• 16 pressure and velocity-sensitive MPC pads with four banks each
• MPC technologies include Note Repeat, Swing, 16 Level, Full Level, and Tap Tempo
• 12 software parameters on assignable Q-Link knobs and faders
• Dedicated transport controls transmit MMC, MIDI Clock or MIDI CC messages to DAW and
sequencing applications
• MIDI output over USB and traditional MIDI I/O for controlling software and hardware
• Backlit, easy-to-read screen
• USB bus powered, class compliant: plug and play with one USB cable
• Comes with Editor Librarian software
CONNECTION DIAGRAM
POWER (optional,
not included)
1. Connect a USB cable from your computer to the MPD26. The unit will be powered through the USB
EXTERNAL SOUND
MODULE
EXTERNAL MIDI
COMPUTER
DEVICE
connection. Alternatively, if you do not wish to use a computer in your setup or if you wish to power the
MPD26 externally, please plug in an optional Akai MP6-1 (6V-1A DC) power adapter.
2. If you would like to use an external sound module, connect a 5-pin MIDI cable from the MIDI OUT of
the MPD26 to the MIDI IN of the external device.
3. If you would like to use another MIDI controller in your setup, connect a 5-pin MIDI cable from the MIDI
OUT of the external MIDI device to the MIDI IN of the MPD26.
A NOTE ABOUT USING THE MPD26
WITH SOFTWARE:
1. Make sure that all external devices
are connected to the MPD26 and
that the MPD26 is connected to your
computer, using the included USB
cable, before opening any software
applications on your computer with
which you might want to use the
MPD26. If the unit is not plugged in
before, your software application
might not recognize the MPD26 as
an available device.
2. In your software application, you will
need to set the MPD26 as a default
MIDI input device. This is usually
done in the MIDI section of the
Preferences menu.
1
TOP PANEL OVERVIEW
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1. LCD – The display is used for navigating menus, displaying data, and affecting change on MPD26’s
options and parameters.
2. [VALUE] (Push to Enter) – This dial is used to increment and decrement Presets, parameter values
and settings. This dial also functions as an [ENTER] button when it is pressed down.
3. [<] AND [>] – These buttons are used for navigate through fields of menus and options. The [<] button
also functions as a [CANCEL] button.
4. [PRESET] – This button calls up Preset Mode. You can select and recall different Preset programs in
this mode.
5. [EDIT] – This button calls up Edit Mode, which allows you to edit the behavior of pads, knobs, faders
and default settings for each preset.
6. [GLOBAL] – This button calls up Global Mode, where MIDI reset commands and global system
preferences are set.
7. [PROGRAM CHANGE] – Pressing this button will enter Program Change mode. In this mode, you can
send a Program Change or Program with Bank Change message to a hardware or software module.
8. [PREVIEW] – This button allows you to see what value will be sent by a controller, without actually
sending the value. This gives you precise control over your parameters and helps avoid erroneous
controller data being sent to your devices due to the physical position of the controller. Holding down
[PREVIEW] allows you to view the original value and adjust the physical position of a fader, for
example, as necessary before transmitting any values.
2
9. TRANSPORT CONTROL BUTTONS – These five buttons are dedicated buttons for sending transport
control commands. The transport control buttons can be set to transmit either MMC (MIDI Machine
Control), MMC/MIDI Clock, MIDI START/STOP or pre-assigned MIDI CC values.
10. 6 ASSIGNABLE KNOBS – Each 360-degree knob can be used to send continuous control data to a
desktop audio workstation or external MIDI device.
11. 6 ASSIGNABLE FADERS – Each fader can be used to send continuous control data to a desktop
audio workstation or external MIDI device.
12. 16 REAL MPC PRESSURE AND VELOCITY SENSITIVE PADS – The pads can be used to trigger
drum hits or samples on your software or hardware module. The pads are pressure and velocity
sensitive, which makes them very responsive and intuitive to play.
13. PAD BANK BUTTONS – These 4 buttons switch among pad banks A, B, C, D. Each bank can
address a unique set of 16 sounds, giving you access of up to 64 different sounds you can trigger with
the pads. The currently selected pad bank will be indicated on the LCD display.
14. [FULL LEVEL] – When [FULL LEVEL] is activated, the pads always play back at a maximum velocity
(127), no matter how hard or soft you hit them.
15. [16 LEVEL] – When [16 LEVEL] is activated, you can use the 16 pads to
change a selected sound’s velocity in 16 steps. When you press the [16
LEVEL] button, the last pad that was hit gets mapped to all 16 pads. The
pads will now output the same note number and pressure controller as
the initial pad, but the velocity is fixed at the values shown in the diagram
on the right, regardless of how hard you hit them. This allows you to have
more control over the velocity of a sound.
16. [NOTE REPEAT] – Holding this button while pressing and holding down a
pad causes the pad to retrigger at a rate based on the current Tempo and
Time Division settings. The Note Repeat feature can be synced to an
internal or external MIDI Clock source. [NOTE REPEAT] can function as
a latching or momentary button.
17. [TIME DIVISION] – This button is used to specify the rate of the Note Repeat feature or Swing, which
will be displayed in the LCD. When [TIME DIVISION] is pressed and held, you can press one of Pads
1-8 to specify a time division or one of Pads 9-16 to specify the amount of Swing. [TIME DIVISION] is
a momentary button.
18. [TAP TEMPO] – This button allows you to tap in a new tempo. If the preset is reloaded, the tempo will
revert to the saved tempo value. (Please note that a preset’s default tempo can be set in Edit Mode).
Tap Tempo does not work when the MPD26 is set to External sync.
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REAR PANEL OVERVIEW
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1. DC POWER ADAPTER INPUT – Plug in an optional Akai MP6-1 power adapter (6V-1A DC) if you do
not wish to power the MPD26 through the USB connection.
2. USB CONNECTION – Plug a standard USB cable into this outlet and into the USB port of your
computer. The computer’s USB port will provide power to the MPD26. This connection is used to send
and receive MIDI data to and from your computer and may also be used to send MIDI data from your
computer to a device attached to the MIDI OUT port of the MPD26.
3. MIDI OUT – Use a five-pin MIDI cable to connect the MIDI OUT of the MPD26 to the MIDI IN of an
external device.
4. MIDI IN – Use a five-pin MIDI cable to connect the MIDI OUT of an external MIDI device to the MIDI IN
of the MPD26.
5. KENSINGTON LOCK – The unit may be secured to a table or surface using this Kensington Lock slot.
3
ABOUT MODES
The MPD26 has four different modes of operation. Each mode can be accessed by pressing the
corresponding button on the MPD26. Following is a short description of each mode:
Preset Mode
This mode allows you to load, save and copy Presets. A Preset is a
collection of information about how different faders, knobs, and pads
will behave. Using Presets allows you to save different configurations
so you can quickly load them when you need them, without having to
reprogram the MPD26 every time.
Edit Mode
This mode allows you to edit the configuration of the MPD26. Edit
Mode is a powerful tool for customizing your set-up. In this mode,
you can make changes to how the pads, knobs and faders are
behaving. For example, you may wish to have a fader or a knob
transmit only a limited range of MIDI data, or you may wish to have a
pad that transmits on a different MIDI Channel. You can change
these and various other parameters in Edit Mode. See the Edit Mode
Parameters table for a full listing of editable parameters.
Global Mode
This mode allows you to set global parameters and make general
changes to how your MPD26 is functioning. The parameters that you
can modify in Global Mode include Controller Resets, Pad Velocity
Curves, Pad Threshold, MIDI Clock options, Display Brightness, and
more.
Program Change Mode
This mode allows you to transmit various Program Change
messages. In this mode, you can remotely switch between different
programs on your DAW or external device directly from the MPD26.
4
PRESET MODE
A Preset is a collection of information about how the MPD26’s faders, knobs, and pads will behave. Using
Presets allows you to save different configurations so you can quickly recall them at any time, without having
to reprogram the MPD26 every time. You can press [PRESET] at any time to call up this mode. In Preset
Mode you can load, save/copy and rename Presets – each of these functions can be accessed through the 3
different pages.
PAGE 1 – LOAD PRESET
1. While you are in Preset Mode, you can change Presets with the
[VALUE] dial below the screen. Turning the dial increments or
decrements the current Preset number and displays the screen on
the right:
When you do this, you will notice that ‘PRESS ENTER’ will begin to
blink.
2. Pressing [ENTER] loads the selected Preset. Pressing [<] or
[PRESET] cancels and returns you to the Preset that was last
selected.
PAGE 2 – SAVE / COPY PRESET
In Preset Mode, you can also save and copy a Preset to a new location.
This allows you to save any changes that you would have made to the
Preset in EDIT MODE.
Note that if you are saving the Preset to the same location (same preset
number) the screen will display ‘SAVE TO’ and if you are saving to a
different location (different preset number), the screen will display ‘COPY
TO’.
1. While you are in Preset Mode, press [>] until you see the ‘SAVE TO’
screen similar to the one shown above.
2. You can select the location where you want to save the Preset by
turning the [VALUE] knob.
When you do this, you will notice that ‘PRESS ENTER’ will begin to
blink.
3. Press [ENTER] to save current Preset to the destination. Pressing
[<] or [PRESET] cancels the operation.
PAGE 3 – NAME PRESET
While you are in Preset Mode, you can also change the Preset name. This
way you can assign specific names to different Presets so you can better
keep track and quickly access different controller configurations.
1. To name or rename the Preset, press the [>] button until you see
‘Preset Name’ displayed on the screen.
You will notice that the first letter of the name will begin blinking.
2. Turn the [VALUE] dial to change the blinking character.
3. To move between the characters, use [<] and [>].
4. When done, press [PRESET] again. The name will be saved.
ENTER PRESET NAME IN
THIS FIELD
DESTINATION
5
EDIT MODE
Pressing [EDIT] calls up Edit
Mode. In this mode, you can
edit the settings of the currently
selected Preset. The settings
vary depending on the controller
you are editing and are
described on the following page.
Please note that the changes
you make will only apply to the
currently selected Preset.
Also note that if you wish to save
the changes made in Edit Mode,
1. Press [EDIT] to enter Edit Mode.
2. To select the controller you wish to edit, simply engage it – this will
prompt the screen to display the available event types for the particular
controller (Page 1).
3. If there are multiple event types for the selected controller, turn the
[VALUE] dial to select the desired event type. Press [ENTER] to view
the parameters of the selected event type, if available (Page 2).
4. To move between the parameter fields on Page 2, use [<] and [>]. To
change the values of the fields, turn the [VALUE] dial.
5. When finished editing the controller, press [ENTER] to accept the
change or press [<] to cancel.
you will need to save the current
preset.
You can use the example screenshot on the right to
help you determine where the Page 2 parameters
described on the following page will appear on the
screen.
FOR DETAILED INFORMATION ON EDIT PARAMETERS, PLEASE REFER TO THE OPERATOR’S MANUAL
INCLUDED ON THE CD.
TOGGLE/MOMENTARY
GATE/SWING
DIVISION
TRANSPORT FUNCTION
TEMPO
NAVIGATING EDIT MODE
FIELD 1
FIELD 2
FIELD 3
FIELD 4
MIDI CHANNEL (field 1)
NOTE NUMBER (field 2)
PLAY MODE (field 3)
PRESSURE BEHAVIOR (field 4)
MIDI CHANNEL (field 1)
PROGRAM CHANGE NUMBER (field 2)
BANK M (MSB) (field 3)
BANK L (LSB) (field 4)
MIDI CHANNEL (field 1)
CC NUMBER (field 2)
RANGE – MINIMUM VALUE (field 3)
RANGE – MAXIMUM VALUE (field 4)
MIDI CHANNEL (field 1)
CC NUMBER (field 2)
RANGE – MINIMUM VALUE (field 3)
RANGE – MAXIMUM VALUE (field 4)
MIDI CHANNEL (field 1)
CC NUMBER (field 2)
BUTTON MODE (field 4)
MIDI CHANNEL (field 1)
PROGRAM CHANGE NUMBER (field 2)
BANK M (MSB) (field 3)
BANK L (LSB) (field 4)
BUTTON MODE (field 2)
NOTE REPEAT GATE VALUE (field 2)
NOTE REPEAT SWING VALUE (field 4)
DEFAULT TIME DIVISION (field 2)
MMC, MIDI, MMC/MIDI, or CTRL (field 2)
BPM (field 2)
6
GLOBAL MODE
In Global Mode, you can send
global messages and make general
changes to the way that your
MPD26 functions. Global Mode
options are organized under
different pages and include the list
of options shown below.
KILL MIDI
MIDI COMMON CHANNEL
LCD CONTRAST
PAD SENSITIVITY
PAD VELOCITY CURVE
PAD THRESHOLD
MIDI CLOCK
TAP TEMPO AVERAGE
SAVE SETUP
SYSEX TX
PROGRAM CHANGE MODE
A Program Change, often referred to as a
Patch Change, is a MIDI message used for
sending data to devices to cause them to
change to a new program.
There are two different types of Program
Change messages on the MPD26:
PROG CHANGE – This event will transmit
a regular Program Change message (0-
127) to your DAW or an external device,
allowing you to switch between 128
different program banks.
PROG+BANK – This event transmits a Program Change message (0-127), along with a Bank L (Least
Significant Byte) Change message (0-127) and a Bank M (Most Significant Byte) Change message (0-126),
which allows access of up to 16384 different program banks. You can use PROG+BANK if your DAW or
external device supports LSB and MSB.
VERSION
1. Press [GLOBAL] to enter Global Mode.
2. Use [<] and [>] to navigate through the available pages of
3. Use the [VALUE] dial to change settings, values or select a
4. Press [ENTER] to accept the change or send a message
Send an All Notes Off or Reset Controllers message Page 1
Select which MIDI channel will be used as the
Common Channel.
Adjust the contrast of the display. Page 3
Adjust how sensitive the pads are to the touch. Page 4
Adjust how the pads will output MIDI velocity, based
on the force applied to them.
Adjust the threshold of minimum force required to
activate a pad.
Select Internal or External MIDI Clock source. Page 7
Select the number of taps to be averaged in
determining tempo.
Save the current global settings. Page 9
Transfer a Preset via SysEx. Page 10
Check the current firmware version. Page 11
NAVIGATING GLOBAL MODE
options (shown below).
message on the selected page.
or press [<] to cancel.
Page 2
Page 5
Page 6
Page 8
NAVIGATING PROGRAM CHANGE MODE
1. Press the [PROGRAM CHANGE] button.
2. On Page 1, use the [VALUE] dial to select a Prog
Change or Prog+Bank message on and press
[ENTER].
3. On Page 2, use the [<] and [>] buttons to move
through the different options and use the {VALUE]
dial to change them.
4. Press [ENTER] to send the message.
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FREQUENTLY ASKED QUESTIONS
Question: Can the MPD26 be synced to external devices?
Answer: Yes, the MPD26 can receive MIDI Clock through both the USB and the MIDI IN connection. This
Question: Does the MPD26 have internal sounds?
Answer: No. The MPD26 is a MIDI-controller, which means that it does not contain any sounds inside but
Question: Do I need to use a power adapter if I am using the MPD26 with a computer?
Answer: No. The MPD26 will draw power directly from the USB port. However, if your USB port does not
Question: What software applications is the MPD26 compatible with?
Answer: The MPD26 is compatible with any software or hardware device which supports the MIDI
Question: Can I use the MPD26 as a MIDI interface for other MIDI devices?
Answer: Yes. The MPD26 functions as a MIDI interface and can be used to send or receive MIDI to and
Question: Can I control multiple devices with the MPD26?
Answer: Yes. The MPD26 can transmit information on 16 MIDI channels on 2 ports for a total of 32
Question: How many different Presets can the MPD26 hold?
Answer: The MPD26 can hold 30 Preset settings, which allow you to store different configurations for use
Question: Can I send Program Change messages to my software or hardware devices?
Answer: Yes. You can send program change messages in Program Change mode. In addition, pads may
Question: Are the pads on the MPD26 velocity and pressure sensitive?
Answer: Yes. The MPD26 sports real MPC velocity and pressure sensitive pads. This allows you to be
Question: What type of pads is used on the MPD26?
Answer: The MPD26 features the same exact pads which are used on the Akai MPC2500.
Question: Are the knobs on the MPD26 endless?
Answer: The knobs on the MPD26 are endless pots. This allows you to limit the range of the knobs, as
Question: I see 6 knobs, 6 faders, and 16 pads. Is that all I get?
Answer: No. The MPD26 features multiple banks of pads, which can be accessed with the [PAD BANK]
Question: Does the Note Repeat feature on the MPD26 work similarly to Note Repeat on the Akai MPC
Answer: Yes, the MPD26 features the same Note Repeat algorithm as can be found on the legendary Akai
means that you can synchronize the tempo-based Note Repeat to an external source. To
synchronize the MPD26 to an external MIDI Clock source, please enter Global Mode, scroll to
MIDI Clock and select “External”.
is instead used to control external sound devices, such as hardware and software synthesizers,
sequencers and drum machines.
supply enough power or if you are using a USB hub, it may be necessary to use the adapter.
protocol. Please consult your specific hardware or software device’s documentation for
instructions on enabling the MPD26 as a MIDI input device.
from other MIDI devices connected to it.
different MIDI Channels.
with various software and hardware modules. Presets can easily be copied, edited and stored for
quick recall of desired configurations.
also be assigned to transmit program change messages.
extremely expressive with your programming and performance.
well as use them as increment/decrement controls. Please note that your software application
must be able to receive and recognize NRPNs for Increment/decrement functions to work.
button. There are 4 different pad banks which give you a total of 64 (4x16) pads.
series?
MPC series. This feature allows you to perform and program rhythm patterns that would
otherwise be nearly impossible to do by hand.
8
TROUBLESHOOTING
PROBLEM CAUSE SOLUTION
Please make sure that the MPD26 is connected to
The display does not light
up.
No sound from target
device.
Notes sustain continuously.
Note Repeat feature is not
synchronized to my clock
source.
My Seq/DAW is set to send
clock but Note Repeat is
not working.
My fader or knob works in
reverse.
Transport control does not
work.
I am only hearing one
sound when I hit different
pads.
The pads always play at
maximum velocity (127).
No power.
MPD26 not properly
connected.
MPD26 connected after
software application has
started.
Problem is caused by use
of a USB hub.
Software application not
set to receive MIDI data
from the MPD26.
MPD26’s MIDI channel not
the same as application’s
incoming MIDI chanel.
Stuck notes due to
incomplete MIDI data.
Clock source on MPD26
set to “Internal”.
Software DAW is not in
play mode.
Controller minimum value
is set higher than its
maximum.
Software does not support
MMC messages, MIDI
START/STOP or the MIDI
CC mode.
16 Level feature is
engaged.
Full Level feature is
engaged.
your computer and that the computer is powered on.
If using a power adapter, please make sure that the
adapter is plugged into a live power outlet.
Check your computer’s USB connection to confirm
that the MPD26 is recognized. If necessary, replug
the connection and restart your computer.
If controlling an external hardware module, make
sure that the MIDI cable is connected from the
MPD26 to the device’s MIDI IN port.
Restart the software application with the controller
plugged in.
Unplug the MPD26 from the USB hub and connect
directly to the computer.
Ensure that the MPD26 or “USB” MIDI device is
listed as an active MIDI source in your application.
Usually, the MIDI settings can be accessed through
the application’s Preferences menu.
Make sure that the MPD26 is sending MIDI
information on the channel that the target device
expects.
Turn the unit’s power off, wait a moment and then
turn it on again.
In Global Mode, change the MIDI Clock setting to
“External”. Also, make sure that the software you
are using is set to send MIDI Clock to the MPD26.
If your software DAW is not playing, it will not be
sending clock.
Edit the controller and set the minimum value to be
lower than the maximum.
Edit the transport control to send MIDI messages
instead. Make sure that the Transport mode you are
using on the MPK matches the receive modes of
your software.
When engaged, the 16 Level function will map the
last hit pad to all 16 pads. Deactivate 16 Level to
return to normal operation.
When engaged, the Full Level function will cause all
the pads to output maximum velocity, no matter how
hard they are hit. Turn off Full Level to return to
normal operation.
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TECHNICAL SPECIFICATIONS
GENERAL
Display custom LCD w/ backlight
Dimensions (WxDxH) 314mm x 289mm x 70mm
Weight 2.2kg
Power
~100mA, 5V DC via USB
~1A, 6V DC via external adaptor
Number of Presets 30
MIDI output channels over USB 48 (16 channels x 3 ports)
MIDI output channels from 5-pin MIDI 16
Drum pads 16 (velocity and pressure sensitive)
Drum pad banks 4
Faders 6
360 degree knobs 6
Quickstart Guide
Accessories
USB cable
Software CD
INPUTS/OUTPUTS
MIDI inputs 5-pin DIN x 1
MIDI outputs 5-pin DIN x 1
USB Slave connector x 1 (MIDI over USB)
DC IN 6V DC, 1A
CONTACT INFORMATION
Please visit the Akai Professional website (www.akaipro.com) regularly for additional information, news and
firmware upgrades for the MPD26.
For additional technical support:
: support@akaipro.com
EMAIL
TEL
: 401.658.4032 (U.S)
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CARACTERÍSTICAS
• 16 pads MPC sensibles a la presión y la velocidad con cuatro bancos cada uno
• Las tecnologías MPC incluyen Note Repeat (Repetición de nota), Swing, 16 Level (16 niveles), Full
Level (Nivel máximo) y Tap Tempo
• 6 faders y 6 perillas Q-Link asignables
• Los controles de transporte dedicados transmiten mensajes MMC, MIDI Clock o MIDI CC a la estación
de trabajo de audio de escritorio (DAW) y las aplicaciones de secuenciamiento
• Salida MIDI por USB y E/S MIDI tradicionales para controlar el software y el hardware
• Pantalla con luz de fondo, de fácil lectura
• Alimentación por bus USB, cumple la clase: plug and play con un cable USB
• Viene con software Editor Librarian
DIAGRAMA DE CONEXIÓN
ADAPTADOR DE
ALIMENTACIÓN
(opcional, no incluido)
1. Conecte un cable USB de su computadora al MPD26. La unidad se alimenta por la conexión USB.
MÓDULO DE
SONIDO EXTERNO
DISPOSITIVO MIDI
COMPUTADORA
EXTERNO
NOTA ACERCA DEL USO DEL MPD26
CON SOFTWARE:
1. Asegúrese de que el MPD26 y todos
2. Es necesario que en su aplicación
Como alternativa, si no desea usar una computadora en su configuración o desea alimentar el
MPD26 externamente, enchufe un adaptador de alimentación Akai MP6-1 (6 V -1 A CC, opcional).
2. Si desea usar un módulo de sonido externo, conecte un cable MIDI de 5 pines desde MIDI OUT
(Salida MIDI) del MPD26 a la ENTRADA MIDI del dispositivo externo.
3. Si desea usar otro controlador MIDI en su configuración, conecte un cable MIDI de 5 pines desde la
SALIDA MIDI del controladora a MIDI IN (Entrada MIDI) del MPD26.
los dispositivos externos estén
conectados y que el cable USB esté
conectado a su computadora antes
de abrir en esta última cualquier
aplicación de software con la que
desee usar el MPD26. Si la unidad
no está enchufada antes, su
aplicación de software puede no
reconocer al MPD26 como
dispositivo disponible.
de software, configure al MPD26
como dispositivo de entrada MIDI
por defecto. Esto se hace
normalmente en la sección MIDI del
menú Preferencias.
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VISTA DEL PANEL SUPERIOR
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1. LCD – La pantalla se usa para navegar por los menús, mostrar datos y realizar cambios en las
opciones y parámetros del MPD26.
2. [VALOR] (Pulsar para entrar) – Este cuadrante se usa para incrementar y decrementar presets,
valores de parámetros y ajustes. El cuadrante también funciona como botón [ENTER] cuando se
pulsa.
3. BOTONES [<] Y [>]- Estos botones se usan para navegar por los campos de los menús y las
opciones. El botón [ < ] también funciona como botón [CANCELAR].
4. [PRESET] – Este botón activa el modo Preset (programas predeterminados). En este modo, es
posible seleccionar y recuperar diferentes programas predeterminados.
5. [EDITAR] – Este botón activa el modo de edición, que permite editar el comportamiento de pads,
perillas, faders y parámetros por defecto de cada preset.
6. [GLOBAL] - Este botón activa el modo Global, en el que se configuran los comandos para reiniciar el
MIDI y los parámetros globales y las preferencias del sistema.
7. [CAMBIO DE PROGRAMA] – Al pulsar este botón se activa el modo Program Change (Cambio de
programa). En este modo, se pueden enviar mensajes Program Change (Cambio de programa) o Program with BankChange (Cambio de programa con banco) a un módulo de hardware o software.
8. [VISTA PREVIA] – Este botón permite ver el valor que enviará un controlador, sin enviar realmente el
valor. Esta función le permite un control preciso sobre sus parámetros y le ayuda a evitar que se
envíen datos erróneos del controlador a sus dispositivos debido a la posición física del controlador. Si
se mantiene pulsado [PREVIEW], es posible ver el valor original y ajustar la posición física de un
cursor (por ejemplo) según sea necesario antes de transmitir valores.
12
9. BOTONES DE CONTROL DE TRANSPORTE – Estos cinco botones son dedicados y se usan para
enviar comandos de control de transporte. Estos botones se pueden configurar para transmitir ya sea
MMC (MIDI Machine Control), MMC/MIDI Clock, MIDI START/STOP o valores MIDI CC preasignados.
10. 6 PERILLAS ASIGNABLES – Cada perilla de 360 grados puede usarse para enviar datos de control
continuos a una estación de trabajo de audio de escritorio o dispositivo MIDI externo.
11. 6 CURSORES ASIGNABLES – Cada cursor puede usarse para enviar datos de control continuos a
una estación de trabajo de audio de escritorio o dispositivo MIDI externo.
12. 16 PADS MPC SENSIBLES A LA PRESIÓN Y LA VELOCIDAD – Los pads se pueden usar para
disparar golpes de tambor o muestras en su módulo de software o hardware. Son sensibles a la
presión y a la velocidad, lo que los hace muy responsivos e intuitivos para tocar.
13. Botones de BANCO DE PADS – Estos 4 botones conmutan entre los bancos de pads A, B, C y D.
Cada banco puede dirigirse a un conjunto exclusivo de 16 sonidos que puede disparar con los pads.
El banco de pads seleccionado en cada momento se indica en la pantalla LCD.
14. [FULL LEVEL] – Cuando se activa [FULL LEVEL], los pads siempre reproducen a máxima velocidad
(127), independientemente de la fuerza con que los golpee.
15. [16 NIVELES] – Cuando se pulsa [16 LEVEL], se pueden usar los 16 pads
para cambiar la velocidad de un sonido seleccionado en 16 pasos. Cuando
se pulsa este botón, el último pad golpeado se designa a los 16 pads. Los
pads producen el mismo número de nota y controlador de presión que el pad
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inicial, pero la velocidad se fija a los valores del diagrama de la derecha,
independientemente de la fuerza con que se golpee cada pad. Esto permite
tener más control sobre la velocidad de un sonido.
16. [REPETICIÓN DE NOTA] – Reteniendo este botón mientras se golpea y
manteniendo presionada un pad, se logra que dicho pad se redispare a una
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velocidad basada en los ajustes de tempo y división de tiempo vigentes. La
función de repetición de nota se puede sincronizar a una fuente de reloj MIDI interna o externa.
[NOTE REPEAT] puede funcionar como botón de enganche o momentáneo.
17. [DIVISIÓN DE TIEMPO] – Este botón se usa para especificar la velocidad de las características de
Repetición de Nota o Swing, que se mostrará en la pantalla LCD. Cuando se presiona y mantiene
[TIME DIVISION], se puede pulsar uno de los Pads 1-8 para especificar una división de tiempo o uno
de los Pads 9-16 para especificar la cantidad de Swing. [TIME DIVISION] es un botón momentáneo.
18. [GOLPE DE TEMPO] – Este botón le permite golpear un nuevo tempo. Si se recarga el programa
predeterminado, el tempo se revierte al valor guardado. (Tenga en cuenta que el tempo por defecto de
un preset (programa predeterminado) se puede configurar en modo de edición). Tap Tempo no
funciona cuado el MPD26 se configura para sincronismo externo.
VISTA DEL PANEL TRASERO
3 4
5
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1. ENTRADA DEL ADAPTADOR DE ALIMENTACIÓN DE CC – Enchufe un adaptador de alimentación
Akai MP6-1 (6 V-1 A CC, opcional) si no desea alimentar el MPD26 a través de la conexión USB.
2. CONEXIÓN USB – Enchufe un cable USB estándar en este conector y en el puerto USB de su
computadora. Este puerto proporcionará alimentación eléctrica al MPD26. Esta conexión se usa para
enviar y recibir datos MIDI hacia y desde su computadora y puede usarse también para enviar datos
MIDI desde su computadora a un dispositivo conectado al puerto MIDI OUT del MPD26.
3. MIDI OUT – Use un cable MIDI de cinco pines para conectar la MIDI OUT del MPD26 a la ENTRADA
MIDI de un dispositivo externo.
4. MIDI IN – Use un cable MIDI de cinco pines para conectar la MIDI OUT de un dispositivo MIDI externo
a la MIDI IN del MPD26.
5. BLOQUEO KENSINGTON – La unidad se puede sujetar a una mesa o superficie usando esta ranura
de bloqueo Kensington.
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ACERCA DE LOS MODOS
El MPD26 tiene cuatro modos de operación diferentes. Se puede acceder a cada modo pulsando el botón
correspondiente en la unidad. Se presenta a continuación una breve descripción de cada modo:
Modo Preset (Programas predeterminados)
Este modo permite cargar, guardar y copiar programas
predeterminados (presets). Un programa predeterminado es un
conjunto de información acerca del comportamiento de los diferentes
cursores, perillas y pads. El uso de estos programas
predeterminadas permite guardar diferentes configuraciones de
modo de poder cargarlas rápidamente cuando las necesite, sin tener
que reprogramar el MPD26 todas las veces.
Modo Edit (Edición)
Este modo permite editar la configuración del MPD26. El modo Edit
(Edición) es una herramienta poderosa para personalizar su
configuración. En este modo, es posible cambiar la forma en la que
se comportan los pads, perillas y faders. Por ejemplo, se puede
desear que un fader o una perilla transmitan sólo un rango limitado
de datos MIDI o que un pad transmita en un canal MIDI diferente. En
modo Edit es posible cambiar estos y otros parámetros diversos.
Consulte la lista completa de parámetros editables en la tabla
Parámetros del modo de edición.
Modo global
Este modo permite configurar los parámetros globales y hacer
cambios generales al modo de funcionamiento del MPD26. Los
parámetros que se pueden modificar en modo global son Controller
Resets (Reinicializaciones del controlador), Pad Velocity Curves
(Curvas de velocidad de pads), Pad Threshold (Umbral de pads),
opciones MIDI Clock (Reloj MIDI), el brillo de la pantalla y otros.
Modo Program Change (Cambio de programa)
Este modo permite transmitir diversos mensajes Program Change
(Cambio de programa). En este modo, se puede conmutar
remotamente entre programas diferentes de su DAW o dispositivo
externo directamente desde el MPD26.
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MODO PRESET (Programas predeterminados)
Un programa predeterminado es un conjunto de información acerca del comportamiento del teclado,
cursores, perillas y pads del MPD26. El uso de estos programas predeterminadas permite guardar
diferentes configuraciones de modo de poder activarlas rápidamente en cualquier momento, sin tener que
reprogramar el MPD26 todas las veces Este modo se activa pulsando el botón [PRESET] en cualquier
momento. En modo Preset es posible cargar, guardar/copiar y cambiar el nombre de los programas
predeterminados —se accede a cada una de estas funciones mediante 3 páginas diferentes.
PÁGINA 1 – CARGAR PROGRAMA PREDETERMINADO
1. Estando en modo Preset, es posible cambiar los programas
predeterminados con el cuadrante [VALUE] que está debajo de la
pantalla. Al girar el cuadrante se incrementa o decrementa el
número del programa predeterminado actual y se muestra la pantalla
de la derecha:
Al hacer esto, notará que ‘PRESS ENTER’ comienza a destellar.
2. Al pulsar [ENTER] se carga el programa predeterminado
seleccionado. Al pulsar el botón [ < ] o [PRESET] se cancela y se
retorna al programa predeterminado seleccionado la última vez.
PÁGINA 2 – GUARDAR / COPIAR PROGRAMA PREDETERMINADO
En modo Preset, también es posible guardar y copiar un programa
predeterminado en una nueva ubicación. Esto permite guardar los
cambios que puedan haberse hecho al programa predeterminado en
MODO EDIT.
Tenga en cuenta que si va a guardar el programa predeterminado en la
misma ubicación (mismo número de programa predeterminado) la pantalla
indicará ‘SAVE TO’ (Guardar en) y si lo guarda en una ubicación diferente
(distinto número de programa determinado, indicará ‘COPY TO’ (Copiar
en).
1. Estando en modo Preset, pulse el botón [ > ] hasta que vea la
pantalla ‘SAVE TO’ similar a la que se muestra arriba
2. Es posible seleccionar la ubicación en la que se desea guardar el
programa predeterminado girando la perilla [VALUE].
Al hacer esto, notará que ‘PRESS ENTER’ comienza a destellar.
3. Pulse [ENTER] para guardar el programa predeterminado actual en
el destino. Al pulsar el botón [ < ] o [PRESET] se cancela la
operación y se retorna al modo de reproducción predeterminado.
PÁGINA 3 – ASIGNAR NOMBRE A UN PROGRAMA PREDETERMINADO
Estando en modo Preset, también es posible cambiar el nombre del
programa predeterminado. De esta manera es posible asignar nombres
específicos a los diferentes programas predeterminados, de modo de
poder realizar mejor el seguimiento y acceder rápidamente a las diferentes
configuraciones del controlador.
1. Para asignar o cambiar el nombre del programa predeterminado,
pulse el botón [ > ] hasta que aparezca en la pantalla ‘Preset Name’
(Nombre del programa predeterminado).
Notará que la primera letra del nombre comienza a destellar.
2. Gire el cuadrante [VALUE] para cambiar el carácter que destella.
3. Para moverse entre los caracteres, use los botones [ < ] y [ > ].
4. Cuando termine, pulse [PRESET] otra vez. Se guarda el nombre.
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