• 16 pressure and velocity-sensitive MPC pads with four banks each
• MPC technologies include Note Repeat, Swing, 16 Level, Full Level, and Tap Tempo
• 12 assignable Q-Link knobs and faders
• Dedicated transport controls transmit MMC, MIDI Clock or MIDI CC messages to DAW and
sequencing applications
• MIDI output over USB and traditional MIDI I/O for controlling software and hardware
• Backlit, easy-to-read screen
• USB bus powered, class compliant: plug and play with one USB cable
• Comes with Editor Librarian software
CONNECTION DIAGRAM
POWER (optional,
not included)
1. Connect a USB cable from your computer to the MPD26.
EXTERNAL SOUND
MODULE
EXTERNAL MIDI
COMPUTER
DEVICE
The unit will be powered through the USB connection.
Alternatively, if you do not wish to use a computer in your
setup or if you wish to power the MPD26 externally, please
plug in an optional Akai MP6-1 (6V-1A DC) power adapter.
2. If you would like to use an external sound module, connect a
5-pin MIDI cable from the MIDI OUT of the MPD26 to the
MIDI IN of the external device.
3. If you would like to use another MIDI controller in your setup, connect a 5-pin MIDI cable from the MIDI
OUT of the external MIDI device to the MIDI IN of the MPD26.
A NOTE ABOUT USING THE MPD26
WITH SOFTWARE:
1. Make sure that all external devices
are connected to the MPD26 and
that the MPD26 is connected to your
computer, using the included USB
cable, before opening any software
applications on your computer with
which you might want to use the
MPD26. If the unit is not plugged in
before, your software application
might not recognize the MPD26 as
an available device.
2. In your software application, you will
need to set the MPD26 as a default
MIDI input device. This is usually
done in the MIDI section of the
Preferences menu.
A NOTE ABOUT USING THE MPD26
WITH SOFTWARE:
The operation of the MIDI OUT port
changes depending on whether or not a
USB cable is connected to the MPD26.
• USB cable connected:
MIDI data from your computer is
passed to the MIDI OUT port. When a
USB cable is connected, you should
activate "MIDI echo" in your
sequencer if you want the MPD26 to
control another external device.
• USB cable not connected:
Whatever you play on the MPD26 is
sent to the MIDI OUT port.
Note: If you have another device
connected to the MPD26's MIDI IN
port, that device's MIDI information
will be ignored.
1
TOP PANEL OVERVIEW
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456
15
14
13
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8
10
12
161718
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1. LCD – The display is used for navigating menus, displaying data, and affecting change on MPD26’s
options and parameters.
2. [VALUE] (Push to Enter) – This dial is used to increment and decrement Presets, parameter values
and settings. This dial also functions as an [ENTER] button when it is pressed down.
3. [<] AND [>] – These buttons are used for navigate through fields of menus and options. The [<] button
also functions as a [CANCEL] button.
4. [PRESET] – This button calls up Preset Mode. You can select and recall different Preset programs in
this mode.
5. [EDIT] – This button calls up Edit Mode, which allows you to edit the behavior of pads, knobs, faders
and default settings for each preset.
6. [GLOBAL] – This button calls up Global Mode, where MIDI reset commands and global system
preferences are set.
7. [PROGRAM CHANGE] – Pressing this button will enter Program Change mode. In this mode, you can
send a Program Change or Program with BankChange message to a hardware or software module.
8. [PREVIEW] – This button allows you to see what value will be sent by a controller, without actually
sending the value. This gives you precise control over your parameters and helps avoid erroneous
controller data being sent to your devices due to the physical position of the controller. Holding down
[PREVIEW] allows you to view the original value and adjust the physical position of a fader, for
example, as necessary before transmitting any values.
2
9. TRANSPORT CONTROL BUTTONS – These five buttons are dedicated buttons for sending transport
control commands. The transport control buttons can be set to transmit either MMC (MIDI Machine
Control), MMC/MIDI Clock, MIDI START/STOP or pre-assigned MIDI CC values.
10. 6 ASSIGNABLE KNOBS – Each 360-degree knob can be used to send continuous control data to a
desktop audio workstation or external MIDI device.
11. 6 ASSIGNABLE FADERS – Each fader can be used to send continuous control data to a desktop
audio workstation or external MIDI device.
12. 16 REAL MPC PRESSURE AND VELOCITY SENSITIVE PADS – The pads can be used to trigger
drum hits or samples on your software or hardware module. The pads are pressure and velocity
sensitive, which makes them very responsive and intuitive to play.
13. PAD BANK BUTTONS – These 4 buttons switch among pad banks A, B, C, D. Each bank can
address a unique set of 16 sounds, giving you access of up to 64 different sounds you can trigger with
the pads. The currently selected pad bank will be indicated on the LCD display.
14. [FULL LEVEL] – When [FULL LEVEL] is activated, the pads always play back at a maximum velocity
(127), no matter how hard or soft you hit them.
15. [16 LEVEL] – When [16 LEVEL] is activated, you can use the 16 pads to
change a selected sound’s velocity in 16 steps. When you press the [16
LEVEL] button, the last pad that was hit gets mapped to all 16 pads. The
pads will now output the same note number and pressure controller as
the initial pad, but the velocity is fixed at the values shown in the diagram
on the right, regardless of how hard you hit them. This allows you to have
more control over the velocity of a sound.
16. [NOTE REPEAT] – Holding this button while pressing and holding down a
pad causes the pad to retrigger at a rate based on the current Tempo and
Time Division settings. The Note Repeat feature can be synced to an
internal or external MIDI Clock source. [NOTE REPEAT] can function as
a latching or momentary button.
17. [TIME DIVISION] – This button is used to specify the rate of the Note Repeat feature or Swing, which
will be shown in the LCD. When [TIME DIVISION] is pressed and held, you can press one of Pads 1-8
to specify a time division or one of Pads 9-16 to specify the amount of Swing. [TIME DIVISION] is a
momentary button.
18. [TAP TEMPO] – This button allows you to tap in a new tempo. If the preset is reloaded, the tempo will
revert to the saved tempo value. (Please note that a preset’s default tempo can be set in Edit Mode).
Tap Tempo does not work when the MPD26 is set to External sync.
103
71
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111
79
47
15
7
119
8795
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REAR PANEL OVERVIEW
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1. DC POWER ADAPTER INPUT – Plug in an optional Akai MP6-1 (6V-1A DC) power adapter if you do
not wish to power the MPD26 through the USB connection.
2. USB CONNECTION – Plug a standard USB cable into this outlet and into the USB port of your
computer. The computer’s USB port will provide power to the MPD26. This connection is used to send
and receive MIDI data to and from your computer and may also be used to send MIDI data from your
computer to a device attached to the MIDI OUT port of the MPD26.
3. MIDI OUT – Use a five-pin MIDI cable to connect the MIDI OUT of the MPD26 to the MIDI IN of an
external device.
4. MIDI IN – Use a five-pin MIDI cable to connect the MIDI OUT of an external MIDI device to the MIDI IN
of the MPD26.
5. KENSINGTON LOCK – The unit may be secured to a table or surface using this Kensington Lock slot.
3
DISPLAYING INFORMATION
As you are working with the MPD26, the LCD will help you keep track of what values are being sent to
external devices. There are several kinds of information that the MPD26 will display while in use: NOTE,
AFTERTOUCH (Channel Pressure), CONTROL CHANGE, MIDI MACHINE CONTROL (MMC), and
PREVIEW MODE information.
NOTE
When a PAD is hit, the MPD26 will output MIDI
MIDI PORT
AND CHANNEL
NOTE
INDICATOR
Note On messages to trigger sounds on your DAW
or external device. Each pad can have a MIDI Note
Number associated with it. When you hit a pad, the
screen will display the MIDI Note Number, the MIDI
Port and Channel which the pad is using, as well as
the pad bank and velocity (how hard you hit the
pad).
Please see ‘Editing Pads’ for more information
on MIDI Notes and Pads.
NOTE AFTERTOUCH (CHANNEL PRESSURE)
When enabled, AFTERTOUCH is MIDI data sent
when pressure is applied to one of the pads after it
PAD BANK
MIDI NOTE
NUMBER
NOTE
VELOCITY
VELOCITY IS
ALSO DISPLAYED
WITH BAR METER.
AFTERTOUCH
VALUE
has been struck and while it is being held down.
Aftertouch will be displayed on the far right of the
display as you apply pressure to the pad.
AFTERTOUCH
VALUE IS ALSO
DISPLAYED WITH
BAR METER
CONTROL CHANGE
When a KNOB or FADER is used, the MPD26 will
output MIDI Control Change data. This data is used
to control parameters on your DAW or external
sound module. When you move a knob or fader,
the screen will indicate the Control Change (CC)
Number, value, and MIDI Channel.
Please see ‘Editing Knobs & Faders’ (for more
information on Control Change.
CONTROL AFTERTOUCH
The knobs and faders on the MPD26 can also be
set to transmit AFTERTOUCH information.
Please see ‘Editing Knobs & Faders’ for more
information on setting knobs and faders to transmit
Aftertouch.
MIDI PORT
AND CHANNEL
PAD BANK
MIDI PORT
AND CHANNEL
PAD BANK
CONTROL CHANGE
INDICATOR
CONTROL CHANGE
NUMBER
AFTERTOUCH
INDICATOR
CONTROL CHANGE
VALUE
VALUE IS ALSO
DISPLAYED WITH
BAR METER.
AFTERTOUCH
VALUE
VALUE IS ALSO
DISPLAYED WITH
BAR METER.
4
MIDI MACHINE CONTROL (MMC)
MIDI MACHINE CONTROL (MMC) is commonly
used to send transport control messages to
hardware record or playback machines. For
example, pressing [PLAY] on the MPD26 sends an
MMCPLAY message to a connected multi-track
recorder, which begins playing. When you press
[STOP] on the MPD26, the deck also stops.
MMC
COMMAND
PREVIEWING
When the [PREVIEW] button is held down, and a
fader or knob is moved, the LCD displays the
screen on the right. The display shows the
assigned event and the last sent value of moved
knob or fader. While the [PREVIEW] button is held,
the fader of knob will not be transmitting any
information until [PREVIEW] is released and the
fader or knob is used again. At that point, the fader
or knob will begin transmitting from the value
selected in the New Value field while in Preview
mode.
THE ADVANTAGES OF PREVIEWING
The [PREVIEW] button allows you to see what value will be sent by a controller, without actually sending the
value. This gives you precise control over your parameters and helps avoid erroneous controller data being
sent to your devices due to the physical position of the controller. For example, imagine that Fader 1 is being
used to send three different MIDI CC numbers, depending on the preset which you are currently in. Let’s
assume that Fader 1 is assigned to MIDI CC#10 in Preset 1 and MIDI CC#11 in Preset 2. While in Preset 1,
you adjust Fader 1 (MIDI CC#10) to a value of 40. Now you switch over to Preset 2 and adjust Fader 1 (MIDI
CC#11) to a value of 80. If you now switch back to Preset 1 and try to adjust Fader 1 (MIDI CC#10), you will
notice that the transmitted values will begin at 80 (instead of 40), due to the physical location of the fader. To
prevent these jumps in control values, you can hold down [PREVIEW] and move Fader 1 back to a value of
40 (which will be shown in the “Last” value readout on the display). The fader will not be transmitting
information while the [PREVIEW] button is held down. Once you reset the fader back to its “Last” value, you
can release the [PREVIEW] button. Adjusting Fader 1 (MIDI CC#10) will now give you a nice starting point at
a value of 40.
CONTROL
CHANGE NUMBER
LAST VALUE
SENT
LAST VALUE
SENT
NEW VALUE
NEW VALUE
5
ABOUT MODES
The MPD26 has four different modes of operation. Each mode can be accessed by pressing the
corresponding button on the MPD26. Following is a short description of each mode:
Preset Mode
This mode allows you to load, save and copy Presets. A Preset is a
collection of information about how different faders, knobs, and pads
will behave. Using Presets allows you to save different configurations
so you can quickly load them when you need them, without having to
reprogram the MPD26 every time.
Edit Mode
This mode allows you to edit the configuration of the MPD26. Edit
Mode is a powerful tool for customizing your set-up. In this mode,
you can make changes to how the pads, knobs and faders are
behaving. For example, you may wish to have a fader or a knob
transmit only a limited range of MIDI data, or you may wish to have a
pad that transmits on a different MIDI Channel. You can change
these and various other parameters in Edit Mode. See the Edit Mode
Parameters table for a full listing of editable parameters.
Global Mode
This mode allows you to set global parameters and make general
changes to how your MPD26 is functioning. The parameters that you
can modify in Global Mode include Controller Resets, Pad Velocity
Curves, Pad Threshold, MIDI Clock options, Display Brightness, and
more.
Program Change Mode
This mode allows you to transmit various Program Change
messages. In this mode, you can remotely switch between different
programs on your DAW or external device directly from the MPD26.
6
PRESET MODE
What is a Preset?
A Preset is a collection of information about how the MPD26’s faders,
knobs and pads will behave. Using Presets allows you to save different
configurations so you can quickly load them when you need them, without
having to reprogram the MPD26 every time.
The MPD26 features different Preset banks which you can load and write to. When you turn on the MPD26,
PRESET NAME PRESET NUMBER
it will automatically go into Preset Mode and Preset 1 will be displayed on the screen. You can also press
the [PRESET] button at any time to call up this mode. In Preset Mode you can load, save/copy and rename
Presets – each of these functions can be accessed through the 3 different pages. You can navigate between
these pages with the [<] and [>] buttons.
LOAD PRESET – Page 1
1. While you are in Preset Mode, you can change Presets with the
[VALUE] dial below the screen. Turning the dial increments or
decrements the current Preset number and displays the screen on
the right:
When you do this, you will notice that ‘PRESS ENTER’ will begin to
blink.
2. Pressing [ENTER] loads the selected Preset. Pressing [<] or
[PRESET] cancels and returns you to the Preset that was last
selected.
SAVE / COPY PRESET – Page 2
In Preset Mode, you can also save and copy a Preset to a new location.
This allows you to save any changes that you would have made to the
Preset in EDIT MODE.
Note that if you are saving the Preset to the same location (same preset
number) the screen will display ‘SAVE TO’ and if you are saving to a
different location (different preset number), the screen will display ‘COPY
TO’.
DESTINATION
1. While you are in Preset Mode, press [>] until you see the ‘SAVE TO’
screen similar to the one shown above.
2. You can select the location where you want to save the Preset by
turning the [VALUE] knob.
When you do this, you will notice that ‘PRESS ENTER’ will begin to
blink.
3. Press [ENTER] to save current Preset to the destination. Pressing
[<] or [PRESET] cancels the operation.
NAME PRESET – Page 3
While you are in Preset Mode, you can also change the Preset name. This
way you can assign specific names to different Presets so you can better
keep track and quickly access different controller configurations.
1. To name or rename the Preset, press the [>] button until you see
‘Preset Name’ displayed on the screen.
You will notice that the first letter of the name will begin blinking.
2. Turn the [VALUE] dial to change the blinking character.
3. To move between the characters, use [<] and [>].
ENTER PRESET NAME IN
THIS FIELD
4. When done, press [PRESET] again. The name will be saved.
7
EDIT MODE
Pressing [EDIT] calls up Edit
Mode. In this mode, you can
edit the settings of the currently
selected Preset. The settings
vary depending on the controller
you are editing and are
described on the following page.
Please note that the changes
you make will only apply to the
currently selected Preset.
Also note that if you wish to save
the changes made in Edit Mode,
1. Press [EDIT] to enter Edit Mode.
2. To select the controller you wish to edit, simply engage it – this will
prompt the screen to display the available event types for the particular
controller (Page 1).
3. If there are multiple event types for the selected controller, turn the
[VALUE] dial to select the desired event type. Press [ENTER] to view
the parameters of the selected event type, if available (Page 2).
4. To move between the parameter fields on Page 2, use [<] and [>]. To
change the values of the fields, turn the [VALUE] dial.
5. When finished editing the controller, press [ENTER] to accept the
change or press [<] to cancel.
you will need to save the current
preset.
You can use the example screenshot on the right to
help you determine where the Page 2 parameters
described on the following page will appear on the
screen.
MIDI CHANNEL (field 1)
NOTE NUMBER (field 2)
PLAY MODE (field 3)
PRESSURE BEHAVIOR (field 4)
MIDI CHANNEL (field 1)
PROGRAM CHANGE NUMBER (field 2)
BANK M (MSB) (field 3)
BANK L (LSB) (field 4)
MIDI CHANNEL (field 1)
CC NUMBER (field 2)
RANGE – MINIMUM VALUE (field 3)
RANGE – MAXIMUM VALUE (field 4)
MIDI CHANNEL (field 1)
CC NUMBER (field 2)
RANGE – MINIMUM VALUE (field 3)
RANGE – MAXIMUM VALUE (field 4)
MIDI CHANNEL (field 1)
CC NUMBER (field 2)
BUTTON MODE (field 4)
MIDI CHANNEL (field 1)
PROGRAM CHANGE NUMBER (field 2)
BANK M (MSB) (field 3)
BANK L (LSB) (field 4)
BUTTON MODE (field 2)
NOTE REPEAT GATE VALUE (field 2)
NOTE REPEAT SWING VALUE (field 4)
DEFAULT TIME DIVISION (field 2)
MMC, MIDI, MMC/MIDI, or CTRL (field 2)
BPM (field 2)
FIELD 1
FIELD 2
FIELD 3
FIELD 4
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