Zoom G3Xn Patch memories
When using headphones, turn ON the MIC parameter of the cabinet effect.
Patches 76—150 are empty by default.
Manufacturer names and product names mentioned in this patch list are trademarks or registered trademarks of their respective owners and do not
indicate any affiliation with ZOOM CORPORATION. All product and artist names are intended only to illustrate sonic characteristics that were used as
reference in the development of this product.
PATCH No.
001
002
003
004
005
006
007
008
009
010
011
012
013
014
015
016
017
018
019
020
021
022
023
024
025
026
027
028
029
030
031
032
033
034
035
PATCH NAME
Lead BGN
Phazed
UFO
DreamWorld
The Brown
Funk Sauce
Hard Rock
GrungeFuzz
MS.Mudd
OctaveSolo
HeavenSent
SL-Drive
TexasToasT
DjentDrive
FacialCln
AxeAttack
Live Again
LushAcoust
MuteBackin
MtlMonster
TS
Barra
BGN Djent
OrganBlues
Jimmy
Carlos
Edgy
Rhapsody
LatinSolo
ZepDrive
Eruption
Sweet Lead
RC Clean
Blues
EarlyBrits
This modern lead sound uses XtasyBlue and ModDelay.
This is an MS 800 drive sound with a phaser effect.
Using ParaEQ, the midrange is emphasized in this sound in the style of Michael Schenker.
This crunch sound has TapeEcho and Hall reverb added to SweetDrv.
MS 800 is used to emulate Eddie Van Halen's brown sound.
This funk rhythm tone adds Air to AutoWah and Phaser effects.
This drive sound that uses XtasyBlue and Hall is good for hard rock.
The distortion of TB MK1.5 is added to XtasyBlue for this grunge fuzz sound.
FD Spring reverb is added to a powerful drive sound made using MS 800.
This lead tone combines Octave with MS 800 and TS Drive effects.
ReverseDL and Plate are used create this mystical sound.
XtasyBlue and Delay are combined to create a long sound with a Steve Lukather feel.
This crunch sound uses TS Drive to drive FD TWNR and suits Texas blues well.
This heavy jet sound uses XtasyBlue and Plate effects.
This clean sound uses Comp and StereoCho. It is perfect for arpeggio playing.
Gt GEQ 7 is used in addition to XtasyBlue for this modern heavy sound that emphasizes the low mid range.
Plate reverb is added to a clean step filter sound.
This acoustic guitar sound combines StereoCho and Plate for a wide reverb tone.
FD TWNR and Phaser are used in this clean sound that is good for muted backing parts.
This monster drive sound emphasizes the AutoWah effect using Octave.
This blues setting combines TS Drive and FD TWNR.
This flanger sound uses MS 800 and VinFLNGR.
This sharp jet sound that is suitable for drop tunings uses XtasyBlue and GoldDrive.
PDL Roto and FD TWNR are combined in this setting. Use it when playing backing chords for an organ-like sound.
MS 800 and TapeEcho are used to create this sound in the style of Jimmy Page.
BG MK3 and Hall create a sound with a distinctive mid range in the style of Santana.
This sound in the style of The Edge, the U2 guitarist, uses UK 30A. Control the AnalogDly with the TAP switch.
TS Drive boosts UK 30A. The midrange provides a distinctive sound in the style of Brian May.
BG MK3 and AnalogDly are used to create a lead tone that has the characteristics of a combo amp.
This was created with the sound of Led Zeppelin's Heartbreaker in mind.
Phaser and TapeEcho are used to create the early sound of Van Halen.
Using XtasyBlue and Delay, this lead tone is good for sweet fusion styles.
RC Boost enhances the clean sound of FD TWNR.
This lead tone, which is good for blues, uses GoldDrive to boost FD TWNR.
UK 30A and FD Spring combine to make an early British rock sound.
COMMENT
PATCH No.
036
037
038
039
040
041
042
043
044
045
046
047
048
049
050
051
052
053
054
055
056
057
058
059
060
061
062
063
064
065
066
067
068
069
070
071
072
073
074
075
PATCH NAME
Surf
Tacoustic
UKxUS
Brit Grit
Hot Twin
Fuunnkk
EchoContrl
ChuckWah
Pedal Mod
Crush PDL
Johnny
SuperSonic
Loopertron
Gayageum
Sighs
Jimi
CleanSlide
DirtySlide
Confusion
Smooth
Metal
Dobro
AutoFunk
Talker
Sing
Elise
Birds
Chuck1
DirtyHairy
Mr,Mud
C Harmony
ThePitcher
Euphoria
The Force
Wactave
BallzNFace
GhostWaltz
Twin Basic
Bomb Basic
TripEcho
COMMENT
This setting is inspired by the surf rock sound of The Beach Boys.
This realistic acoustic guitar sound uses the Aco.Sim and RackComp effects.
This crunch sound fuses a UK preamp with a US cabinet.
This crunch sound uses UK 30A and HD Hall.
This fat drive sound has the gain of FD TWNR turned up.
This funky pedal wah uses ChromeWah and FD TWNR effects.
Use the pedal to control the delay of this drive sound.
This wah sound was created by Chuck Loeb of Fourplay using UK2x12 and BlackWah.
Use the pedal to control the modulation of this clean sound.
This extreme pitch shifter pedal sound uses MonoPitch and PDL Pitch.
Tremolo and ModDelay are used to create this alternative rock sound. It is perfect for arpeggio playing.
TB MK1.5 and PitchSHFT are combined in this octave-up sound.
This synth-style octave sound is created using OctFuzz and TapeEcho.
Aco.Sim and PitchSHFT are used to simulate the sound of a Gayageum.
This JCM800 drive sound uses Phaser and TapeEcho.
This uses MS 800 for a Jimi Hendrix style tone.
This simple clean tone is good for slide playing.
This crunchy sound is perfect for slide playing.
This reverse playback sound uses MS 800 and ReverseDL.
FD TWNR and Chorus are used to create a clean sound that is good for smooth jazz.
MetalWRLD and MS 800 combine to create a metal sound.
This uses Aco.Sim and Gt GEQ 7 to create the body resonance of a resonator guitar. This is perfect for slide playing.
This funky auto-wah sound uses AutoWah and FD TWNR effects.
A deep reverb is applied to UK 30A and PDL Pitch for this sound. This is perfect for long tones.
This crunchy lead sound uses UK 30A and GoldDrive.
This deep reverb sound uses FD Spring and Spring.
AnalogDly and TapeEcho are used for this wide and super-long reverb sound.
This effect set was created by Chuck Loeb of Fourplay.
This overdrive sound combines EP Stomp and GoldDrive.
This basic lead sound uses MS 800 and AnalogDly.
This harmony sound uses HPS set to Cm. VinFLNGR is its secret ingredient.
PDL Pitch is added to a drive sound for a standard pedal pitch setting.
This flanger sound with a sense of floating uses Aco.Sim and ModDelay.
This modern lead sound uses XtasyBlue and AnalogDly.
Octave and AutoWah are used for this octave wah sound.
This massive drive sound combines TS Drive and MS 800.
The distortion of UK 30A is added to SeqFLTR for this sequence filter sound.
This is a basic setting for FD TWNR.
The sound explodes in response to the input.
TB MK1.5 and OSC Echo are used in this fuzzy oscillating sound.
©2016 ZOOM CORPORATION Z2I-2819-01
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