Owner’s Manual
MIC |
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MIC |
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MIC |
INPUT |
MIC |
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MIC |
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MIC |
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MIC |
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OUTPUT |
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FOOT SW |
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L |
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9 L |
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11 L |
L |
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ST 1 |
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+4dB |
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B |
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REC |
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TAPE |
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–10dBV |
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10 R |
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12 R |
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R |
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ST 2 |
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B |
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B |
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+4dB |
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MONO |
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LINE |
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LINE |
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LINE |
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LINE |
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LINE |
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LINE |
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LINE |
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LINE |
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9 L |
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11 L |
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L |
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MONI |
MONI |
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+4dB |
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(MONO) |
(MONO) |
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(MONO) |
(MONO) |
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A |
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A |
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+4dB |
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EFFECT |
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INS |
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INS |
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INS |
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INS |
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0dB |
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10 R |
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12 R |
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R |
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R |
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L |
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+4dB |
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I/O |
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I/O |
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I/O |
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I/O |
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INSERT I/O |
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A |
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ST |
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ST |
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PAMP |
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PHONES/ |
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OUT IN |
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9/10 |
11/12 |
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SUB 1 |
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SUB 2 |
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IN |
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EEEngine |
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+4dB |
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+4dB |
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BRIDGE |
+4dB |
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C-R OUT |
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(+4dB) |
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A |
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TAPE IN |
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L POWER AMP R |
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B |
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B |
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PEAK |
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LIMITER |
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GAIN |
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GAIN |
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GAIN |
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GAIN |
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GAIN |
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GAIN |
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GAIN |
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GAIN |
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GAIN |
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GAIN |
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MONI 1 |
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ST |
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+8 |
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POWER |
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+5 |
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LEVEL |
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+10 |
–34 |
+10 |
–34 |
+10 |
–34 |
+10 |
–34 |
+10 |
–34 |
+10 |
–34 |
+10 |
–34 |
+10 |
–34 |
+10 |
–34 |
+10 |
–34 |
0 |
10 |
0 |
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10 |
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+18 |
+4 |
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+18 |
+4 |
+3 |
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–16 |
–60 |
–16 |
–60 |
–16 |
–60 |
–16 |
–60 |
–16 |
–60 |
–16 |
–60 |
–16 |
–60 |
–16 |
–60 |
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L/BRIDGE |
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+1 |
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PHANTOM |
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PEAK |
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PEAK |
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PEAK |
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PEAK |
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PEAK |
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PEAK |
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PEAK |
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PEAK |
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PEAK |
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PEAK |
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ST L |
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ST R |
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0 |
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(+48V) |
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HIGH |
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HIGH |
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HIGH |
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HIGH |
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HIGH |
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HIGH |
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HIGH |
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HIGH |
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HIGH |
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HIGH |
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MONI 2 |
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PFL |
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MONI 1 |
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MONO |
–1 |
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ON |
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OFF |
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–15 |
+15 |
–15 |
+15 |
–15 |
+15 |
–15 |
+15 |
–15 |
+15 |
–15 |
+15 |
–15 |
+15 |
–15 |
+15 |
–15 |
+15 |
–15 |
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+15 |
0 |
10 |
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MONO BRIDGE |
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–3 |
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–5 |
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MID |
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MID |
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MID |
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MID |
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MID |
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MID |
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MID |
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MID |
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MID |
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MID |
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ST |
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MONI 1 |
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MONI 2 |
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ST |
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PHONES/C.R.OUT |
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–7 |
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–10 |
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–15 |
+15 |
–15 |
+15 |
–15 |
+15 |
–15 |
+15 |
–15 |
+15 |
–15 |
+15 |
–15 |
+15 |
–15 |
+15 |
–15 |
+15 |
–15 |
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+15 |
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10 |
0 |
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10 |
–15 |
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LOW |
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LOW |
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LOW |
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LOW |
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LOW |
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LOW |
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LOW |
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LOW |
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LOW |
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LOW |
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–20 |
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ST 2 |
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PFL |
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DIGITAL EFFECT |
ON |
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L |
R |
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–15 |
+15 |
–15 |
+15 |
–15 |
+15 |
–15 |
+15 |
–15 |
+15 |
–15 |
+15 |
–15 |
+15 |
–15 |
+15 |
–15 |
+15 |
–15 |
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+15 |
ST SUB 1 |
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ST1 |
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0 |
10 |
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PROGRAM |
MIN |
MAX |
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MONI 1 |
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MONI 1 |
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MONI 1 |
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MONI 1 |
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MONI 1 |
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MONI 1 |
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MONI 1 |
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MONI 1 |
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MONI 1 |
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MONI 1 |
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MONI 1 |
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7 |
8 |
9 |
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6 |
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10 |
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1 VOCAL ECHO 1 |
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5 VOCAL REVERB 1 |
9 HALL 1 |
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13 PLATE 1 |
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5 |
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11 |
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2 VOCAL ECHO 2 |
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6 VOCAL REVERB 2 10 HALL 2 |
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14 PLATE 2 |
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4 |
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12 |
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0 |
10 |
0 |
10 |
0 |
10 |
0 |
10 |
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0 |
10 |
0 |
10 |
0 |
10 |
0 |
10 |
0 |
10 |
0 |
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10 |
0 |
10 |
3 |
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13 |
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3 VOCAL ECHO 3 |
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7 VOCAL REVERB 3 11 HALL 3 |
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15 PLATE 3 |
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2 1 |
16 1514 |
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4 VOCAL ECHO 4 |
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8 VOCAL REVERB 4 12 ROOM |
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16 GATE REVERB |
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MONI 2 |
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MONI 2 |
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MONI 2 |
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MONI 2 |
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MONI 2 |
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MONI 2 |
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MONI 2 |
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MONI 2 |
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MONI 2 |
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MONI 2 |
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MONI 2 |
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125 |
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250 |
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500 |
1k |
2k |
4k |
8k |
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0 |
10 |
0 |
10 |
0 |
10 |
0 |
10 |
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0 |
10 |
0 |
10 |
0 |
10 |
0 |
10 |
0 |
10 |
0 |
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10 |
0 |
10 |
+12 |
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+12 |
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EFFECT |
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EFFECT |
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EFFECT |
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EFFECT |
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EFFECT |
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EFFECT |
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EFFECT |
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EFFECT |
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EFFECT |
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EFFECT |
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ST |
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6 |
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6 |
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0 |
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0 |
ON |
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0 |
10 |
0 |
10 |
0 |
10 |
0 |
10 |
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0 |
10 |
0 |
10 |
0 |
10 |
0 |
10 |
0 |
10 |
0 |
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10 |
0 |
10 |
6 |
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6 |
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PAN |
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PAN |
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PAN |
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PAN |
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PAN |
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PAN |
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PAN |
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PAN |
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BAL |
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BAL |
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–12 |
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–12 |
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PFL |
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L R |
L R |
L R |
L R |
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L R |
L R |
L R |
L R |
L R |
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L R |
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GRAPHIC EQUALIZER |
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ST SUB 2 |
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PFL |
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PFL |
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PFL |
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PFL |
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PFL |
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PFL |
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PFL |
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PFL |
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PFL |
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PFL |
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AFL |
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AFL |
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AFL |
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AFL |
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AFL |
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0 |
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0 |
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0 |
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0 |
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0 |
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0 |
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0 |
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0 |
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0 |
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0 |
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0 |
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0 |
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0 |
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0 |
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0 |
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5 |
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5 |
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5 |
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5 |
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5 |
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5 |
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5 |
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5 |
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5 |
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5 |
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5 |
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5 |
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5 |
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5 |
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5 |
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10 |
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10 |
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10 |
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10 |
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10 |
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10 |
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10 |
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10 |
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10 |
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10 |
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10 |
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10 |
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10 |
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10 |
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10 |
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15 |
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15 |
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15 |
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15 |
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15 |
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15 |
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15 |
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15 |
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15 |
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15 |
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15 |
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15 |
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15 |
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15 |
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15 |
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20 |
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20 |
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20 |
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20 |
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20 |
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20 |
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20 |
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20 |
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20 |
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20 |
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20 |
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20 |
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20 |
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20 |
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20 |
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25 |
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25 |
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25 |
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25 |
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25 |
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E
FCC INFORMATION (U.S.A.)
1.IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2.IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3.NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620
This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
WARNING: THIS APPARATUS MUST BE EARTHED
IMPORTANT
THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE:
GREEN-AND-YELLOW : EARTH
BLUE : NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:
The wire which is coloured GREEN and YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or coloured GREEN and YELLOW.
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
*This applies only to products distributed by YAMAHA KEMBLE MUSIC (U.K.) LTD.
2
Thank you for purchasing the Yamaha EMX2000 Powered Mixer. In order to take full advantage of the EMX2000 and enjoy long, trouble-free performance, please read this owner’s manual carefully, and keep it in a safe place for future reference.
•The EMX2000 provides versatile inputs, such as two stereo input channels and two stereo sub inputs, as well as eight monaural input channels compatible with mic/line signals. The mixer also has ample power, with a maximum output of 200 W+200 W (400 W with bridge connection), and is suitable for a wide range of applications from installed systems to small-scale PA systems.
•A two-channel power amp is built-in. The signals output to speakers can be selected as stereo main (ST L-R), monitor+monaural main (MONI 1- MONO), or monaural main (bridge connection).
– Stereo main
The main stereo mix signal is output from speaker output jacks L and R of the EMX2000. You can connect one or two speakers to each speaker output jack.
– Monitor+monaural main
The main monaural mix signal is output from speaker output jack R, and the monitor signal from speaker output jack L. You can connect one or two speakers to each speaker output jack.
– Monaural main (bridge connection)
The two-channel power amp is bridge-con- nected, and the main monaural mix signal is output from BRIDGE jack. You can connect only one speaker for a much louder sound.
•In addition to the speaker output jacks, two stereo output channels for line-level signals, two monitor output channels, one effect output, and one monaural output are provided. You can easily expand the system by adding a power amplifier or powered speakers.
•The EMX2000 also has a PHONES C-R OUT jack, which is very useful for checking the sound. You can monitor only a specific channel or bus signal through the headphones.
•Two limiter circuits are built-in to prevent excessive input levels to the amp.
•A digital effect with sixteen selectable effect types is built-in. A variety of effects can be applied to add reverberation or ambience to vocals or instrumental sounds.
•The EMX2000 has implemented “EEEngine”, Yamaha’s epochal amp drive technology to create an unrivaled high-efficiency drive.
The EEEngine’s energy-saver/low-heat-genera- tion design has reduced power consumption to 50% or less, and reduced heat generation to 35% or less (in field applications, compared to Yamaha’s previous models), and has lead to a reduction in energy cost and to less-restrictive installation requirements related to heat generation.
EMX2000—Owner’s Manual
3
1.Avoid excessive heat, humidity, dust and vibration
Keep the unit away from locations where it is likely to be exposed to high temperatures or humidity — such as near radiators, stoves, etc. Also avoid locations which are subject to excessive dust accumulation or vibration which could cause mechanical damage.
2.Ventilation
Allow a distance of 30 cm between the unit and the wall so that heat generated from the unit will be released effectively. Also, allow enough space between the unit and other devices. If you mount the unit in an audio rack, keep a space of 40 cm on the top panel, and a space of 15 cm to the side panel. Remove the rear panel of the rack or open a vent hole. If heat release is inadequate, the unit will retain heat inside the unit, which may cause a fire.
3.Avoid physical shocks
Strong physical shocks to the unit can cause damage. Handle it with care.
4.Do not open the case or attempt repairs or modifications yourself
This product contains no user-serviceable parts.
Refer all maintenance to qualified Yamaha service personnel. Opening the case and/or tampering with the internal circuitry voids the warranty.
5.Always power off before making connections
Always turn the power OFF before connecting or disconnecting cables. This is important to prevent damage to the unit itself as well as other connected equipment.
6.Handle cables carefully
Always plug and unplug cables — including the AC power cord — by gripping the connector, not the cord.
7.Clean with a soft dry cloth
Never use solvents such as benzine or thinner to clean the unit. Wipe clean with a soft, dry cloth.
8.Always use the correct power supply
Make sure that the power supply voltage specified on the rear panel matches your local AC mains supply. Also make sure that the AC mains supply can deliver more than enough current to handle all equipment used in your system.
9.Do not touch the heatsink when the EMX2000 is in use. It can get very hot.
Contents |
|
Front and rear panel................................ |
4 |
Control panel ................................................... |
4 |
Input/output panel.................................. |
9 |
Rear panel....................................................... |
11 |
Connections........................................... |
12 |
Connecting speakers...................................... |
12 |
Connecting input/output equipment........... |
12 |
Basic operation ...................................... |
13 |
Connecting microphones and instruments .13 |
|
Using the digital effect ................................... |
13 |
Example setups ...................................... |
14 |
As a band PA .................................................. |
14 |
As a conference/entertainment hall sound |
|
system ............................................................. |
15 |
Using a subwoofer ......................................... |
16 |
Specifications......................................... |
17 |
General specifications.................................... |
17 |
Input specifications ....................................... |
18 |
Output specifications .................................... |
18 |
Dimensions............................................ |
19 |
Block/Level Diagram............................. |
20 |
EMX2000—Owner’s Manual
4
■ Channel control section
In this section, you can adjust equalization (frequency response), volume level, effect and monitor output levels for the input signal of each channel.
GAIN
1
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+10 |
–34 |
3 |
–16 |
–60 |
PEAK |
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HIGH |
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–15 |
+15 |
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MID |
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+15 |
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LOW |
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–15 |
+15 |
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MONI 1 |
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0 |
10 |
MONI 2 |
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EFFECT |
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A 2
B
GAIN |
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+10 |
–34 |
PEAK |
3 |
HIGH |
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–15 +15
MID
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–15 +15
LOW
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EFFECT |
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BAL |
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1GAIN control
Use this knob to adjust the sensitivity according to the input signal level, so that the input level is appropriate.
For the best balance of S/N ratio and dynamic range, adjust this knob so that the peak indicator 3 lights occasionally.
2A/B switch (Channels 9/10~11/12 only)
This switch selects channel 9/10~11/12 connectors.
When the switch is up, the signal will be input from connectors A (phone jacks on the input/ output panel 3).
When the switch is pressed in, the signal will be input from connectors B (phono jacks on the input/output panel 3).
3PEAK indicator
The indicator will light 3 dB before clipping, warning that clipping level is near.
4Equalizer controls (HIGH, MID, LOW)
This is a 3-band equalizer that adjusts the high frequency range, mid frequency range, and low frequency range of each channel. Response is flat when the knobs are in the “▼” position. Rotating it toward the right will boost the corresponding frequency band, and rotating it toward the left will cut it.
The base frequency (or center frequency), range of boost or cut, and equalizer type of each band are as follows:
HIGH: |
10kHz, ± 15 dB, |
shelving type |
MID: |
2.5kHz, ± 15 dB, |
peaking type |
LOW: |
100Hz, ± 15 dB, |
shelving type |
5Monitor 1/2 controls (MONI 1/2)
For each channel, this controls the amount of signal that is sent to the MONITOR 1/2 buses.
The signal of the MONITOR 1 bus is sent to the MONI 1 jack (input/output panel 9). If the power amp select switch V is in the MONI 1- MONO position, the signal is also sent to the speakers connected to the SPEAKERS L1/2 jacks.
The signal of the MONITOR 2 bus is sent to the MONI 2 jack (input/output panel 9).
Note: The signal sent to the MONITOR 1/2 buses does not pass through the channel fader 0(pre-fader send). This means that it will not be affected by the setting of the channel fader.
EMX2000—Owner’s Manual
5
6Effect control (EFFECT)
For each channel, this controls the amount of signal that is sent to the EFFECT bus.
The signal of the EFFECT bus is sent to the EFFECT jack (input/output panel A). It is also sent to the built-in effect when the ON switch P in the EFFECT section is turned on.
Note: The amount of signal that is sent to the EFFECT bus from each channel will be affected not only by the setting of the EFFECT control, but also by the setting of the channel fader 0 (post-fader send).
7PAN (panpot) control (Channels 1~8)
The PAN knobs set the stereo position of the signal that is sent to the STEREO bus.
8BAL (balance) control (Channels 9/10~ 11/12)
The BAL knobs set the balance between the left and right channels, and assign the signals received at inputs 9/10~11/12 to the STEREO bus.
9PFL (pre-fader listen) switch
When the PFL switch is turned on, the signal of the corresponding channel at the point after the equalization but before the channel fader is sent to the PHONES/C-R OUT jack (input/output panel B). This is useful when you wish to listen to a particular channel through the headphones.
Note: You can monitor the signal through the headphones even if the fader of the corresponding channel is set to the lowest level. The switch operation does not affect the signal sent to the STEREO bus, MONITOR 1/2 buses, or the EFFECT bus.
0Channel fader
This controls the output level of the input channel signal.
■ Stereo sub input section
In this section, you can adjust the input level of external equipment connected to the ST SUB 1/2 jacks on the input/output panel.
MONI 1
A
0 10
MONI 2
B
0 10
ST
C
0 10
PFL D
ST SUB 1
MONI 1
A
0 10 MONI 2
B
0 10
ST
C
0 10
PFL D
ST SUB 2
AMONI 1 (monitor 1) control
The MONI 1 knob adjusts the amount of the signal sent from the ST SUB 1 and 2 jacks (input/ output panel 4) to the MONITOR 1 bus.
BMONI 2 (monitor 2) control
The MONI 2 knob adjusts the amount of the signal sent from the ST SUB 1 and 2 jacks to the MONITOR 2 bus.
CST (stereo) control
The ST knob adjusts the amount of stereo signal sent from the ST SUB 1 and 2 jacks to the STEREO bus.
Note: The ST control setting does not affect the level of the signal sent to the MONITOR 1/2 buses (pre-fader send).
DPFL (pre-fader listen) switch
When this switch is turned on, the signal at the point before the ST control knob Cis sent to the PHONES/C-R OUT jack (input/output panel B).
EMX2000—Owner’s Manual
6
■ Master control section
I MONO (monaural) fader
In this section, you can adjust the final level of the outputs.
The MONO fader adjusts the final level of the monaural signal output from the STEREO bus to the MONO jack (input/output panel 0).
|
AFL |
AFL |
AFL |
AFL |
AFL |
J |
If the Power amp select switch V is set to |
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MONI 1-MONO, this fader also adjusts the level |
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of the signal sent from the SPEAKERS R 1/2 jacks |
0 |
0 |
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0 |
0 |
0 |
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to the speakers. |
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|
|
|||||
5 |
5 |
|
5 |
5 |
5 |
|
If the Power amp select switch Vis set to MONO |
10 |
10 |
|
10 |
10 |
10 |
|
BRIDGE, this fader adjusts the level of the signal |
15 |
15 |
|
15 |
15 |
15 |
|
sent from the SPEAKERS BRIDGE jack to the |
20 |
20 |
|
20 |
20 |
20 |
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speaker. |
25 |
25 |
|
25 |
25 |
25 |
|
J AFL (after fader listen) |
30 |
30 |
|
30 |
30 |
30 |
|
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40 |
40 |
|
40 |
40 |
40 |
|
When this switch is on, the output signal that |
50 |
50 |
|
50 |
50 |
50 |
|
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∞ |
∞ |
|
∞ |
∞ |
∞ |
|
passes through the corresponding fader is sent to |
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the PHONES/C-R OUT jack (input/output panel |
|
MONI 1 |
MONI 2 |
EFFECT |
ST 1 |
MONO |
|
B). Use these switches when you wish to moni- |
|
E |
F |
G |
H |
I |
|
tor a particular output signal through the head- |
|
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phones. |
|||||
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|
EMONI 1 (monitor 1) fader
The MONI 1 fader adjusts the final level of the signal sent from the MONITOR 1 bus to the MONI 1 jack (input/output panel 9). If the Power amp select switch V is set to MONI 1- MONO, using this fader enables you to adjust the level of the signal sent from the SPEAKER L 1/2 jacks to the speakers.
FMONI 2 (monitor 2) fader
The MONI 2 fader adjusts the final level of the signal output from the MONITOR 2 bus to the MONI 2 jack (input/output panel 9).
GEFFECT fader
The EFFECT fader adjusts the final level of the signal output from the EFFECT bus to the EFFECT jack (input/output panel A).
Note: The setting of this fader does not affect the level of the signal sent from the EFFECT bus to the built-in effect.
HST 1 (stereo 1) fader
The ST 1 fader adjusts the final level of the signal sent from the STEREO bus to the ST 1 jacks (input/output panel 8). If the Power amp select switch V is set to ST L-ST R, this fader also adjusts the level of the signal sent to the SPEAKERS jacks (rear panel 1).
Note: The setting of this fader does not affect the signal output from the STEREO bus to the ST 2 jacks.
■ Tape in section
In this section, you can adjust the input level of a cassette deck or a CD player that is connected to the TAPE jacks (input/output panel 5).
TAPE IN
ST
K
0 10
PFL L
KST (stereo) control
This knob adjusts the level of the signal sent from the TAPE jacks to the STEREO bus.
LPFL (pre-fader listen) switch
When this switch is on, the signal input from the TAPE jacks is routed at the point before the ST control to the PHONES/C-R OUT jack (input/ output panel B).
EMX2000—Owner’s Manual