CTK-631
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POPS I |
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DANCE / FUNK |
ROCK II |
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EUROPEAN |
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LATIN II / VARIOUS I |
REVERB |
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00 CLUB POP |
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20 RAP |
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40 BIG BAND ROCK 60 POLKA 1 |
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80 SALSA |
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01 EURO POP |
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21 TRIP HOP |
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41 SHUFFLE ROCK |
61 POLKA 2 |
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81 REGGAE |
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02 90'S POP |
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22 TECHNO 1 |
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42 OLDIES POP |
62 MARCH 1 |
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82 PUNTA |
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03 8 BEAT |
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23 TECHNO 2 |
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43 OLDIES SHUFFLE |
63 MARCH 2 |
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83 CUMBIA |
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04 8 BEAT BALLAD 1 |
24 FUNKY GROOVE |
44 BOOGIE-WOOGIE |
64 MARCH 3 |
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84 PASODOBLE |
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SYNTH |
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05 8 BEAT BALLAD 2 |
25 DRUM & BASS |
45 50'S ROCK |
65 WALTZ |
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85 RUMBA CATALANA |
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REVERB |
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06 60'S 8 BEAT |
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26 RAVE |
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46 TWIST |
66 FRENCH WALTZ |
86 SEVILLANA |
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07 16 BEAT |
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27 TRANCE |
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47 NEW ORLNS R&R |
67 BALLROOM WALTZ |
87 SKA |
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HALL |
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08 16 BEAT BALLAD |
28 DISCO |
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48 CHICAGO BLUES |
68 VIENNESE WALTZ |
88 TEX-MEX |
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09 16 BEAT SHUFFLE |
29 FUNK |
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49 R&B |
69 TANGO |
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89 TOWNSHIP |
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MIXER |
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STAGE |
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POPS II |
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ROCK I |
JAZZ |
LATIN I |
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VARIOUS II |
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10 POP 1 |
30 AMERICAN ROCK 50 BIG BAND 1 |
70 BOSSA NOVA 1 |
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90 COUNTRY |
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ROOM |
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11 POP 2 |
31 ROCK |
51 BIG BAND 2 |
71 BOSSA NOVA 2 |
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91 BLUEGRASS |
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12 70'S ROCK 1 |
32 70'S ROCK 2 |
52 SWING 1 |
72 SAMBA 1 |
92 FAST GOSPEL |
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SYNTH |
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13 POP BALLAD |
33 RIFF ROCK |
53 SWING 2 |
73 SAMBA 2 |
93 SLOW GOSPEL |
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MEMORY |
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14 16 BEAT SOUL |
34 HEAVY METAL |
54 SLOW SWING |
74 BEGUINE |
94 HAWAIIAN |
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MIXER |
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15 SOUL POP |
35 POP ROCK |
55 ORCH SWING |
75 MAMBO |
95 BROADWAY |
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16 WORLD POP |
36 SOFT ROCK |
56 FUNKY JAZZ |
76 RHUMBA |
96 EURO FOX |
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MEMORY |
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17 FUSION SHUFFLE |
37 SLOW ROCK 1 |
57 JAZZ VOICES |
77 CHA-CHA-CHA |
97 QUICKSTEP |
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18 6/8 BALLAD |
38 SLOW ROCK 2 |
58 ACID JAZZ |
78 MERENGUE |
98 ADANI |
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STEP |
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STEP |
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19 50'S R&B BALLAD |
39 ROCK WALTZ |
59 JAZZ WALTZ |
79 BOLERO |
99 BALADI |
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ACCOMP |
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POWER |
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TEMPO |
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VOLUME |
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GENERAL |
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SYN |
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MODE |
VOLUME |
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O |
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CH |
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R |
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R |
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T |
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E |
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I N |
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O/ |
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N |
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D |
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I |
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MAX |
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N |
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G |
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FULL RANGE |
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N |
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I |
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BACKLIGHT LCD |
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CHORD |
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N |
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- |
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FINGERED |
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O |
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L |
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DIGITAL REVARB |
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CASIO CHORD |
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R |
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F |
IL |
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2-WAY MULTI-TRACK MEMORY |
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M |
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A |
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/ |
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NORMAL |
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L |
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TIO |
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MIN |
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/F |
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IL |
L-IN |
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IA |
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VAR |
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START/STOP
CHORD/1 |
2 |
3 |
4 |
5 |
6 |
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DEMO |
PIANO |
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026 JAZZ GUITAR |
053 VOICE DOO |
SYNTH-LEAD |
106 SHAMISEN |
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000 GRAND PIANO |
027 CLEAN GUITAR |
054 SYNTH-VOICE |
080 SQUARE WAVE |
107 KOTO |
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001 BRIGHT PIANO |
028 MUTE GUITAR |
055 ORCHESTRA HIT |
081 SAWTOOTH WAVE |
108 KALIMBA |
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002 E GRAND PIANO |
029 OVERDRIVE GT |
BRASS |
082 CALLIOPE |
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109 BAG PIPE |
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TRANSPOSE/ |
003 HONKY-TONK |
030 DIST GUITAR |
056 TRUMPET |
083 CHIFF LEAD |
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110 |
FIDDLE |
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004 ELEC PIANO 1 |
031 GT HARMONICS |
057 TROMBONE |
084 CHARANG |
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111 |
SHANAI |
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TUNE/MIDI |
005 ELEC PIANO 2 |
BASS |
058 TUBA |
085 VOICE LEAD |
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PERCUSSIVE |
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006 HARPSICHORD |
032 ACOUSTIC BASS |
059 MUTE TRUMPET |
086 FIFTH LEAD |
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112 |
TINKLE BELL |
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GM |
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007 CLAVI |
033 FINGERED BASS |
060 FRENCH HORN |
087 BASS + LEAD |
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113 |
AGOGO |
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FREE |
CHROMATIC PERC |
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034 PICKED BASS |
061 BRASS |
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SYNTH-PAD |
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114 STEEL DRUM |
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008 CELESTA |
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035 FRETLESS BASS 062 SYNTH-BRASS 1 |
088 NEW AGE |
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115 |
WOOD BLOCK |
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FREE |
SESSION |
009 GLOCKENSPIEL |
036 SLAP BASS 1 |
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063 SYNTH-BRASS2 |
089 WARM PAD |
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116 |
TAIKO |
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SESSION |
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010 MUSIC BOX |
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037 SLAP BASS 2 |
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REED |
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090 POLYSYNTH |
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117 MELODIC TOM |
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011 |
VIBRAPHONE |
038 SYNTH-BASS 1 |
064 SOPRANO SAX |
091 SPACE CHOIR |
118 |
SYNTH-DRUM |
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LAYER |
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012 MARIMBA |
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039 SYNTH-BASS 2 |
065 ALTO SAX |
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092 BOWED GLASS |
119 |
REVERSE CYMBAL |
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LAYER |
013 XYLOPHONE |
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STR/ORCHESTRA |
066 TENOR SAX |
093 METALLIC PAD |
SOUND EFFECTS |
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014 TUBULAR BELLS |
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040 VIOLIN |
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067 BARITONE SAX |
094 HALO PAD |
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120 GT FRET NOISE |
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SPLIT |
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015 DULCIMER |
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041 VIOLA |
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068 OBOE |
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095 SWEEP PAD |
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121 BREATH NOISE |
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ORGAN |
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042 CELLO |
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069 ENGLISH HORN |
SYNTH-SFX |
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122 SEASHORE |
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TOUCH |
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016 DRAWBAR ORGAN |
043 CONTRABASS |
070 BASSOON |
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096 RAIN DROP |
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123 BIRD |
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SPLIT |
017 PERC ORGAN |
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044 TREMOLO STR |
071 CLARINET |
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097 SOUNDTRACK |
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124 TELEPHONE |
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RESPONSE |
018 ROCK ORGAN |
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045 PIZZICATO STR |
PIPE |
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098 CRYSTAL |
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125 HELICOPTER |
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019 CHURCH ORGAN |
046 HARP |
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072 PICCOLO |
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099 ATMOSPHERE |
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126 APPLAUSE |
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020 REED ORGAN |
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047 TIMPANI |
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073 FLUTE |
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100 BRIGHTNESS |
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127 GUNSHOT |
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TOUCH |
021 ACCORDION |
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ENSEMBLE |
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074 RECORDER |
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101 GOBLINS |
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SYNTH TONE |
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022 HARMONICA |
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048 STRINGS 1 |
075 PAN FLUTE |
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102 ECHOES |
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128 |
159 |
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RESPONSE |
023 BANDONEON |
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049 STRINGS 2 |
076 BLOWN BOTTLE |
103 SF |
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DRUM SET |
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GUITAR |
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050 SYNTH-STR 1 |
077 SHAKUHACHI |
ETHNIC |
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160 |
167 |
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024 NYLON STR GT |
051 SYNTH-STR 2 |
078 WHISTLE |
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104 SITAR |
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USER TONE |
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025 STEEL STR GT |
052 CHOIR AAHS |
079 OCARINA |
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105 BANJO |
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168 |
199 |
CU |
RS |
TONE |
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ENVELOPE |
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PITCH |
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OR |
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(TIE) |
3 |
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ENVELOPE |
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7 |
8 |
9 |
00 FLAT |
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AMP |
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ENVELOPE |
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4 |
5 |
6 |
01-19 VIBRATO |
000-048 DECAY |
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REST |
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20-49 OTHERS |
049-137 SUSTAIN |
ENTER |
0 |
1 |
2 |
3 |
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RHYTHM
CTK-631
INDEX
ELECTRONIC KEYBOARD
CONTENTS
Specifications ................................................................................................................................... |
1 |
Block Diagram .................................................................................................................................. |
3 |
Circuit Description ............................................................................................................................ |
4 |
Adjustment ..................................................................................................................................... |
11 |
Major Waveforms ........................................................................................................................... |
13 |
Printed Circuit Boards .................................................................................................................... |
14 |
Schematic Diagrams ...................................................................................................................... |
17 |
Exploded View ............................................................................................................................... |
24 |
Parts List ........................................................................................................................................ |
25 |
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SPECIFICATIONS |
GENERAL |
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Keyboard: |
61 standard-size keys, 5 octaves (with touch response on/off) |
Drum pads: |
6 |
Tones: |
200 (128 General MIDI, 32 synthesized, 8 drum, 32 user); with layer and |
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split |
Rhythm instrument tones: |
61 |
Polyphony: |
24 notes maximum (12 for certain tones) |
Digital effects: |
3 reverb types (HALL, STAGE, ROOM) |
Auto accompaniment |
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Rhythm patterns: |
100 |
Tempo: |
Variable (216 steps, = 40 to 255) |
Chords: |
4 fingering methods (NORMAL, CASIO CHORD, FINGERED, FULL |
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RANGE CHORD) |
Rhythm controller: |
START/STOP, INTRO, NORMAL/NORMAL FILL-IN, VARIATION/VARI- |
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ATION FILL-IN, SYNCHRO/ENDING |
Accomp volume: |
0 to 127 (128 steps) |
Free session |
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Number of patterns: |
100 (auto-accompaniment in accordance with selected chord progres- |
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sion) |
Memory function |
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Songs: |
2 |
Recording tracks: |
6 (2 through 6 are melody tracks) |
Recording methods: |
Real-time, step |
Memory capacity: |
Approximately 5,200 notes (total for two songs) |
Edit function: |
Equipped |
Demo tunes: |
2 |
Synthesizer function |
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Parameters: |
PCM set, amp envelope set, attack rate, release rate, pitch envelope set, |
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pitch, level, touch sense, pan |
Mixer function |
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Channels: |
16 |
Parameters: |
Program change number, volume, expression, pan, coarse tuning, fine |
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tuning, on/off/solo |
MIDI: |
16 multi-timbre receive, GM Level 1 standard |
Other functions |
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Pitch bend range: |
12 semitones upwards and downwards |
Transpose: |
25 steps (–12 semitones to +12 semitones) |
Tuning: |
Variable (A4 = approximately 440 Hz ± 50 cents) |
Terminals |
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MIDI terminals: |
IN, OUT |
Assignable terminal: |
Standard jack (sustain, sostenuto, soft, rhythm start/stop) |
Headphone/Output terminal: |
Stereo standard jack |
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Output Impedance: 120 Ω |
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Output Voltage: 4.5 V (RMS) MAX |
Power supply terminal: |
9 V DC |
Power supply: |
Dual power supply system |
Batteries: |
6 D-size batteries |
Battery life: |
Approximately 5 hours continuous operation on manganese batteries |
AC adaptor: |
AD-5 |
Auto power off: |
Turns power off approximately six minutes after last key operation. En- |
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abled under battery power only, can be disabled manually. |
Speaker output: |
2.5 W + 2.5 W |
Power consumption: |
9 V --- 7.7 W |
Dimensions (HWD): |
96.0 × 37.6 × 15.2 cm (37 13/16 × 14 13/16 × 5 15/16 inches) |
Weight: |
Approximately 5.5 kg (12.1 lbs) (without batteries) |
— 1 —
ELECTRICAL
Current drain with 9 V DC: |
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412 mA ± 20 % |
No sound output |
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Maximum volume |
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1165 mA ± 20 % |
with 12 keys from C3 to B3 pressed in Square wave tone |
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Volume: maximum, Touch response: maximum |
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Reverb: Hall |
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Phone output level (Vrms with 32 Ω load each channel): |
L-ch |
615 mV ± 20 % |
with key A5 pressed in Bassoon tone |
R-ch |
555 mV ± 20 % |
Volume: maximum, Touch response: maximum |
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Reverb: Hall |
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Speaker output level (Vrms with 4 Ω load each channel): |
L-ch |
2780 mV ± 20 % |
with key A5 pressed in Bassoon tone |
R-ch |
2570 mV ± 20 % |
Volume: maximum, Touch response: maximum |
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Reverb: Hall |
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Output level (Vrms with 47k Ω load each channel): |
L-ch |
3070 mV ± 20 % |
with key A5 pressed in Bassoon tone |
R-ch |
2750 mV ± 20 % |
Volume: maximum, Touch response: maximum |
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Reverb: Hall |
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Minimum operating voltage: |
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6.3 V |
About General MIDI
General MIDI standardizes MIDI data for all sound source types, regardless of manufacturer. General MIDI specifies such factors as tone numbering, drum sounds, and available MIDI channels for all sound sources. This standard makes it possible for all MIDI equipment to reproduce the same nuances when playing General MIDI data, regardless of the manufacturer of the sound source.
This keyboard supports General MIDI, so it can be used to play commercially available pre-recorded General MIDI data and General MIDI data send to it from a personal computer.
— 2 —
BLOCK DIAGRAM
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Working Storage |
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RAM (256K-bit) |
MIDI |
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LSI4 |
P10, P13 |
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OUT IN |
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TC55257DFL-70L(EL) |
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P14, P17 |
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Reset IC |
RESET |
MA0 |
MD0 |
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P23 |
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IC2 |
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~ |
~ |
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RN5VD40AA |
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MA14 |
MD7 |
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CPU |
Sound Source ROM |
MD0 ~ MD15 |
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LSI1 |
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(24M-bit) |
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LSI3 |
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GT913F(T) |
LH536PY8 |
MA0 ~ MA19 |
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MA0, MA1 |
LRCK, SO |
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BCK, SINK |
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EA0 ~ |
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NMI |
Effect RAM |
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EA14 |
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DSP |
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(256K-bit) |
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LSI5 |
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LSI2 |
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PA0 ~ PA5 |
TC55257DFL- |
EIO0 ~ |
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70L(EL) |
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EIO7 |
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HG51B277FB-1 |
PB0 ~ PB3 |
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WCKO |
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PB4 |
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SO |
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BCK |
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D/A Converter |
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IC1 |
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UPD6379GR |
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Filter |
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Output |
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Q308 ~ Q311 |
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Speakers |
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Main |
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Volume |
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Power Amplifier |
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IC301 |
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TA8248K |
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SEG1 ~ SEG40
LCD Driver
LSI501 |
LCD |
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SED1278F2A
COM1 ~ COM16
FI0 ~ FI9
SI0 ~ SI9
Keyboard
KC0 ~ KC7
KI0 ~ KI2
PB0 ~ PB3
FI10
VDD
Power Switch
Buttons
Assingnable Jack
— 3 —
CIRCUIT DESCRIPTION
KEY MATRIX
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KC0 |
KC1 |
KC2 |
KC3 |
KC4 |
KC |
KC6 |
KC7 |
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FI0 |
C2 (1) |
C#2 (1) |
D2 (1) |
D#2 (1) |
E2 (1) |
F2 (1) |
F#2 (1) |
G2 (1) |
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SI0 |
C2(2) |
C#2 (2) |
D2 (2) |
D#2 (2) |
E2 (2) |
F2 (2) |
F#2 (2) |
G2 (2) |
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FI1 |
G#2 (1) |
A2 (1) |
A#2 (1) |
B2 (1) |
C3 (1) |
C#3 (1) |
D3 (1) |
D#3 (1) |
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SI1 |
G#2 (2) |
A2 (2) |
A#2 (2) |
B2 (2) |
C3 (2) |
C#3 (2) |
D3 (2) |
D#3 (2) |
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FI2 |
E3 (1) |
F3 (1) |
F#3 (1) |
G3 (1) |
G#3 (1) |
A3 (1) |
A#3 (1) |
B3 (1) |
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SI2 |
E3 (2) |
F3 (2) |
F#3 (2) |
G3 (2) |
G#3 (2) |
A3 (2) |
A#3 (2) |
B3 (2) |
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FI3 |
C4 (1) |
C#4 (1) |
D4 (1) |
D#4 (1) |
E4 (1) |
F4 (1) |
F#4 (1) |
G4 (1) |
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SI3 |
C4 (2) |
C#4 (2) |
D4 (2) |
D#4 (2) |
E4 (2) |
F4 (2) |
F#4 (2) |
G4 (2) |
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FI4 |
G#4 (1) |
A4 (1) |
A#4 (1) |
B4 (1) |
C5 (1) |
C#5 (1) |
D5 (1) |
D#5 (1) |
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SI4 |
G#4 (2) |
A4 (2) |
#4 (2) |
B4 (2) |
C5 (2) |
C#5 (2) |
D5 (2) |
D#5 (2) |
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FI5 |
E5 (1) |
F5 (1) |
F#5 (1) |
G5 (1) |
G#5 (1) |
A5 (1) |
A#5 (1) |
B5 (1) |
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SI5 |
E5 (2) |
F5 (2) |
F#5 (2) |
G5 (2) |
G#5 (2) |
A5 (2) |
A#5 (2) |
B5 (2) |
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FI6 |
C6 (1) |
C#6 (1) |
D6 (1) |
D#6 (1) |
E6 (1) |
F6 (1) |
F#6 (1) |
G6 (1) |
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SI6 |
C6 (2) |
C6# (2) |
D6 (2) |
D#6 (2) |
E6 (2) |
F6 (2) |
F#6 (2) |
G6 (2) |
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FI7 |
G#6 (1) |
A6 (1) |
A#6 (1) |
B6 (1) |
C7 (1) |
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SI7 |
G#6 (2) |
A6 (2) |
A#6 (2) |
B6 (2) |
C7 (2) |
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BUTTON MATRIX
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KC0 |
KC1 |
KC2 |
KC3 |
KC4 |
KC5 |
KC6 |
KC7 |
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FI10 |
Chord 3 |
Chord 1 |
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▼ |
9 |
6 |
+ |
Tone |
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KI0 |
Chord 4 |
Chord 2 |
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Start/ |
8 |
3 |
— |
Rhythm |
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Stop |
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KI1 |
Chord 5 |
Intro |
Tempo |
▼ |
7 |
2 |
0 |
Normal/ |
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▼ |
Fill-In |
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KI2 |
Chord 6 |
Synchro/ |
Tempo |
▼ |
4 |
5 |
1 |
Variation/ |
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Ending |
▲ |
Fill-In |
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PA0 |
PA1 |
PA2 |
PA3 |
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PB0 |
Full Range |
Reverb |
Mixer |
Step |
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Chord |
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PB1 |
Fingered |
Synth |
Memory |
Accomp |
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Volume |
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PB2 |
Casio Chord |
Demo |
Free Session |
Split |
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PB3 |
Normal |
Transpose/ |
Layer |
Touch |
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Tune/Midi |
Response |
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— 4 —
Key
Note: Each key has two contacts,
the first conatct (1) and second contact (2).
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FI |
Second contact (2) |
First contact (1) |
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KC |
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SI |
NOMENCLATURE OF KEYS
C#2 D#2 |
F#2 G#2 A#2 |
C#3 D#3 |
F#3 G#3 A#3 |
C#4 D#4 |
F#4 G#4 A#4 |
C#5 D#5 |
F#5 G#5 A#5 |
C#6 D#6 |
F#6 G#6 A#6 |
C2 |
D2 |
E2 |
F2 |
G2 |
A2 |
B2 |
C3 |
D3 |
E3 |
F3 |
G3 |
A3 |
B3 |
C4 |
D4 |
E4 |
F4 |
G4 |
A4 |
B4 |
C5 |
D5 |
E5 |
F5 |
G5 |
A5 |
B5 |
C6 |
D6 |
E6 |
F6 |
G6 |
A6 |
B6 |
C7 |
POWER SUPPLY CIRCUIT
The power supply circuit generates five voltages as shown in the following table. VDD voltage is always generated. The others are controlled by APO signal from the CPU.
Name |
Voltage |
For operation of |
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VDD |
+5 V |
CPU, Reset IC, DSP, Sound source ROM, Working storage RAM, Effect RAM |
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DVDD |
+5 V |
LCD driver, Power jack, Sustain jack, MIDI jack |
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AVDD |
+5 V |
DAC, Filter |
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LVDD |
+5.6 V |
LCD dirver |
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VCC |
+9 V |
Power amplifier, Pilot lamp |
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RESET CIRCUIT
When batteries are set or an AC adapter is connected, the reset IC provides a low pulse to the CPU. The CPU then initializes its internal circuit, and clears the working storage RAM.
When the power switch is pressed, the CPU receives a low pulse of POWER signal. The CPU sends APO signal to the power supply circuit, also sends a reset signal to the DSP.
Battery set |
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VDD |
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VDD |
VDD |
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Reset signal |
DSP |
RESET |
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PLE |
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LSI2 |
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CPU |
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Reset IC |
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HG51B277FB-1 |
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LSI1 |
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IC2 |
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GT913F(T) |
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RN5VD40AA |
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APO |
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SCKO |
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POWER |
NMI |
To power supply circuit |
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From power switch |
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— 5 — |
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CPU (LSI1: GT913F-(T))
The 16-bit CPU contains a 1k-byte RAM, three 8-bit I/O ports, two timers, a key controller and serial interfaces. The CPU detects key velocity by counting the time between first-key input signal FI and second-key SI from the keyboard. The CPU reads sound data and velocity data from the sound source ROM in accordance with the selected tone; the CPU can read rhythm data simultaneously when a rhythm pattern is selected. Then the CPU provides 16-bit serial sound data to the DSP. The CPU also controls MIDI input/output and stores sequencer data into the working storage RAM.
The following table shows the pin functions of LSI1.
Pin No. |
Terminal |
In/Out |
Function |
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1 |
TXD0 |
Out |
MIDI signal output |
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2 |
RXD0 |
In |
MIDI signal input |
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3 |
SCK0 |
Out |
APO (Auto Power Off) signal output |
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4, 5 |
TXD1, RXD2 |
In/Out |
Data bus for the LCD driver |
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6 |
SCK1 |
Out |
1 MHZ synchronizing pulse output |
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7 |
AVCC |
In |
DVDD (+5 V) source |
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AC adaptor detection terminal. |
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8 |
AN0 |
In |
+5 V when the keyboard is powered by batteries and becomes |
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0 V to cancel the APO function when AC adaptor is connected. |
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9 |
AN1 |
— |
Not used. Connected to ground. |
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10 |
AGND |
In |
Ground (0 V) source |
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11 |
BCK |
Out |
Bit clock output |
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12 |
SO |
Out |
Serial sound data output |
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13 |
LRCK |
Out |
Word clock output |
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14 |
GND |
In |
Ground (0 V) source |
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15, 16 |
XLT0, XLT1 |
In/Out |
20 MHz clock input/output |
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17 |
VCC |
In |
+5 V source |
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18, 19 |
MD0, MD1 |
In |
Mode selection terminal |
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20 |
RSTB |
In |
Reset signal input |
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21 |
NMI |
In |
Power ON signal input |
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22 |
INT/P10 |
In/Out |
Data bus for the LCD driver |
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23 ~ 30 |
FI0 ~ FI3 |
In |
Terminal for key input signal |
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SI0 ~ SI3 |
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31 ~ 38 |
KC0 ~ KC7 |
Out |
Terminal for key scan signal |
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39 ~ 46 |
FI4 ~ FI7 |
In |
Terminal for key input signal |
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SI4 ~ SI7 |
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47 ~ 50 |
FI8, FI9 |
— |
Not used |
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SI8, SI9 |
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51 |
FI10 |
In |
Terminal for button input signal |
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52 |
SI10/P23 |
Out |
Chip enable signal for the LCD driver |
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53 ~ 55 |
KI0 ~ KI2 |
In |
Terminal for button input signal |
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56 |
MWNB |
Out |
Write enable signal for the DSP |
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57 ~ 76 |
MA0 ~ MA17 |
Out |
Address bus |
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77 |
MCSB0 |
Out |
Chip enable signal output for the sound source ROM |
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78 |
MCSB1 |
Out |
Not used |
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79 |
MCSB2 |
Out |
Chip enable signal output for the DSP |
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— 6 —
Pin No. |
Terminal |
In/Out |
Function |
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80 |
VCC |
In |
+5 V source |
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81 |
GND |
In |
Ground (0 V) source |
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82 |
MRDB |
Out |
Read enable signal output for the sound source ROM |
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83 ~ 98 |
MD0 ~ MD15 |
In/Out |
Data bus |
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99 |
PLE |
Out |
Reset signal output for the DSP |
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100 |
P17 |
In/Out |
Data bus for the LCD driver |
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DIGITAL SIGNAL PROCESSOR (LSI2: HG51B227FB-1)
The DSP receives 16-bit serial sound data output from the CPU and adds the selected effect to the sound data using the effect RAM. Then the DSP provides the sound data to the DAC. The DSP also controls button input/ output.
The following table shows the pin functions of LSI2.
Pin No. |
Terminal |
In/Out |
Function |
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1 ~ 3, 80 |
PB0 ~ PB3 |
In |
Button input terminals |
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4 |
PB4 |
In |
ASSIGNABLE Jack input |
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5 |
SO |
Out |
Serial sound data output for the DAC |
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6 |
WCKO |
Out |
Word clock output for the DAC |
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7 |
VDD3 |
In |
+5 V source |
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8 |
TEST |
— |
Not used |
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9 |
RESB |
In |
Reset signal input |
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10 |
VSS2 |
In |
Ground (0 V) source |
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11, 12 |
XIN, XOUT |
In/Out |
20 MHz clock input/output |
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13 |
WCKI |
In |
Word clock input from the CPU |
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14 |
SI |
In |
Serial sound data input from the CPU |
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15 |
BCKI |
In |
Bit clock input from the CPU |
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16 |
SINC |
In |
1 MHz synchronizing pulse input |
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17 |
VDD2 |
In |
+5 V source |
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18 ~ 25 |
IO0 ~ IO7 |
In/Out |
Data bus |
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26 |
RCEB |
Out |
Chip enable signal output for the working storage RAM |
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27 |
VSS3 |
In |
Ground (0 V) source |
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28 |
AD1 |
In |
Address bus |
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29 |
OEB |
Out |
Output enable signal for working storage RAM |
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30 |
WEB |
In |
Write enable signal |
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31 |
VDD3 |
In |
+5 V source |
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32 |
CE2 |
In |
Chip enable signal input. High active. |
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33 |
AD0 |
In |
Address bus |
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34 |
CE1B |
In |
Chip enable signal input. Low active. |
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35 ~ 41, 43 |
EIO0 ~ EIO7 |
In/Out |
Data bus for the effect RAM |
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— 7 —