OPERATOR'S MANUAL
TABLE OF CONTENTS
FRONT PANEL OVERVIEW....................................................................................1
REAR PANEL OVERVIEW...................................................................................... 3
HOOKUP DIAGRAM ............................................................................................... 4
DISPLAYING INFORMATION .................................................................................6
NOTE................................................................................................................. 6
NOTE AFTERTOUCH (Channel Pressure) ........................................................ 6
CONTROL CHANGE ......................................................................................... 6
CONTROL AFTERTOUCH ................................................................................ 7
MIDI MACHINE CONTROL COMMAND (MMC) ................................................ 7
PREVIEWING .................................................................................................... 7
ABOUT MODES ...................................................................................................... 8
PRESET MODE....................................................................................................... 9
PAGE 1 – LOAD PRESET ................................................................................. 9
PAGE 2 – SAVE/COPY PRESET ...................................................................... 9
PAGE 3 – NAME PRESET................................................................................. 9
EDIT MODE ........................................................................................................... 10
EDIT MODE PARAMETERS...................................................................... 11
EDITING THE PADS........................................................................................ 12
NOTE PARAMETERS................................................................................13
PROGRAM CHANGE PARAMETERS....................................................... 14
EDITING KNOBS, FADERS AND EXPRESSION PEDAL................................ 15
CONTROL CHANGE PARAMETERS........................................................ 16
AFTERTOUCH PARAMETERS ................................................................. 17
INCREMENT/DECREMENT PARAMETERS (knobs only)......................... 18
EDITING BUTTONS.........................................................................................19
CONTROL CHANGE PARAMETERS........................................................ 19
PROGRAM CHANGE PARAMETERS....................................................... 20
EDITING NOTE REPEAT ................................................................................ 21
NOTE REPEAT BUTTON MODE............................................................... 22
NOTE REPEAT PARAMETERS – GATE, SWING..................................... 22
EDITING TIME DIVISION ................................................................................ 23
DEFAULT TIME DIVISION.........................................................................23
BUTTON MODE.........................................................................................23
EDITING TRANSPORT CONTROL .................................................................24
EDITING TAP TEMPO..................................................................................... 24
EDITING FOOTSWITCH INPUTS.................................................................... 25
CONTROL CHANGE PARAMETERS........................................................ 25
DRUM PAD PARAMETERS ...................................................................... 26
OTHER FUNCTIONS................................................................................. 26
GLOBAL MODE .................................................................................................... 27
KILL MIDI – Page1........................................................................................... 27
MIDI COMMON CHANNEL – Page 2............................................................... 27
LCD CONTRAST – Page 3.............................................................................. 28
PAD SENSITIVITY – Page 4............................................................................ 28
PAD VELOCITY CURVE – Page 5...................................................................28
PAD THRESHOLD – Page 6............................................................................29
MIDI CLOCK – Page 7..................................................................................... 29
TAP TEMPO AVERAGE – Page 8................................................................... 29
SAVE SETUP – Page 9 ................................................................................... 30
SYSEX TX – Page 10 ...................................................................................... 30
VERSION – Page 11........................................................................................ 30
PROGRAM CHANGE MODE ................................................................................ 31
PROG CHANGE (Program Change)................................................................ 31
PROG+BANK (Program Change with Bank Change)....................................... 31
RESETTING FACTORY DEFAULTS..................................................................... 32
FREQUENTLY ASKED QUESTIONS.................................................................... 33
TROUBLESHOOTING........................................................................................... 34
TECHNICAL SPECIFICATIONS............................................................................ 35
CONTACT INFORMATION.................................................................................... 35
FRONT PANEL OVERVIEW
1
11
5
16
4
17
12
19
13
15
20
6
2
3
7
8
18
14
1. LCD – The display is used for navigating
menus, displaying data, and affecting change
on MPD32’s options and parameters.
2. [VALUE] (Push to Enter) – This dial is used
for incrementing and decrementing Presets,
parameter values and settings. This dial also
functions as an [ENTER] button when it is
pressed down.
3. [<] AND [>] BUTTONS – These buttons are
used for navigating through fields of menus
and options. The [<] button also functions as
a [CANCEL] button.
4. [PRESET] – This button calls up Preset
Mode. You can select and recall different
Preset programs in this mode.
5. [EDIT] – This button calls up Edit Mode,
which allows you to edit the behavior of the
pads, knobs, buttons, faders and default
settings for each preset.
6. [GLOBAL] – This button calls up Global
Mode, where MIDI reset commands and
global system preferences are set.
10
9
7. [PROGRAM CHANGE] – Pressing this
button will enter Program Change mode. In
this mode, you can send a Program Change
or Program with Bank Change message to a
hardware or software module.
8. [PREVIEW] – This button allows you to see
what value will be sent by a controller, without
actually sending the value. This gives you
precise control over your parameters and
helps avoid erroneous controller data being
sent to your devices due to the physical
position of the controller. This is especially
useful when switching between control banks
where, for example, the physical position of a
fader may not correspond to the last value
sent by the controller. Holding down
[PREVIEW] allows you to view the original
value and adjust the physical position of the
fader as necessary before transmitting any
values.
1
9. TRANSPORT CONTROL BUTTONS –
These five buttons are dedicated buttons for
sending transport control commands. The
transport control buttons can be set to
transmit either MMC (MIDI Machine Control),
MMC/MIDI SysEx, MIDI START/STOP or
pre-assigned MIDI CC values.
10. 8 ASSIGNABLE KNOBS –Each 360-degree
knob can be used to send continuous control
data to a desktop audio workstation or
external MIDI device.
11. 8 ASSIGNABLE FADERS – Each fader can
be used to send continuous control data to a
desktop audio workstation or external MIDI
device.
12. 8 ASSIGNABLE BUTTONS – These buttons
can be used as MIDI CC switches or Program
Change switches. They can function in
momentary or toggle modes. When [TIME
DIVISION] has been activated, these 8
buttons are used to set the time division of
the Note Repeat feature.
13. [CONTROL BANK] – The MPD32 features 3
independent banks of continuous controllers.
Effectively, this allows you to control up to 72
independent parameters with the knobs,
faders and buttons on the MPD32. The
[CONTROL BANK] button is used to switch
among the 3 banks. The LEDs above the
button will reflect the currently selected
control bank.
14. 16 REAL MPC PRESSURE AND VELOCITY
SENSITIVE PADS – The pads can be used
to trigger drum hits or samples or can be
configured to send Program Change
messages to your software or hardware
module. The pads are pressure and velocity
sensitive, which makes them very responsive
and intuitive to play.
15. PAD BANK buttons – These 4 buttons
switch among pad banks A, B, C, D. Each
bank can address a unique set of 16 sounds,
giving you access of up to 64 different
sounds you can trigger with the pads.
The currently selected pad bank will
be indicated on the LCD display
16. [FULL LEVEL] – When [FULL LEVEL] is
activated, the pads always play back at a
maximum velocity (127), no matter how hard
or soft you hit them.
17. [16 LEVEL] – When [16 LEVEL] is activated,
you can use the 16 pads to change a
selected sound’s velocity in 16 steps. When
you press the [16 LEVEL] button, the last pad
that was hit gets mapped to all 16 pads. The
pads will now output the same note number
and pressure controller as the initial pad, but
the velocity is fixed
at the values shown
103
111
119
127
in the diagram on
the right, regardless
of how hard you hit
them. This allows
you to have more
control over the
velocity of a sound.
71
39
7
87 95
79
47
15
63
55
31
23
18. [NOTE REPEAT] – Holding this button while
striking a pad causes the pad to retrigger at a
rate based on the current Tempo and Time
Division settings. The Note Repeat feature
can be synced to an internal or external MIDI
Clock source. [NOTE REPEAT] can function
as a latching or momentary button
19. [TIME DIVISION] – This button is used to
specify the rate of the Note Repeat feature.
When [TIME DIVISION] is activated, you can
press one of the 8 switches to specify a time
division. [TIME DIVISION] can function as a
momentary or toggle button.
Please note that while [TIME DIVISION] is
active, the 8 assignable buttons will not
function as MIDI CC or Program Change
switches until [TIME DIVISION] has been deactivated.
20. [TAP TEMPO] – This button allows you to tap
in a new tempo. If the preset is reloaded, the
tempo will revert to the saved tempo value.
(Please note that a preset’s default tempo
can be set in Edit Mode). Tap Tempo does
not work when the MPD32 is set to External
sync.
2
REAR PANEL OVERVIEW
1
2
4
3
7
6
5
8
1. DC POWER ADAPTER INPUT – Plug in a
6V–1A DC power adapter if you do not wish
to power the MPD32 through the USB
connection.
2. USB CONNECTION – Plug a standard USB
cable into this outlet and into the USB port of
your computer. The computer’s USB port will
provide power to the MPD32. This
connection is used to send and receive MIDI
data to and from your computer and may also
be used to send MIDI data from your
computer to a device attached to the MIDI
OUT port of the MPD32.
3. MIDI OUT – Use a five-pin MIDI cable to
connect the MIDI OUT of the MPD32 to the
MIDI IN of an external device.
4. MIDI IN – Use a five-pin MIDI cable to
connect the MIDI OUT of an external MIDI
device to the MIDI IN of the MPD32.
5. FOOT SWITCH 1 – Connect a ¼” TS
footswitch to this input. Footswitches can be
used as MIDI CC switches, or to remotely
control certain features on the MPD32, such
as pad triggering and button events.
6. FOOT SWITCH 2 – Connect a ¼” TS
footswitch to this input. Footswitches can be
used as MIDI CC switches, or to remotely
control certain features on the MPD32, such
as pad triggering and button events.
7. EXPRESSION PEDAL INPUT – Connect a
¼” TRS expression pedal to this input. We
recommend using the Alesis F2 expression
pedals.
8. KENSINGTON LOCK – The unit may be
secured to a table or surface using this
Kensington Lock slot.
3
HOOKUP DIAGRAM
Please refer to the following scenario for connecting the MPD32.
EXTERNAL SOUND MODULE
COMPUTER
POWER
ADAPTER
EXTERNAL
MIDI DEVICE
FOOTSWITCH
FOOTSWITCH EXPRESSION
PEDAL
MIDI from MPD32 to
computer
MIDI from external MIDI
device connected to MIDI IN
port of MPD32
MIDI from computer to
external sound module
connected to MIDI OUT port
of MPD32
1. Connect a USB cable from your computer to the MPD32. The unit will be powered through the
USB connection. Alternatively, if you do not wish to use a computer in your setup or if you wish
to power the MPD32 externally, please plug in the included 6V-1A DC power adapter.
2. If you would like to use an external sound module, connect a 5-pin MIDI cable from the MIDI OUT
of the MPD32 to the MIDI IN of the external device.
3. If you would like to use another MIDI controller in your setup, connect a 5-pin MIDI cable from the
MIDI OUT of the controller to the MIDI IN of the MPD32.
4. If you would like to use Footswitches or an Expression Pedal with the MPD32, connect the 1/4"
jack from the selected pedal in to the appropriate plug on the MPD32.
4
ABOUT FOOTSWITCH TYPES
Since the Footswitch and Expression Pedal inputs detect whether the pedal is a "Normally
Open" or "Normally Closed" type on power-on, pedals should be plugged in prior to poweron.
A NOTE ABOUT USING THE MPD32 WITH SOFTWARE
1. Make sure that the MPD32 and all external devices are connected and that the USB
cable is connected to your computer before opening any software applications with
which you intend to use the MPD32. If the unit is not plugged in before, your software
application might not recognize the MPD32 as an available device.
2. In your software application, you will need to set the MPD32 as a default MIDI input
device. This is usually done in the MIDI section of the Preferences menu.
3. If you would like to use tempo-synced features, such as Note Repeat, you will also need
to slave the MPD32 to a MIDI Clock generated by your software DAW. Make sure that
your software is set up to send MIDI clock to the MPD32 and that the unit’s MIDI Clock
setting is set to “External” (see Global Mode). This will ensure that Note Repeat is
synchronized to the tempo selected in your software DAW.
The operation of the MIDI OUT port changes depending on whether or not a USB cable is
connected to the MPD32.
• USB cable connected:
MIDI data from your computer is passed to the MIDI OUT port. When a USB cable is
connected, you should activate "MIDI echo" in your sequencer if you want the MPD32 to
control another external device.
• USB cable not connected:
Whatever you play on the MPD32 is sent to the MIDI OUT port.
Note: If you have another device connected to the MPD32's MIDI IN port, that device's
MIDI information will be ignored.
IMPORTANT
5
DISPLAYING INFORMATION
As you are working with the MPD32, the LCD will help you keep track of what values are being sent to
external devices. There are several kinds of information that the MPD32 will display while in use: NOTE,
AFTERTOUCH (Channel Pressure), CONTROL CHANGE, MIDI MACHINE CONTROL (MMC), and
PREVIEW MODE information.
NOTE
When a PAD is hit, the MPD32 will output MIDI
MIDI PORT
AND CHANNEL
NOTE
INDICATOR
Note On messages to trigger sounds on your DAW
or external device. Each pad can have a MIDI Note
Number associated with it. When you hit a pad, the
screen will display the MIDI Note Number, the MIDI
Port and Channel which the pad is using, as well as
the pad bank and velocity (how hard you hit the
pad).
Please see ‘Editing Pads’( page 12) for more
information on MIDI Notes and Pads.
NOTE AFTERTOUCH (Channel Pressure)
PAD BANK
When enabled, AFTERTOUCH is MIDI data sent
when pressure is applied to one of the pads after it
MIDI NOTE
NUMBER
NOTE
VELOCITY
VELOCITY IS
ALSO DISPLAYED
WITH BAR METER.
AFTERTOUCH
VALUE
has been struck and while it is being held down.
Aftertouch will be displayed on the far right of the
display as you apply pressure to the pad.
CONTROL CHANGE
When a KNOB or FADER is used, the MPD32 will
output MIDI Control Change data. This data is used
to control parameters on your DAW or external
sound module. When you move a knob or fader,
the screen will indicate the Control Change (CC)
Number, value, and MIDI Channel.
Please see ‘Editing Knobs and Faders’ (page
15) for more information on Control Change.
MIDI PORT
AND CHANNEL
PAD BANK
CONTROL CHANGE
INDICATOR
CONTROL CHANGE
NUMBER
AFTERTOUCH
VALUE IS ALSO
DISPLAYED WITH
BAR METER
CONTROL CHANGE
VALUE
VALUE IS ALSO
DISPLAYED WITH
BAR METER.
6
CONTROL AFTERTOUCH
The knobs and faders on the MPD32 can also be
set to transmit AFTERTOUCH information.
Please see ‘Editing Knobs and Faders’ (page
MIDI PORT
AND CHANNEL
AFTERTOUCH
INDICATOR
AFTERTOUCH
VALUE
15) for more information on setting knobs and
faders to transmit Aftertouch.
MIDI MACHINE CONTROL COMMAND (MMC)
PAD BANK
MIDI MACHINE CONTROL (MMC) is commonly
MMC
COMMAND
VALUE IS ALSO
DISPLAYED WITH
BAR METER.
used to send transport control messages to
hardware record or playback machines. For
example, pressing [PLAY] on the MPD32 sends an
MMCPLAY message to a connected multi-track
recorder, which begins playing. When you press
[STOP] on the MPD32, the deck also stops.
PREVIEWING
When the [PREVIEW] button is held down, and a
fader or knob is moved, the LCD displays the
screen on the right. The display shows the
assigned event and the last sent value of moved
knob or fader. While the [PREVIEW] button is held,
the fader of knob will not be transmitting any
information until [PREVIEW] is released and the
fader or knob is used again. At that point, the fader
or knob will begin transmitting from the value
selected in the New Value field while in Preview
mode.
THE ADVANTAGES OF PREVIEWING
The [PREVIEW] button allows you to see what value will be sent by a controller, without actually sending the
value. This gives you precise control over your parameters and helps avoid erroneous controller data being
sent to your devices due to the physical position of the controller. For example, imagine that fader S1 is
being used to send three different MIDI CC numbers, depending on the control bank which you are currently
in. Let’s assume that S1 is assigned to MIDI CC#10 in control bank A and MIDI CC#11 in control bank B.
While in control bank A, you adjust S1 (MIDI CC#10) to a value of 40. Now you switch over to control bank B
and adjust S1 (MIDI CC#11) to a value of 80. If you now switch back to control bank A and try to adjust S1
(MIDI CC#10), you will notice that the transmitted values will begin at 80 (instead of 40), due to the physical
location of the fader. To prevent these jumps in control values, you can hold down [PREVIEW] and move S1
back to a value of 40 (which will be shown in the “Last” value readout on the display). The fader will not be
transmitting information while the [PREVIEW] button is held down. Once you reset the fader back to its
“Last” value, you can release the [PREVIEW] button. Adjusting S1 (MIDI CC#10) will now give you a nice
starting point at a value of 40.
CONTROL
CHANGE NUMBER
LAST VALUE
SENT
LAST VALUE
SENT
NEW VALUE
NEW VALUE
7
ABOUT MODES
The MPD32 has four different modes of operation. Each mode can be accessed by pressing its
corresponding button. Following is a short description of each mode:
Preset Mode
This mode allows you to load, save and copy Presets. A Preset is a
collection of information about how different faders, knobs, and pads will
behave. Using Presets allows you to save different configurations so you
can quickly load them when you need them, without having to reprogram the
MPD32 every time.
(page 9)
Edit Mode
This mode allows you to edit the configuration of the MPD32. Edit Mode is a
powerful tool for customizing your set-up. In this mode, you can make
changes to how the pads, knobs and faders are behaving. For example, you
may wish to have a fader or a knob transmit only a limited range of MIDI
data, or you may wish to have a pad that transmits on a different MIDI
Channel. You can change these and various other parameters in Edit Mode.
(page 10)
Global Mode
This mode allows you to set global parameters and make general changes to
how your MPD32 is functioning. The parameters that you can modify in
Global Mode include Controller Resets, Pad Velocity Curves, Pad Threshold,
MIDI Clock options, Display Brightness, and more.
(page 27)
Program Change Mode
This mode allows you to transmit various Program Change messages. In
this mode, you can remotely switch between different programs on your
DAW or external device directly from the MPD32.
(page 31)
8
PRESET MODE
What is a Preset?
A Preset is a collection of information about how the MPD32’s faders,
knobs and pads will behave. Using Presets allows you to save different
configurations so you can quickly load them when you need them, without
having to reprogram the MPD32 every time.
The MPD32 features different Preset banks which you can load and write to. When you turn on the MPD32,
PRESET NAME PRESET NUMBER
it will automatically go into Preset Mode and Preset 1 will be displayed on the screen. You can also press
the [PRESET] button at any time to call up this mode. In Preset Mode you can load, save/copy and rename
Presets – each of these functions can be accessed through the 3 different pages. You can navigate between
these pages with the [<] and [>] buttons.
PAGE 1 – LOAD PRESET
1. While you are in Preset Mode, you can change Presets with the [VALUE]
dial below the screen. Turning the dial increments or decrements the current
Preset number and displays the screen on the right:
When you do this, you will notice that ‘PRESS ENTER’ will begin to blink.
2. Pressing [ENTER] loads the selected Preset. Pressing [<] or [PRESET]
cancels the operation.
PAGE 2 – SAVE/COPY PRESET
In Preset Mode, you can save any changes that you have made to the current
Preset or copy the Preset to a new location.
Note that if you are saving the Preset to the same location (same preset number)
the screen will say ‘SAVE TO’ and if you are saving to a different location
(different preset number), the screen will display ‘COPY TO’.
1. While you are in
Preset Mode, press [>] until you see a screen similar to the one shown above.
DESTINATION
2. You can select the location where you wish to save the Preset by turning the [VALUE] knob.
When you do this, you will notice that the ‘PRESS ENTER’ segment will begin to blink.
3. Press [ENTER] to save the Preset to the selected destination. Pressing [<] or [PRESET] cancels the operation.
PAGE 3 – NAME PRESET
While you are in Preset Mode, you can also change the Preset name. This way
you can assign specific names to different Presets so you can quickly identify
and access different controller configurations.
1. To name or rename the Preset, press [>] until you see ‘Preset Name’
displayed on the screen.
You will notice that the first letter of the name will begin blinking.
2. Turn the [VALUE] dial to change the blinking character.
ENTER PRESET NAME IN
THIS FIELD
3. To move between the characters, use [<] and [>].
4. When done, press [PRESET] again to save.
9
EDIT MODE
Pressing [EDIT] calls up Edit Mode.
In this mode, you can edit the
settings of the currently selected
Preset. The settings vary
depending on the controller you are
editing and are described below.
Please note that the changes you
make will only apply to the currently
selected Preset.
Also note that if you wish to save
the changes made in Edit Mode,
you will need to save the current
preset.
1. Press [EDIT] to enter Edit Mode.
2. To select the controller you wish to edit, simply engage it – this will
prompt the screen to display the available event types for the
particular controller (Page 1).
3. If there are multiple event types for the selected controller, turn the
[VALUE] dial to select the desired event type. Press [ENTER] to
view the parameters of the selected event type, if available (Page
2).
4. To move between the parameter fields on Page 2, use [<] and [>].
To change the values of the fields, turn the [VALUE] dial.
5. When finished editing the controller, press [ENTER] to accept the
change or press [<] to cancel.
You can use the example screenshot on the right to
help you determine where the Page 2 parameters
described on the following page will appear on the
screen.
NAVIGATING EDIT MODE
FIELD 1
FIELD 2
FIELD 3
FIELD 4
10
EDIT MODE PARAMETERS
CONTROLLER PAGE 1 (EVENT TYPE) PAGE 2 (PARAMETERS)
MIDI CHANNEL (field 1)
NOTE
PADS
PROGRAM CHANGE
NOTE NUMBER (field 2)
PLAY MODE (field 3)
PRESSURE BEHAVIOR (field 4)
MIDI CHANNEL (field 1)
PROGRAM CHANGE NUMBER (field 2)
BANK M (MSB) (field 3)
BANK L (LSB) (field 4)
MIDI CHANNEL (field 1)
CONTROL CHANGE
KNOBS AND FADERS
AFTERTOUCH
CC NUMBER (field 2)
RANGE – MINIMUM VALUE (field 3)
RANGE – MAXIMUM VALUE (field 4)
MIDI CHANNEL (field 1)
CC NUMBER (field 2)
RANGE – MINIMUM VALUE (field 3)
RANGE – MAXIMUM VALUE (field 4)
MIDI CHANNEL (field 1)
CONTROL CHANGE
CC NUMBER (field 2)
BUTTON MODE (field 4)
BUTTONS
PROGRAM CHANGE
MIDI CHANNEL (field 1)
PROGRAM CHANGE NUMBER (field 2)
BANK M (MSB) (field 3)
BANK L (LSB) (field 4)
ARPEGGIO TYPE (field 2)
ARP ON/OFF
NOTE REPEAT
TIME DIVISION
TRANSPORT
TAP TEMPO
TYPE/RANGE/TOGGLE
GATE/SWING
TOGGLE/MOMENTARY
GATE/SWING
DIVISION
TRANSPORT FUNCTION
TEMPO
ARPEGGIO RANGE (field 3)
ARPEGGIO TOGGLE BEHAVIOR (field 4)
ARPEGGIO GATE VALUE (field 2)
ARPEGGIO SWING VALUE (field 4)
BUTTON MODE (field 2)
NOTE REPEAT GATE VALUE (field 2)
NOTE REPEAT SWING VALUE (field 4)
DEFAULT TIME DIVISION (field 2)
BUTTON MODE (field 4)
MMC, MIDI, MMC/MIDI, or CTRL (field 2)
BPM (field 2)
MIDI CHANNEL (field 1)
CNTL CHANGE
EXPRESSION PEDAL
AFTERTOUCH
CC NUMBER (field 2)
RANGE – MINIMUM VALUE (field 3)
RANGE – MAXIMUM VALUE (field 4)
MIDI CHANNEL (field 1)
CC NUMBER (field 2)
RANGE – MINIMUM VALUE (field 3)
RANGE – MAXIMUM VALUE (field 4)
MIDI CHANNEL (field 1)
MIDI CC
CC NUMBER (field 2)
BUTTON MODE (field 4)
DRUM PAD
PAD NUMBER (field 4)
NOTE REPEAT
FOOTSWITCH
TIME DIV
TAP TEMPO
BANK CHANGE
PLAY/STOP
PLAY/RECORD
SUSTAIN
11
EDITING THE PADS
The pads on the MPD32 can be set to transmit Note or Program Change information when they are hit.
The default operation of the pads is set to Note, which means that the pad will generate Note On/Off
messages to trigger sounds. The pads may also be set up to transmit Program Change information, which
allows you to use the pads to switch to different programs (instruments or sound banks) on your DAW or
external device. If you would like to know more about Program Change, please read ‘Program Change
Mode’ on page 29.
What is a Note Message?
A Note Message is a MIDI message that tells an
instrument to play a note. More generally, this
means that Note Messages are used to start and
stop sounds. When you press one of the pads, a
‘Note On’ message is sent to your DAW or external
device. This toggles a note or sample. When you
release the pad, a ‘Note Off’ message is sent. This
message will stop the note or sample.
SELECT PAD EVENT TYPE IN
THIS FIELD.
1. Press [EDIT] to enter EDIT MODE.
2. Press the pad which you would like to edit.
3. On Page 1, turn the [VALUE] dial to select ‘NOTE’ or
4. Press [ENTER] to view Page 2.
Depending on which event type you select on Page 1,
5. Use [<] and [>] buttons to move through fields on the
The parameter fields available for each event type are
What is a Program Change?
A Program Change Message tells your DAW or
external device to switch to a new program. Most
often, these programs are collections of samples or
instruments.
For more information, see ‘Program Change Mode’
on page 29.
‘PROG CHANGE’ (Program Change) as the event type.
parameter options on Page 2 will be different.
second page.
outlined in the following pages.
12
NOTE PARAMETERS
The following list of parameters can be accessed if the pad event type is set to Note.
MIDI CHANNEL FIELD
This field sets the MIDI Port and Channel which the pad will use to transmit
messages. You can assign pads to one of two MIDI Ports, A or B, and to one of
16 MIDI Channels on each port (i.e. B11). You may also assign the pad to the
MIDI Common Channel.
1. Press [<] to select MIDI Port/Channel field.
2. While in MIDI Port/Channel field, use [VALUE] dial to select desired MIDI
MIDI PORT/CHANNEL FIELD
Port and Channel.
3. Press [>] to select the next field.
Note: When not used via USB, only pads assigned to port A will transmit MIDI
information via the 5-pin MIDI port on the back of the MPD32.
NOTE FIELD
This field sets the MIDI Note Number that the pad will transmit when it is hit.
1. Use [<] or [>] to select Note field.
2. While in MIDI Port/Channel field, use [VALUE] dial to select desired MIDI
Port and Channel.
3. Press [>] to select the next field.
NOTE FIELD
NOTE FIELD
Note: Software modules or drum machines are often programmed to trigger
sounds based on specific Note Numbers associated with each sample. You
may have to experiment setting different Note Numbers on the MPD32 to find
the range that is suited for your application.
PLAY MODE FIELD
Here, you can select whether the pad transmits Note On/Off information in a
standard momentary (MTY) way like a keyboard, where hitting the pad
generates a Note On and releasing it a Note Off message, or in a toggle (TGL)
way where the first hit of the pad outputs a Note On, the second hit transmits a
Note Off.
1. Use [<] or [>]to select Play Mode field.
2. While in Play Mode field, use [VALUE] dial to select desired Play Mode.
PLAY MODE FIELD
3. Press [>]to select the next field.
PRESSURE FIELD
Here, you can set the pad to transmit pressure information as a channel
pressure message (CPR) or polyphonic pressure message (PPR).
1. Press [>] to select Pressure field.
2. While in Pressure field, use [VALUE] dial to select “OFF”, “CPR”, or “PPR”.
PLAY MODE FIELD
PRESSURE FIELD
When finished editing, press [ENTER] to save or [<] to cancel the changes.
13
PROGRAM CHANGE PARAMETERS
The following list of parameters can be accessed if the pad event type is set to Program Change.
MIDI CHANNEL FIELD
Program Change messages can be sent on one of two MIDI Ports, A or B, and
one of 16 MIDI Channels on each port (i.e. A7). You may also assign Program
Change to use the MIDI Common Channel.
1. Use the [<] button to select MIDI Port/Channel field.
2. While in MIDI Port/Channel field, use [VALUE] dial to select desired MIDI
Port and Channel.
MIDI PORT/CHANNEL FIELD
3. Use the [>] button to select the next field.
PROGRAM CHANGE FIELD
In this field you can set which Program Change Number the pad will transmit
when it is pressed.
1. Use [<] or [>] buttons to select Program Change field.
2. While in Program Change field, use [VALUE] dial to select desired Program
Change Number.
3. Use the [>] button to select the next field.
PORGRAM CHANGE FIELD
BANK M FIELD
Bank M describes the Most Significant Bit (MSB) of information.
1. Use [<] or [>] buttons to select Bank M field.
2. While in Bank M field, use [VALUE] dial to select desired value.
BANK M FIELD
3. Use the [>] button to select the next field.
BANK L FIELD
Bank L describes the Least Significant Bit (MSB) of information.
1. Use the [<] or [>] buttons to select Bank L field.
2. While in Bank L field, use [VALUE] dial to select desired value.
BANK L FIELD
Note:
You can also configure pads to send Program Change messages
only, without specifying Bank M and Bank L. While editing Bank M
and Bank L fields of a pad, use [VALUE] dial to set Bank M and Bank
L to ‘OFF’ (beyond 000). This will cause the pad to transmit only a
Program Change message.
When finished editing, press [ENTER] to save or [<] to cancel the changes.
14
EDITING KNOBS, FADERS AND EXPRESSION PEDAL
The knobs, faders and expression pedal input on the MPD32 can be set to transmit Control Change or
Aftertouch information. In addition, the endless knobs may also be assigned as an Increment/Decrement
function. The default operation of knobs, faders and expression pedal input is to transmit Control Change
information.
What is Control Change?
Control Change refers to the use of MIDI
Continuous Controller data. Continuous Controller
(CC) data are MIDI messages capable of
transmitting a range of values, usually 0-127. CC's
are commonly used for controlling volume, pan,
and other parameters on your DAW or sound
module.
SELECT EVENT TYPE IN THIS
FIELD.
1. Press [EDIT] to enter EDIT MODE.
2. Move the fader, turn the knob or press down on the
3. On Page 1, turn the [VALUE] dial to select ‘CTRL
4. Press [ENTER] to view Page 2.
Depending on which event type you select on Page 1,
5. Use [<] and [>] to move through fields on the second
The parameter fields available for each event type are
What is Aftertouch?
Aftertouch refers to MIDI data sent when pressure
is applied to a pad after it has been struck and
while it is being held down. Aftertouch is often
used to control vibrato, volume, and other
parameters.
expression pedal.
CHANGE’ (Control Change) or ‘AFTERTOUCH’ as the
event type.
parameter options on Page 2 will be different.
page.
outlined in the following pages.
Please note that for the purposes of this text, the
expression pedal input is considered a fader (F9).
15
CONTROL CHANGE PARAMETERS
The following list of parameters can be accessed if the event type for the knob or fader is set to Control
Change.
MIDI CHANNEL FIELD
This field sets the MIDI Port and Channel which the knob or fader will use to
transmit messages. You can assign knobs and faders to one of two MIDI Ports,
A or B, and to one of 16 MIDI Channels on each port (i.e. A14). You can also
assign a knob or fader to use the MIDI Common Channel.
1. Press [<] to select MIDI Port/Channel field.
2. While in MIDI Port/Channel field, use [VALUE] dial to select desired MIDI
Port and Channel.
MIDI PORT/CHANNEL FIELD
CONTROL CHANGE FIELD
3. Press [>] to select the next field.
Note: When not used via USB, only knobs and faders assigned to port A
will be transmitted via the 5-pin MIDI port on the back of the MPD32.
In this field you can set which MIDI CC # the knob or fader will transmit when it
is used.
1. Use [<] or [>] to select Control Change field.
2. While in Control Change field, use [VALUE] dial to select desired Control
Change Number.
3. Press [>] button to select the next field.
CONTROL CHANGE FIELD
MINIMUM RANGE FIELD
Note: To control a parameter in your DAW or sound module with a knob or
fader, both the parameter and the physical controller should be set to the same
Controller Number.
This field is used to specify the minimum value that the knob or fader can
output.
1. Use [<] or [>] to select Minimum Range field.
2. While in Minimum Range field, use [VALUE] dial to select desired minimum
value.
3. Press [>] button to select the next field.
Tip: Sometimes you might not want the full 0-127 range of control that a fader
MINIMUM RANGE FIELD
MAXIMUM RANGE FIELD
automatically defaults to. Often, reducing the value range of the fader might
give you more precise control over the parameter it is controlling. For example,
if you are using one of the faders to control a synced delay line, there might only
be about 10 available values for the sync delay time (1/2, 1/4, 1/8 note, etc.).
Therefore, it wouldn’t make much sense to have the fader transmit the full 128
MIDI control values, since this only gives you a tenth of the full fader range.
Instead, try setting the maximum value of that fader to 10.
This field is used to specify the maximum value that the knob or fader can
output.
1. Use the [<] or [>] buttons to select Maximum Range field.
2. While in Maximum Range field, use [VALUE] dial to select desired maximum
value.
Tip: Setting the maximum value of a controller lower than the minimum value
will cause the knob or fader to behave inversely. For example, if you are
MAXIMUM RANGE FIELD
controlling an interface or plug-in that operates with a drawbar structure, such
as organ instruments, it might be more intuitive to invert your faders.
When finished editing, press [ENTER] to save or [<] to cancel the changes.
16
AFTERTOUCH PARAMETERS
For some applications, you might wish to use the faders or knobs as Aftertouch controllers. In this scenario,
the knob or fader will transmit Aftertouch information which could be used to control, say, vibrato or tremolo.
The following list of parameters can be accessed if “Aftertouch” is selected as the event type for the knob or
fader.
MIDI CHANNEL FIELD
This field sets the MIDI Port and Channel which the knob or fader will use to
transmit messages. You can assign knobs and faders to one of two MIDI Ports,
A or B, and to one of 16 MIDI Channels on each port (i.e. A14). You can also
assign a knob or fader to use the MIDI Common Channel.
1. Press [<] to select MIDI Port/Channel field.
2. While in MIDI Port/Channel field, use [VALUE] dial to select desired MIDI
Port and Channel.
MIDI PORT/CHANNEL FIELD
MINIMUM RANGE FIELD
3. Press [>] to select the next field.
Note: When not used via USB, only knobs and faders assigned to port A
will be transmitted via the 5-pin MIDI port on the back of the MPD32.
This field is used to specify the minimum value that the knob or fader can
transmit.
1. Use [<] or [>] buttons to select Minimum Range field.
2. While in Minimum Range field, use [VALUE] dial to select desired minimum
aftertouch value.
3. Use the [>] button to select the next field.
MINIMUM RANGE FIELD
MAXIMUM RANGE FIELD
This field is used to specify the maximum value that the knob or fader can
transmit.
1. Use the [<] or [>] buttons to select Maximum Range field.
2. While in Maximum Range field, use [VALUE] dial to select desired maximum
value.
MAXIMUM RANGE FIELD
When finished editing, press [ENTER] to save or [<] to cancel the changes.
17
INCREMENT/DECREMENT PARAMETERS (knobs only)
The endless knobs on the MPD32 may also be used as an increment/decrement NRPN function. This allows
you to use the knob to increment and decrement through parameters as opposed to sending an absolute
value. Please note that the implementation of NRPN functions depends strictly on the software with which you
will be using the MP49. Consult your software’s documentation to find out how NRPN functions are
supported.
MIDI CHANNEL FIELD
This field sets the MIDI Port and Channel which the knob will use to transmit
messages. You can assign the knobs to one of two MIDI Ports, A or B, and to
one of 16 MIDI Channels on each port (i.e. A14). You can also assign knobs to
use the MIDI Common Channel.
1. Press [<] to select MIDI Port/Channel field.
2. While in MIDI Port/Channel field, use [VALUE] dial to select desired MIDI
Port and Channel.
MIDI PORT/CHANNEL FIELD
3. Press [>] to select the next field.
Note: When not used via USB, only knobs assigned to port A will be
transmitted via the 5-pin MIDI port on the back of the MPD32.
BANK M FIELD
Bank M describes the Most Significant Bit (MSB) of information.
1. Use [<] or [>] buttons to select Bank M field.
2. While in Bank M field, use [VALUE] dial to select desired value.
BANK M FIELD
3. Use the [>] button to select the next field.
BANK L FIELD
Bank L describes the Least Significant Bit (MSB) of information.
1. Use the [<] or [>] buttons to select Bank L field.
2. While in Bank L field, use [VALUE] dial to select desired value.
BANK L FIELD
When finished editing, press [ENTER] to save or [<] to cancel the changes.
18
EDITING BUTTONS
The buttons on the MPD32 can be used to transmit Control Change or Program Change information.
1. Press [EDIT] to enter EDIT MODE.
2. Press the button you would like to edit.
3. On Page 1, turn the [VALUE] dial to select ‘CTRL
CHANGE’ (Control Change) or ‘PROG CHANGE’
(Program Change) as the event type.
4. Press [ENTER] to view Page 2.
Depending on which event type you select on Page
1, parameter options on Page 2 will be different.
SELECT BUTTON EVENT TYPE IN
THIS FIELD.
CONTROL CHANGE PARAMETERS
5. Use [<] and [>] buttons to move through the fields
on the second page.
The following list of parameters can be accessed if “Control Change” is selected as the event type for the
selected button.
MIDI CHANNEL FIELD
This field sets the MIDI Port and Channel which the button will use to transmit
messages. You can assign the button to one of two MIDI Ports, A or B, and to
one of 16 MIDI Channels on each port (i.e. A14). You can also assign the
button to use the MIDI Common Channel.
1. Press [<] to select MIDI Port/Channel field.
2. While in MIDI Port/Channel field, use [VALUE] dial to select desired MIDI
Port and Channel.
MIDI PORT/CHANNEL FIELD
CONTROL CHANGE FIELD
3. Press [>] button to select the next field.
Note: When not used via USB, only buttons assigned to port A will be
transmitted via the 5-pin MIDI port on the back of the MPD32.
In this field you can set which Control Change Number the button will transmit
when it is pressed.
1. Use [<] or [>] to select Control Change field.
2. While in Control Change field, use [VALUE] dial to select desired Control
Change Number.
3. Press [>] button to select the next field.
CONTROL CHANGE FIELD
PLAY MODE
Here, you can select whether the button transmits MIDI CC information in a
momentary (MOM) way, where pressing the button outputs 127 and releasing it
transmits 0, or in a toggle (TGL) way where the first press outputs 127 and the
second press transmits 0.
1. Press [>] to select Play Mode field.
2. While in Play Mode field, use [VALUE] dial to select desired Play Mode.
PLAY MODE FIELD
When finished editing, press [ENTER] to save or [<] to cancel the changes.
19
PROGRAM CHANGE PARAMETERS
Buttons can also be assigned to transmit Program Change messages when pressed. The following list of
parameters can be accessed if the button event type is set to “Program Change”.
MIDI CHANNEL FIELD
Buttons can send Program Change messages can be sent on one of two MIDI
Ports, A or B, and one of 16 MIDI Channels on each port (i.e. A7). You may
also assign Program Change to use the MIDI Common Channel.
1. Press [<] to select MIDI Port/Channel field.
2. While in MIDI Port/Channel field, use [VALUE] dial to select desired MIDI
Port and Channel.
MIDI PORT/CHANNEL FIELD
3. Press [>] to select the next field.
PROGRAM CHANGE FIELD
In this field you can set which Program Change Number the button will transmit
when it is pressed.
1. Press [<] or [>] to select Program Change field.
2. While in Program Change field, use [VALUE] dial to select desired Program
Change Number.
3. Press [>] to select the next field.
PORGRAM CHANGE FIELD
BANK M FIELD
Bank M describes the Most Significant Bit (MSB) of information.
1. Press [<] or [>] to select Bank M field.
2. While in Bank M field, use [VALUE] dial to select desired value.
BANK M FIELD
3. Press [>] to select the next field.
BANK L FIELD
Bank L describes the Least Significant Bit (MSB) of information.
1. Press [<] or [>] to select Bank L field.
2. While in Bank L field, use [VALUE] dial to select desired value.
BANK L FIELD
Note:
You can also configure buttons to send Program Change messages
only, without specifying Bank M and Bank L. While editing Bank M
and Bank L fields, use [VALUE] dial to set Bank M and Bank L to
‘OFF’ (beyond 000). This will cause the button to transmit only a
Program Change message.
When finished editing, press [ENTER] to save or [<] to cancel the changes.
20
EDITING NOTE REPEAT
The MPD32 features the Note Repeat function, which can be found on our legendary Music Production
Center (MPC) models. With Note Repeat enabled, you can repeatedly trigger a sound by simply holding
down a pad. The sound will be retriggered at a rate equivalent to the currently selected Time Division. With
the Note Repeat feature, you can record a phrase that would be difficult to record in real time, such as 16
beat hi hat, snare roll, etc…
The following Note Repeat settings may be edited:
BUTTON MODE (TOGGL/MOTRY) – This describes whether the [NOTE REPEAT] button functions in a
momentary or toggle fashion.
GATE – The gate parameter describes the duration of the repeated notes.
SWING – The swing parameter describes the swing offset for the even notes in the repeated sequence.
SELECT PROPERTY
1. To edit Note Repeat, press [EDIT] to enter Edit Mode.
2. Now select Note Repeat for editing by pressing [NOTE REPEAT].
3. You will see Page 1 displayed on the screen (shown on the left).
4. Turn the [VALUE] dial to select the property you wish to edit -
(Toggl-Motry) or (Gate Swing).
5. Press [ENTER] to edit the selected property.
PRESS ENTER TO EDIT
Please refer to the following illustrations to help you understand how Note Repeat parameters affect the
triggered sequence:
Let’s take the kick drum sequence shown on the left as an
example. This sequence was generated with the Note
Repeat feature with a Time Division setting of 1/4 note.
Now, if we decrease the Gate parameter, the sequence will
look like this.
Conversely, if we increase the Gate parameter, the
sequence will look like this.
Now, if we were to add some swing to our original
sequence, we will end up with a sequence like this. Notice
how each even note in the sequence is being pushed back
in time to create the swing effect. If we keep increasing the
Swing value, these notes will occur closer and closer to the
odd notes.
Please note:
For the Gate effect to be perceived, the sounds you
are triggering need to have a long decay.
21
NOTE REPEAT BUTTON MODE
The following screen will appear if you select “TOGGL-MOTRY” on Page 1. In this field, you can select whether the
[NOTE REPEAT] button will behave in a momentary (MTY) fashion, where pressing the button turns on the Note
Repeat function and releasing it turns it off, or in a toggle (TGL) manner, where pressing the button turns on the Note
Repeat function and pressing again turns it off.
1. While in Button Mode field, use [VALUE] dial to select Button Mode (Toggle
or Momentary).
2. Press [ENTER] to accept change.
BUTTON MODE
NOTE REPEAT PARAMETERS – GATE, SWING
The following parameters can be adjusted if you select “GATE SWING” on Page 1.
GATE
Select the Note Repeat Gate in this field.
1. While in Gate field, use [VALUE] dial to select Gate duration.
2. Use the [>] button to select the next field.
GATE FIELD
SWING
Select the Note Repeat Swing in this field.
1. Use the [>] button to select the Swingfield
2. While in Swing field, use [VALUE] dial to select the desired Swing value.
3. Press [ENTER] to accept changes.
SWING FIELD
22
EDITING TIME DIVISION
The Time Division feature works in conjunction with Note Repeat. When Note Repeat is enabled and a pad
is held down, the MPD32 will output notes at a rate equivalent to the Time Division setting. To change to a
new Time Division setting, press [TIME DIVISION] and select a new rate by pressing its corresponding
button (1/4, 1/4T, 1/8, etc.).
Please refer to the following illustrations to better understand how the Time Division feature works with Note
Repeat:
With an 1/8 note Time Division setting, the sequence will
look like this.
With an 1/8T note Time Division setting, the sequence will
look like this.
With a 1/16 note Time Division setting, the sequence will
look like this.
With a 1/16T note Time Division setting, the sequence will
look like this.
With a 1/32 note Time Division setting, the sequence will
look like this.
With a 1/32T note Time Division setting, the sequence will
look like this.
The following Time Division settings may be edited:
DEFAULT DIVISION – Describes the default time division which will be set when the current Preset is loaded.
BUTTON MODE (TOGGL/MOTRY) – Describes whether the [TIME DIVISION] button functions in a
momentary or toggle fashion.
1. To edit Time Division settings, press the [EDIT] button to enter Edit
Mode.
2. Now select Time Division for editing by pressing [TIME DIVISION].
3. You will see Page 1 displayed on the screen (shown on the left).
4. Press [ENTER] to edit the Time Division settings.
PRESS ENTER TO EDIT
DEFAULT TIME DIVISION
Each Preset can have a default Time Division setting which is set every
time the Preset is loaded.
1. While in Default Time Division field, use [VALUE] dial to select the default
Time Division (1/4, 1/4T, 1/8, etc.)
2. Press [>] to select the next field.
DEFAULT DIVISION FIELD
BUTTON MODE
In this field, you can select whether the [TIME DIVISION] button will behave in a
momentary (MTY) fashion, where pressing the button will turn on the Time
Division function and releasing it will turn it off, or in a toggle (TGL) manner,
where pressing the button turns on the Time Division function and pressing
again turns it off.
1. Press [>] to select Button Mode field.
2. Turn [VALUE] dial to select the Button Type.
BUTTON MODE FIELD
23
EDITING TRANSPORT CONTROL
MAXIMUM VALUE
The MPD32 can be configured to send transport control information in a variety of ways: MMC (MIDI
Machine Control), MMC/MIDI, MIDI, or CTRL. Some applications and devices have dedicated MMC
functions and will only respond to MMC messages, while others may not have reserved MMC functions but
implement transport control via MIDI SysEx or MIDI CC messages. To account for these scenarios, we have
provided a way to edit the messages sent by the transport control buttons. This allows you to customize the
MPD32’s transport to work with your application or external device.
1. To edit transport control settings, press [EDIT] to enter Edit Mode.
2. Now select the transport control for editing by pressing [ << ], [ >> ],
[STOP], [PLAY], or [REC].
3. You will see Page 1 displayed on the screen (shown on the left).
4. Press [ENTER] to edit transport control settings.
PRESS ENTER TO EDIT
5. When on Page 2, use the [VALUE] dial to select the format of the
transport control messages (MMC, MMC/MIDI, MIDI, CTRL).
6. Press [ENTER] to accept the change or [<] to cancel.
TRANSPORT CONTROL
MESSAGE FORMAT
EDITING TAP TEMPO
Each Preset on the MPD32 can have a default tempo associated with it. Every time that the Preset is loaded, the
BPM setting will be loaded automatically.
1. To edit the default tempo, press [EDIT] to enter Edit Mode.
2. Now select tempo for editing by pressing [TAP TEMPO].
3. You will see Page 1 displayed on the screen (shown on the left).
4. Press [ENTER] to edit the default tempo for the current Preset.
PRESS ENTER TO EDIT
PRESS ENTER TO EDIT
5. On Page 2, use the [VALUE] dial to adjust the default tempo.
6. Press [ENTER] to accept the change or [<] to cancel.
BPM FIELD
24
EDITING FOOTSWITCH INPUTS
The two footstwitch inputs on the rear of the MPD32 can be used in a variety of different ways. For example,
footswitches can be used as conventional MIDI CC switches. In addition, footswitches can also be used to trigger
specific pads on the top panel (for example, to play out a kick drum sequence). Lastly, the footswitch inputs can be
used to remotely enable and disable specific functions on the MPD32, such as Note Repeat, Time Division, Tap
Tempo, Bank Change, Play/Stop, Play/Record or Sustain.
1. To edit footswitch input settings, press [EDIT] to enter Edit Mode.
2. Now select the footswitch you would like to edit by pressing it down.
3. You will see Page 1 displayed on the screen (shown on the left).
4. Select the event type for the footswitch by turning the [VALUE] dial.
5. Press [ENTER] to accept change and view page 2 parameters, if
SELECT FOOTSWITCH EVENT TYPE
CONTROL CHANGE PARAMETERS
available.
The following parameters can be accessed is you select “Control Change” as the footswitch event type.
MIDI CHANNEL FIELD
This field sets the MIDI Port and Channel which the footswitch will use to
transmit messages. You can assign the footswitch to one of two MIDI Ports, A
or B, and to one of 16 MIDI Channels on each port (i.e. A14). You can also
assign the footswitch to use the MIDI Common Channel.
1. Press [<] to select MIDI Port/Channel field.
2. While in MIDI Port/Channel field, use [VALUE] dial to select desired MIDI
Port and Channel.
MIDI PORT/CHANNEL FIELD
CONTROL CHANGE FIELD
3. Press [>] button to select the next field.
Note: When not used via USB, only footswitches assigned to port A will be
transmitted via the 5-pin MIDI port on the back of the MPD32.
In this field you can set which Control Change Number the button will transmit
when it is pressed.
1. Use [<] or [>] to select Control Change field.
2. While in Control Change field, use [VALUE] dial to select desired Control
Change Number.
3. Press [>] button to select the next field.
CONTROL CHANGE FIELD
PLAY MODE
Here, you can select whether the footswitch transmits MIDI CC information in a
momentary (MOM) way, where pressing the footswitch outputs 127 and
releasing it transmits 0, or in a toggle (TGL) way where the first press outputs
127 and the second press transmits 0.
1. Press [>] to select Play Mode field.
2. While in Play Mode field, use [VALUE] dial to select desired Play Mode.
PLAY MODE FIELD
When finished editing, press [ENTER] to save or [<] to cancel the changes.
25
DRUM PAD PARAMETERS
If you choose “Drum Pad” as the event type for the footswitch, page 2 allows you to select which pad will be triggered
with the footswitch.
1. Turn [VALUE] dial to select the desired pad.
2. Press [ENTER] to accept the setting or [<] to cancel.
OTHER FUNCTIONS
As we mentioned previously, footswitches may also be used to engage and disengage specific functions on the
MPD32. Simply select which function you would like to control with the footswitch:
DRUM PAD NUMBER
NOTE REPEAT – footswitch will turn Note Repeat feature on and off.
TIME DIV – footswitch will enable and disable Time Division.
TAP TEMPO – footswitch will work as a Tap Tempo button.
BANK CHANGE – footswitch will cycle through the 3 different control banks.
PLAY/STOP – footswitch will be used as a Start / Stop button.
PLAY/RECORD – footswitch will be used as a Play / Record button.
26
GLOBAL MODE
In Global Mode, you can send global
messages and make general changes to the
way that your MPD32 functions. Global
Mode options are organized under different
pages and include the list of options shown
on the right:
To enter Global Mode, press the
[GLOBAL] button. To scroll through the
different pages, use [<] and [>].
KILL MIDI – Page1
KILL MIDI allows you to send either an ALL NOTES OFF message on
each MIDI Channel or a RESET ALL CONTROLLERS command.
ALL NOTES OFF is a special MIDI message used to turn off any notes
that might be playing on the MPD32. It is often used to recover from
erroneous stuck notes.
RESET ALL CONTROLLERS is a MIDI message used to return all
values such as aftertouch to their default settings. Control reset will
return all values to their default settings.
1. Press [GLOBAL] to enter Global Mode. “Kill MIDI” will be the first
option which appears on the screen.
2. Turn [VALUE] dial to select either an ALL NOTES OFF or a
RESET ALL CONTROLLERS message.
3. Press [ENTER] to transmit the message.
MIDI COMMON CHANNEL – Page 2
You can assign the MIDI Common Channel to a specific MIDI Channel
(i.e. A1). Any and all pads, buttons, knobs or faders assigned to the
MIDI Common Channel (CC) will transmit MIDI information via the
channel number that you select in this field.
1. While in Global Mode, press [>] button to scroll to MIDI Common
Channel (page 2).
MIDI COMMON CHANNEL FIELD
2. Turn [VALUE] dial to select desired MIDI Channel.
3. Press [ENTER] to set the MIDI Channel.
Note: If you change which channel the MIDI Common Channel is
using, you need to set any device that is controlled by the Common
Channel to receive on the same channel.
MIDI COMMMON CHANNEL
KILL MIDI
LCD CONTRAST
PAD SENSITIVITY
PAD VELOCITY CURVE
PAD THRESHOLD
MIDI CLOCK
TAP TEMPO AVERAGE
SAVE SETUP
SYSEX TX
VERSION
Page 1
Page 2
Page 3
Page 4
Page 5
Page 6
Page 7
Page 8
Page 9
Page 10
Page 11
27
LCD CONTRAST – Page 3
The contrast of the LCD can be adjusted for optimal viewing.
1. While in Global Mode, press [>] to scroll to LCD CONT (page 3).
2. Turn [VALUE] dial to select a contrast level.
3. Press [ENTER] to set contrast level.
LCD CONTRAST
PAD SENSITIVITY – Page 4
PAD SENSITIVITY allows you to adjust how sensitive the pads will be
to the touch. Adjust this setting if you find it hard to achieve maximum
velocity when you hit the pads hard, or if you are getting high velocities
when you hit softly.
If the Pad Sensitivity number is set to low number, it’s harder to get a
high velocity value even if you hit a pad hard. If the Pad sensitivity
number is set to a high number, it may become too easy to get high
velocities even when you hit a pad softly.
PAD SENSITIVITY FIELD
1. While in Global Mode, press [>] to scroll to PadSens (page 4).
2. Turn [VALUE] dial to change Pad Sensitivity.
3. Press [ENTER] to set Pad Sensitivity.
PAD VELOCITY CURVE – Page 5
A PAD VELOCITY CURVE describes how the pads on the MPD32 are
outputting MIDI velocities, based on a certain ratio of the input / output
velocity that characterizes the particular curve. The Pad Velocity Curve
feature is intended to help you optimize the pads on the MPD32 for
your particular playing style and can add expressivity and control to
your performance. If you find it difficult to achieve a comfortable
velocity range for your playing style (you cannot get a velocity of 127
even if you hit the pad very hard, or vice versa, you get velocity 127
PAD VELOCITY CURVE FIELD
easily even if you hit the pad softly) you can adjust the velocity curve as
desired.
1. While in Global Mode, press [>] to scroll to PadCurve (page 5).
2. Turn [VALUE] dial to change the Pad Velocity Curve (the 4
3. Press [ENTER] to set Pad Velocity Curve.
MIDI VELOCITY
curves are shown below).
WEAK
STRENGTH OF HITTING
PAD
28
STRONG
PAD THRESHOLD – Page 6
PAD THRESHOLD is the minimum force required to activate the pads.
If you experience “ghost” triggering due to stage vibrations, you may
wish to set this threshold higher. On the other hand, if you find it
difficult to trigger sounds when playing the pads lightly, you may wish to
set this value to a lower number.
1. While in Global Mode, press [>] to scroll to PdThresh (page 6).
2. Turn [VALUE] dial to select value.
PAD THRESHOLD FIELD
MIDI CLOCK – Page 7
3. Press [ENTER] to set Pad Threshold.
MIDI CLOCK is used to synchronize devices together. In addition,
MIDI Clock on the MPD32 is used to synchronize the Note Repeat
feature. The MPD32 can be a master or slave for MIDI Clock
transmission and reception.
1. While in Global Mode, press [>] to scroll to MIDI CLK (page 7).
2. Turn [VALUE] dial to select “Internal” if you would like to generate
MIDI CLOCK FIELD
3. Press [ENTER] to set MIDI Clock source.
Note: If “External” has been selected as a MIDI Clock source, the
TAP TEMPO AVERAGE – Page 8
[TAP TEMPO] button will be disabled.
When using [TAP TEMPO] button to set the tempo, the MPD32
averages a number of taps in order to determine the tempo. You can
set the number of taps used to determine the TAP TEMPO AVERAGE
in this field.
1. While in Global Mode, use [>] button to scroll to Tap AVG (page
2. Turn [VALUE] dial to select number of taps.
TAP AVERAGE FIELD
3. Press [ENTER] to set tap average.
MIDI Clock internally or “External” if you would like to slave the
MPD32 to an external MIDI Clock source.
8).
29
SAVE SETUP – Page 9
PRESS ENTER TO SAVE
SYSEX TX – Page 10
CHOOSE PRESET
PRESS ENTER TO TRANFER
VERSION – Page 11
SAVE SETUP allows you to save any changes you may have made to
the global parameters.
1. While in Global Mode, press [>] to scroll to Globals (page 9). You
will see “Save Setup” displayed on the screen.
2. Press [ENTER] to save all the global settings on the MPD32.
SYSEX TX allows you to transfer Preset data from the MPD32 via
SysEx. This data includes Controller Numbers, MIDI Channels and
various other parameters.
1. While in Global Mode, press [>] to scroll to SysEx Tx (page 10).
2. Turn the [VALUE] dial to select which Preset’s information you
would like to transfer.
3. Press [ENTER] to save all the global settings on the MPD32.
SysEx transfers to the MPD32
You can also load preset data into the MPD32 from an external
source by “playing” a SysEx file into the MPD32. This can be done
with a variety of SysEx applications, many of which are widely and
freely available over the Internet.
1. Make sure that the device is connected to the MPD32 either
via the USB or the MIDI IN port.
2. Make sure that you are in Preset Mode.
3. “Play” the SysEx file on your external device or computer.
Please note that when transferring SysEx information into the
MPD32, the data will override the data of the original Preset which
was sent to your SysEx editor. For example, if you transfer Preset
5 to your SysEx editor and then send it back to the MPD32, the
data will overwrite Preset 5.
VERSION allows you to see what version of the operating system and
firmware is currently loaded onto the MPD32.
While in Global Mode, press [>] to scroll to Ver (page 11) for version
information.
30
PROGRAM CHANGE MODE
A Program Change, often referred to as a Patch Change, is a MIDI message used for sending data to
devices to cause them to change to a new program. This allows you to tell a hardware or software device
which sound to play. For example, if your MPD32 is controlling an acoustic drum patch on your DAW, using
a Program Change command allows you to easily switch to a percussion patch.
There are two different types of Program Change messages on the MPD32:
PROG CHANGE – This event transmits a regular Program Change message (0-127), allowing you to switch
among 128 different program banks.
PROG+BANK – This event transmits a Program Change message (0-127), along with a Bank L (Least
Significant Bit) Change message (0-127) and a Bank M (Most Significant Bit) Change message (0-126),
allowing access of up to 16384 different program banks. You can use PROG+BANK if your DAW or external
device supports LSB and MSB.
To enter Program Change mode, press the [PROGRAM CHANGE] button. Then, turn the [VALUE] dial
to select either a PROG CHANGE or PROG+BANK event.
PROG CHANGE (Program Change)
PROG CHANGE allows you to transmit a regular Program Change
message.
1. Select PROG CHANGE with the [VALUE] dial.
2. Press [ENTER] to see the next page of parameters.
3. Press the [<] button to access the MIDI CH field – this is the MIDI
Channel which will be used to transmit the Program Change
message. You can change the MIDI Channel by turning the
[VALUE] dial. Then, press [>] to go to the next field.
4. In the PROG field, choose the program number with the [VALUE]
dial.
5. Press [ENTER] to send the Program Change message.
PROG+BANK (Program Change with Bank Change)
PROG+BANK allows you to send a Program Change with Bank
Change message to your DAW or external sound module.
1. Select PROG+BANK with the [VALUE] dial.
2. Press [ENTER] to see the next page of parameters.
3. Press the [<] button to access the MIDI CH field – this is the MIDI
Channel which will be used to transmit the message. You can
change the MIDI Channel by turning the [VALUE] dial. Then,
press [>] to go to the next field.
4. In the PROG field, choose the program number with the [VALUE]
dial. Press [>] to go to the next field.
5. In the BANK M field, select the MSB (Most Significant Bit) of
information. Press [>] to go to the next field.
6. In the BANK L field, select the LSB (Least Significant Bit) of
information.
7. Press [ENTER] to send the Bank and Program event.
31
RESETTING FACTORY DEFAULTS
If you ever would like to restore all the presets to the factory default, do
the following:
1. Press [>] - this will open the SAVE screen.
2. Press [>] again - This will open the PRESET NAME screen.
3. Press [>] to move past each letter in the current program's name
until the last character is reached.
4. Press [>] one more time - The FACTORY will be displayed.
5. Press [ENTER] to restore factory defaults.
**WARNING**
Pressing [ENTER] will erase ALL presets and reload the Factory
Presets that shipped with the unit!!
32
FREQUENTLY ASKED QUESTIONS
Question: Does the Note Repeat feature on the MPD32 work similarly to Note Repeat on the Akai MPC series?
Answer: Yes, the MPD32 features the same Note Repeat algorithm as can be found on the legendary Akai MPC
Question: Does the MPD32 have internal sounds?
Answer: No. The MPD32 is a MIDI-controller, which means that it does not contain any sounds inside but is
Question: Can the MPD32 be synced to external devices?
Answer: Yes, the MPD32 can receive MIDI Clock through the USB and MIDI IN connection. This means that you
Question: Do I need to use a power adapter if I am using the MPD32 with a computer?
Answer: No. The MPD32 will draw power directly from the USB port. However, if your USB port does not supply
Question: What software applications is the MPD32 compatible with?
Answer: The MPD32 is compatible with any software or hardware device which supports the MIDI protocol.
Question: Can I use the MPD32 as a MIDI interface for other MIDI devices?
Answer: Yes. The MPD32 functions as a MIDI interface which can send and receive from other MIDI devices
Question: Can I control multiple devices with the MPD32?
Answer: Yes. The MPD32 can transmit information on 16 MIDI channels on 2 ports for a total of 32 different MIDI
Question: How many different Presets can the MPD32 hold?
Answer: The MPD32 can store up to 30 Presets of controller configurations and settings for use with various
Question: Can I send Program Change messages to my software or hardware devices?
Answer: Yes. You can send program change messages in Program Change mode. In addition, pads and buttons
Question: Are the pads on the MPD32 velocity and pressure sensitive?
Answer: Yes. The MPD32 sports real MPC velocity and pressure sensitive pads. This allows you to be extremely
Question: What type of pads is used on the MPD32?
Answer: The MPD32 features the same pads as the MPC2500.
Question: Are the knobs on the MPD32 endless?
Answer: The knobs on the MPD32 are endless pots. This allows you to limit the range of the knobs, as well as
Question: I see 8 knobs, 8 faders, 8 buttons, and 16 pads. Is that all I get?
Answer: No. The MPD32 features multiple banks of controllers and pads, which can be accessed with the [PAD
series. This feature allows you to perform and program rhythm patterns that would otherwise be nearly
impossible to do by hand.
instead used to control external sound devices, such as hardware and software synthesizers,
sequencers and drum machines.
can synchronize tempo-based features, such as Note Repeat, to an external source. To synchronize the
MPD32 to an external MIDI Clock source, enter Global Mode, scroll to MIDI Clock and select “External”.
enough power or if you are using a USB hub, it may be necessary to use a power adapter.
Please consult your specific hardware or software device’s documentation for instructions on enabling
the MPD32 as a MIDI input device.
connected to it.
Channels.
software and hardware modules. Presets can easily be copied, edited and stored for quick recall of
desired configurations.
may also be assigned to transmit program change messages.
expressive with your programming and performance.
use them as increment/decrement controls. Please note that your software application must be able to
receive and recognize NRPNs for Increment/decrement functions to work.
BANK] and [CONTROL BANK] buttons. This allows you to access significantly more parameters than
the amount of physical controllers. There are 3 control banks, which effectively give you 72 (3x24)
controllers. There are also 4 different pad banks which give you a total of 64 (4x16) pads.
33
TROUBLESHOOTING
PROBLEM CAUSE SOLUTION
Please make sure that the MPD32 is connected to your
The display does not light up. No power.
MPD32 not properly
connected.
MPD32 connected after
software application has
No sound from target device.
Notes sustain continuously.
Footswitch works in reverse.
Note Repeat is not
synchronized to my clock
source.
My Seq/DAW is set to send
clock but Note Repeat is not
working.
My fader or knob works in
reverse.
Transport control does not
work.
I am only hearing one sound
when I hit different pads
The pads always play at
maximum velocity (127).
started.
Problem is caused by use of
a USB hub.
Software application not set
to receive MIDI data from the
MPD32.
MPD32’s MIDI channel not
the same as application’s
incoming MIDI channel.
Footswitch was plugged in
after the MPD32 was
powered on.
Stuck notes due to
incomplete MIDI data.
Footswitch was plugged in
after power was turned on.
Clock source on MPD32 set
to “Internal”.
Software DAW is not in play
mode.
Controller minimum value is
set higher than its maximum.
Software does not support
MMC messages, MIDI
START/STOP or the MIDI
CC mode.
16 Level function is engaged.
Full Level feature is engaged.
computer and that the computer is powered on.
If using a power adapter, please make sure that the
adapter is plugged into a live power outlet.
Check your computer’s USB connection to confirm that
the MPD32 is recognized. If necessary, replug the
connection and restart your computer.
If controlling an external hardware module, make sure
that the MPD32’s MIDI OUT is connected to the device’s
MIDI IN port.
Restart the software application with the controller
plugged in.
Unplug the MPD32 from the USB hub and connect
directly to your computer.
Ensure that the MPD32 or “USB” MIDI device is listed as
an active MIDI source in your application. Usually, the
MIDI settings can be accessed through the application’s
Preferences menu.
Make sure that the MPD32 is sending MIDI information
on the channel that the target device expects.
Turn the unit’s power off, wait a moment and then turn it
on again.
Turn the unit’s power off, wait a moment and then turn it
on again.
With the footswitch plugged in, turn the unit’s power off,
wait a moment, and turn it on again.
In Global Mode, change the MIDI Clock setting to
“External”. Also, make sure that your software is set to
send MIDI Clock to the MPD32.
If your software DAW is not playing, it will not be sending
clock.
Edit the controller and set the minimum value to be lower
than the maximum.
Edit the transport control to send MIDI messages
instead. Make sure that the Transport mode on the
MPD32 matches the receive mode of your software.
When engaged, the 16 Level function will map the last
hit pad to all 16 pads. Deactivate 16 Level to return to
normal operation.
When engaged, the Full Level function will cause all the
pads to output maximum velocity, no matter how hard
they are hit. Turn off Full Level to return to normal
operation.
34
TECHNICAL SPECIFICATIONS
GENERAL
Display custom LCD w/ backlight
Dimensions (WxDxH) 730mm x 300mm x 100mm
Weight 5.8kg
Power
Number of Presets 30
MIDI output channels over USB 48 (16 channels x 3 ports)
MIDI output channels from 5-pin MIDI 16
Drum pads 16 (velocity and pressure sensitive)
Drum pad banks 4
Faders 8
360 degree knobs 8
Switches 8
Accessories
INPUTS/OUTPUTS
MIDI inputs 5-pin DIN x 1
MIDI outputs 5-pin DIN x 1
USB Slave connector x 1 (MIDI over USB)
DC IN 6V DC, 1A
~100mA, 5V DC via USB
~1A, 6V DC via external adaptor
User’s manual
USB cable (1m)
CD-ROM disc
CONTACT INFORMATION
Please visit the Akai Professional website (www.akaipro.com) regularly for additional information, news and
firmware upgrades for the MPD32.
For additional technical support:
EMAIL
: support@akaipro.com
TEL
: 401.658.4032 (U.S)
35
MANUAL REVISION 1.01
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