This Quickstart Manual is intended to give you a brief overview of the functionality and features of the
MPK49. In this manual you will find instructions on how to connect the MPK49 and how to use its basic
features. For detailed information, we recommend reading the Operator’s Manual included on the software
CD. Enjoy!
HOOKUP DIAGRAM
Please refer to the following scenario for connecting the MPK49.
EXTERNAL SOUND MODULE
COMPUTER
POWER
ADAPTER
EXTERNAL
MIDI DEVICE
SUSTAIN
PEDAL EXPRESSION
PEDAL
MIDI from MPD24 MPK49 to
computer
MIDI from external MIDI
device connected to MIDI IN
port of MPD24MPK49
MIDI from computer to
external sound module
connected to MIDI OUT port
of MPD24MPK49
1. Connect a USB cable from your computer to the MPK49. The unit will be powered through the
USB connection. Alternatively, if you do not wish to use a computer in your setup or if you wish
to power the MPK49 externally, please plug in a 6V-1A DC power adapter.
2. If you would like to use an external sound module, connect a 5-pin MIDI cable from the MIDI OUT
of the MPK49 to the MIDI IN of the external device.
3. If you would like to use another MIDI controller in your setup, connect a 5-pin MIDI cable from the
MIDI OUT of the controller to the MIDI IN of the MPK49.
5
REAR PANEL OVERVIEW
1. DC POWER ADAPTER INPUT – Plug in a 6V-
1A
DC power adapter if you do not wish to power
the MPK49 through the USB connection.
2.POWER ADAPTER RESTRAINT – You can
secure the power adapter cord to this restraint to
prevent accidental unplugging.
3.USB CONNECTION – Plug a standard USB
cable into this outlet and into the USB port of
your computer. The computer’s USB port will
provide power to the MPK49. This connection is
used to send and receive MIDI data to and from
your computer and may also be used to send
MIDI data from your computer to a device
attached to the MIDI OUT port of the MPK49.
4.MIDI OUT – Use a five-pin MIDI cable to connect
the MIDI OUT of the MPK49 to the MIDI IN of an
external device.
FRONT PANEL OVERVIEW
5. MIDI IN – Use a five-pin MIDI cable to connect
the MIDI OUT of an external MIDI device to the
MIDI IN of the MPK49.
6.SUSTAIN PEDAL – Connect a ¼” TS sustain
pedal to this input. We recommend using the
Alesis Sustain Pedal.
7.EXPRESSION PEDAL INPUT – Connect a ¼”
TRS expression pedal to this input. We
recommend using the Alesis F2 expression
pedals.
1.LCD – The display is used for navigating menus,
displaying data, and affecting change on
MPK49’s options and parameters.
2.[VALUE] (Push to Enter) – This dial is used to
increment and decrement Presets, parameter
values and settings. This dial also functions as
an [ENTER] button when it is pressed down.
3.[<] AND [>] BUTTONS – These buttons are
used to navigate through the fields of menus and
options. The [<] button also functions as a
[CANCEL] button.
4.[PRESET] – This button calls up Preset Mode.
You can select and recall different Preset
programs in this mode.
5.[EDIT] – This button calls up Edit Mode, which
allows you to edit the behavior of the keyboard,
pads, knobs, buttons, sliders and default settings
for each preset.
6.[GLOBAL] – This button calls up Global Mode,
where MIDI reset commands and global system
preferences are set.
7.[PREVIEW] – This button allows you to see what
value will be sent by a controller, without actually
sending the value. This gives you precise control
over your parameters and helps avoid erroneous
controller data being sent to your devices due to
the physical position of the controller. This is
especially useful when switching between control
banks where, for example, the physical position
of a slider may not correspond to the last value
sent by the controller. Holding down [PREVIEW]
allows you to view the original value and adjust
the physical position of the slider as necessary
before transmitting any values.
6
8.[PROGRAM CHANGE] – Pressing this button
will enter Program Change mode. In this mode,
you can send a Program Change or Program with Bank Change message to a hardware or
software module.
9.TRANSPORT CONTROL BUTTONS – These
five buttons are dedicated buttons for sending
transport control commands. The transport
control buttons can be set to transmit either MMC
(MIDI Machine Control), MMC/MIDI SysEx, MIDI
START/STOP or pre-assigned MIDI CC values.
10.8 ASSIGNABLE KNOBS –Each 360-degree
knob can be used to send continuous control
data to a desktop audio workstation or external
MIDI device.
11.8 ASSIGNABLE SLIDERS – Each slider can be
used to send continuous control data to a
desktop audio workstation or external MIDI
device.
12.8 ASSIGNABLE BUTTONS – These buttons can
be used as MIDI CC switches or Program
Change switches. They can function in
momentary or toggle modes. When [TIME
DIVISION] has been activated, these 8 buttons
are used to set the time division of the
Arpeggiator and Note Repeat features.
13.[CONTROL BANK] – The MPK49 features 3
independent banks of continuous controllers.
Effectively, this allows you to control up to 72
independent parameters with the knobs, sliders
and buttons on the MPK49. The [CONTROL
BANK] button is used to switch among the 3
banks. The LEDs above the button will reflect
the currently selected control bank.
14. 12 MPC PRESSURE AND VELOCITY
SENSITIVE PADS – The pads can be used to
trigger drum hits or samples on your software or
hardware module. The pads are pressure and
velocity sensitive, which makes them very
responsive and intuitive to play.
15.PAD BANK buttons – These 4 buttons switch
among pad banks A, B, C, D. Each bank can
address a unique set of 12 sounds, giving you
access of up to 48 different sounds you
can trigger with the pads. The currently
selected pad bank will be indicated on
the LCD display
16.[FULL LEVEL] – When [FULL LEVEL] is
activated, the pads always play back at a
maximum velocity (127), no matter how hard or
soft you hit them.
17.[12 LEVEL] – When [12 LEVEL] is activated, you
can use the 12 pads to change a selected
sound’s velocity in 12 steps. When you press the
[12 LEVEL] button, the last pad that was hit gets
mapped to all 12 pads. The pads will now output
the same note number and pressure controller as
the initial pad, but the velocity
is fixed at the values shown in
the diagram on the right,
regardless of how hard you hit
them. This allows you to have
more control over the velocity
of a sound.
18.[NOTE REPEAT] – Holding this button while
striking a pad causes the pad to retrigger at a
rate based on the current Tempo and Time
Division settings. The Note Repeat feature can
be synced to an internal or external MIDI Clock
source. [NOTE REPEAT] can function as a
latching or momentary button
19.[TIME DIVISION] – This button is used to specify
the rate of the Note Repeat and Arpeggiator
features. When [TIME DIVISION] is activated,
you can press one of the 8 switches to specify a
time division. [TIME DIVISION] can function as a
momentary or toggle button.
Please note that while [TIME DIVISION] is active,
the 8 assignable buttons will not function as MIDI
CC or Program Change switches until [TIME
DIVISION] has been de-activated.
20.[ARP ON/OFF] – This button enables and
disables the internal Arpeggiator. The
Arpeggiator will only function on notes being
played on the keyboard. The Arpeggiator feature
on the MPK49 works in conjunction with the
Tempo and Time Division settings, which specify
the rate of arpeggiation. Please note that the
Arpeggiator can be synced either to an internal
or external MIDI Clock source (such as a
software DAW or a MIDI device).
21.[LATCH] – This button works in conjunction with
the Arpeggiator. When the Arpeggiator is turned
on and [LATCH] has been enabled, you can hold
down a combination of keys -- the Arpeggiator
will memorize and continue to arpeggiate these
notes, even if you depress the keys. There are a
couple of ways to use the [LATCH] function:
a.While holding down the keys, you can add
more notes to the sequence by pressing
down additional keys.
b. If you depress the keys, release them, and
then press down a new combination of
notes, the Arpeggiator will memorize and
arpeggiate the new notes.
22.[OCTAVE + / -] – These buttons can be used to
shift the keyboard’s range up and down. The
display will indicate which octave you have
shifted to. If both buttons are pressed at the
same time, the octave shift will reset to 0.
23.[TAP TEMPO] – This button allows you to tap in
a new tempo. If the preset is reloaded, the
tempo will revert to the saved tempo value.
(Please note that a preset’s default tempo can be
set in Edit Mode). Tap Tempo does not work
when the MPK49 is set to External sync.
24.PITCH BEND WHEEL – Transmits MIDI Pitch
Bend information on a selected MIDI channel
and port.
25.MODULATION WHEEL – This wheel can be
used to transmit continuous controller data. By
default, the modulation wheel will transmit MIDI
CC #01.
7
ABOUT MODES
The MPK49 has four different modes of operation. Each mode can be accessed by pressing the
corresponding button on the MPK49. Following is a short description of each mode:
Preset Mode
This mode allows you to load, save and copy Presets. A Preset is a
collection of information about how different sliders, knobs, and pads will
behave. Using Presets allows you to save different configurations so you
can quickly load them when you need them, without having to reprogram the
Edit Mode
Global Mode
Program Change Mode
MPK49 every time.
This mode allows you to edit the configuration of the MPK49. Edit Mode is a
powerful tool for customizing your set-up. In this mode, you can make
changes to how the keyboard, pads, knobs, sliders and other features are
behaving. For example, you may wish to have a slider or a knob transmit
only a limited range of MIDI data, or you may wish to have a pad that
transmits on a different MIDI Channel. You can change these and other
various parameters in Edit Mode. See the PRESET parameter table on pg
XX for a full listing of parameters.
This mode allows you to set global parameters and make general changes to
how your MPK49 is functioning. For example, in Global Mode you can
change how the pads respond to the touch, or change the brightness of the
LCD screen. The parameters that you can modify in Global Mode also
include controller resets, MIDI Common Channel, Pad Velocity Curve, Pad
Threshold, Keyboard Transposition, and more. See Global Mode on Page 13
for a full list of the menus.
This mode allows you to transmit various Program Change messages. In
this mode, you can tell your DAW or an external device to switch to a
different program bank of sounds. This way, you can avoid having to
manually switch between different programs on your DAW or external device.
8
PRESET MODE
A Preset is a collection of information about how the MPK49’s keyboard, sliders, knobs, buttons and pads will
behave. Using Presets allows you to save different configurations so you can quickly recall them at any time, without
having to reprogram the MPK49 every time.
You can press the [PRESET] button at any time to call up this
mode. In Preset Mode you can load, save/copy and rename Presets – each of these functions can be
accessed through the 3 different pages.
PAGE 1 – LOAD PRESET
1. While you are in Preset Mode, you can change Presets with the [VALUE] dial
below the screen. Turning the dial increments or decrements the current
Preset number and displays the screen on the right:
When you do this, you will notice that ‘PRESS ENTER’ will begin to blink.
2. Pressing [ENTER] loads the selected Preset. Pressing [<] or the [PRESET]
button cancels and returns you to the Preset that was last selected.
PAGE 2 – SAVE/COPY PRESET
In Preset Mode, you can also save and copy a Preset to a new location. This
allows you to save any changes that you would have made to the Preset in EDIT
MODE.
Note that if you are saving the Preset to the same location (same preset number)
the screen will say ‘SAVE TO’ and if you are saving to a different location
(different preset number), the screen will display ‘COPY TO’.
1. While you are in
above.
Preset Mode, press [>] button until you see the ‘SAVE TO’ screen similar to the one shown
DESTINATION
2. You can select the location where you want to save the Preset by turning the [VALUE] knob.
When you do this, you will notice that ‘PRESS ENTER’ will begin to blink.
3. Press [ENTER] to save current Preset to the destination. Pressing the [<] button or [PRESET] button cancels the
operation and returns you to the Preset play mode.
PAGE 3 – NAME PRESET
While you are in Preset Mode, you can also change the Preset name. This way
you can assign specific names to different Presets so you can better keep track
and quickly access different controller configurations.
1. To name or rename the Preset, press the [>] button until you see ‘Preset
Name’ displayed on the screen.
You will notice that the first letter of the name will begin blinking.
2. Turn the [VALUE] dial to change the blinking character.
3. To move between the characters, use [<] and [>] buttons.
ENTER PRESET NAME IN
THIS FIELD
4. When done, press [PRESET] again. The name will be saved.
9
EDIT MODE
Pressing the [EDIT] button calls
up Edit Mode. In this mode, you
can edit the settings of the
currently selected Preset. The
settings vary depending on the
controller you are editing and are
described on the following page.
Please note that the changes you
make will only apply to the
currently selected Preset.
1. Press the [EDIT] button.
2. To select the controller you wish to edit, simply engage it – this will prompt the screen
to display the properties of the particular controller (Page 1).
3. If there are multiple menus for the selected controller, turn the [VALUE] dial to select
the menu you wish to edit. Press [ENTER] to view the parameters of the selected
property (Page 2).
4. To move between the parameter fields on Page 2, use the [<] and [>] buttons. To
change the values of the fields, turn the [VALUE] dial.
5. When finished editing the controller, press [ENTER] to accept the change or press [<]
to cancel.
You can use the example screenshot on the right to
help you determine where the Page 2 parameters
described on the following page will appear on the
screen.
NAVIGATING EDIT MODE
FIELD 1
FIELD 2
FIELD 3
FIELD 4
10
EDIT MODE PARAMETERS
CONTROLLER SELECTED PAGE 1 PAGE 2
OCTAVE
KEYBOARD
PADS
KNOBS AND SLIDERS
BUTTONS
NOTE REPEAT
TIME DIVISION
PITCH BEND WHEEL
MODULATION WHEEL
TRANSPORT
TAP TEMPO
EXPRESSION PEDAL
SUSTAIN PEDAL
AFTERTOUCH
VELOCITY
NOTE
PROGRAM CHANGE
CONTROL CHANGE
AFTERTOUCH
CONTROL CHANGE
PROGRAM CHANGE
TYPE/RANGE/TOGGLE
GATE/SWING
TOGGLE/MOMENTARY
GATE/SWING
DIVISION
PITCH BEND
MODULATION WHEEL
TRANSPORT FUNCTION
TEMPO
CNTL CHANGE
AFTERTOUCH
MIDI CC
DRUM PAD
NOTE REPEAT
TIME DIV
TAP TEMPO
BANK CHANGE
PLAY/STOP
PLAY/RECORD
ARP ON/OFF
ARP LATCH
SUSTAIN
KEYBOARD MIDI CHANNEL (field 1)
UP/DOWN (field 4)
KEYBOARD MIDI CHANNEL (field 1)
ON/OFF BEHAVIOR (field 4)
KEYBOARD MIDI CHANNEL (field 1)
ON/OFF BEHAVIOR (field 4)
MIDI CHANNEL (field 1)
NOTE NUMBER (field 2)
ON/OFF BEHAVIOR (field 3)
PRESSURE BEHAVIOR (field 4)
MIDI CHANNEL (field 1)
PROGRAM CHANGE NUMBER (field 2)
BANK M (MSB) (field 3)
BANK L (LSB) (field 4)
MIDI CHANNEL (field 1)
CC NUMBER (field 2)
RANGE – MINIMUM VALUE (field 3)
RANGE – MAXIMUM VALUE (field 4)
MIDI CHANNEL (field 1)
CC NUMBER (field 2)
RANGE – MINIMUM VALUE (field 3)
RANGE – MAXIMUM VALUE (field 4)
MIDI CHANNEL (field 1)
CC NUMBER (field 2)
BUTTON MODE (field 4)
MIDI CHANNEL (field 1)
PROGRAM CHANGE NUMBER (field 2)
BANK M (MSB) (field 3)
BANK L (LSB) (field 4)
ARPEGGIO TYPE (field 2)
ARPEGGIO RANGE (field 3)
ARPEGGIO TOGGLE BEHAVIOR (field 4)ARP ON/OFF
ARPEGGIO GATE VALUE (field 2)
ARPEGGIO SWING VALUE (field 4)
BUTTON MODE (field 2)
NOTE REPEAT GATE VALUE (field 2)
NOTE REPEAT SWING VALUE (field 4)
DEFAULT TIME DIVISION (field 2)
BUTTON MODE (field 4)
MIDI CHANNEL (field 1)
MIDI CHANNEL (field 1)
CC NUMBER (field 2)
RANGE – MINIMUM VALUE (field 3)
RANGE – MAXIMUM VALUE (field 4)
MMC, MIDI, MMC/MIDI, or CTRL (field 2)
BPM (field 2)
MIDI CHANNEL (field 1)
CC NUMBER (field 2)
RANGE – MINIMUM VALUE (field 3)
RANGE – MAXIMUM VALUE (field 4)
MIDI CHANNEL (field 1)
RANGE – MINIMUM VALUE (field 3)
RANGE – MAXIMUM VALUE (field 4)
MIDI CHANNEL (field 1)
CC NUMBER (field 2)
BUTTON MODE (field 4)
PAD NUMBER (field 4)
FOR DETAILED INFORMATION ON EDIT
PARAMETERS, PLEASE REFER TO THE
OPERATOR’S MANUAL INCLUDED ON THE
CD.
11
GLOBAL MODE
In Global Mode, you can send
global messages and make general
changes to the way that your
MPK49 functions. Global Mode
options are organized under
different pages and include the list
of options shown below.
1. Press the [GLOBAL] button.
2. Use the [<] and [>] buttons to navigate through the available pages of
3. Use the [VALUE] dial to change settings, values or select a message
4. Press [ENTER] to accept the change or send a message or press [<]
KILL MIDI
MIDI COMMON CHANNEL
LCD CONTRAST
PAD SENSITIVITY
PAD VELOCITY CURVE
PAD THRESHOLD
KEYBOARD TRANSPOSITION
MIDI CLOCK
TAP TEMPO AVERAGE
SAVE SETUP
SYSEX TX
VERSION
Send an All Notes Off or Reset Controllers message Page 1
Select which MIDI channel will be used as the
Common Channel.
Adjust the contrast of the display. Page 3
Adjust how sensitive the pads are to the touch. Page 4
Adjust how the pads will output MIDI velocity, based
on the force applied to them.
Adjust the threshold of minimum force required to
activate a pad.
Transpose the keyboard up or down in semitones. Page 7
Select Internal or External MIDI Clock source. Page 8
Select the number of taps to be averaged in
determining tempo.
Save the current global settings. Page 10
Transfer a Preset via SysEx. Page 11
Check the current firmware version. Page 12
NAVIGATING GLOBAL MODE
options (shown below).
on the selected page.
Page 2
Page 5
Page 6
Page 9
PROGRAM CHANGE MODE
A Program Change, often referred to as a
Patch Change, is a MIDI message used for
sending data to devices to cause them to
change to a new program. This allows you
to tell a hardware or software device which
sound to play. For example, if your MPK49
is controlling a piano patch on your DAW or
an external device, using a Program Change
NAVIGATING PROGRAM CHANGE MODE
1. Press the [PROGRAM CHANGE] button.
2. On Page 1, use the [VALUE] dial to select a Prog Change or
Prog+Bank message on and press [ENTER].
3. On Page 2, use the [<] and [>] buttons to move through the
different options and use the {VALUE] dial to change them.
4. Press [ENTER] to send the message.
command allows you to easily switch to a
synth patch.
There are two different types of Program Change messages on the MPK49:
PROG CHANGE – This event will transmit a regular Program Change message (0-127) to your DAW or an
external device, allowing you to switch between 128 different program banks.
PROG+BANK – This event transmits a Program Change message (0-127), along with a Bank L (Least
Significant Bit) Change message (0-127) and a Bank M (Most Significant Bit) Change message (0-126),
which allows access of up to 16384 different program banks. You can use PROG+BANK if your DAW or
external device supports LSB and MSB.
12
FREQUENTLY ASKED QUESTIONS
Question: Does the MPK49 have internal sounds?
Answer: No. The MPK49 is a MIDI-controller, which means that it does not contain any sounds inside but is instead used
Question: Can the MPK49 be synced to external devices?
Answer: Yes, the MPK49 can receive MIDI Clock through both the USB and the MIDI IN connection. This means that you
Question: Do I need to use a power adapter if I am using the MPK49 with a computer?
Answer: No. The MPK49 will draw power directly from the USB port. However, if your USB port does not supply enough
Question: What software applications is the MPK49 compatible with?
Answer: The MPK49 is compatible with any software or hardware device which supports the MIDI protocol. Please consult
Question: Can I use the MPK49 as a MIDI interface for other MIDI devices?
Answer: Yes. The MPK49 functions as a MIDI interface and can be used to send or receive MIDI to and from other MIDI
Question: Can I control multiple devices with the MPK49?
Answer: Yes. The MPK49 can transmit information on 16 MIDI channels on 2 ports for a total of 32 different MIDI
Question: How many different Presets can the MPK49 hold?
Answer: The MPK49 can hold 30 Preset settings, which allow you to store different configurations for use with various
Question: Can I send Program Change messages to my software or hardware devices?
Answer: Yes. You can send program change messages in Program Change mode. In addition, pads and buttons may
Question: Are the pads on the MPK49 velocity and pressure sensitive?
Answer: Yes. The MPK49 sports MPC-style velocity and pressure sensitive pads. This allows you to be extremely
Question: What is the octave range of the keyboard?
Answer: The MPK49 has a 4-octave physical range (49 keys). However, you can access 10-octaves simply by
Question: Does the MPK49 function as an audio interface?
Answer: No. The MPK49 does not have a built-in audio interface.
Question: What type of pads is used on the MPK49?
Answer: The MPK49 features the same exact pads which are used on the Akai MPC500.
Question: Are the knobs on the MPK49 endless?
Answer: The knobs on the MPK49 are endless pots. This allows you to limit the range of the knobs, as well as use them
Question: I see 8 knobs, 8 sliders, 8 buttons, and 12 pads. Is that all I get?
Answer: No. The MPK49 features multiple banks of controllers and pads, which can be accessed with the [PAD BANK]
Question: Are the Pitch Bend and Mod wheels freely assignable?
Answer: The Pitch Bend wheel transmits dedicated pitch bend information and cannot be freely assigned to another
Question: Does the Note Repeat feature on the MPK49 work similarly to Note Repeat on the Akai MPC series?
Answer: Yes, the MPK49 features the same Note Repeat algorithm as can be found on the legendary Akai MPC series.
to control external sound devices, such as hardware and software synthesizers, sequencers and drum machines.
can synchronize tempo-based features, such as Note Repeat and the Arpeggiator, to an external source. To
synchronize the MPK49 to an external MIDI Clock source, please enter Global Mode, scroll to MIDI Clock and
select “External”.
power or if you are using a USB hub, it may be necessary to use the adapter.
your specific hardware or software device’s documentation for instructions on enabling the MPK49 as a MIDI
input device.
devices connected to it.
Channels .
software and hardware modules. Presets can easily be copied, edited and stored for quick recall of desired
configurations.
also be assigned to transmit program change messages.
expressive with your programming and performance.
transposing the keyboard up or down with the [OCTAVE] buttons.
as increment/decrement controls. Please note that your software application must be able to receive and
recognize NRPNs for Increment/decrement functions to work.
and [CONTROL BANK] buttons. This allows you to access significantly more parameters than the amount of
physical controllers. There are 3 control banks, which effectively give you 72 (3x24) controllers. There are also 4
different pad banks which give you a total of 48 (4x12) pads.
controller value. The Mod wheel, on the other hand, can be assigned to transmit CC information on any MIDI
CC#.
This feature allows you to perform and program rhythm patterns that would otherwise be nearly impossible to do
by hand.
13
TROUBLESHOOTING
PROBLEM CAUSE SOLUTION
Please make sure that the MPK49 is connected to
The display does not light
up.
No sound from target
device.
Notes sustain continuously.
Sustain pedal works in
reverse.
Arpeggiator and Note
Repeat features are not
synchronized to my clock
source.
Arpeggiator and Note
Repeat features are not
working and my Seq/DAW
is sending clock.
My slider, knob or mod
wheel works in reverse.
Transport control does not
work.
I am only hearing one
sound when I hit different
pads
The pads always play at
maximum velocity (127).
No power.
MPK49 not properly
connected.
MPK49 connected after
software application has
started.
Problem is caused by use
of a USB hub.
Software application not
set to receive MIDI data
from the MPK49.
MPK49’s MIDI channel not
the same as application’s
incoming MIDI chanel.
Sustain pedal was plugged
in after the MPK49 was
powered on.
Stuck notes due to
incomplete MIDI data.
Sustain pedal was plugged
in after power was turned
on.
Clock source on MPK49
set to “Internal”.
Software DAW is not in
play mode.
Controller minimum value
is set higher than its
maximum.
Software does not support
MMC messages, MIDI
START/STOP or the MIDI
CC mode.
12 Level function is
engaged.
Full Level feature is
engaged.
your computer and that the computer is powered on.
If using a power adapter, please make sure that the
adapter is plugged into a live power outlet.
Check your computer’s USB connection to confirm
that the MPK49 is recognized. If necessary, replug
the connection and restart your computer.
If controlling an external hardware module, make
sure that the MIDI cable is connected from the
MPK49 to the device’s MIDI IN port.
Restart the software application with the controller
plugged in.
Unplug the MPK49 from the USB hub and connect
directly to the computer.
Ensure that the MPK49 or “USB” MIDI device is
listed as an active MIDI source in your application.
Usually, the MIDI settings can be accessed through
the application’s Preferences menu.
Make sure that the MPK49 is sending MIDI
information on the channel that the target device
expects.
Turn the unit’s power off, wait a moment and then
turn it on again.
Turn the unit’s power off, wait a moment and then
turn it on again.
With the pedal plugged in, turn the unit’s power off,
wait a moment, and turn it on again.
In Global Mode, change the MIDI Clock setting to
“External”. Also, make sure that the software you
are using is set to send MIDI Clock to the MPK49.
If your software DAW is not playing, it will not be
sending clock.
Edit the controller and set the minimum value to be
lower than the maximum.
Edit the transport control to send MIDI messages
instead. Make sure that the Transport mode you are
using on the MPK matches the receive modes of
your software.
When engaged, the 12 Level function will map the
last hit pad to all 12 pads. Deactivate 12 Level to
return to normal operation.
When engaged, the Full Level function will cause all
the pads to output maximum velocity, no matter how
hard they are hit. Turn off Full Level to return to
normal operation.
14
TECHNICAL SPECIFICATIONS
GENERAL
Display custom LCD w/ backlight
Dimensions (WxDxH) 730mm x 300mm x 100mm
Weight 5.8kg
Power
Number of Presets 30
MIDI output channels over USB 48 (16 channels x 3 ports)
MIDI output channels from 5-pin MIDI 16
Keyboard
Drum pads 12 (velocity and pressure sensitive)
Drum pad banks 4
Sliders 8
360 degree knobs 8
Switches 8
Accessories
INPUTS/OUTPUTS
MIDI inputs 5-pin DIN x 1
MIDI outputs 5-pin DIN x 1
USB Slave connector x 1 (MIDI over USB)
DC IN 6V DC, 1A
~100mA, 5V DC via USB
~1A, 6V DC via external adaptor
49 Semi-Weighted keyboard (velocity
and channel pressure sensitive)
User’s manual
USB cable (1m)
CD-ROM disc
CONTACT INFORMATION
Please visit the Akai Professional website (www.akaipro.com) regularly for additional information, news and
firmware upgrades for the MPK49.
INFORMACIÓN DE CONTACTO........................................29
INTRODUCCIÓN
Este Manual de inicio rápido tiene la finalidad de brindarle una breve descripción general de la funcionalidad
y las características del MPK49. Encontrará en el mismo instrucciones sobre cómo conectar el MPK49 y
cómo usar sus características básicas. Para información detallada, recomendamos leer el Manual del
operador incluido en el CD de software. ¡Que lo disfrute!
DIAGRAMA DE CONEXIÓN
Consulte el siguiente escenario para conectar el MPK49.
MÓDULO DE SONIDO EXTERNO
COMPUTADORA
ADAPTADOR DE
ALIMENTACIÓN
DISPOSITIVO
MIDI EXTERNO
PEDAL DE
SOSTENIDO PEDAL DE
EXPRESIÓN
MIDI Del MPD24 MPK49 a la
computadora
MIDI del dispositivo MIDI
externo conectado al puerto
MIDI IN del MPD24MPK49
MIDI de la computadora al
módulo de sonido externo
conectado al puerto MIDI
OUT del MPD24MPK49
1. Conecte un cable USB de su computadora al MPK49. La unidad se alimenta por la conexión
USB. Como alternativa, si no desea usar una computadora en su configuración o desea
alimentar el MPK49 externamente, enchufe un adaptador de alimentación de 6 V -1 A CC.
2. Si desea usar un módulo de sonido externo, conecte un cable MIDI de 5 pines desde MIDI OUT
(Salida MIDI) del MPK49 a la ENTRADA MIDI del dispositivo externo.
3. Si desea usar otro controlador MIDI en su configuración, conecte un cable MIDI de 5 pines desde
la SALIDA MIDI del controladora a MIDI IN (Entrada MIDI) del MPK49.
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VISTA DEL PANEL TRASERO
1. ENTRADA DEL ADAPTADOR DE ALIMENTACIÓN
DE CC – Enchufe un adaptador de alimentación de 6
V-1 A CC si no desea alimentar el MPK49 a través
de la conexión USB.
2.SUJECIÓN DEL ADAPTADOR DE ALIMENTACIÓN
– Puede asegurar el cable del adaptador de
alimentación a esta sujeción a fin de evitar que se
desenchufe accidentalmente.
3.CONEXIÓN USB - Enchufe un cable USB estándar
en este conector y en el puerto USB de su
computadora. Este puerto proporcionará
alimentación eléctrica al MPK49. Esta conexión se
usa para enviar y recibir datos MIDI hacia y desde su
computadora y puede usarse también para enviar
datos MIDI desde su computadora a un dispositivo
conectado al puerto MIDI OUT del MPK49.
4.SALIDA MIDI - Use un cable MIDI de cinco pines
para conectar la SALIDA MIDI del MPK49 a la
ENTRADA MIDI de un dispositivo externo.
5. ENTRADA MIDI - Use un cable MIDI de cinco pines
para conectar la SALIDA MIDI de un dispositivo MIDI
externo a la ENTRADA MIDI del MPK49.
6.PEDAL DE SOSTENIDO - Conecte un pedal de
sostenido de ¼” TRS a esta entrada.
Recomendamos usar el pedal de sostenido Alesis.
7.ENTRADA DEL PEDAL DE EXPRESIÓN – Conecte
un pedal de expresión de ¼” TRS a esta entrada.
Recomendamos usar pedales de expresión Alesis
F2.
VISTA DEL PANEL FRONTAL
1. LCD – La pantalla se usa para navegar por los
menús, mostrar datos y realizar cambios en las
opciones y parámetros del MPK49.
2.[VALOR] (Pulsar para entrar) – Este cuadrante se
usa para incrementar y decrementar presets, valores
de parámetros y ajustes. El cuadrante también
funciona como botón [ENTER] cuando se pulsa.
3.BOTONES [<] Y [>]- Estos botones se usan para
navegar por los campos de los menús y las
opciones. El botón [ < ] también funciona como
botón [CANCELAR].
4.[PRESET] – Este botón activa el modo Preset
(programas predeterminados). En este modo, es
posible seleccionar y recuperar diferentes programas
predeterminados.
5.[EDITAR] – Este botón activa el modo Edit (Edición),
que permite editar (modificar) el comportamiento del
teclado, los pads, las perillas, los botones, los
cursores y los ajustes por defecto de cada programa
predeterminado.
6.[GLOBAL] - Este botón activa el modo Global, en el
que se configuran los comandos para reiniciar el
MIDI y los parámetros globales y las preferencias del
sistema.
7.[VISTA PREVIA] – Este botón permite ver el valor
que enviará un controlador, sin enviar realmente el
valor. Esta función le permite un control preciso
sobre sus parámetros y le ayuda a evitar que se
envíen datos erróneos del controlador a sus
dispositivos debido a la posición física del
controlador. Esto es especialmente útil cuando se
conmuta entre bancos de control donde, por ejemplo,
la posición física de un cursor puede no
corresponder al último valor enviado por el
controlador. Si se mantiene pulsado [PREVIEW], es
posible ver el valor original y ajustar la posición física
del cursor según sea necesario antes de transmitir
valores.
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8.[CAMBIO DE PROGRAMA] – Al pulsar este botón
se activa el modo Program Change (Cambio de
programa). En este modo, se pueden enviar
mensajes Program Change (Cambio de programa) o
Program with BankChange (Cambio de programa
con banco) a un módulo de hardware o software.
9.BOTONES DE CONTROL DE TRANSPORTE–
Estos cinco botones son dedicados y se usan para
enviar comandos de control de transporte. Estos
botones se pueden configurar para transmitir ya sea
MMC (MIDI Machine Control), MMC/MIDI SysEx,
MIDI START/STOP o valores MIDI CC preasignados.
10.8 PERILLAS ASIGNABLES - Cada perilla de 360
grados puede usarse para enviar datos de control
continuos a una estación de trabajo de audio de
escritorio o dispositivo MIDI externo.
11.8 CURSORES ASIGNABLES - Cada cursor puede
usarse para enviar datos de control continuos a una
estación de trabajo de audio de escritorio o
dispositivo MIDI externo.
12.8 BOTONES ASIGNABLES – Estos botones se
pueden usar como conmutadores MIDI CC o de
cambio de programa. Pueden funcionar en modo
momentáneo o de conmutación. Cuando se activa
[TIME DIVISION] (División de tiempo), estos 8
botones se usan para configurar la división de tiempo
de las características de arpegiador y repetición de
nota.
13.[BANCO DE CONTROL] – El MPK49 ofrece 3
bancos independientes de controladores continuos.
Efectivamente. Esta característica le permite
controlar hasta 72 parámetros independientes con
las perillas, cursores y botones del MPK49. El botón
[CONTROL BANK] se usa para conmutar entre los 3
bancos. Los LED que están arriba del botón reflejan
el banco de control seleccionado en ese momento.
14. 12 PADS MPC SENSIBLES A LA PRESIÓN Y LA
VELOCIDAD – Los pads se pueden usar para
disparar golpes de tambor o muestras en su módulo
de software o hardware. Son sensibles a la presión
y a la velocidad, lo que los hace muy responsivos e
intuitivos para tocar.
15.Botones de BANCO DE PADS – Estos 4 botones
conmutan entre los bancos de pads A, B, C y D.
Cada banco puede dirigirse a un conjunto
exclusivo de 12 sonidos que puede
disparar con los pads. El banco de pads
seleccionado en cada momento se indica
en la pantalla LCD.
16.[FULL LEVEL] – Cuando se activa [FULL LEVEL],
los pads siempre reproducen a máxima velocidad
(127), independientemente de la fuerza con que los
golpee.
17.[12 NIVELES] - Cuando se pulsa [12 LEVEL], se
pueden usar los 12 pads para cambiar la velocidad
de un sonido seleccionado en 12 pasos. Cuando se
pulsa este botón, el último pad golpeado se designa
a los 12 pads. Los pads producen el mismo número
de nota y controlador de presión que el pad inicial,
pero la velocidad se fija a los
valores del diagrama de la
derecha, independientemente de
la fuerza con que se golpee cada
pad. Esto permite tener más
control sobre la velocidad de un
sonido.
18.[REPETICIÓN DE NOTA] – Reteniendo este botón
mientras se golpea un pad, se logra que dicho pad
se redispare a una velocidad basada en los ajustes
de tempo y división de tiempo vigentes. La función
de repetición de nota se puede sincronizar a una
fuente de reloj MIDI interna o externa. [NOTE
REPEAT] puede funcionar como botón de enganche
o momentáneo.
19.[DIVISIÓN DE TIEMPO] – Este botón se usa para
especificar la velocidad de las características de
repetición de nota y arpegiador. Cuando se activa
[TIME DIVISION], se puede pulsar uno de los 8
conmutadores para especificar una división de
tiempo. [TIME DIVISION] puede funcionar como
botón de enganche o momentáneo.
Tenga en cuenta que cuando se activa [TIME
DIVISION, los 8 botones asignables no funcionan
como conmutadores MIDI CC o de cambio de
programa hasta que se desactiva dicha
característica.
20.[ARPEGIADOR SÍ/NO] – Este botón activa y
desactiva el arpegiador interno. El arpegiador sólo
funciona con las notas que se tocan en el teclado.
La característica de arpegiador del MPK49 funciona
en conjunto con los ajustes de tempo y división de
tiempo, que especifican la velocidad de arpegiado
Tenga en cuenta que el arpegiador se puede
sincronizar con una fuente de reloj MIDI interna o
externa (tal como un DAW de software o un
dispositivo MIDI).
21.[ENGANCHE] – Este botón funciona en conjunto con
el arpegiador. Cuando el arpegiador está activo y se
activó [LATCH], es posible retener una combinación
de teclas —el arpegiador memoriza y continúa
arpegiando estas notas, aunque usted oprima las
teclas. Hay un par de maneras de usar la función de
enganche [LATCH]:
a.Mientras mantiene pulsadas las teclas, usted
puede agregar más notas a la secuencia
pulsando teclas adicionales.
b.Si oprime las teclas, suéltelas y luego oprima
una nueva combinación de notas, que el
arpegiador memorizará y arpegiará como
notas nuevas.
22.[OCTAVA + / -] – Estos botones se pueden usar
para desplazar el rango del teclado hacia arriba y
abajo. La pantalla indica la octava a la que se
desplazó. Si se pulsan ambos botones al mismo
tiempo, el desplazamiento de octavas vuelve a 0.
23.[GOLPE DE TEMPO] – Este botón le permite
golpear un nuevo tempo. Si se recarga el programa
predeterminado, el tempo se revierte al valor
guardado. (Tenga en cuenta que el tempo por
defecto de un preset (programa predeterminado) se
puede configurar en modo de edición). Tap Tempo
no funciona cuado el MPK49 se configura para
sincronismo externo.
24.RUEDA DE INFLEXIÓN DE TONO – Transmite la
información de Pitch Bend de MIDI por un canal y
puerto MIDI seleccionados.
25.RUEDA DE MODULACIÓN – Esta rueda se puede
usar para transmitir datos continuos de controlador.
Por defecto, la rueda de modulación transmite MIDI
CC #01.
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ACERCA DE LOS MODOS
El MPK49 tiene cuatro modos de operación diferentes. Se puede acceder a cada modo pulsando el
botón correspondiente en la unidad. Se presenta a continuación una breve descripción de cada modo:
Modo Preset (Programas predeterminados)
Este modo permite cargar, guardar y copiar programas predeterminados
(presets). Un programa predeterminado es un conjunto de información
acerca del comportamiento de los diferentes cursores, perillas y pads. El
uso de estos programas predeterminadas permite guardar diferentes
configuraciones de modo de poder cargarlas rápidamente cuando las
Modo Edit (Edición)
Modo global
Modo Program Change (Cambio de programa)
necesite, sin tener que reprogramar el MPK49 todas las veces
Este modo permite editar la configuración del MPK49. Este modo es una
herramienta poderosa para personalizar su configuración. En este modo, es
posible cambiar la forma en la que se comportan los pads, perillas. Cursores
y otras características. Por ejemplo, se puede desear que un cursor o una
perilla transmitan sólo un rango limitado de datos MIDI o que un pad
transmita en un canal MIDI diferente. En modo de edición, es posible
cambiar estos y varios otros parámetros. Consulte una lista completa de
parámetros en la tabla de parámetros de programas predeterminados de la
página XX.
Este modo permite configurar los parámetros globales y hacer cambios
generales al modo de funcionamiento del MPK49. Por ejemplo, en modo global es posible variar la forma en que los pads responden al toque o
cambiar el brillo de la pantalla LCD. Los parámetros que puede modificar el
usuario en modo global incluyen también las reiniciaciones de controlador, el
canal común MIDI, la curva de velocidad de pads, el umbral de pads, la
transposición de teclado y otros más. Consulte una lista completa de los
menús en Modo global, página 13.
Este modo permite transmitir diversos mensajes de cambio de programa.
En este modo, es posible indicarle a su estación de trabajo de audio de
escritorio (DAW) o a un dispositivo externo que conmute al banco de sonidos
de un programa diferente. De esta manera, se puede evitar tener que
conmutar manualmente entre distintos programas en su DAW o dispositivo
externo
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MODO PRESET
(Programas predeterminados)
Un programa predeterminado es un conjunto de información acerca del comportamiento del teclado, cursores,
perillas, botones y pads del MPK49. El uso de estos programas predeterminadas permite guardar diferentes
configuraciones de modo de poder activarlas rápidamente en cualquier momento, sin tener que reprogramar el
MPK49 todas las veces
Este modo se activa pulsando el botón [PRESET] en cualquier momento. En modo
Preset es posible cargar, guardar/copiar y cambiar el nombre de los programas predeterminados —se
accede a cada una de estas funciones mediante 3 páginas diferentes.
Página 1 – CARGAR PROGRAMA PREDETERMINADO
1. Estando en modo Preset, es posible cambiar los programas
predeterminados con el cuadrante [VALUE] que está debajo de la pantalla
Al girar el cuadrante se incrementa o decrementa el número del programa
predeterminado actual y se muestra la pantalla de la derecha:
Al hacer esto, notará que ‘PRESS ENTER’ comienza a destellar.
2. Al pulsar [ENTER] se carga el programa predeterminado seleccionado. Al
pulsar el botón [ < ] o [PRESET] se cancela y se retorna al programa
predeterminado seleccionado la última vez.
Página 2 – GUARDAR/COPIAR PROGRAMA PREDETERMINADO
En modo Preset, también es posible guardar y copiar un programa
predeterminado en una nueva ubicación. Esto permite guardar los cambios que
puedan haberse hecho al programa predeterminado en MODO EDIT.
Tenga en cuenta que si va a guardar el programa predeterminado en la misma
ubicación (mismo número de programa predeterminado) la pantalla indicará
‘SAVE TO’ (Guardar en) y si lo guarda en una ubicación diferente (distinto
número de programa determinado, indicará ‘COPY TO’ (Copiar en).
1. Estando en modo Preset, pulse el botón [ > ] hasta que vea la pantalla ‘SAVE TO’ similar a la que se muestra
arriba
2. Es posible seleccionar la ubicación en la que se desea guardar el programa predeterminado girando la perilla
[VALUE].
Al hacer esto, notará que ‘PRESS ENTER’ comienza a destellar.
3. Pulse [ENTER] para guardar el programa predeterminado actual en el destino. Al pulsar el botón [ < ] o
[PRESET] se cancela la operación y se retorna al modo de reproducción predeterminado.
Página 3 – Asignar nombre a un programa predeterminado
Estando en modo Preset, también es posible cambiar el nombre del programa
predeterminado. De esta manera es posible asignar nombres específicos a los
diferentes programas predeterminados, de modo de poder realizar mejor el
seguimiento y acceder rápidamente a las diferentes configuraciones del
controlador.
1. Para asignar o cambiar el nombre del programa predeterminado, pulse el
Notará que la primera letra del nombre comienza a destellar.
2. Gire el cuadrante [VALUE] para cambiar el carácter que destella.
3. Para moverse entre los caracteres, use los botones [ < ] y [ > ].
4. Cuando termine, pulse [PRESET] otra vez. Se guarda el nombre.
botón [ > ] hasta que aparezca en la pantalla ‘Preset Name’ (Nombre del
programa predeterminado).
.
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