SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha.
This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.
This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.
NOTICE:
Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility.
Please study this manual carefully and consult your dealer before requesting service.
This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged.
When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information.
Disposal Notice:
Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate.You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:
Battery Notice:
This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.
Model
Serial No.
Purchase Date
92-BP (bottom)
PLEASE KEEP THIS MANUAL
2
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! |
with FCC regulations does not guarantee that interference will not occur in |
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This product, when installed as indicated in the instructions contained in |
all installations. If this product is found to be the source of interference, |
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this manual, meets FCC requirements. Modifications not expressly |
which can be determined by turning the unit “OFF” and “ON”, please try to |
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approved by Yamaha may void your authority, granted by the FCC, to use |
eliminate the problem by using one of the following measures: |
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the product. |
Relocate either this product or the device that is being affected by the |
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2. IMPORTANT: When connecting this product to accessories and/or |
interference. |
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another product use only high quality shielded cables. Cable/s supplied |
Utilize power outlets that are on different branch (circuit breaker or fuse) |
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with this product MUST be used. Follow all installation instructions. Failure |
circuits or install AC line filter/s. |
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to follow instructions could void your FCC authorization to use this product |
In the case of radio or TV interference, relocate/reorient the antenna. If the |
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in the USA. |
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antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial |
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3. NOTE: This product has been tested and found to comply with the |
type cable. |
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requirements listed in FCC Regulations, Part 15 for Class “B” digital |
If these corrective measures do not produce satisfactory results, please |
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devices. Compliance with these requirements provides a reasonable level |
contact the local retailer authorized to distribute this type of product. If you |
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of assurance that your use of this product in a residential environment will |
can not locate the appropriate retailer, please contact Yamaha Corpora- |
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not result in harmful interference with other electronic devices. This equip- |
tion of America, Electronic Service Division, 6600 Orangethorpe Ave, |
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ment generates/uses radio frequencies and, if not installed and used |
Buena Park, CA90620 |
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according to the instructions found in the users manual, may cause inter- |
The above statements apply ONLY to those products distributed by |
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ference harmful to the operation of other electronic devices. Compliance |
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Yamaha Corporation of America or its subsidiaries. |
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* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. |
(class B) |
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OBSERVERA! |
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Apparaten kopplas inte ur växelströmskällan (nätet) sá länge som den ar |
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ansluten till vägguttaget, även om själva apparaten har stängts av. |
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ADVARSEL: Netspæendingen til dette apparat er IKKE afbrudt, sálæenge |
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netledningen siddr i en stikkontakt, som er t endt — ogsá selvom der or |
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slukket pá apparatets afbryder. |
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VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko laitetta |
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verkosta. |
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(standby) |
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Entsorgung leerer Batterien (nur innerhalb Deutschlands) |
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Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte Batterien oder |
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3
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
•Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument.
•Use the specified adaptor (PA-3C or PA-3B or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating.
•Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.
•Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.
Do not open
•Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.
Water warning
•Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings.
•Never insert or remove an electric plug with wet hands.
Fire warning
•Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire.
If you notice any abnormality
•If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
•When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord.
•Unplug the AC power adaptor when not using the instrument, or during electrical storms.
•Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
•Do not attempt to recharge batteries that are not intended to be charged.
•When the batteries run out, or if the instrument is not to be used for a long time, remove the batteries from the instrument to prevent possible leakage of the battery fluid.
•Keep batteries away from children.
•If the batteries do leak, avoid contact with the leaked fluid. If the battery fluid should come in contact with your eyes, mouth, or skin, wash immediately with water and consult a doctor. Battery fluid is corrosive and may possibly cause loss of sight or chemical burns.
Battery
•Always make sure all batteries are inserted in conformity with the +/- polarity markings. Failure to do so might result in overheating, fire, or battery fluid leakage.
•Always replace all batteries at the same time. Do not use new batteries together with old ones. Also, do not mix battery types, such as alkaline batteries with manganese batteries, or batteries from different makers, or different types of batteries from the same maker, since this can cause overheating, fire, or battery fluid leakage.
•Do not dispose of batteries in fire.
Location
•Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components.
•Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise.
(4)-8 1/2
4
•Do not place the instrument in an unstable position where it might accidentally fall over.
•Before moving the instrument, remove all connected adaptor and other cables.
•Use only the stand specified for the instrument. When attaching the stand or rack, use the provided screws only. Failure to do so could cause damage to the internal components or result in the instrument falling over.
Connections
•Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
Handling caution
•Do not insert a finger or hand in any gaps on the instrument.
•Never insert or drop paper, metallic, or other objects into the gaps on the panel or keyboard. If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel.
•Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.
•Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors.
•Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
Maintenance
•When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
When using a power adaptor, even when the power switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet.
Make sure to discard used batteries according to local regulations.
•The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may be different from the ones on your instrument.
•Unless otherwise indicated, the example panel control illustrations, Keyboard illustrations and LCD screenshots are taken from the PSR-275.
● The demo-song (or composition) included in this keyboard is as follows:
Composition Title |
: An Englishman In New York |
Composer’s Name |
: Sumner 0590545 |
Copyright Owner’s Name : G M SUMNER LTD |
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CAUTION |
: All Rights Reserved, Unauthorized copying, public performance and broadcasting are strictly prohibited |
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regarding the above song. |
● COPYRIGHT NOTICE
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, styles files, MIDI files, WAVE data and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.
● Trademarks
•Apple and Macintosh are trademarks of Apple Computer, Inc., registered in the U.S. and other countries.
•Windows is the registered trademark of Microsoft® Corporation.
All other trademarks are the property of their respective holders.
(4)-8 2/2
5
Congratulations on your purchase of the Yamaha PSR-275/273 PortaTone!
You now own a portable keyboard that combines advanced functions, great sound and exceptional ease-of-use in a highly compact package. Its outstanding features also make it a remarkably expressive and versatile instrument.
Read this Owner’s Manual carefully while playing your new PSR-275/273 in order to take full advantage of its various features.
Main Features
The PSR-275/273 is a sophisticated yet easy-to-use keyboard with the following features and functions:
■ Stereo Sampled Piano .......................................................................... |
page 21 |
The PSR-275/273 has a special Portable Grand Piano Voice — created by state-of-the-art stereo sampling technology and using Yamaha’s sophiscated AWM (Advanced Wave Memory) tone generation system.
■ Touch Response.................................................................................... |
page 27 |
The exceptionally natural Touch Response feature, with a convenient front panel on/off switch, gives you maximum expressive level control over the voices. It also works in conjunction with the Dynamic Filter, which dynamically adjusts the timbre or tone of a voice according to your playing strength — just a like a real musical instrument!
■ Yamaha Education Suite ......................................................... |
pages 40, 42, 49 |
The PSR-275/273 features the new Yamaha Education Suite — a set of learning tools that utilize the latest technology to make studying and practicing music more fun and fulfilling than ever before!
■ One Touch Setting................................................................................. |
page 25 |
One Touch Setting (OTS), for automatically calling up an appropriate voice for playing with the selected Style and Song.
■ Powerful Speaker System
The built-in stereo amplifier/speaker system of the PSR-275/273 — with a special Bass Boost feature — provides exceptionally powerful, high-quality sound, letting you hear the full dynamic range of the PSR-275/273’s authentic voices.
■ GM System Level 1
“GM System Level 1” is an addition to the MIDI standard which ensures that any GM-compatible music data can be accurately played by any GM-compatible tone generator, regardless of manufacturer. The GM mark is affixed to all software and hardware products that support GM System Level.
■ XGlite
As its name implies, “XGlite” is a simplified version of Yamaha’s high-quality XG tone generation format. Naturally, you can play back any XG song data using an XGlite tone generator. However, keep in mind that some songs may play back differently compared to the original data, due to the reduced set of control parameters and effects.
6
Contents
Panel Controls and Terminals ........................ |
8 |
Setting Up....................................................... |
10 |
• Power Requirements ........................................ |
10 |
• Turning On the Power....................................... |
11 |
• Accessory Jacks ............................................... |
11 |
Quick Guide |
12 |
Step 1 Voices ........................................................... |
12 |
Step 2 Songs ............................................................ |
14 |
Step 3 Style ............................................................. |
16 |
Basic Operation and LCD Display................ |
18 |
Portable Grand............................................... |
21 |
• Playing the Portable Grand............................... |
21 |
• Using the Metronome ....................................... |
21 |
Playing Voices ............................................... |
23 |
• Playing a Voice ................................................. |
23 |
• #000 OTS ......................................................... |
25 |
• Dual Voice ........................................................ |
25 |
• Split Voice......................................................... |
26 |
• Setting the Split Point ....................................... |
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• Touch and Touch Sensitivity............................. |
27 |
• Transpose and Tuning...................................... |
28 |
Effects............................................................. |
29 |
• Harmony ........................................................... |
29 |
• Reverb .............................................................. |
29 |
• Chorus .............................................................. |
30 |
• Sustain.............................................................. |
30 |
Selecting and Playing Styles ........................ |
33 |
• Selecting a Style ............................................... |
33 |
• Playing the Styles ............................................. |
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• Changing the Tempo ........................................ |
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• Accompaniment Sections |
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(Main A/B and Fill-ins) ...................................... |
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• Adjusting the Style Volume............................... |
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• Using Auto Accompaniment |
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— Multi Fingering ............................................. |
40 |
• Dictionary.......................................................... |
42 |
Selecting and Playing Songs........................ |
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• Selecting a Song............................................... |
45 |
• Playing the Songs............................................. |
46 |
• A-B Repeat ....................................................... |
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• Melody Voice Change....................................... |
48 |
• Adjusting the Song Volume .............................. |
48 |
Song Lesson.................................................. |
49 |
• Using the Lesson Feature................................. |
49 |
• Lesson 1 — Timing........................................... |
51 |
• Lesson 2 — Waiting.......................................... |
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• Lesson 3 — Minus One .................................... |
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• Lesson 4 — Both Hands................................... |
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• Grade................................................................ |
53 |
MIDI Functions............................................... |
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• What Is MIDI? ................................................... |
54 |
• Connecting to a Personal Computer................. |
56 |
• Local Control..................................................... |
57 |
• Using Initial Setup Send with a Sequencer....... |
57 |
• External Clock................................................... |
57 |
• PC Mode........................................................... |
58 |
Function ......................................................... |
59 |
• Using the Function parameters......................... |
59 |
Voice List ....................................................... |
61 |
Style List ........................................................ |
65 |
Drum Kit List.................................................. |
66 |
MIDI Implementation Chart........................... |
68 |
Effect map ...................................................... |
69 |
Troubleshooting ............................................ |
70 |
Specifications ................................................ |
71 |
Index ............................................................... |
72 |
7
Panel Controls and Terminals
■ Front Panel
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q Power switch ([STANDBY/ON])
w [MASTER VOLUME] dial
This determines the overall volume of the PSR-275/ 273.
e [TOUCH] button
This turns the Touch function on and off. (See page 27.) Holding down this button calls up the Time Signet settings.
r [Dict.] button
This calls up the Dictionary function (See page 42).
t LESSON [L] (Left) and [R] (Right) buttons
These call up the Lesson exercises for the corresponding hand (left or right) for the selected song. (See page 49.)
y [FUNCTION] button
This calls up the Function mode (See pages 59).
u [DEMO] button
This is used to play the Demo song. (See page 14.)
i [PORTABLE GRAND] button
This instantly calls up the Grand Piano voice. (See page 21.)
o [METRONOME] button
This turns the metronome on and off. (See page 21.) Holding down this button calls up the Time Signet
settings.
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!0[PC] button
This convenient control lets you instantly call up the specified MIDI settings for optimum use with a connected computer or other MIDI device. (See page 58.)
!1Numeric keypad, [+/YES] and [–/NO] buttons
These are used for selecting songs, voices, and styles. (See pages 19.) They are also used for adjusting certain settings and answering certain display prompts.
!2[ACMP ON/OFF] / [A-B REPEAT] button
When the Style mode is selected, this turns the auto accompaniment on and off. (See page 34.) In the Song mode, this calls up the A-B Repeat function. (See page 47.)
!3[SYNC START] / [ PAUSE] button
This turns the Sync Start function on and off. (See page 35.) In the Song mode, it is used to temporarily pause song playback. (See page 46.)
!4[START/STOP] button
When the Style mode is selected, this alternately starts and stops the style. (See page 34.) In the Song mode, this alternately starts and stops song playback. (See page 47.)
Panel Controls and Terminals
!5[INTRO/ENDING/rit.] / [ REW] button
When the Style mode is selected, this is used to control the Intro and Ending functions. (See page 34.) When the Song mode is selected, this is used as a “rewind” control, or move the song playback point back toward the beginning.
!6[MAIN/AUTO FILL] / [ FF] button
When the Style mode is selected, these are used to change auto accompaniment sections and control the Auto Fill function. (See page 39.) When the Song mode is selected, this is used as a “fast forward” control, or move the song playback point toward the end.
!7[TEMPO/TAP] button
This button is used to call up the Tempo setting, letting you set the Tempo with the numeric keypad or [+]/[–] buttons. (See page 21.) It also allows you to tap out the tempo and automatically start a selected song or style at that tapped speed. (See page 35.)
■ Rear Panel
@5 |
@6 |
@7 |
!8[SONG] button
This is for enabling song selection. (See page 45.)
!9[STYLE] button
This is for enabling style selection. (See page 33.)
@0[VOICE] button
This is for enabling voice selection. (See page 23.) Holding down this button calls up the Melody Voice Change function. (See page 48.)
@1[HARMONY] button
This turns the Harmony effect on and off. (See page 29.)
@2[DUAL] button
This turns the Dual voice on or off. (See page 25.)
@3[SPLIT] button
This turns the Split voice on and off. (See page 26.)
@4[SUSTAIN] button
This turns the Sustain on and off. (See page 30.)
@8
@5PHONES/OUTPUT jack
This is for connection to a set of stereo headphones or to an external amplifier/speaker system. (See page 11.)
@7MIDI IN, MIDI OUT terminals
These are for connection to other MIDI instruments and devices. (See page 56.)
@8SUSTAIN jack
@6DC IN 10-12V jack |
This is for connection to an optional FC4 or FC5 |
This is for connection to a PA-3C or PA-3B AC |
Footswitch for control over sustain, just like the |
power adaptor. (See page 10.) |
damper pedal on a piano. (See page 11.) |
9
Setting Up
This section contains information about setting up your PSR-275/273 for playing. Make sure to read this section carefully before using the instrument.
Power Requirements
Although the PSR-275/273 will run either from an optional AC adaptor or batteries, Yamaha recommends use of an AC adaptor whenever possible. An AC adaptor is more environmentally friendly than batteries and does not deplete resources.
■ Using an AC Power Adaptor • • • • • • • • • • • • • • • • • • • • • • • • •
qMake sure that the [STANDBY/ON] switch of the PSR-275/273 is set to STANDBY.
wConnect the AC adaptor (PA-3C, PA-3B, or other adaptor specifically recommended by Yamaha) to the DC IN 10-12V jack.
e Plug the AC adaptor into an AC outlet.
w e
■ Using Batteries • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
For battery operation the PSR-275/273 requires six 1.5V “D” size, R20P (LR20) or equivalent batteries. When the batteries need to be replaced, the volume may be reduced, the sound may be distorted, and other problems may occur. When this happens, turn the power off and replace the batteries, as described below
q Open the battery compartment cover located on the instrument’s bottom panel.
wInsert the six new batteries, being careful to follow the polarity markings next to the compartment cover.
e Replace the compartment cover, making sure that it locks firmly in place.
•Use ONLY a Yamaha PA-3C or PA-3B AC Power Adaptor (or other adaptor specifically recommended by Yamaha) to power your instrument from the AC mains. The use of other adaptors may result in irreparable damage to both the adaptor and the PSR-275/273.
•Unplug the AC Power Adaptor when not using the PSR-275/ 273, or during electrical storms.
•When the batteries run down, replace them with a complete set of six new batteries.
NEVER mix old and new batteries.
•Do not use different kinds of batteries (e.g. alkaline and manganese) at the same time.
•If the instrument is not to be in use for a long time, remove the batteries from it, in order to prevent possible fluid leakage from the battery.
•The effective life of rechargeable batteries may shorter than that of conventional batteries.
10
Setting Up
Turning On the Power
With the AC power adaptor connected or with batteries installed, simply press the power switch until it locks in the ON position. When the instrument is not in use, be sure to turn the power off. (Press the switch again so that it pops up.)
•Even when the switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. When you are not using the PSR-275/273 for a long time, make sure you unplug the AC power adaptor from the wall AC outlet, and/or remove the batteries from the instrument.
Accessory Jacks
■ Using Headphones• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
For private practicing and playing without disturbing others, connect a set of stereo headphones to the rear panel PHONES/OUTPUT jack. Sound from the built-in speaker system is automatically cut off when you insert a headphone plug into this jack.
■ Connecting a Keyboard Amplifier or Stereo System • • • • • • •
Though the PSR-275/273 is equipped with a built-in speaker system, you can also play it through an external amplifier/speaker system. First, make sure the PSR-275/273 and any external devices are turned off, then connect one end of a stereo audio cable to the LINE IN or AUX IN jack(s) of the other device and the other end to the rear panel PHONES/OUTPUT jack on the PSR-275/273.
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■ Using a Footswitch • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
This feature lets you use an optional footswitch (Yamaha FC4 or FC5) to sustain the sound of the voices. The footswitch functions the same way as a damper pedal on an acoustic piano — press and hold down the footswitch as you play the keyboard to sustain the sound.
■ Using the MIDI Terminals • • • • • • • • • • • • • • • • • • • • • • • • • • •
The PSR-275/273 also features MIDI terminals, allowing you to interface the PSR-275/ 273 with other MIDI instruments and devices. (For more information, see page 55.)
•Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning on the power.
•Do not press the footswitch while turning the power on. Doing this changes the recognized polarity of the footswitch, resulting in reversed footswitch operation.
MIDI instrument
11
Quick |
Step 1 Voices |
Guide |
zx w
001 GrandPno
001
q z
Playing the Piano
Simply by pressing the [PORTABLE GRAND] button, you can automatically select the Grand Piano voice.
z Press the [PORTABLE GRAND] button.
001 |
GrandPno |
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001 |
Playing along with the Metronome
z Press the [METRONOME] button.
x Play the keyboard. |
x Stop the Metronome. |
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Want to find out more? See page 21.
Want to find out more? See page 21.
12
Step 1 Voices
Selecting and Playing Other Voices
The PSR-275/273 has a huge total of 480 dynamic and realistic instrument voices. Let’s try a few of them out now...
q Press the [VOICE] button.
001 |
GrandPno |
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001 |
w Select a voice.
002 BritePno
e Play the keyboard.
Want to find out more? See page 23.
● Panel Voice List
No. |
Voice Name |
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No. |
Voice Name |
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No. |
Voice Name |
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No. |
Voice Name |
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PIANO |
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030 |
Folk Guitar |
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061 |
Vox Humana |
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090 |
Sawtooth Lead |
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001 |
Grand Piano |
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031 |
12Strings Guitar |
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062 |
Air Choir |
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091 |
Voice Lead |
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002 |
Bright Piano |
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032 |
Jazz Guitar |
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SAXOPHONE |
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092 |
Star Dust |
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003 |
Honky-tonk Piano |
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033 |
Octave Guitar |
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063 |
Soprano Sax |
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093 |
Brightness |
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004 |
MIDI Grand Piano |
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034 |
Clean Guitar |
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064 |
Alto Sax |
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094 |
Analogon |
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005 |
CP 80 |
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035 |
60’s Clean Guitar |
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065 |
Tenor Sax |
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095 |
Fargo |
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006 |
Harpsichord |
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036 |
Muted Guitar |
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066 |
Breathy Tenor |
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SYNTH PAD |
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E.PIANO |
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037 |
Overdriven Guitar |
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067 |
Baritone Sax |
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096 |
Fantasia |
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007 |
Galaxy EP |
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038 |
Distortion Guitar |
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068 |
Oboe |
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097 |
Bell Pad |
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008 |
Funky Electric Piano |
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BASS |
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069 |
English Horn |
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098 |
Xenon Pad |
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009 |
DX Modern Elec. Piano |
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039 |
Acoustic Bass |
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070 |
Bassoon |
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099 |
Equinox |
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010 |
Hyper Tines |
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040 |
Finger Bass |
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071 |
Clarinet |
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100 |
Dark Moon |
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011 |
Venus Electric Piano |
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041 |
Pick Bass |
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TRUMPET |
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PERCUSSION |
012 |
Clavi |
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042 |
Fretless Bass |
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072 |
Trumpet |
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101 |
Vibraphone |
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ORGAN |
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043 |
Slap Bass |
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073 |
Muted Trumpet |
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102 |
Marimba |
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013 |
Jazz Organ 1 |
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044 |
Synth Bass |
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074 |
Trombone |
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103 |
Xylophone |
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014 |
Jazz Organ 2 |
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045 |
Hi-Q Bass |
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075 |
Trombone Section |
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104 |
Steel Drums |
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015 |
Click Organ |
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046 |
Dance Bass |
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076 |
French Horn |
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105 |
Celesta |
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016 |
Bright Organ |
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STRINGS |
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077 |
Tuba |
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106 |
Tubular Bells |
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017 |
Rock Organ |
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047 |
String Ensemble |
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BRASS |
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107 |
Timpani |
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018 |
Purple Organ |
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048 |
Chamber Strings |
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078 |
Brass Section |
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108 |
Music Box |
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019 |
16'+2' Organ |
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049 |
Synth Strings |
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079 |
Big Band Brass |
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DRUM KITS |
020 |
16'+4' Organ |
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050 |
Slow Strings |
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080 |
Mellow Horns |
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109 |
Standard Kit 1 |
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021 |
Theater Organ |
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051 |
Tremolo Strings |
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081 |
Synth Brass |
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110 |
Standard Kit 2 |
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022 |
Church Organ |
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052 |
Pizzicato Strings |
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082 |
Jump Brass |
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111 |
Room Kit |
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023 |
Chapel Organ |
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053 |
Orchestra Hit |
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083 |
Techno Brass |
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112 |
Rock Kit |
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024 |
Reed Organ |
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054 |
Violin |
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FLUTE |
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113 |
Electronic Kit |
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ACCORDION |
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055 |
Cello |
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084 |
Flute |
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114 |
Analog Kit |
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025 |
Traditional Accordion |
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056 |
Contrabass |
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085 |
Piccolo |
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115 |
Dance Kit |
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026 |
Musette Accordion |
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057 |
Banjo |
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086 |
Pan Flute |
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116 |
Jazz Kit |
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027 |
Bandoneon |
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058 |
Harp |
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087 |
Recorder |
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117 |
Brush Kit |
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028 |
Harmonica |
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CHOIR |
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088 |
Ocarina |
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118 |
Symphony Kit |
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GUITAR |
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059 |
Choir |
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SYNTH LEAD |
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119 |
SFX Kit 1 |
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029 |
Classical Guitar |
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060 |
Vocal Ensemble |
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089 |
Square Lead |
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120 |
SFX Kit 2 |
* This list includes only a portion of the total available voices.
13
Quick |
Step 2 Songs |
Guide |
q |
zx |
xw |
001 Englishm
-09
xc z
Playing the Songs
The PSR-275/273 is packed with a total of 100 songs, including one Demo song — which has been specially created to showcase the rich and dynamic sounds of the instrument. There are also 99 additional songs, designed to be used with the educational Lesson feature.
Playing the Demo song
Let’s play the Demo song now, Repeating with #001.
z Start the Demo song.
001 |
Englishm |
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-09 |
You can also play back songs of other categories. Simply select the appropriate number of the desired song during playback.
x Stop the Demo song.
or
•Demo Cancel function that allows you to disable the Demo feature. To use this, simultaneously hold down the [DEMO] button and turn the power on ([STANDBY/ON] button). While the power is on in this condition, pressing the [DEMO] button has no effect. To turn Demo Cancel off, simply turn the power off and back on again normally.
Playing a single song
Naturally, you can also individually select and play back the PSR-275/273’s songs.
z Press the [SONG] button.
001 |
Englishm |
|
-09 |
x Select a song.
002 Mirliton
c Start (and stop) the song.
Want to find out more? See page 45.
14
Step 2 Songs
Changing the volume of the song
This lets you adjust the volume balance between the song and your keyboard performance.
q Press the [FUNCTION] button, until SongVol is indicated in the display.
100 |
SongVol |
|
-09 |
w Use the [+]/[–] buttons to adjust the song volume.
You can also use the numeric keypad to directly enter the value.
120 SongVol
Want to find out more? See page 48.
● Song List
No. |
Song Name (Composer) |
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No. |
Song Name (Composer) |
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DEMO |
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DUET |
001 |
Englishman In New York |
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054 |
Row Row Row Your Boat* |
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ORCHESTRA |
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055 |
On Top Of Old Smoky* |
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002 |
Danse Des Mirlitons From “The |
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056 |
We Wish You A Merry Christmas* |
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Nutcracker” (P.I. Tchaikovsky) |
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057 |
Scarborough Fair* |
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003 |
“Orphée Aux Enfers” Ouverture |
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058 |
Im Mai* |
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059 |
O Christmas Tree* |
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004 |
Slavonic Dances No.10 |
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060 |
Mary Had A Little Lamb* |
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061 |
Ten Little Indians |
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005 |
La Primavera (From Le Quattro |
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Stagioni) (A. Vivaldi) |
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062 |
Pop Goes The Weasel* |
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006 |
Méditation De Thais (J. Massenet) |
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063 |
Twinkle Twinkle Little Star* |
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007 |
Guillaume Tell (G. Rossini) |
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064 |
Close Your Hands, Open Your |
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008 |
Frühlingslied (F. Mendelssohn) |
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Hands (J.J. Rousseau) |
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009 |
Ungarische Tänze Nr.5 |
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065 |
The Cuckoo* |
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(J. Brahms) |
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066 |
O Du Lieber Augustin* |
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PIANIST |
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067 |
London Bridge* |
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010 |
Dolly’s Dreaming And Awakening |
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(T.Oesten) |
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CHORD LESSON |
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068 |
Bill Bailey (Won’t You Please |
011 |
La Candeur (J.F.Burgmüller) |
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012 |
Arabesque (J.F.Burgmüller) |
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Come Home) (H. Cannon) |
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069 |
When Irish Eyes Are Smiling |
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013 |
Pastorale (J.F.Burgmüller) |
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(E.R. Ball) |
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014 |
Petite Réunion (J.F.Burgmüller) |
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070 |
Down By The Riverside* |
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015 |
Innocence (J.F.Burgmüller) |
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071 |
When The Saints Go Marchin’ In* |
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016 |
Progrés (J.F.Burgmüller) |
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072 |
Frühlingsstimmen (J. Strauss II) |
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017 |
Tarentelle (J.F.Burgmüller) |
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073 |
Camptown Races (S.C. Foster) |
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018 |
La Chevaleresque |
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074 |
Little Brown Jug (Joseph Winner) |
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075 |
Loch Lomond* |
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019 |
Etude op.10-3 “Chanson De |
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L’adieu” (F.Chopin) |
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076 |
Oh! Susanna (S.C. Foster) |
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077 |
Greensleeves* |
020 |
Marcia Alla Turca (L.v. Beethoven) |
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078 |
Aura Lee (G. Poulton) |
021 |
Turkish March (W.A. Mozart) |
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079 |
Silent Night (F. Gruber) |
022 |
Valse op.64-1 “Petit Chien” |
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(F.Chopin) |
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080 |
The Danube Waves (I. Ivanovici) |
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023 |
Menuett (L. Boccherini) |
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081 |
Twinkle Twinkle Little Star* |
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024 |
Nocturne op.9-2 (F. Chopin) |
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082 |
Close Your Hands, Open Your |
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025 |
Moments Musicaux op.94-3 |
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Hands (J.J. Rousseau) |
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(F. Schubert) |
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083 |
The Cuckoo* |
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026 |
The Entertainer (S. Joplin) |
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084 |
O Du Lieber Augustin* |
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027 |
Prelude (Wohltemperierte Klavier |
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085 |
London Bridge* |
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1-1) (J.S. Bach) |
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086 |
American Patrol (F.W. Meacham) |
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028 |
La Viollette (Streabbog) |
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087 |
Beautiful Dreamer (S.C. Foster) |
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029 |
Für Elise (L.v. Beethoven) |
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088 |
Battle Hymn Of The Republic* |
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PRACTICE |
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089 |
Home Sweet Home (H. Bishop) |
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030 |
America The Beautiful (S.A. Ward) |
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090 |
Valse Des Fleurs (From “The Nut- |
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031 |
Londonderry Air* |
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cracker”) (P.I. Tchaikovsky) |
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032 |
Ring De Banjo (S.C. Foster) |
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091 |
Aloha Oe* |
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033 |
Wenn Ich Ein Vöglein Wär ?* |
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092 |
I’ve Been Working On The Rail- |
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034 |
Die Lorelei (F. Silcher) |
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road* |
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093 |
My Darling Clementine* |
035 |
Funiculi-Funicula (L. Denza) |
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094 |
Auld Lang Syne* |
036 |
Turkey In The Straw* |
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095 |
Grandfather’s Clock (H.C. Work) |
037 |
Old Folks At Home (S.C. Foster) |
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096 |
Amazing Grace* |
038 |
Jingle Bells (J.S. Pierpont) |
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097 |
My Bonnie (H.J Fulmer) |
039 |
Muss I Denn (F. Silcher) |
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098 |
Yankee Doodle* |
040 |
Liebesträume Nr.3 (F. Liszt) |
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099 |
Joy To The World (G.F. Händel) |
041 |
Jesu, Joy Of Man’s Desiring |
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100 |
Ave Maria (F.Schubert) |
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042 |
Symphonie Nr.9 (L.v. Beethoven) |
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043 |
Song Of The Pearl Fisher |
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044 |
Gavotte (F.J. Gossec) |
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045String Quartet No.17 2nd mov. “Serenade” (F.J. Haydn)
046 Menuett (J.S. Bach)
047 Canon (J. Pachelbel)
048From “The Magic Flute” (W.A Mozart)
049Piano Sonate op.27-2 “Mondschein” (L.v. Beethoven)
050 “The Surprise” Symphony
(F.J. Haydn)
051 To A Wild Rose (E.A. MacDowell)
052Air de Toréador “Carmen” (G. Bizet)
053O Mio Babbino Caro (From “Gianni Schicchi”) (G. Puccini)
15
Quick |
Step 3 Style |
Guide |
zb |
x |
001 8BtModrn
001
c v m n |
z |
Using the Style
The powerful yet easy-to-use Style features give you professional instrumental backing for your performances. Simply play chords with your left hand — and the PSR-275/273 automatically produces appropriate bass, chord and rhythm backing. Use your right hand to play melodies, and you’ll sound like an entire band!
•For more infomation on playing proper chords for the auto accompaniment, see “Using Auto Accompaniment — Multi Fingering” on page 40 and “Dictionary” on page 42.
Accompaniment
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+ Right hand |
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Auto accompaniment |
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(for example, |
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(for example, |
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bass + guitar + drums) |
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piano) |
z Press the [STYLE] button.
001 |
8BtModrn |
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001 |
x Select a style.
002 60sGtPop
c Turn the auto accompaniment on.
16
Step 3 Style
Looking up Chords in the Dictionary
The convenient Dictionary function teaches you how to play chords by showing you the individual notes. In the example
below, we’ll learn how to play a GM7 chord...
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Keys for entering |
Keys for entering |
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the chord |
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the chord type |
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the chord root |
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(C1 — B2) |
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(C5 — B5) |
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Learning how to play a specific chord
Example:
G M7
Root note Chord type
z Press the [Dict.] button.
Dict.
xSpecify the root note of the chord (in this case, G).
cSpecify the chord type of the chord (in this case, M7).
vPlay the notes of the chord as indicated in the keyboard diagram in the display. The chord name flashes when the chord is played properly.
Chord area
bTo leave the Dictionary function, press the [Dict.] button again.
Want to find out more? See page 42.
v Turn the Sync Start function on.
b Play a chord with your left hand.
The style starts as soon as you play the keyboard. For more on chords, see “Looking up Chords in the Dictionary” above.
Accompaniment
area
n Select a section.
The auto accompaniment has four sections: Intro, Main A/B, and Ending.
m Stop the style.
Want to find out more? See page 34.
17
Basic Operation and LCD Display
Adjusting the Volume
Turn the [MASTER VOLUME] dial.
Decreases |
Increases |
the overall |
the overall |
volume. |
volume. |
Name and Number indication (Song/Style /Voice)
Currently selected name and number (Song, Style or Voice) appear here.
For example, when song is selected:
Song number |
Song name |
001 Englishm
001 Englishm
-09
Function settings and indications
This button lets you call up the various function settings.
..............................See page 60
..............................See page 60
........................See page 23, 60
........................See page 25, 60
........................See page 26, 60
........................See page 29, 60
..............................See page 60
Note that the function bar in the LCD indicates the function category (Overall, Volume, etc.) when you select each function, and the currently selected function name and value appears in the LCD.
For example, when Transpose is selected:
Function bar Value |
Function name |
00 |
Transpos |
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001 |
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Setting values
● Use the numeric [0]-[9] buttons or [+]/[–] buttons.
Decreases the |
Increases the |
number by one |
number by one |
step. |
step. |
To continuously change the number up or down, press and hold the appropriate [+]/[–] button. To input a negative value, simultaneously hold the [–] button and enter the number.
Basic Operation and LCD Display
Entering one of the modes (Song, Style or Voice)
●Pressing one of the buttons below calls up the appropriate mode — Song, Style or Voice, and the bar in the display indicates the currently selected mode.
Song
Select the desired song.
Style
Select the desired style.
Voice
Select the desired voice.
●The following indications appear when you press the [VOICE] button in the Song or Style mode.
For selecting a voice |
For selecting a voice |
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in the Song mode. |
in the Style mode. |
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Entering numbers
●Use the [+]/[–] buttons when you want to change the number in single steps.
[PRESS AND HOLD FOR A WHILE] indication
Buttons having this indication can be used to call up an alternate function when the relevant button is pressed and held.
Hold down this button until the function name appears in the display.
Music Rest
Insert the bottom edge of the included music rest into the slot located at the top rear of the PSR275/273 control panel.
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number by one |
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number by one |
step. |
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step. |
To continuously change the number up or down, press and hold the appropriate [+]/[–] button.
●To directly enter the desired number, use numeric buttons [0]- [9].
Ex. Voice number 109: Standard Kit 1
109 Std.Kit1
Press the numeric buttons [1], [0], [9] in order.
•If the first digit or first two digits of the number are “0,” (ex., 074 or 005), pressing the [0] button is unnecessary. However, pressing the [0] button is necessary if “0” is part of the number (ex., 105).
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Basic Operation and LCD Display
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NOTATION |
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MEASURE number |
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Normally, these indicate which keys or notes are |
Indicates the current measure |
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BEAT |
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or style is playing. |
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•Any notes occurring below or above the staff are indicated by “8va” in the notation.
•In certain cases, a note may not be fully shown in the display.
Accompaniment On (ACMP ON)
Indicates when accompaniment is on.
KEYBOARD
Indicates notes being played currently. Also indicates the notes of a chord — either when playing a chord or when using the Dictionary function.
001 |
GrandPno |
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003 |
CHORD |
SPLIT |
Indicates the chord name when playing in the song or style mode.
Indicates that the Split feature is turned on.
DUAL
Indicates that the Dual Voice feature is turned on.
HARMONY
Indicates that the Harmony feature is turned on.
SUSTAIN
Indicates that Sustain is turned on.
TOUCH
Indicates that Touch is turned on.
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Portable Grand
This convenient function lets you instantly call up the Grand Piano voice.
Playing the Portable Grand
Press the [PORTABLE GRAND] button.
001 |
GrandPno |
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001 |
Doing this automatically selects the special “Stereo Sampled Piano” Grand Piano voice.
Using the Metronome
1 Call up the Tempo setting.
Press the [TEMPO/TAP] button.
Current Tempo value
116 |
TEMPO |
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001 |
2 Change the value.
Use the numeric keypad to set the desired Tempo value, or use the [+]/[–] buttons to increase or decrease the value.
Restoring the Default Tempo
Value
Each song and style has been given a default or standard Tempo setting. If you’ve changed the Tempo, you can instantly restore the default setting by pressing both [+]/[–] buttons simultaneously (when Tempo is selected).
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Portable Grand
3 Turn on the Metronome.
Press the [METRONOME] button.
The beat number is indicated as follows (for a time signature of 4/4):
1
2
Indicates the beat number
in the measure.
3
4
To turn the Metronome off, press the [METRONOME] button again.
Setting the Metronome Time Signature
The time signature of the Metronome can be set to various quarter-note based meters.
The Time Signature also can be set in the Function mode (page 60).
Press and hold the [METRONOME] button (until “TimeSig” appears in the display), then press the button on the numeric keypad or [+]/[–]buttons that corresponds to the desired time signature (see chart right).
•The time signature changes automatically when a style or song is selected.
Adjusting the Metronome Volume
Numeric |
Time signature |
keypad |
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01 |
1/4 — Plays only “1” beats (all high clicks) |
02 |
2/4 |
03 |
3/4 |
04 |
4/4 |
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15 |
15/4 |
0 |
Plays no “1” beats (all low clicks) |
04 TimeSig
Indicates current beat number.
You can adjust the volume of the Metronome sound in the Function mode (page 60). The volume range is 000 - 127.
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Playing Voices
The PSR-275/273 features a total of 480 authentic voices — all of which have been created with Yamaha’s sophisticated AWM (Advanced Wave Memory) tone generation system. These include 360 XG Lite voices and drum kits.
The PSR-275/273 also has a Dual Voice or Split Voice function that lets you combine two different voices in a layer, or play from separate areas of the keyboard, play the two together across the keyboard.
Playing a Voice
1 Press the [VOICE] button.
Voice number and name
001 |
GrandPno |
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001 |
2
3
Select the desired voice number.
The categories of each voice and their numbers are shown on the panel. A complete voice list of the available voices is given on page 61.
Play the selected voice.
Since either the Style or Song mode is active in the background, you can also play styles or songs, respectively, in the Voice mode by simply pressing the [START/STOP] button. The last selected style, or song will be played.
•Selecting the #000 OTS voice calls up a convenient feature — automatically selecting an appropriate voice to best match the current style or song.
The following parameteres can be set in the Function mode (page 60).
CATEGORY |
SELECT |
Main Voice |
Volume |
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Octave |
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Reverb Send Level |
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Chorus Send Level |
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