07L3APPENDWL1A
Appendix y Apéndice y Anhang y Appendice y Appendix y Appendice y Bilaga y Apêndice y y y
y Tone List y Lista de sonidos y Klangfarben-Liste y Liste des sonorités y Toonlijst y Elenco dei timbri y Tonlista y Lista de sons y y y
1 No. y No. y Nº y Nr. y No. y Nr. y Num. y Nr. y Nº y y y
2 y Tone name y Nombre de sonido y Klangfarben-Name y Nom des sonorités y Toonnaam y Nome del tono y Tonnamn y Nome do som y y y
3y Program Change y Cambio de programa y Klangprogramm-Wechsel y Changement de programme y Programma-verandering y Cambiamento programma y Program-ändring y Mudança de programa y y y
4 MSB y Bank Select MSB y MSB de selección de banco y Bankwahl MSB y MSB de sélection de banque y Bankkeuze MSB y MSB di selezione banco y Bankval MSB y MSB de seleção de banco y |
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5 y Maximum Polyphony y Polifonía máxima y Max. Polyphonie y Polyphonie maximale y Maximale polyfonie y Polifonia massima y Maximal polyfoni y Polifonia máxima y |
y |
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y |
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6 y Range Type y Tipo de gama y Bereichstyp y Type de registre y Bereiktype y Tipo di gamma y Omfångstyp y Tipo de gama y |
y |
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1 |
2 |
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3 |
4 |
5 |
6 |
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1 |
2 |
3 |
4 |
5 |
6 |
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1 |
2 |
3 |
4 |
5 |
6 |
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1 |
2 |
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3 |
4 |
5 |
6 |
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|
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|
PIANO |
|
|
|
|
|
|
104 |
HARP 2 |
46 |
1 |
48 |
A |
|
209 |
SINE PAD |
89 |
3 |
24 |
A |
|
317 |
GM SYNTH-STRINGS 1 |
|
50 |
0 |
24 |
A |
001 |
STEREO GRAND PIANO |
0 |
2 |
24 |
A |
|
|
ENSEMBLE |
|
|
|
|
210 |
POLYSYNTH 1 |
90 |
2 |
24 |
A |
318 |
GM SYNTH-STRINGS 2 |
|
51 |
0 |
24 |
A |
|||
002 |
GRAND PIANO |
|
0 |
1 |
48 |
A |
105 |
STRINGS |
48 |
2 |
48 |
A |
211 |
POLY SAW |
90 |
8 |
24 |
A |
319 |
GM CHOIR AAHS |
|
52 |
0 |
48 |
A |
|||
003 |
BRIGHT PIANO |
|
1 |
2 |
48 |
A |
106 |
SLOW STRINGS |
49 |
2 |
48 |
A |
212 |
SPACE STRINGS PAD |
91 |
3 |
24 |
A |
320 |
GM VOICE DOO |
|
53 |
0 |
48 |
A |
|||
004 |
MELLOW PIANO |
|
0 |
3 |
48 |
A |
107 |
WIDE STRINGS |
48 |
16 |
24 |
A |
213 |
SPACE CHOIR |
91 |
1 |
24 |
A |
321 |
GM SYNTH-VOICE |
|
54 |
0 |
48 |
A |
|||
005 |
MODERN PIANO |
|
1 |
3 |
24 |
A |
108 |
OCTAVE STRINGS |
48 |
32 |
24 |
A |
214 |
BOWED PAD |
92 |
2 |
24 |
A |
322 |
GM ORCHESTRA HIT |
|
55 |
0 |
24 |
A |
|||
006 |
DANCE PIANO |
|
1 |
1 |
48 |
A |
109 |
CHAMBER |
48 |
3 |
24 |
A |
215 |
GLASS PAD |
92 |
3 |
24 |
A |
323 |
GM TRUMPET |
|
56 |
0 |
48 |
A |
|||
007 |
STRINGS PIANO |
|
0 |
8 |
24 |
A |
110 |
STRINGS SFZ |
48 |
8 |
48 |
A |
216 |
ETHNIC PAD |
93 |
2 |
24 |
A |
324 |
GM TROMBONE |
|
57 |
0 |
48 |
A |
|||
008 |
HONKY-TONK |
|
3 |
2 |
24 |
A |
111 |
SYNTH-STRINGS 1 |
50 |
2 |
24 |
A |
217 |
HALO PAD |
94 |
2 |
24 |
A |
325 |
GM TUBA |
|
58 |
0 |
48 |
A |
|||
009 |
OCTAVE PIANO |
|
3 |
9 |
24 |
A |
112 |
SYNTH-STRINGS 2 |
51 |
2 |
24 |
A |
218 |
RAIN DROP |
96 |
2 |
24 |
A |
326 |
GM MUTE TRUMPET |
|
59 |
0 |
48 |
A |
|||
010 |
ELEC.GRAND PIANO |
|
2 |
2 |
48 |
A |
113 |
SYNTH-STRINGS 3 |
51 |
3 |
24 |
A |
219 |
SOUND TRACK 1 |
97 |
2 |
24 |
A |
327 |
GM FRENCH HORN |
|
60 |
0 |
48 |
A |
|||
011 |
MODERN E.G.PIANO |
|
2 |
3 |
24 |
A |
114 |
CHOIR AAHS |
52 |
2 |
48 |
A |
220 |
SOUND TRACK 2 |
97 |
3 |
24 |
A |
328 |
GM BRASS |
|
61 |
0 |
48 |
A |
|||
012 |
HARPSICHORD |
|
6 |
2 |
48 |
A |
115 |
VOICE DOO |
53 |
2 |
48 |
A |
221 |
RAVE |
97 |
8 |
24 |
A |
329 |
GM SYNTH-BRASS 1 |
|
62 |
0 |
24 |
A |
|||
013 |
COUPLED HARPSICHORD |
6 |
8 |
24 |
A |
116 |
SYNTH-VOICE |
54 |
2 |
48 |
A |
222 |
CRYSTAL |
98 |
2 |
24 |
A |
330 |
GM SYNTH-BRASS 2 |
|
63 |
0 |
24 |
A |
||||
014 |
HARPSICHORD & STRINGS |
6 |
1 |
24 |
A |
117 |
SYNTH-VOICE PAD |
54 |
8 |
48 |
A |
223 |
ATMOSPHERE |
99 |
2 |
24 |
A |
331 |
GM SOPRANO SAX |
|
64 |
0 |
48 |
A |
||||
|
ELECTRIC PIANO |
|
|
|
|
|
118 |
ORCHESTRA HIT 1 |
55 |
2 |
24 |
A |
224 |
BRIGHTNESS |
100 |
2 |
24 |
A |
332 |
GM ALTO SAX |
|
65 |
0 |
48 |
A |
|||
015 |
ELEC.PIANO |
|
4 |
2 |
48 |
A |
119 |
TREMOLO STRINGS |
49 |
1 |
48 |
A |
225 |
GOBLIN |
101 |
2 |
24 |
A |
333 |
GM TENOR SAX |
|
66 |
0 |
48 |
A |
|||
016 |
FM ELEC.PIANO |
|
5 |
5 |
48 |
A |
120 |
FLUTE & STRINGS |
49 |
3 |
24 |
A |
226 |
ECHO PAD |
102 |
2 |
24 |
A |
334 |
GM BARITONE SAX |
|
67 |
0 |
48 |
A |
|||
017 |
60’S ELEC.PIANO |
|
4 |
5 |
48 |
A |
121 |
CHOIR STRINGS |
52 |
3 |
24 |
A |
227 |
STAR THEME |
103 |
2 |
24 |
A |
335 |
GM OBOE |
|
68 |
0 |
48 |
A |
|||
018 |
CHORUS EP 1 |
|
4 |
9 |
24 |
A |
122 |
CHORUS SYNTH-VOICE |
54 |
9 |
24 |
A |
228 |
SPACE PAD |
103 |
8 |
24 |
A |
336 |
GM ENGLISH HORN |
|
69 |
0 |
48 |
A |
|||
019 |
CHORUS EP 2 |
|
4 |
6 |
24 |
A |
123 |
ORCHESTRA HIT 2 |
55 |
1 |
24 |
A |
229 |
NEW AGE PAD |
88 |
1 |
24 |
A |
337 |
GM BASSOON |
|
70 |
0 |
48 |
A |
|||
020 |
MODERN E.PIANO |
|
5 |
2 |
24 |
A |
124 |
FAST SYNTH STRINGS |
50 |
3 |
24 |
A |
230 |
SOFT PAD |
89 |
4 |
24 |
A |
338 |
GM CLARINET |
|
71 |
0 |
48 |
A |
|||
021 |
SOFT E.PIANO |
|
4 |
8 |
48 |
A |
|
|
BRASS |
|
|
|
|
231 |
HORN PAD |
89 |
5 |
24 |
A |
339 |
GM PICCOLO |
|
72 |
0 |
48 |
A |
||
022 |
SYNTH-STR. E.PIANO |
|
4 |
3 |
24 |
A |
125 |
TRUMPET |
56 |
2 |
48 |
A |
232 |
POLYSYNTH 2 |
90 |
1 |
24 |
A |
340 |
GM FLUTE |
|
73 |
0 |
48 |
A |
|||
023 |
CLEAN E.PIANO |
|
4 |
4 |
24 |
A |
126 |
TROMBONE |
57 |
2 |
48 |
C |
233 |
OLD TAPE PAD |
89 |
6 |
24 |
A |
341 |
GM RECORDER |
|
74 |
0 |
48 |
A |
|||
024 |
CLAVI 1 |
|
7 |
2 |
48 |
A |
127 |
TUBA |
58 |
2 |
48 |
C |
234 |
HEAVEN |
91 |
2 |
24 |
A |
342 |
GM PAN FLUTE |
|
75 |
0 |
24 |
A |
|||
025 |
SOFT CLAVI |
|
7 |
1 |
48 |
A |
128 |
MUTE TRUMPET |
59 |
2 |
48 |
A |
235 |
SQUARE PAD |
92 |
1 |
24 |
A |
343 |
GM BOTTLE BLOW |
|
76 |
0 |
24 |
A |
|||
026 |
CLAVI 2 |
|
7 |
3 |
48 |
A |
129 |
FRENCH HORN |
60 |
2 |
48 |
C |
236 |
HARD METAL PAD |
93 |
4 |
24 |
A |
344 |
GM SHAKUHACHI |
|
77 |
0 |
24 |
A |
|||
027 |
DETUNE CLAVI |
|
7 |
8 |
24 |
A |
130 |
BRASS |
61 |
2 |
48 |
A |
237 |
CHORUS PAD |
94 |
1 |
24 |
A |
345 |
GM WHISTLE |
|
78 |
0 |
48 |
A |
|||
028 |
SEQUENCE CLAVI |
|
7 |
9 |
48 |
A |
131 |
BRASS SECTION 1 |
61 |
3 |
24 |
A |
238 |
SWEEP PAD |
95 |
2 |
24 |
A |
346 |
GM OCARINA |
|
79 |
0 |
48 |
A |
|||
|
CHROMATIC PERC. |
|
|
|
|
|
132 |
BRASS SECTION 2 |
61 |
6 |
24 |
A |
239 |
SPACE VOICE |
97 |
1 |
24 |
A |
347 |
GM SQUARE LEAD |
|
80 |
0 |
24 |
A |
|||
029 |
CELESTA 1 |
|
8 |
2 |
48 |
A |
133 |
BRASS SECTION 3 |
61 |
7 |
24 |
A |
240 |
CHORAL BELL |
98 |
16 |
24 |
A |
348 |
GM SAW LEAD |
|
81 |
0 |
24 |
A |
|||
030 |
GLOCKENSPIEL |
|
9 |
2 |
48 |
B |
134 |
BRASS SFZ |
61 |
8 |
48 |
A |
241 |
CELESTA PAD |
99 |
1 |
24 |
A |
349 |
GM CALLIOPE |
|
82 |
0 |
24 |
A |
|||
031 |
MUSIC BOX 1 |
|
10 |
2 |
24 |
A |
135 |
BRASS & STRINGS |
61 |
4 |
24 |
A |
242 |
BRIGHT BELL PAD |
100 |
1 |
24 |
A |
350 |
GM CHIFF LEAD |
|
83 |
0 |
24 |
A |
|||
032 |
VIBRAPHONE 1 |
|
11 |
2 |
48 |
A |
136 |
HARD BRASS |
61 |
5 |
48 |
A |
243 |
ECHO DROP |
102 |
3 |
24 |
A |
351 |
GM CHARANG |
|
84 |
0 |
24 |
A |
|||
033 |
MARIMBA |
|
12 |
2 |
48 |
A |
137 |
ANALOG SYNTH-BRASS 1 |
62 |
8 |
48 |
A |
244 |
POLY DROP |
102 |
4 |
24 |
A |
352 |
GM VOICE LEAD |
|
85 |
0 |
24 |
A |
|||
034 |
XYLOPHONE |
|
13 |
2 |
48 |
A |
138 |
SYNTH-BRASS 1 |
62 |
2 |
24 |
A |
|
|
ETHNIC |
|
|
|
|
353 |
GM FIFTH LEAD |
|
86 |
0 |
24 |
A |
||
035 |
CELESTA 2 |
|
8 |
1 |
24 |
A |
139 |
SYNTH-BRASS 2 |
63 |
2 |
24 |
A |
245 |
SITAR 1 |
104 |
2 |
48 |
A |
354 |
GM BASS+LEAD |
|
87 |
0 |
24 |
A |
|||
036 |
MUSIC BOX 2 |
|
10 |
1 |
24 |
A |
140 |
MELLOW TRUMPET |
56 |
8 |
48 |
A |
246 |
BANJO |
105 |
2 |
48 |
A |
355 |
GM FANTASY |
|
88 |
0 |
24 |
A |
|||
037 |
VIBRAPHONE 2 |
|
11 |
1 |
48 |
A |
141 |
TRUMPET SFZ |
56 |
1 |
48 |
A |
247 |
SHAMISEN |
106 |
2 |
48 |
A |
356 |
GM WARM PAD |
|
89 |
0 |
24 |
A |
|||
038 |
SOFT VIBRAPHONE 1 |
|
11 |
3 |
24 |
A |
142 |
FRENCH HORN SECTION |
60 |
1 |
24 |
C |
248 |
TSUGARU |
106 |
1 |
24 |
A |
357 |
GM POLYSYNTH |
|
90 |
0 |
24 |
A |
|||
039 |
SOFT VIBRAPHONE 2 |
|
11 |
4 |
24 |
A |
143 |
MELLOW BRASS |
61 |
1 |
48 |
A |
249 |
KOTO |
107 |
2 |
48 |
A |
358 |
GM SPACE CHOIR |
|
91 |
0 |
24 |
A |
|||
040 |
SOFT MARIMBA |
|
12 |
1 |
24 |
A |
144 |
ANALOG SYNTH-BRASS 2 |
62 |
9 |
24 |
A |
250 |
THUMB PIANO |
108 |
2 |
48 |
A |
359 |
GM BOWED GLASS |
|
92 |
0 |
24 |
A |
|||
041 |
TUBULAR BELL |
|
14 |
2 |
48 |
A |
|
|
REED/PIPE |
|
|
|
|
251 |
SHANAI |
111 |
2 |
48 |
A |
360 |
GM METAL PAD |
|
93 |
0 |
24 |
A |
||
042 |
DULCIMER |
|
15 |
2 |
24 |
A |
145 |
SOPRANO SAX 1 |
64 |
2 |
48 |
A |
252 |
STEEL DRUMS |
114 |
2 |
24 |
A |
361 |
GM HALO PAD |
|
94 |
0 |
24 |
A |
|||
|
ORGAN |
|
|
|
|
|
146 |
SOPRANO SAX 2 |
64 |
1 |
48 |
A |
253 |
ER HU 1 |
110 |
8 |
48 |
A |
362 |
GM SWEEP PAD |
|
95 |
0 |
24 |
A |
|||
043 |
DRAWBAR ORGAN 1 |
|
16 |
2 |
24 |
A |
147 |
ALTO SAX 1 |
65 |
1 |
48 |
C |
254 |
YANG QIN 1 |
15 |
8 |
24 |
A |
363 |
GM RAIN DROP |
|
96 |
0 |
24 |
A |
|||
044 |
DRAWBAR ORGAN 2 |
|
16 |
1 |
48 |
A |
148 |
ALTO SAX 2 |
65 |
2 |
48 |
C |
255 |
YANG QIN 2 |
15 |
9 |
24 |
A |
364 |
GM SOUND TRACK |
|
97 |
0 |
24 |
A |
|||
045 |
CHURCH ORGAN 1 |
|
19 |
2 |
24 |
A |
149 |
BREATHY A.SAX |
65 |
8 |
24 |
C |
256 |
DI ZI |
72 |
16 |
24 |
A |
365 |
GM CRYSTAL |
|
98 |
0 |
24 |
A |
|||
046 |
PERC.ORGAN 1 |
|
17 |
2 |
24 |
A |
150 |
HARD A.SAX |
65 |
3 |
48 |
C |
257 |
ER HU 2 |
110 |
9 |
48 |
A |
366 |
GM ATMOSPHERE |
|
99 |
0 |
24 |
A |
|||
047 |
PERC.ORGAN 2 |
|
17 |
3 |
24 |
A |
151 |
TENOR SAX |
66 |
1 |
48 |
C |
258 |
ZHENG |
107 |
1 |
24 |
A |
367 |
GM BRIGHTNESS |
|
100 |
0 |
24 |
A |
|||
048 |
CLICK ORGAN |
|
18 |
7 |
24 |
A |
152 |
BREATHY T.SAX |
66 |
8 |
24 |
C |
259 |
SUO NA |
111 |
32 |
24 |
A |
368 |
GM GOBLINS |
|
101 |
0 |
24 |
A |
|||
049 |
ELEC.ORGAN 1 |
|
16 |
8 |
24 |
A |
153 |
BARITONE SAX 1 |
67 |
2 |
48 |
C |
260 |
PI PA |
105 |
32 |
24 |
A |
369 |
GM ECHOES |
|
102 |
0 |
24 |
A |
|||
050 |
ELEC.ORGAN 2 |
|
16 |
4 |
24 |
A |
154 |
BARITONE SAX 2 |
67 |
1 |
48 |
C |
261 |
SHENG |
109 |
8 |
24 |
A |
370 |
GM SF |
|
103 |
0 |
24 |
A |
|||
051 |
JAZZ ORGAN 1 |
|
17 |
4 |
24 |
A |
155 |
OBOE |
68 |
2 |
48 |
A |
262 |
SITAR 2 |
104 |
1 |
24 |
A |
371 |
GM SITAR |
|
104 |
0 |
48 |
A |
|||
052 |
ROCK ORGAN 1 |
|
18 |
2 |
24 |
A |
156 |
BASSOON |
70 |
5 |
48 |
C |
263 |
SITAR PAD |
104 |
4 |
24 |
A |
372 |
GM BANJO |
|
105 |
0 |
48 |
A |
|||
053 |
CHAPEL ORGAN |
|
19 |
8 |
24 |
A |
157 |
CLARINET |
71 |
2 |
48 |
A |
264 |
RABAB |
105 |
8 |
24 |
A |
373 |
GM SHAMISEN |
|
106 |
0 |
48 |
A |
|||
054 |
REED ORGAN |
|
20 |
2 |
48 |
A |
158 |
SAX SECTION |
65 |
9 |
24 |
C |
265 |
XIAO |
77 |
32 |
24 |
A |
374 |
GM KOTO |
|
107 |
0 |
48 |
A |
|||
055 |
ACCORDION 1 |
|
21 |
2 |
24 |
A |
159 |
SOFT T.SAX |
66 |
5 |
24 |
C |
266 |
SANTUR |
15 |
16 |
24 |
A |
375 |
GM THUMB PIANO |
|
108 |
0 |
48 |
A |
|||
056 |
BANDONEON 1 |
|
23 |
2 |
24 |
A |
160 |
PICCOLO |
72 |
2 |
48 |
B |
|
|
GM TONES |
|
|
|
|
376 |
GM BAGPIPE |
|
109 |
0 |
24 |
A |
||
057 |
BANDONEON 2 |
|
23 |
1 |
24 |
A |
161 |
FLUTE 1 |
73 |
2 |
48 |
A |
267 |
GM PIANO 1 |
0 |
0 |
48 |
A |
377 |
GM FIDDLE |
|
110 |
0 |
48 |
A |
|||
058 |
HARMONICA 1 |
|
22 |
2 |
48 |
A |
162 |
FLUTE 2 |
73 |
1 |
24 |
A |
268 |
GM PIANO 2 |
1 |
0 |
48 |
A |
378 |
GM SHANAI |
|
111 |
0 |
48 |
A |
|||
059 |
HARMONICA 2 |
|
22 |
8 |
48 |
A |
163 |
PURE FLUTE |
73 |
8 |
48 |
A |
269 |
GM PIANO 3 |
2 |
0 |
48 |
A |
379 |
GM TINKLE BELL |
|
112 |
0 |
48 |
A |
|||
060 |
THEATER ORGAN |
|
19 |
6 |
24 |
A |
164 |
RECORDER |
74 |
2 |
48 |
A |
270 |
GM HONKY-TONK |
3 |
0 |
24 |
A |
380 |
GM AGOGO |
|
113 |
0 |
48 |
A |
|||
061 |
JAZZ ORGAN 2 |
|
17 |
6 |
24 |
A |
165 |
PAN FLUTE |
75 |
2 |
24 |
A |
271 |
GM E.PIANO 1 |
4 |
0 |
48 |
A |
381 |
GM STEEL DRUMS |
|
114 |
0 |
24 |
A |
|||
062 |
ROCK ORGAN 2 |
|
18 |
1 |
24 |
A |
166 |
BOTTLE BLOW 1 |
76 |
2 |
24 |
A |
272 |
GM E.PIANO 2 |
5 |
0 |
48 |
A |
382 |
GM WOOD BLOCK |
|
115 |
0 |
48 |
D |
|||
063 |
8’ORGAN |
|
17 |
5 |
24 |
A |
167 |
SHAKUHACHI |
77 |
2 |
24 |
A |
273 |
GM HARPSICHORD |
6 |
0 |
48 |
A |
383 |
GM TAIKO |
|
116 |
0 |
48 |
D |
|||
064 |
FULL DRAWBAR |
|
16 |
9 |
24 |
A |
168 |
WHISTLE |
78 |
2 |
48 |
A |
274 |
GM CLAVI |
7 |
0 |
48 |
A |
384 |
GM MELODIC TOM |
|
117 |
0 |
48 |
D |
|||
065 |
CHURCH ORGAN 2 |
|
19 |
3 |
24 |
A |
169 |
OCARINA |
79 |
2 |
48 |
A |
275 |
GM CELESTA |
8 |
0 |
48 |
A |
385 |
GM SYNTH-DRUM |
|
118 |
0 |
48 |
D |
|||
066 |
ACCORDION 2 |
|
21 |
3 |
24 |
A |
170 |
BOTTLE BLOW 2 |
76 |
1 |
24 |
A |
276 |
GM GLOCKENSPIEL |
9 |
0 |
48 |
A |
386 |
GM REVERSE CYMBAL |
|
119 |
0 |
48 |
D |
|||
|
GUITAR |
|
|
|
|
|
171 |
FLUTE & OBOE |
73 |
3 |
24 |
A |
277 |
GM MUSIC BOX |
10 |
0 |
24 |
A |
387 |
GM GT FRET NOISE |
|
120 |
0 |
48 |
A |
|||
067 |
NYLON STR.GUITAR |
|
24 |
2 |
48 |
C |
172 |
SOLO OBOE |
68 |
4 |
48 |
A |
278 |
GM VIBRAPHONE |
11 |
0 |
48 |
A |
388 |
GM BREATH NOISE |
|
121 |
0 |
48 |
A |
|||
068 |
STEEL STR.GUITAR |
|
25 |
2 |
48 |
C |
|
|
SYNTH-LEAD |
|
|
|
|
279 |
GM MARIMBA |
12 |
0 |
48 |
A |
389 |
GM SEASHORE |
|
122 |
0 |
24 |
D |
||
069 |
12 STR.GUITAR |
|
25 |
8 |
24 |
C |
173 |
SQUARE LEAD 1 |
80 |
2 |
24 |
A |
280 |
GM XYLOPHONE |
13 |
0 |
48 |
A |
390 |
GM BIRD |
|
123 |
0 |
24 |
D |
|||
070 |
JAZZ GUITAR |
|
26 |
2 |
48 |
C |
174 |
SQUARE PULSE LEAD |
80 |
5 |
24 |
A |
281 |
GM TUBULAR BELL |
14 |
0 |
48 |
A |
391 |
GM TELEPHONE |
|
124 |
0 |
48 |
D |
|||
071 |
OCT JAZZ GUITAR |
|
26 |
8 |
24 |
C |
175 |
SEQUENCE LEAD 1 |
83 |
5 |
24 |
A |
282 |
GM DULCIMER |
15 |
0 |
24 |
A |
392 |
GM HELICOPTER |
|
125 |
0 |
48 |
D |
|||
072 |
CLEAN GUITAR 1 |
|
27 |
2 |
48 |
C |
176 |
SAW LEAD 1 |
81 |
2 |
24 |
A |
283 |
GM ORGAN 1 |
16 |
0 |
24 |
A |
393 |
GM APPLAUSE |
|
126 |
0 |
24 |
D |
|||
073 |
CLEAN GUITAR 2 |
|
27 |
1 |
24 |
C |
177 |
MELLOW SAW LEAD |
81 |
8 |
48 |
A |
284 |
GM ORGAN 2 |
17 |
0 |
48 |
A |
394 |
GM GUNSHOT |
|
127 |
0 |
48 |
D |
|||
074 |
MUTE GUITAR |
|
28 |
2 |
48 |
C |
178 |
SEQUENCE SAW |
81 |
32 |
24 |
A |
285 |
GM ORGAN 3 |
18 |
0 |
24 |
A |
|
|
DRUM SET |
|
|
|
|
|
||
075 |
OVERDRIVE GT |
|
29 |
2 |
48 |
C |
179 |
SINE LEAD |
80 |
8 |
48 |
A |
286 |
GM PIPE ORGAN |
19 |
0 |
24 |
A |
395 |
STANDARD SET |
|
0 |
120 |
|
D |
|||
076 |
DISTORTION GT |
|
30 |
2 |
24 |
C |
180 |
SS LEAD |
81 |
3 |
24 |
A |
287 |
GM REED ORGAN |
20 |
0 |
48 |
A |
396 |
ROOM SET |
|
8 |
120 |
|
D |
|||
077 |
POWER DIST. GT |
|
30 |
5 |
24 |
C |
181 |
CALLIOPE |
82 |
2 |
24 |
A |
288 |
GM ACCORDION |
21 |
0 |
24 |
A |
397 |
POWER SET |
|
16 |
120 |
|
D |
|||
078 |
FEEDBACK GT |
|
31 |
8 |
24 |
C |
182 |
VENT LEAD |
82 |
5 |
24 |
A |
289 |
GM HARMONICA |
22 |
0 |
48 |
A |
398 |
SYNTH SET |
|
25 |
120 |
|
D |
|||
079 |
CHORUS STEEL GT |
|
25 |
9 |
24 |
C |
183 |
CHIFF LEAD |
83 |
2 |
24 |
A |
290 |
GM BANDONEON |
23 |
0 |
24 |
A |
399 |
BRUSH SET |
|
40 |
120 |
|
D |
|||
080 |
DIST.GT & BASS |
|
30 |
6 |
24 |
C |
184 |
CHARANG |
84 |
2 |
24 |
A |
291 |
GM NYLON STR.GUITAR |
24 |
0 |
48 |
A |
400 |
ORCHESTRA SET |
|
48 |
120 |
|
D |
|||
|
BASS |
|
|
|
|
|
185 |
VOICE LEAD |
85 |
2 |
24 |
A |
292 |
GM STEEL STR.GUITAR |
25 |
0 |
48 |
A |
|
|
SAMPLED TONES |
|
|
|
|
|
||
081 |
ACOUSTIC BASS |
|
32 |
2 |
48 |
C |
186 |
FIFTH LEAD |
86 |
4 |
24 |
A |
293 |
GM JAZZ GUITAR |
26 |
0 |
48 |
A |
401 |
ORIGINAL |
|
0 |
63 |
48 |
A |
|||
082 |
RIDE BASS |
|
32 |
32 |
24 |
C |
187 |
BASS+LEAD |
87 |
2 |
24 |
A |
294 |
GM CLEAN GUITAR |
27 |
0 |
48 |
A |
402 |
VOICE PAD 1 |
|
1 |
63 |
48 |
A |
|||
083 |
FINGERED BASS |
|
33 |
2 |
48 |
C |
188 |
SQUARE LEAD 2 |
80 |
3 |
24 |
A |
295 |
GM MUTE GUITAR |
28 |
0 |
48 |
A |
403 |
VOICE PAD 2 |
|
2 |
63 |
48 |
A |
|||
084 |
PICKED BASS |
|
34 |
2 |
48 |
C |
189 |
SEQUENCE SQUARE |
80 |
7 |
48 |
A |
296 |
GM OVERDRIVE GT |
29 |
0 |
48 |
A |
404 |
VOICE PAD 3 |
|
3 |
63 |
48 |
A |
|||
085 |
FRETLESS BASS |
|
35 |
2 |
48 |
C |
190 |
SEQUENCE PULSE |
80 |
16 |
24 |
A |
297 |
GM DISTORTION GT |
30 |
0 |
24 |
A |
405 |
LOOP 1 |
|
4 |
63 |
48 |
A |
|||
086 |
SLAP BASS |
|
37 |
2 |
48 |
C |
191 |
SQUARE LEAD 3 |
80 |
1 |
48 |
A |
298 |
GM GT HARMONICS |
31 |
0 |
48 |
A |
406 |
LOOP 2 |
|
5 |
63 |
48 |
A |
|||
087 |
SAW SYNTH-BASS |
|
38 |
2 |
24 |
C |
192 |
SAW LEAD 2 |
81 |
1 |
48 |
A |
299 |
GM ACOUSTIC BASS |
32 |
0 |
48 |
A |
407 |
LOOP 3 |
|
6 |
63 |
48 |
A |
|||
088 |
SQUARE SYNTH-BASS |
39 |
2 |
48 |
C |
193 |
SAW LEAD 3 |
81 |
5 |
24 |
A |
300 |
GM FINGERED BASS |
33 |
0 |
48 |
A |
408 |
PITCH 1 |
|
7 |
63 |
48 |
A |
||||
089 |
DIGI ROCK BASS |
|
39 |
1 |
24 |
C |
194 |
SLOW SAW LEAD |
81 |
4 |
48 |
A |
301 |
GM PICKED BASS |
34 |
0 |
48 |
A |
409 |
PITCH 2 |
|
8 |
63 |
48 |
A |
|||
090 |
TRANCE BASS |
|
38 |
4 |
48 |
C |
195 |
FIFTH SEQUENCE |
86 |
1 |
24 |
A |
302 |
GM FRETLESS BASS |
35 |
0 |
48 |
A |
410 |
PITCH 3 |
|
9 |
63 |
48 |
A |
|||
091 |
BASS & KICK |
|
39 |
3 |
24 |
C |
196 |
SEQUENCE SINE |
80 |
9 |
48 |
A |
303 |
GM SLAP BASS 1 |
36 |
0 |
48 |
A |
411 |
TREMOLO |
|
10 |
63 |
48 |
A |
|||
092 |
SINE BASS |
|
39 |
6 |
48 |
C |
197 |
VENT SYNTH |
82 |
1 |
24 |
A |
304 |
GM SLAP BASS 2 |
37 |
0 |
48 |
A |
412 |
FUNNY 1 |
|
11 |
63 |
48 |
A |
|||
|
STR/ORCHESTRA |
|
|
|
|
|
198 |
PURE LEAD |
82 |
4 |
24 |
A |
305 |
GM SYNTH-BASS 1 |
38 |
0 |
24 |
A |
413 |
FUNNY 2 |
|
12 |
63 |
48 |
A |
|||
093 |
VIOLIN |
|
40 |
2 |
48 |
A |
199 |
DISTORTION LEAD |
84 |
8 |
24 |
A |
306 |
GM SYNTH-BASS 2 |
39 |
0 |
24 |
A |
414 |
FUNNY 3 |
|
13 |
63 |
48 |
A |
|||
094 |
SLOW VIOLIN |
|
40 |
8 |
48 |
A |
200 |
CHURCH LEAD |
85 |
4 |
24 |
A |
307 |
GM VIOLIN |
40 |
0 |
48 |
A |
|
|
|
|
|
|
|
|
||
095 |
VIOLA |
|
41 |
2 |
24 |
A |
201 |
SYNTH-VOICE LEAD |
85 |
7 |
24 |
A |
308 |
GM VIOLA |
41 |
0 |
24 |
A |
|
|
|
|
|
|
|
|
||
096 |
CELLO |
|
42 |
2 |
24 |
C |
202 |
FIFTH SAW LEAD |
86 |
2 |
24 |
A |
309 |
GM CELLO |
42 |
0 |
24 |
A |
|
|
|
|
|
|
|
|
||
097 |
CONTRABASS |
|
43 |
2 |
48 |
C |
203 |
FIFTH SQUARE LEAD |
86 |
3 |
24 |
A |
310 |
GM CONTRABASS |
43 |
0 |
48 |
A |
|
|
|
|
|
|
|
|
||
098 |
PIZZICATO STRINGS |
|
45 |
2 |
48 |
A |
204 |
SEQUENCE LEAD 2 |
83 |
3 |
24 |
A |
311 |
GM TREMOLO STRINGS |
44 |
0 |
48 |
A |
|
|
|
|
|
|
|
|
||
099 |
HARP 1 |
|
46 |
2 |
48 |
A |
|
|
SYNTH-PAD |
|
|
|
|
312 |
GM PIZZICATO |
45 |
0 |
48 |
A |
|
|
|
|
|
|
|
|
|
100 |
SLOW CELLO |
|
42 |
1 |
24 |
C |
205 |
FANTASY 1 |
88 |
2 |
24 |
A |
313 |
GM HARP |
46 |
0 |
48 |
A |
|
|
|
|
|
|
|
|
||
101 |
VIOLIN & CELLO |
|
40 |
3 |
24 |
A |
206 |
FANTASY 2 |
88 |
3 |
24 |
A |
314 |
GM TIMPANI |
47 |
0 |
48 |
A |
|
|
|
|
|
|
|
|
||
102 |
CELLO SECTION |
|
42 |
4 |
24 |
C |
207 |
WARM PAD |
89 |
2 |
24 |
A |
315 |
GM STRINGS 1 |
48 |
0 |
48 |
A |
|
|
|
|
|
|
|
|
||
103 |
CHORUS HARP |
|
46 |
8 |
24 |
A |
|
208 |
WARM VOX |
89 |
8 |
24 |
A |
|
316 |
GM STRINGS 2 |
49 |
0 |
48 |
A |
|
|
|
|
|
|
|
|
•A D
•The meaning of each range type is described below.
•El significado de cada tipo de gama se describe debajo.
•Die Bedeutung jedes Bereichstyps ist nachfolgend beschrieben.
•La signification de chaque type de registre est indiquée ci-dessous.
•De betekenis van elk bereiktype wordt hier boven beschreven.
•Il significato di ciascun tipo di gamma è descritto di seguito.
•Innebörden av varje omfångstyp förklaras nedan.
•O significado de cada tipo de gama e descrito abaixo.
•
•
A 440Hz
1 |
Cp1 |
C0 |
C1 |
C2 |
C3 |
C4 |
C5 |
C6 |
C7 G7 C8 |
C9 G9 |
|
|
|
|
|
|
|
|
|
|
|
Standard type
Tipo estándar
Standard-Typ
Standard
Normaal type
A Tipo normale
Standardtyp
Tipo padrão
High pitch instruments
Instrumentos de altura tonal alta
Instrumente mit hoher Tonhöhe
Instruments à son aigu
Instrumenten met een hoge toonhoogte
B Strumenti con intonazione alta
Instrument med hög tonhöjd
Instrumentos de tom alto
Low pitch instruments
Instrumentos de altura tonal baja
Instrumente mit niedriger Tonhöhe
Instruments à registre bas
Lage toonhoogte instrumenten
C Strumenti con altezza bassa
Instrument med låg tonhöjd
Instrumentos de tom baixo
|
Sound Effect |
No scale for tones. |
|
Efecto de sonido |
Sin escala para los sonidos. |
|
Klangeffekt |
Keine Tonleiter fur Klangfarben. |
|
Effet sonore |
Sonorites sans gamme. |
D |
Geluidseffect |
Geen schaal voor tonen. |
Effetto sonoro |
Nessuna scala per i toni. |
|
|
Ljudeffekt |
Ingen skala for toner. |
|
Efeito sonoro |
Sem escala para sons. |
1 y Range Type y Tipo de gama y Bereichstyp y Type de registre y Bereiktype y Tipo di gamma y Omfångstyp y Tipos de gama y y y
a
–Keyboard range
–Gama del teclado
–Keyboard-Bereich
–Registre du clavier
–Toetsenbordbereik
–Gamma tastiera
–Tangentbordsomfång
–Gama do teclado
–
–
b
–Available range (using transpose or message receive)
–Gama disponible (usando la transposición o recepción de mensajes)
–Verfügbarer Bereich (unter Verwendung von Transponierung oder Meldungsempfang)
–Registre disponible (en utilisant la transposition ou la réception de messages)
–Verkrijgbaar bereik (met gebruik van transponeren of ontvangst van boodschappen)
–Gamma disponibile (usando il trasporto chiave o ricevimento messaggi)
–Tillgängligt omfång (med hjälp av transponering eller meddelandemottagning)
–Gama disponível (usando transposição ou recepção de uma mensagem)
–
–
c
–b
–Notes in these ranges are produced by playing the notes in range b that are in the nearest octave as the result of transpose and message receive operations.
–Las notas en estas gamas se producen ejecutando las notas en la gama b que se encuentre en la octava más cercana como resultado de las operaciones de transposición y recepción de mensajes.
–Noten in diesem Bereich werden erzeugt, indem die Noten in Bereich b gespielt werden,die in der nächsten Oktave als Ergebnis der Transponierungsund Meldungsempfangsoperation enthalten sind.
–Dans ces registres les notes sout jouées à l’octave la plus proche du même registre lors de la transposition et de la réception de messages
–Noten in deze bereiken worden geproduceerd door noten in bereik b te spelen die zich in de dichtstbijzijnde octaaf bevinden en die het resultaat zijn van transponeren of ontvangst van boodschappen.
–Le note in queste gamme sono prodotte suonando le note nella gamma b che sono nell’ottava più vicina come risultato delle operazioni di trasporto chiave e ricevimento messaggi.
–Noter i dessa omfång framställs genom att spela noter i omfång b som ligger i den närmaste oktaven till följd av transponering eller meddelandemottagning.
–As notas nessas gamas são produzidas pela execução das notas na gama b que estão na oitava mais próxima, como um resultado das operações de transposição e de recepção de uma mensagem.
–
–