Owner's Manual
Bedienungsanleitung
Mode d'emploi
Manual de instrucciones
Before using the Clavinova, be sure to read “PRECAUTIONS„ on pages 6 -7.
Achten Sie darauf, vor Einsatz des Clavinova die “VORSICHTSMASSNAHMEN„ auf Seite 6 -7 durchzulesen.
Avant d'utiliser le Clavinova, lire attentivement la section «PRECAUTIONS D'USAGE» aux pages 6 -7.
Antes de utilizar el Clavinova, lea las “PRECAUCIONES„ que debe tener en cuenta en las páginas 6 -7.
IMPORTANT
Check your power supply
Make sure that your local AC mains voltage matches the voltage specified on the name plate on the bottom panel. In some areas a voltage selector may be provided on the bottom panel of the main keyboard unit near the power cord. Make sure that the voltage selector is set for the voltage in your area. The voltage selector is set at 240V when the unit is initially shipped. To
change the setting use a "minus" screwdriver to rotate the selector dial so that the correct voltage appears next to the pointer on the panel.
WICHTIG
Überprüfung der Stromversorgung
Vergewissern Sie sich vor dem Anschließen an das Stromnetz, daß die örtliche Netzspannung den Betriebsspannungswerten auf dem Typenschild an der Unterseite des Instruments entspricht. In bestimmten Verkaufsgebieten ist das Instrument mit einem Spannungswähler an der Unterseite neben der Netzkabeldurchführung ausgestattet. Falls vorhanden, muß der Spannungswähler auf die örtliche Netzspannung eingestellt werden. Der Spannungswähler wurde werkseitig auf 240 V voreingestellt. Zum Verstellen drehen Sie den Spannungsregler mit einem Schlitzschraubendreher, bis der Zeiger auf den korrekten Spannungswert weist.
IMPORTANT
Contrôler la source d'alimentation
Vérifiez que la tension spécifiée sur le panneau inférieur correspond à la tension du secteur. Dans certaines régions, l'instrument peut être équipé d'un sélecteur de tension situé sur le panneau inférieur du clavier à proximité du cordon d'alimentation.
Vérifiez que ce sélecteur est bien réglé en fonction de la tension secteur de votre région. Le sélecteur de tension est réglé sur 240 V au départ d'usine. Pour modifier ce réglage, utilisez un tournevis à lame plate pour tourner le sélecteur afin de mettre l'indication correspondant à la tension de votre région vis à vis du repère triangulaire situé sur le panneau.
IMPORTANTE
Verifique la alimentación de corriente
Asegúrese de que tensión de alimentación de CA de su área corresponde con la tensión especificada en la placa de características del panel inferior. En algunas zonas puede haberse incorporado un selector de tensión en el panel inferior de la unidad del teclado principal, cerca del cable de alimentación. Asegúrese de que el selector de tensión esté ajustado a la tensión de su área. El selector de tensión se ajusta a 240V cuando la unidad sale de fábrica. Para cambiar el ajuste, emplee un destornillador de cabeza "recta" para girar el selector de modo que aparezca la tensión correcta al lado del indicador del panel.
SPECIAL MESSAGE SECTION
PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.
CAUTION |
RISK OF ELECTRIC SHOCK |
DO NOT OPEN |
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. |
DO NOT REMOVE COVER (OR BACK). |
NO USER-SERVICEABLE PARTS INSIDE. |
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. |
See bottom of Keyboard enclosure for graphic symbol markings.
The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
The lightning flash with arrowhead symbol, within the equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical shock.
IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected.
SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.
ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:
Battery Notice: This product MAY contain a small nonrechargable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.
Warning: Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you.
Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc.
NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.
NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
CLP-130 |
CLP-120 |
Model
Serial No.
Purchase Date
92-469 1 (bottom)
Thank you for purchasing the Yamaha Clavinova! We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient functions of the Clavinova.
We also recommend that you keep this manual in a safe and handy place for future reference.
About this Owner’s Manual
This manual consists of three main sections: “Introduction,” “Reference” and “Appendix.”
Introduction (page 2):
Please read this section first.
Reference (page 13):
This section explains how to make detailed settings for the Clavinova’s various functions.
Appendix (page 69):
This section introduces reference material.
*The models CLP-130/120 will be referred to as the CLP/Clavinova in this Owner’s Manual.
*The illustrations and LED displays shown in this owner’s manual are for instructional purposes only and may appear somewhat different from those on your instrument.
COPYRIGHT NOTICE
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, MIDI files, WAVE data. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.
Trademarks:
•Apple and Macintosh are trademarks of Apple Computer, Inc.
•Windows is a registered trademark of Microsoft® Corporation.
•All other trademarks are the property of their respective holders.
“The Clavinova-Computer Connection,” is a supplementary guidebook that describes, for beginners, what you can do with your Clavinova and a personal computer and how to set up a Clavinova-Computer system (the manual is not written for any specific models). The document is available as a PDF file (in English) at the following Internet address:
Clavinova Web site (English only): http://www.yamahaclavinova.com/
Yamaha Manual Library: http://www2.yamaha.co.jp/manual/english/
ENGLISH
CLP-130/120 About this Owner’s Manual |
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ENGLISH
Table of Contents
Introduction |
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SPECIAL MESSAGE SECTION ...................... |
2 |
About this Owner’s Manual........................ |
3 |
Application Index........................................ |
5 |
PRECAUTIONS............................................. |
6 |
Accessories .................................................. |
8 |
Maintenance ............................................... |
8 |
Features....................................................... |
9 |
Before Using the Clavinova ...................... |
10 |
Key Cover ........................................................... |
10 |
Music Rest .......................................................... |
10 |
Turning the Power On....................................... |
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Setting the Volume............................................. |
11 |
Using Headphones ............................................. |
12 |
Using the Speaker Switch................................... |
12 |
Reference |
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Part Names................................................ |
14 |
Listening to the Demonstration Tunes .... |
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Listening to 50 Piano Preset Songs .......... |
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Practicing a One-Hand Part Using 50 Preset |
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Songs (Part Cancel Function) ....................... |
18 |
A-B Repeat for 50 Preset Songs ......................... |
20 |
Selecting & Playing Voices........................ |
21 |
Selecting Voices .................................................. |
21 |
Using the Pedals ................................................. |
21 |
Adding Variations to the Sound – |
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[VARIATION] (CLP-130)/[BRILLIANCE]/ |
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[REVERB]/[EFFECT].................................... |
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Touch Sensitivity – [TOUCH] .......................... |
24 |
Transposition – [TRANSPOSE]........................ |
25 |
Combining Two Voices (Dual mode)............... |
26 |
Splitting the Keyboard Range and Playing Two |
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Different Voices (Split mode) (CLP-130) .... |
27 |
Using the Metronome........................................ |
29 |
Recording Your Performance ................... |
30 |
Recording to [TRACK1].................................... |
30 |
Re-recording TRACK1 ...................................... |
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Recording to [TRACK2].................................... |
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Changing the Initial Settings (Data recorded at |
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the beginning of a song) ................................ |
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Playing Back Recorded Songs................... |
35 |
Playing Back a Song ........................................... |
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Useful Playback Functions................................. |
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Detailed Settings – [FUNCTION]............... |
37 |
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Basic Procedure in Function Mode .................. |
38 |
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About Each Function......................................... |
40 |
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F1. |
Fine Tuning of the Pitch ....................... |
40 |
F2. |
Selecting a Scale ..................................... |
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F3. Dual Mode Functions ........................... |
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F4. |
(CLP - 130) Split Mode Functions ......... |
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F5. |
(CLP - 130) / F4. (CLP - 120) |
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Other Functions .................................... |
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F.6 |
(CLP - 130) / F.5 (CLP - 120) |
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Metronome Volume ............................. |
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F7. |
(CLP - 130) / F6. (CLP - 120) |
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Preset Song Part Cancel Volume ......... |
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F8. |
(CLP - 130) / F7. (CLP - 120) |
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MIDI Functions .................................... |
45 |
F9. |
(CLP - 130) / F8. (CLP - 120) |
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Backup Functions ................................. |
48 |
About MIDI................................................ |
49 |
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Connections .............................................. |
50 |
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Connectors......................................................... |
50 |
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Connecting a Personal Computer .................... |
52 |
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Troubleshooting........................................ |
56 |
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Options |
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56 |
CLP-120: .........Keyboard Stand Assembly |
57 |
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CLP-130: .........Keyboard Stand Assembly |
60 |
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Preset Voice ........................................List |
63 |
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Demo Song .........................................List |
66 |
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Index.......................................................... |
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67 |
Appendix |
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Factory Setting ...................................List |
70 |
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MIDI Data .....................................Format |
71 |
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MIDI Implementation .....................Chart |
75 |
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Specifications ............................................ |
76 |
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4 |
CLP-130/120 Table of Contents |
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Application Index
Use this index to find reference pages that may be helpful for your particular application and situation.
Listening
Listening to demo songs with different voices....................................... |
“Listening to the Demonstration Tunes” on page 16 |
Listening to songs from “50 Greats for the Piano” ...................................... |
“Listening to 50 Piano Preset Songs” on page 17 |
Listening to my recorded performance ................................................................. |
“Playing Back Recorded Songs” on page 35 |
Playing
Using the three performance control pedals.............................................................................. |
“Using the Pedals” on page 21 |
Playing an accompaniment that matches pitch ................................................ |
“Transposition – [TRANSPOSE]” on page 25 |
Selecting a touch sensitivity type......................................................................... |
“Touch Sensitivity – [TOUCH]” on page 24 |
Fine tuning the pitch of the entire instrument when you play the Clavinova along |
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with other instruments or CD music. ............................................................................ |
“Fine tuning of the pitch” on page 40 |
Changing voices
Viewing the list of voices.............................................................................................................. |
“Preset Voice List” on page 63 |
Simulating a concert hall ..................................................................................................................... |
“[REVERB]” on page 22 |
Combining two voices............................................................................... |
“Combining Two Voices (Dual mode)” on page 26 |
Playing different sounds with left and right hands
................................ “Splitting the Keyboard Range and Playing Two Different Voices (Split mode) (CLP-130)” on page 27
Making the sound more brilliant or mellower |
........................................................................... “[BRILLIANCE]” on page 22 |
Adding spread or swell to the sound .................................................................................................... |
“[EFFECT]” on page 23 |
Enhancing the sound with effects............................................................................... |
“[VARIATION] (CLP-130)” on page 22 |
Practicing
Muting the rightor left-hand part
...................................................... “Practicing a One-Hand Part Using 50 Preset Songs (Part Cancel Function)” on page 18
Practicing a specified phrase repeatedly.............................................................. |
“A-B Repeat for 50 Preset Songs” on page 20 |
Practicing with an accurate and steady tempo ................................................................. |
“Using the Metronome” on page 29 |
Practicing using your recorded song ..................................................................... |
“Recording Your Performance” on page 30 |
Recording
Recording your performance................................................................................. “Recording Your Performance” on page 30
Settings
Adjusting the Clavinova settings ................................................................... “Detailed Settings – [FUNCTION]” on page 37
Connecting the Clavinova to other devices
What is MIDI? .................................................................................................................................... |
“About MIDI” on page 49 |
Recording your performance....................................................................................................... |
“AUX OUT jacks” on page 50 |
Raising the volume ....................................................................................................................... |
“AUX OUT jacks” on page 50 |
Outputting other instruments’ sound from the Clavinova............................................................ |
“AUX IN jacks” on page 51 |
Connecting a computer .................................................................................. |
“Connecting a Personal Computer” on page 52 |
Assembling |
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Assembling and disassembling the Clavinova ................. “CLP-130/120”: Keyboard Stand Assembly” on pages page 57–62
ENGLISH
CLP-130/120 Application Index |
5 |
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ENGLISH
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Power supply/Power cord
●Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument.
●Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.
●Use only the supplied power cord/plug.
●Do not place the power cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.
Water warning
●Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings.
●Never insert or remove an electric plug with wet hands.
Fire warning
●Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire.
Do not open
●Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.
If you notice any abnormality
●If the power cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property.These precautions include, but are not limited to, the following:
Power supply/Power cord
●When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it.
●Remove the electric plug from the outlet when the instrument is not to be used for extended periods of time, or during electrical storms.
●Do not connect the instrument to an electrical outlet using a multiple-connector.
Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
Assembly
●Read carefully the attached documentation explaining the assembly process.
Failure to assemble the instrument in the proper sequence might result in damage to the instrument or even injury.
(1)B-7
6 CLP-130/120 PRECAUTIONS
Location
●Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components.
●Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise.
●Do not place the instrument in an unstable position where it might accidentally fall over.
●Before moving the instrument, remove all connected cables.
●Do not place the instrument against a wall (allow at least 3 cm/ one-inch from the wall), since this can cause inadequate air circulation, and possibly result in the instrument overheating.
1/2
Connections
●Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
Maintenance
●When cleaning the instrument, use a soft, dry or slightly damp cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths.
Handling caution
●Take care that the key cover does not pinch your fingers, and do not insert a finger or hand in any gaps on the key cover or instrument.
●Never insert or drop paper, metallic, or other objects into the gaps on the key cover, panel or keyboard. If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel.
●Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.
●Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors.
●Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
Using the bench (If included)
●Do not place the bench in an unstable position where it might accidentally fall over.
●Do not play carelessly with or stand on the bench. Using it as a tool or step-ladder or for any other purpose might result in accident or injury.
●Only one person should sit on the bench at a time, in order to prevent the possibility of accident or injury.
●If the bench screws become loose due to extensive long-term use, tighten them periodically using the included tool.
Saving data
Saving and backing up your data
●Depending upon the Backup Settings (page 48), internal data is retained for about 1 week after the power is turned off. If the period is exceeded, the data will be lost. Be sure to turn the power switch on for a few minutes at least once a week. The data could be lost due to malfunction or incorrect operation. Save important data to external media such as the Yamaha MDF3 MIDI data filer.
Backing up the external media
●To protect against data loss through media damage, we recommend that you save your important data onto two external media.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
ENGLISH
(1)B-7 2/2
CLP-130/120 PRECAUTIONS 7
ENGLISH
Accessories
•“50 Greats for the Piano” (Music Book)
•Owner’s Manual
This manual contains complete instructions for operating your Clavinova.
• Bench
A bench may be included or optional, depending on your locale.
Maintenance
Clean the instrument using a dry or slightly damp soft cloth (wring well).
CAUTION
Do not use benzene, thinner, detergent, or chemically-treated cloth for cleaning. Do not place vinyl, plastic or rubber products on the instrument.
Otherwise, the panel or keys may become discolored or degraded.
CAUTION
Before using the Clavinova, be sure to read “Precautions” on pages 6 – 7.
Tuning
Unlike an acoustic piano, the Clavinova does not need to be tuned. It always stays perfectly in tune.
Transporting
If you move to another location, you can transport the Clavinova along with your other belongings. You can move the unit as it is (assembled) or you can disassemble the unit.
Transport the keyboard horizontally. Do not lean it up against a wall or stand it up on its side. Do not subject the instrument to excessive vibration or shock.
8 |
CLP-130/120 Accessories / Maintenance |
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Features
The Yamaha Clavinova CLP-130/120 digital piano offers unmatched sonic realism and natural grand-piano type playability as well as Yamaha’s original “AWM Dynamic Stereo Sampling (CLP-130)/AWM Stereo Sampling (CLP-120)” tonegeneration technology for rich, musical voices, and a special “Graded Hammer” keyboard that provides graded key weight and response throughout the keyboard range.
The CLP-130/120 Grand Piano 1 and 2 voices feature totally new samples painstakingly recorded from a full concert grand piano. The CLP-130 Grand Piano 1 voice features three velocity-switched samples (Dynamic Sampling), special “Sustain Sampling” (page 88) that samples the unique resonance of an acoustic grand piano’s soundboard and strings when the damper pedal is pressed, and “Keyoff Samples” that add the subtle sound produced when the keys are released. The CLP-130/120 comes much closer to the sound of a true acoustic piano.
TEMPO [▼] [▲] |
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[REVERB] / [EFFECT] |
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[TRANSPOSE] |
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You can change the song tempo (speed) and select |
Add reverb (reverberation) and |
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You can shift the pitch |
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useful functions using this buttons (pages 37–48). |
effects to the sound (pages 22, 23). |
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of the entire keyboard |
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up or down so that the |
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pitch will match that of |
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The Clavinova includes 50 preset songs. |
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another instrument or |
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[METRONOME] |
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This section enables you to listen to these songs, practice |
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singer, while you play |
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Control the metronome |
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using a convenient practice function, and record and play |
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the same, unshifted |
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functions (page 29). |
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back your performance (pages 17–20, 30–36). |
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keys (page 25). |
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[DEMO] |
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Voice buttons |
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[TOUCH] |
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Demonstration play- |
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Select voices from 14 internal sounds including |
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Fine-tune the |
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back is available for |
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Grand Piano 1 and 2 (page 21). You can also |
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touch response |
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each voice (page 16). |
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combine two voices at the same time (page 26). |
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(page 24). |
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GRAND |
GRAND |
E.PIANO |
E.PIANO |
HARPSI- E.CLAVI- |
VIBRA- |
VARIATION |
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MIN |
MAX |
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PIANO 1 |
PIANO 2 |
1 |
2 |
CHORD |
CHORD |
PHONE |
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TEMPO/OTHER VALUE |
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ROOM |
CHORUS |
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USER 1 |
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HALL 1 |
PHASER |
HARD |
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MASTER VOLUME |
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TEMPO |
USER 2 |
TRACK |
TRACK START/STOP REC |
CHURCH |
JAZZ |
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WOOD |
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HALL 2 |
TREMOLO MEDIUM |
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MELLOW |
BRIGHT |
START/STOP |
FUNCTION |
– /NO +/YES PRESET USER 3 |
1 |
2 |
ORGAN |
ORGAN |
STRINGS |
CHOIR |
GUITAR |
BASS |
E.BASS |
SPLIT |
STAGE |
DELAY |
SOFT |
ON |
BRILLIANCE |
DEMO |
METRONOME |
TEMPO / FUNCTION |
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SONG |
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VOICE |
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REVERB |
EFFECT |
TOUCH |
TRANSPOSE |
[BRILLIANCE]
Adjust the brightness of the tone using this slider (page 22).
[MASTER VOLUME]
Adjust the volume level using this slider (page 11).
[SPLIT]
You can play different voices on the leftand right-hand sections of the keyboard (CLP-130) (page 27).
(CLP-130)
OFF
ON
NORMAL
HP. SW
SPEAKER
PHONES
This switch turns the internal speakers on or off (page 12).
A set of standard stereo headphones can be plugged in here for private practice (page 12).
Connect the pedal cord here to use the Clavinova’s
pedals (page 51). PEDAL
Connect recording |
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Delivers the output of the |
equipment (such as a |
R L |
R |
L/L+R R |
L/L+R |
Clavinova for connection |
LEVEL FIXED |
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to an instrument amplifier, |
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cassette tape recorder) |
AUX OUT |
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AUX IN |
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here to record your per- |
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mixing console, PA sys- |
formance (page 50). |
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MIDI |
tem, or recording equip- |
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Mac |
MIDI |
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ment (page 51). |
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PC-1 PC-2 |
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TO HOST |
HOST SELECT |
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THRU |
OUT |
IN |
This jack and selector switch allow direct con- |
Connect a MIDI device here to use |
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nection to a personal computer for sequencing |
various MIDI functions (pages 45–47). |
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and other music applications (pages 52–55). |
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(About MIDI page 49) |
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ENGLISH
CLP-130/120 Features 9
ENGLISH
Before Using the Clavinova
Key Cover
To open the key cover:
Lift the cover slightly, then push and slide it open.
To close the key cover:
Slide the cover toward you and gently lower the cover over the keys.
CAUTION
Be careful to avoid catching your fingers when opening or closing the cover.
CAUTION
Hold the cover with both hands when opening or closing it. Do not release it until it is fully opened or closed. Be careful to avoid catching fingers (yours or others, especially children’s) between the cover and main unit.
CAUTION
Do not place objects such as a piece of metal or paper on top of the key cover. Small objects placed on the key cover may fall inside the unit when the cover is opened and may be nearly impossible to remove. This could cause electric shock, short circuit, fire or other serious damage to the instrument.
Music Rest
To raise the music rest:
1.Pull the music rest up and toward yourself as far as it will go.
2.Flip down the two metal supports at the left and right on
the rear of the music rest.
3. Lower the music rest so that it rests on the metal supports.
To lower the music rest:
1.Pull the music rest toward yourself as far as it will go.
2.Raise the two metal supports (at the rear of the music rest).
3.Gently lower the music rest backward until it is all the way
down.
CAUTION
Do not try to use the music rest in a half-raised position. When lowering the music rest, do not release your hands from the music rest until it is all the way down.
10 |
CLP-130/120 Before Using the Clavinova |
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Turning the Power On
1.Connect the power cord.
Insert the plugs at the ends of the cord, one into the AC INLET on the Clavinova, and the other into a standard AC outlet.
In some areas, a plug adaptor may be provided to match the pin configuration of the AC wall outlets in your area.
1 |
2 |
(bottom surface)
(The shape of plug differs depending on locale.)
2.Turn the power on.
Press the [POWER] button.
•The display located in the center of the front panel and the power indicator located below the left end of the keyboard lights up.
[POWER]
Power indicator
Display
Normally indicates tempo.
When you’re ready to turn off the power, press the [POWER] button again.
• The display and the power indicator turn off.
TIP |
Power indicator |
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If you close the key cover without turning the power off, the power indicator remains lit, indicating that the |
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power is still on. |
Setting the Volume
Initially set the [MASTER VOLUME] control about halfway between the “MIN” and “MAX” settings. Then, when you start playing, re-adjust the [MASTER VOLUME] control to the most comfortable listening level.
MIN
MAX
MASTER VOLUME
The level decreases. |
The level increases. |
CAUTION
Do not use the Clavinova at a high volume level for a long period of time, or your hearing may be damaged.
TERMINOLOGY |
MASTER VOLUME: |
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The volume level of the entire keyboard sound |
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You can also adjust the [PHONES] output level and the AUX IN input level using the [MASTER VOLUME] slider. |
TIP |
ENGLISH
CLP-130/120 Before Using the Clavinova |
11 |
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ENGLISH
Using Headphones
Connect a pair of headphones to one of the [PHONES] jacks. Two [PHONES] jacks are provided.
You can connect two sets of standard stereo headphones. (If you are using only one pair of headphones, you can plug them into either jack.)
bottom surface
OFF
ON
NORMAL
HP. SW
SPEAKER
PHONES
standard stereo phone plug
Using the Headphone Hanger
A headphone hanger is included in the CLP-130/120 package so that you can hang the headphones on the Clavinova. Install the headphone hanger using included two screws (4 × 10mm) as shown in the figure.
CAUTION
Do not hang anything other than the headphones on the hanger. Otherwise, the Clavinova or the hanger may be damaged.
Using the Speaker Switch
This switch turns the internal speakers on or off.
NORMAL (HP. SW) ......... |
The speakers produce sound as long as a pair of headphones is not con- |
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nected. |
ON ....................................... |
The speakers always produce sound. |
OFF ...................................... |
The speakers produce no sound. |
OFF
ON
NORMAL
HP. SW
SPEAKER
PHONES
12 |
CLP-130/120 Before Using the Clavinova |
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Reference |
This section explains how to make detailed settings for the |
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Clavinova’s various functions. |
Part Names................................................................ |
14 |
Listening to the Demonstration Tunes ................... |
16 |
Listening to 50 Piano Preset Songs.......................... |
17 |
Practicing a One-Hand Part Using 50 Preset Songs |
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(Part Cancel Function)............................................ |
18 |
A-B Repeat for 50 Preset Songs .................................. |
20 |
Selecting & Playing Voices ....................................... |
21 |
Selecting Voices ........................................................... |
21 |
Using the Pedals .......................................................... |
21 |
Adding Variations to the Sound – [VARIATION] |
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(CLP-130)/[BRILLIANCE]/[REVERB]/ |
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[EFFECT]................................................................. |
22 |
Touch Sensitivity – [TOUCH].................................... |
24 |
Transposition – [TRANSPOSE] ................................. |
25 |
Combining Two Voices (Dual mode)......................... |
26 |
Splitting the Keyboard Range and Playing Two |
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Different Voices (Split mode) (CLP-130)............... |
27 |
Using the Metronome ................................................. |
29 |
Recording Your Performance................................... |
30 |
Recording to [TRACK1] ............................................. |
30 |
Re-recording TRACK1................................................ |
32 |
Recording to [TRACK2] ............................................. |
32 |
Changing the Initial Settings (Data recorded at the |
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beginning of a song)................................................ |
34 |
Playing Back Recorded Songs .................................. |
35 |
Playing Back a Song .................................................... |
35 |
Useful Playback Functions.......................................... |
36 |
Detailed Settings – [FUNCTION]........................... |
37 |
Basic Procedure in Function Mode............................ |
38 |
About Each Function .................................................. |
40 |
F1. Fine Tuning of the Pitch ....................................... |
40 |
F2. Selecting a Scale..................................................... |
41 |
F3. Dual Mode Functions ........................................... |
42 |
F4. (CLP-130) Split Mode Functions........................ |
43 |
F5. |
(CLP-130) / F4. (CLP-120) Other Functions..... |
44 |
F.6 (CLP-130) / F.5 (CLP-120) Metronome Volume .. |
45 |
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F7. |
(CLP-130) / F6. (CLP-120) Preset Song |
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Part Cancel Volume .............................................. |
45 |
F8. |
(CLP-130) / F7. (CLP-120) MIDI Functions ..... |
45 |
F9. |
(CLP-130) / F8. (CLP-120) Backup Functions.. 48 |
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About MIDI.............................................................. |
49 |
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Connections ............................................................. |
50 |
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Connectors .................................................................. |
50 |
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Connecting a Personal Computer .............................. |
52 |
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Troubleshooting ....................................................... |
56 |
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Options..................................................................... |
56 |
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CLP-120: Keyboard Stand Assembly....................... |
57 |
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CLP-130: Keyboard Stand Assembly....................... |
60 |
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Preset Voice List........................................................ |
63 |
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Demo Song List........................................................ |
66 |
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Index ......................................................................... |
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67 |
ENGLISH
CLP-130/120 13
ENGLISH
Part Names
Top panel (CLP-130)
2 |
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4 |
5 |
6 |
7 |
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8 |
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MIN |
MAX |
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TEMPO/OTHER VALUE |
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USER 1 |
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MASTER VOLUME |
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TEMPO |
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USER 2 |
TRACK |
TRACK START/STOP REC |
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START/STOP |
FUNCTION |
— /NO +/YES |
PRESET |
USER 3 |
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MELLOW |
BRIGHT |
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2 |
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3 |
BRILLIANCE |
DEMO |
METRONOME |
TEMPO / FUNCTION |
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SONG |
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9
GRAND |
GRAND |
E.PIANO |
E.PIANO |
HARPSI- |
E.CLAVI- |
VIBRA- |
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A |
B |
C D |
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VARIATION |
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PIANO 1 |
PIANO 2 |
1 |
2 |
CHORD |
CHORD |
PHONE |
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ROOM |
CHORUS |
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HALL 1 |
PHASER |
HARD |
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CHURCH |
JAZZ |
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WOOD |
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HALL 2 |
TREMOLO |
MEDIUM |
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ORGAN |
ORGAN |
STRINGS |
CHOIR |
GUITAR |
BASS |
E.BASS |
SPLIT |
STAGE |
DELAY |
SOFT |
ON |
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VOICE |
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0 |
REVERB |
EFFECT |
TOUCH |
TRANSPOSE |
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M |
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1 |
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N |
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A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7 |
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O |
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PEDAL |
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E |
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Connectors |
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(CLP-130) |
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R |
L |
R |
L/L+R |
R |
L/L+R |
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LEVEL FIXED |
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AUX OUT |
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AUX IN |
OFF |
K |
F |
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G |
ON |
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NORMAL |
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HP. SW |
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SPEAKER |
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MIDI |
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L |
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Mac |
MIDI |
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PHONES |
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PC-1 |
PC-2 |
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TO HOST |
HOST SELECT |
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THRU |
OUT IN |
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H |
I |
J |
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1 |
[POWER] ....................................... |
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P11 |
9 Voice buttons................................ |
P21 |
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2 |
[MASTER VOLUME] ....................... |
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P11 |
0 [SPLIT] (CLP-130).......................... |
P27 |
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3 |
[BRILLIANCE] ................................ |
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P22 |
A [REVERB] |
....................................... |
P22 |
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4 |
[DEMO] |
........................................ |
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P16 |
B [EFFECT] |
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P23 |
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5 METRONOME [START/STOP] |
P29 |
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C [TOUCH] |
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P24 |
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6 |
[TEMPO/FUNCTION #▲▼] |
P29, 38 |
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D [TRANSPOSE] |
P25 |
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7 LED display |
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P15 |
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E [PEDAL] |
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P51 |
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8 |
[–/NO] / [+/YES] |
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F AUX OUT |
P50 |
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[PRESET] |
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[USER1] [USER2] [USER3] (CLP-130) |
G AUX IN ......................................... |
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P51 |
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[TRACK1] [TRACK2] |
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SONG [START/STOP] |
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[REC].......................... |
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P17–20, P30–36 |
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14 CLP-130/120 Part Names
Top panel (CLP-120)
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4 |
5 |
6 |
7 |
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8 |
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2 |
MIN |
MAX |
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TEMPO/OTHER VALUE |
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MASTER VOLUME |
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START/STOP |
TEMPO |
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— /NO +/YES |
PRESET |
TRACK |
TRACK START/STOP REC |
MELLOW |
BRIGHT |
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FUNCTION |
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1 |
2 |
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3 |
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BRILLIANCE |
DEMO |
METRONOME |
TEMPO / FUNCTION |
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SONG |
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9
GRAND |
GRAND |
E.PIANO |
E.PIANO |
HARPSI- |
HARPSI- |
VIBRA- |
A |
B |
C D |
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PIANO 1 |
PIANO 2 |
1 |
2 |
CHORD1 |
CHORD2 |
PHONE |
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ROOM |
CHORUS |
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HALL 1 |
PHASER |
HARD |
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CHURCH |
CHURCH |
JAZZ |
STRINGS |
STRINGS |
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HALL 2 |
TREMOLO |
MEDIUM |
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ORGAN1 |
ORGAN2 |
ORGAN |
1 |
2 |
CHOIR |
GUITAR |
STAGE |
DELAY |
SOFT |
ON |
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VOICE |
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REVERB |
EFFECT |
TOUCH |
TRANSPOSE |
ENGLISH
1 |
M |
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N |
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A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7 |
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O |
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OFF
ON
NORMAL
HP. SW
SPEAKER
PHONES
Connectors (CLP-120)
K |
LEVEL FIXED |
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MIDI |
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THRU |
OUT |
IN |
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Mac |
MIDI |
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PC-1 |
PC-2 |
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L |
R |
L |
R |
L/L+R |
R |
L/L+R |
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AUX OUT |
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AUX IN |
TO HOST |
HOST SELECT |
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PEDAL |
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F |
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G |
H |
I |
J |
E |
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H [TO HOST] ............................... |
P49–55 |
L [PHONES] ..................................... |
P12 |
I HOST SELECT........................... |
P49–55 |
M Soft (Left) Pedal ............................ |
P22 |
J MIDI [IN] [OUT] [THRU]........... |
P49–55 |
N Sostenute (Center) Pedal............... |
P22 |
K [SPEAKER] ..................................... |
P12 |
O Damper (Right) Pedal ................... |
P21 |
Display
•Check the operation on the display in the center of the top panel as you proceed.
•The display indicates different values, as shown below, depending on the operation.
Tempo |
A song number of |
Function number |
Parameter value |
(Normal indication) |
“50 Greats for the Piano” |
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CLP-130/120 Part Names 15
ENGLISH
Listening to the Demonstration Tunes
Demonstration tunes are provided that effectively demonstrate each of the CLP-130/120’s voices.
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2 |
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5 |
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4 |
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3 |
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GRAND |
GRAND |
E.PIANO |
E.PIANO |
HARPSI- |
E.CLAVI- |
VIBRA- |
VARIATION |
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MIN |
MAX |
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PIANO 1 |
PIANO 2 |
1 |
2 |
CHORD |
CHORD |
PHONE |
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TEMPO/OTHER VALUE |
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ROOM |
CHORUS |
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USER 1 |
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HALL 1 |
PHASER |
HARD |
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MASTER VOLUME |
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TEMPO |
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USER 2 |
TRACK |
TRACK START/STOP REC |
CHURCH |
JAZZ |
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WOOD |
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HALL 2 |
TREMOLO |
MEDIUM |
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MELLOW |
BRIGHT |
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START/STOP |
FUNCTION |
— /NO +/YES |
PRESET |
USER 3 |
1 |
2 |
ORGAN |
ORGAN |
STRINGS |
CHOIR |
GUITAR |
BASS |
E.BASS |
SPLIT |
STAGE |
DELAY |
SOFT |
ON |
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BRILLIANCE |
DEMO |
METRONOME |
TEMPO / FUNCTION |
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SONG |
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VOICE |
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REVERB |
EFFECT |
TOUCH |
TRANSPOSE |
Procedure
1. Turn the power on.
(In case the power is not turned ON) Press the [POWER] button. When the power is turned ON, one of the voice button LEDs will light.
Initially set the [MASTER VOLUME] control about half way between the “MIN” and “MAX” settings. Then, when you start playing, re-adjust the [MASTER VOLUME] control to the most comfortable listening level.
2. Engage Demo mode.
Press the [DEMO] button to engage Demo mode. The voice button indicators will flash in sequence.
3. Play a Voice demo.
Press one of the voice buttons to start playback of all songs starting from the corresponding voice demo tune — featuring the voice normally selected by that voice button. (If you press the SONG [START/STOP] button instead of a voice button, the GRAND PIANO 1 demo tune will begin playback.)
Adjust the volume/brilliance
Use the [MASTER VOLUME] control to adjust the volume and the [BRILLIANCE] control to adjust the brilliance (page 22).
4. Stop the Voice demo.
Press the SONG [START/STOP] button or the voice button of the currentlyplaying demo to stop playback.
5. Exit from Demo mode.
Press the [DEMO] button to exit from Demo mode and return to normal play mode.
The voice button indicators will stop flashing in sequence.
TIP
For a list of the demo songs, see page 66.
NOTE
MIDI reception is not possible in Demo Song mode.
Demo song data is not transmitted via the MIDI connectors.
NOTE
Demo mode cannot be engaged while a user song recorder (page 30) or user song playback (page 35) is in use.
TERMINOLOGY
Mode:
A mode is a status under which you can execute a certain function. In Demo mode, you can play back demonstration tunes.
NOTE
You cannot adjust the tempo of demo songs.
You cannot use the part cancel function (page 45) or the song
A–B repeat function (page 20) in Demo mode.
NOTE
On the CLP-130, you can demo the piano voices with various effects by pressing the [VARIATION] button, then pressing the desired voice button. Refer to the “Piano Voice Demo Description” on page 66 for the complete list of demo sounds for the piano voices with various effects.
16 |
CLP-130/120 Listening to the Demonstration Tunes |
|
|
Listening to 50 Piano Preset Songs
The Clavinova provides performance data of 50 piano songs. You can simply listen to these songs (page 17) or use them for practice (page 18). You can also refer to the included “50 Greats for the Piano” that contains scores for 50 piano preset songs.
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2-1 |
1 |
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4 |
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2-2 |
3 |
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GRAND |
GRAND |
E.PIANO |
E.PIANO |
HARPSI- |
E.CLAVI- |
VIBRA- |
VARIATION |
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MIN |
MAX |
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PIANO 1 |
PIANO 2 |
1 |
2 |
CHORD |
CHORD |
PHONE |
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TEMPO/OTHER VALUE |
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ROOM |
CHORUS |
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USER 1 |
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HALL 1 |
PHASER |
HARD |
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MASTER VOLUME |
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TEMPO |
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USER 2 |
TRACK |
TRACK START/STOP REC |
CHURCH |
JAZZ |
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WOOD |
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HALL 2 |
TREMOLO |
MEDIUM |
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MELLOW |
BRIGHT |
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START/STOP |
FUNCTION |
— /NO +/YES |
PRESET |
USER 3 |
1 |
2 |
ORGAN |
ORGAN |
STRINGS |
CHOIR |
GUITAR |
BASS |
E.BASS |
SPLIT |
STAGE |
DELAY |
SOFT |
ON |
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BRILLIANCE |
DEMO |
METRONOME |
TEMPO / FUNCTION |
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SONG |
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VOICE |
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REVERB |
EFFECT |
TOUCH |
TRANSPOSE |
Procedure
1. Engage Preset Song mode.
Press the [PRESET] button to engage Preset Song mode. The [PRESET], [TRACK1] and [TRACK2] indicators will light.
2. Play any of the 50 preset songs.
2-1 Press the [–/NO], [+/YES] buttons to select the number |
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of the tune you want to play (the number will appear |
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on the LED display). |
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1 – 50: |
Select a preset song number and play only |
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ALL: |
the song. |
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Play all preset songs in sequence. |
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rnd: |
Play all preset songs continuously in random order. |
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2-2 Press the SONG [START/STOP] button to start playback.
Adjust the Volume
Use the [MASTER VOLUME] control to adjust the volume.
Adjust the tempo
You can use the [TEMPO/FUNCTION# ▼
▲] buttons to adjust the playback tempo as required. The default tempo can be recalled by simultaneously pressing the [▼] and [▲] buttons.
3. Stop playback.
This produces a relative tempo variation, with a range from “–50” through “---” to “50” at maximum; the range will differ depending on the selected song.
Playback will stop automatically when the selected preset song has finished. To stop the song during playback (or continuous playback), press the SONG [START/STOP] button.
• To play back another song continuously, see procedure 2 above.
NOTE
Preset Song mode cannot be engaged while the unit is in Demo Song mode (page 16), while a song is playing back (page 35), or when the user song recorder (page 30) is in use.
TERMINOLOGY
Song:
On the CLP-130/120, performance data is called a “Song.” This includes demonstration tunes and piano preset tunes.
TIP
You can play the keyboard along with the preset song. You can change the voice playing on the keyboard.
TIP
You can adjust the Brilliance control (page 22) and Reverb type (page 22) that is applied to the voice you play on the keyboard and for the preset song playback. You can change the Effect type (page 23) and Touch sensitivity (page 24) for the keyboard voice.
NOTE
The default tempo “---” is automatically selected whenever a new preset song is selected, or when playback of a new preset song begins during “ALL” or “rnd” playback.
NOTE
When you select a different song (or a different song is selected during chained playback), an appropriate reverb type will be selected accordingly.
ENGLISH
CLP-130/120 Listening to 50 Piano Preset Songs 17
ENGLISH
4. Exit from Preset Song mode.
Press the [PRESET] button to exit Preset Song mode. The indicator turns off, and the unit returns to normal play mode.
How to use the practice functions
You can turn the leftand right-hand parts on or off as required so you can practice the corresponding part (part cancel function) and continuously repeat a specified phrase within a song (song A-B repeat function). For more information, see pages 18–20.
NOTE
MIDI reception is not possible in Piano Song mode.
Piano song data is not transmitted via the MIDI connectors.
Practicing a One-Hand Part Using 50 Preset Songs (Part Cancel Function)
The 50 preset songs have separate leftand right-hand parts on individual tracks. You can turn the leftand right-hand parts on or off as required so you can practice the corresponding part (the part that is turned off) on the keyboard. The right-hand part is played by [TRACK1] and the left-hand part is played by [TRACK2].
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GRAND |
GRAND |
E.PIANO |
E.PIANO |
HARPSI- |
E.CLAVI- |
VIBRA- |
VARIATION |
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MIN |
MAX |
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PIANO 1 |
PIANO 2 |
1 |
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CHORD |
CHORD |
PHONE |
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TEMPO/OTHER VALUE |
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ROOM |
CHORUS |
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USER 1 |
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HALL 1 |
PHASER |
HARD |
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MASTER VOLUME |
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TEMPO |
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USER 2 |
TRACK |
TRACK START/STOP REC |
CHURCH |
JAZZ |
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WOOD |
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HALL 2 |
TREMOLO |
MEDIUM |
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MELLOW |
BRIGHT |
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START/STOP |
FUNCTION |
— /NO +/YES |
PRESET |
USER 3 |
1 |
2 |
ORGAN |
ORGAN |
STRINGS |
CHOIR |
GUITAR |
BASS |
E.BASS |
SPLIT |
STAGE |
DELAY |
SOFT |
ON |
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BRILLIANCE |
DEMO |
METRONOME |
TEMPO / FUNCTION |
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SONG |
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VOICE |
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REVERB |
EFFECT |
TOUCH |
TRANSPOSE |
Procedure
1. Turn off the playback part you wish to practice.
After you select a song to practice, press the [TRACK1] or [TRACK2] button to turn off the corresponding part.
When you first select a song, both [TRACK1] and [TRACK2] indicators light up, indicating that you can play back both parts. When you press one of the buttons to turn off playback, the corresponding button indicator turns off and the corresponding part playback is muted.
• Pressing the buttons repeatedly toggles playback between on and off.
2.Start playback and playing.
Press the SONG [START/STOP] button to start playback. Play the part you just turned off.
NOTE
The Preset Song Part Cancel function cannot be used during “ALL” or “rnd” (page 17) playback.
TIP
The parts can be turned on or off even during playback.
TIP
The “Preset Song Part Cancel Volume” function described on page 45 can be used to set the canceled part so that it plays at a volume from “0” (no sound) to “20”. The normal setting is “5”.
18 CLP-130/120 Listening to 50 Piano Preset Songs
Starting playback automatically as you start playing the keyboard (Synchro Start)
When the Synchro Start function is engaged, play-
back of the selected preset song will begin automatically as soon as you start playing on the keyboard. To engage the Synchro Start function press the SONG [START/STOP] button while holding the
part button for the ON part. A dot will appear in the lower right corner of the display.
(Repeat the previous operation to disengage the Synchro Start function.) Playback will then start as soon as you begin playing on the keyboard.
Left Pedal Start/Stop
The left pedal can be assigned to start and stop preset song playback via the “Left Pedal Mode” function described on page 44.
3. Stop playback.
When playback is complete, it automatically stops and the Clavinova locates the top of the song. If you wish to stop playback in the middle of a song, press the
SONG[START/STOP] button.
NOTE
If you hold a track button that is OFF while pressing the SONG [START/STOP] button, that track will be turned ON and the unit will engage Synchro Start mode.
NOTE
Both parts are automatically turned ON whenever a new song is selected.
ENGLISH
CLP-130/120 Listening to 50 Piano Preset Songs 19
ENGLISH
A-B Repeat for 50 Preset Songs
The A-B Repeat function can be used to continuously repeat a specified phrase within a preset song. Combined with the Part Cancel function described below, this provides an excellent way to practice difficult phrases.
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GRAND |
GRAND |
E.PIANO |
E.PIANO |
HARPSI- |
E.CLAVI- |
VIBRA- |
VARIATION |
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MIN |
MAX |
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PIANO 1 |
PIANO 2 |
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CHORD |
CHORD |
PHONE |
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TEMPO/OTHER VALUE |
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ROOM |
CHORUS |
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USER 1 |
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HALL 1 |
PHASER |
HARD |
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MASTER VOLUME |
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TEMPO |
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USER 2 |
TRACK |
TRACK START/STOP REC |
CHURCH |
JAZZ |
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WOOD |
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HALL 2 |
TREMOLO |
MEDIUM |
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MELLOW |
BRIGHT |
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START/STOP |
FUNCTION |
— /NO +/YES |
PRESET |
USER 3 |
1 |
2 |
ORGAN |
ORGAN |
STRINGS |
CHOIR |
GUITAR |
BASS |
E.BASS |
SPLIT |
STAGE |
DELAY |
SOFT |
ON |
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BRILLIANCE |
DEMO |
METRONOME |
TEMPO / FUNCTION |
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SONG |
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VOICE |
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REVERB |
EFFECT |
TOUCH |
TRANSPOSE |
Procedure
1. Specify the beginning (A) and the end (B) of the phrase, and start practicing.
Select and play a preset song, then press the [TEMPO/ FUNCTION#] button at the beginning of the phrase you want to repeat.
This sets the “A” point ( |
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will appear on the dis- |
play). |
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To specify the end (B) of the phrase, press the [TEMPO/ FUNCTION#] button a second time at the end of the phrase.
This sets the “B” point (
will appear on the display).
At this point, repeat playback will begin between the specified A and B points.
2. Stop playback.
Press the SONG [START/STOP] button to stop playback while retaining the specified A and B points. A-B repeat playback will resume if you press the SONG [START/STOP] button again.
To cancel the A and B points, press the [TEMPO/FUNCTION#] button once.
NOTE
The A-B Repeat function cannot be used during “ALL” or “rnd” (page 17) playback.
NOTE
•To set the “A” point at the very beginning of the song, press the [TEMPO/FUNCTION#] button before starting playback.
•To set the B point at the song’s end, press the
[TEMPO/FUNCTION#] button after song playback is
complete and before 
disappears from the display.
TIP
An automatic lead-in (to help guide you into the phrase) starts at the A point of the song. However, when the A point is set at the beginning of the song, the automatic lead-in is not played.
NOTE
The A and B points are automatically canceled when a new song is selected.
20 CLP-130/120 Listening to 50 Piano Preset Songs
Selecting & Playing Voices
Selecting Voices
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Voice buttons |
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GRAND |
GRAND |
E.PIANO |
E.PIANO |
HARPSI- |
E.CLAVI- |
VIBRA- |
VARIATION |
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MIN |
MAX |
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PIANO 1 |
PIANO 2 |
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CHORD |
CHORD |
PHONE |
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TEMPO/OTHER VALUE |
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ROOM |
CHORUS |
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USER 1 |
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HALL 1 |
PHASER |
HARD |
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MASTER VOLUME |
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TEMPO |
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USER 2 |
TRACK |
TRACK START/STOP REC |
CHURCH |
JAZZ |
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WOOD |
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HALL 2 |
TREMOLO |
MEDIUM |
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MELLOW |
BRIGHT |
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START/STOP |
FUNCTION |
— /NO +/YES |
PRESET |
USER 3 |
1 |
2 |
ORGAN |
ORGAN |
STRINGS |
CHOIR |
GUITAR |
BASS |
E.BASS |
SPLIT |
STAGE |
DELAY |
SOFT |
ON |
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BRILLIANCE |
DEMO |
METRONOME |
TEMPO / FUNCTION |
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SONG |
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VOICE |
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REVERB |
EFFECT |
TOUCH |
TRANSPOSE |
Procedure
Select the desired voice by pressing one of the [VOICE] buttons.
Then, when you start playing, re-adjust the [MASTER VOLUME] control for the most comfortable listening level.
Using the Pedals
The Clavinova has three foot pedals that produce a range of expressive effects similar to those produced by the pedals on an acoustic piano.
Damper (Right) Pedal
The damper pedal functions in the same way as a damper pedal on an acoustic piano. When the damper pedal is pressed, notes sustain longer. Releasing the pedal immediately stops (damps) any sustained notes.
When you select the GRAND PIANO 1 voice on the CLP130, pressing the damper pedal activates the instrument’s special “Sustain Samples” to accurately recreate the unique resonance of an acoustic grand piano’s soundboard and strings.
When you press the damper pedal here, the notes you play before you release the pedal have a longer sustain.
TIP
To learn characteristics of the voices, listen to demo songs for each voice (page 16). Refer to “Preset Voice List” on page 63 for more information on the characteristics of each preset voice.
TERMINOLOGY
Voice:
On the Clavinova, a voice means a “tone” or “tonal color.”
TIP
You can control the loudness of a voice by adjusting the force with which you strike the keys, although different playing styles (touch sensitivities) have little or no effect with certain musical instruments.
Refer to “Preset Voice List” on page 63.
NOTE
If the damper pedal doesn’t work, make sure that the pedal cord is properly plugged into the main unit (page 61: CLP-130, page 58: CLP-120).
TIP
The depth of the effect produced by the “Sustain Samples” can be adjusted via the “Pedal Functions” (page 44) in Function mode.
ENGLISH
CLP-130/120 Selecting & Playing Voices |
21 |
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ENGLISH
Sostenuto (Center) Pedal
If you play a note or chord on the keyboard and press the sostenuto pedal while the note(s) are held, those notes will sustain as long as you hold the pedal (as if the damper pedal had been pressed) but all subsequently played notes will not be sustained. This makes it possible to sustain a chord, for example, while other notes are played “staccato.”
Soft (Left) Pedal
When you press the sostenuto pedal here while holding the note, the note will sustain as long as you hold the pedal.
The soft pedal reduces the volume and slightly changes the timbre of notes played while the pedal is pressed. The soft pedal will not affect notes that are already playing when it is pressed.
TIP
Organ, string and choir voices will continue to sound for as long as the sostenuto pedal is depressed.
TIP
The left pedal can be assigned to song start/stop operation or variation function (CLP-130) via the “Left Pedal Mode” described on page 44.
Adding Variations to the Sound – [VARIATION] (CLP-130)/[BRILLIANCE]/[REVERB]/[EFFECT]
[BRILLIANCE] |
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[—/NO] [+/YES] |
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[VARIATION] |
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[REVERB] |
[EFFECT] |
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GRAND |
GRAND |
E.PIANO |
E.PIANO |
HARPSI- |
E.CLAVI- |
VIBRA- |
VARIATION |
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MIN |
MAX |
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PIANO 1 |
PIANO 2 |
1 |
2 |
CHORD |
CHORD |
PHONE |
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TEMPO/OTHER VALUE |
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ROOM |
CHORUS |
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USER 1 |
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HALL 1 |
PHASER |
HARD |
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MASTER VOLUME |
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TEMPO |
USER 2 |
TRACK |
TRACK START/STOP REC |
CHURCH |
JAZZ |
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WOOD |
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HALL 2 |
TREMOLO MEDIUM |
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MELLOW |
BRIGHT |
START/STOP |
FUNCTION |
— /NO +/YES PRESET USER 3 |
1 |
2 |
ORGAN |
ORGAN |
STRINGS |
CHOIR |
GUITAR |
BASS |
E.BASS |
SPLIT STAGE |
DELAY |
SOFT |
ON |
BRILLIANCE |
DEMO |
METRONOME |
TEMPO / FUNCTION |
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REVERB |
EFFECT |
TOUCH |
TRANSPOSE |
[VARIATION] (CLP-130)
Lets you alter another aspect of the effect, depending on the selected type.
Refer to “Preset Voice List” on page 63 for more information on the characteristics of each variation.
Procedure
Pressing the [VARIATION] or selected voice button toggles the variation on and off. The indicator lights (ON) each time the [VARIATION] button is pressed.
[BRILLIANCE]
This control can be used to change the tonality or “timbre” of the sound output. The control range is from MELLOW to BRIGHT.
[REVERB]
This control enables you to select various digital reverb effects that would add extra depth and expression to the sound to create a realistic acoustic ambience.
OFF: When no reverb effect is selected, no REVERB indicator is lit.
ROOM: This setting adds a continuous reverb effect to the sound, similar to the acoustic reverberation you would hear in a room.
HALL 1: For a “bigger” reverb sound, use the HALL 1 setting. This effect simulates the natural reverberation of a small-size concert hall.
HALL 2: For a truly spacious reverb sound, use the HALL 2 setting. This effect simulates the natural reverberation of a large concert hall.
STAGE: Simulates the reverb of a stage environment.
TIP
Normal setting = OFF
TERMINOLOGY
Normal setting:
The “Normal setting” refers to the default setting (factory setting) obtained when you first turn on the power to the Clavinova.
TIP
The left pedal can be assigned to ON or OFF the variation via the “Left Pedal Mode” function described on page 44 (CLP130).
NOTE
When the BRILLIANCE is set to BRIGHT, the overall sound will be slightly louder. If the MASTER VOLUME is set at a high level the sound may become distorted. If so, lower the MASTER VOLUME level.
TIP
The default reverb type (including OFF) and depth settings are different for each voice.
22 |
CLP-130/120 Selecting & Playing Voices |
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Procedure
Pressing the [REVERB] button repeatedly toggles the reverb on and off.
The indicators light in sequence each time the [REVERB] button is pressed. No effect is produced when all indicators are off.
Even if the REVERB effect is OFF, a “Soundboard Reverb” effect will be applied when the GRAND PIANO 1 voice is selected.
Adjusting Reverb Depth |
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Adjust the reverb depth for the selected voice by using the |
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[–/NO] [+/YES] buttons while holding the [REVERB] but- |
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ton. The depth range is from 0 through 20. The current |
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depth setting appears on the LED display while the |
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[REVERB] button is held. |
depth |
[EFFECT]
The [EFFECT] button allows you to select an effect to give your sound greater depth and animation.
OFF: |
When no effect is selected, no EFFECT indicator is lit. |
CHORUS: |
A shimmering, broadening effect |
PHASER: |
Adds a sweeping effect to the sound. |
TREMOLO: |
Tremolo effect |
DELAY: |
Echo effect |
Procedure
To select an effect type press the [EFFECT] button a few times until the indicator corresponding to the desired type lights (the indicators light in sequence each time you press the [EFFECT] button). No effect is produced when all indicators are off.
Adjusting Effect Depth
You can adjust the effect depth for the selected voice by using the [–/NO] and [+/YES] buttons while holding the
[EFFECT] button.
The depth range is from 0 through 20. The current depth depth setting appears on the LED display while the [EFFECT]
button is held.
TIP
Releasing the [REVERB] button changes the reverb type. If you are changing the reverb
depth by holding the [REVERB] button, pressing the [REVERB] button will not change the reverb type.
TIP
depth 0: no effect
depth 20: maximum reverb depth
TIP
Default depth settings are different for each voice.
TIP
The default effect type (including OFF) and depth settings are different for each voice.
TIP
Releasing the [EFFECT] button changes the effect type.
If you are changing the depth settings by holding the [EFFECT] button, pressing the [EFFECT] button will not change the effect type.
TIP
depth 0: no effect
depth 20: maximum effect depth
TIP
Default depth settings are different for each voice.
ENGLISH
CLP-130/120 Selecting & Playing Voices |
23 |
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ENGLISH
Touch Sensitivity – [TOUCH]
You can select four different types of keyboard touch sensitivity — HARD, MEDIUM, SOFT or FIXED
— to match different playing styles and preferences.
HARD: Requires that the keys be played quite hard to produce maximum loudness.
MEDIUM: Produces a fairly “standard” keyboard response.
SOFT: Allows maximum loudness to be produced with relatively light key pressure.
FIXED: All notes are produced at the same volume no matter how hard the keyboard is played.
You can adjust the volume.
TIP
This setting does not change the weight of the keyboard.
TIP
Normal setting = MEDIUM
TIP
The touch sensitivity type will become the common setting for all voices. However, the touch sensitivity settings may have little or no effect with certain voices that are not normally responsive to keyboard dynamics. (Refer to the “Preset Voice List” on page 63.)
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[—/NO] [+/YES] |
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[TOUCH] |
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GRAND |
GRAND |
E.PIANO |
E.PIANO |
HARPSI- |
E.CLAVI- |
VIBRA- |
VARIATION |
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MIN |
MAX |
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PIANO 1 |
PIANO 2 |
1 |
2 |
CHORD |
CHORD |
PHONE |
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TEMPO/OTHER VALUE |
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ROOM |
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USER 1 |
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HALL 1 |
PHASER |
HARD |
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MASTER VOLUME |
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TEMPO |
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USER 2 |
TRACK |
TRACK START/STOP REC |
CHURCH |
JAZZ |
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WOOD |
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HALL 2 |
TREMOLO |
MEDIUM |
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MELLOW |
BRIGHT |
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START/STOP |
FUNCTION |
— /NO +/YES |
PRESET |
USER 3 |
1 |
2 |
ORGAN |
ORGAN |
STRINGS |
CHOIR |
GUITAR |
BASS |
E.BASS |
SPLIT |
STAGE |
DELAY |
SOFT |
ON |
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BRILLIANCE |
DEMO |
METRONOME |
TEMPO / FUNCTION |
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SONG |
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VOICE |
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REVERB |
EFFECT |
TOUCH |
TRANSPOSE |
Procedure
To select a touch sensitivity type press the [TOUCH] button a few times until the indicator corresponding to the desired type lights (the indicators light in sequence each time the [TOUCH] button is pressed). No indicator is lit when “FIXED” is selected.
Changing the volume when FIXED is selected |
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When you select FIXED, you can set the volume for notes |
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played in FIXED mode by using the [–/NO] and [+/YES] but- |
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tons while you hold the [TOUCH] button. The current vol- |
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ume level appears on the display. The volume range is from 1 |
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through 127. The default setting is 64. |
volume range |
TIP
1: minimum volume 127: maximum volume
TIP
The touch volume set in FIXED mode will become the common setting for all voices.
TIP
Releasing the [TOUCH] button changes the touch type.
If you are changing the volume by holding the [TOUCH] button, pressing the [TOUCH] button will not change the touch sensitivity type. (FIXED mode will remain selected.)
24 |
CLP-130/120 Selecting & Playing Voices |
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