Yamaha PSR-7000, PSR-7000E User Manual

SPECIAL MESSAGE SECTION

PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

The lightning flash with arrowhead symbol within the equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical shock.

ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

Battery Notice: This product MAY contain a small nonrechargable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.

Warning: Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you.

Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc.

NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.

IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected.

SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.

92-469 1

NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

AUX OUT

AVIS:

RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR.

AUX IN

R L/L+R

WARNING:

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.

R L/L+R

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

MIDI

FOOT SWITCH

FOOT VOLUME

OUT

THRU

AC INLET

Model _____________________________________ Serial No. __________________________________ Purchase Date ______________________________

Owner’s Manual

English

Bedienungsanleitung

Mode d’emploi

Deutsch

Français

Congratulations!

You are the pr oud owner of an extraordinary electronic keyboar d. The Yamaha PSR-7000 PortaTone combines the most advanced AWM tone generation technology with state-of-the-art digital electronics and featur es to give you stunning sound quality with maximum musical enjoyment. The advanced Auto Accompaniment and One Touch Setting features, in particular, are brilliant examples of how Yamaha technology can significantly expand your musical horizons. A new large-size graphic display and easy-to-use interface also greatly enhance the operability of this advanced instrument.

In order to make the most of your PortaTone’s features and vast performance potential, we urge you to r ead the manuals thor oughly while trying out the various features described. Keep the manuals in a safe place for later reference.

Contents

Taking Care of Your PortaTone 2

Floppy Disks & the Disk Drive ...........3

Panel Controls 4 Connections & Music Stand 6 The Demonstration 8

The Random & Single Demo Play Modes

...................................................... 9

The PSR-7000 Display & Display-based Controls 10

The Display & Multi-function Controls

................................................10

■ The [MIXER] Button ........................10

■ The [LIST HOLD] Button ................. 11

■ The [LCD CONTRAST] Control ...... 11

■ The 5-language Help Function........ 11

Playing the PSR-7000 12

■ Before You Begin............................. 12

Selecting & Playing Voices ............. 12

Using the Organ Flute Voices.........16

■ FOOTAGE.......................................16

■ VOLUME & ATTACK ...................... 17

■ NAME & ROTARY SPEAKER ........ 17

■ Using the Rotary Speaker Effect..... 18

Keyboard Percussion ....................... 19

Changing the “L” Split Point .......... 20

Transposition, Tuning, & Octave Change 21

TRANSPOSE & TUNE........................21

OCTAVE CHANGE..............................22

Using the Accompaniment Section 23

■ Fade-ins and Fade-outs ..................30

■ Accompaniment Volume .................30

■ The Auto Mute Function.................. 30

Changing the “A” Split Point ..........31

The Chord Assist Function ............. 32

The Arranger Buttons ....................... 34

One Touch Setting 35

■ THE TEMPO SET FUNCTION........36

Expression & Effects 37

■ Harmony..........................................37

■ Sustain ............................................37

■ Touch Response .............................38

■ Reverb.............................................38

■ Chorus.............................................39

■ DSP Effects..................................... 39

■ Left Hold.......................................... 39

■ Pitch Bend Wheel............................40

■ Modulation Wheel ........................... 40

■ Digital Equalizer ..............................41

The Multi Pads 42

The PHRASE/CHORD Mode ............ 42

The PHRASE Pads (pads 1 … 4)......42

■ Recording Phrases..........................43

■ Phrase Playback .............................44

The CHORD Pads (pads 5 … 8) ....... 44

■ Recording Chords ...........................44

■ Chord Playback............................... 45

■ The Repeat & Chord Match Settings46

● REPEAT ...................................... 46

● CHORD MATCH ......................... 46

The PERCUSSION Mode .................. 47

■ Assigning Different Instruments

To the PERCUSSION Pads ............47

■ Playing the Percussion Pads .......... 48

Registration Memory 49

Registering the Panel Settings.......49

Entering a Registration Name..........50

Recalling the Registered Panel Settings

.................................................51

The Freeze Function.......................... 52

The Freeze Group Settings .............. 52

Song Playback & Recording 53

Song Playback .................................... 53

■ Pause, Fast Forward & Reverse .....54

Chain Playback ................................. 55

Volume & Mute/Solo Settings ..........56

Song Recording.................................. 58

Quick Record.....................................60

■ THE TRACK INDICATORS.............62

■ TRACK DELETE .............................62

■ PLAYBACK .....................................62

■ EXITING.......................................... 62

Chord Step Recording ...................... 63

■ DELETING EVENTS....................... 64

Quick Record Mode Edit Functions ...

■ SONG DELETE...............................65

Multitrack Record..............................66

■ THE TRACK INDICATORS.............68

■ TRACK DELETE .............................68

■ RECORDING & EFFECTS ............. 68

■ PLAYBACK .....................................69

■ EXITING.......................................... 69

Punch-In Recording .......................... 69

Track Volume Control.......................72

Multitrack record Mode

Edit Functions ...................................72

■ QUANTIZE ......................................72

■ TRACK COPY/MIX ......................... 73

■ INITIAL EDIT................................... 74

■ SONG DELETE...............................74

Custom Accompaniment 75

Effects ................................................79

■ REVERB DEPTH ............................79

■ CHORUS TYPE & DEPTH..............80

■ PAN................................................. 80

Edit .....................................................81

■ QUANTIZE ...................................... 81

■ COPY ..............................................81

■ REMOVE EVENT............................82

Store/Clear......................................... 83

■ STORE............................................ 83

■ CLEAR CUSTOM STYLE ...............83

Custom Voice Edit 84

Engaging the Easy/Full Edit Mode 84

■ EXITING.......................................... 84

The Easy Edit Parameters ............... 85

EDIT .................................................... 85

■ NAME.............................................. 85

■ PAN................................................. 85

■ VIBRATO ........................................ 85

■ TONE ..............................................86

■ ENVELOPE..................................... 86

STORE/CLEAR ..................................87

■ STORE............................................ 87

■ CLEAR CUSTOM VOICE ............... 87

The Full Edit Parameters..................88

E1:BASIC ...........................................88

■ NAME.............................................. 88

■ WAVE (except for the DRUM KITS) ........... 88

■ TUNE (except for the DRUM KITS)............89

■ VOLUME (except for the DRUM KITS) ......89

■ KEY ON DELAY

(except for the DRUM KITS) ...................... 89

■ PAN................................................. 89

E2:CONTROLLER ............................. 89

■ PITCH BEND WHEEL.....................89

■ MODULATION WHEEL .................. 90

■ INITIAL TOUCH CURVE.................90

■ AFTER TOUCH...............................90

E3:ENVELOPE ................................... 91

■ AMPLITUDE ENVELOPE ...............91

■ FILTER............................................ 92

E4:EFFECTS ......................................93

■ LFO .................................................93

■ DELAY VIB......................................93

■ REVERB DEPTH ............................93

■ CHORUS DEPTH ........................... 93

■ DSP EFFECT.................................. 93

■ LEAD EFFECT................................ 94

STORE/CLEAR ..................................94

■ STORE............................................ 94

■ CLEAR CUSTOM VOICE ............... 94

The Drum Kit Edit Mode ...................95

Disk Operations 96

Load From Disk .................................. 96

Save To Disk........................................ 98

Rename File/Song .............................. 99

Delete File/Song................................101

Format FD........................................... 102

Song Copy.......................................... 102

HD Utility............................................. 104

■ DIRECTORY EDIT........................ 104

● RENAME ................................... 104

● MAKE ........................................104

● DELETE .................................... 105

■ HD FORMAT................................. 105

■ CHECK..........................................105

The PSR-7000 “Functions” 106

General Function Selection & Editing Procedure

■ The [EXIT] Button..........................107

............................106

F1: Scale (Arabic)/Voice Part 108

■ SCALE (ARABIC)..........................108

■ VOICE PART ................................ 108

● SCALE CURVE ......................... 108

● PART TUNE .............................. 109

● OCTAVE ................................... 109

● PAN ........................................... 109

F2: Split Point/ABC Mode/

Multi Pad 110

■ SPLIT POINT/ABC MODE ............110

● SPLIT POINT ............................ 110

● ABC MODE ...............................110

■ MULTI PAD ...................................111

● REPEAT .................................... 111

● CHORD MATCH ....................... 111

F3: Controller 112

■ FOOT CONTROLLER...................112

● VOLUME ...................................112

● SW1 (FOOTSWITCH 1) &

SW2 (FOOTSWITCH 2) ............ 112

■ PANEL CONTROLLER................. 114

● SUSTAIN BUTTON ................... 114

● PITCH BEND WHEEL............... 114

● MODULATION WHEEL.............114

● INITIAL TOUCH ........................ 115

● AFTER TOUCH......................... 115

F4: Style Revoice 116

● VOLUME OFFSET .................... 116

● VOICE .......................................116

● REVERB DEPTH ...................... 117

● CHORUS DEPTH......................117

F5:

Reverb/Chorus/DSP Effect

■ REVERB TYPE & DEPTH ............ 118

● REVERB TYPE .........................118

● REVERB PARAMETER EDIT ... 119

● REVERB DEPTH ...................... 119

■ CHORUS DEPTH ......................... 120

■ DSP EFFECT TYPE & DEPTH..... 120

● DSP EFFECT TYPE ................. 120

●

DSP EFFECT PARAMETER EDIT .

● DSP EFFECT DEPTH............... 121

118

121

F6: Harmony/Registration 122

■ HARMONY.................................... 122

■ REGISTRATION ...........................122

● NAME ........................................ 122

● FREEZE GROUP SETTING ..... 122

F7: Utility 123

■ MEMORY BACKUP ......................123

● MEMORY BACKUP .................. 123

● DISPLAY - MIDI BANK SEL. &

PROG. CHANGE #, TIME......... 123

■ RECALL PRESET DATA ..............123

F8: MIDI 124

SYSTEM .............................................. 124

■ LOCAL CONTROL........................ 124

■ CLOCK & TRANSPOSE ...............125

● CLOCK ...................................... 125

● TRANSPOSE ............................125

■ MESSAGE SWITCH .....................125

● START/STOP............................ 125

● EXCLUSIVE ..............................126

TRANSMIT.....................................126

● TRANSMIT MONITOR .............. 126

● CHANNEL .................................126

● PART.........................................126

● NOTE, CONTROL CHANGE, PRO-

GRAM CHANGE, & PITCH BEND

SWITCH ....................................127

RECEIVE ....................................... 128

● RECEIVE MONITOR.................128

● CHANNEL .................................128

● MODE .......................................128

● NOTE, CONTROL CHANGE, PRO-

GRAM CHANGE, & PITCH BEND

SWITCH ....................................128

PANEL CONTROL ........................ 129

● OCTAVE ................................... 129

● NOTE ........................................ 129

● TYPE SELECT & SUB .............129

Troubleshooting ...............................131

Index .................................................... 132

Voice List ............................................ 134

Percussion Kit List .......................... 138

Style List .............................................139

Setup Parameters.............................140

Fingering Chart ................................. 144

The DSP Effects & Parameters.....153

MIDI Implementation Chart............ 159

MIDI Data Format.............................. 162

Sample Data Disks........................... 167

Specifications....................................168

Taking Care of Your PortaTone

Your PortaTone will give you years of playing pleasure if you follow

the simple rules given below:

■ Location

Do not expose the instrument to the following conditions to avoid deformation, discoloration, or more serious damage.

● Direct sunlight (e.g. near a window).

● High temperatures (e.g. near a heat source, outside , or

in a car during the daytime).

● Excessive humidity.

● Excessive dust.

● Strong vibration.

■ Power Supply

● In some areas the PSR-7000 will

have a voltage selector on the bottom panel. Make sure that the voltage selector is set for the AC mains voltage in your area. The voltage selector can be set (rotated) by using a screwdriver. If in doubt, contact your Yamaha dealer.

● T urn the power switch OFF when the instrument is not in use. (The PSR-7000 uses a ver y small amount of power to maintain the internal memory contents even when no batteries are installed and the power is turned off.)

● The power supply cord should be unplugged from the AC outlet if the instrument is not to be used for an extended period of time.

● Unplug the instrument during electric storms.

● Avoid plugging the instrument into the same AC outlet

as appliances with high power consumption, such as electric heaters or ovens. Also avoid using multi-plug adapters since these can result in reduced sound quality, operation errors, and possibly damage.

■ Memory Backup Batteries

The PSR-7000 requires four 1.5 V C size (LR14) batteries for memory backup power. If no backup batteries are installed, the memory contents will be lost when then instrument is unplugged from the AC mains supply . Please use alkaline batteries. The av erage life of a set of alkaline batteries is about 12 months.

1. Open Battery Compartment Cover

Open the battery compartment cover — located on the instrument’s bottom panel — by pressing on the two latches on the cover and pulling outward, as shown in the illustration.

2. Insert Batteries

Insert the four batteries, being careful to follow the polarity markings on the bottom panel.

3. Replace Cover

Replace the compartment cover, making sure that it locks firmly in place.

110V

240V

1 3

220V

NOTES

• Never mix old and new, or different type of batteries!

• To prevent damage due to battery leakage, it is a good idea

to remove the batteries from the PSR-7000 (after saving any important data to disk) if it is not to be used an extended period of time. (YAMAHA is not responsible irretrievable internal data.)

0 V

■

Turn Power OFF When Making Connections

● To avoid damage to the instrument and other devices to which it is connected (a sound system, for example), turn the power switches of all related devices OFF prior to connecting or disconnecting audio and MIDI cables.

■ Handling and Transport

● Never apply excessive force to the controls, connec-

tors or other parts of the instrument.

● Always unplug cables by gripping the plug firmly , not by pulling on the cable.

● Disconnect all cables before moving the instrument.

● Physical shocks caused by dropping, bumping, or

placing heavy objects on the instrument can result in scratches and more serious damage.

■ Cleaning

● Clean the cabinet and panel with a dry soft cloth.

● A slightly damp cloth may be used to remove stubborn

grime and dirt.

● Never use cleaners such as alcohol or thinner.

● Avoid placing vinyl objects on top of the instrument

(vinyl can stick to and discolor the surface).

■ Electrical Interference

● This instrument contains digital circuitry and ma y cause

interference if placed too close to radio or television receivers. If this occurs, move the instrument further away from the affected equipment.

■ Data Backup

● Save all important data to disk before turning off for

longer periods.

● Internal data (e.g. Registration data) is retained in memory even if the power switch is turned OFF when backup batteries are installed as described above. If you do not intend to use the PSR-7000 for an e xtended period of time, it is a good idea to unplug the instrument from the AC outlet and remove the batteries.

Taking Care of Your PortaTone

● Internal memor y data can be corr upted due to incorrect operation. Be sure to “save” important data to a floppy disk frequently so you hav e a backup to revert to if something happens to damage the data in memory. Also note that magnetic fields can damage data on the disk, so it is advisable to make a second back-up cop y of disks that contain very important data, and keep backup disks in a safe place away from stray magnetic fields (i.e. a wa y from speak ers, appliances containing motors, etc.).

Floppy Disks & the Disk Drive

■ Type of Disk

Use only 3.5-inch 2DD or 2HD floppy disks.

■ Disk Insertion & Removal

● To inser t a floppy disk in the disk drive, hold the disk

with the label side facing up and the sliding shutter facing the disk drive door , then insert carefully until the disk clicks into place.

● T o remove a flopp y disk from the disk drive, make sure the “DISK IN USE” light is not lit and press the disk eject button firmly as far as it will go and then, when the disk is full ejected, remove it by hand.

If the eject button is only partially pressed or pressed too quickly the eject mechanism may not function properly , leaving the disk stuck halfway . Do not attempt to remove the disk forcefully if this happens, since excess force can damage the disk and/or the drive mechanism. Try either pressing the eject b utton carefully again, or push the disk all the way back into the drive and repeat the eject procedure.

■ Service and Modification

● The PSR-7000 contains no user serviceable parts.

Opening it or tampering with it in anyway can lead to irreparable damage and possibly electric shock. Ref er all servicing to qualified YAMAHA personnel.

ing Disk to clean the head about once a month. Ask y our Yamaha dealer about the available of head-cleaning disks.

■ Floppy Disk Handling & Storage

The actual recording medium inside a floppy disk has a fine coating of magnetic particles in which the data is “stored”. To protect this coating as well as the disk drive’s delicate read-write head, please observe the following:

● Always keep floppy disks in their case when they are not in use. Never place heavy objects on a disk or bend the disk in any way. Also k eep disks a wa y from liquids and dust.

● Never open the disk’s shutter and touch the exposed surface of the disk.

● Keep floppy disks away from strong magnetic fields such as those produced by television sets, speakers, motors, etc.

● Never leave floppy disks in areas exposed to strong direct sunlight, excessively high or low temper ature, or high humidity.

● Never use a floppy disk with a defor med shutter or housing.

● Do not attach anything other than the provided labels to a floppy disk. Also make sure that labels are attached in the proper location.

● Never attempt to remove a flopp y disk during a record or playback operation!! This can corrupt the data on the disk, and actually damage the disk drive!

● Be sure to remove the floppy disk from the disk drive before turning off the power. A floppy disk left in the drive for extended periods can easily pick up dust and dirt that can cause data read/write errors.

■ Clean the Read/Write Head Regularly

This instrument employs a precision magnetic read/write head which, after an extended period of use, will pick up a layer of magnetic particles from the disks used that will eventually cause read and write errors. To maintain the disk drive in optimum working order we recommend that you use a commercially-availab le

Dry-type Head Clean-

YAMAHA is not responsible for damage caused by improper handling or operation.

■ Protecting Your data

● To prevent accidental erasure of important data you

have saved to floppy disk, be sure to slide the disk’s write-protect tab to the “write protect” position (the tab window should be open). When this is done the disk cannot be written to.

● Make regular backup copies of important data to a separate floppy disk, and keep your bac kup disks in a separate, safe place.

● T o ensure the safety of y our data (and of the disk drive itself) always use floppy disks from a well-known, reliable manufacturer. “No-brand” disks can cause trouble.

Write protected Write enabled

YAMAHA provides no guarantee against disk damage.

Panel Controls

a s

PITCH BEND MODULATION

MAX

DOWN MIN

PHONES MIC

MASTER VOLUME

MIN •• MAX

MIC VOLUME

MIN •• MAX

INTRO/

FADE

FILL to

IN / OUT

ABAB

ACCOMPANIMENT DIRECTOR

ARRANGER

PHRASE

PAD

CHORD

BASS

RHYTHM

MAIN

ACCOMPANIMENT

ROCK /

ROCK’N’ROLL

POP / BEAT

BALLAD

DANCE

DISCO

RHYTHM &

BLUES

SYNCHRO

ENDING/

START

rit.

AUTO BASS CHORD

JAZZ

LATIN

COUNTRY&

WESTERN

MARCH/

WALTZ

BALLROOM

CUSTOM

STYLE

START/STOP

LEFT ORCHESTRA

PIANO/ ORGAN

STRINGS/

ONE TOUCH

SETTING

CHOIR

BRASS/

WOODWIND

SYNTH/

PAD

GUITAR/

PERCUSSIVE

CUSTOM

VOICE

LEFTLEFT HOLD

PHRASE

12345678

(

PHRASE/CHORD

PLAYING

MULTI PAD

@#$

SONG

CUSTOM

FUNCTION

PLAY

VOICE EDIT

SONG

CUSTOM

RECORD

ACCOMP. REC

^ &

TEMPO

–

REC/STOP

CHORD

DISK

PERCUSSION PHRASE/CHORD

DIGITAL EQUALIZER

MIXER

LIST HOLD

)

1 POWER Button .......................................... page 8

2 DEMO Button............................................. page 8

3 MASTER VOLUME Control........................ page 8

4 MIC VOLUME Control ................................ page 6

5 ARRANGER Buttons ............................... page 34

PHRASE, PAD, CHORD, BASS, RHYTHM

6 ACCOMPANIMENT Buttons .................... page 26

7 ONE TOUCH SETTING Button................ page 35

8 AUTO BASS CHORD Button ................... page 23

9 ACCOMPANIMENT DIRECTOR Buttons

........................................................pages 27 – 30

FADE IN/OUT, INTRO/FILL to A/B, MAIN A/B, ENDING/rit., SYNCHRO START, START/STOP

0 LEFT ORCHESTRA Buttons ............pages 13, 14

! LEFT HOLD Button.................................. page 39

@ SONG PLAY Button ................................. page 53

# CUSTOM VOICE EDIT Button ................. page 84

$ FUNCTION Button ................................. page 106

% SONG RECORD Button .......................... page 58

^ CUSTOM ACCOMP. REC Button............. page 75

& DISK Button ............................................. page 96

* TEMPO [–] and [+] Buttons...................... page 26

( MULTI PAD Buttons ................................. page 42

REC/STOP, PHRASE/CHORD-PERCUSSION, 1 — 8

Panel Controls

LANGUAGE

i o p

HARMONY

REVERB

TOUCH

RESPONSE

SUSTAIN

CHORUS

EFFECT

W E

LCD

CONTRAST

DSP

PART SELECT

R 1

R 2

HELP/

EXIT

FREEZE MEMORY

BANK 1~16

–

12345678

U I

RIGHT ORCHESTRA

ACCORDION/

PIANO

WORLD

SYNTH/

ORGAN

PAD

SOUND

STRINGS/

EFFECT

CHOIR

SAX/

PERCUSSIVE

WOODWIND

TRUMPET/

DRUM KIT

BRASS

GUITAR/

CUSTOM

BASS

VOICE

RIGHT 1

RIGHT 2

REGISTRATION

LEAD

TRUMPET/

BRASS

SAX/

WOODWIND

STRINGS/

CHOIR

GUITAR/

BASS

SYNTH/

PERCUSSIVE

CUSTOM

VOICE

LEAD

ORGAN FLUTE

SLOW

FAST

COMBI

1~6

COMBI

7~12

COMBI

13~18

ROTARY

SPEAKER

SPEED

ORGAN FLUTE

DISK IN USE

DEMO

PSR-7000

POWER

) Liquid Crystal Display (LCD).................... page 10

q LCD Buttons............................................. page 10

w DIGITAL EQUALIZER Button ................... page 41

e MIXER Button .......................................... page 10

r LIST HOLD Button ................................... page 11

t LCD dials ................................................. page 10

y HELP/LANGU AGE Button ....................... page 11

u EXIT Button.......................................pages 9, 107

i HARMONY Button ................................... page 37

o SUSTAIN Button ...................................... page 37

p T OUCH RESPONSE Button.................... page 38

Q REVERB Button....................................... page 38

W CHORUS Button ...................................... page 39

E DSP EFFECT Button ............................... page 39

R LCD CONTRAST Control ........................ page 11

T REGISTRATION Buttons ......................... page 49

FREEZE, MEMORY, BANK 1~16 [–] and [+], 1 — 8

Y PART SELECT Buttons............................ page 14

R1, R2

U RIGHT ORCHESTRA Buttons ..........pages 13, 14

I LEAD Buttons ...................................pages 13, 14

O ORGAN FLUTE Buttons .......................... page 16

P Disk Drive....................................pages 53, 58, 96

a PITCH BEND Wheel ................................ page 40

s MODULATION Wheel .............................. page 40

Connections & Music Stand

PHONES MIC

AUX OUT

AUX IN

R L/L+R

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

AVIS: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR.

WARNING:

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.

R L/L+R

1 2

■ Chec k the Voltage (Before you connect the AC cord).........................................................................

In some areas the PSR-7000 will have a voltage selector on the bottom panel. Make sure that the voltage selector is set for the AC mains voltage in your area. The voltage selector can be set (rotated) by using a screwdriver. If in doubt, contact your Yamaha dealer.

AC INLET

MIDI OUT

FOOT SWITCH

THRU

FOOT VOLUME

3 4

110V

240V

220V

3 0

■ The PHONES Jack......................................................................................................................................................................

A standard pair of stereo headphones can be plugged in here for private practice or late-night playing. The internal stereo speaker system is automatically shut off when a pair of headphones is plugged into the PHONES jack.

■ The MIC Jack & MIC VOLUME Control.................................................................................................................

The PSR-7000 includes a microphone (“MIC”) jack into which just about any standard microphone with a 1/4" phone plug connected can be plugged (a dynamic microphone with an impedance of 250 ohms is recommended). The microphone sound is amplified and reproduced via the PSR-7000’s sound system along with the sound of the internal tone generator. The volume of the microphone sound is independently controlled by the MIC VOLUME control.

NOTES

• The level of the microphone sound may vary according to the type of

microphone used.

PHONES MIC

MIC VOLUME

MIN •• MAX

1 The AUX OUT L/L+R and R Jac ks.............................................................................................................................

The rear-panel AUX OUT L/L+R and R jacks deliver the output of the PSR-7000 for connection to a keyboard amplifier, stereo sound system, a mixing console, or tape recorder. If you will be connecting

Stereo System

the PSR-7000 to a monaural sound system, use only the L/L+R jack. When a plug is inserted into the L/L+R jack only , the left- and rightchannel signals are combined and delivered via the L/L+R jack so you don’t lose any of the PSR-7000 sound.

AUX OUT

L/L+RR

Connections & Music Stand

2 The AUX IN L/L+R and R Jacks....................................................................................................................................

The rear-panel AUX IN L/L+R and R jacks accept input from an external instrument or audio souce. The signal received at the INPUT jack is mixed with PSR-7000 sound and delivered via the speaker system. When a plug is inserted into the L/L+R jack only , the signal is delivered via the both channels.

3 FOOT SWITCH 1 and 2 Jacks.........................................................................................................................................

One or two optional Yamaha FC5 footswitches connected to these jacks can be used to control sustain and a range of other important functions. Refer to the “FOOT SWITCH 1” and “FOOT SWITCH 2” functions described on page 112.

CD Player

AUX IN

L/L+RR

FOOT SWITCH

4 FOOT V OLUME Jack................................................................................................................................................................

An optional Yamaha FC7 Foot Controller can be connected to this jack to allow foot volume (expression) control. The foot controller can be assigned to control overall volume or the volume of individual accompani-

FOOT VOLUME

ment and/or voices via the “FOOT VOLUME” function — page 112.

5 MIDI IN, THRU and OUT Connectors ......................................................................................................................

Music

MIDI

OUT THRUIN

Tone Generator

The MIDI IN connector receives MIDI data from an external MIDI device (such as a MIDI sequencer) which can be used to control the PSR-7000. The MIDI THRU connector re-transmits any data received at the MIDI IN connector, allowing “chaining” of several MIDI instruments or other devices. The MIDI OUT connector transmits MIDI data generated by the PSR-7000 (e.g. note and velocity data produced by playing the keyboard). More details on MIDI are provided on page 124.

Computer

The Music Stand

The PSR-7000 is supplied with a music stand that can be attached to the instrument by inserting it into the holes at the rear of the speaker panel.

The Demonstration

DEMO

EXIT

DEMO

POWER

To give you an idea of the PSR-7000’s sophisticated capabilities, it is programmed with 14 demonstration sequences which can be played in a number of ways.

Z Switch ON............................................................................................................................................................................................

Plug the AC power cord into a convenient AC

outlet, then press the [POWER] button to turn the PSR-7000 ON.

DEMO

POWER

X Set an Initial Volume Level ................................................................................................................................................

Set the [MASTER VOLUME] control to a

position about a quarter of the way toward the highest setting. You can re-adjust the [MASTER VOLUME] control for the most comfortable overall volume level after playback begins.

MASTER VOLUME

MIN •• MAX

C Press the [DEMO] Button...................................................................................................................................................

Press the [DEMO] button and the PSR-7000

demo display will appear.

V Start & Stop Playback as Required

Press the START LCD button to start playback of all demo songs. Press the STOP LCD button when you want to stop playback.

B Exit When Done..........................................................................................................

Press either the [DEMO] button or the [EXIT]

button to exit from the demo mode and return to the normal play-mode display when you’ve finished playing the demo songs.

The Demonstration

DEMO

EXIT

The Random & Single Demo Play Modes

If you play the demo as described above, you’ll hear all 14 demo songs played in random order. By selecting

an appropriate play mode you can also play back all the songs sequence, or play a single specified song.

Select a Play Mode....................................................................................................................................................................

Use either of the LCD dials under MODE on the display to select one of the available play modes.

ALL All 14 demo songs are played

back in sequence.

RANDOM All 14 demo songs are played back

in random order. This is the default mode.

SINGLE SONG Only the selected song is played.

X Select a Song .........................................................

Press the LCD button corresponding to the type of demo song you want to play, then use the same LCD button to select either of the two demo songs in that group. You can also use either of the LCD dials under SONG on the display to select any of the 14 demo songs.

C Turn the Repeat Mode ON or OFF.............................................................................................................................

Use the REPEAT LCD dial to turn repeat playback ON or OFF as required (when ON, the selected song or sequence of songs will be repeated until the STOP LCD button is pressed)

V Start & Stop Playback as Required.........................................................................................................................

Press the START LCD button to start playback of the selected demo song(s). Press the STOP LCD button when you want to stop playback.

B Exit When Done ............................................................................................................................................................................

Press either the [DEMO] button or the [EXIT] button to exit from the demo mode and return to the normal play-mode display when you’ve finished playing the demo songs.

The PSR-7000 Display & Display-based Controls

The Display & Multi-function Controls

The PSR-7000 makes general operation and programming easier than ever with a large backlit LCD display panel and multi-function controls. The 8 LCD selectors — four on either side of the display panel — and 8 LCD dials below the display perform the function indicated by the adjacent section of the display. In the example display shown here, for example, the LCD dial immediately below LEAD on the display can be used to adjust the volume of the LEAD voice. Rotate the dial upward to increase the volume, or rotate the dial downward to decrease the volume. In the same way, the LCD button immediately to the right of LEAD on the display is used to set the normal octave for the lead voice (“0”), shift it one octave up (“+1”), or one octave down (“–1”).

■ The [MIXER] Button..................................................................................................................................................................

The lower section of the normal play mode display, shown above, provides individual volume controls for the PSR-7000’s song, multi pad, accompaniment, left, right 1, right 2, lead, and organ sound. Pressing the ACCOMP. VOLUME LCD button switches to the individual auto-accompaniment part volume controls: rhythm 1, rhythm 2, bass, chord 1, chord 2, pad, phrase 1, and phrase 2. This is essentially a “mixer” that you will use the achieve the best overall balance for your musical needs. The mixer controls will disappear when functions which have different displays are selected, but can be instantly recalled without exiting from the current display mode by pressing the [MIXER] button. Pressing the [MIXER] button a second time (or the [EXIT] button) causes the mixer controls to disappear.

DIGITAL EQUALIZER

MIXER

LIST HOLD

The PSR-7000 Display & Display-based Controls

■ The [LIST HOLD] Button......................................................................................................................................................

When selecting voices (page 14) or accompaniment styles (page 26), or using the ONE TOUCH SETTING feature (page 35), the voice, style, or ONE TOUCH SETTING list will appear on the display , but will automatically disappear after a few seconds if no selections are made. The list can be kept on the display for as long as required by pressing the [LIST HOLD] button so that its LED lights. Press [LIST HOLD] a second time (the LED will go out) to disengage the list hold function.

NOTES

• If the [LIST HOLD] button is engaged when a list is not

showing, the list will not appear even when a voice group, style group, or ONE TOUCH SETTING button is pressed.

DIGITAL EQUALIZER

MIXER

LIST HOLD

The [LCD CONTRAST] Control.....................................................................................................................................

■

The PSR-7000 display panel is a liquid-crystal

LCD

type which features a [LCD CONTRAST] control.

CONTRAST

Use the [LCD CONTRAST] control to set the display for optimum legibility.

■ The 5-language Help Function .....................................................................................................................................

T o make operation as smooth and easy as possible, the PSR-7000 provides “on-line help” for most features and functions.

Press the [HELP/LANGUAGE] button to see help text for the current display, or press any other panel button after pressing the [HELP/LANGUAGE] button to see help text for that button. Press the [EXIT] or [HELP/LANGUAGE] button when you’re ready to exit from the help mode. If more than one page of help text is available for the selected topic, use the LCD buttons to the right of the display to switch pages as necessary.

Help text and screen messages are available in five languages: English, German, French, Spanish, and Italian. Use the LCD dials in the help display to select the desired language.

HELP/

LANGUAGE

EXIT

Playing the PSR-7000

■ Before You Begin

Before playing your PSR-7000 for the first time, it might be a good idea to re-initialize it to the original factory settings just in case these have been changed at some point before you receive the instrument. To do this, turn the [POWER] switch ON while holding the [DEMO] and [EXIT] buttons.

When the display shown to the right appears press the OK LCD button.

• When the above initialization procedure is carried

out, all internal data (e.g. REGISTRATION, CUSTOM STYLE, CUSTOM VOICE, MULTI PAD) will also be initialized and therefore lost!

EXIT

DEMO

POWER

Selecting & Playing Voices

The PSR-7000 allows you to individually select and play up to four “orchestra parts” at the same time in a number of ways. A range of voices can be assigned to each orchestra part. There’s also an “ORGAN FLUTE” part which simulates an extremely wide range of organ sounds — complete with realistic rotary speaker effect.

RIGHT ORCHESTRA 1 RIGHT ORCHESTRA 2

LEAD This is a monophonic voice which can be played over the entire keyboard or to the right of

LEFT ORCHESTRA A polyphonic voice which can be played to the left of a specified split point while the

ORGAN FLUTE This is a polyphonic voice which can be played over the entire keyboard or to the right of a

Both the RIGHT 1 and RIGHT 2 voices are polyphonic voices which can be played over the entire keyboard or to the right of a specified split point. The default split point is the F#2 key. Either voice can be played alone, or both can be played simultaneously. The RIGHT 1 and RIGHT 2 voices can be selected from a range of 246+8 (Drum kit) voices organized in 12 groups.

a specified split point. The default split point is the F#2 key. The LEAD voice can be played alone, or simultaneously with either or both of the RIGHT ORCHESTRA voices. The LEAD voice can be selected from a range of 123 voices organized in 6 groups. When only the LEAD voice is being played it has “last note priority”. That is, only the last note played will sound. When the LEAD voice is being played with a RIGHT ORCHESTRA voice it has “highest note priority” — the highest note is played by the LEAD voice.

RIGHT 1, RIGHT 2, and/or LEAD voices are played to the right of the split point. The default split point is the F#2 key. The LEFT voice can be selected from a range of 205 voices organized in 6 groups.

specified split point. The default split point is the F#2 key. The ORGAN FLUTE voice cannot be played simultaneously with the RIGHT or LEAD voices. Details on using the ORGAN FLUTE voices are provided on page 16.

* Voice numbers include Custom Voice.

Playing the PSR-7000

Z Set Initial Volume Levels .....................................................................................................................................................

Set the [MASTER VOLUME] control to an

appropriate level, and make sure that the LEFT, R1,

R2, LEAD and ORGAN volume levels in the MIXER MAIN VOLUME display are set to their maximum

“100” levels (use the corresponding LCD dials to set these volume levels if necessary). You can set the [MASTER VOLUME] control for the most comfortable overall volume level after beginning to play .

NOTES

• No sound will be produced if all volume levels other than the [MASTER VOLUME] control are set to their minimum values.

MASTER VOLUME

MIN •• MAX

X Select the Orchestra Parts You Want To Play................................................................................................

Press the [RIGHT 1], [RIGHT 2], [LEAD], and/or [LEFT] button(s), turning on the

indicators corresponding to the parts you want to play . Press the [ORGAN FLUTE] button to play the ORGAN FLUTE voice. The RIGHT 1, RIGHT 2, and LEAD voices will automatically be turned off when the ORGAN FLUTE voice is selected. The ORGAN FLUTE voice will automatically be turned off when the RIGHT 1 , RIGHT 2 or LEAD voice is turned on.

Each time you turn a part on or off, the EASY SETTING LCD button for that part will appear

on the LCD for a few seconds.

LEFT ORCHESTRA

PIANO/ ORGAN

STRINGS/

CHOIR

BRASS/

WOODWIND

SYNTH/

PAD

GUITAR/

PERCUSSIVE

CUSTOM

VOICE

LEFTLEFT HOLD

PART SELECT

R 1

R 2

RIGHT ORCHESTRA

PIANO

ORGAN

STRINGS/

CHOIR

SAX/

WOODWIND

TRUMPET/

BRASS

GUITAR/

BASS

RIGHT 1

ACCORDION/

WORLD

SYNTH/

PAD

SOUND EFFECT

PERCUSSIVE

DRUM KIT

CUSTOM

VOICE

RIGHT 2

LEAD

TRUMPET/

BRASS

SAX/

WOODWIND

STRINGS/

CHOIR

GUITAR/

BASS

SYNTH/

PERCUSSIVE

CUSTOM

VOICE

LEAD

ORGAN FLUTE

SLOW

FAST

ORGAN FLUTE

COMBI

1~6

COMBI

7~12

COMBI

13~18

ROTARY

SPEAKER

SPEED

Playing the PSR-7000

If you press the EASY SETTING LCD button before it disappears, the easy-setting display for that part will appear providing access to the split point parameters as well as the individual octave, pan, and tune parameters for that part. These same parameters can be accessed via the FUNCTION displays (page 106), but the easy-setting displays offer an easier, more efficient way to set these parameters when selecting parts. The easy setting display for a part that is already on can be accessed by pressing the EASY SETTING LCD button while holding the corresponding part button (in this case the part button indicator will not go out when the button is released). See the following pages for details on each of the orchestra part easy setting parameters:

NOTES

• The more parts you play simultaneously, the fewer the total number of notes that can be played on the keyboard at the same time.

• When the RIGHT 1 and RIGHT 2 parts are both on and the same voice is selected for both parts, the sound may be slightly different from the normal voice.

• When the LEFT part is on, the left voice will automatically be transposed up one octave.

SPLIT POINT [L] Page 20 SPLIT POINT [A] Page 31 OCTAVE Page 109 PAN Page 109 TUNE Page 109

C Select a Voice or Voices........................................................................................................................................................

T o select a RIGHT 1 or RIGHT 2 voice use the RIGHT ORCHESTRA voice selectors, to select a LEAD

voice use the LEAD voice selectors, to select an ORGAN FLUTE voice use the ORGAN FLUTE voice selectors ([COMBI 1-6], [COMBI 7-12], or [COMBI 13-18]), and to select a LEFT voice use the LEFT ORCHESTRA voice selectors.

When selecting a RIGHT 1 or RIGHT 2 voice it is also necessary to press the [R1] or [R2] P AR T SELECT

button prior to actually selecting the voice, according to whether you want to select a RIGHT 1 or RIGHT 2 voice (this is not necessary if the [R1] or [R2] indicator for the part you want to select is already lit).

Use the voice group buttons to select the group from which you want to select a voice. The corresponding

voice display will appear.

NOTES

• The display will automatically revert to the main display after a few seconds if the [LIST HOLD] button is not engaged (page 11).

• Custom voices which can be selected via the RIGHT ORCHESTRA, LEFT ORCHESTRA, and LEAD [CUSTOM] buttons can be created via the CUSTOM VOICE EDIT mode described on page 84, or loaded from disk.

Playing the PSR-7000

LEFT ORCHESTRA

PIANO/ ORGAN

STRINGS/

CHOIR

BRASS/

WOODWIND

SYNTH/

PAD

GUITAR/

PERCUSSIVE

CUSTOM

VOICE

LEFTLEFT HOLD

PART SELECT

R 1

R 2

Use the page-number LCD dials the select the page containing the voice you want if more than one page is available, then press the LCD button corresponding to the desired voice. You can also use either of the SELECT LCD dials to select any of the voices within the selected group.

RIGHT ORCHESTRA

PIANO

ORGAN

STRINGS/

CHOIR

SAX/

WOODWIND

TRUMPET/

BRASS

GUITAR/

BASS

RIGHT 1

ACCORDION/

WORLD

SYNTH/

PAD

SOUND

EFFECT

PERCUSSIVE

DRUM KIT

CUSTOM

VOICE

RIGHT 2

LEAD

TRUMPET/

BRASS

SAX/

WOODWIND

STRINGS/

CHOIR

GUITAR/

BASS

SYNTH/

PERCUSSIVE

CUSTOM

VOICE

LEAD

ORGAN FLUTE

SLOW

FAST

ORGAN FLUTE

COMBI

1~6

COMBI

7~12

COMBI

13~18

ROTARY

SPEAKER

SPEED

V Play & Adjust Volume..............................................................................................................................................................

Y ou can now play the selected voice or voices on the keyboard. Use the [MASTER VOLUME] control to adjust the overall volume level, and the MIXER MAIN VOLUME LCD dials to set the desired balance between the parts.

Playing the PSR-7000

Using the Organ Flute Voices

The PSR-7000 has 18 preset ORGAN FLUTE voices which can be selected in the same way as the RIGHT, LEAD and LEFT voices: press an ORGAN FLUTE voice group button — [COMBI 1-6], [COMBI 7-12], or [COMBI 13-18] — and then press the LCD button corresponding to the desired voice in the selected group. The main difference between the ORGAN FLUTE voices and others is that the ORGAN FLUTE voices can be directly edited via the voice list display. The editing controls appear below the voice list (turn [LIST HOLD] on to keep the voice list and editing controls on the display).

ORGAN FLUTE

SLOW

FAST

ORGAN FLUTE

COMBI

1~6

COMBI

7~12

COMBI

13~18

ROTARY

SPEAKER

SPEED

■ FOOTAGE.............................................................................................................................................................................................

The basic sound of the currently selected ORGAN FLUTE voice is edited via FOOTAGE bars corresponding to the LCD dials. If the FOOTAGE display is not showing, press the FOOTAGE LCD button in the ORGAN FLUTE voice list display. The term “FOOT AGE” is a reference to the fact that the sound of pipe organs was adjusted via “stops” which turned on or off pipes of different lengths (in feet). The longer the pipe, the lower the pitch of the sound, thus the 16' (16-foot) FOOT AGE bar adjusts the volume of the lowest pitched component of the voice while the 1' bar adjusts the highest-pitched component of the voice. Use the LCD dials to increase or reduce the amount of the corresponding footages to create the desired overall sound. The longer a graphic footage bar, the greater the amount of the corresponding footage added to the sound.

Playing the PSR-7000

■ VOLUME & ATTACK..................................................................................................................................................................

To access the VOLUME and ATTACK parameters for the ORGAN FLUTE voices, press the

VOLUME/ATTACK LCD button from the FOOTAGE display.

The VOLUME control adjusts the overall volume of the current ORGAN FLUTE voice. The longer the graphic bar, the greater the volume.

The ATTACK controls adjust the attack sound of the current ORGAN FLUTE voice. The 4', 2 and 2' controls increase or reduce the amount of attack sound at the corresponding footages. The longer the graphic bar the greater the attack sound. The LENGTH control produces a longer or shorter decay after the initial attack. The longer the graphic bar the longer the decay . The MODE control selects the FIRST or EACH attack mode: in the FIRST mode attack will only be applied to the first note in a chord or group of notes played and held simultaneously; in the EACH mode attack will be applied equally to all notes. The RESP control increases or decreases the length of attack and release on voices based on the FOOTAGE controls. The higher the value the longer the attack and release.

/3'

■ NAME & ROTARY SPEAKER...........................................................................................................................................

T o access the NAME and ROTARY SPEAKER parameters for the ORGAN FLUTE voices, press the NAME/ROTARY SP. LCD button from the FOOTAGE display.

The NAME controls can be used to enter an original name for the current ORGAN FLUTE voice. V oice names can be up to 12 characters long. Use the < > LCD dials to move the name cursor to the various character positions, then use the A~Z, a~z or 0~9… LCD dial to select the required character for each position. The A~Z LCD dial selects capital letters, the a~z LCD dial selects lower-case letters, and the 0~9… LCD dial selects numbers and special characters.

Playing the PSR-7000

The ROTARY SPEAKER controls set up the rotary speaker effect for the current ORGAN FLUTE voice. The TYPE control selected one of 5 different rotary speaker types. The SPEED control sets the speed of the rotary speaker effect when the FAST mode is selected: the greater the value the faster the speed. The RATE control sets the rate of variation between the FAST and SLOW modes: the greater the value the faster the rate of change when the FAST or SLOW rotary speaker mode is selected. The DEPTH control sets the depth of the rotary speaker effect: the higher the value the more pronounced the effect.

NOTES

• All of the above parameters can be individually pro-

grammed for each ORGAN FLUTE voice. The settings are retained in memory even when the power is turned off as long as a good set of backup batteries is present in the PSR-7000 (page 2).

• The ORGAN FLUTE settings can be saved to disk and

recalled when needed via the SAVE TO DISK and LOAD FROM DISK functions described on pages 96 and 98.

• The original factory settings can be recalled via the

RECALL PRESET DATA function described on page 123.

■ Using the Rotary Speaker Effect................................................................................................................................

When the ORGAN FLUTE voice is selected, press the [ROT AR Y SPEAKER] button so that its indicator lights to engage the ROT ARY SPEAKER effect. Press the [ROTARY SPEAKER] button again to turn the effect off. The [SPEED] button alternately switches between the slow and fast speeds. The current speed is indicated by the SLOW and FAST indicators next to the [SPEED] button.

ORGAN FLUTE

SLOW

FAST

ORGAN FLUTE

COMBI

1~6

COMBI

7~12

COMBI

13~18

ROTARY

SPEAKER

SPEED

Keyboard Percussion

When one of the RIGHT ORCHESTRA [DRUM KIT] voices is selected, you can play 61 different drums and percussion instruments on the keyboard. The drums and percussion instruments played by the various keys are marked by symbols above the keys. Some of the instruments in the different drum kit voices sound different even though they have the same name, while others are essentially the same.

NOTES

• When the DRUM KIT voice OCTAVE parameter is set to “–1”, 11

different instruments are available in the lowest octave.

• The Transpose, Tune, Sustain, Harmony, Left Hold, and Modu-

lation functions do not affect the DRUM KIT voices.

• The pitch bend wheel can be used to bend the pitch of the

keyboard percussion voices to create unique musical effects, but it has little effect on some percussion sounds.

• See page 138 for a complete listing of the keyboard percussion

drum instrument assignments.

Playing the PSR-7000

Changing the “L” Split Point

The PSR-7000 has two programmable split points — one which divides the LEFT and RIGHT/LEAD/ORGAN FLUTE orchestra parts, and one which divides the auto-accompaniment and manual sections of the keyboard when AUTO BASS CHORD accompaniment (page 31) is engaged. In the split point displays accessed by the EASY SETTING LCD button described below , and the FUNCTION displays (page 110), the former is indicated by the “L” marker and the latter by the “A” marker above the graphic keyboard. The current split points are indicated on the display both by the split markers and the “splits” in the graphic keyboard. We’ll look at the ABC (“A”) split point in more detail in “Using the Accompaniment Section”, page 31. For now, here’s how you can change the “L” split point via the orchestra part easy-setting displays to suit your own playing requirements.

Z Select an Orchestra Part Easy Setting Display..........................................................................................

Select an orchestra part easy-setting display either by turning a part on or off and pressing the EASY SETTING LCD button before it disappears, or by pressing the EASY SETTING LCD button while holding an orchestra part button that is already on.

X Set the Split Point.......................................................................................................................................................................

The split point can be set in two ways: either use the SPLIT POINT L LCD dials, or press the desired key on the keyboard while holding the L DIRECT SETTING LCD button. The new split point will be indicated on the graphic keyboard in the LCD.

NOTES

• The “L” split point cannot be set lower than the “A” split

point.

• When the “L” and “A” split points are set at different keys,

the LEFT voice can be played between the “A” and “L” split points when the AUTO BASS CHORD function on. When the “L” and “A” split points are set to the same key, the LEFT voice can be played anywhere to the left of the “L” and “A” split points.

Press a key while holding the

Return to the Previous Display

When Done .......................................

Press the EXIT LCD button or [EXIT] panel button to return to the previous display when done.

L DIRECT SETTING LCD button.

Transposition, Tuning, & Octave Change

The most important and fundamental adjustment for any musical instrument is tuning. The TRANSPOSE, TUNING, and OCTAVE CHANGE functions described below let you control the pitch of the PSR-7000 in a number of ways.

TRANSPOSE & TUNE

These functions allow the overall pitch of the PSR-7000 to be transposed up or down in semitone steps, and fine-

tuned in 0.2 Hertz steps.

Z Press the TRANSPOSE/TUNE LCD Button .....................................................................................................

Select the transpose and tune functions from the normal play mode display by pressing the TRANS- POSE/TUNE LCD button.

X Set the Transposition and/or Tuning As Required...................................................................................

Use the TRANSPOSE LCD dials to set the desired degree of transposition, and the TUNE LCD dials to set the desired degree of tuning.

The transpose range is from –24 to +24, allowing a maximum upward or downward transposition of 2 octaves. A setting of “0” produces the normal pitch.

The tuning range is from 414.6 Hertz to 466.8 Hertz, adjustable in 0.2-Hertz steps. A3 = 440.0 Hertz is “normal” pitch.

C Return to the Main Display When Done..............................................................................................................

Press the MAIN VOLUME LCD button to exit from the transpose and tune functions and return to the main display.

Transposition, Tuning, & Octave Change

OCTAVE CHANGE

This function allows the LEFT, RIGHT 1, RIGHT2, LEAD, and ORGAN FLUTE voices to be independently transposed up or down by one octave.

The LEFT, R1, R2, LEAD, and ORGAN LCD buttons directly set the octave of the corresponding voice. Pressing one of these buttons changes the corresponding octave setting to “+1”, “–1”, and then “0”, in sequence. “+1” shifts the voice up one octave “–1” shifts the voice down one octave, and “0” sets the voice to its normal octave.

NOTES

• These parameters are also available in the F1 VOICE PART

function display — page 109.

• Some voices may suddenly shift octaves when played at the

extreme ends of the keyboard if they are set to a lower or higher octave than normal. This can also occur when the PITCH BEND wheel is used on extremely low or high notes.

• If you change the transpose, octave change, or tuning settings

while playing one or more notes on the keyboard, the new octave change settings will take effect from the next notes played while tune and transpose settings take effect immediately.

Using the Accompaniment Section

The PSR-7000 has 120 different preset accompaniment “styles” and up to 32 custom accompaniment styles that can be used to provide fully-orchestrated or rhythm-only accompaniment. The PSR7000’s sophisticated Auto Bass Chord accompaniment system can provide automated bass and chord backing that is perfectly matched to the selected accompaniment style.

Z Turn ABC ON....................................................................................................................................................................................

Press the [AUTO BASS CHORD] button so that

its indicator lights, thereby turning the ABC mode

ACCOMPANIMENT

ROCK /

ROCK’N’ROLL

JAZZ

on.

LATIN

COUNTRY&

WESTERN

MARCH/

WALTZ

BALLROOM

CUSTOM

STYLE

AUTO BASS CHORD

ONE TOUCH

SETTING

NOTES

• Rhythm-only accompaniment will be produced if you don’t turn the [AUTO BASS CHORD] button on.

• The maximum number of notes that can be played simultaneously on the PSR-7000 keyboard is reduced when the Auto Bass Chord feature is used.

• The PSR-7000 employs “last-note priority”, which means that when the number of notes played on the keyboard exceeds the total number that can be produced by the PSR-7000 at that time, the last notes played take priority.

POP / BEAT

BALLAD

DANCE

DISCO

RHYTHM &

BLUES

X Select the Desired ABC Mode .......................................................................................................................................

Press the ABC EASY SETTING LCD button

immediately after pressing the [AUTO BASS CHORD] button to select the ABC MODE and SPLIT POINT display. Use the ABC MODE LCD dials to select the SINGLE FINGER, FINGERED 1, FINGERED 2, FULL KEYBOARD, AUTO MIDI BASS, or MANUAL MIDI BASS mode. If you select the MANUAL MIDI BASS mode, and press the BASS VOICE LCD button which appears, you can use the GROUP LCD dials to specify the bass voice to be used. Press the ABC MODE LCD button to return to the ABC MODE display as required.

Press the EXIT LCD button or [EXIT] panel

button to return to the main display when done.

The SINGLE FINGER, FINGERED 1, FINGERED 2, FULL KEYBOARD, AUTO MIDI BASS and MANUAL MIDI BASS modes function as follows:

Using the Accompaniment Section

● SINGLE FINGER (SF)

Single-finger accompaniment makes it simple to produce beautifully orchestrated accompaniment using major, seventh, minor and minor-seventh chords by pressing a minimum number of keys on the lefthand section of the keyboard. The abbreviated chord fingerings described below are used:

■ For a major chord, press the root key only.

■ For a minor chord, simultaneously press the root

key and a black key to its left.

■ For a seventh chord, simultaneously press the root

key and a white key to its left.

■ For a minor-seventh chord, simultaneously press

the root key and both a white and black key to its left.

CGF

● FINGERED 1 (FC1)

This is the default ABC mode. The FINGERED 1 mode lets you finger your own chords on the ABC section of the keyboard (i.e. all keys to the left of and including the split-point key — normally F#2), while the PSR-7000 supplies appropriately orchestrated rhythm, bass, and chord accompaniment in the selected style.

The FINGERED 1 mode will accept the 34 chord types.

● FINGERED 2 (FC2)

This mode accepts the same fingerings as the FINGERED 1 mode, but the lowest note played in the ABC section of the keyboard is used as the bass root, allowing you to play “on bass” or “fraction” chords (in the FINGERED 1 mode the root of the chord is always used as the bass root).

● FULL KEYBOARD

When this advanced auto-accompaniment mode is engaged the PSR-7000 will automatically create appropriate accompaniment while you play just about anything, anywhere on the keyboard: chords, a bass line, arpeggiated chords, a melody line. The name of the detected chord will appear on the display. You don’t have to worry about specifying the accompaniment chords. Although the FULL KEYBOARD mode is designed to work with many songs, some arrangements may not be suitable for use with this feature. Try playing a few simple songs in the FULL KEYBOARD mode to get a feel for its capabilities.

NOTES

• Chord detection occurs at approximately 8th-note inter-

vals. Extremely short chords — less than an 8th note in length — may therefore not be detected.

Using the Accompaniment Section

● AUTO MIDI BASS

In this mode all accompaniment parts except the bass part respond to the chord played on the keyboard. Fingering is the same as in the FINGERED 1 mode. If more than three notes are played on the ABC section of the keyboard in this mode, and if the chord played is not recognized by the PSR-7000, only the top three are used for chord recognition. All others are ignored. The bass part is determined by the note played on an external MIDI bass keyboard connected to the MIDI IN terminal and assigned to the MIDI Bass channel (page 128).

● MANUAL MIDI BASS

In this no chord recognition occurs. All accompaniment parts other than the rhythm part are muted, and a MIDI bass keyboard connected to the MIDI IN connector and assigned to the MIDI Bass channel (page 128) directly plays the bass voice selected via the BASS VOICE parameter that appears when the MANUAL MIDI BASS mode is selected in the ABC easy-setting display.

Using the Accompaniment Section

C Select a Style ...................................................................................................................................................................................

The PSR-7000 has 120 preset styles organized in 11 groups (see the “Style List” on page 130).

Use the ACCOMPANIMENT group buttons to select the group from which you want to select a style. The corresponding style display will appear.

NOTES

• The display will automatically revert to the main display

after a few seconds if the [LIST HOLD] button is not engaged (page 11).

• For easy selection some styles are repeated in different

groups.

• Custom styles which can be selected via the ACCOMPA-

NIMENT [CUSTOM] button can be created via the CUSTOM ACCOMPANIMENT RECORD mode described on page 75, or loaded from disk.

Use the page-number LCD dials to select the page containing the style you want if more than one page is available, then press the LCD button corresponding to the desired style. Y ou can also use either of the SELECT LCD dials to select any of the styles within the selected group.

The PSR-7000 automatically determines the voices to be used for the accompaniment bass and chords according the accompaniment style you select.

ACCOMPANIMENT

ROCK /

ROCK’N’ROLL

POP / BEAT

BALLAD

DANCE

DISCO

RHYTHM &

BLUES

JAZZ

LATIN

COUNTRY&

WESTERN

MARCH/

WALTZ

BALLROOM

CUSTOM

STYLE

AUTO BASS CHORD

ONE TOUCH

SETTING

NOTES

• Also see “Custom Accompaniment” on page 75.

• The custom style button can be used to access the styles

on optional SFF (Style File Format) disks.

V Set the Tempo .................................................................................................................................................................................

When you select a different style while the accompaniment is not playing, the “default” tempo for that style is also selected, and the tempo is displayed on the display in quarter-note beats per minute. If the accompaniment is playing, the same tempo is maintained even if you select a different style.

You can change the tempo to any value between 32 and 280 beats per minute, however, by using the TEMPO [–] and [+] buttons. This can be done either before the accompaniment is started or while it is playing. T o use the [–] and [+] buttons, press either button briefly to decrement or increment the tempo value by one, or hold the button for continuous decrementing or incrementing.

NOTES

• The default tempo for the selected style can be recalled at

any time by pressing both the TEMPO [–] and [+] buttons simultaneously.

Tempo

TEMPO

–

Using the Accompaniment Section

TEMPO TEMPO

B Start the Accompaniment..................................................................................................................................................

There are several ways to start the accompaniment:

● Straight start: Press the [START/STOP] but-

ton. If you press the [START/STOP] button, the

rhythm will begin playing immediately without

bass and chord accompaniment.

NOTES

• It is also possible to select one of the several variations

available prior to a straight start — refer to “7. Select Variations as Required,” below.

● Start with an introduction followed b y the

MAIN A variation: press the [INTRO A/FILL

to A] button.

● Start with an introduction followed b y the

MAIN B variation: press the [INTRO B/FILL

to B] button.

● Synchronized start: Any of the above start

types can be synchronized to the first note or

chord played on the ABC section of the keyboard

(i.e. keys to the left of and including the split-

point key — normally F#2) by first pressing the

[SYNCHRO START] button. Pressing the

[SYNCHRO START] button alone causes a

straight start to occur when the first note or chord

is played. Press [SYNCHRO START] and the

appropriate INTRO button (or vice-versa) for a

synchronized introduction start. The first dot of

the TEMPO display will flash at the current

tempo when a synchronized start mode has been

selected.

FADE

IN / OUT

FADE

IN / OUT

FADE

IN / OUT

FADE

IN / OUT

INTRO/

FILL to

ABAB

ACCOMPANIMENT DIRECTOR

INTRO/ FILL to

ABAB

ACCOMPANIMENT DIRECTOR

INTRO/ FILL to

ABAB

ACCOMPANIMENT DIRECTOR

INTRO/ FILL to

ABAB

ACCOMPANIMENT DIRECTOR

MAIN

ENDING/

rit.

SYNCHRO

START

SYNCHRO

START

SYNCHRO

START

SYNCHRO

START

START/STOP

NOTES

• If you press the [SYNCHRO START] button while the

accompaniment is playing, the accompaniment will stop and the synchro start mode will be engaged.

• The four LED dots of the TEMPO display provide a visual

indication of the selected tempo as shown to the left.

• A Yamaha FC5 footswitch plugged into a rear panel

FOOT SWITCH jack can also be used to start the accompaniment if the appropriate function is assigned to the footswitch using the FOOT SWITCH functions described on page 112.

3/4 Time4/4 Time

1st Beat

2nd Beat

3rd Beat 4th Beat

Using the Accompaniment Section

N Play On the ABC Section Of the Keyboard.....................................................................................................

As soon as you play any chord that the PSR-7000 can “recognize” on the ABC section of the keyboard in one of the FINGERED modes or the AUT O MIDI BASS (see fingering chart on page 144), an abbreviated chord in the SINGLE FINGER mode, or just about anything anywhere on the keyboard in the FULL KEYBOARD mode, the PSR-7000 will automatically begin to play the chord along with the selected rhythm and an appropriate bass line. The accompaniment will continue playing even if you release the left-hand keys.

If the MANUAL MIDI BASS mode is selected only the rhythm accompaniment will play automatically, and selected bass voice can be played via a MIDI bass keyboard.

NOTES

• The appropriate chord and bass note will sound if you play

in the ABC section of the keyboard while the ABC function is on but the accompaniment is stopped (but not in the FULL KEYBOARD and MANUAL MIDI BASS modes). Please note that the Left Hold function (page 39) cannot be applied to these chord and bass notes.

ABC Section

Split Point

▼

Melody Section

M Select Sections as Required...........................................................................................................................................

Each accompaniment style has two sections: MAIN A and MAIN B. There is also an ENDING section which is described in step >. The INTRO A and B sections can be used to start the accompaniment as described in the preceding step. The MAIN A and B sections can be selected manually by pressing the corresponding section button.

NOTES

• Some INTRO and ENDING sections have their own chord

progressions which play in the current accompaniment key — the current chord is shown below the style name in the LCD display.

FADE

IN / OUT

INTRO/ FILL to

ABAB

ACCOMPANIMENT DIRECTOR

MAIN

ENDING/

SYNCHRO

START

rit.

START/STOP

Using the Accompaniment Section

< Use Fill-ins..........................................................................................................................................................................................

The PSR-7000 provides two types of automatic breaks or “fill-ins.”

● FILL to A: Press the [INTRO A/FILL to A]

button to produce a fill and go (or return) to the

MAIN A section.

● FILL to B: Press the [INTRO B/FILL to B]

button to produce a fill and then go (or return) to

the MAIN B section.

It is possible to change the section that will play after the fill-in by pressing the appropriate section button while the fill-in is playing.

NOTES

• A Yamaha FC5 footswitch plugged into a rear panel

FOOT SWITCH jack can also be used to activate the intro and fill-in functions if the appropriate function is assigned to the footswitch using the FOOT SWITCH functions described on page 112.

FADE

IN / OUT

FADE

IN / OUT

INTRO/ FILL to

ABAB

ACCOMPANIMENT DIRECTOR

INTRO/ FILL to

ABAB

ACCOMPANIMENT DIRECTOR

MAIN

ENDING/

SYNCHRO

START

SYNCHRO

START

START/STOP

rit.

> Stop the Accompaniment...................................................................................................................................................

The accompaniment can be stopped at any time by pressing the [START/STOP] button. Press the [ENDING/rit.] button if you want to go to the ending section and then stop. Press the [ENDING/ rit.] button while the ending section is playing to produce a “ritardando” ending — i.e. the tempo gradually slows down during the ending.

FADE

IN / OUT

INTRO/ FILL to

ABAB

ACCOMPANIMENT DIRECTOR

MAIN

ENDING/

SYNCHRO

START

rit.

START/STOP

Using the Accompaniment Section

■ Fade-ins and Fade-outs.......................................................................................................................................................

The [FADE IN/OUT] button can be used to produce smooth fade-ins and fade-outs when starting and stopping the accompaniment.

T o produce a fade-in, press the [FADE IN/OUT] button so that its indicator lights before starting the accompaniment. Then when the accompaniment is started the sound will gradually fade in. The [FADE IN/OUT] indicator will flash during the fade-in, and then go out when full volume has been reached.

To produce a fade-out press the [FADE IN/ OUT] button while the accompaniment is playing. The indicator will flash during the fade out, then the accompaniment will stop when the fade-out is complete. The [FADE IN/OUT] button indicator will remain lit after the fade-out, indicating that the fadein mode is engaged. Press the [FADE IN/OUT] button so that its indicator goes out if you want to disengage the fade-in mode.

FADE

IN / OUT

NOTES

• A Yamaha FC5 footswitch plugged into a rear panel FOOT SWITCH jack can also be used to activate the fade-ins and fadeouts functions if the appropriate function is assigned to the footswitch using the FOOT SWITCH functions described on page 112.

INTRO/ FILL to

ABAB

ACCOMPANIMENT DIRECTOR

MAIN

ENDING/

SYNCHRO

START

rit.

START/STOP

■ Accompaniment Volume.....................................................................................................................................................

Use the various LCD dials in the MIXER AC-

COMPANIMENT VOLUME display to set the

best balance between the corresponding accompaniment parts, and the optimum volume of the accompaniment parts in relation to the orchestra part voices.

■ The Auto Mute Function......................................................................................................................................................

When the EASY SETTING ABC display is selected, or when the F2 SPLIT POINT/ABC MODE display is selected, the AUTO MUTE LCD button will appear as long as the MANUAL MIDI BASS ABC mode is not selected. When this function is turned ON certain AUTO BASS CHORD parts will either stop playing or play with reduced volume whenever the right-hand keys are played — so that the accompaniment does not “get in the way” of what you play on the keyboard. Normal accompaniment playback resumes when no right-hand keys are being played.

NOTES

• The AUTO MUTE function will not work with some styles.

Using the Accompaniment Section

Changing the “A” Split Point

The “L” split point has already been described on page 16. The “A” split point divides the auto-accompaniment and manual sections of the keyboard when AUTO BASS CHORD accompaniment (page 23) is engaged. Like the “L” split point, the “A” split point can be changed as required via the ABC EASY SETTING display, or the SPLIT POINT/ABC MODE/M. PAD function display (pages 110). The current split points are indicated on the display both by the split markers and the “splits” in the graphic keyboard.

Z Select the ABC EASY SETTING Display............................................................................................................

Select the AUTO BASS CHORD easy-setting display either by turning the [AUTO BASS CHORD] button on and pressing the EASY SETTING LCD button before it disappears, or by pressing the EASY

SETTING LCD button while holding the [AUTO BASS CHORD] button.

X Set the Split Point.......................................................................................................................................................................

The split point can be set in two ways: either use the SPLIT POINT A LCD dials, or press the desired key on the keyboard while holding the A DIRECT SETTING LCD button. The new split point will be indicated on the graphic keyboard in the LCD.

NOTES

• The “A” split point cannot be set higher than the “L” split

point.

• When the “L” and “A” split points are set at different keys,

C Return to the Previous Display When Done..................................................................................................

Press the EXIT LCD button or [EXIT] panel button to return to the previous display when done.

Using the Accompaniment Section

The Chord Assist Function

The Chord Assist function is essentially an electronic “chord book” that will show you appropriate fingerings for chords you enter via the display. The fingerings are indicated by dots on the graphic keyboard in the display, and correspond to those recognized in the ABC FINGERED 1 mode. You can also play chords on the keyboard in the same way as in the ABC FINGERED 1 mode.

Z Select the Chord Assist Function.............................................................................................................................

Select the CHORD ASSIST display either by turning the [AUTO BASS CHORD] button on and pressing the CHORD ASSIST LCD button before it disappears, or by pressing the CHORD ASSIST LCD button while holding the [AUTO BASS CHORD] button.

When the CHORD ASSIST function is selected the ABC FINGERED 1 mode will automatically be selected and the split point will be set at C#3.

X Start the Accompaniment ..................................................................................................................................................

Start the accompaniment by using any of the methods described on page 27.

C Select the Chord Root and Type.................................................................................................................................

Use the ROOT LCD dial to select the desired chord root.

Use the TYPE LCD dial to select the chord type.

The selected chord root and type will appear on the graphic keyboard display, and the same chord will appear in notation form on the musical staff under “selected CHORD” in the upper half of the display.

Using the Accompaniment Section

V Hear the Chord...............................................................................................................................................................................

At this point you can “play” and hear the specified chord by pressing the ENTER LCD button — i.e. the specified chord accompaniment will sound and the chord will appear in notation form on the musical staff under “played CHORD” in the upper half of the display.

NOTES

• Chords which are recognizable by the PSR-7000 CHORD

ASSIST function can also be entered by playing them on the ABC section of the keyboard. The chord will appear in notation form on the musical staff under “played CHORD” in the upper half of the display.

B Invert the Fingering as Necessary ...........................................................................................................................

Use the INVERSION LCD dials to shift the fingering up or down the keyboard. Each time an INVERSION LCD dial is pressed the next viable fingering (inversion) appears on the graphic keyboard display and the musical staff below “se- lected CHORD”.

N Stop the Accompaniment...................................................................................................................................................

Press the [START/STOP] button to stop the accompaniment.

M Exit When Done ............................................................................................................................................................................

Press the EXIT LCD button or the panel [EXIT] button to exit from the Chord Assist function.

Using the Accompaniment Section

The Arranger Buttons

The ARRANGER buttons make it possible to indi- vidually mute accompaniment parts to create the blend and accompaniment “size” you want. When an ARRANGER button is pressed so that its indica- tor goes out, the corresponding accompaniment part(s) are muted. Muted parts can be turned back on by pressing the appropriate ARRANGER button so that its indicator lights. The ARRANGER buttons correspond to the following accompaniment parts:

PHRASE PHRASE 1, PHRASE 2 PAD PAD CHORD CHORD 1, CHORD 2 BASS BASS RHYTHM RHYTHM 1, RHYTHM 2

ARRANGER

PHRASE

PAD

CHORD

BASS

RHYTHM

One Touch Setting

The PSR-7000’s 120 internal styles each have 4 different preset

“panel setups” that can be selected via the [ONE TOUCH SETTING]

buttons to create different musical textures — e.g. different voices for the accompaniment parts.

Z Engage the One Touch Setting Feature ..............................................................................................................

The ONE TOUCH SETTING feature can be used either while an accompaniment is playing or prior to starting an accompaniment by simply pressing the [ONE TOUCH SETTING] button and selecting the desired ONE TOUCH SETTING setup by pressing the appropriate LCD button.

ACCOMPANIMENT

ROCK /

ROCK’N’ROLL

POP / BEAT

BALLAD

DANCE

DISCO

RHYTHM &

BLUES

LATIN

COUNTRY&

WESTERN

MARCH/

WALTZ

BALLROOM

CUSTOM

STYLE

AUTO BASS CHORD

JAZZ

ONE TOUCH

SETTING

One Touch Setting

X Adjust The Settings If Necessary ..............................................................................................................................

Any of the parameters set by the ONE TOUCH SETTING feature can be adjusted to create the desired sound after a ONE TOUCH SETTING setup has been selected.

NOTES

• See page 140 for a complete listing of the ONE TOUCH

SETTING setup parameters

• One Touch Settings can also be stored in the REGISTRA-

TION memory.

• ONE TOUCH SETTING cannot be used with accompani-

ment styles created using the Custom Accompaniment feature described on page 75. An error message will appear on the display if a Custom Style is selected.

■ THE TEMPO SET FUNCTION ..........................................................................................................................................

The TEMPO SET LCD dials in the ONE TOUCH SETTING display can be used to turn the ONE TOUCH SETTING TEMPO SET function ON or OFF. When ON the tempo will change according to

the tempo setting included in each ONE TOUCH SETTING setup whenever a different setup is selected. When OFF the tempo will not change when a different setup is selected, regardless of the tempo setting it includes.

Expression & Effects

■ Harmony................................................................................................................................................................................................

Press the [HARMONY] button to turn the HARMONY effect on or off. When HARMONY is on (indicator lit), playing single notes or chords on the right-hand section of the keyboard produces automatic harmony matched to the accompaniment chords. The harmony function can be turned on when AUT O BASS CHORD accompaniment is off, but in this case the harmony produced will consist only of unison and/or octave notes.

NOTES

• The type of harmony produced can be selected via the HAR-

MONY EASY SETTING display, or via the HARMONY function display. See page 122 for details.

• The harmony is based on the ABC chords, and is added to the

highest note played except when only the LEAD voice is on, in which case the harmony notes are added to the last note played.

• The HARMONY feature cannot be engaged when the FULL

KEYBOARD ABC mode is selected.

HARMONY

REVERB

SUSTAIN

CHORUS

TOUCH

RESPONSE

DSP

EFFECT

■ Sustain....................................................................................................................................................................................................

Press the [SUSTAIN] button to turn the sustain effect on or off. When on (indicator lit), extra sustain is applied to the selected voice. When sustain is applied via a footswitch, however, the panel [SUSTAIN] button will not function.

NOTES

• Sustain can be applied to any combination of the LEFT, RIGHT 1,

RIGHT 2, LEAD, and ORGAN voices via the SUSTAIN BUTTON parameter available via the SUSTAIN EASY SETTING display or the CONTROLLER function display. See page 112 for details.

• The sustain effect may not produce the same effect for all voices.

HARMONY

REVERB

SUSTAIN

CHORUS

TOUCH

RESPONSE

DSP

EFFECT

Expression & Effects

■ Touch Response ..........................................................................................................................................................................

The touch response function turns the PSR-7000’s initial keyboard velocity and aftertouch response on or off. Normally, touch response should be turned on — the [TOUCH RESPONSE] button indicator should be lit — to allow normal dynamic control via the keyboard. With initial touch response the harder the keys are played, the louder the sound. Aftertouch response allows the volume, timbre, modulation, and pitch of some voices to be varied according to how hard the keys are pressed after they have been initially played. In some cases you might want to turn touch response off (indicator off). For example, most organs have no keyboard velocity response, so touch response can be turned off for greater realism when playing organ type voices. T ouch response can also be turned off to create a constant-volume sound with any voice.

Use the [TOUCH RESPONSE] button to turn touch response on or off as required.

NOTES

• Aftertouch response may produce minimal or no effect with some

voices.

• When two or more of the “right-hand” parts are played at the same

time (RIGHT 1, RIGHT 2, LEAD), aftertouch response may result in distorted sound with some voices.

• Touch response sensitivity, off level, and voice assignments can

be set via the TOUCH EASY SETTING display, or via the CONTROLLER function display. See page 115 for details.

HARMONY

REVERB

SUSTAIN

CHORUS

TOUCH

RESPONSE

DSP

EFFECT

■ Reverb.....................................................................................................................................................................................................

TOUCH

RESPONSE

DSP

EFFECT

Press the [REVERB] button to apply the reverb effect specified by the REVERB TYPE and DEPTH functions described on page 118. The [REVERB] button alternately turns the reverb effect on (indicator lit) or off (indicator out).

NOTES

• Reverb type and depth settings are available via the REVERB

EASY SETTING display, or via the REVERB/CHORUS/DSP EFFECT function display. See page 118 for details.

• Reverb type changes will apply to the note currently being played,

while reverb ON/OFF and depth changes will apply to the next note played.

• Although the [REVERB] indicator will go out, the reverb effect

cannot be turned off during accompaniment or song playback.

HARMONY

REVERB

SUSTAIN

CHORUS

Expression & Effects

■ Chorus ....................................................................................................................................................................................................

Press the [CHORUS] button to apply the chorus effect

HARMONY

SUSTAIN

TOUCH

RESPONSE

at a depth specified by the CHORUS DEPTH function described on page 120. The [CHORUS] button alternately turns the chorus effect on (indicator lit) or off (indicator

REVERB

CHORUS

DSP

EFFECT

out).

NOTES

• Chorus depth settings are available via the CHORUS EASY

SETTING display, or via the REVERB/CHORUS/DSP EFFECT function display. See page 118 for details.

• Although the [CHORUS] indicator will go out, the chorus effect

cannot be turned off during accompaniment or song playback.

■ DSP Effects........................................................................................................................................................................................

TOUCH

RESPONSE

Press the [DSP EFFECT] button to apply the effect specified by the DSP EFFECT TYPE and DEPTH functions described on page 120. The [DSP EFFECT] button alternately turns the effect on (indicator lit) or off (indicator out).

NOTES

• When the default setting is selected, an appropriate DSP effect

will automatically be selected whenever a new voice is selected.

• DSP effect depth, type, and individual parameter settings are

available via the DSP EFFECT EASY SETTING display, or via the REVERB/CHORUS/DSP EFFECT function display. See page 118 for details.

• Effect type changes will apply to the note currently being played,

while effect ON/OFF and depth changes will apply to the next note played.

HARMONY

REVERB

SUSTAIN

CHORUS

DSP

EFFECT

■ Left Hold................................................................................................................................................................................................

This function causes the LEFT orchestra part voice to be held even when the keys are released. Non-decaying voices such as strings are held continuously , while decaytype voices such as piano decay more slowly (as if the sustain pedal has been pressed).

LEFT ORCHESTRA

PIANO/

ORGAN

STRINGS/

CHOIR

BRASS/

WOODWIND

SYNTH/

PAD

GUIT A R/

PERCUSSIVE

CUSTOM

VOICE

LEFTLEFT HOLD

Expression & Effects

■ Pitch Bend Wheel........................................................................................................................................................................

The PITCH BEND wheel to the left of the keyboard lets you bend the pitch of notes played on the keyboard up

PITCH BEND MODULATION

MAX

or down. Normal pitch is restored when the PITCH BEND wheel is released. The maximum pitch bend range is preset for each voice, but can be set as required for custom voices by using the CUSTOM VOICE EDIT feature described on page 89.

NOTES

• Pitch bend can be applied to the LEFT, RIGHT 1, RIGHT 2, LEAD,

and ORGAN voices — the PITCH BEND WHEEL parameter described on page 114 allows the pitch bend wheel to be assigned any of these voices, singly or in any combination.

• The pitch bend wheel may cause sudden pitch changes when

applied to notes at the upper and lower extremes of the keyboard.

DOWN MIN

■ Modulation Wheel .......................................................................................................................................................................

The MODULATION wheel to the left of the keyboard

lets you apply modulation to notes played on the keyboard using the LEFT, RIGHT 1, RIGHT 2, LEAD, and ORGAN orchestra part voices. Rolling the MODULATION wheel upward (away from you) increases the modulation depth.

NOTES

• Modulation can be applied to the LEFT, RIGHT 1, RIGHT 2, LEAD, and ORGAN voices — the MODULATION WHEEL parameter described on page 114 allows the modulation wheel to be assigned any of these voices, singly or in any combination.

• With some voices the MODULATION wheel changes the depth of effects or the timbre of the sound.

PITCH BEND MODULATION

DOWN MIN

MAX

Expression & Effects

■ Digital Equalizer ...........................................................................................................................................................................

The PSR-7000 features a digital 5-band equalizer that can be used to “shape” the overall frequency characteristics of the instrument to create a wide range of tonal variations.

Press the [DIGITAL EQUALIZER] button to access the equalizer controls. 5 preset equalizer curves and one programmable “USER” curve are provided. The various curves can be selected by pressing the appropriate LCD button or by rotating the SELECT dial.

DIGITAL EQUALIZER

MIXER

LIST HOLD

The USER curve can be programmed as required via the corresponding LCD dials — LOW through HIGH. Each of the 5 bands can be boosted (“+” values) or cut (“–” values) by up to 12 dB. Any changes are shown graphically via both the controls and the markers in the USER curve. The USER curve is automatically selected whenever any of the equalizer parameters are edited.

Press the [DIGIT AL EQUALIZER] or [EXIT] button to return to the normal play mode display.

NOTES

• Extreme digital equalizer settings may result in distorted

sound with some voices.

The Multi Pads

REC/STOP

PERCUSSION PHRASE/CHORD

The PSR-7000 features 8 “MULTI PADs” above the keyboard that can be used in

two ways:

● PHRASE/CHORD: When the PHRASE/CHORD mode is selected, the 4 pads marked “PHRASE”

and the 4 pads marked “CHORD” can be used to record and play back short sequences of notes and chords, respectively.

● PERCUSSION: In the PERCUSSION mode the pads can be used to play 8 different drum

and percussion instruments selected from the PSR-7000’s DRUM KIT voices and Custom Voice DRUM KIT voice.

PERCUSSION

REC/STOP

PHRASE/CHORD

PHRASE

12345678

NOTES

• MULTI PAD data can be saved to floppy disk. See page 98 for details.

PLAYING

MULTI PAD

PHRASE/CHORD

CHORD

The PHRASE/CHORD Mode

T o engage the PHRASE/CHORD mode, press the [PHRASE/ CHORD - PERCUSSION] button so that the PHRASE/CHORD

indicator lights (the PHRASE/CHORD and PERCUSSION indicators light alternately each time the button is pressed).

NOTES

• Preset data is initially recorded in pads 1 through 8.

The PHRASE Pads (pads 1 … 4)

Each PHRASE pad can record up to approximately 350 notes played using the RIGHT 1, RIGHT 2, or LEAD voices (only one of these voices is recorded). The recorded phrases can then be played back at any time — even while playing on the keyboard, with or without accompaniment. The PHRASE pads record the following data:

• Notes

• Key velocity (touch response)

• Voice number

• Volume

• Sustain

• Modulation

• Pitch bend

• PAN

• SOSTENUTO

• SOFT PEDAL

• Reverb depth

• Part tune

The Multi Pads

Recording Phrases....................................................................................................................................................................

■

ZSelect a PHRASE Pad For Recording

Press the PHRASE pad you intend to record to while holding the [REC/STOP] button. The REC/ STOP indicator will flash, indicating that the selected pad is ready to record.

XPlay a Phrase

Recording begins automatically as soon as you play on the keyboard using the RIGHT 1, RIGHT 2, or LEAD voice (see “NOTES”, below), and the REC/STOP indicator will light continuously as long as recording continues.

NOTES

• Only one voice can be recorded to the pads.

• If more than one voice is selected when the pad record

mode is engaged, the voice with the highest priority will be used for recording. The RIGHT 1 voice has the highest priority, followed by the RIGHT 2 voice, and then the LEAD voice.

• The RIGHT 1 voice will automatically be selected if the

RIGHT 1, RIGHT 2, and LEAD voices are off or ORGAN FLUTE is on when the pad record mode is engaged.

• When a pad is recorded all previous data in that pad will

be erased and replaced by the new data.

• The preset pad data can be reloaded via the RECALL

PRESET DATA function described on page 123.

• Recorded phrases which are to be played using the

CHORD MATCH function (page 111) should be recorded in the key of C major 7.

• You can record phrases while AUTO BASS CHORD

accompaniment is playing or stopped. In either case the phrase will be recorded in relation to the currently set accompaniment tempo, so it is a good idea to record phrases while monitoring the accompaniment to ensure that they are reproduced at an appropriate tempo when played back with accompaniment.

PERCUSSION

REC/STOP

PHRASE/CHORD

PHRASE

12345678

PLAYING

MULTI PAD

PHRASE/CHORD

CHORD

CStop Recording

Press the [REC/STOP] button to stop recording when you’ve finished playing the phrase. The [REC/ STOP] button indicator will go out when recording ends.

NOTES

• Recording will stop automatically if the PHRASE pad

memory becomes full (approximately 350 notes per pad), or if another pad is pressed.

PERCUSSION

REC/STOP

PHRASE/CHORD

PHRASE

12345678

PLAYING

MULTI PAD

PHRASE/CHORD

CHORD

The Multi Pads

Phrase Playback ..........................................................................................................................................................................

■

As long as the PHRASE/CHORD mode is selected, any recorded phrase can be played back simply by pressing the corresponding PHRASE pad. The phrase will play back whether the accompaniment is playing or not, but will always play at the currently set tempo. The PHRASE/CHORD PLA YING indicator will light while the phrase plays back, and playback will end automatically as soon as the end of the phrase is reached. A phrase can be stopped while it is playing by pressing either the [REC/STOP] button or the corresponding pad button. It is also possible to play back several phrases at the same time.

If a PHRASE pad is played while AUTO BASS CHORD accompaniment is playing and the CHORD MATCH function for that pad is ON (see “The Repeat & Chord Match Settings”, below), the phrase will be automatically re-harmonized to match the accompaniment chords.

PHRASE/CHORD

PHRASE

12345678

PLAYING

MULTI PAD

REC/STOP

CHORD

PERCUSSION

PHRASE/CHORD

NOTES

• Phrase pad data can be saved to and loaded from disk (page

96), but can not be memorized by the Registration feature (page 49).

• Use the M.PAD VOLUME control in the MIXER MAIN VOL-

UME display to adjust the playback volume of the phrase pads.

• Only one pad can be played at a time in the SONG RECORD

mode (page 58).

The CHORD Pads (pads 5 … 8)

Each CHORD pad can record up to approximately 50 chords played on the left-hand section of the keyboard when the AUT O BASS CHORD feature is engaged. The recorded chords can then be played back when ABC is engaged and an accompaniment is playing.

■ Recording Chords......................................................................................................................................................................

ZSelect a CHORD Pad For Recording

Press the CHORD pad you intend to record to while holding the [REC/STOP] button. The REC/STOP indi- cator will flash, indicating that the selected pad is ready to record. If the accompaniment is stopped when the CHORD pad is selected for recording, the SYNCHRO START mode will automatically be engaged.

NOTES

• If AUTO BASS CHORD is OFF when a CHORD pad is

selected for recording, it will automatically be turned ON. Further, if the MANUAL MIDI BASS mode is selected, the FINGERED 1 mode will automatically be selected.

REC/STOP

PHRASE/CHORD

PHRASE

12345678

PLAYING

MULTI PAD

CHORD

PERCUSSION

PHRASE/CHORD

XPlay the Required Chords

Recording begins automatically as soon as you play a chord on the left-hand section of the keyboard, and the REC/STOP indicator will light continuously as long as recording continues.

The Multi Pads

CStop Recording

REC/STOP

PERCUSSION PHRASE/CHORD

Press the [REC/STOP] button or the pad being recorded to stop recording when you’ve finished playing the chords. The [REC/STOP] button indicator will go out when recording ends.

NOTES

• Recording will stop automatically if the CHORD pad memory becomes

full (approximately 50 chords per pad); if another pad is pressed; or if the accompaniment [START/STOP], or [SYNCHRO START] button is pressed.

• Quarter note steps are the smallest that can be recorded.

345678

PHRASE/CHORD

PLAYING

MULTI PAD

CHORD

■ Chord Playback.............................................................................................................................................................................

As long as the PHRASE/CHORD mode is selected and an AUTO BASS CHORD accompaniment is playing, any recorded chord sequence can be played back simply by pressing the corresponding CHORD pad. The chord sequence will play back at the currently set tempo. The PHRASE/CHORD PLAYING indicator will light while the chord sequence plays back, and playback will end automatically as soon as the end of the sequence is reached. Only one chord sequence can be played at a time.

During chord pad playback the AUT O BASS CHORD indicator will go out and the left-hand section of the keyboard plays in the same way as the right-hand section. To indicate that the end of the chord sequence is approaching, the PHRASE/CHORD PLAYING indicator flashes during the last two measures (if the REPEAT mode is not engaged — see below). A chord sequence that is playing can be stopped by pressing the same chord pad again, or by pressing the [REC/STOP] button. The AUTO BASS CHORD function will continue playing the last chord played in the chord sequence.

REC/STOP

PHRASE/CHORD

PLAYING

345678

MULTI PAD

CHORD

PERCUSSION

PHRASE/CHORD

NOTES

• If you press a CHORD pad while the accompaniment is stopped or while

the AUTO BASS CHORD function is off, “Engage ABC to play the chord pads” will appear on the display. Also, if AUTO BASS CHORD is on but the MANUAL MIDI BASS mode is selected, “Engage SF, FC1, FC2, FULL KEYBOARD, or AUTO MIDI BASS mode to play the chord pads” will appear on the display, since chord playback will not function in the MANUAL MIDI BASS mode.

• Chord pad data can be saved to and loaded from disk (page 96), but can

not be memorized by the Registration feature (page 49).

• Playback occurs in measure units. Playback will continue until the end of

the measure even if recording was stopped prior to the end of that measure.

The Multi Pads

The Repeat & Chord Match Settings......................................................................................................................

■

The repeat and chord match settings for PHRASE/ CHORD pad playback can be accessed by pressing the EASY SETTING LCD button that appears when the [PERCUSSION - PHRASE/CHORD] button is pressed. Once the easy setting display has been selected the repeat and chord match parameters can be accessed by pressing the REPEAT or CHORD MATCH LCD button.

Press either the EXIT LCD button or the panel [EXIT] button when done.

NOTES

• The MULTI PAD repeat and chord match settings are also

available via the MULTI PAD FUNCTION display — page

111.

● REPEAT

When a check mark appears in a REPEA T box in the REPEAT display, the corresponding pad — PHRASE or CHORD — will playback repeatedly until stopped by either pressing the same MULTI P AD again, or by pressing the [REC/STOP] button.

Use the LCD dials to turn repeat for the corresponding pads ON or OFF as required.

NOTES

• The default repeat settings are: pads 1…4 OFF; pads

5…8 ON.

● CHORD MATCH

When a check mark appears in a CHORD MA TCH box in the CHORD MATCH display, the phrase played by the corresponding PHRASE pad will be automatically re-harmonized to match the accompaniment chords if the PHRASE pad is played while AUTO BASS CHORD accompaniment is playing.

Use the LCD dials to turn the chord match function for

REC/STOP

PERCUSSION PHRASE/CHORD

REC/STOP

PERCUSSION PHRASE/CHORD

the corresponding pads ON or OFF as required.

NOTES

• Phrases to be played back using the CHORD MATCH function

must be recorded in the key of C major 7.

• The chord match function is only available for pads 1 through 4 (the

PHRASE pads).

• The default chord match settings are:1 and 2 OFF; 3 and 4 ON.

The PERCUSSION Mode

To engage the PERCUSSION mode, press the [PHRASE/CHORD PERCUSSION] button so that the PERCUSSION indicator lights (the

PHRASE/CHORD and PERCUSSION indicators light alternately each time the button is pressed).

The 8 pads are initially programmed with the following drum and percussion instruments which can be played via the pads when the PERCUSSION mode is selected:

The Multi Pads

1. Kick M

2. Snare M

3. C.Hi-Hat

4. O.Hi-Hat

5. MidTom H

6. Low Tom

7. F Tom L

8. CrashCy2

■ Assigning Different Instruments To the PERCUSSION Pads......................................................

ZPress [REC/STOP]

Press the [REC/STOP] button so that its indicator lights (make sure the PERCUSSION mode is selected first). The PERCUSSION PAD ASSIGN display will appear, listing the percussion instruments currently assigned to the pads.

XSelect a Drum Voice

Use the DRUM KIT LCD dials to select the drum voice which includes the percussion instruments you want to assign.

The Multi Pads

CAssign the Instruments

A new drum/percussion instrument is assigned to a pad simply by playing the key corresponding to the desired instrument while holding the pad to which it is to be assigned. The reverse also works: press the pad while holding the key . The velocity at which you play the key (how hard you press the key = how loud the note sounds) is also recorded to the specified pad.

NOTES

• Percussion voices created using the CUSTOM VOICE

EDIT functions described on page 84 can also be assigned to the percussion pads.

VPress [REC/STOP] To End Assignment

When you’re finished making instrument assignments to the PERCUSSION pads, press the [REC/STOP] button so that its indicator goes out.

NOTES

• Percussion pad data can be saved to and loaded from disk

(page 96), but can not be memorized by the Registration feature (page 49).

PERCUSSION

CHORD

PHRASE/CHORD

PERCUSSION

PHRASE/CHORD

REC/STOP

PHRASE/CHORD

PHRASE

12345678

PHRASE

12345678

PLAYING

MULTI PAD

PHRASE/CHORD

PLAYING

MULTI PAD

REC/STOP

■ Playing the Percussion Pads .........................................................................................................................................

The PERCUSSION pads can be played at any time — whether an accompaniment is playing or not — as long as the PERCUSSION mode is selected. Depending on the assigned instrument, some pads will play continuously as long as they are held.

NOTES

• The PERCUSSION pad sounds are not affected by the

PSR-7000 PITCH BEND wheel or MODULATION wheel.

REC/STOP

PHRASE/CHORD

PHRASE

12345678

PLAYING

MULTI PAD

CHORD

PERCUSSION PHRASE/CHORD

Registration Memory

FREEZE MEMORY

BANK 1~16

–

12345678

REGISTRA TION

BANK 1~16

–

The PSR-7000 Registration Memory feature can be used to memorize 128 complete control-panel setups (16 banks, 8 setups each) that you can recall whenever needed.

NOTES

• Registration data can be saved to and loaded from floppy disk as required (page 96).

• The disk provided with the PSR-7000 contains a number of sample registration settings.

Registering the Panel Settings

Z Set Up the Controls as Required ...............................................................................................................................

Make the desired control settings.

NOTES

• See page 140 for a complete listing of the data stored by the Registration function.

X Register in Memory...................................................................................................................................................................

Use the BANK [–] or [+] button

to select the desired memory bank — the bank number is shown next to REG. BANK in the upper right corner of the display . Press and hold the [MEMORY] button, then press one of the REGISTRATION buttons. Any data that was previously in the selected location is erased and replaced by the new settings.

Registration Memory

Entering a Registration Name

Y ou can enter descriptive names up to 16 characters in length for each registration setup via the NAME function accessible via the registration EASY SETTING display. The same function is also available via the FUNCTION display — page 122.

Z Select the NAME Function ................................................................................................................................................

Press the EASY SETTING LCD button that appears when a BANK button or the [MEMORY] button is pressed before it disappears. When the easy setting display appears, select the NAME function by pressing the corresponding LCD button.

X Enter a Name ...................................................................................................................................................................................

Use the < > LCD dial to move the name cursor to the various character positions, then use the A~Z, a~z, or 0~9… LCD dial to select the required character for each position. The A~Z LCD dial selects capital letters, the a~z LCD dial selects lower-case letters, and the 0~9… LCD dial selects numbers and special characters.

NOTES

• It’s a good idea to give your registration setups names that

make them easily identifiable. If you’ve created a registration setup for a song named “MySong”, a good registration name might be something like “MySong-Reg”.

C Exit When Done.............................................................................................................................................................................

Press either the EXIT LCD button or the panel [EXIT] button when done.

Recalling the Registered Panel Settings

FREEZE MEMORY

BANK 1~16

–

12345678

REGISTRA TION

Simply select the appropriate bank using the BANK [–] or [+] button and press the desired REGISTRA- TION button at any time to recall the memorized settings. The memorized settings are actually recalled only when a REGISTRATION button is pressed — selecting a different bank does not change the settings.

The selected bank and registration number appears at the top of the display . The registration name appears to the right of the bank and number.

Registration Memory

If any change is made to a setting memorized by the REGISTRATION feature, “REGIST EDITED” appears in place of the bank, number, and name to indicate that the current panel settings do not exactly correspond to the selected registration memory.

Registration Memory

The Freeze Function

If you press the [FREEZE] button so that its LED lights, selecting a different registration setup will not change the settings specified in the

FREEZE GROUP SETTING display accessed either via the registration EASY SETTING display or the [FUNCTION] button (page 122).

FREEZE MEMORY

BANK 1~16

–

The Freeze Group Settings

Y ou can specify which settings are affected by the FREEZE function via the FREEZE GROUP SETTING function accessible via the registration EASY SETTING display. The same function is also available via the FUNCTION display — page 122.

Z Select the FREEZE GROUP SETTING Function ........................................................................................

Press the EASY SETTING LCD button that appears when a BANK button or the [MEMORY] button is pressed before it disappears. When the easy setting display appears, select the FREEZE GROUP SETTING function by pressing the corresponding LCD button.

X Mark the Settings to be “Frozen” .....

Use the GROUP SELECT LCD dials to select a setting you want to freeze or “un-freeze”, then use the MARK LCD dial to set or remove the check mark for that setting. Repeat until all settings are marked or un-marked as required.

C Exit When Done.............................................................................................................................................................................

Press either the EXIT LCD button or the panel [EXIT] button when done.

Song Playback & Recording

SONG

PLAY

FUNCTION

SONG

RECORD

CUSTOM

ACCOMP. REC

DISK

CUSTOM

VOICE EDIT

Song Playback

The PSR-7000 SONG PLAY mode allows song data to be played back from a floppy disk or the optional hard disk. The song file types which can be played by the PSR-7000 are: songs recorded on the PSR-7000, DOC (Disk Orchestra Collection), PianoSoft and GM song (SMF format). Refer to the DOC or SMF disk manuals as necessary .

About the Supplied Disk

The floppy disk supplied with the PSR-7000 includes a number of sample songs with wave data that are automatically loaded when the disk is inserted. When the data is loaded the SONG PLAY mode is automatically engaged, and you can then select and play the various sample songs as described below. Please note that the internal wave data (custom voice data), registration data, and SETUP data will be overwritted by the data loaded from the supplied disk.

Z Insert a Song Disk......................................................................................................................................................................

Insert a song disk into the PSR-7000 disk drive — a disk containing songs you have recorded on the PSR-7000 yourself, a Y amaha DOC (Disk Orchestra Collection), a Y amaha PianoSoft disk, or a GM song disk. The SONG PLAY mode will be automatically engaged if a DOC, PianoSoft or GM song disk is inserted (and an accompaniment is not playing). Otherwise engage the SONG PLAY mode as described in the following step.

X Engage the Song Play Mode...........................................................................................................................................

Press the [SONG PLAY] button to engage the SONG PLA Y mode. The SONG PLAY display will appear.

NOTES

• If the optional hard disk is present, DIR ▲▼ dials will be

available in the SONG PLAY display. These can be used to select the floppy disk or the hard disk directory containing the desired song.

Song Playback & Recording

C Select a Play Mode ....................................................................................................................................................................

Use the MODE LCD dials to select a play mode:

SINGLE Plays the single song selected via

the SONG SELECT controls.

ALL Plays all songs in the song list in

order.

CHAIN Plays the songs specified in the

CHAIN LIST in the specified order. Set this via the MAKE CHAIN button.

RANDOM Plays all songs in the song list in

random order.

Also, use the REPEAT LCD dial to turn the repeat mode ON or OFF as required. When ON, playback will repeat continuously until stopped.

V Start/Stop Playback..................................................................................................................................................................

Press the START LCD button to start playback. Playback will stop automatically when the specified song(s) have been played all the way through (unless the repeat mode is ON). You can also stop playback at any time by pressing the STOP [■] LCD button.

NOTES

• The ORGAN FLUTE voice cannot be played on the keyboard when playing back a track on which the ORGAN FLUTE voice is recorded.

■ Pause, Fast Forward & Reverse..................................................................................................................................

When you press the STOP [■] LCD button,

playback stops and the song position returns to the beginning of the song. The PAUSE LCD button, however, lets you pause playback and then start again from the same point in the song. Playback can be restarted either by pressing the PAUSE LCD button again or by pressing the START LCD button.

While the PAUSE mode is engaged the F.F.

[f] (Fast Forward) and REW [r] (Reverse) LCD buttons rapidly move the playback location forward and backward in 1-measure steps, respectively . The [r] and [f] buttons can be used both during playback and while playback is paused. The REW [r] LCD button will not appear and reverse operation will not be possible when a GM song disk (SMF Format 1) is being played.

The display shown appears when the supplied disk is used.

Song Playback & Recording

Chain Playback

Chain playback allows any number of songs to be grouped together in any order for playback.

To program a chain:

Z Press the MAKE CHAIN LCD Button .....................................................................................................................

The MAKE CHAIN LCD button will take you to

the chain programming display.

X Select and Insert the Required Songs .................................................................................................................

Use the SONG LCD dials to select a song, use the

CHAIN LIST LCD dials to select a position in the

chain if the chain contains more than one song, and finally press the INS LCD button to insert the song at the current position. Repeat this process to insert the required songs at the required locations.

C Delete Songs As Required................................................................................................................................................

To delete a song from the chain list simply use the CHAIN LIST LCD dials to select the song to be deleted, then press the DEL LCD button.

Song Playback & Recording

V Save the Chain List, If Necessary.............................................................................................................................

The completed chain list can be saved to disk by pressing the LIST SAVE LCD button. A confirmation display will appear (“OK to save chain data?”): press YES to save the list or NO to cancel.

NOTES

• Chain list data cannot be saved to a DOC or PianoSoft

disk.

Return to the Song Select Display...........................................................................................................................

Press the SONG SEL. LCD button to return to the SONG SELECT display.

Volume & Mute/Solo Settings

The volume, mute, and solo parameters for song playback are available via the VOLUME/MUTE display which can be accessed by pressing the [ LCD button to the right of the display. Press the VOLUME or MUTE LCD button to switch to the corresponding display.

]

Song Playback & Recording

The number of volume parameters in the TRACK VOLUME display will depend on the type of song

being played. If an original song recorded on the PSR-7000 using the QUICK RECORD mode is being played, two volume parameters will be available: MANUAL and ACCOMP. If an original song recorded on the PSR-7000 using the MUL TITRACK RECORD mode or a GM song is being played, individual parameters for all 16 tracks will be available: TR1 through TR16. Use the LCD dials to set the volume of the corresponding tracks. If a Y amaha DOC song is being played use the RHY, BASS, ORCH, LEFT, and RIGHT LCD dials to set the volume of the corresponding tracks (see the DOC or PianoSoft software manual for more details). If a PianoSoft song is being played use the ORCH, LEFT, and RIGHT LCD dials to set the volume of the corresponding tracks.

The LCD dials in the TRACK MUTE display allow PLAY, MUTE, or SOLO to be selected for each track group. Muted tracks do not play . If a track is set to SOLO only that track will play.

The track indicators above the volume or mute/ solo parameters indicate which tracks contain data and which are muted. Tracks which do not contain data are indicated by a dotted circle outline while tracks which contain data have a solid outline. Playenabled tracks are indicated by a filled circle while tracks that are muted are indicated by an outline only.

QUICK RECORD song

MULTITRACK RECORD song

DOC song

NOTES

• When GM song is played all tracks appear on the display

as if they contain data, even if they don’t.

GM song

SONG

PLAY

FUNCTION

SONG

RECORD

CUSTOM

ACCOMP. REC

DISK

CUSTOM

VOICE EDIT

Song Playback & Recording

Song Recording

The PSR-7000 SONG RECORD mode allows anything you play to be recorded to floppy disk. A QUICK RECORD mode provides an easy way to record a melody with accompaniment, while a MUL TITRACK record mode allows independent recording on up to 16 tracks. There’ s also a CHORD SEQUENCE record mode available via the QUICK record mode.

Z Insert a Recordable Disk.....................................................................................................................................................

Insert a properly formatted disk in the PSR-7000 disk drive.

X Engage the Song Record Mode...................................................................................................................................

Press the [SONG RECORD] button to engage the SONG RECORD mode. The SONG RECORD display will appear.

NOTES

• If an unformatted disk or a disk which has not been

formatted for use with the PSR-7000 is inserted, the “Wrong disk format! Format disk?” confirmation message will appear when the SONG RECORD mode is selected. Press YES to format the disk or NO to cancel.

• If a GM disk is in the drive when the SONG RECORD

mode is engaged, the “Not a user disk! Recording to this disk will convert it to a user disk. OK to record?” message will appear on the display. Press YES to enter the record mode or NO to cancel.

• If a DOC or PianoSoft disk is in the drive when the SONG

RECORD mode is engaged the “Write protected!” message will appear and it will not be possible to enter the record mode.

▲▼

• If the optional hard disk is present, DIR

available in the SONG PLAY display. These can be used to select the floppy disk or the hard disk directory to which the song is to be recorded.

dials will be

Song Playback & Recording

C Select a Song..................................................................................................................................................................................

Use the SONG LCD dials to select either an existing song for additional recording or a new song (“

” on the SONG LIST) to record a new song.

V Enter a Song Name, If Necessary .............................................................................................................................

You can enter an original name for the song at this point. Song names can be up to 12 characters long. Use the < > LCD dial to move the name cursor to the various character positions, then use the A~Z, a~z, or 0~9… LCD dial to select the required character for each position. The A~Z LCD dial selects capital letters, the a~z control selects lower-case letters, and the 0~9… LCD dial selects numbers and special characters.

B Select a Record Mode ............................................................................................................................................................

Press the QUICK RECORD or MULTI TRACK LCD button to select the corresponding record mode.

Song Playback & Recording

Quick Record

The QUICK RECORD mode, as its name suggests, makes track selection and recording easy by grouping the accompaniment and manual tracks.

Z Set the Track Modes .................................................................................................................................................................

Use the MANUAL and ACCOMP. LCD dials to the select the REC mode for the track(s) to be recorded, the PLAY mode for the tracks to be played while recording, or the MUTE mode for tracks neither to be played or recorded. The PLAY mode can only be selected for tracks which contain data.

NOTES

• Note that the SYNCHRO START mode is automatically

engaged when the QUICK RECORD mode is selected, so be careful not to play the keyboard before you’re ready to actually start recording, or recording will begin automatically. SYNCHRO START can be disengaged by pressing the [SYNCHRO START] button.

X Set Up For the Recording ..................................................................................................................................................

Select the required voice(s), select a style, turn AUTO BASS CHORD on if required (see “NOTES” below). Set up all parameters as desired for recording. The voices, multi-pad notes, harmony notes, and accompaniment parts are recorded on the various tracks as listed to the right.

NOTES

• If you turn the panel [AUTO BASS CHORD] button on, the

ACCOMP. tracks will automatically be set to the REC mode.

• If the REC mode is engaged for the ACCOMP. tracks the

panel [AUTO BASS CHORD] button will be turned on automatically.

• When the QUICK RECORD mode is selected and a three-

note HARMONY TYPE is selected, only two harmony notes will be recorded.

MANUAL

VOICE TRACK

LEAD voice 1 RIGHT 1 voice 2 ORGAN FLUTE

voice 3 LEFT voice 4 MULTI PAD 5 HARMONY 6…7 RIGHT 2 voice 8

ACCOMPANIMENT

PART TRACK

RHYTHM 1 9 RHYTHM 2 10 BASS 11 CHORD 1 12 CHORD 2 13 PAD 14 PHRASE 1 15 PHRASE 2 16

Song Playback & Recording

C Turn the Metronome On If Required.......................................................................................................................

Use the METRONOME LCD dials to turn the metronome ON if you want to record while monitoring the metronome sound (the metronome sound is not recorded).

V Start Recording.............................................................................................................................................................................

If the SYNCHRO ST AR T mode is engaged (it is engaged automatically when the QUICK RECORD mode is selected) you can start recording by simply playing on the keyboard. Otherwise use the START LCD button or the panel [START] button.

NOTES

• Any previous data in a track will be erased when that track

is recorded.

• When the record mode is engaged and accompaniment is

stopped, prior to actually starting recording, the amount of available disk space will appear in the upper right corner of the display in approximate kilobytes. The measure number is displayed in this location when recording is started.

B Stop Recording .............................................................................................................................................................................

Stop recording by pressing the STOP LCD button, the panel [STOP] button or the [ENDING] button. When recording is stopped the “Saving to disk” message may appear on the display while the recorded data is being saved to the disk.

Song Playback & Recording

■ THE TRACK INDICA T ORS...................................................................................................................................................

The track indicators above the track mode selectors indicate which tracks contain data and which are muted. Tracks which do not contain data are indicated by a dotted circle outline while tracks which contain data have a solid outline. Play-enabled tracks are indicated by a filled circle while tracks that are muted are indicated by an outline only.

Play-enabled Muted

No data

Record-enabled

■ TRACK DELETE............................................................................................................................................................................

When the DEL LCD button is pressed DELETE will appear for tracks which contain data. Select DELETE via the MANUAL or ACCOMP. track LCD dials while holding the DEL button to delete all data in the corresponding tracks. The data is actually deleted when the DEL LCD button is released. When the DEL LCD button is pressed, tracks set to

REC will automatically be switched to PLAY or MUTE.

■ PLAYBACK .........................................................................................................................................................................................

Recorded tracks are automatically set to the PLAY mode when recording is stopped, so you can simply press the START LCD button or the [START] panel button to hear what you’ve recorded immediately after recording. All other playback functions are the same as described on the “Song Playback” section (page 53).

NOTES

• If the panel [ORGAN FLUTE] button is turned on before

playing a song recorded with an ORGAN FLUTE voice, the panel ORGAN FLUTE settings will be used.

• An ORGAN FLUTE voice cannot be played on the key-

board when playing a song that was recorded with an ORGAN FLUTE voice.

■ EXITING .................................................................................................................................................................................................

SONG

Press the [SONG RECORD] or [EXIT] button to exit from the QUICK RECORD mode and return to the normal play mode.

PLAY

SONG

RECORD

CUSTOM

VOICE EDIT

CUSTOM

ACCOMP. REC

FUNCTION

DISK

EXIT

Song Playback & Recording

Chord Step Recording

The CHORD STEP recording feature makes it possible to record accompaniment chord changes one at a time with precise timing. Since the changes don’t have to entered in real time, it is easy to create even complex accompaniments before recording the melody.

Select the CHORD STEP display via the [

] or [ ] LCD button to the right of the display.

Z Select an Entry Point...............................................................................................................................................................

Use the < >CURSOR< > LCD dials to position the cursor at the measure and beat at which you want to enter a chord or other accompaniment event. The large < > controls move the cursor in 1-measure steps while the small cursor in the smallest increment allowed for the current style. Measure numbers appear above each measure division on the “data line”, and the smaller division represent the smallest increment available for the current style. The measure numbers will scroll accordingly when the cursor is moved past the last or first measure on the display (but not backwards past measure 1).

< > controls position the

X Specify a Chord, Volume Change, or Other Event..................................................................................

To specify a chord change use the ROOT and TYPE LCD dials to specify the chord. It is also

possible to enter chords directly via the AUTO BASS CHORD section of the keyboard.

To specify a volume change use the VOL. LCD dial to specify the new volume level.

Other events which can be entered via the panel controls are: STYLE changes, [MAIN A], [MAIN

B], [INTRO A/FILL to A], [INTRO B/FILL to B], [ENDING], and TEMPO changes. STYLE change, [MAIN A], [MAIN B], and [ENDING] events can

only be entered at the top of each measure. The edited event appears in inverse text.

Song Playback & Recording

C Enter the Specified Event(s) ...........................................................................................................................................

Once the event or events to be entered have been specified as described in the preceding step, press the SET LCD button to actually enter the event at the current cursor position. A dot will appear on the CHORD STEP data line and the cursor will advance to the top of the next measure.

V Repeat Until Done .............................................

Repeat steps 1 through 3, above, until the required number of chord changes and other accompaniment events have been entered. The end of the sequence is automatically set at the end of the last measure containing data, the insert point of an END event (available at the bottom of the TYPE list).

■ DELETING EVENTS ..................................................................................................................................................................

When the cursor is located at any previouslyentered dot on the CHORD STEP data line, the type of event(s) recorded in that location are indicated by triangular markers (s) to the left of the corresponding event names in the event window. When only one type of event has been entered at the cursor location an eraser icon appears to the right of the corresponding event in the event window, and that event can be erased simply by pressing the DEL LCD button. When more that one type of event has been entered at the cursor location the SELECT LCD dial can be used to place the eraser icon next to any of these events, and the specified event can be erased by pressing the DEL LCD button. Events at the top of a measure can be changed but not deleted.

Song Playback & Recording

Quick Record Mode Edit Functions

The QUICK RECORD mode EDIT display includes only one function: SONG DELETE.

Select the EDIT display via the [

] LCD button to the right of the display.

■ SONG DELETE...............................................................................................................................................................................

This function deletes the specified song file from the disk.

NOTES

• The song currently being recorded cannot be deleted.

• The amount of remaining disk space is displayed in the

upper right corner of the display in approximate kilobytes while recording or playback is stopped.

ZSelect a Song

Use the SONG LCD dials to select the song to be deleted.

NOTES

• If the optional hard disk is present, DIR ▲▼ dials will be

available which can be used to select the floppy disk or the hard disk directory containing the song to be deleted.

XDelete the Song

Press the EXECUTE LCD button. The “Ready to Delete ********. OK to delete?” confirmation message will appear (“********” is the song name). Press YES to delete the song or NO to cancel.

Song Playback & Recording

Multitrack Record

The MULTITRACK record mode allows independent recording and playback on any of 16 tracks, so even complex

songs can be built up track by track.

Z Set the Track Modes .................................................................................................................................................................

Use the TR1 through TR16 LCD dials to the select the REC mode for the track(s) to be recorded, the PLAY mode for the tracks to be played while recording, or the MUTE mode for tracks neither to be played or recorded. The PLAY mode can only be selected for tracks which contain data. The TR1-8 or TR9-16 LCD button selects track groups 1 through 8 and 9 through 16, respectively.

X Change the Track Parts, If Required.......................................................................................................................

The default part for each track is displayed above the REC setting. The parts can be changed as required by selecting them via the corresponding LCD dials. When the part has been changed, move back down to the REC setting.

NOTES

• ORGAN FLUTE voices can be recorded on track 3.

Song Playback & Recording

C Set Up For the Recording ..................................................................................................................................................

Select the required voice(s), select a style, turn AUTO BASS CHORD on if required. Set up all parameters as desired for recording.

NOTES

• If you turn the panel [AUTO BASS CHORD] button on, the

accompaniment tracks will automatically be set to the REC mode.

• If the panel [AUTO BASS CHORD] button is turned off the

accompaniment track REC modes will be disengaged.

• If no AUTO BASS CHORD track is set to the REC mode,

the [AUTO BASS CHORD] button will automatically be turned off.

• If the REC mode is engaged for any of the accompaniment

tracks the panel [AUTO BASS CHORD] button will be turned on automatically.

V Start Recording.............................................................................................................................................................................

Engage the SYNCHRO START mode if you want to start recording automatically as soon as you start playing on the keyboard. Otherwise use the START LCD button or the panel [START] button.

NOTES

• Any previous data in a track will be erased when that track

is recorded.

• When the record mode is engaged and accompaniment is

B Stop Recording .............................................................................................................................................................................

Song Playback & Recording

■ THE TRACK INDICA T ORS...................................................................................................................................................

Record-enabled Play-enabled

No data Muted

■ TRACK DELETE............................................................................................................................................................................

When the DEL LCD button is pressed DELETE will appear for tracks which contain data. Select DELETE via the TR1 through TR16 LCD dials while holding the DEL button to delete all data in the corresponding tracks. The data is actually deleted when the DEL LCD button is released. When the DEL LCD button is pressed, tracks set to REC will automatically be switched to PLAY or MUTE.

■ RECORDING & EFFECTS...................................................................................................................................................

The reverb, chorus, and DSP effects are recorded

as follows:

REVERB The last reverb type selected during recording takes priority. No effect type is recorded if the [RE-

VERB] button is off during recording.

CHORUS The chorus type is only recorded when the accompaniment or rhythm tracks are recorded. The

chorus type is recorded even if the [CHORUS] button is off during recording. The chorus type is selected automatically according to the selected style.

DSP EFFECT If the [DSP EFFECT] button is on during recording, the current DSP effect will be recorded only for

the tracks actually being recorded. If the [DSP EFFECT] button is off during recording or only the accompaniment tracks are set to the REC mode, no change occurs. If the [DSP EFFECT] button is turned on during manual track recording, however, only tracks set to the REC mode are effected.

Song Playback & Recording

■ PLAYBACK .........................................................................................................................................................................................

Recorded tracks are automatically set to the

PLAY mode when recording is stopped, so you can simply press the START LCD button or the [START] panel button to hear what you’ve recorded immediately after recording. All other playback functions are the same as described on the “Song Playback” section (page 53).

SONG

Press the [SONG RECORD] or [EXIT] button

to exit from the MULTITRACK RECORD mode and return to the normal play mode.

RECORD

PLAY

SONG

CUSTOM

VOICE EDIT

CUSTOM

ACCOMP. REC

FUNCTION

DISK

EXIT

Punch-In Recording

PUNCH IN recording allows only a section of a recorded track to be re-recorded without having to redo the entire track.

Select the PUNCH IN display via the [

NOTES

• If you require the metronome sound for punch-in recording turn the METRONOME parameter ON in the PUNCH IN display. The metronome settings are available in the MULTI REC mode.

] or [ ] LCD button to the right of the display.

Z Select a Track...................................................................................................................................................................................

Use the TRACK LCD dials to select a track for PUNCH IN recording: LEAD, RIGHT1, RIGHT2, or LEFT. Only tracks which contain data can be selected.

Song Playback & Recording

X Select a Start Trigger Type.................................................................................................................................................

Use the TRIGGER LCD dials to select the FIRST KEY or START SW start trigger. When FIRST KEY

is selected recording will begin when the first key is played on the keyboard. When START SW is selected recording will begin when the START LCD button or panel [START/STOP] button is pressed. If a footswitch has been assigned to the PUNCH IN/ OUT function via the F3 CONTROLLER: FOOT CONTROLLER display (page 112), FOOT SW can also be selected via the TRIGGER LCD dials.

C Turn the Metronome On If Required.......................................................................................................................

Use the METRONOME LCD dial to turn the metronome ON if you want to record while monitor- ing the metronome sound (the metronome sound is not recorded).

V Locate the Punch In Point........................

While the PLAY mode is selected play the song and pause playback a few measures before the punch-in point so you have a good “lead in” prior to actually starting recording.

B Engage the Record Mode...................................................................................................................................................

Use the MODE LCD dials to select the REC mode.

Song Playback & Recording

N Start Playback.................................................................................................................................................................................

Press the START LCD button or panel [START/ STOP] button to start playback from the current

P AUSE location.

M Start Recording at the Punch-in Point.................................................................................................................

Start recording at the punch-in point by either pressing a ST ART button, playing on the keyboard, or pressing the footswitch, according to the start trigger type selected in step 2, above.

< Stop Recording .............................................................................................................................................................................

Stop recording at the punch-out point by pressing the PUNCH OUT LCD button, the panel [ST ART/ STOP] button, or the footswitch. If recording is stopped via the panel [START/STOP] button, all data following the punch-out point will be deleted. If recording is stopped by using the PUNCH OUT LCD button or footswitch, data following the punchout point will be left intact.

Song Playback & Recording

T rack V olume Control

The MULTITRACK RECORD VOLUME display provides independent volume parameters for each of the 16 tracks.

Select the VOLUME display via the [ LCD button to the right of the display, and use the TR1 through TR16 LCD dials to set the volume of the corresponding tracks. The TR1-8 or TR9-16 LCD button selects track groups 1 through 8 and 9 through 16, respectively . Press the EXECUTE LCD button to save the edited volume data to disk.

] or [ ]

Multitrack record Mode Edit Functions

The MULTITRACK RECORD mode EDIT display includes four functions: QUANTIZE, TRACK MIX, INITIAL EDIT, and SONG DELETE.

Select the EDIT display via the [ to the left of the display to select the desired function.

] LCD button to the right of the display, then use the s and t LCD buttons

■ QUANTIZE ...........................................................................................................................................................................................

The QUANTIZE function aligns recorded notes in a specified track to the specified beats to “tighten up” the timing of a performance.

The Quantize sizes are:

1/4 note 1/4 note triplet 1/8 note 1/8 note triplet

1/16 note 1/16 note triplet 1/32 note

One measure of 8th notes before quantization

After quantization

ZSelect a Track

Use the TRACK LCD dials to select the track to be quantized, and the SIZE LCD dials to select the beats to which the notes will be aligned. Only tracks which contain data will be available for quantization.

Song Playback & Recording

XQuantize the Track

Press the EXECUTE button. “Executing” will appear on the display while the data is being quantized. After quantization the EXECUTE button changes to an UNDO button which can be used to undo the quantize operation if the results are not satisfactory .

TRACK COPY/MIX......................................................................................................................................................................

■

This function allows data to be copied from one track to another, or data from two tracks can be mixed and the results placed in a different track.

● Copy

Source track 1

Data

Copy to Destination track

Data

ZSelect the Source and Destination

Tracks

Use the SOURCE1 and SOURCE2 LCD dials to specify the tracks to be mixed, and the DESTINA- TION LCD dials to select the track into which the results will be placed. To simply copy from the

SOURCE1 track to the DESTINATION track select COPY via the SOURCE2 LCD dials.

XCopy/Mix the Data

Press the EXECUTE button. “Executing” will appear on the display while the data is being copied. After execution the EXECUTE button changes to an UNDO button which can be used to undo the copy/ mix operation if the results are not satisfactory.

● Mix

Source track 1

Data

Source track 2

Data

Destination track

Song Playback & Recording

■ INITIAL EDIT .....................................................................................................................................................................................

Allows the initial REVERB DEPTH, CHORUS DEPTH, and DSP EFFECT depth settings for each track to be edited as required.

ZSelect a Track & Set the Depth Param-

eters

Use the TRACK LCD dials to select a track, and the REVERB, CHORUS, and EFFECT LCD dials to set the corresponding depth parameters as required. Only tracks which contain data can be selected for editing.

XEnter the Edited Data

Press the EXECUTE button. “Executing” will appear on the display while the data is being updated. After execution the EXECUTE button changes to an UNDO button which can be used to undo the initial edit operation if the results are not satisfactory.

NOTES

• INITIAL EDIT parameters cannot be edited for a track on

which the ORGAN FLUTE voice was recorded.

■ SONG DELETE...............................................................................................................................................................................

This function deletes the specified song file from the disk.

NOTES

• The song currently being recorded cannot be deleted.

• The amount of remaining disk space is displayed in the

upper right corner of the display in approximate kilobytes while recording or playback is stopped.

ZSelect a Song

Use the SONG LCD dials to select the song to be deleted.

NOTES

• If the optional hard disk is present, DIR ▲▼ dials will be

available which can be used to select the floppy disk or the hard disk directory containing the song to be deleted.

XDelete the Song

Press the EXECUTE LCD button. The “Ready to Delete ********. OK to delete?” confirmation message will appear (“********” is the song name). Press YES to delete the song or NO to cancel.

Custom Accompaniment

SONG

PLAY

FUNCTION

SONG

RECORD

CUSTOM

ACCOMP. REC

DISK

CUSTOM

VOICE EDIT

The CUSTOM ACCOMPANIMENT RECORD mode allows you to create original accompaniment styles that can be later recalled and played at any time, just like the presets. Up to 32 custom accompaniment styles can be maintained in internal memor y at the same time, and any number can be saved to disk for later reloading and use. 5 sections can be created for each custom style: MAIN A, MAIN B, INTRO, FILL IN, and ENDING.

The basic custom style recording procedure is outlined below.

Z Engage the CUSTOM ACCOMP. RECORD Mode ......................................................................................

Press the [CUSTOM ACCOMP. RECORD]

button. The current [CUSTOM] style will begin playing in the key of C major 7 and the REC mode for the RHY1 track will be automatically engaged.

X Select a Style ..........................................................

Select one of the [CUSTOM] styles or a preset

style that is close to the style you want to create. Style selection is carried out in the normal way (page 26).

NOTES

• If you select a different style after any data has been edited a confirmation display will appear. This is necessary because loading a new style will erase any edits you have already made.

C Select the Section You Want to Record...............................................................................................................

After making sure that the BASIC page is se-

lected (use the [ display if necessary), press the SETTING LCD button if it is showing to access the NAME, SEC- TION, and COPY parameters. Use the SECTION LCD dials to select the section you want to program first: MAIN A, MAIN B, INTRO, FILL IN, or ENDING. The MAIN A section is initially selected.

] LCD button to the right of the

Custom Accompaniment

V Copy the Data For the A or B Variation...............................................................................................................

The COPY parameter makes it possible to copy the A or B variation to the selected section, depending on the variation you want to program. The possibilities are listed below:

SECTION COPY SOURCE

MAIN A or B MAIN A, MAIN B INTRO INTRO A, INTRO B FILL IN ENDING ENDING A, ENDING B

Use the SOURCE LCD dials to select the section to be copied to the current section. Press the EX- ECUTE button, then press YES to copy the data when the confirmation display appears (or NO to cancel).

FILL AA, FILL AB, FILL BB, FILL BA

B Enter a Style Name, If Necessary..............................................................................................................................

You can enter an original name for the custom accompaniment style at this point. Style names can be up to 12 characters long. Use the < > LCD dial to move the name cursor to the various character positions, then use the A~Z, a~z or 0~9… LCD dial to select the required character for each position. The A~Z LCD dial selects capital letters, the

a~z LCD dial selects lower-case letters, and the 0~9… LCD dial selects numbers and special char-

acters.

N Go to the PART RECORD Display and Set Up the Tracks...............................................................

Press the PART RECORD LCD button to go to the PART RECORD display and use the LCD dials to set the REC mode for the part you want to record. Other parts can be play-enabled or muted as required. Parts which contain no data are automatically set to MUTE.

Custom Accompaniment

Parts can be cleared completely before recording if you want to record “from scratch”, or change the number of measures in the section, as described below. When the DEL LCD button is pressed DE- LETE will appear for tracks which contain data. Select DELETE via the track LCD dials while holding the DEL button to delete all data in the corresponding tracks. The data is actually deleted when the DEL button is released.

The entire custom accompaniment style can be cleared (in order to change the time signature, for example) by using the CLEAR CUSTOM STYLE function described on page 83.

M Change the Time Signature & Number Of Measures, If Required..........................................

If you want to create a style in a different time signature than the current style, or change the number of measures in the selected section, use the ▼ LCD button to the left of the display to select the MEAS- URE and BEAT parameters.

Use the BEAT LCD dials to select a different time signature: 2/4, 3/4, 4/4, or 5/4. Please note that the time signature can only be changed if all sections of the current custom style have been cleared. If any data remains in any section “All sections must be clear to set beat” will appear in the BEAT parameter position (use the CLEAR CUSTOM STYLE function described on page 83 to clear all sections of the current custom style).

Use the MEASURE LCD dials to select a different number of measures for the selected section. Please note that the number of measures can only be changed if all parts of the current section have been cleared. If any data remains in any part “All parts must be clear to set measures” will appear in the MEASURE parameter position (the parts can be cleared as described in the previous step) Once the parts have been cleared you can select a new number of measures as required: 1 through 8.

Once the BEAT and/or MEASURE parameters have been set as required, press the PART RECORD button to the left of the display to go back to the PART RECORD display.

Custom Accompaniment

< Record the Selected part....................................................................................................................................................

You can now add new notes to the selected part by playing the keyboard at the appropriate timing. All parts must be entered in the key of C major 7. If both the RHY1 and RHY2 parts are cleared the metronome will sound to provide a timing guide (the metronome sound is not recorded). A single drum instrument can be cleared from the RHY1 and/or RHY2 track by pressing the key corresponding to the instrument to be cleared while holding the RHY DIRECT CANCEL LCD button.

NOTES

• Key On/Off ,Voice , Volume , Pitch Bend and Modulation

data can be recorded.

• When the RHY1 or RHY2 part is selected the keyboard

percussion mode is automatically engaged. In this case the drum kit voice can be changed via the RIGHT 1 voice selectors. All voices in the [CUSTOM] group can be selected — but

• If a preset style or an SFF style loaded from disk is being

used unedited, or a part contains no data, REC will appear in gray for all except the RHYTHM parts and the REC mode cannot be selected. New data can be recorded for such parts by first deleting all data from the part.

• Playback can be started and stopped via the [START/

STOP] button as required while in the CUSTOM ACCOMP. RECORD mode — data cannot be recorded while playback is stopped. It is a good idea, however, to use [SYNCHRO START] if you want to record from the top of the first measure.

only drum kit voices will sound.

• The volume of the voice being edited can be adjusted by pressing the [MIXER] button and using the R1 LCD dials.

• A “KEY OFF” event will automatically be recorded after the last note in the accompaniment.

• If a custom accompaniment which includes an empty section is saved to disk, the empty section will be replaced by a suitable section when the accompaniment is later loaded and played.

> Repeat Until All Parts Have Been Recorded..................................................................................................

Continue selecting the REC mode for the various tracks and recording them as required until all parts have been recorded.

? Set the Part V olume Levels...............................................................................................................................................

Use the ▼ LCD button to the left of the display to select the VOLUME parameters. Then use the VOLUME OFFSET LCD dials to adjust the volume of each part to create the best overall balance. Since these are “offset” parameters, both “+” and “–” settings are possible to increase or decrease the volume from the preset level, respectively. These settings apply to the corresponding parts in all sections of the accompaniment.

Custom Accompaniment

[ Go On to EFFECTS, EDIT, and STORE ................................................................................................................

You can now stop the accompaniment by pressing the [START/STOP] button (or leave it running, as required), and go on to the EFFECTS and EDIT functions described below. When your custom accompaniment is complete, be sure to use the STORE function, also described below, to store the style to one of the CUSTOM memory locations.

Exit When Done.............................................................................................................................................................................

When your custom accompaniment is complete,

SONG

CUSTOM

FUNCTION

DISK

EXIT

press the [CUSTOM ACCOMP . REC] or [EXIT] button to exit from the CUSTOM ACCOMPANIMENT RECORD mode.

PLAY

SONG

RECORD

VOICE EDIT

ACCOMP. REC

Effects

Select the EFFECTS display via the [ ] or [ ] LCD button to the right of the display . If not already selected, press the SETTING LCD button to access the REVERB DEPTH, CHORUS TYPE/DEPTH, and PAN parameters for the current section.

■ REVERB DEPTH...........................................................................................................................................................................

Use the ▲ and ▼ buttons to the left of the display to select the REVERB DEPTH parameters, then use the RHY1, RHY2, BASS, CHD1, CHD2, PAD, PHR1, and PHR2 LCD dials to set the reverb depth for the corresponding parts.

Custom Accompaniment

■ CHORUS TYPE & DEPTH....................................................................................................................................................

Use the ▲ and ▼ buttons to the left of the display to select the CHORUS TYPE/DEPTH parameters.

T o select a chorus type use the TYPE LCD button to select the CHORUS TYPE display. Use the LCD dials to select the desired chorus type.

T o set the chorus depth parameters use the DEPTH LCD button to select the CHORUS DEPTH display (if it isn’t already selected). Use the RHY1, RHY2, BASS, CHD1, CHD2, PAD, PHR1, and PHR2 LCD dials to set the chorus depth for the corresponding parts.

■ PAN .............................................................................................................................................................................................................

Use the ▲ and ▼ buttons to the left of the display to select the PAN parameters. Use the RHY1, RHY2, BASS, CHD1, CHD2, PAD, PHR1, and PHR2 LCD dials to set the pan position for the corresponding parts.

NOTES

• The REVERB, CHORUS, and PAN parameters can not

be edited for parts which contain no data.

Custom Accompaniment

Edit

Select the EDIT display via the [ ] or [ ] LCD button to the right of the display . If not already selected, press the SETTING LCD button to access the QUANTIZE, COPY, and REMOVE EVENT parameters. Use the ▲ and ▼ LCD buttons to the left of the display to select the desired function.

The QUANTIZE function aligns recorded notes in a specified part to the specified beats to “tighten up” the timing of a performance.

ZSelect a Part

Use the PART LCD dials to select the part to be quantized, and the SIZE LCD dials to select the beats to which the notes will be aligned.

The part name for parts which are being used unedited from a preset style will appear in small letters. “*” will appear for parts which contain no data. Neither can be selected for quantization.

XQuantize the Part

Press the EXECUTE button. The “Completed” display will appear briefly when the quantize operation has finished. After quantization the EXECUTE button changes to an UNDO button which can be used to undo the quantize operation if the results are not satisfactory.

The Quantize sizes are:

1/4 note 1/4 note triplet 1/8 note 1/8 note triplet

1/16 note 1/16 note triplet 1/32 note

■ COPY ........................................................................................................................................................................................................

This function allows data to be copied from one measure or group of measures to another location within the same part.

ZSelect a Part

Use the PART LCD dials to select the part to be edited.

The part name for parts which are being used unedited from a preset style will appear in small letters. “*” will appear for parts which contain no data. Neither can be selected for editing.

Custom Accompaniment

XSelect the Top, Last, and Destination

Measures

Use the TOP and LAST LCD dials to specify the first and last measures in the region to be copied. Use the DEST LCD dial to specify the top of the measure to which the data is to be copied.

CCopy the Data

Press the EXECUTE button. The “Completed” display will appear briefly when the copy operation has finished. After execution the EXECUTE button changes to an UNDO button which can be used to undo the copy operation if the results are not satisfactory.

■ REMOVE EVENT...........................................................................................................................................................................

This function can be used to remove all occurrences of a specified type of event — VOLUME, PITCH BEND, or MODULATION — from a specified part.

ZSelect a Part

Use the PART LCD dials to select the part from which a type of event is to be removed.

The part name for parts which are being used unedited from a preset style will appear in small letters. “*” will appear for parts which contain no data. Neither can be selected for editing.

XSelect an Event Type

Use the EVENT LCD dials to select the type of event to be removed.

NOTES

• MODULATION events cannot be removed from the RHY1

and RHY2 parts.

CRemove the Specified Events

Press the EXECUTE button. “Completed” will appear on the display briefly when the data has been removed. After execution the EXECUTE button changes to an UNDO button which can be used to undo the copy operation if the results are not satisfactory.

Custom Accompaniment

Store/Clear

Select the STORE display via the [ ] LCD button to the right of the display. If not already selected, press

the SETTING LCD button to access the STORE and CLEAR CUSTOM STYLE parameters. Use the ▲ and ▼ LCD buttons to the left of the display to select the desired function.

■ STORE.....................................................................................................................................................................................................

Stores the recorded custom accompaniment data for use with the PSR-7000 accompaniment feature. When this function is selected the size of the current style and the remaining memory capacity available for style storage are displayed to the right of the display. The names and sizes of all other styles currently in memory are shown in the lower section of the display.

ZSelect a Custom Style Number

Use the STORE LCD dials to select the custom style number to which you want to store the newly created custom style.

XStore the Custom Style

Press the EXECUTE button, then press YES to store the style when the confirmation display appears (or NO to cancel).

■ CLEAR CUSTOM STYLE .....................................................................................................................................................

Clears unwanted custom styles from memory, making more memory available for custom style storage.

ZSelect a Custom Style Number

Use the CLEAR LCD dials to select the custom style you want to clear.

XClear the Custom Style

Press the EXECUTE button, then press YES to clear the style when the confirmation display appears (or NO to cancel).

NOTES

• If you change styles or exit from the CUSTOM ACCOMP.

REC mode before storing an edited style, a store confirmation display will appear. Press YES to store the data, NO to exit without storing, or CANCEL to continue editing. The YES button returns you to the STORE/CLEAR display.

Yamaha PSR-7000, PSR-7000E User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual