Yamaha PSR-510 User Manual

Wichtiger Hinweis für die Benutzung in der Bundesrepublik Deutschland.

Bescheinigung des Importeurs

Hiermit wird bescheinigt, daß der/die/das

Musikinstrument Typ: PSR-510

(Gerät, Typ, Bezeichnung) in Übereinstimmung mit den Bestimmungen der VERFÜGUNG 1046/84

(Amtsblattverfügung) funk-entstört ist. Der Deutschen Bundespost wurde das Inverkehrbringen dieses Gerätes

angezeigt und die Berechtigung zur Überprüfung der Serie auf Einhaltung der Bestimmungen eingeräumt.

Yamaha Europa GmbH

Name des Importeurs

• This applies only to products distributed by Yamaha Europa GmbH.

• Dies bezieht sich nur auf die von der Yamaha Europa GmbH vertriebenen Produkte.

Entsorgung leerer Batterien (nur innerhalb Deutschlands)

Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte Batterien oder Akkumulatoren dürfen nicht in den Hausmüll. Sie können bei einer Sammelstelle für Altbatterien bzw. Sondermüll abgegeben werden. Informieren Sie sich bei Ihrer Kommune.

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha.

This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.

This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.

NOTICE:

Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

Battery Notice: This product MAY contain a small non-rechargeable battery

CANADA

THIS DIGITAL APPARATUS DOES NOT EXCEED THE “CLASS B” LIMITS FOR RADIO NOISE EMISSIONS FROM DIGITAL APPARATUS SET OUT IN THE RADIO INTERFERENCE REGULATION OF THE CANADIAN DEPARTMENT OF COMMUNICATIONS.

LE PRESENT APPAREIL NUMERIQUE N’EMET PAS DE BRUITS RADIOELECTRIQUES DEPASSANT LES LIMITES APPLICABLES AUX APPAREILS NUMERIQUES DE LA “CLASSE B” PRESCRITES DANS LE REGLEMENT SUR LE BROUILLAGE RADIOELECTRIQUE EDICTE PAR LE MINISTERE DES COMMUNICATIONS DU CANADA.

• This applies only to products distributed by Yamaha Canada Music Ltd.

• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Music Ltd.

The serial number of this product may be found on the bottom of the unit. You should note this serial number in the space provided below and retain this manual as a permanent record of your purchase to aid identification in the event of theft.

Model No. PSR-510 Serial No.

which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.

This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged.

When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture.

Warning: Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information.

Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

Model Serial No. Purchase Date

PLEASE KEEP THIS MANUAL FCC INFORMATION (U.S.A.)

IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

IMPORTANT: When connecting this product to accessories and/or another

product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

NOTE: This product has been tested and found to comply with the require-

ments listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guaran-

• This applies only to products distributed by Yamaha Corporation of America.

tee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:

• Relocate either this product or the device that is being affected by the interference.

• Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

• In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620

Congratulations!

You are the proud owner of a Yamaha PSR-510. Your PSR-510 is a highquality musical instrument that incorporates advanced Yamaha digital technology and many versatile features. In order to obtain maximum performance and enjoyment from your PSR-510, we urge you to read this Owner’s Manual thoroughly while trying out the various features described. Keep the Owner’s Manual in a safe place for later reference.

Contents

Panel Controls 2 Taking Care of Your PortaTone 4 Preparation 5

■

Power Supply.................................................................. 5

■

Using Headphones Or an External Sound System......... 6

■

The Sustain Pedal...........................................................6

■

The Music Stand ............................................................. 6

Listen to the Demo! 7 Basic Editing Procedure 8 Selecting & Playing the V oices 10

■

Orchestration ................................................................ 10

■

Voice Assignment ......................................................... 12

■

Volume.......................................................................... 13

■

Octave........................................................................... 13

■

DSP Depth .................................................................... 14

■

Pan................................................................................ 14

■

Auto Harmony ............................................................... 15

■

Effects ........................................................................... 16

■

Keyboard Percussion.................................................... 17

■

Pitch Bend..................................................................... 18

■

Sustain .......................................................................... 18

Overall Control 19

■

Split Point Change......................................................... 19

■

Transpose ..................................................................... 20

■

Tuning ........................................................................... 20

■

DSP Type...................................................................... 21

■

Touch Sensitivity........................................................... 22

Record Functions 37

Song Memory.................................................................... 37

■

Realtime Accompaniment Track Recording.................. 38

■

Realtime Melody Track Recording................................ 40

■

Accompaniment And Melody Playback......................... 41

■

The [RESET] Button ..................................................... 42

■

Record Or Play from a Specified Measure ................... 42

The Multi Pads .................................................................. 43

■

Realtime Recording ...................................................... 43

■

Playback ....................................................................... 44

Custom Accompaniment ................................................. 45

■

Realtime Custom Accompaniment Recording .............. 45

■

Using a Custom Accompaniment.................................. 47

Step Recording ................................................................. 48

Editing Functions ............................................................. 48

■

Quantization.................................................................. 51

■

Clearing Tracks............................................................. 52

■

Changing the Recorded Settings .................................. 52

Page Memory 54 MIDI 55

MIDI Bulk Dump ................................................................ 56

■

Page Copy .................................................................... 57

MIDI Reception Modes ..................................................... 58

■

Channel Reception Modes............................................ 58

■

Clock Mode ................................................................... 59

■

Start/Stop Mode ............................................................ 59

MIDI Transmission............................................................ 60

■

MIDI Transmit Channels ............................................... 60

■

Local & MIDI Output ON/OFF ....................................... 60

Auto Accompaniment 23

■

Selecting a Style ........................................................... 23

■

Setting the Auto Accompaniment Split Point ................ 24

■

Auto Accompaniment Fingering.................................... 24

■

Tempo Control .............................................................. 27

■

Accompaniment Control................................................ 28

■

Accompaniment Volume ............................................... 31

■

The Track Buttons......................................................... 31

■

Re-voicing the Tracks ................................................... 32

One Touch Setting 34 Registration Memory 35

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Appendix............................................................................... 61

■

Voice & Polyphony List ................................................. 61

■

Style List ....................................................................... 62

■

Reset Procedures & Page Memory Default Settings .... 65

■

Troubleshooting ............................................................ 67

Index ................................................................................ 68

Percussion Kit List.......................................................... 274

MIDI Implementation Chart ............................................ 276

Specifications ................................................................. 279

1

Taking Care of Your PortaTone

Your PortaTone will give you years of playing pleasure if you follow the

simple rules given below:

■ Location

Do not expose the instrument to the following conditions to avoid deformation, discoloration, or more serious damage.

• Direct sunlight (e.g. near a window).

• High temperatures (e.g. near a heat source, out-

side, or in a car during the daytime).

• Excessive humidity.

• Excessive dust.

• Strong vibration.

■ Power Supply

• Turn the power switch OFF when the instrument

is not in use.

• A power adaptor, if used, should be unplugged

from the AC outlet if the instrument is not to be used for an extended period of time.

• Unplug the power adaptor during electric storms.

• Avoid plugging the power adaptor into the same

AC outlet as appliances with high power consumption, such as electric heaters or ovens. Also avoid using multi-plug adaptors since these can result in reduced sound quality and possibly damage.

■ Handling and Transport

• Never apply excessive force to the controls, connectors or other parts of the instrument.

• Always unplug cables by gripping the plug firmly, not by pulling on the cable.

• Disconnect all cables before moving the instrument.

• Physical shocks caused by dropping, bumping, or placing heavy objects on the instrument can result in scratches and more serious damage.

■ Cleaning

• Clean the cabinet and panel with a dry soft cloth.

• A slightly damp cloth may be used to remove stubborn grime and dirt.

• Never use cleaners such as alcohol or thinner.

• Avoid placing vinyl objects on top of the instrument (vinyl can stick to and discolor the surface).

■ Electrical Interference

• This instrument contains digital circuitry and may cause interference if placed too close to radio or television receivers. If this occurs, move the instrument further away from the affected equipment.

■ Turn Power OFF When Making

Connections

• To avoid damage to the instrument and other devices to which it is connected (a sound system, for example), turn the power switches of all related devices OFF prior to connecting or disconnecting audio and MIDI cables.

YAMAHA is not responsible for damage caused by improper handling or operation.

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4

■ Service and Modification

• The PSR-510 contains no user serviceable parts. Opening it or tampering with it in anyway can lead to irreparable damage and possibly electric shock. Refer all servicing to qualified YAMAHA personnel.



Preparation

This section contains information about setting up your PSR-510 and preparing to play. Be sure to go through this section carefully before using your PSR-510.

SUSTAIN PEDAL

AUX OUT

DC 10-12V INHEADPHONES/

■ Power Supply

Your PSR-510 will run either from an optional power adaptor or batteries*. Follow the instructions below

according to the power source you intend to use.

* When batteries are used the sound of the PSR-510 may be distorted at high volume

levels. This is because the power of the amplifier is reduced when batteries are used.

CAUTION

● Using An Optional AC Power Adaptor .................................................................................................

DC 10-12V IN

PA-3, PA-4, PA- 5,

PA-5B,

or

PA-40

AC power socket

Plug the DC output cable from an optional Yamaha PA-3, PA-4, PA-5, PA-

5B, or PA-40 AC Power Adaptor into the DC IN jack on the rear panel of the PSR-510, then plug the Power Adaptor (or the AC cable of the Power Adaptor) into a convenient wall AC power socket. The internal batteries are automatically disconnected when an AC Power Adaptor is used.

• Never interrupt the power supply (e.g. remove the batteries or un-

plug the AC adaptor) during any PSR-510 record operation! Doing so can result in a loss of data.

CAUTION

NOTES

• Use ONLY a Yamaha PA-3, PA-4, PA-5, PA-5B, or PA-40 AC Power

Adaptor to power your instrument from the AC mains. The use of other adaptors may result in irreparable damage to both the adaptor and the PSR-510.

• Using the PA-5 with the PSR-510 will provide a slight increase in the overall volume.

● Using Batteries .......................................................................................................................................

For battery operation the PSR-510 requires six 1.5V SUM-1, “D” size, R-20 or equivalent batteries.

When the batteries need to be replaced the volume may be reduced, the sound may be distorted, and other problems may occur. When this happens, turn the power off while either the batteries are replaced or an AC adaptor is connected.

When the batteries fail, replace them as follows:

Open the battery compartment cover located on the instrument’s bottom

Z

panel. Insert the six new batteries, being careful to follow the polarity markings on

X

the inside of the compartment. Replace the compartment cover, making sure that it locks firmly in place.

C

CAUTION

• When the batteries run down, replace them with a complete set of

six new batteries. NEVER mix old and new batteries.

• Do not use different kinds of batteries (e.g. alkaline and manganese)

at the same time.

• To prevent possible damage due to battery leakage, remove the

batteries from the instrument if it is not to be used for an extended period of time.

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5

Preparation

■Using Headphones Or an External Sound System

HEADPHONES/

AUX OUT

■The Sustain Pedal

SUSTAIN PEDAL

A standard pair of stereo headphones can be plugged into the rear-panel

HEADPHONES/AUX OUT jack for private practice or late-night playing. The internal speaker system is automatically shut off when a pair of headphones is plugged into the HEADPHONES/AUX OUT jack. The HEAD- PHONES/AUX OUT jack can also be used to deliver the output of the PSR-510 to a keyboard amplifier, stereo sound system, mixing console or tape recorder.

Stereo sound

system

An optional Yamaha FC4 or FC5 footswitch can be plugged into the

rear-panel SUSTAIN PEDAL jack. The sustain pedal functions as a damper pedal, controlling sustain. Press the pedal to sustain notes after the keys are released.

■The Music Stand

NOTES

• Be sure that you do not press the pedal while inserting the plug

into the SUSTAIN PEDAL jack or while turning the power on. If you do, the ON/OFF status of the footswitch will be reversed. This function has been implemented to allow either press-tomake or press-to-break contact type footswitches to be used with the PSR-510.

Insert the bottom edge of the music stand into the slot located at the rear

of the PSR-510 control panel.

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6

Listen to the Demo!

Once you’ve set up your PSR-510, try listening to the pre-programmed demonstration songs — they’ll give you a good idea of what the PSR-510 can do!

DEMO

SONG #

ON/ OFF

POWER

MIN MAX

MASTER VOLUME

START/

STOP

ZTurn the Power ON & Set the Volume ..................................................................................................

Before playing the demo turn the power ON by pressing the POWER

switch (the panel indicators and MULTI DISPLAY will light), and turn the MASTER VOLUME control up (clockwise) about a quarter-turn from its minimum position.

ON/ OFF

POWER

MIN MAX

MASTER VOLUME

XSelect a Song..........................................................................................................................................

DEMO

SONG #

Press the DEMO [SONG #] button a few times until the number of the

desired demo song appears on the MULTI DISPLAY.

ALL (0): Repeat playback of all demo songs in sequence.

1-6: Repeat playback of the selected demo song number.

START/

STOP

NOTES

• “ALL” is automatically selected whenever the power switch is turned on.

CPress DEMO [START/STOP] to Start ....................................................................................................

DEMO

SONG #

START/

STOP

Press the DEMO [START/STOP] button to start playback, and use the

MASTER VOLUME control to set the ideal listening level. The selected demonstration will play repeatedly.

NOTES

• During demo playback you can select different voices and play along on the keyboard — see the “Selecting & Playing the Voices” section beginning on page 10.

VPress DEMO [START/STOP] to Stop ....................................................................................................

Press the DEMO [START/STOP] button again to stop demo playback.

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7

Basic Editing Procedure

The PSR-510 features a flexible-but-consistent interface that lets you edit just about all of its

parameters using the same basic procedure. Once familiar with the system, you’ll be able to edit any parameter quickly and easily. Here’s the basic procedure:

BEAT

MULTI DISPLAY

RESET

–+

0 234567891

+

–

_ _

1

ZPress a Function Button ........................................................................................................................

VOICE

SELECT

First press the button corresponding to the function or parameter you

want to edit. To select voice numbers, for example, press the [VOICE SE- LECT] button (its indicator will light). The number shown on the MULTI DISPLAY will be the current value of the selected parameter.

KEYBOARD PERCUSSION

XEdit the Parameter..................................................................................................................................

The PSR-510 lets you edit parameters using four different methods. Use

the one that best suits the parameter you have selected:

2-1: The Function Button

VOICE

SELECT

KEYBOARD PERCUSSION

Each time you press a function button (except for the SPLIT POINT button) after initially selecting the function, the value of the corresponding parameter will be incremented (increased) by one. If you hold the function button for a few seconds, the parameter will begin to increment continuously as long as you hold the button.

If, for example, you press the [VOICE SELECT] button and MULTI DISPLAY shows that voice number 36 is currently selected, you can select voice number 37 simply by pressing the [VOICE SELECT] button again.

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8

2-2: The [+] and [−] Buttons The [+] and [−] buttons immediately to the right of the MULTI DIS-

PLAY can be used to increment (increase by one) or decrement (decrease

RESET

–+

by one) the currently selected parameter. Press the [+] button briefly to increment the parameter value, or the [−] button to decrement. If you hold the [+] or [−] button down, the value will increment or decrement continuously — simply release the button when the desired value has been reached.

2-3: The Number Buttons

02341

+

–

_ _

1

9

The number buttons — to the right of the [+] and [−] buttons — allow

direct numeric entry of the desired value, and are therefore the fastest way to edit in many situations.

To select a voice, for example, choose one of the 128 voices — numbered “01” through “128” — shown on the panel VOICE list, then enter its number using the number buttons. To select “HARMONICA” (number 23), for example, first press [2] then [3]. The number “23” should then appear on the MULTI DISPLAY.

The [+/−] button is used to switch between positive and negative values with parameters that allow negative values (Transpose, Tuning, Octave, and Pan, for example). A “−” appears before negative values on the MULTI DISPLAY.

When selecting voice numbers the [+/−] button is used to enter the hundreds digit of the voice number (the button alternately selects no hundreds digit or “1”), as required, prior to entering the tens and ones digits. The [1] number button cannot be used to enter the hundreds digit when selecting voices.

Values outside the range of the selected parameter can not be entered.

2-4: The Data Dial

● Yes/No Confirmation

ARE YOU SURE ?

This is undoubtedly the easiest way to edit most parameters. Simply rotate the dial clockwise to increment or counter-clockwise to decrement.

NOTES

Some operations that change important settings or erase data may require you

to confirm your choice by pressing the [YES] or [NO] button. When a choice needs to be confirmed the ARE YOU SURE? indicator will flash and a digitally sampled voice will ask “Are you sure?”. Press the [YES] button to execute the specified op-

NOYES

eration or the [NO] button to cancel and leave the settings or data unaffected.

If you don’t want to hear the “Are you sure?” confirmation sound, hold down the

[NO] button while initially turning the power switch on. To restore the confirmation sound, turn the power switch off, then turn it back on again while holding down the [YES] button. The on/off status of the confirmation sound is retained in memory even when the power switch is turned off as long as batteries are installed on an AC adaptor is connected.

• After editing a parameter other than [VOICE SELECT], the [VOICE SELECT] parameter will automatically be re-selected after a brief delay.

• If you attempt to change a parameter that can not be edited in the

current mode, “---” will appear on the MULTI DISPLAY.

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9

Selecting & Playing the Voices

The PSR-510 has 128 stunning voices plus 8 different drum and percussion kits that

you can select and play in a number of ways.

VOICE

SELECT

KEYBOARD PERCUSSION

VOL OCTAVE DSP

DEPTH

VOICE

PAN ORCHESTRATION HARMONY

L1 R1

EDIT

ONE TOUCH

SETTING

L2 R2

EFFECT

TYPE

HARMONY EFFECT

■Orchestration

The unique ORCHESTRATION button group in the PSR-510’s VOICE control section lets you select and play from one to four “parts” at the same time using a variety of “orchestrations”. One of the PSR-510’s 128 voices is assigned to each part.

● Single: One voice over the entire keyboard.

● Dual: Two voices simultaneously over the entire keyboard.

● Split: Different voices with the left and right hands.

● Split & Dual: Combinations of the Split and Dual modes.

There are actually a number of variations on each of the above orchestrations. The ORCHESTRATION buttons are used to choose the type of orchestration you want.

Right-hand voice 1

Left-hand voice 1

ORCHESTRATION

L1 R1

EDIT

L2 R2

Left-hand voice 2

(or single voice)

Right-hand voice 2 (or single voice)

The four available parts are turned on and off by the [R1], [R2], [L1], and [L2] buttons. The indicators next to each of these buttons tell you which parts are on and which are off, and therefore indicate the current orchestration mode. The [EDIT] button determines which of the four orchestration parts is to be edited. You can, for example, assign any of the PSR-510’s 128 voices to each of the orchestration parts. But before we discuss voice assignment and editing, let’s take a look at the various orchestration modes:

● Single Modes

In the “single” modes either the [R1] or [R2] part voice can be played over the entire keyboard. The R1 and R2 single-voice modes are selected simply by pressing either the [R1] or [R2] button if neither the [L1] or [L2] indicators are lit. If the [L1] and/or [L2] indicators are lit, press them so that both indicators go out.

Note that when you select the [R1] or [R2] singlevoice mode, the triangular EDIT indicator for the selected voice also lights. This means you can select a different voice number or otherwise edit the current voice using the procedures described on page 12.

L1 R1

EDIT

L2 R2

L1 R1

EDIT

L2 R2

The R1 voice is played across the entire keyboard.

The R2 voice is played across the entire keyboard.

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10

● Dual Mode

● Split & Dual Modes

In the dual mode both the [R1] and [R2] part voices are selected so they can be played simultaneously across the entire keyboard. To select the dual mode, make sure that both the [L1] and [L2] indicators are out, then press both the [R1] and [R2] buttons simultaneously (or hold one while pressing the other).

You can switch back to either of the single modes from the dual mode simply by pressing the [R1] or [R2] button, as required.

L1 R1

EDIT

L2 R2

The R1 & R2 voices are played across the entire keyboard.

● Split Modes

The PSR-510 allows four different split modes, with one voice played on the left-hand section of the keyboard ([L1] or [L2]) and a different voice on the right-hand section of the keyboard ([R1] or [R2]). Selecting a split mode is simply a matter of pressing the buttons corresponding to the desired left- and right-hand parts.

There are five possible combinations of the split and dual modes, as shown below. The part for the single-voice side of the combination is selected simply by pressing the appropriate part button, while for the dual-voice side both buttons must be pressed simultaneously (or one while holding the other).

▼

L1 R1

EDIT

L2 R2

L1 R1

EDIT

L2 R2

L1 R1

EDIT

L2 R2

L1 R1

EDIT

L2 R2

L1 voice. R1 & R2 voices.

▼

L2 voice.

L1 & L2 voices.

R1 & R2 voices.

▼

R2 voice.

▼

L1 & L2 voices. R1 voice.

The split point (i.e. the key at which the voices change over) can be set at any desired key by using the SPLIT POINT CHANGE function described on page 19.

▼

L1 R1

EDIT

L2 R2

L1 R1

EDIT

L2 R2

L1 R1

EDIT

L2 R2

L1 R1

EDIT

L2 R2

L1 voice.

L2 voice. R1 voice.

L1 voice. R2 voice.

L2 voice. R2 voice.

R1 voice.

▼

L1 R1

EDIT

L2 R2

▼

L1 & L2 voices. R1 & R2 voices.

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11

Selecting & Playing the Voices

■V oice Assignment

You can assign any of the PSR-510’s 128 voices to each of the ORCHESTRATION parts, whether the part is

currently ON or OFF.

ZPress the [VOICE SELECT] Button .......................................................................................................

VOICE

SELECT

You don’t need to do this if the [VOICE SELECT] indicator is already

lit. Also make sure that the [KEYBOARD PERCUSSION] indicator is out.

KEYBOARD PERCUSSION

XSelect the Part You Want to Edit...........................................................................................................

Use the ORCHESTRATION [EDIT] button to select the part to which

you want to assign a new voice. The [EDIT] indicators light in sequence in

EDIT

the clockwise direction each time the [EDIT] button is pressed.

NOTES

• You can edit the voice number of a part that is OFF while playing a different part.

• Actually, the [VOICE SELECT] mode is automatically selected whenever the [EDIT] button is pressed, so you don’t really need to press [VOICE SELECT] as described in step 1 if you’re going to use the [EDIT] button prior to selecting a voice number.

CSelect a Voice Number...........................................................................................................................

RESET

–+

021

Example: Voice number “120”

+

–

_ _

1

02

Referring to the VOICE list printed on the PSR-510 panel, use the [+]

and [−] buttons, the number buttons, the data dial, or the [VOICE SE- LECT] button itself to select the required voice number (see page 8 for editing procedure details).

When entering voice numbers higher than 99, use the [+/−] button to

enter the hundreds digit prior to entering the tens and ones digits: the button alternately selects no hundreds digit or “1”.

NOTES

• The optimum keyboard range is preset for each voice.

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12

■V olume

You can individually set the volume of each orchestration part to set up the ideal balance between parts.

ZSelect the Part You Want to Edit...........................................................................................................

Use the ORCHESTRATION [EDIT] button to select the part you want

to edit.

XPress the [VOL] Button ..........................................................................................................................

VOL

Press the VOICE control section [VOL] button. The current volume

value of the selected part will appear on the MULTI DISPLAY.

CSet the Volume .......................................................................................................................................

RESET

–+

021

Use the [+] and [−] buttons, the number buttons, the data dial, or the

[VOL] button itself to set the desired volume. The volume range is from 00

(no sound) to 24 (maximum volume). The default volume value (21) can be recalled instantly by pressing both the [+] and [−] buttons at the same time.

■Octave

You can individually shift the octave of each orchestration part up or down by up to two octaves. This makes it easy, for example, to lower the pitch of a bass voice to an appropriate octave without affecting the other parts in your orchestration.

ZSelect the Part You Want to Edit...........................................................................................................

Use the ORCHESTRATION [EDIT] button to select the part you want

to edit.

XPress the [OCTAVE] Button ..................................................................................................................

OCTAVE

Press the VOICE control section [OCTAVE] button. The current octave

value of the selected part will appear on the MULTI DISPLAY.

CSet the Octave ........................................................................................................................................

Use the [+] and [−] buttons, the number buttons, the data dial, or the

RESET

–+

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021

[OCTAVE] button itself to set the desired octave. The octave range is from

−2 (down two octaves) to +2 (up two octaves). The normal octave value for the selected voice can be recalled instantly by pressing both the [+] and [−] buttons at the same time.

13

Selecting & Playing the Voices

■DSP Depth

The PSR-510 features a built-in digital signal processor (DSP) that can be used to apply a range of reverb and

delay effects to the PSR-510 voices. The [DSP TYPE] button in the OVERALL CONTROL section (page 21) determines the type of effect to be applied, while the VOICE section [DSP DEPTH] button lets you individually set the amount of effect applied to each orchestration part.

ZSelect the Part You Want to Edit...........................................................................................................

Use the ORCHESTRATION [EDIT] button to select the part you want

to edit.

XPress the [DSP DEPTH] Button.............................................................................................................

DSP

DEPTH

Press the VOICE control section [DSP DEPTH] button. The current

DSP depth value of the selected part will appear on the MULTI DISPLAY.

CSet the DSP Depth ..................................................................................................................................

RESET

–+

021

Use the [+] and [−] buttons, the number buttons, the data dial, or the

[DSP DEPTH] button itself to set the desired DSP depth. The depth range

is from 00 (no effect, direct sound only) to 15 (maximum effect).

The default DSP depth value (06) can be recalled instantly by pressing

both the [+] and [−] buttons at the same time.

■Pan

The PSR-510 delivers true stereo sound, and you can use this parameter to individually set the stereo (pan)

position of each orchestration part to create a broad stereo image of your sound.

ZSelect the Part You Want to Edit...........................................................................................................

Use the ORCHESTRATION [EDIT] button to select the part you want

to edit.

XPress the [PAN] Button..........................................................................................................................

PAN

Press the VOICE control section [PAN] button. The current pan value of

the selected part will appear on the MULTI DISPLAY.

CSet the Pan Position...............................................................................................................................

Use the [+] and [−] buttons, the number buttons, the data dial, or the

RESET

–+

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14

021

[PAN] button itself to set the desired pan value. The pan range is from −7 (full left) to +7 (full right). A setting of “0” places the sound of the selected part in the center of the stereo sound field. Other settings produce in-between positions. “−4”, for example, would place the sound between center and full left.

The center pan position (0) can be recalled instantly by pressing both the

[+] and [−] buttons at the same time.

NOTES

• The new pan value will apply from the next note played — i.e. you can’t pan the sound of a note while it is playing.

■Auto Harmony

Auto Harmony is used with the PSR-510’s Auto Accompaniment feature except for Full fingering mode (see page 23). It automatically adds appropriate harmony notes to a single-note melody line you play on the keyboard. You can choose from 10 different types of harmony that can be assigned to the right-hand orchestration parts.

ZTurn Auto Harmony ON .........................................................................................................................

HARMONY

TYPE

Press the [HARMONY] button so that its indicator lights. This turns

Auto Harmony ON.

NOTES

HARMONY

• The HARMONY can’t be engaged when Keyboard Percussion is ON.

XPress the [HARMONY TYPE] Button ....................................................................................................

HARMONY

TYPE

HARMONY

Press the VOICE control section [HARMONY TYPE] button. The

number of the currently selected harmony type will appear on the MULTI DISPLAY.

CSelect a Harmony Type ..........................................................................................................................

RESET

–+

021

Use the [+] and [−] buttons, the number buttons, the data dial, or the

[HARMONY TYPE] button itself to select the desired effect.

The Harmony Types

01 Duet 02 1 + 5 03 Country 04 Trio 05 Block

06 4-way close 1 07 4-way close 2 08 4-way open 09 Octave 10 Strum

VTurn Auto Harmony ON or OFF as Required .......................................................................................

HARMONY

TYPE

HARMONY

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Use the [HARMONY] button to turn Auto Harmony ON or OFF. Auto

Harmony is ON when the [HARMONY] button indicator is lit.

NOTES

• When Auto Harmony is used in the dual mode, the R1 voice responds to notes played on the keyboard while the harmony notes are played by the R1 and R2 voices, depending on the selected harmony type.

• Only a single note can be played at a time on the keyboard (or the right-hand section of the keyboard) when the Auto Harmony feature is used.

• If you play more than one note at the same time while Auto Harmony is ON, only the highest note will sound.

• Auto Harmony will only function when the Auto Accompaniment function is being used (page 23).

15

Selecting & Playing the Voices

■Effects

The PSR-510 has a range of 12 delay-based effects — in addition to the DSP effects (pages 14 and 21) — that can be selected and applied to the right-hand orchestration parts (the left-hand orchestration parts are not affected).

ZTurn the Effect ON..................................................................................................................................

EFFECT

TYPE

Press the [EFFECT] button so that its indicator lights. This turns ON

the effect.

NOTES

EFFECT

• The EFFECT can’t be engaged when Keyboard Percussion is ON.

XPress the [EFFECT TYPE] Button .........................................................................................................

EFFECT

TYPE

EFFECT

Press the VOICE control section [EFFECT TYPE] button. The number

of the currently selected effect will appear on the MULTI DISPLAY.

CSelect an Effect.......................................................................................................................................

RESET

–+

021

Use the [+] and [−] buttons, the number buttons, the data dial, or the

[EFFECT TYPE] button itself to select the desired effect.

The Effects

01 Echo 02 Echo 03 Echo 04 Echo

3

05 Tremolo 06 Tremolo 07 Tremolo 08 Tremolo

09 Trill 10 Trill 11 Trill 12 Trill

3

VTurn the Effect ON or OFF as Required ...............................................................................................

EFFECT

TYPE

EFFECT

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16

Use the [EFFECT] button to turn the effect ON or OFF. The selected

effect is ON when the [EFFECT] button indicator is lit.

NOTES

• You can change the effect type whether the effect is ON or OFF.

■Keyboard Percussion

The PSR-510 has 8 different drum and percussion “kits” that can be played on the keyboard when the Keyboard Percussion function is turned ON. The types of drum and percussion instruments played by the various keys when Keyboard Percussion function is selected are marked by symbols above the keys.

ZTurn Keyboard Percussion ON .............................................................................................................

VOICE

SELECT

Press the [KEYBOARD PERCUSSION] button so that its indicator

lights to turn Keyboard Percussion ON. The percussion kit number will appear on the MULTI DISPLAY.

KEYBOARD PERCUSSION

XSelect a Percussion Kit..........................................................................................................................

RESET

–+

021

Use the [+] and [−] buttons, the number buttons, the data dial, or the

[VOICE SELECT] button to select the desired percussion kit (1 through

8). See page 274 for a complete list of the percussion kit instruments.

The Percussion Kits

1 Standard 2 Room 3 Rock 4 Electronic 5 Analog 6 Jazz 7 Brush 8 Classic

NOTES

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• The HARMONY, EFFECT and TRANSPOSE functions (pages 15, 16 and 20) do not affect the percussion sounds. The HARMONY and EFFECT functions will be canceled when Keyboard Percussion is turned ON.

• The ORCHESTRATION [EDIT] button does not function when Keyboard Percussion is turned ON.

17

Selecting & Playing the Voices

■Pitch Bend

PITCH BEND

The PITCH BEND wheel to the left of the keyboard allows the note

pitch to be bent up or down — roll the wheel away from you to bend up, and toward you to bend down (this situation can be reversed, as described

+

–

below). When the PITCH BEND wheel is moved almost all the way in either direction, the current pitch bend range value will appear on the MULTI DISPLAY (see below).

● Setting the Pitch Bend Range

The maximum amount of pitch bend produced by the PITCH BEND wheel can be set anywhere from ±1

semitone to ±12 semitones (i.e. plus or minus one octave).

ZCall the Pitch Bend Range Parameter ..................................................................................................

PITCH BEND

+ –

To set the pitch bend range, roll the PITCH BEND wheel all the way in

either direction so that the current range value appears on the MULTI DISPLAY.

XSet the Pitch Bend Range......................................................................................................................

While holding the PITCH BEND wheel at its maximum position, use

RESET

–+

021

the [+] and [−] buttons, the number buttons, or the data dial to select the desired pitch bend range. The pitch bend range value is displayed in semitones (−12 through 12). If a minus setting is selected pitch bend wheel operation is reversed — i.e. roll the wheel away from you to lower pitch. The default pitch bend range (02) can be instantly recalled by pressing [+] and [−] buttons simultaneously.

CRelease the PITCH BEND Wheel...........................................................................................................

Release the PITCH BEND wheel when you’ve set the required pitch

bend range.

■Sustain

SUSTAIN PEDAL

If you have plugged an optional Yamaha FC4 or FC5 footswitch into the

PSR-510’s rear-panel SUSTAIN PEDAL jack, the footswitch can be used as a damper pedal, controlling sustain. Press the pedal to sustain notes after the keys are released.

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18

Overall Control

The OVERALL CONTROL section includes a range of parameters that, as their title suggests, apply to the overall sound of the PSR-510.

SPLIT

TEMPO

POINT



METRONOME TOUCH

■ Split Point Change

This function lets you set the split point (the key that separates the left-hand and right-hand orchestration

parts) to any key on the keyboard.

OVERALL CONTROL

TRANS-



POSE

0 OFF

.....................................

1 HALL 1 2 HALL 2 3 ROOM 1 4 ROOM 2

TUNING

TYPE

DSP TYPE 5 PLATE 1

6 PLATE 2 7 DELAY 1 8 DELAY 2

DSP



RESPONSE

TOUCH SENSE

ZTurn Auto Accompaniment OFF ...........................................................................................................

STYLE

SELECT

AUTO

ACCOMP

To set the split point for the left- and right-hand orchestration parts,

make sure that the [AUTO ACCOMP] indicator is off before proceeding.

NOTES

• The PSR-510 actually memorizes two separate split points: one for the left- and right-hand orchestration parts, and one for Auto Accompaniment mode. See page 24 for details on setting the Auto Accompaniment split point.

XPress the [SPLIT POINT] Button ...........................................................................................................

SPLIT

POINT

Press the OVERALL CONTROL section [SPLIT POINT] button. The

key number of the current split point will appear on the MULTI DISPLAY.

NOTES

• The key numbers for each note are listed above the keyboard. The C3 (middle C) key number, for example, is 60.

CSet the Split Point...................................................................................................................................

SPLIT

POINT

The easiest way to set the split point is to press the key you want to set

as the split point while holding the [SPLIT POINT] button. The number of the selected key will appear on the MULTI DISPLAY.

As with all other parameters, you can also use the [+] and [−] buttons,

the number buttons, or the data dial to select the desired split point. The default split point (69) can be recalled instantly by pressing both the [+] and [−] buttons at the same time.

NOTES

| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |

• The split-point key becomes the lowest key in the right-hand section of the keyboard.

19

Overall Control

■Transpose

The PSR-510 [TRANSPOSE] button makes it possible to shift the pitch of the PSR-510 up or down in semi-

tone intervals up to a maximum of 12 semitones (one octave). Transposing the pitch of the PSR-510 keyboard makes it easier to play in difficult key signatures, and you can easily match the pitch of the keyboard to the range of a singer or other instrumentalist.

ZPress the [TRANSPOSE] Button...........................................................................................................

TRANS-

POSE

XSet the Desired Degree of Transposition.............................................................................................

RESET

–+

021

Press the OVERALL CONTROL section [TRANSPOSE] button. The

current transpose value will appear on the MULTI DISPLAY.

Use the [+] and [−] buttons, the number buttons, the data dial, or the

[TRANSPOSE] button itself to set the desired degree of transposition.

The transposition range is from −12 to +12, with −12 corresponding to

downward transposition by 12 semitones (one octave), and +12 corresponding to upward transposition by 12 semitones. 00 is the “normal” keyboard pitch value. The normal transpose value (00) can be recalled instantly by pressing both the [+] and [−] buttons at the same time.

NOTES

• The new transpose value will apply from the next note played — i.e. you can’t transpose the sound of a note while it is playing.

■Tuning

The PSR-510 [TUNING] button makes it possible to tune the pitch of the PSR-510 to match other instru-

ments. Tuning can be accomplished over a ±50-cent range (that’s 100 cents total, or one semitone) in 33 steps.

ZPress the [TUNING] Button....................................................................................................................

XSet the Tuning ........................................................................................................................................



TUNING

RESET

–+

Press the OVERALL CONTROL section [TUNING] button. The current

tuning value will appear on the MULTI DISPLAY.

Use the [+] and [−] buttons, the number buttons, the data dial, or the

[TUNING] button itself to set the desired tuning value.

021

The tuning range is from −16 (−50 cents) to +16 (+50 cents). “00” ( ±0

cents) is the “normal” tuning value. The normal tuning value (00) can be recalled instantly by pressing both the [+] and [−] buttons at the same time.

NOTES

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20

• The tuning setting is retained in memory even when the power switch is turned off, as long as batteries are installed or an AC adaptor is connected.

■DSP Type

The [DSP TYPE] button selects one of eight digital effects that you can use for extra depth and expressive

power. This button determines the type of effect to be used, while the [DSP DEPTH] button in the VOICE sec- tion allow the depth of the effect to be individually set for each orchestration part.

ZPress the [DSP TYPE] Button ...............................................................................................................

DSP

TYPE

0 OFF

DSP TYPE

.....................................

1 HALL 1

5 PLATE 1

2 HALL 2

6 PLATE 2

3 ROOM 1

7 DELAY 1

4 ROOM 2

8 DELAY 2



Press the OVERALL CONTROL section [DSP TYPE] button. The

number of the current DSP type will appear on the MULTI DISPLAY.

XSelect a DSP Type ..................................................................................................................................

Use the [+] and [−] buttons, the number buttons, the data dial, or the

RESET

–+

021

[DSP TYPE] button itself to select the desired DSP type (0 for OFF, or 1 … 8 as listed below). The default DSP type (1) can be recalled instantly by pressing both the [+] and [−] buttons at the same time.

The DSP Types

1 Hall 1 2 Hall 2 3 Room 1 4 Room 2

For a spacious reverb sound use one of the Hall settings. These effects simulate the natural reverberation of a concert hall. Hall 2 has a longer reverb time and therefore simulates a larger hall than Hall 1.

These settings add relatively short reverb effects to the sound that are similar to the type of acoustic reverberation you might hear in different rooms.

5 Plate 1 6 Plate 2 7 Delay 1 8 Delay 2

NOTES

These are simulations of the large plate reverb devices traditionally used in professional recording studios.

Delay 1 produces a distinct series of delay repeats, while Delay 2 produces a smoother multiple-delay sound.

• DSP effects may sound different with different voices.

• The DSP type setting is retained in memory even when the power switch is turned off, as long as batteries are installed or an AC adaptor is connected.

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21

Overall Control

■Touch Sensitivity

This function varies the touch sensitivity of the keyboard. Use this capability to adjust the PSR-510’s touch

sensitivity for the best results with your own particular playing style.

ZPress the [TOUCH SENSE] Button .......................................................................................................

TOUCH SENSE

TOUCH

RESPONSE

Press the OVERALL CONTROL section [TOUCH SENSE] button. The

current sensitivity setting will appear on the MULTI DISPLAY.

XTurn Touch Sensitivity ON ....................................................................................................................

TOUCH SENSE

TOUCH

RESPONSE

Press the [TOUCH RESPONSE] button so that its indicator lights. This

turns touch sensitivity ON.

CSet the Sensitivity ..................................................................................................................................

RESET

–+

021

Use the [+] and [−] buttons, the number buttons, the data dial, or the

[TOUCH SENSE] button itself to set the desired sensitivity value (1 … 5).

A setting of “1” produces the least touch sensitivity, and therefore the smallest dynamic range. A setting of “5” produces the greatest sensitivity and broadest dynamic range. The default touch sensitivity value (4) can be recalled instantly by pressing both the [+] and [−] buttons at the same time.

VTurn Touch Sensitivity ON or OFF as Required..................................................................................

TOUCH SENSE

TOUCH

RESPONSE

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22

Use the [TOUCH RESPONSE] button to turn touch sensitivity ON or OFF as required. When OFF (i.e. when the indicator is off) the same volume is produced no matter how hard you play on the keyboard. Touch sensitivity can be turned OFF to produce a more realistic effect with voices that normally do not have touch response: e.g. organ and harpsichord.