TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,
DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.
TO HOSTMIDIFOOT PEDAL
AC INLET
IN OUT THRU SWITCH 1 SWITCH 2 VOLUMEPC-1PC-2
MIDIMac
LOOP SEND AUX IN/LOOP RETURN AUX OUT
R L/L+R R L/L+R
MIN MAX
TRIM
L/L+RR
PRODUCT SAFETY MARKINGS: Yamaha electronic
products may have either labels similar to the graphics
shown below or molded/stamped facsimiles of these
graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The exclamation point within the equilateral triangle is intended to alert the
user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally
friendly. We sincerely believe that our products and the
production methods used to produce them, meet these
goals. In keeping with both the letter and the spirit of the
law, we want you to be aware of the following:
Battery Notice: This product MAY contain a small nonrechargable battery which (if applicable) is soldered in
place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.
Warning: Do not attempt to recharge, disassemble, or
incinerate this type of battery. Keep all batteries away
from children. Dispose of used batteries promptly and as
regulated by applicable laws. Note: In some areas, the
servicer is required by law to return the defective parts.
However, you do have the option of having the servicer
dispose of these parts for you.
Disposal Notice: Should this product become damaged
beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and
federal regulations that relate to the disposal of products
that contain lead, batteries, plastics, etc.
The lightning flash with arrowhead
symbol, within the equilateral triangle,
is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that
may be of sufficient magnitude to constitute a risk of electrical shock.
IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety
testing laboratory in order that you may be sure that when
it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated.
DO NOT modify this unit or commission others to do so
unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished.
Claims filed under the expressed warranty may be denied
if the unit is/has been modified. Implied warranties may
also be affected.
SPECIFICATIONS SUBJECT TO CHANGE: The
information contained in this manual is believed to be
correct at the time of printing. However, Yamaha reserves
the right to change or modify any of the specifications
without notice or obligation to update existing units.
NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the
unit is operating as designed) are not covered by the
manufacturer’s warranty, and are therefore the owners
responsibility. Please study this manual carefully and consult your dealer before requesting service.
NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number,
serial number, power requirements, etc., are located on
this plate. You should record the model number, serial
number, and the date of purchase in the spaces provided
below and retain this manual as a permanent record of
your purchase.
Model _____________________________________
92-469- ➀
Serial No. __________________________________
Purchase Date ______________________________
IMPORTANT SAFETY INSTRUCTIONS
INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,
AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.
WARNING- When using any electrical or electronic prod-
uct, basic precautions should always be followed. These precautions include, but are not limited to, the following:
1.Read all Safety Instructions, Installation Instructions,
Special Message Section items, and any Assembly Instructions
found in this manual BEFORE making any connections, including connection to the main supply.
2.Main Power Supply Verification: Yamaha products are
manufactured specifically for the supply voltage in the area
where they are to be sold. If you should move, or if any doubt
exists about the supply voltage in your area, please contact
your dealer for supply voltage verification and (if applicable)
instructions. The required supply voltage is printed on the
name plate. For name plate location, please refer to the graphic
found in the Special Message Section of this manual.
3.This product may be equipped with a polarized plug
(one blade wider than the other). If you are unable to insert the
plug into the outlet, turn the plug over and try again. If the
problem persists, contact an electrician to have the obsolete
outlet replaced. Do NOT defeat the safety purpose of the plug.
4.Some electronic products utilize external power sup-
plies or adapters. Do NOT connect this type of product to any
power supply or adapter other than one described in the owners
manual, on the name plate, or specifically recommended by
Yamaha.
5.WARNING: Do not place this product or any other
objects on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or
connecting cords of any kind. The use of an extension cord is
not recommended! If you must use an extension cord, the
minimum wire size for a 25' cord (or less) is 18 AWG. NOTE:
The smaller the AWG number, the larger the current handling
capacity. For longer extension cords, consult a local electrician.
designed for enclosed installations, should be placed in locations that do not interfere with proper ventilation. If instructions for enclosed installations are not provided, it must be
assumed that unobstructed ventilation is required.
7.Temperature considerations: Electronic products
should be installed in locations that do not significantly contribute to their operating temperature. Placement of this product close to heat sources such as; radiators, heat registers and
other devices that produce heat should be avoided.
8.This product was NOT designed for use in wet/damp loca-
tions and should not be used near water or exposed to rain. Examples of wet/damp locations are; near a swimming pool, spa, tub,
sink, or wet basement.
9.This product should be used only with the components
supplied or; a cart, rack, or stand that is recommended by the
manufacturer. If a cart, rack, or stand is used, please observe all
safety markings and instructions that accompany the accessory
product.
10. The power supply cord (plug) should be disconnected from
the outlet when electronic products are to be left unused for extended periods of time. Cords should also be disconnected when
there is a high probability of lightening and/or electrical storm
activity.
11. Care should be taken that objects do not fall and liquids are
not spilled into the enclosure through any openings that may exist.
12. Electrical/electronic products should be serviced by a
qualified service person when:
a. The power supply cord has been damaged; or
b. Objects have fallen, been inserted, or liquids have been
spilled into the enclosure through openings; or
c. The product has been exposed to rain: or
d. The product dose not operate, exhibits a marked change
in performance; or
e. The product has been dropped, or the enclosure of the
product has been damaged.
13. Do not attempt to service this product beyond that de-
scribed in the user-maintenance instructions. All other servicing
should be referred to qualified service personnel.
14. This product, either alone or in combination with an ampli-
fier and headphones or speaker/s, may be capable of producing
sound levels that could cause permanent hearing loss. DO NOT
operate for a long period of time at a high volume level or at a
level that is uncomfortable. If you experience any hearing loss or
ringing in the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period
before damage occurs.
15. Some Yamaha products may have benches and/or acces-
sory mounting fixtures that are either supplied as a part of the
product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that
benches are stable and any optional fixtures (where applicable) are
well secured BEFORE using. Benches supplied by Yamaha are
designed for seating only. No other uses are recommended.
92-469-2
PLEASE KEEP THIS MANUAL
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep these precautions in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock,
short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
• Do not open the instrument or attempt to disassemble the internal parts
or modify them in any way. The instrument contains no user-serviceable
parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.
• Do not expose the instrument to rain, use it near water or in damp or wet
conditions, or place containers on it containing liquids which might spill
into any openings.
• If the power cord or plug becomes frayed or damaged, or if there is a
sudden loss of sound during use of the instrument, or if any unusual smells
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the
instrument or other property. These precautions include, but are not limited to, the following:
• Do not place the power cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place
heavy objects on it, or place it in a position where anyone could walk on,
trip over, or roll anything over it.
• When removing the electric plug from the instrument or an outlet, always
hold the plug itself and not the cord. Pulling by the cord can damage it.
• Do not connect the instrument to an electrical outlet using a multipleconnector. Doing so can result in lower sound quality, or possibly cause
overheating in the outlet.
• Remove the electric plug from the outlet when the instrument is not to be
used for a long time, or during electrical storms.
• Before connecting the instrument to other electronic components, turn off
the power for all components. Before turning the power on or off for all
components, set all volume levels to minimum.
• Do not expose the instrument to excessive dust or vibrations, or extreme
cold or heat (such as in direct sunlight, near a heater, or in a car during the
day) to prevent the possibility of panel disfiguration or damage to the
internal components.
• Do not use the instrument near other electrical products such as televisions, radios, or speakers, since this might cause interference which can
affect proper operation of the other products.
• Do not place the instrument in an unstable position where it might accidentally fall over.
• Before moving the instrument, remove all connected cables.
• When cleaning the instrument, use a soft, dry cloth. Do not use paint
thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths.
Also, do not place vinyl or plastic objects on the instrument, since this
might discolor the panel or keyboard.
• Do not rest your weight on, or place heavy objects on the instrument, and
do not use excessive force on the buttons, switches or connectors.
• Use only the stand specified for the instrument. When attaching the stand
or rack, use the provided screws only. Failure to do so could cause damage to the internal components or result in the instrument falling over.
• Do not place objects in front of the instrument’s air vents on the top and
rear panels, since this may prevent adequate ventilation of the internal
components, and possibly result in the instrument overheating.
Also, be careful to place the instrument on a flat, level surface to prevent
blockage of the air vents on the bottom panel.
• Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you
experience any hearing loss or ringing in the ears, consult a physician.
■REPLACING THE BACKUP BATTERY
The PSR-8000 requires four 1.5 V C size (LR14) batteries for memory backup
power. If no backup batteries are installed, the memory contents will be lost
when the instrument is unplugged from the AC mains supply. Please use
4
(1)
or smoke should appear to be caused by it, immediately turn off the power
switch, disconnect the electric plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel.
• Only use the voltage specified as correct for the instrument. The required
voltage is printed on the name plate of the instrument.
• Before cleaning the instrument, always remove the electric plug from the
outlet. Never insert or remove an electric plug with wet hands.
• Check the electric plug periodically and remove any dirt or dust which
may have accumulated on it.
alkaline batteries.
1.Before changing the battery be sure to save any important data to disk
by using the SAVE TO DISK function described on page 141.
2.Turn the PSR-8000 power OFF and unplug the power cord from both the
AC wall socket and the instrument’s rear panel. Turn the instrument upside down and rest it on a blanket or other soft surface.
3.Open Battery Compartment Cover
Open the battery compartment cover — located on the instrument’s
bottom panel — by pressing on the two latches on the cover and pulling
outward, as shown in the illustration.
4.Remove the old batteries (if installed).
Remove the old batteries and wait at least one minute to ensure that all
data is fully cleared.
5.Insert Batteries
Insert the four batteries, being careful to follow the polarity markings on
the bottom panel.
6.Replace Cover
Replace the compartment cover, making sure that it locks firmly in place.
• Always make sure all batteries are inserted in conformity with the +/– polarity markings. Failure to do so might result in overheating, fire, or battery fluid
leakage.
• Always replace all batteries at the same time. Do not use new batteries
together with old ones. Also, do not mix battery types, such as alkaline
batteries with manganese batteries, or batteries from different makers, or
different types of batteries from the same maker, since this can cause
overheating, fire, or battery fluid leakage.
• Do not dispose of batteries in fire.
• Do not attempt to recharge batteries that are not intended to be charged.
• If the instrument is not to be in use for a long time, remove the batteries
from it (after saving any important data to disk), in order to prevent possible fluid leakage from the battery.
• Keep batteries away from children.
■SAVING USER DATA
• Always save data to a floppy disk frequently, in order to help prevent the
loss of important data due to a malfunction or user operating error.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
Make sure to discard used batteries according to local regulations.
Handling the Floppy Disk Drive(FDD) and Floppy Disk
Precautions
• Be sure to handle floppy disks and treat the disk drive with care. Follow
the important precautions below.
Compatible Disk Type
• 3.5” 2DD and 2HD type floppy disks can be used.
■ Inserting/Ejecting Floppy Disks
DISK IN USE
To insert a floppy disk into the disk drive:
• Hold the disk so that the label of the
disk is facing upward and the sliding
shutter is facing forward, towards
the disk slot. Carefully insert the disk
into the slot, slowly pushing it all the
way in until it clicks into place and
the eject button pops out.
To eject a floppy disk:
• Before ejecting a floppy disk make
sure that the floppy disk drive is not
in operation (the DISK IN USE indicator should be off, except when the
internal hard disk is being accessed).
Press the eject button slowly as far as it will go; the disk will automatically pop out. When the disk is fully ejected, carefully remove it by hand.
• Never attempt to remove the disk or turn the power off during recording,
reading and playing back. Doing so can damage the disk and possibly
the disk drive.
• If the eject button is pressed too quickly, or if it is not pressed in as far as
it will go, the disk may not eject properly. The eject button may become
stuck in a half-pressed position with the disk extending from the drive
slot by only a few millimeters. If this happens, do not attempt to pull out
the partially ejected disk, since using force in this situation can damage
the disk drive mechanism or the floppy disk. To remove a partially ejected
disk, try pressing the eject button once again, or push the disk back into
the slot and then repeat the eject procedure.
• Be sure to remove the floppy disk from the disk drive before turning off
the power. A floppy disk left in the drive for extended periods can easily
pick up dust and dirt that can cause data read and write errors.
This lamp is always on
while the power is on.
Cleaning the Disk Drive Read/Write Head
• Clean the read/write head regularly. This instrument employs a precision magnetic read/write head which, after an extended period of use,
will pick up a layer of magnetic particles from the disks used that will
eventually cause read and write errors.
• To maintain the disk drive in optimum working order Yamaha recommends that you use a commercially-available dry-type head cleaning
disk to clean the head about once a month. Ask your Yamaha dealer
about the availability of proper head-cleaning disks.
Never insert anything but floppy disks into the disk drive. Other objects
may cause damage to the disk drive or floppy disks.
■ About the Floppy Disks
To handle floppy disks with care:
• Do not place heavy objects on a disk or bend or apply pressure to the
disk in any way. Always keep floppy disks in their protective cases
when they are not in use.
• Do not expose the disk to direct sunlight, extremely high or low temperatures, or excessive humidity, dust or liquids.
• Do not open the sliding shutter and touch the exposed surface of the
floppy disk inside.
• Do not expose the disk to magnetic fields, such as those produced by
televisions, speakers, motors, etc., since magnetic fields can partially or
completely erase data on the disk, rendering it unreadable.
• Never use a floppy disk with a deformed shutter or housing.
• Do not attach anything other than the provided labels to a floppy disk.
Also make sure that labels are attached in the proper location.
To protect your data (Write-protect Tab):
• To prevent accidental erasure of important data, slide the disk’s writeprotect tab to the “protect” position (tab open).
Write protectedWrite enabled
Data backup
• For maximum data security Yamaha recommends that you keep two
copies of important data on separate floppy disks. This gives you a backup
if one disk is lost or damaged. To make a backup disk use the COPY
FILE/FD function on page 143.
YAMAHA is not responsible for damage caused by improper handling or operation.
Handling and Installation of Options
WARNING
• Before beginning installation, switch off the power to the PSR-8000 and
connected peripherals, and unplug them from the power outlet. Then
remove all cables connecting the PSR-8000 to other devices. (Leaving
the power cord connected while working can result in electric shock.
Leaving other cables connected can interfere with work.)
• Do not disassemble, modify, or apply excessive force to board areas and
connectors on hard disk, and SIMMs. Bending or tampering with boards
and connectors may lead to electric shock, fire, or equipment failures.
CAUTION
• Before handling the internal hard disk or SIMMs, you should briefly touch
the metal surface to which the hard-disk or SIMM cover is attached (or
* If SIMM memory, or hard disk fails to work properly, consult the item’s dealer or manufacturer for advice.
* Yamaha will not be held responsible for any damage or injury resuting from improper installation.
YAMAHA provides no guarantee against disk damage.
other such metallic area — be careful of any sharp edges) with your
bare hand so as to drain off any static charge from your body. Note that
even a slight amount of electrostatic discharge may cause damage to
these components.
• It is recommended that you wear gloves to protect your hands from
metallic projections on the PSR-8000 hard disk, SMMs, and other components. Touching leads or connectors with bare hands may cause finger cuts, and may also result in poor electrical contact or electrostatic
damage.
• Take care to avoid dropping screws into the PSR-8000 unit. If a screw
does fall in, be sure to remove it before replacing the cover and powering
up the unit. Starting the unit with a loose screw inside may lead to improper operation or equipment failure. (If you are unable to retrieve a
dropped screw, consult your Yamaha dealer for advice.)
5
Congratulations!
You are the proud owner of an extraordinary electronic keyboard. The Yamaha PSR-8000
PortaTone combines the most advanced tone generation technology with state-of-the-art digital
electronics and features to give you stunning sound quality with maximum musical versatility. The
advanced Auto Accompaniment, Vocal Harmony, and Sampler features, in particular, are brilliant
examples of how Yamaha technology can significantly expand your musical horizons. A large-size
graphic display and easy-to-use interface also greatly enhance the operability of this advanced
instrument.
In order to make the most of your PortaTone’ s features and vast performance potential, we urge
you to read the manuals thor oughly while trying out the various features described. Keep the manuals
in a safe place for later reference.
Packing List
Your PSR-8000 includes the following items:
• PSR-8000 PortaTone x 1
• AC Power Cord x 1
• AC Plug Adaptor x 1 (in applicable areas only)
• Music Stand x 1
• Audio CD x 1 (includes sound sources for sampling: page 88)
• Floppy Disk x 1 (includes accompaniment style files: page 28)
• Owner’s Manual
• The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may
appear somewhat different from those on y our instrument.
• Unauthorized copying of copyrighted software for purposes other than the purchaser’s personal use is prohibited.
• The Vocal Harmony feature included in this product is manufactured under license from IVL Technologies Ltd.,
U.S. Patent numbers 5231671, 5301259, and 5428708.
● Trademarks:
• Apple and Macintosh are trademarks of Apple Computer, Inc.
• IBM-PC/AT is a trademark of International Business MachinesCorporation.
• Windows is the registered trademark of Microsoft
• All other trademarks are the property of their respective holders.
®
Corporation.
The Panel Logos
The logos printed on the PSR-8000 panel indicate standards/formats it supports and special features it includes.
GM System Level 1
“GM System Level 1” is an addition to the MIDI standard which
guarantees that any data conforming to the standard will play
accurately on any GM-compatible tone generator or synthesizer from any manufacturer.
XG
XG is a new Yamaha MIDI specification which significantly
expands and improves on the “GM System Level 1” standard
with greater voice handling capacity, expressive control, and
effect capability while retaining full compatibility with GM. By
using the PSR-8000’s XG voices, it is possible to record XGcompatible song files.
The Yamaha XF format enhances the SMF (Standard MIDI
File) strandard with greater functionality and open-ended
expandability for the future. The PSR-8000 is capable of
displaying lyrics when an XF file containing lyric data is
played.
• SMF (Standard MIDI File) is the most common format used for
MIDI sequence files. The PSR-8000 is compatible with SMF
Formats 0 and 1, and records “song” data using SMF Format
0.
XF
6
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Main Features
Main Features
The PSR-8000 is a sophisticated electronic keyboard which offers a comprehensive range of
features for extensive musical versatility and expressive control: a touch-sensitive 61-key
keyboard, an outstanding range of voices (including XG voices), top quality auto-accompaniment with an extensive range of styles, song recording and playback capability, registration
memory, and a built-in floppy disk for convenient data storage and retrieval, and more.
The following features, in particular, give the PSR-8000 extraordinary musical production
and performance power.
● High-quality sampling capability — with expandable
wave memory — lets you sample and edit sounds
via microphone or from line sources, and then use
the sampled waveforms in original voices.
● Unique Vocal Harmony feature incorporates advanced voice-processing technology to automatically produce vocal harmony based on a lead vocal,
making a single singer sound like a vocal group.
● An advanced effect system incorporating 8 separate DSPs (Digital Signal Processors) and 5-band
master equalization adds depth, ambience, and
animation to your sound.
● Comprehensive Mixing Console displays provide
professional sound control and production capability.
● Large multi-function LCD display panel with displaybased buttons and dials, plus comprehensive display prompts and messages, makes operation easy
and intuitive.
● Create original voices using the Voice Creator feature for a totally original sound.
● Style Creator feature lets you create “groove style”
variations on existing styles, or create entirely new
styles that are a perfect match for your performing
requirements.
● One Touch Setting feature automatically selects
appropriate voice, effect, and other settings for the
selected accompaniment style — all you have to do
is select a style, press the ONE TOUCH SETTING
button and play.
● Multi Pads record and play short rhythmic and melodic sequences that can be used to add impact
and variety to your performances.
● Voice/Style List Customize feature lets you rearrange the list contents for fast, efficient access in
performance situations.
● Unique “Talk” function instantly makes the settings
you need for mid-performance announcements and
interludes.
● Loop Send and Return jacks allow extra system
flexibility: connect external signal-processing equipment for enhanced effect capability, or feed a mixer
for improved sound and on-stage monitoring quality.
● Optional internal hard disk provides high-volume,
high-speed data storage and retrieval.
● A selection of MIDI Templates eliminates tedious
setup procedures by providing instantly selectable
MIDI setups for a range of situations.
● To Host interface plus a range of MIDI functions for
expanded musical performance (General MIDI System Level 1 and Yamaha XG/XF compatible).
DOC
The DOC voice allocation format provides data playback
compatibility with a wide range of Yamaha instruments and
MIDI devices, including the Clavinova series.
Style File Format
The Style File Format — SFF — is Yamaha’s original style file
format which uses a unique conversion system to provide
high-quality automatic accompaniment based on a wide range
of chord types. The PSR-8000 uses the SFF internally, reads
optional SFF style disks, and creates SFF styles using the
STYLE CREATOR feature.
Vocal Harmony
Vocal Harmony employs state-of-the-art digital signal processing technology to automatically add appropriate vocal
harmony to a lead vocal line sung by the user. Vocal Harmony
can even change the character and gender of the lead voice
as well as the added voices to produce a wide range of vocal
harmony effects.
7
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Contents
Contents
Panel Controls10
Connections & Music Stand12
The Demonstration17
The PSR-8000 Display &
Display-based Controls19
■ The MIXING CONSOLE Buttons .... 19
■ The [EXIT] Button............................ 20
■ The [DIRECT ACCESS] Button ...... 20
■ The [LCD CONTRAST] Control ...... 20
■ The 5-language Help Function ........20
■ Display Messages ........................... 21
■ Name Entry .....................................21
Playing the PSR-800022
■ Before You Begin ............................ 22
REVERB(1), CHORUS(2), DSP(7), VOCAL
HARMONY(8), HARMONY VARIATION, TALK
OVER Indicator, SIGNAL Indicator, MIC/LINE
Switch, INPUT VOLUME Control
t Disk Drive............................................... page 139
y PITCH BEND Wheel ................................ page 27
u MODULA TION Wheel .............................. page 27
11
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Connections & Music Stand
Connections & Music Stand
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
RISQUE DE CHOC ÉLECTRIQUE–NE PAS OUVRIR.
AVIS :
LOOP SEND AUX IN/LOOP RETURNAUX OUT
R L/L+R R L/L+R
3 21
WARNING :
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,
DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.
MIN MAX
TRIM
L/L+RR
TO HOSTMIDIFOOT PEDAL
AC INLET
74 5
IN OUT THRU SWITCH 1 SWITCH 2 VOLUMEPC-1PC-2
MIDIMac
■ The PHONES Jack...............................................................................
A standard pair of stereo headphones can be plugged in here for
private practice or late-night playing. The internal stereo speaker
system is automatically shut off when a pair of headphones is plugged
into the PHONES jack.
■ The MIC/LINE IN Jack ......................................................................
The PSR-8000 includes a microphone/line input jack into which
just about any standard microphone or line-level source with a 1/4"
phone plug can be plugged (a dynamic microphone with an impedance of 250 ohms is recommended). The microphone or line input can
be used with the PSR-8000’s v ocal harmon y and sampling functions
(pages 83 and 88, respectively). The panel MIC/LINE switch should
be set according to the type of source used, and the INPUT VOLUME
control can be used to adjust the level of the microphone or line input
signal. The SIGNAL and O VER indicators on the panel aid in setting
the ideal input level: the green SIGNAL indicator should light when
an input signal is present, but if the red O VER indicator lights the level
should be reduced by using the INPUT VOLUME control, and if this
is not sufficient, by reducing the level of the source signal itself.
6
PHONES MIC/LINE IN
PHONES MIC/LINE IN
OVER
SIGNAL
MIC/LINE
• The Yamaha MZ106s microphone is recommended for use with the PSR-
8000.
• The level of the microphone sound may vary considerably according to the
type of microphone used.
• Turn the INPUT VOLUME control all the way down when connecting or
disconnecting a microphone.
• Placing a microphone which is connected to the PSR-8000 too close to the
PSR-8000 speakers (or those of an external sound system connected to the
PSR-8000) can cause feedback. Adjust the microphone position, and the
MIXING CONSOLE MIC volume level or MASTER VOLUME control level if
necessary, so that feedback does not occur.
1 The AUX OUT L/L+R and R Jacks......................................
The rear-panel A UX OUT L/L+R and R jacks deliver the output
of the PSR-8000 for connection to a keyboard amplifier , stereo sound
system, a mixing console, or tape recorder. If y ou will be connecting
the PSR-8000 to a monaural sound system, use only the L/L+R jack.
When a plug is inserted into the L/L+R jack only, the left- and rightchannel signals are combined and delivered via the L/L+R jack so you
don’t lose any of the PSR-8000 sound.
12
INPUT VOLUME
MIN
MAX
AUX OUT
L/L+RR
Stereo System
2 The AUX IN L/L+R and R (LOOP RETURN)
Jacks with TRIM Control..................................................
The rear-panel AUX IN L/L+R and R jacks accept input
from an external instrument or audio source, or the processed
signal returned from an external effect unit fed by the PSR-8000
LOOP SEND jacks, below . The signal received at the A UX IN/
LOOP RETURN jacks is mixed with PSR-8000 sound and
delivered via the speaker system. Use the L/L+R jack only for
monaural input.
The TRIM control allows the input sensitivity of the AUXIN L/L+R and R (LOOP RETURN) jacks to be adjusted for
optimum level matching with the connected equipment.
Connections & Music Stand
Loop Signal Flow Diagram
LOOP SEND
MASTER EQ
L / RL / R
LOOP SEND/LOOP RETURN
Connection Examples
TRIM
MASTER VOLUME
AUX IN / LOOP RETURN
AUX OUT
POWER AMP
SP
AUX IN/LOOP RETURN
RL/L+R
MIN MAX
TRIM
• Never return the output from the AUX OUT jacks to the AUX IN
jacks. Also never return the output from an external device fed by
the AUX OUT jacks to the AUX IN jacks. Doing so can result in a
feedback loop which damage the PSR-8000 and connected equipment.
3 LOOP SEND L/L+R and R Jacks.............................
These jacks deliver the output of the PSR-8000 for connection to external signal processing devices such as reverb or
equalizer units. The output from the signal processor can be
returned to the AUX IN/LOOP RETURN jacks, described
above. When feeding a monaural device connect only the L/L+R jack. When a plug is inserted into the L/L+R jack only, the
left- and right-channel signals are combined and delivered via
the L/L+R jack.
When a plug is inserted into the LOOP SEND L/L+ R jack
the internal signal flow is interrupted and only the signal
returned to the AUX IN (LOOP RETURN) jacks — see above
— will appear at the PSR-8000 speakers, headphones, and AUXOUT jacks. No sound will be produced if the return signal is not
fed to the AUX IN (LOOP RETURN) jacks.
1. Stereo Effect Processor
Effector
LOOP SENDLOOP RETURN
L/L+R RL/L+RR
2. Mixer and Additional Sources
Sound Source
Sound Source
IN PUTSTEREO OUT
IN PUT
Mixer
LOOP SEND
L/L+R RL/L+RR
MONITOR
OUT
LOOP RETURN
PA
LOOP SEND
RL/L+R
In this setup the sound of the PSR-8000 itself
as well as the external sources will be
reproduced via the PSR-8000 amplifier and
speakers, allowing the PSR-8000 to function
as a convenient stage monitor system.
13
FOOT PEDAL
SWITCH 1 SWITCH 2 VOLUME
Connections & Music Stand
4 FOOT PEDAL SWITCH 1 and 2 Jacks ...................................................................................................................
One or two optional Y amaha FC5 footswitches connected to
these jacks can be used to control sustain and a range of other
important functions. Refer to the “FOOT SWITCH 1” and
“FOOT SWITCH 2” functions described on page 124.
An optional Y amaha FC7 Foot Controller can be connected
to this jack to allow foot volume (e xpression) control. The foot
FOOT PEDAL
SWITCH 1 SWITCH 2 VOLUME
controller can be assigned to control overall volume or the
volume of individual accompaniment and/or voices via the
“FOOT VOLUME” function — page 124.
6 MIDI IN, THRU and OUT Connectors ......................................................................................................................
The MIDI IN connector recei ves MIDI data from an e xter -
nal MIDI device (such as a MIDI sequencer) which can be used
to control the PSR-8000. The MIDI THRU connector retransmits any data received at the MIDI IN connector , allowing
“chaining” of several MIDI instruments or other devices. The
MIDI OUT connector transmits MIDI data generated by the
PSR-8000 (e.g. note and velocity data produced by playing the
keyboard). More details on MIDI are provided on pages 132,
177. The PSR-8000 can also be connected directly to a personal
computer via the TO HOST connector, described belo w , without the need for a MIDI interface.
Computer
MIDI
INOUTTHRU
Music
Tone Generator
• Be sure to set the HOST SELECT switch to MIDI when using the MIDI
connectors. The MIDI connectors do not function when the HOST
SELECT switch is in any other position.
• No MIDI transmission or reception occurs in the SAMPLING mode.
14
Connections & Music Stand
7 TO HOST Connector & HOST SELECT Switch ...........................................................................................
Although the PSR-8000 can be connected to a personal computer via the MIDI IN/OUT connectors and a MIDI
interface, the TO HOST connector and HOST SELECT switch allow direct connection to Apple Macintosh or IBM
PC/AT personal computers for sequencing and other music applications without the need for a separate MIDI
interface.
• When using the [TO HOST] terminal of the PSR-8000, first turn the power off on both the PSR-8000 and the computer before
connecting the cable. After connecting the cable, turn the power of the computer on first, then the PSR-8000.
• When not using the [TO HOST] terminal of the PSR-8000, make sure the cable is disconnected from the [TO HOST] terminal. If
the cable is left connected, the PSR-8000 may not function properly.
• When the HOST SELECT switch is set to “Mac”, “PC-1”, or “PC-2, no data transfer occurs via the MIDI connectors. To use the MIDI
connectors for connection via a standard MIDI interface, set the HOST SELECT switch to “MIDI”.
• No MIDI or TO HOST transmission or reception occurs in the SAMPLING mode.
● Connecting to an Apple Macintosh Series Computer ..................................................................
Connect the TO HOST connector of the PSR-8000 to the modem or printer port on your Macintosh, depending
on which port your MIDI software is using for MIDI data communication, using a standard Macintosh 8-pin system
peripheral cable. Set the HOST SELECT switch to the “Mac” position.
Y ou may also have to make other MIDI interface settings on the computer side, depending on the type of software
you use (refer to your software owner’s manual). In any case the clock speed should be set to 1 MHz.
● Connecting to an IBM-PC/AT Series Computer ...................................................................................
Connect the TO HOST connector of the PSR-8000 to the RS-232C port on your IBM computer , using a standard
8-pin MINI DIN → 9-pin D-SUB cross cable. Set the HOST SELECT switch to the “PC-2” position.
Refer to your software owner’s manual for information on any settings you might have to make on the computer
side.
TO HOST
PC-1 PC-2
MIDIMac
“PC-2” Cable Connections
Set to the “PC-2”
position.
IBM-PC/AT
Series Computer
MINI DIN
8-PIN
45 (GND)
8
• 8-pin mini DIN → 9-pin D-SUB cable.
• Data transfer rate: 38,400 bps.
8 (CTS)1
D-SUB
7 (RST)2
9-PIN
2 (RxD)3
3 (TxD) 5
15
Connections & Music Stand
• If your system doesn’t work properly with the connections and settings listed above, your software may require different settings.
Check your software operation manual and if it requires a 31,250 bps. data transfer rate, set the HOST SELECT switch to “PC-1”.
• When using the TO HOST terminal to connect to a personal computer using Windows, a Yamaha MIDI driver must be installed in
the personal computer. The Yamaha MIDI driver can be obtained at Yamaha’s home page on the World Wide Web, <http://
www.yamaha.co.jp/english/xg/>.
Connector Pin Numbers
MINI DIN 8-PIN
678
34
5
1
2
D-SUB 9-PIN
594837261
■ The Music Stand ..........................................................................................................................................................................
The PSR-8000 is supplied with a music stand that can be
attached to the instrument by inserting it into the holes at the
rear of the speaker panel.
16
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The Demonstration
The Demonstration
To give you an idea of the PSR-8000’s sophisticated capabilities, it is
programmed with a number of demonstration sequences which can be
played in a number of w ays.
Z Switch ON............................................................................................................................................................................................
Plug the A C power cord into the AC INLET on the rear panel
of the PSR-8000, and a convenient AC outlet, then press the
[STANDBY] button to turn the PSR-8000 ON.
STAND B
ON
• Pressing the [STANDBY] button a second time turns the power off.
• Even when the power is “off”, the PSR-8000 consumes a minute
amount of power in order to maintain some internal memory contents.
Be sure to unplug the AC power cord from the AC outlet if you will not
be using the PSR-8000 for a long time.
X Set an Initial Volume Level................................................................................................................................................
Set the [MASTER VOLUME] control to a position about a
quarter of the way toward the highest setting. You can re-adjust
the [MASTER VOLUME] control for the most comfortable
overall volume level after playback begins.
MASTER VOLUME
MINMAX
C Press the [DEMO/HELP] Button..................................................................................................................................
Press the [DEMO/HELP] button and the PSR-8000 demo
display will appear.
DEMO/HELP
V Select a Play Mode....................................................................................................................................................................
Use either of the LCD dials under MODE on the display to
select one of the available play modes.
ALLAll demo songs are played back in sequence.
RANDOMAll demo songs are played back in random order.
SINGLEOnly the selected song is played.
17
The Demonstration
B Select a Song ..................................................................................................................................................................................
Press the LCD button corresponding to the
category containing of demo song you want to
play, then use the same LCD button to select a
demo song in that group. You can also use either
of the LCD dials under SONG SELECT on the
display to select any of the demo songs.
A
B
B
C
D
F
G
H
I
E
N Turn the Repeat Mode ON or OFF
Use the REPEAT LCD dial to turn repeat
playback ON or OFF as required (when ON, the
selected song or sequence of songs will be repeated until the STOP LCD button is pressed)
Press the START LCD button to start playback
of the selected demo song(s). Press the STOP
LCD button when you want to stop playback.
< Exit When Done.............................................................................................................................................................................
Press either the [DEMO/HELP] button or the
[EXIT] button to exit from the demo mode and
return to the normal play-mode display when
you’ve finished playing the demo songs.
DEMO/HELP
M
J
18
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The PSR-8000 Display & Display-based Controls
The PSR-8000 Display & Display-based Controls
The PSR-8000 makes general operation and programming easier than ever with
a large backlit LCD display panel and multi-function controls. The 10 LCD (A—J)
buttons — five on either side of the display panel — and 8 LCD dials below the
display perform the function indicated by the adjacent section of the display.
In the example display shown here, for example, the LCD dial immediately
below LEAD on the display can be used to adjust the volume of the LEAD voice.
Rotate the dial upward to increase the volume, or rotate the dial downward to
decrease the volume.
In the same way, the LCD button immediately to the right of LEAD voice
window on the display is used to set the normal octave for the lead voice (“0”),
shift it one octave up (“+1”), or one octave down (“–1”).
A
B
C
D
E
■ The MIXING CONSOLE Buttons..............................
The lower section of the normal play mode display, shown
to the right, provides individual volume controls for the PSR8000’s song, accompaniment, multi pad, left, right 1, right 2,
lead, and microphone sound. Pressing the [FADER] button
alternately switches between this display and the individual
auto-accompaniment part volume controls: rhythm 1, rhythm 2,
bass, chord 1, chord 2, pad, phrase 1, and phrase 2. This is
essentially a “mixer” that you will use to achieve the best o verall
balance for your musical needs.
F
G
H
I
J
PART
PART
A full-screen mixing console which provides access to a
wide range of controls for each part can be selected by pressing
the [FULL] button. Full details are provided in the “The Mixing
Console” section on page 39.
19
The PSR-8000 Display & Display-based Controls
The mixing console controls will disappear when functions
which have different displays are selected, b ut can be instantly
recalled without exiting from the current display mode by
• In the DEMO mode the mixer SONG parameters
become DEMO parameters.
pressing the [F ADER] or [FULL] button. Pressing the [EXIT]
button causes the mixer controls to disappear.
■ The [EXIT] Button .......................................................................................................................................................................
No matter where you are in the PSR-8000 display
hierarchy , the [EXIT] b utton will return you to the next
highest level, or to the normal play mode display.
■ The [DIRECT ACCESS] Button.....................................................................................................................................
Pressing a function button while holding the [DI-
RECT ACCESS] button will take you directly to a
parameter display related to that function. See page 170
DIRECT ACCESS
for a list of the applicable panel buttons and parameter
displays accessed.
■ The [LCD CONTRAST] Control ....................................................................................................................................
The PSR-8000 display panel is a liquid-crystal type
which features a [LCD CONTRAST] control. Use the
LCD CONTRAST
[LCD CONTRAST] control to set the display for optimum legibility.
■ The 5-language Help Function .....................................................................................................................................
The PSR-8000 provides “on-line help” for its main
features and functions.
Press the [DEMO/HELP] button and then the HELP
LCD button to go to the main help display . Either select
an item from the HELP MENU by using one of the
corresponding LCD dials and then press the “ENTER”
LCD button, or simply press a panel button to see
corresponding help text. If more than one page of help
text is available for the selected topic, use the LCD
buttons to the right of the display to switch pages as
necessary. Press the RETURN TO HELP MENU LCD
button for more help, or the [EXIT] or [DEMO/HELP]
button when you’re ready to exit from the help mode.
DEMO/HELP
F
G
H
I
J
20
The PSR-8000 Display & Display-based Controls
Help text and screen messages are available in five
languages: English, German, French, Spanish, and Italian. Use the LANGUAGE LCD dials in the help display
to select the desired language.
The large PSR-8000 display panel facilitates operation by
making it possible to display comprehensive message and
prompts that will guide you through certain operations. When
such messages appear, simply follow the instructions as sho wn.
F
G
H
I
J
■ Name Entry ........................................................................................................................................................................................
A number of PSR-8000 functions allow you to enter a name
for, for example, a f ile you will be saving to disk, a custom voice
or style, etc. The name entry procedure is essentially the same
in all cases (only the maximum number of characters which can
be entered will vary). An example display which includes
NAME entry parameters is shown below (the display shown
below can be accessed by pressing one of the REGISTRA-
TION MEMORY buttons — [1] … [8] — while holding the
[DIRECT ACCESS] button):
Use the <> LCD dial to move the name cursor to the
various character positions, then use the A~Z, a~z, or 0~9…
LCD dial to select the required character for each position. The
A~Z LCD dial selects capital letters, the a~z LCD dial selects
lower-case letters, and the 0~9… LCD dial selects numbers
and special characters.
21
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Playing the PSR-8000
Playing the PSR-8000
Before Y ou Begin
Before playing your PSR-8000 for the first time, it might be
a good idea to re-initialize it to the original factory settings just
in case these have been changed at some point before you
receive the instrument. To do this, turn the [ST ANDBY] switch
ON while holding the rightmost key on the keyboard (C6).
• When the above initialization procedure is carried out, all internal
data (e.g. REGISTRATION, CUSTOM OTS (One Touch Setting),
CUSTOM STYLE, GROOVE STYLE, CUSTOM VOICE, MULTI PAD)
will also be initialized and therefore lost!
The PSR-8000 Parts & Voices
The PSR-8000 allows you to individually select and play up to four “parts” at the same time in a number of w ays.
A range of voices can be assigned to each part.
RIGHT 1,The RIGHT 1, RIGHT 2, and LEAD voices can be played over the entire keyboard or to the right of a
RIGHT 2,
& LEAD
LEFTThe LEFT can be played to the left of a specified split point while the RIGHT 1, RIGHT 2, and/or LEAD
• The split point can be set via the SPLIT POINT/FINGERING FUNCTION display described on page 123.
• The SPLIT POINT/FINGERING FUNCTION display can be accessed directly by pressing the [AUTO ACCOMPANIMENT] button
while holding the [DIRECT ACCESS] button.
■ Part Poly/Mono Modes & Mono Note Priority...............................................................................................
Each of the PSR-8000 voice “parts” can be switched to the
polyphonic or monophonic mode as required via the PARTSWITCH display accessed by pressing the PART LCD button
in the normal play mode while the F ADER mixer MAIN PART
display is selected (page 19).
specified split point (see “NOTE”, below). These v oices can be played individually or in any combination.
The RIGHT 1, RIGHT 2, and LEAD voices can be selected from a range of voices organized in 15 groups.
voices are played to the right of the split point. The LEFT voice can be selected from the same range of
voices as the RIGHT and LEAD parts.
22
Use the LEFT, RIGHT 1, RIGHT 2, and LEAD LCD dials to
set the corresponding parts to POL Y (polyphonic) or an y of the
three MONO (monophonic) note priority modes:
AUTOWhen all other parts as set to MONO, last-note
PART SELECT
LEFTRIGHT 1RIGHT 2LEAD
priority is automatically selectd. When at least one
other part is set to POLY, high-note priority is
automatically selected.
HIGHHigh-note priority. I.e. the highest note played on
the keyboard sounds.
LASTLast-note priority. I.e. the last note played sounds.
Poly/mono switching for each individual part can also be
carried out via the panel VOICE EFFECT [POLY/MONO]
button. Use the PART SELECT buttons to select the part you
want to switch, then use the [POLY/MONO] button to switch
selected part to the POLY (button indicator out) or MONO
(button indicator lit) mode. When the MONO mode is selected
via the [POLY/MONO] button, the last selected MONO note
priority mode will be selected.
Playing the PSR-8000
VOICE EFFECT
REVERB(1) CHORUS(2)
DSP(4-6)
DSP
VARIATION
HARMONY/
ECHO
POLY/
■ The XG Voices.................................................................................................................................................................................
Yamaha’s XG format is a major new enhancement to the GM
(General MIDI) System Level 1 format. It provides a larger
number of voices as well as greater expressive control and a
wide range of effects. XG also ensures continued compatibility
with future instruments and software.
VOICE
PIANOGUITAR
E.PIANOSTRINGS
TRUMPETORGAN
ACCORDION
BRASS
SAXOPHONEPERCUSSION
FLUTE
CHOIR&PAD
SYNTHESIZER
XG
ORGAN
FLUTE
CUSTOM
VOICE
■ The Organ Flute Voice............................................................................................................................................................
The PSR-8000 has an ORGAN FLUTE voice which can be
assigned to the RIGHT, LEAD and LEFT voices in the same
way as the other voices. The main difference between the
ORGAN FLUTE voice and others is that the ORGAN FLUTE
voice can be directly edited via the display accessed by pressing
the [ORGAN FLUTE] VOICE button. Details on editing the
ORGAN FLUTE voice are provided on page 48.
PIANOGUITAR
E.PIANOSTRINGS
ACCORDION
TRUMPETORGAN
BRASS
VOICE
SAXOPHONEPERCUSSION
FLUTE
CHOIR&PAD
SYNTHESIZER
XG
ORGAN
FLUTE
CUSTOM
VOICE
23
Playing the PSR-8000
■ Keyboard Percussion and Special Effects ......................................................................................................
When one of the Drum Kit or SFX Kit voices in the [PERCUSSION] group is selected, you can play 61 different drums and
percussion instruments or SFX (special effects) sounds on the
keyboard. The drum and percussion instruments played by the
various keys are marked by symbols abo ve the keys. Some of the
instruments in the different drum kit voices sound dif ferent even
though they have the same name, while others are essentially
the same.
VOICE
PIANOGUITAR
SAXOPHONEPERCUSSION
E.PIANOSTRINGS
TRUMPETORGAN
ACCORDION
• The instrument symbols above the keyboard correspond to the actual
instrument sounds only when the default MIXER and normal play mode
OCTAVE settings apply. If the OCTAVE settings are altered the
instruments will shift position accordingly.
• See page 166 for a complete listing of the Drum Kit and SFX Kit
assignments.
• The Transpose, Tune, Sustain, Harmony, Left Hold, and Modulation
functions do not affect the Drum Kit or SFX Kit voices.
• The pitch bend wheel can be used to bend the pitch of the keyboard
percussion and SFX voices to create unique musical effects, but it has
little effect on some percussion sounds.
BRASS
FLUTE
CHOIR&PAD
SYNTHESIZER
XG
ORGAN
FLUTE
CUSTOM
VOICE
Procedure: Part Selection and Voice Assignment
Z Set Initial Volume Levels .....................................................................................................................................................
24
Set the [MASTER VOLUME] control to an appropriate
level, and make sure that the LEFT, R1, R2, and LEAD volume
levels in the MIXING CONSOLE MAIN VOLUME display
are set to their maximum “127” levels (use the corresponding
LCD dials to set these volume levels if necessar y). You can set
the [MASTER VOLUME] control for the most comfortable
overall volume level after beginning to play.
• No sound will be produced if all volume levels other than the [MASTER
VOLUME] control are set to their minimum values.
MASTER VOLUME
MINMAX
Playing the PSR-8000
X Select the Parts You Want To Play .............................................................................................................................
Press the [RIGHT 1], [RIGHT 2], [LEAD], and/or [LEFT]
PART ON/OFF button(s), turning on the indicators corre-
LEFTRIGHT 1RIGHT 2LEAD
PART ON/OFF
sponding to the parts you want to play . When a part is turned on
the corresponding voice in the main play mode display will be
highlighted (i.e. inverted — white characters against a dark
background).
• The more parts you play simultaneously, the fewer the total number of
notes that can be played on the keyboard at the same time.
• When the LEFT part is on, the left voice will automatically be transposed
up one octave.
C Select the Part You Want to Assign a Voice To.............................................................................................
The PART SELECT buttons above the PART ON/OFF
buttons determine which part is selected for voice assignments.
If you want to change the voice assigned to the RIGHT 1 part,
for example, the [RIGHT 1] P ART SELECT indicator must be
lit. Each time you turn a part on using the PART ON/OFF
buttons, the corresponding PART SELECT button indicator
will light automatically. You can also directly press any of the
P ART SELECT buttons. Only one P ART SELECT button can
be active at a time.
V Select a Voice ..............................................................................
Use the VOICE group buttons to select the group from
which you want to select a voice. The corresponding voice
display will appear.
LEFTRIGHT 1RIGHT 2LEAD
PIANOGUITAR
E.PIANOSTRINGS
ACCORDION
TRUMPETORGAN
BRASS
PART SELECT
VOICE
SAXOPHONEPERCUSSION
FLUTE
CHOIR&PAD
SYNTHESIZER
XG
ORGAN
FLUTE
CUSTOM
VOICE
• Custom voices which can be selected via the [CUSTOM VOICE] button
can be created via the CUSTOM VOICE CREATOR mode described
on page 51, or loaded from disk.
Use the page-number LCD dials to select the page containing the voice you want if more than one page is av ailable, then
press the LCD button corresponding to the desired voice. You
can also use either of the SELECT LCD dials to select any of the
voices within the selected group.
B Play & Adjust Volume .............................................................................................................................................................
You can now play the selected voice or voices on the
keyboard. Use the [MASTER V OLUME] control to adjust the
overall volume level, and the MIXING CONSOLE MAINVOLUME LCD dials to set the desired balance between the
parts.
25
Playing the PSR-8000
VOICE EFFECT
REVERB(1) CHORUS(2)
HARMONY/
ECHO
DSP(4-6)
DSP
VARIATION
POLY/
Voice Effects
The PSR-8000 features a sophisticated multi-processor effect system which can add extraordinary depth and
expression to your sound. 7 independent digital signal processing (DSP) blocks are provided for effects, plus the
Vocal Harmony processor and 5-band Master EQ. Each DSP block applies to a specific part or portion of the PSR8000 sound. Some DSP block numbers appear next to the panel VOICE EFFECT buttons:
REVERB(1)Overall reverb
CHORUS(2)Overall chorus.
DSP(4-6)Independent effects for the RIGHT 1, RIGHT 2,
and LEAD parts.
There’s also a DSP VARIATION effect which can be applied to DSP(4-6) when the DSP(4-6) effect is on. T he
VOICE EFFECT b uttons turn the corresponding effects on (indicator lit) or off (indicator out) for the part currently
selected via the P ART SELECT b uttons. Independent V OICE EFFECT settings can be made for each part. You can
use the default effects, or reprogram them as required via the FULL MIXING CONSOLE, EFFECT DEPTH and
EFFECT TYPE displays (pages 41, 42).
The HARMONY/ECHO effect is described on page 37, and the operation of the POLY/MONO button is
described on page 22.
Other Play Mode Functions
The Master Transpose and Octa ve Change functions described here allow you to change the overall pitch of the PSR8000, or the octave of individual parts as required. The Left Hold function can be used to provide extra LEFT part
sustain.
This functions allow the overall pitch of the PSR-8000 to be
transposed up or down over a range of ±2 octaves in semitone
steps.
Use the MASTER TRANSPOSE [<] and [>] buttons to
set the transposition value as required. The current amount of
transposition appears in the transpose section of the normal play
mode display: from “–24” through “0” to “+24”.
Normal pitch (transpose value “0”) can be recalled at any
time by pressing both the MASTER TRANSPOSE [<] and[>] buttons simultaneously.
This function allows the LEFT , RIGHT 1, RIGHT2, and LEAD
parts to be independently transposed up or down by one octave.
The LEFT, RIGHT1, RIGHT2, LEAD LCD buttons (with
the small keyboard icons) directly set the octave of the corresponding part to “+1”, “–1”, and then “0”, in sequence.
• These parameters are separate from the OCTAVE parameters ac-
cessed via the FULL mixing console display (page 44). The values of
these octave parameters are
parameters.
• Some voices may suddenly shift octaves when played at the extreme
ends of the keyboard if they are set to a lower or higher octave and/or
transpose value than normal. This can also occur when the PITCH
BEND wheel is used on extremely low or high notes.
• If you change the transpose or octave change settings while playing
one or more notes on the keyboard, the new settings will take effect
from the next notes played.
added to those of the mixer’s OCTAVE
■ Left Hold ...............................................................................................................................................................................................
This function causes the LEFT part voice to be held even when
the keys are released. Non-decaying voices such as strings are
LEFT HOLD
held continuously, while decay-type v oices such as piano decay
more slowly (as if the sustain pedal has been pressed). Press the
[LEFT HOLD] button so that its indicator lights to engage the
LEFT HOLD function. Press the [LEFT HOLD] button a
second time so that the indicator goes out to turn LEFT HOLD
off.
■ Pitch Bend & Modulation Wheels..............................................................................................................................
The PITCH BEND and MODULATION wheels to the left of
the PSR-8000 keyboard can be used to add expressiv e variation
to your sound.
The range of the PITCH BEND wheel can be indpendently
set for the LEFT , RIGHT 1, RIGHT 2, and LEAD parts via the
FULL MIXING CONSOLE TUNING display (page 44).
The type of modulation applied by the MODULATION
wheel is preset for each of the PSR-8000’s preset voices. You
can assign your own modulation effects when creating CUSTOM VOICE (page 51). The MODULATION wheel can be
independently turned on or off for the LEFT , RIGHT 1, RIGHT
2, and LEAD parts via the F3: CONTROLLER, PANEL CON-TROLLER display (page 126).
PITCH BEND
UP
DOWN
MODULATION
MAX
MIN
27
,,,,,,,,,,,,,,,,
,
Q
¢
QQQQQQQQQQQQQQQQ
¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢
Using the Accompaniment Section
Using the Accompaniment Section
The PSR-8000 has 214 different preset accompaniment “styles” that can be used
to provide fully-orchestrated or rhythm-only accompaniment. You can also create
your own “custom” and “groove” styles, as described on pages 62 and 76, respectively. Up to 16 custom styles and 20 groove styles can be retained in the PSR8000 memory — more can be saved to disk for later loading and use.
The PSR-8000’s sophisticated auto-accompaniment system can provide
automated bass and chord backing that is perfectly matched to the selected
accompaniment style.
• The supplied floppy disk includes additional style files which can be used after being loaded into the PSR-
8000 (see page 140 for loading instructions).
Procedure: Auto Accompaniment
Z Turn AUTO ACCOMPANIMENT ON...........................................................................................................................
Press the [AUT O A CCOMP ANIMENT] button so that its
AUTO
indicator lights, thereby turning the AUTO ACCOMPANI-
ACCOMPANIMENT
MENT mode on.
• Rhythm-only accompaniment will be produced if you don’t turn the
[AUTO ACCOMPANIMENT] button on.
• The maximum number of notes that can be played simultaneously on
the PSR-8000 keyboard is reduced when the AUTO ACCOMPANIMENT feature is used.
X Select the Desired Fingering Mode.....................
Select the desired auto accompaniment fingering mode via
the SPLIT POINT/FINGERING FUNCTION display described on page 123. The operation of each mode is described
in “Auto Accompaniment Fingering Modes”, page 30.
• Press the [AUTO ACCOMPANIMENT] button while holding
the [DIRECT ACCESS] button to jump directly to the SPLIT
POINT/FINGERING display (page 123).
C Select a Style...................................................................................................................................................................................
28
The PSR-8000 has 214 preset styles organized in 13 groups
(see the “Style List” on page 168).
Use the STYLE group buttons to select the group from
which you want to select a style. The corresponding style
display will appear.
Use the page-number LCD dials to select the page containing the style you want if more than one page is available, then
press the LCD button corresponding to the desired style. You
can also use either of the SELECT LCD dials to select any of the
styles within the selected group.
8BEAT 1
8BEAT 2
16BEAT
BALLAD
ROCK
STYLE
DANCEFLOOR
DISCO
SWING &
JAZZ
R & B
COUNTRY
LATIN
BALLROOM
MARCH &
WALTZ
GROOVE
STYLE
CUSTOM
STYLE
Using the Accompaniment Section
The PSR-8000 automatically determines the voices to be
used for the accompaniment bass and chords according to the
accompaniment style you select.
• Custom and groove styles which can be selected via the [CUSTOM
STYLE] and [GROOVE STYLE] buttons can be created as described
on pages 62 and 76, respectively, or loaded from disk.
• Styles loaded from the floppy disk provided with the PSR-8000 or
optional SFF (Style File Format) disks can also be used as CUSTOM
STYLES.
V Set the Tempo .................................................................................................................................................................................
If necessary , set the playback tempo as required (see “Tempo
Control, page 35).
B Start the Accompaniment..................................................................................................................................................
Use one of the start modes described in “Auto Accompaniment Start Modes”, below, to start the accompaniment.
N Play On the AUTO ACCOMPANIMENT Section Of the Keyboard............................................
As soon as you play any chord that the PSR-8000 can
“recognize” on the AUTO ACCOMPANIMENT section of the
keyboard (to the left of the auto accompaniment split point —
F#2 by default), the PSR-8000 will automatically begin to play
the chord along with the rhythm and an appropriate bass line.
The accompaniment will continue playing even if you release
the left-hand keys. See “ Auto Accompaniment Fingering Modes”,
below, for information on the individual fingering modes.
If the MANUAL BASS mode is selected only the rhythm
accompaniment will play automatically, and the bass v oice set
for the style can be played on the AUTO ACCOMP ANIMENT
section of the keyboard.
• The AUTO ACCOMPANIMENT section split point can be changed via
the SPLIT POINT/FINGERING FUNCTION display, described on page
123.
• The appropriate chord and bass note will sound if you play in the AUTO
ACCOMPANIMENT section of the keyboard while the AUTO ACCOMPANIMENT function is on but the accompaniment is stopped (but not
in the FULL KEYBOARD and MANUAL BASS modes).
• The four LED dots of the TEMPO display provide a visual indication of
the selected tempo.
Auto Accompaniment Section
Split Point
▼
3
C
Melody Section
• The SPLIT POINT/FINGERING display can be accessed
directly by pressing the [AUTO ACCOMPANIMENT] button
while holding the [DIRECT ACCESS] button.
29
Using the Accompaniment Section
M Select the MAIN A and B Sections as Required........................................................................................
Select the MAIN A and MAIN B sections as required. Appropriate f ill-ins will be generated automatically (see “The
MAIN A and MAIN B Sections and Fill-ins”, page 34).
< Stop the Accompaniment..................................................................................................................................................
The accompaniment can be stopped at any time by pressing the [ST AR T/STOP] button. Press the [ENDING A/
B /rit.] button if you want to go to the ending section and then stop. A different ending will play depending on whether
you go to the ending from the MAIN A or MAIN B section. Press the [ENDING A/B /rit.] b utton while the ending
section is playing to produce a “ritardando” ending — i.e. the tempo gradually slows down during the ending.
SYNC
SYNC
STOP
START
START/
STOP
INTRO A/BMAIN/AUTO FILL
ACCOMPANIMENT CONTROL
AB
ENDING A/B
/rit.
FADE
IN/OUT
■ Auto Accompaniment Fingering Modes............................................................................................................
The PSR-8000 AUTO ACCOMPANIMENT feature has six
different fingering modes which can be selected via the SPLITPOINT/FINGERING FUNCTION display described on page
123. Operation of each mode is described below.
● SINGLE FINGER
Single-finger accompaniment makes it simple to produce beautifully orchestrated accompaniment using major, seventh, minor and minor-seventh c hords by pressing a minimum number
of keys on the AUTO ACCOMPANIMENT section of the
keyboard. The abbreviated chord fingerings described below
are used:
●
For a major chord, press the
root key only.
●
For a minor chord, simultaneously press the root key and
a black key to its left.
C
Cm
●
For a seventh chord, simultaneously
press the root key and a white key to
its left.
●
For a minor-seventh chord, simultaneously press the root key and both a
white and black key to its left.
C
Cm
7
7
30
● MULTI FINGER
The MULTI-FINGER mode automatically detects SINGLE
FINGER or FINGERED 1 chord fingerings, so you can use
either type of fingering without having to switch fingering
modes.
• To use SINGLE FINGER minor, minor-seventh, or
seventh fingerings in the MULTI FINGER mode, be
sure to play the closest white/black key(s) to the root
of the chord.
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