OWNER’S MANUAL
Getting Started
BEDIENUNGSANLEITUNG
Kurzanleitung
MODE D’EMPLOI
Pour commencer
MANUAL DE INSTRUCCIONES
Para empezar
SPECIAL MESSAGE SECTION
PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.
CAUTION |
RISK OF ELECTRIC SHOCK |
DO NOT OPEN |
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. |
DO NOT REMOVE COVER (OR BACK). |
NO USER-SERVICEABLE PARTS INSIDE. |
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. |
The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
The lightning flash with arrowhead symbol within the equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical shock.
IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected.
SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.
92-469 1
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ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:
Battery Notice: This product MAY contain a small nonrechargable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.
Warning: Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you.
Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc.
NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.
NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
Model _____________________________________
Serial No. __________________________________
Purchase Date ______________________________
177
Congratulations!
You are the proud owner of an extraordinary electronic keyboard. The Yamaha PSR-5700 PortaTone combines the most advanced AWM tone generation technology with state-of-the-art digital electronics and features to give you stunning sound quality with maximum musical enjoyment. The Interactive Accompaniment and Super Style Play features, in particular, are brilliant examples of how advanced technology can significantly expand your musical horizons.
In order to make the most of your PortaTone’s features and vast performance potential, we urge you to read the manuals thoroughly while trying out the various features described. Keep the manuals in a safe place for later reference.
Contents |
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About the PSR-5700 Manuals ................................................ |
3 |
Taking Care of Your PortaTone ............................................. |
4 |
Nomenclature ............................................................................ |
6 |
Connections & Music Stand ................................................... |
8 |
The Demonstration ................................................................ |
10 |
Playing the PSR-5700 ............................................................ |
11 |
Selecting & Playing Voices .................................................... |
11 |
Keyboard Percussion ............................................................ |
14 |
Transposition, Tuning, and Octave Change ..................... |
15 |
TRANSPOSE/TUNE ............................................................. |
15 |
OCTAVE CHANGE ............................................................... |
16 |
Voice Registration .................................................................. |
17 |
Using the Accompaniment Section .................................... |
18 |
Interactive Accompaniment ................................................... |
24 |
Using the Disk Style on the Supplied Data Disk ..................... |
25 |
Super Style Play ..................................................................... |
26 |
Using the Pads........................................................................ |
28 |
The MULTI Mode .................................................................. |
28 |
The PERC Mode ................................................................... |
32 |
The TEMPO Mode ................................................................ |
34 |
Expression & Effects ............................................................. |
36 |
Panel Registration .................................................................. |
38 |
Playing DOC (Disk Orchestra Collection) Disks............... |
40 |
Troubleshooting ..................................................................... |
42 |
Options ..................................................................................... |
42 |
Index ......................................................................................... |
43 |
Fingering Chart ..................................................................... |
178 |
2
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About the PSR-5700 Manuals
The PSR-5700 comes with two manuals: “Getting Started” (this manual), and the “Advanced Features” manual.
■ The “Getting Started” Manual
This, as its name suggests, is the manual you should start with. The “Getting Started” manual will teach you everything you need to basically play and enjoy the PSR5700, concentrating on the keys and controls that you’ll use most frequently.
The Getting Started manual covers:
●Playing the demonstration.
●Selecting and playing voices.
●Tuning and transposition.
●Voice registration.
●Using the auto accompaniment functions.
●The multi, tempo, and percussion pads.
●Expression and effects.
●The panel registration feature.
●Playing Disk Orchestra Collection disks.
Go through the Getting Started manual first!
■ The “Advanced Features” Manual
The Advanced Features manual is the manual you’ll want to refer to after you gain initial familiarity with the PSR-5700 — i.e. after you’ve carefully gone through the Getting Started manual. As its name suggests, the Advanced Features manual concentrates on the many advanced features and utility functions provided by the PSR-5700.
The Advanced Features manual covers:
●The sequencer.
●The custom accompaniment programmer.
●Custom voice editing.
●The PSR-5700’s digital effects.
●Floppy disk operations.
●And a range of other functions including MIDI operations and General MIDI Level 1 protocol compatibility.
Unlike the Getting started manual which is designed to be read through from beginning to end, the Advanced Features manual allows you to directly reference information on individual features and functions.
■ Icons
The following simple icons are used throughout this manual to draw attention to important points and information where necessary. The icons also make it easier to differentiate between information that you should read immediately and information that can be skipped until later, hopefully helping you to become familiar with the PSR-5700 in the quickest, most efficient manner possible.
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age, software malfunction, or any other seri- |
CAUTION |
ous problem that may occur due to improper |
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operation or set up. |
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This icon marks information that you must |
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read — i.e. important steps or procedures |
IMPORTANT |
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easy operation. |
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mation that may not be essential for general |
DETAIL |
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of a feature, a description of the principle |
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if full details are not required immediately. |
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Suggestions as to how a feature or function |
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can be applied musically are identified by |
MUSICAL |
this icon. |
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NOTE |
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Hints or ideas that are not specifically musi- |
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HINT |
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icon. |
3
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Taking Care of Your PortaTone
Your PortaTone will give you years of playing pleasure if you follow the simple rules given below:
■ Location
■ Power Supply
■Turn Power OFF When Making Connections
■Handling and Transport
■ Cleaning
Do not expose the instrument to the following conditions to avoid deformation, discoloration, or more serious damage.
●Direct sunlight (e.g. near a window).
●High temperatures (e.g. near a heat source, outside, or in a car during the daytime).
●Excessive humidity.
●Excessive dust.
●Strong vibration.
●Turn the power switch OFF when the instrument is not in use.
●The power supply cord should be unplugged from the AC outlet if the instrument is not to be used for an extended period of time.
●Unplug the instrument during electric storms.
●Avoid plugging the instrument into the same AC outlet as appliances with high power consumption, such as electric heaters or ovens. Also avoid using multi-plug adapters since these can result in reduced sound quality, operation errors, and possibly damage.
●To avoid damage to the instrument and other devices to which it is connected (a sound system, for example), turn the power switches of all related devices OFF prior to connecting or disconnecting audio and MIDI cables.
●Never apply excessive force to the controls, connectors or other parts of the instrument.
●Always unplug cables by gripping the plug firmly, not by pulling on the cable.
●Disconnect all cables before moving the instrument.
●Physical shocks caused by dropping, bumping, or placing heavy objects on the instrument can result in scratches and more serious damage.
●Clean the cabinet and panel with a dry soft cloth.
●A slightly damp cloth may be used to remove stubborn grime and dirt.
●Never use cleaners such as alcohol or thinner.
●Avoid placing vinyl objects on top of the instrument (vinyl can stick to and discolor the surface).
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■Electrical Interference
■Data Backup
●This instrument contains digital circuitry and may cause interference if placed too close to radio or television receivers. If this occurs, move the instrument further away from the affected equipment.
●Internal data (e.g. sequencer data) is retained in memory even if the power switch is turned OFF. If the power is not turned ON for periods longer than about a week, however, memory data will be lost. Save all important data to disk before turning off for longer periods.
●Internal memory data can be corrupted due to incorrect operation. Be sure to “save” important data to a floppy disk frequently so you have a backup to revert to if something happens to damage the data in memory. Also note that magnetic fields can damage data on the disk, so it is advisable to make a second back-up copy of disks that contain very important data, and keep backup disks in a safe place away from stray magnetic fields (i.e. away from speakers, appliances containing motors, etc.).
■Handle Floppy Disks and the Disk Drive With Care
●Do not bend or apply pressure to the floppy disk. Do not open the shutter and touch the surface of the floppy disk inside.
●Do not expose the disk to high temperatures. (e.g. direct sunlight)
●Use only 3.5” 2DD type floppy disks.
●Do not expose the disk to magnetic fields. Magnetic fields can partially or totally erase data on the disk, rendering the disk unreadable.
●To eject a floppy disk, press the eject button slowly as far as it will go then, when the disk is fully ejected, remove it by hand.
The disk may not be ejected properly if the eject button is pressed too quickly, or it is not pressed in as far as it will go (the eject button may become stuck in a half-pressed position and the disk extends from the drive slot by only a few millimeters). If this happens, do not attempt to pull out the partially ejected disk. Using force in this situation can damage the disk-drive mechanism or the floppy disk. To remove a partially ejected disk, try pressing the eject button once again, or push the disk back into the slot and then repeat the eject procedure carefully.
●Do not insert anything but floppy disks into the disk drive. Other objects may cause damage to the disk drive or the floppy disk.
●Be sure to remove the floppy disk from the drive when moving the PSR5700. Moving the instrument while a floppy disk is loaded can damage both the drive and the disk.
●Apply floppy disk labels carefully! Improperly applied disk labels (wrinkled, protruding corners, etc.) can cause the disk to become stuck in the disk drive.
■ Service and Modification
●The PSR-5700 contains no user serviceable parts. Opening it or tampering with it in anyway can lead to irreparable damage and possibly electric shock. Refer all servicing to qualified YAMAHA personnel.
YAMAHA is not responsible for damage caused by improper handling or operation.
5
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Nomenclature
STYLE |
00 EURO BEAT |
20 |
SYNTH BOOGIE |
40 |
BOSSA NOVA |
VOICE |
00 |
PIANO 1 |
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10 |
JAZZ ORGAN 1 |
20 |
WHISTLE |
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30 |
FLUTE |
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40 |
HARMONICA |
50 |
BRASS FALL |
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60 |
CLASSIC GUITAR |
70 |
HAWAIIAN GUITAR |
80 |
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LIST |
01 DANCE POP |
21 |
SOUL ROCK |
41 |
SAMBA |
LIST |
01 |
PIANO 2 |
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11 |
JAZZ ORGAN 2 |
21 |
STRINGS 1 |
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31 |
PAN FLUTE |
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41 |
TRUMPET 1 |
51 |
SYNTH BRASS |
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61 |
FOLK GUITAR |
71 |
BANJO |
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81 |
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02 |
PARTY POP |
22 |
SOUL BALLAD |
42 |
LATIN POP |
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02 |
E.PIANO 1 |
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12 |
E. ORGAN 1 |
22 |
STRINGS 2 |
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32 |
BREATH FLUTE |
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42 |
TRUMPET 2 |
52 |
VIBES |
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62 |
12 STRINGS GUITAR |
72 |
KOTO |
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82 |
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03 |
ROCK’N’ROLL |
23 |
FUNK SHUFFLE |
43 |
RHUMBA |
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03 |
E.PIANO 2 |
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13 |
E. ORGAN 2 |
23 |
STRINGS 3 |
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33 |
CLARINET |
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43 |
MUTE TRUMPET |
53 |
GLOCKEN |
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63 |
JAZZ GUITAR 1 |
73 |
HARP |
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83 |
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60’S ROCK |
24 |
SWING |
44 |
TANGO |
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04 |
E.PIANO 3 |
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14 |
ROCK ORGAN |
24 |
PIZZ. STRINGS |
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34 |
OBOE |
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44 |
TROMBONE 1 |
54 |
MARIMBA |
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64 |
JAZZ GUITAR 2 |
74 |
ACOUSTIC BASS |
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84 |
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8 BEAT-LIGHT |
25 |
BIG BAND |
45 |
CHA-CHA |
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05 |
E.PIANO 4 |
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15 |
THEATER ORGAN |
25 |
TREMOLO STRINGS |
35 |
ENGLISH HORN |
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45 |
TROMBONE 2 |
55 |
XYLOPHONE |
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65 |
ROCK GUITAR 1 |
75 |
E. BASS 1 |
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85 |
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06 |
HARPSICHORD |
16 |
CHOIR 1 |
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26 |
SYNTH STRINGS |
36 |
BASSOON |
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46 |
FRENCH HORN |
56 |
BELLS |
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66 |
ROCK GUITAR 2 |
76 |
E. BASS 2 |
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86 |
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8 BEAT BALLAD |
30 |
JAZZ BALLAD |
50 |
REGGAE |
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07 |
CLAVI |
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17 |
CHOIR 2 |
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27 |
SOLO STRINGS |
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37 |
SAXOPHONE |
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47 |
TUBA |
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57 |
CHIME |
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67 |
ROCK GUITAR 3 |
77 |
FRETLESS BASS |
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87 |
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11 |
ROCK SHUFFLE |
31 |
SHUFFLE |
51 |
COUNTRY |
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08 |
PIPE ORGAN 1 |
18 |
SYNTH CHOIR |
28 |
TUTTI |
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38 |
ACCORDION 1 |
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48 |
BRASS 1 |
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58 |
TIMPANI |
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I |
68 |
DISTORTION GUITAR |
78 |
SLAP BASS |
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88 |
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16 BEAT-LIGHT |
32 |
BOOGIE |
52 |
POLKA |
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09 |
PIPE ORGAN 2 |
19 |
VOYAGER |
29 |
ORCHESTRA HIT |
39 |
ACCORDION 2 |
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49 |
BRASS 2 |
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59 |
STEEL DRUM |
69 |
MUTE GUITAR |
79 |
SYNTH BASS 1 |
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89 |
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16 BEAT BALLAD |
33 |
WALTZ |
53 |
MARCH |
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T SEQUENCER |
U |
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14 |
PIANO BALLAD |
34 |
SLOW WALTZ |
54 |
6/8 MARCH |
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15 |
6/8 SLOW ROCK |
35 |
JAZZ WALTZ |
55 |
NEW AGE |
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1 |
2 3 |
4 5 |
6 |
PLAY REC |
PLAY REC |
PLAY REC |
PLAY REC |
PLAY REC |
PLAY REC |
PLAY REC |
PLAY REC |
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W |
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SONG |
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SELECT |
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VOLUME |
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Y |
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1 |
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6 |
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ACCOMP. |
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MASTER |
RHYTHM |
BASS |
CHORD |
CHORD |
ORCH. |
ORCH. |
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CUSTOM ACCOMPANIMENT PROGRAMMER |
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CHORD 1 |
CHORD 2 |
CHORD 3 |
CHORD 4 |
CHORD 5 |
CHORD 6 |
BASS |
RHYTHM |
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2 |
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2 |
1 |
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MAX |
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0 |
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REVERB |
E |
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7 |
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9 A. B. C.SMODE |
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FUNCTION |
F1: CUSTOM VOICE EDIT |
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F2: REVERB / EFFECT |
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< |
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> |
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F3: CONTROLLER / KEY V |
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MIN |
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8 |
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TRANSPOSE/ |
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OCTAVE |
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F4: SPLIT POINT / I.A. / S.S |
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BEAT |
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– |
+ |
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+ |
– |
+ |
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F5: DISK |
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TUNE |
T |
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CHANGE |
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F6: UTILITY / MIDI |
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T |
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R |
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6 TEMPO |
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HARMONY |
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EXIT |
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EFFECT |
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) |
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TYPE |
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! 3 VOICE SEL |
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STYLE SELECT |
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Y U |
ISUPER STYLE PLAY |
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ORCHESTRATION |
&*( |
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VOICE |
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VOICE PART |
Q REGISTRATION 0 |
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5 |
CUSTOM |
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BANK |
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INTERACTIVE |
AUTO |
VERSE |
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CHORUS |
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ORCH. |
ORCH. |
ORCH. |
LEFT |
HARMONY |
SUSTAIN |
ORCH. |
ORCH. |
CUSTOM |
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4 |
5 |
DISK |
ACCOMPANIMENT |
BASS CHORD |
A |
B |
A |
B |
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1 |
2+1 |
2V1 |
HOLD |
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2 |
1 |
VOICE |
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MEMORY |
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ENDING/ |
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INTRO.1 |
INTRO.2 |
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Tempo Change |
Tap Start |
Tempo l |
accel. |
faster |
a tempo |
slower |
rit. |
RECALL |
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MODULATION/ |
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HEADPHONES
T
1 POWER Button ........................................ |
[page 10] |
2 DEMO Button ............................................. |
[page 10] |
3 VOICE SELECT Buttons ..................... |
[page 13, 17] |
BANK |
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VOICE REGISTRATION |
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MEMORY |
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4 BEAT Display ........................................... |
[page 21] |
5 LED Display .............................................. |
[page 20] |
6 TEMPO [-] and [+] Buttons ....................... |
[page 20] |
7 Liquid Crystal Display (LCD) ........ |
[page 10, 13, 20] |
8 Left and Right [-] and [+] Buttons |
[page 10, 13, 20] |
9 Display Scroll/Function Buttons |
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ABC MODE (S) ................................... |
[page 18] |
HARMONY TYPE (T) ......................... |
[page 36] |
TRANSPOSE/TUNE (<) .................... |
[page 15] |
OCTAVE CHANGE (>) ...................... |
[page 16] |
0 FUNCTION Button . [Advanced Features, page 26]
! EXIT Button ............. |
[Advanced Features, page 26] |
@ TO DISK Button ...... |
[Advanced Features, page 42] |
# DISK IN USE Lamp .................................... |
[page 40] |
$ FROM DISK Button |
[Advanced Features, page 44] |
% DISK ORCHESTRA/GENERAL MIDI Button
............ [page 40, Advanced Features, page 50]
^ ORCHESTRATION Buttons and Indicators
............................................................. |
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[page 12] |
ORCH. 1 |
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ORCH. 2+1 |
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ORCH. 2V1 |
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& LEFT HOLD Button .................................. |
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[page 36] |
* HARMONY Button .................................... |
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[page 36] |
( SUSTAIN Button ...................................... |
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[page 36] |
) VOICE PART Buttons and Indicators ...... |
[page 13] |
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ORCH. 2 |
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ORCH. 1 |
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Q CUSTOM VOICE Button and Indicator |
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........................... |
[Advanced Features, page 27] |
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W VOLUME Controls ........................ |
[page 10, 11, 13] |
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MASTER |
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RHYTHM
BASS
CHORD 2
CHORD 1
ORCH. 2
ORCH. 1
6
Downloaded from: http://www.usersmanualguide.com/
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O Fill-in, Intro, and Ending Buttons ....... [page 21, 23] |
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SPACE PIANO |
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STRINGS & HARPSCD |
ENDING/rit./INTRO 3 |
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SYNTH PAD |
94 |
BIG BRASS |
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BELL STRINGS |
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CRYSTAL |
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WARM PAD |
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ATMOS PAD |
P Verse, Chorus, and Solo Buttons ............ [page 22] |
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POLY SYNTH |
EVOLUTION |
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SWEEP PAD |
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DRUM KIT |
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ATMOS |
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POP DRUM KIT |
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RECORD |
DELETE EDIT |
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Q Accompaniment Control Buttons ............. [page 21] |
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EL REGISTRATION |
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SYNCHRO START |
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START/RE-START |
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CANCEL |
STOP |
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W PAD MODE SELECT Buttons and Indicators |
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[page 28~35] |
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E PAD Buttons ....................................... |
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[page 28~35] |
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R PANEL REGISTRATION Buttons ............ |
[page 38] |
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T SEQUENCER Button .. |
[Advanced Features, page 3] |
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Y CUSTOM ACCOMPANIMENT PROGRAMMER |
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Button ..................... |
[Advanced Features, page 15] |
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U SONG SELECT Button |
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............................. |
[Advanced Features, page 3] |
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I Sequencer Track/Custom Accompaniment |
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Programmer Track Buttons |
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S |
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............. [Advanced Features, page 4~6, 16~17] |
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D |
1 through 6/CHORD 1 through 6 |
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7/BASS |
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ACCOMP./RHYTHM |
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E REVERB Button ....................................... |
[page 37] |
O Sequencer/Custom Accompaniment Programmer |
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R EFFECT Button |
[page 37] |
Control Buttons |
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[Advanced Features, page 4~6, 16~17] |
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T STYLE SELECT Buttons .......................... |
[page 20] |
RECORD |
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BANK |
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DELETE |
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NUMBER |
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CUSTOM |
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R (Rewind) |
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Y INTERACTIVE ACCOMPANIMENT Button and |
F (Forward) |
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Indicator |
[page 24] |
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P PITCH BEND/GLISSANDO Wheel |
[page 37] |
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U AUTO BASS CHORD Button and Indicator |
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A MODULATION/EFFECT Wheel |
[page 37] |
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............................................................. |
[page 18] |
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I SUPER STYLE PLAY Buttons and Indicators |
S Disk Drive ........................................... |
[page 25, 40] |
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............................................................. |
[page 26] |
D Disk Eject Button ...................................... |
[page 40] |
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VERSE A |
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VERSE B |
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CHORUS A |
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7
Downloaded from: http://www.usersmanualguide.com/
Connections & Music Stand
AUX. OUT |
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AUX. IN |
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R |
L/L+R |
R |
L/L+R |
1 The HEADPHONES Jack
2 The AUX. OUT L/L+R and R Jacks
AUX. OUT
RL/L+R
A standard pair of stereo headphones can be plugged in here for private practice or late-night playing. The internal stereo speaker system is automatically shut off when a pair of headphones is plugged into the HEADPHONES jack.
The rear-panel AUX. OUT L/L+R and R jacks deliver the output of the PSR-5700 for connection to a keyboard amplifier, stereo sound system, a mixing console, or tape recorder. If you will be connecting the PSR-5700 to a monaural sound system, use only the L/L+R jack. When a plug is inserted into the L/L+R jack only, the leftand right-channel signals are combined and delivered via the L/L+R jack so you don’t lose any of the PSR-5700 sound.
To prevent damage to the internal circuitry, the AUX. OUT jack signal must Stereo System never be returned to the AUX. IN jacks, either directly or through external equip-
CAUTION ment.
3 AUX. IN L/L+R and R Jacks
AUX. IN
R L/L+R
Tone Generator
4 FOOT SW. Jack
FOOT
SW.
8
These jacks are intended primarily for use with external audio sources such as tone generators, drum machines, CD players, and similar equipment. The signal received via the AUX. IN L and R jacks is reproduced via the PSR-5700’s internal stereo amplifier and speaker system. If you will be connecting a monaural source to the PSR-5700, use only the L/L+R jack. When a plug is inserted into the L/L+R jack only, the monaural input signal is fed to both the left and right channels of the PSR-5700 stereo sound system. Please note that the PSR-5700 MASTER VOLUME control does not affect the level of the signal delivered to external equipment.
The supplied FC5 footswitch or a second (optional) footswitch connected to this jack can be used to control a range of important functions. Refer to the “FOOT SWITCH SELECT” function described on page 37 of the Advanced Features manual.
Downloaded from: http://www.usersmanualguide.com/
|
MIDI |
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FOOT |
SUSTAIN |
EXP. |
IN |
OUT |
THRU |
SW. |
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PEDAL |
5 SUSTAIN Jack
SUSTAIN
6 EXP. PEDAL Jack
EXP.
PEDAL
7MIDI IN, THRU and OUT Connectors
MIDI
IN OUT THRU
Tone Generator
Music
Computer
The PSR-5700 comes with an FC5 footswitch that should be connected here for foot sustain control. The footswitch functions like the damper pedal on a piano — press for sustain, release for normal sound.
An optional Yamaha EP-1 Expression Pedal can be connected to this jack to allow foot expression (swell) or effect control. Please note that when the pedal is used for expression control, no sound will be produced if the expression pedal is set to the minimum position.
The MIDI IN connector receives MIDI data from an external MIDI device (such as a MIDI sequencer) which can be used to control the PSR5700. The MIDI THRU connector re-transmits any data received at the MIDI IN connector, allowing “chaining” of several MIDI instruments or other devices. The MIDI OUT connector transmits MIDI data generated by the PSR-5700 (e.g. note and velocity data produced by playing the keyboard).
More details on MIDI are provided on page 50 of the Advanced Features manual.
The Music Stand
The PSR-5700 is supplied with a music stand that can be attached to the instrument by inserting it into the slot at the rear of the control panel.
9
Downloaded from: http://www.usersmanualguide.com/
The Demonstration
To give you an idea of the PSR-5700’s sophisticated capabilities, it is programmed with four demonstration sequences which play automatically.
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The demonstration sequences have been specially programmed for demonstra- |
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tion purposes — it is not possible to reproduce the demonstration sequences |
DETAIL |
100% using the PSR-5700 sequencer functions. |
ZSwitch ON
POWER
ON
OFF
Plug the AC power cord into a convenient AC outlet, then press the [POWER] button to turn the PSR-5700 ON.
*** |
YAMAHA PORTATONE *** |
>00:Piano 1 |
|
*** |
PSR-5700 |
*** |
00:Eurobeat 21:Strings1 |
XSet Initial Volume Levels
VOLUME
MASTER RHYTHM |
BASS |
CHORD |
CHORD |
ORCH. |
ORCH. |
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Set the [MASTER] VOLUME control to a position about half way toward the “MAX” setting. You can re-adjust the [MASTER] VOLUME control for the most comfortable overall volume level after playback begins.
MIN
CPress the [DEMO] Button
DEMO
PSR-5700 DEMONSTRATION
Song=1 ClubRock
–+
The demonstration will begin playing as soon as you press the [DEMO] button.
The demonstration will play continuously until the [DEMO] button is pressed a second time, or until the accompaniment control [STOP] button is pressed.
You can select playback of just one of the four demonstration sequences by
using the [+] and [-] buttons below “Song=ALL” on the LCD panel while holding HINT the [DEMO] button. Select “Song=1”, “Song=2”, “Song=3”, or Song=4" and then release the [DEMO] button. The selected demonstration will play through to the
end and then stop automatically.
DEMO
PSR-5700 DEMONSTRATION
Playing 1:ClubRock
1 0
Downloaded from: http://www.usersmanualguide.com/
Playing the PSR-5700
■ Before You Begin
Before playing your PSR-5700 for the first time, it might be a good idea to reinitialize it to the original factory settings just in case these have been changed at some point before you receive the instrument. To do this, press the [FUNCTION] button a few times until “F6” appears on the LED display (this is the UTILITY mode). Now press the [T] button (HARMONY TYPE) to the right of the LCD panel a few times until the following display appears:
FUNCTION |
A. B. C. MODE |
S |
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“RECALL INITIAL DATA 1 |
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< |
> |
Data=AllData |
-Execute- |
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TRANSPOSE/ |
OCTAVE |
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CHANGE |
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+ |
– |
+ |
EXIT |
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TYPE |
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“RECALL INITIAL |
DATA 1 |
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Data=AllData |
Busy! |
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FUNCTION
EXIT
Press both the right [-] and [+] buttons under “-Execute-” on the display simultaneously. “Busy!” will appear while the initialization is taking place, and “Completed” will appear when the initialization is complete. Finally, press the [EXIT] button to return to the normal play mode.
Selecting & Playing Voices
ZTurn Power On and Set Initial Volume
MASTER |
RHYTHM |
BASS |
MAX |
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ORCH. |
ORCH. |
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Press the [POWER] button to turn the power ON, and set all seven VOLUME controls about three-quarters of the way toward their MAX settings. You can set the [MASTER] VOLUME control for the most comfortable overall volume level after beginning to play.
No sound will be produced if all volume controls other than the MASTER control
are set to their minimum positions.
DETAIL
1 1
Downloaded from: http://www.usersmanualguide.com/
Playing the PSR-5700
XSelect the Orchestration
ORCHESTRATION
ORCH. |
ORCH. |
ORCH. |
LEFT |
1 |
2+1 |
2V1 |
HOLD |
Split Point (F#2)
Left-Hand Section |
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C3
Right-Hand Section
• The lowest key on the keyboard is C1.
The PSR-5700 has three orchestration modes, selected by the corresponding ORCHESTRATION buttons. The corresponding ORCHESTRATION indicator will light.
ORCH. 1: In this mode a single voice — the ORCH. 1 voice — can be played across the entire keyboard.
ORCH. 2+1: This is a “dual” mode in which two voices — ORCH. 1 and ORCH. 2 — can be played simultaneously across the entire keyboard.
ORCH. 2V1: This is a “split” mode in which the ORCH. 2 voice is played on the left-hand section of the keyboard (to the left of the “split point” — see “DETAIL” below), while the ORCH. 1 voice is played on the right-hand section of the keyboard. Since two voices are played simultaneously in this mode, the total number of notes that can be played on the keyboard at the same time is reduced.
The split point for the PSR-5700 is initially set at F#2 when the unit is shipped. This means that when the “ORCH. 2V1” mode is selected, the ORCH. 2 voice
DETAIL will be played by all keys to the left of and including F#2, while the ORCH. 1 voice will be played on all keys to the right of F#2. You can change the split point to any key desired by using the SPLIT POINT function described on page 40 of the Advanced Features manual.
When the “ORCH.2+1” mode is selected and the same voice is selected for both ORCH. 1 and ORCH. 2, the sound may be slightly different from the nor-
DETAIL mal voice.
CSelect a Voice or Voices
The PSR-5700 has 100 voices. A list of the voice names is printed on the control panel for easy reference.
Voice List
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BANK 0 |
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BANK 1 |
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BANK 2 |
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BANK 3 |
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BANK 4 |
00 |
PIANO 1 |
10 |
JAZZ ORGAN 1 |
20 |
WHISTLE |
30 |
FLUTE |
40 |
HARMONICA |
01 |
PIANO 2 |
11 |
JAZZ ORGAN 2 |
21 |
STRINGS 1 |
31 |
PAN FLUTE |
41 |
TRUMPET 1 |
02 |
E.PIANO 1 |
12 |
E.ORGAN 1 |
22 |
STRINGS 2 |
32 |
BREATH FLUTE |
42 |
TRUMPET 2 |
03 |
E.PIANO 2 |
13 |
E.ORGAN 2 |
23 |
STRINGS 3 |
33 |
CLARINET |
43 |
MUTE TRUMPET |
04 |
E.PIANO 3 |
14 |
ROCK ORGAN |
24 |
PIZZ. STRINGS |
34 |
OBOE |
44 |
TROMBONE 1 |
05 |
E.PIANO 4 |
15 |
THEATER ORGAN |
25 |
TREMOLO STRINGS |
35 |
ENGLISH HORN |
45 |
TROMBONE 2 |
06 |
HARPSICHORD |
16 |
CHOIR 1 |
26 |
SYNTH STRINGS |
36 |
BASSOON |
46 |
FRENCH HORN |
07 |
CLAVI |
17 |
CHOIR 2 |
27 |
SOLO STRINGS |
37 |
SAXOPHONE |
47 |
TUBA |
08 |
PIPE ORGAN 1 |
18 |
SYNTH CHOIR |
28 |
TUTTI |
38 |
ACCORDION 1 |
48 |
BRASS 1 |
09 |
PIPE ORGAN 2 |
19 |
VOYAGER |
29 |
ORCHESTRA HIT |
39 |
ACCORDION 2 |
49 |
BRASS 2 |
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BANK 5 |
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BANK 6 |
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BANK 7 |
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BANK 8 |
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BANK 9 |
50 |
BRASS FALL |
60 |
CLASSIC GUITAR |
70 |
HAWAIIAN GUITAR |
80 |
SYNTH BASS 2 |
90 |
SPACE PIANO |
51 |
SYNTH BRASS |
61 |
FOLK GUITAR |
71 |
BANJO |
81 |
MINI LEAD |
91 |
STRINGS & HARPSCD |
52 |
VIBES |
62 |
12 STRING GUITAR |
72 |
KOTO |
82 |
SQUARE LEAD |
92 |
BELL STRINGS |
53 |
GLOCKEN |
63 |
JAZZ GUITAR 1 |
73 |
HARP |
83 |
BIG LEAD |
93 |
CLARINET & SAX |
54 |
MARIMBA |
64 |
JAZZ GUITAR 2 |
74 |
ACOUSTIC BASS |
84 |
SYNTH PAD |
94 |
BIG BRASS |
55 |
XYLOPHONE |
65 |
ROCK GUITAR 1 |
75 |
E.BASS 1 |
85 |
CRYSTAL |
95 |
SYNTH LEAD |
56 |
BELLS |
66 |
ROCK GUITAR 2 |
76 |
E.BASS 2 |
86 |
WARM PAD |
96 |
ATMOS PAD |
57 |
CHIME |
67 |
ROCK GUITAR 3 |
77 |
FRETLESS BASS |
87 |
POLY SYNTH |
97 |
EVOLUTION |
58 |
TIMPANI |
68 |
DISTORTION GUITAR |
78 |
SLAP BASS |
88 |
SWEEP PAD |
98 |
DRUM KIT |
59 |
STEEL DRUM |
69 |
MUTE GUITAR |
79 |
SYNTH BASS 1 |
89 |
ATMOS |
99 |
POP DRUM KIT |
1 2
Downloaded from: http://www.usersmanualguide.com/
Playing the PSR-5700
VOICE PART
USTAIN ORCH. |
ORCH. |
CUSTOM |
2 |
1 |
VOICE |
Press the [ORCH. 1] or [ORCH. 2] VOICE PART button, depending on which voice you want to select. The corresponding VOICE PART indicator will light and the “>” cursor on the LCD panel will move to the corresponding voice position.
>00:Piano 1 00:Eurobeat 21:Strings1
VOICE |
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VOICE SELECT |
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0 |
1 |
2 |
3 |
4 |
5 |
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REGISTRATION |
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MEMORY |
0 |
1 |
2 |
3 |
4 |
5 |
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>73:Harp 00:Eurobeat 21:Strings1
– +
VPlay & Adjust Volume
VOLUME
MASTER RHYTHM |
BASS |
CHORD |
CHORD |
ORCH. |
ORCH. |
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MIN
Downloaded from: http://www.usersmanualguide.com/
Use the VOICE SELECT buttons to enter the number of the desired voice. Press a button in the upper row (BANK) to select the “BANK” or “tens” digit, and then a button in the lower row (NUMBER) to select the “ones” digit. For example, to select voice number 73 (HARP), press the BANK [7] button and then the NUMBER [3] button.
If a BANK button is pressed but then no NUMBER button is pressed for more than about 3 seconds, the BANK entry will automatically be cancelled.
DETAIL
6 |
7 |
8 |
9 |
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BANK |
6 |
7 |
8 |
9 |
NUMBER
The number of the ORCH. 1 or ORCH. 2 voice can also be decreased (decremented) or increased (incremented) by using the [-] and [+] buttons immediately below the voice names on the LCD panel. Press either button briefly to decrement or increment the voice number by one, or hold the button for continuous decrementing or incrementing.
You can now play the selected voice or voices with the selected orchestration. Use the [MASTER] volume control to adjust the overall volume level, and the [ORCH. 1] and [ORCH. 2] VOLUME controls to set the desired balance between the ORCH. 1 and ORCH. 2 voices when either the dual or split orchestration mode is used.
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The tone of some voices may change slightly at one or more points on the |
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keyboard. Some voices may also shift octaves on some of the lowest and high- |
DETAIL |
est keys of the keyboard. This is due to the way in which the voice waveforms |
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were initially sampled and is not a malfunction. |
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Voice numbers 90 through 97 are actually combinations of two voices, so the |
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total number of simultaneous notes that can be played when these voices are |
DETAIL |
selected is less than when any of the other voices are selected. |
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1 3
Playing the PSR-5700
Keyboard Percussion
>98:Drum Kit 00:Eurobeat 99:Pop.Drum
When voice number 98 (DRUM KIT) or 99 (POP DRUM KIT) is selected, you can play 59 different drums and percussion instruments on the keyboard. The drums and percussion instruments played by the various keys are marked by symbols above the keys. Some of the instruments in the DRUM KIT and POP DRUM KIT voices sound different even though they have the same name, while others are essentially the same.
The Transpose, Tune, Sustain, Harmony, Left Hold, Modulation, and Octave Change functions do not affect the keyboard percussion sound.
DETAIL
The pitch bend wheel can be used to bend the pitch of the keyboard percussion voices to create unique musical effects, but it has little effect on some percus-
MUSICAL sion sounds.
NOTE
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98: DRUM KIT |
99: POP DRUM KIT |
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98: DRUM KIT |
99: POP DRUM KIT |
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Key |
Instrument |
Instrument |
Key |
Instrument |
Instrument |
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C1 |
Applause |
Hand Claps |
F#3 |
Conga 1 Low |
Conga 2 Low |
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DB1 |
Triangle Close |
Triangle Close |
G3 |
Ride Cymbal 1 |
Ride Cymbal 2 |
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D1 |
Whistle Low |
Whistle Low |
AB3 |
Conga 1 Hi |
Conga 2 Hi |
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EB1 |
Triangle Open |
Triangle Open |
A3 |
Ride Cup 1 |
Ride Cup 2 |
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E1 |
Whistle Hi |
Whistle Hi |
BB3 |
Conga 1 Mute |
Conga 2 Mute |
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F1 |
Kick 1 |
Kick 5 |
B3 |
Crash Cymbal 1 |
Crash Cymbal 1 |
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F#1 |
Kick 2 |
Kick 6 |
C4 |
Crash Cymbal 2 |
Crash Cymbal 2 |
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G1 |
Kick 3 |
Kick 7 |
DB4 |
Bongo Low |
Bongo Low |
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AB1 |
Kick 4 |
Kick 8 |
D4 |
Splash Cymbal |
Chinese Cymbal |
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A1 |
Tom 1 Bass |
Tom Bass |
EB4 |
Bongo Hi |
Bongo Hi |
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BB1 |
Rim Shot 1 |
Rim Shot 2 |
E4 |
March Cymbal |
Reverse Cymbal |
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B1 |
Tom 1 Low |
Tom Low |
F4 |
Surdo |
E.Tom Bass |
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C2 |
Tom 1 Mid |
Tom Mid |
F#4 |
Cabasa |
Maracas |
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DB2 |
Snare 1 |
Snare 7 |
G4 |
Tom Brush Low |
E.Tom Low |
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D2 |
Tom 1 Hi |
Tom Hi |
AB4 |
Vibraslap |
Vibraslap |
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EB2 |
Snare 2 |
Snare 8 |
A4 |
Tom Brush Mid |
E.Tom Mid |
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E2 |
Snare 3 |
Snare 9 |
BB4 |
Claves |
Wood Block |
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F2 |
Snare 4 |
Snare 3 |
B4 |
Tom Brush Hi |
E.Tom Hi |
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F#2 |
Snare 5 |
Snare 10 |
C5 |
Guiro Long |
Guiro Long |
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G2 |
Snare 6 |
Snare 11 |
DB5 |
Cuica Low |
Scratch Noise Low |
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AB2 |
Brush Hit 1 |
Brush Hit 2 |
D5 |
Guiro Short |
Guiro Short |
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A2 |
Snare Roll |
Snare Roll |
EB5 |
Cuica Hi |
Scratch Noise Hi |
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BB2 |
Snare Brush Squeeze |
Snare Brush Squeeze |
E5 |
Tambourine |
Running Water |
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B2 |
Pedal Hi-Hat 1 |
Pedal Hi-Hat 2 |
F5 |
Cowbell Low |
Cowbell Hi |
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C3 |
Closed Hi-Hat 1 |
Closed Hi-Hat 2 |
F#5 |
Agogo Low |
Agogo Low |
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DB3 |
Timbales Low |
Timbales Low |
G5 |
Castanet |
Dropping Coin |
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D3 |
Open Hi-Hat 1 |
Open Hi-Hat 2 |
AB5 |
Agogo Hi |
Agogo Hi |
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EB3 |
Timbales Hi |
Timbales Hi |
A5 |
Finger Snaps |
Finger Snaps |
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E3 |
Closed Hi-Hat 2 |
Closed Hi-Hat 3 |
BB5 |
Cross Sticks |
Cross Sticks |
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F3 |
Open Hi-Hat 2 |
Open Hi-Hat 3 |
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1 4
Downloaded from: http://www.usersmanualguide.com/
Transposition, Tuning, and Octave Change
The most important and fundamental adjustment for any musical instrument is tuning.
The TRANSPOSITION, TUNING, and OCTAVE CHANGE functions described below let you control the pitch of the PSR-5700 in a number of ways.
TRANSPOSE/TUNE
This function allows the overall pitch of the PSR-5700 to be transposed up or down in semitone increments, and fine-tuned in 0.5 Hertz increments.
ZPress the [TRANSPOSE/ TUNE] Button
TRANSPOSE / PITCH TUNE
Trans.= 0 Pitch=440.0Hz
– |
+ |
– |
+ |
XSet the Transposition and/or Tuning As Required
TRANSPOSE / PITCH TUNE
Trans.= 0 Pitch=440.0Hz
– |
+ |
– |
+ |
CPress [EXIT] When Done
FUNCTION
Select the TRANSPOSE/TUNE function from the normal play mode by pressing the [TRANSPOSE/TUNE] button (this is the same as the [<] display scroll button to the right of the LCD panel).
A. B. C. MODE
S
< |
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> |
TRANSPOSE/ |
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OCTAVE |
TUNE |
T |
CHANGE |
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HARMONY |
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TYPE |
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Use the left [-] and [+] buttons to set the desired degree of transposition, and the right [-] and [+] buttons to set the desired degree of tuning.
The transpose range is from -6 to +6, allowing a maximum upward or downward transposition of 1/2-octave. A setting of 0 produces the normal pitch. The “0” setting can be instantly recalled by pressing both the left [-] and [+] buttons simultaneously.
The tuning range is from 427.5 Hertz to 452.5 Hertz, adjustable in 0.5- Hertz increments. 440.0 Hertz is “normal” pitch, and this setting can be directly recalled by pressing both the right [-] and [+] buttons simultaneously.
Press the [EXIT] button to exit from the TRANSPOSE/TUNE function.
The TRANSPOSE/TUNE mode is automatically exited if neither of the [-] or [+] buttons are pressed for approximately 10 seconds.
DETAIL
EXIT
1 5
Downloaded from: http://www.usersmanualguide.com/
Transposition, Tuning, and Octave Change
OCTAVE CHANGE
This function allows the ORCH. 1 and ORCH. 2 voices to be independently transposed up or down by one octave.
ZPress the [OCTAVE CHANGE] Button
OCTAVE CHANGE
Orc2=Normal Orc1=Normal
– |
+ |
– |
+ |
XSet the Octave Change As Required
OCTAVE CHANGE
Orc2=Normal Orc1=Normal
– |
+ |
– |
+ |
CPress [EXIT] When Done
FUNCTION
EXIT
Select the OCTAVE CHANGE function from the normal play mode by pressing the [OCTAVE CHANGE] button (this is the same as the [>] display scroll button to the right of the LCD panel).
A. B. C. MODE
S
< |
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> |
TRANSPOSE/ |
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OCTAVE |
TUNE |
T |
CHANGE |
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HARMONY |
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TYPE |
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Use the left [-] and [+] buttons to set the octave of the ORCH. 2 voice, and the right [-] and [+] buttons to set the octave of the ORCH. 1 voice. “Normal” on the display indicates that the corresponding voice is set to its normal octave, “1down” indicates that the voice is shifted down one octave, and “1up” indicates that the voice is shifted up one octave.
Press the [EXIT] button to exit from the OCTAVE CHANGE function.
The OCTAVE CHANGE mode is automatically exited if neither of the [-] or [+] buttons are pressed for approximately 10 seconds.
DETAIL
Some voices may suddenly shift octaves when played at the extreme ends of the keyboard if they are set to a lower or higher octave than normal. This can
IMPORTANT also occur when the PITCH BEND wheel is used on extremely low or high notes.
If you change the transpose, octave change, or tuning settings while playing one or more notes on the keyboard, the new transpose and octave change
DETAIL settings will take effect from the next notes played while tune settings take effect immediately.
1 6
Downloaded from: http://www.usersmanualguide.com/
Voice Registration
If you have particular combinations of voices you like to use in the dual or split orchestration modes, the PSR-5700 lets you store up to 10 different combinations in its Voice Registration memory so that they can be recalled by pressing a single button. Voice registration also memorizes the volume settings of the voices; the orchestration; the ON/OFF status of the key velocity, sustain, and harmony effects; and the reverb and effect settings.
Here’s how you can store and recall voice combinations:
ZSelect the Desired Voices
>74:Aco.Bass 00:Eurobeat 52:Vibes
XRegisterMemory the Combination in
VOICE |
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VOICE SELECT |
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0 |
1 |
2 |
3 |
4 |
5 |
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REGISTRATION |
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MEMORY |
0 |
1 |
2 |
3 |
4 |
5 |
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Select the desired ORCH. 1 and ORCH. 2 voices as described in the previous section. As an example, let’s use the Acoustic Bass (number 74) and Vibes (number 52) voices.
Press one of the VOICE SELECT NUMBER buttons ([0] through [9]) while holding the [MEMORY] button.
6 |
7 |
8 |
9 |
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BANK |
Store Edited V.Regist |
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6 |
7 |
8 |
9 |
-> 4 |
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NUMBER |
If a voice registration was previously recalled, the corresponding voice registra-
tion number will appear in the upper right-hand area of the display.
DETAIL
CRecall the Registered Combination
>00:Piano 1 00:Eurobeat 21:Strings1
Anytime you want to recall a registered voice combination, press the [VOICE REGISTRATION] button so that its indicator lights, then simply press the VOICE SELECT NUMBER button (lower row) corresponding to the desired combination. “V0” through “V9” will appear in the upper left corner of the display while a registered voice combination is selected.
VOICE |
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VOICE SELECT |
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0 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
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REGISTRATION |
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BANK |
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MEMORY |
0 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
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NUMBER
V4 >74:Aco.Bass 00:Eurobeat 52:Vibes
Press the [VOICE REGISTRATION] button so that its indicator goes out and its registration number disappears to return to the normal voice selection mode.
The “V?” symbol in the upper left corner of the display will disappear if any of the parameters listed below are changed.
IMPORTANT
Data Stored By the Voice Registration Memory
• ORCHESTRA 1 VOICE |
• HARMONY TYPE |
• REVERB ON/OFF |
• ORCHESTRA 2 VOICE |
• HARMONY ON/OFF |
• REVERB TYPE & ORCH. 1/ORCH. 2 DEPTH |
• ORCHESTRA 1 VOLUME |
• SUSTAIN ORCH. 1/ORCH. 2 ON/OFF |
• EFFECT ON/OFF |
• ORCHESTRA 2 VOLUME |
• KEY VELOCITY ON/OFF |
• EFFECT TYPE & ORCH. 1/ORCH. 2 DEPTH |
• ORCHESTRA 1 OCTAVE |
• PITCH BEND SELECT |
• SUSTAIN ON/OFF |
• ORCHESTRA 2 OCTAVE |
• WHEEL ON/OFF (Modulation only) |
(when external SUSTAIN switch not connected) |
• ORCHESTRATION |
• WHEEL TYPE |
|
Voice registration data can be saved to floppy disk. See page 46 of the Advanced Features manual for details.
HINT
1 7
Downloaded from: http://www.usersmanualguide.com/
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