing: a higher quality picture. The 35 Mbps data rate used by the GY-HM100E is significantly higher than most other handheld camcorders and results in beautifully rich,
broadcast-standard HD images.
True Portability
The GY-HM100E is truly an engineering marvel. Weighing only 1.4 kg, this supercompact camcorder can be held comfortably with one hand. Go-anywhere portability makes this the ideal choice for location shooting in even the most difficult of environments.
Workflow
Until now, the camcorder has often been the main obstacle to achieving a smoother, more streamlined production workflow. Getting footage into a file format that your editing system could understand was a time consuming and laborious process. With Native File Recording, your footage is ready to edit the moment it's shot.
Shooting |
Transfer |
Editing |
Storage |
SDHC
Final Cut Pro™
MOV |
or |
MP4 |
Avid |
USB2.0 |
MOV |
Adobe |
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or |
Canopus |
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MP4 |
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Blu-ray
File Server
Network
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