The Akai Professional MPC2000XL-MCD MIDI
Production Center combines a 64-Track MIDI
Sequencer and a 32-voice Stereo Digital Sampler,
with 16
providing rock solid sequencing and drum
programming, combined with powerful sampling
facilities, in one convenient and portable desktop
unit.
T
features of the original MPC, such as the legendary
“feel”' and “groove”, so that you can be sure that
your beats and sequences just swing. It also
features the original MPC60’s intuitive transport and
locate controls, the unique NOTE REPEAT function,
plus new additions such as
effectively provide 64 pads,
playback, multi-track recording, simultaneous
playback of a second sequence, Next Sequence key,
Track Mute key, TimeStretch, Slice Sound,
Resampling, plus folder file management.
these an improved friendly and intuitive user
interface thanks to the graphic LCD, two MIDI ins
and 32 MIDI channels via the two MIDI outputs,
and options for multiple audio outputs, multieffects, SMPTE Time Code and even Flash Rom
memory, and you have a dependable “switch on
and work” solution to computer sequencer
headaches.
The MPC2000XL-MCD comes with
memory as standard, that can be expanded up to
32 MB of RAM using standard SIMMs.
Card drive (MPC2000XL-MCD) supports various
types of removable flash memory, such as Compact
Flash, Smart Media, Memory Stick, and Secure
Digital. The MPC2000XL-MCD also includes a 50pin
SCSI interface for connection to external SCSI
drives such as CD-ROM drives, hard drives or ZIP
drives.
2MB of onboard
The Multi-
Positioning
Whether you're producing drum 'n' bass,
sequencing a rack-full of MIDI modules or
performing live; whether you're programming
intricate drum parts or triggering loop s, you'll love
the self-contained convenience and ease of use the
MPC2000XL-MCD gives you and the MPC2000XLMCD's friendly and intuitive user interface simplifies
the expression of your creativity.
A compact and rugged dedicated hardware
sequencer/sampler that is equally at home on stage
as it is in the studio. No computer needed!
Applications/Customers
Hip-Hop and R&B artist or “producer”, as well as
DJ/Live Club performer
Dimensions & Weight
• H x W x D:
4.17” x 15.945” x 8.985”
(106mm x 405mm x 331mm)
• Weight:
12.125lbs (5.5kg )
Page 2
1) Akai MPC design
• Established friendly and intuitive user
• MPC’s legendary ‘feel’ and ‘groove’: beats
• Pattern-based and linear 300,000 notes,
• 32-voice drum/phrase sampler with up to
• Great-feeling, velocity and pressure
• 16 levels function: one sound on all pads
• Note Variation slider for programming a
2) Connectivity
• Internal Multi-Card Flash drive supporting
• Up to 10 analog outputs, plus stereo digital
• Flexible synchronization capabilitie s: MIDI
• SMPTE Time Code option to synchronize
Headquarters:
MPC2000XL-MCD
3) Compatibility
interface of MPC series
just swing!
64-track sequencer with 32 MIDI channels
32MB RAM
sensitive pads for expressive programming
with varied level or tuning per pad
wide variety of dynamic changes
• Compatible with Akai, Roland and EMU CD-
ROM libraries
• WAV file support
4) Extensive sound control
• Extensive sample editing that includes cut
and paste, timestretch, slice, resampling
etc., with waveform display
Q. What is the difference between patternbased sequencing and linear sequencing?
A. The MPC2000XL-MCD can do both.
With linear sequencing, the whole song is one long
sequence which can be recorded continuously in
real-time, much like an audio recorder, or edited by
copying/pasting bars (such as verse, chorus, etc).
This is good when recording tracks while playing
live over the whole song.
With pattern-based sequencing, a song is made of
multiple short sequences (patterns) that can be rearranged very quickly in Song mode or even in realtime using the Next Sequence feature.
However, unlike limited “groove-boxes” where
patterns are only one or two bars, on the
MPC2000XL-MCD, pattern/sequences can be of any
length.
With the MPC2000XL-MCD, you can work on each
pattern in a loop, switch patterns, and in Song
mode, simply specify the order the pattern playback
and number of repeats to create an arrangement.
At any time, you can change the arrangement
without tedious copying/pasting.
In addition, if you decide to modify a pattern (say,
the chorus sequence) after having created the song
arrangement, it will automatically be modified in all
the instances of the same pattern (i.e. all the
choruses in this example). With linear seque ncing,
you would have to copy/paste the edited bars
again, as many times are there are instances. Of
course, with the MPC2000XL-MCD, you can also
create of a copy a pattern if you want to modify
only one instance.
Q. Can I edit the sounds of my MPC2000XLMCD on a computer?
A. Yes. Samples are saved as standard WAV files
and can be edited and processed in any sample
editing software, such as the ‘Audacity’ freeware for
Windows and Mac OS.
Programs can also be edited offline on a computer
rd
using 3
‘MPC Editor’ for Windows 95/98/NT/XP.
Sounds (programs/samples) and sequences can be
transferred between the MPC2000XL-MCD and the
computer either via Floppy disk, SCSI ZIP drive or
via a Flash card (MCD model).
Q. I have a sample of a bass sound assigned to
one pad. How can I play it on all the pads at
different pitch?
A. Easy. Simply press the ‘16 LEVELS’ button, hit
the pad that contains the bass sample and enable
the 16-TUNING mode. Now, the bass sample can be
played across all the pads with 16 chromatic
tunings.
Q. What is the benefit of having two sets of
MIDI In / Out?
A. The two MIDI Inputs allow connecting a MIDI
controller (keyboard, drum pads) to one input while
the other input is used to receive MIDI Sync from
another unit such as a digital recorder. Otherwise,
you would need an outboard MIDI Merger.
The two Midi Outputs allow the MPC2000XL-MCD to
control 32 external MIDI Channels (16x2), in
addition to the 24 internal Programs. This is very
useful if you have more than one outboard multitimbral sound generator (for instance, your
keyboard and a sound module).
Q. What type of memory will work in my
MPC2000XL-MCD?
A. You should use 72-pin Fast Page or EDO SIMMS
with a speed rating of 70 ns (nanoseconds) or
faster. They can be either parity or non-parity (if
parity is present it will be ignored), and should have
gold leads. The MPC2000XL-MCD supports 16 MB
and 32 MB SIMMS. However we recommend using 2
x 16 MB SIMMS because the manufacturing
specifications of 32 MB SIMMS have changed
slightly since the introduction of the MPC2000XLMCD and we have discovered that not all 32 MB
SIMMS will work.
Q. When I hook my MIDI keyboard to the
MPC2000XL-MCD, why can't I hear the
keyboard sounds when I listen to my
headphones on the MPC2000XL-MCD?
A. MIDI connections do not transmit audio, so you
won't hear the keyboard sounds from the
MPC2000XL-MCD's headphone output. Only MIDI
data (note on/off messages, etc.) are transmitted
and recorded in the MPC. The audio from the
keyboard will be output directly from the keyboard
output. You will need a mixer to connect the
outputs from the keyboard and MPC to, then you
can listen to the headphone output on the mixer.
FAQs
Page 5
MPC2000XL-MCD
What improvements were made from the
MPC2000 to the MPC2000XL-MCD
•Both have the same I/Os, use same Effects
board, 8-out expander and the sample engine
between them is essentially the same.
•Many improvements on the Sequencer section
and a few added features in the sample editing
area:
•XL sequencer memory increased from 100,000
events to 300,000
•XL has 4 buttons for pad/bank selection vs the
former 1
•XL can access 4 drum programs
simultaneously, essentially m aking it 4 part
multitimbral
•Number of samples stored doubled to 256 on
the XL
• Folder support for storage on the XL
• XL dedicated Next Sequence button: can switch
between sequences using the pads (just like
the Track Mute function)
•XL has SUDDEN button added to immediately
switch to next sequence
•XL has 2nd sequence function allows you to
associate another sequence to play
simultaneously with current one.
• XL can solo from Track Mute screen
• XL can change sequences with program
changes
• XL has Device naming for each midi channel
• XL has Midi monitor screen
• XL has improved multiple-track recording by
specifying which tracks to record and channels
for soft-thru
•XL can Resample a sound with a different bit
depth or sampling rate
•XL has Slice function. When samples are zoned
(up to 16 zones per sample), you can
automatically slice the zones and create new
program (with pad assignments and with extra
specified samples at end of each sample
because of the sample decay).
•XL has Timestretch function with adjustable
presets
•XL has automatic Chromatic assignment (16Tuning mode). Essentially allows you to create
a keygroup across the key/pads from one
sample.
•XL has internal IDE port so you can replace the
Multi Card Drive with a Zip drive.
• XL has a tilting screen.
• XL can now switch from REC/OVERDUB to PLAY
and vice versa without having to stop the
sequencer.