RX-V492RDS RX-V392RDS
Natural Sound AV Receiver
Récepteur audiovisuel “Son Naturel”
Natural Sound AV-Receiver
Natural Sound AV-receiver
Sintonizzatore AV a suono naturale
Receptor AV de Sonido Natural
Natural Sound AV Ontvanger
OWNER’S MANUAL MODE D’EMPLOI BEDIENUNGSANLEITUNG BRUKSANVISNING MANUALE DI ISTRUZIONI
MANUAL DE INSTRUCCIONES GEBRUIKSAANWIJZING
SUPPLIED ACCESSORIES ACCESSOIRES FOURNIS MITGELIEFERTE ZUBEHÖRTEILE MEDFÖLJANDE TILLBEHÖR ACCESSORI IN DOTAZIONE ACCESORIOS INCLUIDOS BIJGELEVERDE ACCESSOIRES
●After unpacking, check that the following parts are included.
●Après le déballage, vérifier que les pièces suivantes sont incluses.
●Nach dem Auspacken überprüfen, ob die folgenden Teile vorhanden sind.
●Kontrollera efter det apparaten packats upp att följande delar finns med.
●Verificare che tutte le parti seguenti siano contenute nell’imballaggio dell’apparecchio.
●Desembalar el aparato y verificar que los siguientes accesorios están en la caja.
●Controleer na het uitpakken of de volgende onderdelen voorhanden zijn.
●Indoor FM Antenna
●Antenne FM intérieure
● UKW-Innenantenne ● FM inomhusantenn
●Antenna FM interna
●Antena FM interior
●FM Binnenantenne
●AM Loop Antenna
●Cadre-antenna AM
●MW-Rahmenantenne
●AM ramantenn
●Antenna AM ad anello
●Antena de cuadro de AM
●AM Lusantenne
●75-ohm/300-ohm antenna adapter (U.K. model only)
●Adaptateur d’antenne 75 ohms/300 ohms (Modèle pour le Royaume-Uni seulement)
●75 Ohm/300 Ohm Antennenstecker (nur GroßbritannienModell)
●75 ohm/300 ohm antennadapter (Endast modell för Storbritannien)
●Adattatore per antenna da 75 e 300 ohm (Solo modello per la Gran Bretagna)
●Adaptador de antena de 75 ohmios/300 ohmios (Modelo para Reino Unido sólo)
●75 ohm/300 ohm antenne-adapter (Alleen modellen voor Groot-Brittannië)
●Remote Control Transmitter
●Emetteur de télécommande
●Fernbedienung
●Fjärrkontroll
●Telecomando
●Transmisor de control remoto
●Afstandbediening
RX-V492RDS
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TIME/ |
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DELAY/CENTER |
EFFECT |
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TEST |
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VCR |
TV/DBS DVD/LD |
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TAPE |
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PRESET |
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TUNER |
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PLAY |
CD |
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RX-V392RDS
–DELAY TIME+ |
TEST |
EFFECT |
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VCR |
VIDEO |
DIR A DIR B |
REC/PAUSE PLAY |
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TAPE |
– PRESET |
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A/B/C/D/E |
TUNER |
DISC PLAY CD
PHONO
POWER VOLUME
SLEEP
●Batteries (size AA, R6, UM-3)
●Piles (taille AA, R6, UM-3)
●Batterien (Größe AA, R6, UM-3)
●Batterier (storlek AA, R6, UM-3)
●Batterie (dimensioni AA, R6, UM-3)
●Pilas (tamaño AA, R6, UM-3)
●Batterijen (maat AA, R6, UM-3)
2
Thank you for selecting this YAMAHA AV receiver.
FEATURES
●5 Speaker Configuration RX-V492RDS
Main: 65W + 65W (8Ω ) RMS Output
Power, 0.04% THD, 20–20,000 Hz
Center: 65W (8Ω ) RMS Output
Power, 0.09% THD, 1 kHz
Rear: 20W + 20W (8Ω ) RMS Output
Power, 0.7% THD, 1 kHz
RX-V392RDS
Main: 50W + 50W (8Ω ) RMS Output
Power, 0.04% THD, 20–20,000 Hz Center: 50W (8Ω ) RMS Output
Power, 0.09% THD, 1 kHz Rear: 20W + 20W (8Ω ) RMS Output
Power, 0.7% THD, 1 kHz
●Digital Sound Field Processor
●Dolby Pro Logic Surround Decoder
●Theater-like Sound Experience by the Combination of Dolby Pro Logic and YAMAHA DSP Technology (CINEMA DSP)
●Automatic Input Balance Control for Dolby Pro Logic Surround
●Test Tone Generator for Easier Speaker Balance Adjustment
●3 Center Channel Modes (NORMAL/WIDE/PHANTOM)
●Multi-Functions for RDS Broadcast Reception
●40-Station Random Access Preset Tuning
●Automatic Preset Tuning
●Preset Station Shifting Capability (Preset Editing)
●IF Count Direct PLL Synthesizer Tuning System
●Video Signal Input/Output Capability
●SLEEP Timer
●Remote Control Capability
CONTENTS
Supplied Accessories ...................................... |
2 |
Caution ............................................................ |
4 |
Notes about the Remote Control Transmitter |
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5 |
Profile of This Unit ........................................... |
6 |
Speaker Setup ................................................ |
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Connections .................................................... |
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Controls and Their Functions ........................ |
14 |
Speaker Balance Adjustment ........................ |
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Basic Operations ........................................... |
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Tuning Operations ......................................... |
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Preset Tuning ................................................ |
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Receiving RDS Stations ................................ |
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Using Digital Sound Field Processor (DSP) |
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35 |
Setting the SLEEP Timer .............................. |
39 |
Troubleshooting ............................................. |
40 |
Specifications ................................................ |
41 |
3
CAUTION : READ THIS BEFORE OPERATING YOUR UNIT.
1.To assure the finest performance, please read this manual carefully. Keep it in a safe place for future reference.
2.Install this unit in a cool, dry, clean place – away from windows, heat sources, sources of excessive vibration, dust, moisture and cold. Avoid sources of humming (transformers, motors). To prevent fire or electrical shock, do not expose the unit to rain or water.
3.Never open the cabinet. If something drops into the set, contact your dealer.
4.Do not use force on switches, controls or connection wires. When moving the unit, first disconnect the power plug and the wires connected to other equipment. Never pull the wires themselves.
5.The openings on the cabinet assure proper ventilation of the unit. If these openings are obstructed, the temperature inside the cabinet will rise rapidly. Therefore, avoid placing objects against these openings, and install the unit in wellventilated condition. Make sure to allow a space of at least 20 cm behind, 20 cm on the both sides and 30 cm above the top panel of the unit. Otherwise it may not only damage the unit, but also cause fire.
6.Always set the VOLUME control to “–∞ ” before starting the audio source play. Increase the volume gradually to an appropriate level after playback has been started.
7.Do not attempt to clean the unit with chemical solvents; this might damage the finish. Use a clean, dry cloth.
8.Be sure to read the “TROUBLESHOOTING” section regarding common operating errors before concluding that the unit is faulty.
9.When not planning to use this unit for long periods of time (ie., vacation, etc.), disconnect the AC power plug from the wall outlet.
10.To prevent lightning damage, disconnect the AC power plug and disconnect the antenna cable when there is an electrical storm.
11.Grounding or polarization – Precautions should be taken so that the grounding or polarization of an appliance is not defeated.
12.AC outlet
Do not connect audio equipment to the AC outlet on the rear panel if that equipment requires more power than the outlet is rated to provide.
IMPORTANT
Please record the serial number of this unit in the space below.
Serial No.:
The serial number is located on the rear of the unit. Retain this Owner’s Manual in a safe place for future reference.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.
For U.K. customers
If the socket outlets in the home are not suitable for the plug supplied with this appliance, it should be cut off and an appropriate 3 pin plug fitted. For details, refer to the instructions described below.
Note: The plug severed from the mains lead must be destroyed, as a plug with bared flexible cord is hazardous if engaged in a live socket outlet.
Special Instructions for U.K. Model
IMPORTANT
THE WIRES IN THE MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE:
Blue: NEUTRAL
Brown: LIVE
As the colours of the wires in the main lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Make sure that neither core is connected to the earth terminal of the three pin plug.
The apparatus is not disconnected from the AC power source as long as it is connected to the wall outlet, even if the apparatus itself is turned off.
WARNING
Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise this unit may be damaged.
IMPEDANCE SELECTOR
(Europe model)
IMPEDANCE SELECTOR |
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REAR |
6ΩMIN./SPEAKER |
CENTER |
SINGLE:6ΩMIN./SPEAKER |
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DUAL:3ΩMIN./SPEAKER |
MAIN |
A OR B:4ΩMIN./SPEAKER |
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A B:8ΩMIN./SPEAKER |
REAR |
8ΩMIN./SPEAKER |
CENTER |
SINGLE:8ΩMIN./SPEAKER |
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DUAL:4ΩMIN./SPEAKER |
MAIN |
A OR B:8ΩMIN./SPEAKER |
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A B:I6ΩMIN./SPEAKER |
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MAINS |
4
Battery installation |
Remote control transmitter operation range |
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RX-V492RDS |
RX-V392RDS |
English
2
1
3
Battery replacement
If you find that the remote control transmitter must be used closer to the main unit, the batteries are weak. Replace both batteries with new ones.
Notes
●Use only AA, R6, UM-3 batteries for replacement.
●Be sure the polarities are correct. (See the illustration inside the battery compartment.)
●Remove the batteries if the remote control transmitter will not be used for an extended period of time.
●If batteries leak, dispose of them immediately. Avoid touching the leaked material or letting it come in contact with clothing, etc. Clean the battery compartment thoroughly before installing new batteries.
Remote control sensor
Within approximately 6 m (19.7 feet)
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Notes
●There should be no large obstacles between the remote control transmitter and the main unit.
●If the remote control sensor is directly illuminated by strong lighting (especially an inverter type of fluorescent lamp etc.), it might cause the remote control transmitter not to work correctly. In this case, reposition the main unit to avoid direct
lighting.
5
You are the proud owner of a Yamaha stereo receiver –an extremely sophisticated audio component. The Digital Sound Field Processor (DSP) built into this unit takes advantage of Yamaha’s undisputed leadership in the field of digital audio processing to bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system, and this unit will sonically transform your room into a wide range of listening environments –movie theater, concert hall, and so on. In addition, you get incredible realism from sources encoded with Dolby Surround using the built-in Dolby Pro Logic Surround Decoder.
Please read this operation manual carefully and store it in a safe place for later reference.
Digital Sound Field Processing
What is it that makes live music so good? Today’s advanced sound reproduction technology lets you get extremely close to the sound of a live performance, but chances are you’ll still notice something missing: the acoustic environment of the live concert hall. Extensive research into the exact nature of the sonic reflections that create the ambience of a large hall has made it possible for Yamaha engineers to bring you this same sound in your own listening room, so you’ll feel all the sound of a live concert.
Furthermore, our technicians, armed with sophisticated measuring equipment, have even made it possible to capture the acoustics of a variety of venues such as an actual concert hall, theater, etc. to allow you to accurately recreate one of several actual live performance environments, all in your own home.
Dolby Pro Logic Surround
This unit employs a Dolby Pro Logic Surround decoder similar to professional Dolby Stereo decoders used in many movie theaters. By using the Dolby Pro Logic Surround decoder, you can experience the dramatic realism and impact of Dolby Surround movie theater sound in your own home. Dolby Pro Logic employs a four channel five speaker system. The Pro Logic Surround system divides the input signal into four levels: the left and right main channels, the center channel (used for dialog), and the rear surround sound channels (used for sound effects, background noise, and other ambient noises). The center channel allows listeners seated in even less-than-ideal positions to hear the dialog originating from the action on the screen while experiencing good stereo imaging.
Dolby Surround is encoded on the sound track of pre-recorded video tapes, laser discs, and some TV/cable broadcasts. When you play a source encoded with Dolby Surround on this unit, the Dolby Pro Logic Surround decoder decodes the signal and distributes the surround-sound effects.
This Dolby Pro Logic Surround Decoder employs a digital signal processing system. This system improves the stability of sound at each channel and minimizes crosstalk between channels, so that positioning of sounds around the room is more accurate compared with conventional analog signal processing systems.
In addition, this unit features a built-in automatic input balance control. This always assures you the best performance without manual adjustment.
Manufactured under license from Dolby Laboratories Licensing Corporation. “Dolby”, the double-D symbol and “Pro Logic” are trademarks of Dolby Laboratories Licensing Corporation.
Dolby Pro Logic Surround + DSP
Dolby Surround sound system shows its full ability in a large movie theater, because movie sounds are originally designed to be reproduced in a large movie theater using many speakers. It is difficult to create a sound environment similar to that of a movie theater in your listening room, because the room size, materials of inside walls, the number of speakers, etc. of your listening room is much different from those of a movie theater.
Yamaha DSP technology made it possible to present you with nearly the same sound experience as that of a large movie theater in your listening room by compensating for lack of presence and dynamics in your listening room with its original digital sound fields combined with Dolby Surround sound field.
The combination of Dolby Pro Logic Surround and DSP is used on the sound field program “ PRO LOGIC ENHANCED”.
CINEMA DSP
The YAMAHA “CINEMA DSP” logo indicates these programs are created by the combination of Dolby Pro Logic and YAMAHA DSP technology.
6
SPEAKERS TO BE USED
This unit is designed to provide the best sound-field quality with a 5 speaker configuration. The most effective speakers to use with this unit are main speakers, rear speakers and a center speaker. You may omit the center speaker. (Refer to the “4-Speaker Configuration” shown below.)
The main speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your present stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center sounds (dialog etc.) within programs encoded with Dolby Surround. The center speaker needs to be equal in power to the main speakers, although the rear speakers should not be equal. However, all the speakers should have high enough power handling to accept the maximum output of this unit.
SPEAKER CONFIGURATION
5-Speaker Configuration
This configuration is the most effective and recommended one. In this configuration, the center speaker is necessary as well as the rear speakers. If the program DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED is selected, conversations will be output from the center speaker and the ambience will be excellent.
•Set the center channel mode to the “NORMAL” or “WIDE” position. (For details, refer to page 21.)
4-Speaker Configuration
The center speaker is not used in this configuration. If the program DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED is selected, the center sound is output from the left and the right main speakers. However, the sound effect of other programs can be the same as that of the 5-speaker configuration.
•Be sure to set the center channel mode to the “PHANTOM” position. (For details, refer to page 21.)
FrontMain L |
Center |
MaiFrontRR |
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FrontMain L |
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MaiFrontRR |
Dialogue
Dialogue
Surround sound |
Surround sound |
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Rear L |
Rear R |
Rear L |
Rear R |
English
SPEAKER PLACEMENT
The recommended speaker configuration, the 5-speaker configuration, will require two speaker pairs: main speakers (your normal stereo speakers), and rear speakers, plus a center speaker. When you place these speakers, refer to the following.
FroMaintRR
Center
MaiFrontLL
TV set
Rear R
Main: In normal position. (The position of your present stereo speaker system.)
Rear: Behind your listening position, facing slightly inward. Nearly six feet (approx. 1.8 m) up from the floor.
Center: Precisely between the main speakers. (To avoid interference with TV sets, use a magnetically shielded speaker.)
Rear L
7
Never plug in this unit and other components until all connections are completed.
CONNECTIONS WITH OTHER COMPONENTS
When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.
*If you have YAMAHA components numbered as 1, 2, 3, etc. on the rear panel, connections can be made easily by making sure to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.
RX-V492RDS
Turntable |
Monitor TV |
Video cassette recorder |
TV/Satellite tuner |
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OUTPUT |
GND |
VIDEO IN |
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VIDEO OUT |
AUDIO OUT |
VIDEO IN |
AUDIO IN |
VIDEO OUT |
AUDIO OUT |
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IMPEDANCE SELECTOR |
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REAR |
6ΩMIN./SPEAKER |
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GND |
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VIDEO SIGNAL |
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CENTER |
SINGLE:6ΩMIN./SPEAKER |
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75Ω |
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A OR B:4ΩMIN./SPEAKER |
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A B:8ΩMIN./SPEAKER |
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UNBAL. |
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MONITOR OUT |
DVD/LD |
IN |
VCROUT |
TV/DBS |
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REAR |
8ΩMIN./SPEAKER |
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CENTER |
SINGLE:8ΩMIN./SPEAKER |
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DUAL:4ΩMIN./SPEAKER |
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MAIN |
A OR B:8ΩMIN./SPEAKER |
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A B:I6ΩMIN./SPEAKER |
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GND |
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AM |
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ANT |
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PHONO |
TAPE TAPE REC |
DVD/LD |
IN |
VCR OUT |
TV/DBS |
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PB ( MD ) OUT |
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AUDIO SIGNAL |
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10dB |
0dB |
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1 CD |
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I00W MAX. TOTAL |
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MAIN |
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SWITCHED |
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AC OUTLETS |
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To AC outlet
LINE OUT |
LINE IN |
VIDEO OUT |
AUDIO OUT |
OUTPUT |
Tape deck, |
LD player etc. |
CD player |
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MD recorder, etc. |
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*1, *2 : See the next page.
8
RX-V392RDS
Turntable |
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Monitor TV |
Video cassette recorder |
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OUTPUT |
GND |
VIDEO IN |
VIDEO OUT |
AUDIO OUT |
VIDEO IN |
AUDIO IN |
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(Europe model) |
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GND |
VIDEO SIGNAL |
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75Ω |
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UNBAL. |
MONITOR OUT |
VIDEO |
IN VCROUT |
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AM |
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PHONO |
TAPE TAPE REC |
VIDEO |
IN |
VCR OUT |
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PB ( MD ) OUT |
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4 |
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AUDIO SIGNAL |
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10dB |
0dB |
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MAIN |
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1 CD |
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LEVEL |
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IMPEDANCE SELECTOR |
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REAR |
6ΩMIN./SPEAKER |
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CENTER |
SINGLE:6ΩMIN./SPEAKER |
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DUAL:3ΩMIN./SPEAKER |
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MAIN |
A OR B:4ΩMIN./SPEAKER |
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A B:8ΩMIN./SPEAKER |
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REAR |
8ΩMIN./SPEAKER |
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CENTER |
SINGLE:8ΩMIN./SPEAKER |
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DUAL:4ΩMIN./SPEAKER |
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MAIN |
A OR B:8ΩMIN./SPEAKER |
1 |
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A B:I6ΩMIN./SPEAKER |
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* MAINS |
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I00W MAX. TOTAL
SWITCHED
AC OUTLETS
English
LINE OUT |
LINE IN |
VIDEO OUT |
AUDIO OUT |
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Tape deck, |
LD player etc. |
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MD recorder, etc. |
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AC OUTLET(S) (SWITCHED) |
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(Europe model) ................................. |
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2 SWITCHED OUTLETS |
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(U.K. model) ........................................ |
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1 SWITCHED OUTLET |
Use these to connect the power cords from your components to this unit.
The power to the SWITCHED outlets is controlled by this unit’s POWER switch or the provided remote control transmitter’s POWER key. These outlets will supply power to any component whenever this unit is turned on.
The maximum power (total power consumption of components) that can be connected to the SWITCHED AC OUTLET(S) is 100 watts.
To AC outlet
OUTPUT
CD player
2
GND* terminal (For turntable use)
Connecting the ground wire of the turntable to the GND terminal will normally minimize hum, but in some cases better results may be obtained with the ground wire disconnected.
9
CONNECTING SPEAKERS
Subwoofer system
Rear speaker |
Rear speaker |
Right |
Left |
Center speaker
(Europe model)
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OUTPUT |
REAR |
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CENTER |
CENTER |
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C |
D |
SUB |
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DUAL |
WOOFER |
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SINGLE |
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IMPEDANCE SELECTOR
REAR |
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6ΩMIN./SPEAKER |
CENTER |
SINGLE:6ΩMIN./SPEAKER |
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DUAL:3ΩMIN./SPEAKER |
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MAIN |
A OR B:4ΩMIN./SPEAKER |
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B:8ΩMIN./SPEAKER |
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REAR |
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8ΩMIN./SPEAKER |
CENTER |
SINGLE:8ΩMIN./SPEAKER |
|
|
DUAL:4ΩMIN./SPEAKER |
|
MAIN |
A OR B:8ΩMIN./SPEAKER |
|
|
A |
B:I6ΩMIN./SPEAKER |
|
Main speakers B |
A |
Right |
Left |
|
B |
|
Right |
Left |
MAIN |
CAUTION SEE INSTRUCTION MANUAL FOR CORRECT SETTING.
SPEAKERS
Main speakers A
Note
Use speakers with the specified impedance shown on the rear of this unit.
Note on main speaker connections:
One or two speaker systems can be connected to this unit. If you use only one speaker system, connect it to either the SPEAKERS A or B terminals.
Note on center speaker connection:
One or two center speakers can be connected to this unit. If you cannot place the center speaker on or under the TV, it is recommended to use two center speakers and place them on both sides of the TV to orient the center sound at the center position. For connecting two center speakers, follow the method shown below.
Note on a subwoofer connection:
You may wish to add a subwoofer to reinforce low frequencies. Connect the SUBWOOFER OUTPUT terminal of this unit to the INPUT terminal of the subwoofer amplifier, and connect the speaker terminals of the subwoofer amplifier to the subwoofer. With some subwoofers, including the Yamaha Active Servo Processing Subwoofer System, the amplifier and subwoofer are in the same unit.
REAR |
|
CENTER |
|
C |
D |
|
DUAL |
SINGLE
Center speaker |
Center speaker |
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English
How to Connect:
Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and – markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.
Caution
Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could damage this unit and/or speakers.
For connecting to the MAIN SPEAKERS terminals
Red: positive (+) Black: negative (–)
2
1
3
Unscrew the knob.
Insert the bare wire. [Remove approx. 5mm (1/4”) insulation from the speaker wires.]
Tighten the knob and secure the wire.
For connecting to the REAR and CENTER SPEAKERS terminals
Red: positive (+)
Black: negative (–)
Press the tab.
Insert the bare wire. [Remove approx. 5mm (1/4”) insulation from the speaker wires.]
Release the tab and secure the wire.
MAIN LEVEL switch
Normally set to “0 dB”. If desired, you can decrease the output level at the MAIN SPEAKERS terminals by 10 dB by setting this switch to “–10 dB”.
GND
75Ω
UNBAL.
FM
ANT
GND
AM
ANT
PHONO TAPE
PB
3
10dB 0dB
MAIN
LEVEL
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OUTPUT terminals (for driving speakers with external amplifiers)
OUTPUT
CENTER
SUB
WOOFER
CENTER OUTPUT terminal
This terminal is for center channel line output. There is no connection to this terminal when you use the built-in amplifier. However, if you drive a center speaker with an external power amplifier, connect the input terminal of the external amplifier to this terminal.
SUBWOOFER OUTPUT terminal
This terminal is for connecting with the input terminal of an amplifier for driving a subwoofer.
This terminal outputs only frequencies below 150 Hz (200 Hz for General model only) from the main and center channels.
Note
Output level of signals from these terminals are adjusted
by the use of VOLUME control on the front panel or VOLUME keys on the remote control transmitter.
IMPEDANCE SELECTOR switch
Be sure to switch this only when the power of this unit is turned off.
Select the position whose requirements your speaker system meets.
WARNING
Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise this unit may be damaged.
IMPEDANCE SELECTOR
REAR 6ΩMIN./SPEAKER
CENTER SINGLE:6ΩMIN./SPEAKER
DUAL:3ΩMIN./SPEAKER
MAIN A OR B:4ΩMIN./SPEAKER
AB:8ΩMIN./SPEAKER
REAR 8ΩMIN./SPEAKER
CENTER SINGLE:8ΩMIN./SPEAKER
DUAL:4ΩMIN./SPEAKER
MAIN A OR B:8ΩMIN./SPEAKER
AB:I6ΩMIN./SPEAKER
(Europe model)
(Upper position)
Rear: The impedance of each speaker must be 6Ω or higher.
Center: If you use one center speaker, the impedance of the speaker must be 6Ω or higher.
If you use two center speakers, the impedance of each speaker must be 3Ω or higher.
Main: If you use one pair of main speakers, the impedance of each speaker must be 4Ω or higher.
If you use two pairs of main speakers, the impedance of each speaker must be 8Ω or higher.
(Lower position)
Rear: The impedance of each speaker must be 8Ω or higher.
Center: If you use one center speaker, the impedance of the speaker must be 8Ω or higher.
If you use two center speakers, the impedance of each speaker must be 4Ω or higher.
Main: If you use one pair of main speakers, the impedance of each speaker must be 8Ω or higher.
If you use two pairs of main speakers, the impedance of each speaker must be 16Ω or higher.
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ANTENNA CONNECTIONS
●Each antenna should be connected to the designated terminals correctly, referring to the following diagram.
●Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may result in improvement.
Outdoor FM antenna |
Outdoor AM antenna |
Indoor FM antenna (included)
English
75-ohm/300-ohm antenna adapter
75-ohm coaxial cable
75-ohm/300-ohm antenna adapter
|
AM loop |
|
antenna |
GND |
(included) |
75Ω |
|
UNBAL. |
|
FM |
|
ANT |
|
GND |
|
AM |
|
ANT |
|
300-ohm feeder
Ground
Connecting the AM loop antenna
1 |
2 |
3 |
Orient so that the best reception is obtained.
*The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall.
*The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit.
GND terminal
For maximum safety and minimum interference, connect the GND terminal to a good earth ground. A good earth ground is a metal stake driven into moist earth.
Notes
●When connecting the indoor FM antenna, insert its connector into the FM ANT
terminal firmly. ● If you need an outdoor
FM antenna to improve FM reception quality, either
300-ohm feeder or coaxial cable may be used. In locations troubled by electrical interference, coaxial cable is preferable.
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