The presets included are only intended to be a starting point for your use. All of these software programs allow incredible
amounts of control and by using multiple MIDI channels, controllers, pad modes and program changes, you can easily
create some incredible music.
Enjoy.
This preset is designed to be used with the Ableton Live Lite
software DAW, included with the MPK49.
This preset supports the Reason Remote protocol with supplied
codec files. To use Reason with the Remote protocol, you will
need to install the supplied Reason codec files. Each module in
Reason will automatically map itself to the MPK49’s controllers.
This is extremely powerful as it allows you to use a single
MPK49 preset to control all of the modules in Reason. See
“Using the MPK49 with Propellerheads Reason” section for
information on installing the Reason Remote codecs and
mappings
For use with Steinberg’s Cubase DAW.
For use with Cakewalk Sonar DAW.
For use with Appliead Acoustics’ String Studio and Ultra Analog.
For use with Arturia software synth modules, such as Arp2600V,
CS80V, Moog Modular V, Minimoog V, Prophet V, Jupiter 8V.
See “Using the MPK49 with Arturia Synths” for information on
preset mappings.
For use with Fxpansion’s BFD.
For use with Fxpansion’s Guru. See “Using the MPK49 with
Fxpansion’s Guru” for mapping information and use.
For use with Gmedia synths, such as Minimonsta, ImpOSCar,
and Oddity. See “Using the MPK49 with Gmedia Synths” for
mapping information and use.
For use with Rob Papen synths, such as LinPlug's Albino 3, and
ConcreteFX's Blue and Predator,. See “Using the MPK49 with
Rob Papen Synths” for mapping information and use.
For use with Spectrasonics’ Atmosphere.
For use with Spectrasonics’ Stylus RMX. See “Using the
MPK49 with Spectrasonics’ Stylus RMX” for mapping
information and use.
For use with Spectrasonics’ Trilogy.
For use with Virsyn synths, such as Poseidon and Tera 3.
Standard General MIDI drum and controller mapping. Good for
general drum use.
For use with Arkaos VJ.
USING THE MPK49 WITH REASON
Reason is a software program that allows for vast control of its parameters. The
problem with having a lot of controllable items is the limit of physical space and the
cost of building hardware controllers that can accommodate hundreds or thousands
of controllers. The people at Propellerheads have developed a way to remap a single
control surface to each of the modules in Reason. This protocol is called Reason
Remote.
We have included all the files necessary to enable Reason to find the MPK49 and map its controls to whatever module
you have selected in the sequencer.
To begin using the MPK49 with Reason, you will need to make sure that you have version 3.0.5 or greater for the Mac or
version 3.0.4 or later for the PC. Please note that the MPK49 is also compatible with Reason 4.
1. To install the Reason Remote codecs and remote maps, run the Reason Remote installer for your particular
computer and it will auto-install the folders into the right locations.
2. After you have installed the Reason Remote codecs, select Preset number 2 – “Reason” – on your MPK49.
Press the [VALUE] dial to load the preset.
If you have edited MPK49’s presets and are unable to load the Reason preset, use the supplied Vyzex
!
Editor to load the Factory Preset Bank and “PUT” or download the factory preset bank into the MPK49.
3. Start up Reason and the software will automatically find the
MPK49 controller. Within Reason, click on [Preferences]
and look under [Control Surfaces and Keyboards]. You
should see the Akai MPK49 icon with a green check mark.
If it is not checked, click the “Use with Reason” button.
The Vyzex Editor included on the CD is a great way to customize or restore presets to their factory condition!
The MPK49 preset for Reason makes use of pad banks A, B and C for playing notes. With these three pad banks you get
a 3-octave range of pitch control.
Pad bank D is configured to be used as a control bank. This pad bank allows you to use the pads as switches for certain
features.
The mapped parameters are shown in the graphic above.
EXAMPLE:
When you are controlling Redrum or Matrix, pads D1-D4 correspond to the Bank A, B, C, D buttons in the pattern
section. Pads D9-12 will allow you to select between patterns 1-4 and pads D5-8 allow you to select between
patterns 5-8.
In modules that allow you to select the “Previous” or “Next” preset, you can use switch S15 for “Previous Preset”
and switch S14 for “Next Preset”.
Switches S7 and S8 are always assigned to target the next or previous sequence track. This allows you to
remotely select which module you are controlling.
The next few pages feature a full table of the mapping functions. Please refer to this table for information on how the
MPK49 controls map to each individual module in Reason. You can always change how controllers are mapped by
modifying the “MPK49.remotemap” file. This will allow you to customize how Reason and your MPK49 work.
AKAI MPK49 PRESET MAPPINGS
::: GLOBAL CONTROLLERS :::
MPK49 CONTROL REASON FUNCTION MPK49 CONTROL REASON FUNCTION
Record Record Mod Wheel Mod Wheel
Rewind
Fast Forward
Switch 7
Switch 8 Target Next Track
Switch 15
Switch 16
Switch 23
Switch 24
RV 7000
REVERB
BANK
Decay Damage Control Low Shelf Gain Low Width Input Gain Input Gain Algorithm
Fader 1
Fader 2 A
Fader 3 A
Fader 4 A
Fader 5 A
Fader 6 A
Fader 7 A
Fader 8 A
Knob 1
Knob 2 A
Knob 3 A
Knob 4 A
Knob 5 A
Knob 6 A
Knob 7 A
Knob 8 A
Switch 1
Switch 2 A
Switch 3 A
Switch 4 A
Switch 5 A
Switch 6 A
Switch 7 A
Switch 8 A
A
HF Damp Damage Type Parametric 1 Gain X-Over Frequency Threshold Attack Speed Size
Hi EQ Parameter 1 Parametric 2 Gain High Width Ratio Release Speed Decay
Dry/Wet Parameter 2 Hi Shelf Gain Solo Mode Attack Output Gain Damping
Cut Lo Low Shelf Q Release Soft Clip Amount Dry/Wet
Cut Mid Parametric 1 Q Output Gain Cut Hi Parametric 2 Q
Soft Knob 1 Body Resonance Low Shelf Frequency
A
Soft Knob 2 Body Scale Parametric 1 Frequency
Soft Knob 3 Body Auto Parametric 2 Frequency
Soft Knob 4 Body Type Hi Shelf Frequency
Soft Knob 5
Soft Knob 6
Soft Knob 7
Soft Knob 8
EQ On/Off Damage On/Off Low Cut Enable Low Band Active Soft Knee Limiter Enable
A
Gate On/Off Cut On/Off Low Shelf Enable High Band Active Sidechain Solo Look Ahead Enable Body On/Off Parametric 1 Enable Separate Out Mode Adapt Soft Clip Enable Parametric 2 Enable Sidechain Active Output Level Meter Mode High Shelf Enable
Stop
Stop
Play
Play
Rewind
Fast Forward
Target Previous Track
Select Previous Patch for Target Device
Select Next Patch for Target Device
Select Previous Keyboard Shortcut Variation
Select Next Keyboard Shortcut Variation
SCREAM 4
DISTORTION
Master Level Hi Shelf Q
MCLASS
EQUALIZER
MCLASS
IMAGER
Keyboard
Pitch Bend
Channel Pressure
Expression
Damper Pedal
::: MASTER KEYBOARD :::
M CLASS
COMPRESSOR
Keyboard
Pitch Bend
Channel Pressure
Expression
Damper Pedal
M CLASS
MAXIMIZER
RV-7
REVERB
DDL-1
DELAY
BANK
DelayTime (steps) Am ount Frequency Delay Frequency Voice Count Ratio Filter A Freq
Fader 1
Fader 2 A
Fader 3 A
Fader 4 A
Fader 5 A
Fader 6 A
Fader 7 A
Fader 8 A
Knob 1
Knob 2 A
Knob 3 A
Knob 4 A
Knob 5 A
Knob 6 A
Knob 7 A
Knob 8 A
Switch 1
Switch 2 A
Switch 3 A
Switch 4 A
Switch 5 A
Switch 6 A
Switch 7 A
Switch 8 A
A
DelayTime (ms) Foldback Resonance Feedback Split Detune Threshold Filter A Q
Feedback Env Am ount Rate Width Dry/Wet Attack Filter A Gain
Pan Velocity Modulation Amount Rate Release Filter B Freq
Dry/Wet Balance Frequency Modulation Gain Filter B Q
Feedback Filter B Gain
Attack
A
Decay Sustain Release
Unit Trigger Send/I nsert Mode LFO Sync Enable Filter B On/Off
A
Step Length LFO Sync Enable
D-11
DISTORTION
ECF-42
FILTER
CF-101
CHORUS
PH-90
PHASER
UN-16
UNISON
COMP01
PEQ-2
AKAI MPK49 PRESET MAPPINGS
MIXER 14:2
Fader 1
BANK GROUP 1 GROUP 2 GROUP 3 GROUP 4 GROUP 5 GLOBAL
Fader 2 A
Fader 3 A
Fader 4 A
Fader 5 A
Fader 6 A
Fader 7 A
Fader 8 A
Knob 1
Knob 2 A
Knob 3 A
Knob 4 A
Knob 5 A
Knob 6 A
Knob 7 A
Knob 8 A
Switch 1
Switch 2 A
Switch 3 A
Switch 4 A
Switch 5 A
Switch 6 A
Switch 7 A
Switch 8 A
Fader 9
Fader 10 B
Fader 11 B
Fader 12 B
Fader 13 B
Fader 14 B
Fader 15 B
Fader 16 B
Knob 9
Knob 10 B
Knob 11 B
Knob 12 B
Knob 13 B
Knob 14 B
Knob 15 B
Knob 16 B
Switch 9
Switch 10 B
Switch 11 B
Switch 12 B
Switch 13 B
Switch 14 B
Switch 15 B
Switch 16 B
Channel 1 Pan Channel 1 Aux 1 Send Channel 1 Aux 2 Send Channel 1 Aux 3 Send Channel 1 Aux 4 Send
A
Channel 2 Pan Channel 2 Aux 1 Send Channel 2 Aux 2 Send Channel 2 Aux 3 Send Channel 2 Aux 4 Send
Channel 3 Pan Channel 3 Aux 1 Send Channel 3 Aux 2 Send Channel 3 Aux 3 Send Channel 3 Aux 4 Send
Channel 4 Pan Channel 4 Aux 1 Send Channel 4 Aux 2 Send Channel 4 Aux 3 Send Channel 4 Aux 4 Send
Channel 5 Pan Channel 5 Aux 1 Send Channel 5 Aux 2 Send Channel 5 Aux 3 Send Channel 5 Aux 4 Send
Channel 6 Pan Channel 6 Aux 1 Send Channel 6 Aux 2 Send Channel 6 Aux 3 Send Channel 6 Aux 4 Send
Channel 7 Pan Channel 7 Aux 1 Send Channel 7 Aux 2 Send Channel 7 Aux 3 Send Channel 7 Aux 4 Send
Channel 8 Pan Channel 8 Aux 1 Send Channel 8 Aux 2 Send Channel 8 Aux 3 Send Channel 8 Aux 4 Send
B
Channel 9 Pan Channel 9 Aux 1 Send Channel 9 Aux 2 Send Channel 9 Aux 3 Send Channel 9 Aux 4 Send
Channel 10 Pan Channel 10 Aux 1 Send Channel 10 Aux 2 Send Channel 10 Aux 3 Send Channel 10 Aux 4 Send
Channel 11 Pan Channel 11 Aux 1 Send Channel 11 Aux 2 Send Channel 11 Aux 3 Send Channel 11 Aux 4 Send
Channel 12 Pan Channel 12 Aux 1 Send Channel 12 Aux 2 Send Channel 12 Aux 3 Send Channel 12 Aux 4 Send
Channel 13 Pan Channel 13 Aux 1 Send Channel 13 Aux 2 Send Channel 13 Aux 3 Send Channel 13 Aux 4 Send
Channel 14 Pan Channel 14 Aux 1 Send Channel 14 Aux 2 Send Channel 14 Aux 3 Send Channel 14 Aux 4 Send