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Natural Sound AV Amplifier
Amplificateur audiovisuel ÒSon NaturelÓ
Natural Sound AV-VerstŠrker
Natural Sound AV-fšrstŠrkare
Amplificatore AV a suono naturale
Amplificador AV de Sonido Natural
Natural Sound AV Versterker
OWNER’S MANUAL
MODE D’EMPLOI
BEDIENUNGSANLEITUNG
BRUKSANVISNING
MANUALE DI ISTRUZIONI
MANUAL DE INSTRUCCIONES
GEBRUIKSAANWIJZING
Downloaded from: http://www.usersmanualguide.com/
SUPPLIED ACCESSORIES ACCESSOIRES FOURNIS MITGELIEFERTE ZUBEHORTEILE MEDFOLJANDE TILLBEHOR ACCESSORI IN DOTAZIONE ACCESORIOS INCLUIDOS BIJGELEVERDE ACCESSOIRES
●After unpacking, check that the following parts are included.
●Après le déballage, vérifier que les pièces suivantes sont incluses.
●Nach dem Auspacken überprüfen, ob die folgenden Teile vorhanden sind.
●Kontrollera efter det apparaten packats upp att följande delar finns med.
●Verificare che tutte le parti seguenti siano contenute nell’imballaggio dell’apparecchio.
●Desembale el aparato y verificar que los siguientes accesorios están en la caja.
●Controleer na het uitpakken of de volgende onderdelen voorhanden zijn.
●Remote Control Transmitter
●Emetteur de télécommande
●Fernbedienungsgeber
●Fjärrkontrollsändare
●Telecomando
●Transmisor del control remoto
●Afstandbediening
DSP-A592
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TEST |
EFFECT |
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PROLOGIC |
ENHANCED |
ON/OFF |
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V–AUX |
VCR |
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TV/DBS |
DVD/LD 2CH/6CH |
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REC/PAUSE |
PLAY |
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TAPE |
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TUNER |
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PLAY |
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PHONO |
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VOLUME |
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DSP-A492
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VCR |
TV/DBS DVD/LD |
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TAPE |
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PRESET |
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PLAY |
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●Batteries (size AA, R6, UM-3)
●Piles (taille AA, R6, UM-3)
●Batterien (Größe AA, R6, UM-3)
●Batterier (storlek AA, R6, UM-3)
●Batterie (dimensioni AA, R6, UM-3)
●Pilas (tamaño AA, R6, UM-3)
●Batterijen (maat AA, R6, UM-3)
2
Downloaded from: http://www.usersmanualguide.com/
Thank you for selecting this YAMAHA AV Amplifier.
FEATURES
●5 Speaker Configuration DSP-A592
Main: |
70W |
+ 70W (8Ω ) RMS Output |
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Power, 0.04% THD, 20–20,000 Hz |
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Center: |
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(8Ω ) RMS Output Power, |
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0.07% THD, 1 kHz |
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Rear: |
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+ 35W (8Ω ) RMS Output |
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Power, 0.3% THD, 1 kHz |
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DSP-A492 |
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Main: |
65W |
+ 65W (8Ω ) RMS Output |
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Power, 0.04% THD, 20–20,000 Hz |
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Center: |
65W |
(8Ω ) RMS Output Power, |
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0.09% THD, 1 kHz |
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Rear: |
20W |
+ 20W (8Ω ) RMS Output |
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Power, 0.7% THD, 1 kHz
●Digital Sound Field Processor
●Dolby Pro Logic Surround Decoder
●Theater-like Sound Experience by the Combination of Dolby Pro Logic and YAMAHA DSP Technology (CINEMA DSP)
●Automatic Input Balance Control for Dolby Pro Logic Surround
●Test Tone Generator for Easier Speaker Balance Adjustment
●3 Center Channel Modes (NORMAL/WIDE/PHANTOM)
●Video Signal Input/Output Capability
●SLEEP Timer
●Remote Control Capability
DSP-A592 only
●BASS EXTENSION Switch for Reinforcing Bass Response
●6-Channel Discrete Input Terminals for Connecting with a Dolby Digital (AC-3) Decoder
●Two S VIDEO Output and One S VIDEO Input Terminals
●Auxiliary Audio and Video Input Terminals (Including a S VIDEO Terminal) on the Front Panel
CONTENTS
Supplied Accessories ...................................... |
2 |
Caution ............................................................ |
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Notes about the Remote Control Transmitter |
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Profile of This Unit ........................................... |
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Speaker Setup ................................................ |
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Connections .................................................... |
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Controls and Their Functions ........................ |
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Speaker Balance Adjustment ........................ |
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Basic Operations ........................................... |
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Using Digital Sound Field Processor (DSP) |
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Setting the SLEEP Timer .............................. |
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Troubleshooting ............................................. |
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Specifications ................................................ |
33 |
English
3
Downloaded from: http://www.usersmanualguide.com/
CAUTION : READ THIS BEFORE OPERATING YOUR UNIT.
1.To assure the finest performance, please read this manual carefully. Keep it in a safe place for future reference.
2.Install this unit in a cool, dry, clean place – away from windows, heat sources, sources of excessive vibration, dust, moisture and cold. Avoid sources of humming (transformers, motors). To prevent fire or electrical shock, do not expose the unit to rain or water.
3.Never open the cabinet. If something drops into the set, contact your dealer.
4.Do not use force on switches, controls or connection wires. When moving the unit, first disconnect the power plug and the wires connected to other equipment. Never pull the wires themselves.
5.The openings on the cabinet assure proper ventilation of the unit. If these openings are obstructed, the temperature inside the cabinet will rise rapidly. Therefore, avoid placing objects against these openings, and install the unit in wellventilated condition. Make sure to allow a space of at least 20 cm behind, 20 cm on the both sides and 30 cm above the top panel of the unit. Otherwise it may not only damage the unit, but also cause fire.
6.Always set the VOLUME control to “– ∞ ” before starting the audio source play. Increase the volume gradually to an appropriate level after playback has been started.
7.Do not attempt to clean the unit with chemical solvents; this might damage the finish. Use a clean, dry cloth.
8.Be sure to read the “TROUBLESHOOTING” section regarding common operating errors before concluding that the unit is faulty.
9.When not planning to use this unit for long periods of time (ie., vacation, etc.), disconnect the AC power plug from the wall outlet.
10.To prevent lightning damage, disconnect the AC power plug and disconnect the antenna cable when there is an electrical storm.
11.Grounding or polarization – Precautions should be taken so that the grounding or polarization of an appliance is not defeated.
12.AC outlet
Do not connect audio equipment to the AC outlet on the rear panel if that equipment requires more power than the outlet is rated to provide.
13.Voltage Selector (General Model only)
The voltage selector on the rear panel of this unit must be set for your local main voltage BEFORE plugging into the AC main supply.
Voltages are 110/120/220/240 V AC, 50/60 Hz.
IMPORTANT
Please record the serial number of this unit in the space below.
Serial No.:
The serial number is located on the rear of the unit. Retain this Owner’s Manual in a safe place for future reference.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.
For U.K. customers
If the socket outlets in the home are not suitable for the plug supplied with this appliance, it should be cut off and an appropriate 3 pin plug fitted. For details, refer to the instructions described below.
Note: The plug severed from the mains lead must be destroyed, as a plug with bared flexible cord is hazardous if engaged in a live socket outlet.
Special Instructions for U.K. Model
IMPORTANT
THE WIRES IN THE MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE:
Blue: NEUTRAL
Brown: LIVE
As the colours of the wires in the main lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Make sure that neither core is connected to the earth terminal of the three pin plug.
The apparatus is not disconnected from the AC power source as long as it is connected to the wall outlet, even if the apparatus itself is turned off.
4
Downloaded from: http://www.usersmanualguide.com/
NOTES ABOUT THE REMOTE CONTROL TRANSMITTER
Battery installation |
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Remote control transmitter operation range |
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Remote control sensor
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Within approximately |
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6 m (19.7 feet) |
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English
Battery replacement
If you find that the remote control transmitter must be used closer to the main unit, the batteries are weak. Replace both batteries with new ones.
Notes
●Use only AA, R6, UM-3 batteries for replacement.
●Be sure the polarities are correct. (See the illustration inside the battery compartment.)
●Remove the batteries if the remote control transmitter will not be used for an extended period of time.
●If batteries leak, dispose of them immediately. Avoid touching the leaked material or letting it come in contact with clothing, etc. Clean the battery compartment thoroughly before installing new batteries.
Notes
●There should be no large obstacles between the remote control transmitter and the main unit.
●If the remote control sensor is directly illuminated by strong lighting (especially an inverter type of fluorescent lamp etc.), it might cause the remote control transmitter not to work correctly. In this case, reposition the main unit to avoid direct lighting.
5
Downloaded from: http://www.usersmanualguide.com/
PROFILE OF THIS UNIT
You are the proud owner of a Yamaha stereo receiver –an extremely sophisticated audio component. The Digital Sound Field Processor (DSP) built into this unit takes advantage of Yamaha’s undisputed leadership in the field of digital audio processing to bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system, and this unit will sonically transform your room into a wide range of listening environments –movie theater, concert hall, and so on. In addition, you get incredible realism from sources encoded with Dolby Surround using the built-in Dolby Pro Logic Surround Decoder.
Please read this operation manual carefully and store it in a safe place for later reference.
Digital Sound Field Processing
What is it that makes live music so good? Today’s advanced sound reproduction technology lets you get extremely close to the sound of a live performance, but chances are you’ll still notice something missing: the acoustic environment of the live concert hall. Extensive research into the exact nature of the sonic reflections that create the ambience of a large hall has made it possible for Yamaha engineers to bring you this same sound in your own listening room, so you’ll feel all the sound of a live concert.
Furthermore, our technicians, armed with sophisticated measuring equipment, have even made it possible to capture the acoustics of a variety of venues such as an actual concert hall, theater, etc. to allow you to accurately recreate one of several actual live performance environments, all in your own home.
Dolby Pro Logic Surround
This unit employs a Dolby Pro Logic Surround decoder similar to professional Dolby Stereo decoders used in many movie theaters. By using the Dolby Pro Logic Surround decoder, you can experience the dramatic realism and impact of Dolby Surround movie theater sound in your own home. Dolby Pro Logic employs a four channel five speaker system. The Pro Logic Surround system divides the input signal into four levels: the left and right main channels, the center channel (used for dialog), and the rear surround sound channels (used for sound effects, background noise, and other ambient noises). The center channel allows listeners seated in even less-than-ideal positions to hear the dialog originating from the action on the screen while experiencing good stereo imaging.
Dolby Surround is encoded on the sound track of pre-recorded video tapes, laser discs, and some TV/cable broadcasts. When you play a source encoded with Dolby Surround on this unit, the Dolby Pro Logic Surround decoder decodes the signal and distributes the surround-sound effects.
This Dolby Pro Logic Surround Decoder employs a digital signal processing system. This system improves the stability of sound at each channel and minimizes crosstalk between channels, so that positioning of sounds around the room is more accurate compared with conventional analog signal processing systems.
In addition, this unit features a built-in automatic input balance control. This always assures you the best performance without manual adjustment.
Manufactured under license from Dolby Laboratories Licensing Corporation. “Dolby”, “AC-3”, “Pro Logic”, and the double-D symbol are trademarks of Dolby Laboratories Licensing Corporation.
Dolby Pro Logic Surround + DSP
Dolby Surround sound system shows its full ability in a large movie theater, because movie sounds are originally designed to be reproduced in a large movie theater using many speakers. It is difficult to create a sound environment similar to that of a movie theater in your listening room, because the room size, materials of inside walls, the number of speakers, etc. of your listening room is much different from those of a movie theater.
Yamaha DSP technology made it possible to present you with nearly the same sound experience as that of a large movie theater in your listening room by compensating for lack of presence and dynamics in your listening room with its original digital sound fields combined with Dolby Surround sound field.
The combination of Dolby Pro Logic Surround and DSP is used on the sound field program “ 
PRO LOGIC ENHANCED”.
CINEMA DSP
The YAMAHA “CINEMA DSP” logo indicates these programs are created by the combination of Dolby Pro Logic and YAMAHA DSP technology.
6
Downloaded from: http://www.usersmanualguide.com/
SPEAKER SETUP
SPEAKERS TO BE USED
This unit is designed to provide the best sound-field quality with a 5 speaker configuration. The most effective speakers to use with this unit are main speakers, rear speakers and a center speaker. You may omit the center speaker. (Refer to the “4-Speaker Configuration” shown below.)
The main speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your present stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center sounds (dialog etc.) within programs encoded with Dolby Surround. The center speaker needs to be equal in power to the main speakers, although the rear speakers should not be equal. However, all the speakers should have high enough power handling to accept the maximum output of this unit.
SPEAKER CONFIGURATION
5-Speaker Configuration
This configuration is the most effective and recommended one. In this configuration, the center speaker is necessary as well as the rear speakers. If the program DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED is selected, conversations will be output from the center speaker and the ambience will be excellent.
•Set the center channel mode to the “NORMAL” or “WIDE” position. (For details, refer to page 21.)
4-Speaker Configuration
The center speaker is not used in this configuration. If the program DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED is selected, the center sound is output from the left and the right main speakers. However, the sound effect of other programs can be the same as that of the 5-speaker configuration.
•Be sure to set the center channel mode to the “PHANTOM” position. (For details, refer to page 21.)
English
FrontMain L |
Center |
MaiFrontRR |
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FrontMain L |
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MaiFrontRR |
Dialogue
Dialogue
Surround sound |
Surround sound |
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Rear L |
Rear R |
Rear L |
Rear R |
SPEAKER PLACEMENT
The recommended speaker configuration, the 5-speaker configuration, will require two speaker pairs: main speakers (your normal stereo speakers), and rear speakers, plus a center speaker. When you place these speakers, refer to the following.
Front R Main R
Center
Front L Main L
TV set
Rear R
Main: In normal position. (The position of your present stereo speaker system.)
Rear: Behind your listening position, facing slightly inward. Nearly six feet (approx. 1.8 m) up from the floor.
Center: Precisely between the main speakers. (To avoid interference with TV sets, use a magnetically shielded speaker.)
Rear L
7
Downloaded from: http://www.usersmanualguide.com/
CONNECTIONS
Never plug in this unit and other components until all connections are completed.
CONNECTIONS WITH OTHER COMPONENTS
When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.
*If you have YAMAHA components numbered as 1, 2, 3, etc. on the rear panel, connections can be made easily by making sure to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.
DSP-A592
Turntable |
Monitor TV |
LD player etc. |
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OUTPUT |
GND |
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VIDEO IN |
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AUDIO OUT |
VIDEO OUT |
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(Europe model) |
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MAIN |
CENTER |
REAR |
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GND |
6CH DISCRETE INPUT DVD/LD TV/DBS |
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IMPEDANCE SELECTOR |
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MAIN |
CENTER |
SURROUND |
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REAR |
6ΩMIN./SPEAKER |
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CENTER |
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SINGLE:6ΩMIN./SPEAKER |
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DUAL:3ΩMIN./SPEAKER |
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MAIN |
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A OR B:4ΩMIN./SPEAKER |
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A |
B:8ΩMIN./SPEAKER |
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REAR |
8ΩMIN./SPEAKER |
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CENTER |
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SINGLE:8ΩMIN./SPEAKER |
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SUB |
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DUAL:4ΩMIN./SPEAKER |
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MAINS |
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WOOFER |
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A OR B:8ΩMIN./SPEAKER |
WOOFER |
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VIDEO SIGNAL |
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A B:I6ΩMIN./SPEAKER |
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CORRECT SETTING. |
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MONITOR |
VCR |
MONITOR |
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VCR |
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DVD/LD |
TV/DBS |
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OUT |
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S VIDEO |
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VIDEO |
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AUDIO SIGNAL |
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1 |
2 |
3 TAPEPB |
4 OUTREC |
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IN |
OUT |
SWITCHED |
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PHONO |
CD |
TUNER |
TAPE ( MD ) |
DVD/LD |
TV/DBS |
VCR |
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MAX. TOTAL |
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OUTLETS |
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OUTPUT |
OUTPUT |
LINE OUT |
LINE IN |
VIDEO OUT |
AUDIO OUT |
AUDIO OUT |
AUDIO IN |
VIDEO IN |
VIDEO OUT |
To AC outlet
CD player |
Tuner |
Tape deck, |
TV/Satellite tuner |
Video cassette recorder |
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MD recorder, etc. |
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8
Downloaded from: http://www.usersmanualguide.com/
DSP-A492
Turntable |
Monitor TV |
Video cassette recorder |
TV/Satellite tuner |
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English
OUTPUT |
GND |
VIDEO IN |
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VIDEO OUT |
AUDIO OUT |
VIDEO IN |
AUDIO IN |
VIDEO OUT |
AUDIO OUT |
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(Europe model) |
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IMPEDANCE SELECTOR |
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REAR |
6ΩMIN./SPEAKER |
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CENTER |
SINGLE:6ΩMIN./SPEAKER |
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VIDEO SIGNAL |
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DUAL:3ΩMIN./SPEAKER |
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MAIN |
A OR B:4ΩMIN./SPEAKER |
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A B:8ΩMIN./SPEAKER |
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MONITOR OUT |
DVD/LD |
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VCROUT |
TV/DBS |
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REAR |
8ΩMIN./SPEAKER |
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CENTER |
SINGLE:8ΩMIN./SPEAKER |
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DUAL:4ΩMIN./SPEAKER |
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MAIN |
A OR B:8ΩMIN./SPEAKER |
1 |
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A B:I6ΩMIN./SPEAKER |
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* MAINS |
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PHONO |
TAPE TAPE REC |
DVD/LD |
IN |
VCR OUT |
TV/DBS |
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PB ( MD ) OUT |
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3 |
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AUDIO SIGNAL |
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L |
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L0 DB 0 DB |
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1 CD |
2 TUNER |
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I00W MAX. TOTAL |
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MAIN |
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SWITCHED |
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AC OUTLETS |
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LEVEL |
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See page 13.
To AC outlet
LINE OUT |
LINE IN |
VIDEO OUT |
AUDIO OUT |
OUTPUT |
OUTPUT |
Tape deck, |
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LD player etc. |
CD player |
Tuner |
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1
AC* OUTLET(S) (SWITCHED)
(Europe and General models) .......... |
2 SWITCHED OUTLETS |
(U.K. model) ........................................ |
1 SWITCHED OUTLET |
Use these to connect the power cords from your components to this unit.
The power to the SWITCHED outlets is controlled by this unit’s POWER switch or the provided remote control transmitter’s POWER key. These outlets will supply power to any component whenever this unit is turned on.
The maximum power (total power consumption of components) that can be connected to the SWITCHED AC OUTLET(S) is 100 watts.
2
*GND terminal (For turntable use)
Connecting the ground wire of the turntable to the GND terminal will normally minimize hum, but in some cases better results may be obtained with the ground wire disconnected.
9
Downloaded from: http://www.usersmanualguide.com/
DSP-A592 only
CONNECTING TO VIDEO AUX TERMINALS (ON THE FRONT PANEL)
These terminals are used to connect any video input source such as a camcorder to this unit.
VIDEO AUX
S VIDEO |
VIDEO |
L AUDIO |
R |
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AUDIO OUT R 
AUDIO OUT L 
VIDEO OUT 
S VIDEO OUT 
R
L
VIDEO
Camcorder
S VIDEO
DSP-A592 only
CONNECTING TO S VIDEO TERMINALS
If you have a video cassette recorder and a monitor equipped with “S” (high-resolution) video terminals, those terminals can be connected to this unit’s S VIDEO terminals. Connect the video cassette recorder’s “S” video input and output terminals to this unit’s S VIDEO VCR IN and OUT terminals respectively, and connect the monitor’s “S” video input terminal to this unit’s S VIDEO MONITOR OUT terminal. Otherwise, connect the video cassette recorder’s composite video terminals to this unit’s composite video terminals, and connect the monitor’s composite video input terminal to this unit’s composite MONITOR OUT terminal.
Note
If video signals are sent to both S VIDEO input and composite input terminals, the signals will be sent to their respective output terminals independently.
Monitor TV
VIDEO
IN
VIDEO |
IN |
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VIDEO SIGNAL |
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S |
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MONITOR |
VCR |
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MONITOR |
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VCR |
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OUT |
IN |
OUT |
OUT |
DVD/LD |
TV/DBS |
IN |
OUT |
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S VIDEO |
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VIDEO |
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S VIDEO OUT |
S VIDEO IN |
VIDEO OUT |
VIDEO IN |
Video cassette recorder
10
Downloaded from: http://www.usersmanualguide.com/
DSP-A592 only
Connecting with a Dolby Digital (AC-3) Decoder
If you have a Dolby Digital (AC-3) Decoder unit or an LD player etc. which incorporates a Dolby Digital (AC-3) Decoder, its discrete outputs can be connected to this unit.
English
6CH DISCRETE OUTPUT
MAIN CENTER SURROUND
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SUB |
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WOOFER |
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GND |
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6CH DISCRETE INPUT DVD/LD TV/DBS |
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MAIN |
CENTER |
SURROUND |
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SUB |
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WOOFER |
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VIDEO SIGNAL |
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MONITOR |
VCR |
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MONITOR |
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VCR |
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OUT |
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IN |
OUT |
OUT |
DVD/LD |
TV/DBS |
IN |
OUT |
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S VIDEO |
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VIDEO |
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AUDIO SIGNAL |
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1 |
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2 |
3 TAPEPB 4 OUTREC |
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IN |
OUT |
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PHONO |
CD |
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TUNER |
TAPE ( MD ) |
DVD/LD |
TV/DBS |
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VCR |
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Dolby Digital (AC-3) Decoder unit
DIGITAL
IN
DIGITAL
OUT
RF Demodulator
AC-3 RF
IN
AC-3 RF
OUT
VIDEO OUT
AUDIO OUT
Notes
•The laserdisc player (or another unit) must be also connected to the DVD/LD (or TV/DBS) AUDIO SIGNAL input terminals of this unit for playing a source with the Dolby Pro Logic Surround decoded or in normal stereo (or monaural).
•The discrete signals input to this unit cannot be recorded by a tape deck, MD recorder or VCR. To record a source played on the laserdisc player (or another unit), it must be connected to the DVD/LD (or TV/DBS) AUDIO/VIDEO SIGNAL input terminals of this unit.
Laserdisc player with AC-3 RF output or another unit with AC-3 RF output
•If you made no connection to the SUBWOOFER input terminal of this unit or you will not use a subwoofer, you should make a setting for distributing signals at the LFE channel to the right and left MAIN output terminals on the Dolby Digital (AC-3) Decoder unit.
(For details, refer to the owner’s manual for the Dolby Digital (AC-3) Decoder unit.
11
Downloaded from: http://www.usersmanualguide.com/
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