ZOOM G7.1ut Operation Manual

Operation Manual
© ZOOM Corporation
Reproduction of this manual, in whole or in part, by any means, is prohibited.
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SAFETY PRECAUTIONS Usage Precautions
•Take care that no foreign objects (coins or pins etc.) or
SAFETY PRECAUTIONS
In this manual, symbols are used to highlight warnings and cautions for you to read so that accidents can be prevented. The meanings of these symbols are as follows:
This symbol indicates explanations about extremely dangerous matters. If users ignore this symbol and handle the device the wrong way,
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serious injury or death could result.
This symbol indicates explanations about dangerous matters. If users ignore this symbol and handle the device the wrong way, bodily injury and
Caution
damage to the equipment could result.
Please observe the following safety tips and precautions to ensure hazard-free use of the G7.1ut.
Power requirements
• Be sure to use only an AC adapter which supplies 15 V
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DC, 1.5A (Zoom AD-0012). The use of an adapter other than the specified type may damage the unit and pose a safety hazard.
• Connect the AC adapter only to an AC outlet that supplies the rated voltage required by the adapter.
•When disconnecting the AC adapter from the AC outlet, always grasp the adapter itself and do not pull at the cable.
•During lightning or when not using the unit for an extended period, disconnect the AC adapter from the AC outlet.
•Do not pinch the power cord, bend it forcedly, or place heavy objects on the power cord.
Environment
To prevent the risk of fire, electric shock or
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malfunction, avoid using your G7.1ut in environments where it will be exposed to:
• Extreme temperatures
•Heat sources such as radiators or stoves
•High humidity or moisture
• Excessive dust or sand
• Excessive vibration or shock
Keep a minimum distance of 5 cm around the unit for sufficient ventilation. Do not impede the ventilation openings with objects such as newspapers or curtains.
Handling
•Never place objects filled with liquids, such as vases, on
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the G7.1ut since this can cause electric shock.
•Do not place naked flame sources, such as lighted candles, on the G7.1ut since this can cause fire.
• The G7.1ut is a precision instrument. Do not exert undue pressure on the keys and other controls. Also
Caution
take care not to drop the unit, and do not subject it to shock or excessive pressure.
liquids can enter the unit.
Connecting cables and input and output jacks
Caution
You should always turn off the power to the G7.1ut and all other equipment before connecting or disconnecting any cables. Also make sure to disconnect all connection cables and the power cord before moving the G7.1ut.
Alterations
Never open the case of the G7.1ut or attempt to
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modify the product in any way since this can result in damage to the unit.
Volume
Do not use the G7.1ut at a loud volume for a long
Caution
time since this can cause hearing impairment.
Usage Precautions
Electrical interference
For safety considerations, the G7.1ut has been designed to provide maximum protection against the emission of electromagnetic radiation from inside the device, and protection from external interference. However, equipment that is very susceptible to interference or that emits powerful electromagnetic waves should not be placed near the G7.1ut, as the possibility of interference cannot be ruled out entirely.
With any type of digital control device, the G7.1ut included, electromagnetic interference can cause malfunctioning and can corrupt or destroy data. Care should be taken to minimize the risk of damage.
Cleaning
Use a soft, dry cloth to clean the G7.1ut. If necessary, slightly moisten the cloth. Do not use abrasive cleanser, wax, or solvents (such as paint thinner or cleaning alcohol), since these may dull the finish or damage the surface.
Please keep this manual in a convenient place for future reference.
* MIDI is a registered trademark of Association of
Musical Electronics Industry(AMEI).
Contents
SAFETY PRECAUTIONS Usage
Precautions .......................................... 2
Features .................................................. 4
Terms Used in This Manual ................... 5
Controls and Functions ......................... 6
Getting Connected .................................. 8
Power-On ................................................ 9
Quick Guide 1 (Play Mode/Manual Mode
Operation) ........................................... 10
Quick Guide 2 (Edit Mode/Store Mode
Operation) ........................................... 12
Selecting Patches for Playing
(Play Mode)........................................ 14
Panel display ......................................14
Selecting a patch ...............................14
Adjusting the sound ........................... 15
Using the Energizer ............................ 16
Switching Modules On and Off With Your
Foot During Play (Manual Mode) ...... 18
Using the Internal Tuner
(Bypass/Mute Condition) ................... 20
Using the chromatic tuner ................. 20
Using other tuner types .....................22
Changing the Sound of a Patch
(Edit Mode) ......................................... 23
Patch configuration............................. 23
Basic edit mode steps ....................... 23
Changing a patch name ..................... 26
Storing Patches and Banks
(Store Mode) ....................................... 27
Storing/swapping patches ................ 27
Storing/swapping banks .................... 28
Returning patches to factory default
condition ........................................... 29
Using the Expression Pedal ................ 30
About the built-in expression
pedal .................................................. 30
Assigning control targets to the
built-in expression pedal .................. 30
Adjusting the built-in expression
pedal................................................... 32
Using an external expression
pedal.................................................. 33
* Microsoft and Windows XP are registered trademarks of Microsoft Corporation.
* Macintosh is a registered trademark of Apple Computer.
* All other trademarks, product names, and company names mentioned in this document are the
property of their respective owners.
* Manufacturer names and product names mentioned in this document are trademarks or registered
trademarks of their respective owners. The names are used only to illustrate sonic characteristics and do not indicate any affiliation with ZOOM CORPORATION.
Using the Function Foot Switch.......... 34
Specifying the tempo for a patch ...... 35
MIDI Usage Examples.......................... 37
What you can do with MIDI................ 37
Selecting the MIDI channel ................ 37
Sending and receiving patch switching
information via MIDI
(program change)............................. 38
Sending and receiving pedal/switch/key
operation information via MIDI
(control change) ................................ 41
Sending and receiving G7.1ut internal
data via MIDI ..................................... 44
Other Functions ..................................... 46
Using the ARRM function................... 46
Using the G7.1ut as audio interface
for a computer................................... 48
Muting the direct output when using
a USB connection ............................. 49
About the editor/librarian software.... 50
Adjusting the display contrast ........... 50
Linking Effects ...................................... 51
Switching between live performance
sound and direct recording sound ... 51
Using the Amp Select Function ......... 52
Changing the insert position of the
pre-amp section and WAH/EFX1
module............................................... 52
Effect Types and Parameters.............. 54
How to read the parameter table....... 54
COMP module ........................................ 55
WAH/EFX1 module ................................. 55
ZNR module............................................ 57
PRE AMP module ................................... 58
EQ module .............................................. 59
CABINET module.................................... 60
MOD/EFX2 module................................. 60
DELAY module........................................ 64
REVERB module..................................... 65
TOTAL module........................................ 66
Troubleshooting.................................... 68
Specifications ....................................... 69
MIDI implementation chart................. 70
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3
Features
Thank you for selecting the ZOOM G7.1ut (simply called the " G7.1ut " in this manual). The G7.1ut is a sophisticated Multi Effect Processor with the following features.
Latest technology for top performance
Excellent sound quality is assured by signal processing featuring 96 kHz/24 bit sampling and internal 32-bit processing. Frequency response remains flat to 40 kHz, and input converted noise is an amazing
-120 dB or better. The built-in USB port serves for direct connection to a computer. You can use the G7.1ut as audio interface for the computer, allowing direct recording with the supplied DAW software.
Versatile array of 92 effects
Out of a versatile palette of 92 effects, up to nine (including ZNR) can be used simultaneously. Recreate the sound of famous amps and compact effects, use the 6-band guitar equalizer, or select from many other great effects. The G7.1ut easily surpasses the usual feature complement in this class.
Ready-to-go patches
Effect module combinations and settings can be stored and recalled as patches. The G7.1ut offers 80 preset patches that are ready to use right out of the box, plus 80 user patches which can be freely rewritten, giving you a total of 160 choices. The muting interval when switching patches has been reduced to less than 7 milliseconds, which makes for virtually seamless patch changes.
Great for stage work or direct recording
The pre-amp section features two channels, and each distortion type has two dedicated algorithms, one for live playing and one for direct recording. The CABINET effect simulates amp and mic recording characteristics, and the algorithm is automatically switched according to the CABINET on/off setting. An amp select feature matches the sound to the amp you are using. Connecting the G7.1ut to the power amplifier input of the guitar amp is no problem: simply set the -10 dBm/+4 dBm switch to the +4 dBm position.
Built-in auto-chromatic tuner supports special tuning requirements
In addition to the standard auto-chromatic tuner, various other tuning methods are possible. The tuner is designed to allow easy use on stage.
Expression pedal supplied as standard
Adjust effect tone or volume in real time with the expression pedal that is built right into the unit. The possibilities for creative play are endless. The CONTROL IN jack on the rear panel lets you connect an external pedal (FP01/FP02) and use it as a dedicated volume pedal.
Tube powered energizer
The tube-based Energizer shapes the analog output signal to produce that characteristic warm and dynamic sound that is the hallmark of a tube amplifier.
Programmable function switch
The user-programmable function switch further enhances flexibility and lets you optimize the unit for any application. Use it to switch pre-amp channels, set the delay time, turn hold delay on and off, or for various other tasks.
Please take the time to read this manual carefully, in order to get the most out of your G7.1ut and to ensure optimum performance and reliability.
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ZOOM G7.1ut
Terms Used in This Manual
This section explains some important terms that are used throughout the G7.1ut documentation.
Effect module
As shown in the illustration below, the G7.1ut can be thought of as a combination of several single effects. Each of these is referred to as an effect module. In addition to modules such as the compressor effect module (COMP), amp simulator/distortion effect module (PRE-AMP), and modulation effect module (MOD/EFX2), the G7.1ut also provides a module for ZNR (ZOOM Noise Reduction). Parameters such as effect intensity can be adjusted for each module individually, and modules can be switched on and off as desired. The module series ZNR, PRE-AMP, EQ, and CABINET operates as a virtual preamplifier which is controlled with the knobs and keys on the pre-amp section of the panel.
Effect type
Most effect modules comprise several different effects which are referred to as effect types. For example, the modulation effect module (MOD/ EFX2) comprises chorus, flanger, pitch shifter, delay, and other effect types. Only one of these can be selected at any time.
Effect parameter
All effect modules have aspects that can be controlled. These are called effect parameters, adjusted with the parameter knobs 1 – 4 on the panel. When thinking of an effect module as a compact effect, the parameters change the tone and effect intensity similar to the knobs on the device.
Patch
In the G7.1ut, effect module combinations are stored and called up in units referred to as patches. A patch comprises information about the on/off status of each effect module, about the effect type used in each module, and about effect parameter settings. Expression pedal settings and tempo settings are also stored for each patch individually.
Bank and group
Patches are organized in preset groups (A, b) which
Channel B
INPUT OUTPUT
COMP WAH/EFX1 MOD/EFX2
Channel A
Pre-amp section
ZOOM G7.1ut
are read-only, and user groups (U, u) which can be modified. Since each group comprises 40 patches, groups A, b, U, and u offer a total of 160 patches.
In the G7.1ut, patches are called up four at a time and selected with the foot switches. These four patches are together referred to as a bank. There are ten banks in a group, numbered 0 through 9.
User groups
BANK 0
BANK 0
BANK 0
BANK 0
BANK 1
PATCH 1
PATCH 1
PATCH 1
PATCH 1
BANK 0
PATCH 2
PATCH 2
PATCH 2
PATCH 1
PATCH 2
PATCH 3
PATCH 3
PATCH 3
PATCH 2
PATCH 3
PATCH 4
PATCH 4
PATCH 4
PATCH 3
PATCH 4
PATCH 4
Group U
BANK 9
PATCH 1
BANK 0
BANK 0
BANK 0
PATCH 1
PATCH 2
PATCH 1
PATCH 1
PATCH 1
PATCH 2
PATCH 3
PATCH 2
PATCH 2
PATCH 2
PATCH 3
PATCH 4
PATCH 3
PATCH 3
PATCH 3
PATCH 4
PATCH 4
PATCH 4
PATCH 4
BANK 9
PATCH 1
BANK 0
BANK 0
BANK 0
BANK 0
BANK 0
PATCH 1
BANK 0
PATCH 2
PATCH 1
BANK 0
PATCH 1
BANK 1
PATCH 1
PATCH 1
PATCH 1
PATCH 2
PATCH 3
PATCH 1
PATCH 2
PATCH 1
PATCH 2
BANK 0
PATCH 2
PATCH 2
PATCH 2
PATCH 3
PATCH 4
PATCH 2
PATCH 3
PATCH 1
PATCH 2
PATCH 3
PATCH 3
PATCH 3
PATCH 3
PATCH 4
PATCH 3
PATCH 4
PATCH 2
PATCH 3
PATCH 4
PATCH 4
PATCH 4
PATCH 4
PATCH 4
PATCH 3
PATCH 4
PATCH 4
Group u Group A
BANK 0
BANK 0
BANK 0
BANK 0
BANK 1
PATCH 1
PATCH 1
PATCH 1
PATCH 1
BANK 0
PATCH 2
PATCH 2
PATCH 2
PATCH 1
PATCH 2
PATCH 3
PATCH 3
PATCH 3
PATCH 2
PATCH 3
PATCH 4
PATCH 4
PATCH 4
PATCH 3
PATCH 4
PATCH 4
BANK 0
BANK 0
BANK 0
PATCH 1
PATCH 1
PATCH 1
PATCH 2
PATCH 2
PATCH 2
PATCH 3
PATCH 3
PATCH 3
PATCH 4
PATCH 4
PATCH 4
BANK 9
PATCH 1
PATCH 1
PATCH 2
PATCH 2
PATCH 3
PATCH 3
PATCH 4
PATCH 4
Modes
The G7.1ut has five different operation modes, as listed below.
Play mode
In this mode, patches can be selected and played. This is the default mode of the G7.1ut that is always active when power is turned on.
Manual mode
In this mode, you play your instrument while using the foot switches to turn modules on and off.
Edit mode
In this mode, the effect parameters of a patch can be edited (changed).
Store mode
This mode serves for storing edited patches. It also allows changing the store positions of patches.
Bypass/mute mode
When the G7.1ut is in the bypass condition, effect processing is temporarily turned off and only the original sound is heard. In the mute mode, all sound is turned off. The built-in tuner can be used in either condition.
EQPRE-AMPZNR
EQPRE-AMPZNR
CABINET
DELAY REVERB
Preset groups
BANK 9
BANK 0
BANK 0
BANK 0
BANK 0
BANK 0
PATCH 1
BANK 0
PATCH 1
BANK 0
PATCH 1
BANK 1
PATCH 1
PATCH 1
PATCH 1
PATCH 2
PATCH 1
PATCH 2
PATCH 1
PATCH 2
BANK 0
PATCH 2
PATCH 2
PATCH 2
PATCH 3
PATCH 2
PATCH 3
PATCH 1
PATCH 2
PATCH 3
PATCH 3
PATCH 3
PATCH 3
PATCH 4
PATCH 3
PATCH 4
PATCH 2
PATCH 3
PATCH 4
PATCH 4
PATCH 4
PATCH 4
PATCH 4
PATCH 3
PATCH 4
PATCH 4
Group b
PATCH 1 PATCH 2 PATCH 3 PATCH 4
5
Controls and Functions
Top panel
Pre-amp section
Control section Tube section
Controls and Functions
Control section
[GROUP/BANK]
indicator
Display
BANK [W]/[Q]
foot switches
Rear panel
INPUT jack POWER switch
-10 dBm/+4 dBm switch OUTPUT R jack
OUTPUT L/MONO jack
Foot switches 1 – 4
PHONES jack
LEVEL knob
AUX IN jack
[FUNCTION] (CH A/B)
foot switch
MIDI IN connector
MIDI OUT connector
CONTROL IN jack
USB port
Expression pedal
AC IN connector
[TYPE] knob
[AMP SELECT/SYSTEM]
Pre-amp section
[AMP TYPE] knob
[GAIN] knob
Tube section
key
[BYPASS/TUNER] key
[LEVEL] knob
[PRE-AMP A/B] keys
Parameter knobs 1 – 4
[PEDAL SETTING] key
[EXIT] key
[STORE/SWAP] key[PAGE] key
[BASS] knob
[MIDDLE] knob
[TREBLE] knob
[PRESENCE] knob
Effect module keys
[BOOST] control[TUBE] control
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7
Getting Connected
Refer to the examples shown below when making connections.
Connection example (1)
-10 dBm/+4 dBm switch
Use a monaural shielded cable to connect the guitar.
Guitar
MTR
Use a stereo Y adapter cable to connect a rhythm machine (ZOOM RT-223 or similar) or a CD/MD player or similar. The signal supplied to the AUX IN jack is not processed by the internal effects, it is supplied to the OUTPUT L/MONO and OUTPUT R jacks as is. The signal is also sent to the USB port.
Connection example (2)
Guitar
-10 dBm/+4 dBm switch
When connecting to the guitar input on the front panel of a guitar amplifier, set the switch to "-10 dBm".
Use mono cables for connection to guitar amplifiers. When using only one guitar amplifier, use the OUTPUT L/MONO jack.
Guitar amplifiers
Headphones
Rhythm machine
Computer
When connecting to the power amplifier input on the rear panel of a guitar amplifier, set the switch to "+4 dBm". The G7.1ut incorporates a feature for matching its characteristics to the amplifier (amp select function). For details, see page 52.
Connect optional expression pedal (FP01/FP02)
Expression pedal
Patch switching and pedal operation information can be sent
MIDI interface
By connecting the USB port to a computer, the G7.1ut can be used as an audio interface.
Guitar amplifier (rear panel)
and received as MIDI messages.
AC adapter
Power-On
The steps for turning on the G7.1ut are described below.
1.
Make sure that any connected guitar amplifier is turned off.
In addition, fully turn down the volume control at the guitar amplifier.
2.
Plug the AC adapter into an AC outlet and plug the cable from the adapter into the AC IN connector of the G7.1ut.
3.
Use a monaural cable to connect the guitar to the INPUT jack of the G7.1ut.
4.
Use a monaural cable to connect the OUTPUT L/MONO jack to the guitar amplifier (when using one amplifier) and the OUTPUT R jack to the second guitar amplifier (when using two amplifiers).
HINT
To monitor with headphones, plug the headphone cable into the PHONES jack of the G7.1ut.
5.
Turn power on in the following order:
→→
G7.1ut →→
NOTE
Proceed with care when powering up the system. If you turn on power to the G7.1ut while the guitar amplifier is already on, there is a risk of hearing damage and damage to the speakers.
6.
Play your guitar and adjust the volume control on the guitar amplifier, on the guitar, and the LEVEL knob on the rear panel of the G7.1ut to obtain optimum listening volume.
guitar amplifier(s)
Rear panel
LEVEL knob
HINT
The G7.1ut has a so-called "Amp Select" feature that lets you match the unit to various kinds of amplifiers. If necessary, select the appropriate setting for your amplifier the first time you use the G7.1ut (
7.
HINT
When the -10 dBm/+4 dBm switch on the rear panel is set to "-10 dBm" and the LEVEL knob is turned fully up, the G7.1ut has unity gain (output level is the same as input level).
p. 52).
To shut down the system, turn power to the respective components off in the reverse order than during power­up.
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9
Quick Guide 1
BpmTp
AmpDrive
LVL100
U0
(Play Mode/Manual Mode Operation)
Quick Guide 1 (Play Mode/Manual Mode Operation)
This section explains various basic steps, allowing you to use the G7.1ut right away.
Selecting a patch (play mode)
Immediately after power-on, the unit will be in play mode, which is for playing your instrument while selecting patches.
1. To select a patch, use foot
switches 1 – 4.
[Indication in play mode]
Group name/Bank number
U0
Patch name
AmpDrive ÉBpmTp
Function foot switch assignment
HINT
• You can switch patches within the same group/bank by turning parameter knob 1.
• You can adjust the patch level (output level of the individual patch) by turning parameter knob 2.
2. To select a patch from
another group/bank, use the BANK [W]/[Q] foot switches to select the group/bank and then use foot switches 1 – 4.
HINT
You can switch the group/bank by turning the [TYPE] knob.
™LVL100
Patch level
Turning a module on and off with your foot (manual mode)
In manual mode, you can use foot switches 1 – 4 to switch a module on and off.
1. In play mode, keep the BANK [W] foot
switch depressed for more than one second.
The G7.1ut switches to manual mode.
NOTE
In manual mode, the foot switches do not select patches. However, the [TYPE] knob (group/bank selection) and parameter knob 1 (patch selection) function the same as in play mode. Please note that you go back to "play mode" when you change patches.
Pre-amp operation
The pre-amp section allows you to adjust distortion type, intensity, and EQ for two channels (A/B) separately.
Distortion type
[AMP TYPE] knob
[GAIN] knob [BASS] knob [TREBLE] knob
Distortion intensity
[Pre-amp section]
Pre-amp module output level
[LEVEL] knob [MIDDLE] knob [PRESENCE] knob
Mid range boost/cut
Low range boost/cut
Ultra-high range boost/cut
High range boost/cut
1. Select the channel for which to make a
setting with the [PRE-AMP A/B] keys.
The key light shows which channel is currently selected.
HINT
You can switch between channel A and B with the [FUNCTION] (CH A/B) foot switch ( p. 34).
2. Turn the knobs of the pre-amp section to
make adjustments.
The sound of the channel selected in step 1 changes. When you operate a knob, the name of the parameter and the current setting value appear on the display. To return to play mode (or manual mode), press the [EXIT] key.
NOTE
The changes that you have made to a patch will be lost when you select another patch. To keep the changes, store the patch first ( p. 13).
2. Press the foot switch for the module to be switched on and off.
[Foot switch and corresponding modules]
WAH/EFX1 module
MOD/EFX2 module
DELAY modulePRE-AMP module
3. To return to play mode, press the BANK [W] foot switch.
10
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11
Quick Guide 2
Depth =100
MOD:Chorus
STORE?åU0-1 é
NEWDrive £:PATCH
U0
STORE?
U0-1
NEWDrive
:PATCH
U0
(Edit Mode/Store Mode Operation)
Quick Guide 2 (Edit Mode/Store Mode Operation)
This section explains how to edit a selected patch and how to store the changes you have made.
Editing a patch (edit mode)
1. Press the effect module key for the module to edit.
The unit switches to edit mode. By repeatedly pressing the effect module key, the respective module can be toggled between on and off.
[Display in edit mode ]
Module name
Effect type name
MOD:Chorus ¡Depth =100
Parameter value
Parameter number/Parameter name
é
NOTE
If you press the PRE-AMP/EQ module key, the display will be different. For details, see page 24.
Storing a patch (store mode)
1. In play mode, manual mode, or edit mode, press the
[STORE/SWAP] key.
[Display in store mode]
Store target group name/bank number
U0
Store target group name, bank number, patch number
2. The indication "PATCH" appears in the top
right of the display and the indication "STORE?" in the bottom left. Make sure that the operation is what you intend to do.
In this condition, you can store individual patches. If the display is different, use parameter knob 2 to bring up the "STORE?" indication and parameter knob 3 to bring up the "PATCH" indication.
HINT
In store mode, you can swap patches as well as store and swap entire banks ( p. 27 – 28).
Store source patch name
NEWDrive ™STORE?
£:PATCH
åU0-1
3. Use the BANK [W]/[Q] foot switches and
foot switches 1 – 4 to select the store target bank and patch number.
é
2. Use the [TYPE] knob and parameter knobs 1 – 4 to make adjustments.
HINT
[TYPE] knob
Changes the effect type.
Parameter knobs 1 – 4
Change the respective parameter. For information on parameters assigned to the knobs, see page 55 – 67.
12
• The effect type (distortion type) of the PRE-AMP module can be changed with the [AMP TYPE] knob.
• The major parameters of the PRE-AMP/EQ module can be edited with the knobs of the pre­amp section, in the same way as in play mode.
NOTE
The changes that you have made to a patch will be lost when you select another patch. To keep the changes, store the patch first.
ZOOM G7.1ut
ZOOM G7.1ut
NOTE
• Only user group patches can be specified as store target.
• When a patch from a user group is selected, this patch becomes the default store target.
• When a patch from a preset group is selected, the first user group patch becomes the default store target.
4. Press the [STORE/SWAP] key once more.
The store process is carried out, and the unit returns to play mode.
HINT
Yo u can return the user group patches easily to the factory default settings ( p. 29).
13
BpmTp
NewDrive
LVL100
A0
Selecting Patches for Playing (Play Mode)
FD Clean
é–œ–œµµ
PRE-AMP
œ–ø–––
Immediately after you turn on the G7.1ut, it is always in the mode for selecting and using patches (play mode). The most recently used patch is automatically called up again. The various operation steps in play mode are described in this section.
In play mode, the following information is shown
Panel display
Group name (A, b, U, u)
Groups A and b are read-only groups (preset groups). Groups U and u are read/write enabled groups (user groups).
A0
Bank number (0 – 9)
NewDrive ÉBpmTp
Function foot switch assignment
Shows the function assigned to the function foot switch ( p. 34).
[PRE-AMP A/B] keys
Shows the number of the parameter knob that controls the patch level.
Patch name
Effect module keys
Foot switch 1 – 4 LEDs
Selecting a patch
This section explains how to select a patch in play mode.
1. Press a foot switch 1 – 4 whose LED
is not lit.
on the panel.
Patch level
Shows the output level setting (2 – 100) for the currently selected patch
™LVL100
é
The key for the channel (A or B) that is currently selected for the pre-amp section is lit.
Keys for modules that are active in the currently selected patch are lit in red.
The LED of the foot switch for the currently selected patch is lit.
The LED of the pressed switch lights up, indicating that a new patch has been called up.
"E" symbol
If the currently displayed setting value differs from the original patch setting, the indication "E" (for "Edited") appears.
HINT
• In play mode, you can select a patch by turning parameter knob 1.
• When you press a foot switch whose LED is lit, the same patch is called up once more.
2. To switch to a patch in another bank,
use the BANK [W]/[Q] foot switches to change the bank and then use foot switches 1 – 4 to select the patch.
BANK [W]/[Q] foot switches
When you repeatedly press the BANK [Q] foot switch, the G7.1ut switches the group/bank as follows.
User groups
Preset groups
A0 A1 A9 B0 B9
HINT
In play mode, you can switch the group/bank by turning the [TYPE] knob.
NOTE
• When using the BANK [W]/[Q] foot switches to change banks, press and release the switch quickly.
• If you keep the BANK [W] foot switch depressed for more than one second, the G7.1ut switches to manual mode (p. 18).
• If you keep the BANK [Q] foot switch depressed for more than one second, the G7.1ut switches to the bypass condition (effects off). If you keep the switch depressed further, the G7.1ut switches to the mute condition (original sound and effect sound both off) ( p. 20).
Foot switches 1 – 4
Selecting Patches for Playing (Play Mode)
Adjusting the sound
In play mode, you can use the knobs on the panel to adjust the basic parameters of the pre-amp section (distortion type and intensity, EQ boost/ cut etc.).
1. In play mode, select the patch.
2. Press one of the [PRE-AMP A/B] keys
to select the pre-amp channel A or B for which to make the adjustment.
The pre-amp section of the G7.1ut has two separate channels which allow individual settings. Simply pressing one of the [PRE-AMP A/B] keys instantly switches the channel.
HINT
You can switch between channel A and B with the [FUNCTION] (CH A/B) foot switch ( p. 34).
3. To change the distortion type, turn
the [AMP TYPE] knob.
The [AMP TYPE] knob selects the distortion type (the amp or compact effect that is being simulated). When you turn the knob, the name of the new amp type appears on the display.
PRE-AMP FD Clean
[AMP TYPE] knob
HINT
• When you have changed the distortion type, the "E" symbol appears on the display, and the [STORE/SWAP] key lights up.
• If the currently displayed setting value differs from the original patch setting, the indication "E" (for "Edited") appears.
Type name
œ–ø–––
é–œ–œµµ
"E" symbol
14
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15
Selecting Patches for Playing (Play Mode)
-12dB
é–œ–œµµ
Presence
œ–ø–––
Selecting Patches for Playing (Play Mode)
• The lit [STORE/SWAP] key indicates that one or more items (including items not currently displayed) have been changed from the contents of the original patch. If all items are returned to their original settings, the key will go out.
4. To change other major parameters in
the pre-amp section, operate the respective knob (see illustration below).
When you turn a knob, the name and the current setting of the respective parameter appear on the display. Operating the [BASS], [MIDDLE], [TREBLE], or [PRESENCE] knob will boost or cut the respective band, and the setting is reflected in the graph on the right side of the display.
Name of currently adjusted parameter
Presence
-12dB
Parameter value
HINT
When you perform step 3 or step 4, the G7.1ut switches to edit mode. To return to play mode, press the [EXIT] key. (For details on edit mode, see page 23.)
œ–ø–––
é–œ–œµµ
Graphic representation of boost/cut setting in each band
5. To adjust the overall level of the
patch, turn parameter knob 2 in play mode.
The patch level is a parameter that controls the output level of the respective patch. The setting range is 2 – 100. A setting of 80 results in unity gain (no level increase or decrease).
NOTE
The changes that you have made to a patch will be lost when you select another patch. To keep the changes, store the patch first ( p. 27).
Using the Energizer
The G7.1ut incorporates an Energizer function that processes the analog output signal using a tube circuit. This feature is suitable for making the guitar stand out in an ensemble setting, or for adding that characteristic tube distortion sound.
HINT
• The Energizer is active in all modes.
• The Energizer settings are not stored as part of the patch.
To adjust the Energizer, use the control knobs of the tube section on the panel. The control functions are explained below.
[BOOST] control[TUBE] control
counterclockwise, the effect is off. Turning the knob clockwise gradually increases the tube circuit gain, resulting in warmer, more solid crunch or drive sound. Normally, you should set the control to a position where distortion is not too audible, but you can set it higher when you purposely want to emphasize the tube distortion.
[BOOST] control
This control boosts specific frequency bands to make the sound more pronounced. When the knob is turned fully counterclockwise, the effect is off. Turning the knob clockwise gradually boosts the low frequencies and the area around 2 kHz. Especially when using a small guitar amp or an audio system with flat response, this can be helpful to produce more dynamic sound. The [BOOST] control is useful in such situations, and for bringing the sound of the guitar more to the foreground when playing in a band.
NOTE
• The intensity of the distortion achieved with the [TUBE] control depends on the guitar and type of pickup.
• When both controls are fully turned up, the volume level will be higher and excessive distortion may occur.
[GAIN] knob
Distortion intensity
Pre-amp module output level
16
[LEVEL] knob
[BASS] knob
[MIDDLE] knob
[TUBE] control
This control adds characteristic tube distortion to the sound, making the guitar stand out more distinctly. When the knob is turned fully
[PRESENCE] knob
Ultra-high range boost/cut
[TREBLE] knob
Low range boost/cut
Mid range boost/cut
High range boost/cut
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17
BpmTp
NewDrive
LVL100
Switching Modules On and Off With Your Foot During Play
The condition where foot switches 1 – 4 are used to switch the major modules in a patch on and off individually is called "manual mode". In this mode, the single effects of the G7.1ut can be controlled with your foot like independent compact effects.
1. In play mode, select a patch.
2. Press and hold the BANK [W] foot
switch for at least 1 second.
The LED of the BANK [W] foot switch lights up and the G7.1ut switches to manual mode.
Shows the number of the parameter knob that controls the patch level.
NewDrive ÉBpmTp
Function foot switch assignment
Shows the function assigned to the function foot switch ( p. 34).
Hold down for 1 second or more
Patch level
Shows the output level of the currently selected patch.
™LVL100
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"E" symbol
If the currently displayed setting value differs from the original patch setting, the indication "E" (for "Edited") appears.
(Manual Mode)
In manual mode, the following information appears on the panel (see illustration below).
NOTE
In manual mode, you cannot use the foot switches to select patches. However, the [TYPE] knob (group/bank selection) and the parameter knob 1 (patch selection) operate in the same way as in play mode. Please note that you go back to "play mode" when you change patches.
3. To switch a module between on and
off, press the foot switch for that
[PRE-AMP A/B] keys
The key for the channel (A or B) that is currently selected for the pre-amp section is lit.
Effect module keys
Keys for modules that are active in the currently selected patch are lit in red.
Switching Modules On and Off With Your Foot During Play (Manual Mode)
module.
In manual mode, you can use foot switches 1 – 4 to switch the major effect modules on or off. The module/switch allocation is as follows.
Foot switch 1
WAH/EFX1 module
Foot switch 2
PRE-AMP module
HINT
• When a module is switched on/off, the [STORE/ SWAP] key lights up.
• In manual mode, you can use the knobs on the panel as in play mode to adjust pre-amp parameters, patch level, and the tube energizer. For an explanation of operation procedures, see "Adjusting the sound" in the section on play
p. 15).
mode (
• From manual mode you can switch to edit mode for editing patches. For details on edit mode, see page 23.
Foot switch 3
MOD/EFX2 module
Foot switch 4
DELAY module
4. To return to play mode, press the
BANK [W] foot switch.
NOTE
The changes that you have made to a patch will be lost when you select another patch. To keep the changes, store the patch first (
p. 27).
18
BANK [W] foot switch LED
This is always lit when the G7.1ut is in manual mode. When you press this foot switch in manual mode, the unit returns to play mode.
Foot switch 1 - 4 LEDs
When the module for the respective foot switch is on, the respective LED is lit.
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19
Using the Internal Tuner
BYPASS
MUTE
>
CHROMATC
440Hz
>
CHROMATC
440Hz
> > > > >
< < <
>
CHROMATC
442Hz
(Bypass/Mute Condition)
Using the Internal Tuner (Bypass/Mute Condition)
The G7.1ut incorporates a tuner function that supports regular chromatic tuning as well as special tuning. This section explains the steps for using the tuner.
Using the chromatic tuner
To use the chromatic tuner function, proceed as follows.
1. In play mode, manual mode, or edit
To use the tuner, the G7.1ut must be set to the bypass condition (effects off) or mute condition (original sound and effect sound both off).
To switch to the bypass condition
HINT
You can switch to the bypass condition by pressing the [BYPASS/TUNER] key.
To switch to the mute condition
20
mode, press and hold the BANK [Q] foot switch.
Hold the BANK [Q] foot switch for about 1 second, until the indication "BYPASS" appears on the display. Then release the foot switch. The G7.1ut is now in the bypass condition.
BYPASS
Release switch when "BYPASS" is shown
Hold the BANK [Q] foot switch until the indication "BYPASS" changes to "MUTE". Then release the foot switch. The G7.1ut is now in the mute condition.
MUTE
Release switch when "MUTE" is shown
After "BYPASS" or "MUTE" was shown, the display automatically switches to the tuning display.
Tuner type Reference pitch
™CHROMATC >
˙<
NOTE
You can switch to the mute condition by pressing and holding the [BYPASS/TUNER] key.
HINT
• The built-in expression pedal functions as a volume pedal in the bypass condition (in the mute condition, the pedal has no effect).
• By turning the parameter knob 2, you can select other tuner types besides the chromatic tuner. For more information, see the next section.
• The number shown in reverse on the display indicates that the corresponding parameter knob can be used for adjustment.
2. Play the open string to tune.
The [GROUP/BANK] indicator shows the note which is closest to the current pitch.
£440Hz
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E
Note
The > < symbols in the lower part of the display show by how much the pitch differs from the displayed note.
™CHROMATC >
> > > > >
Note
[GROUP/BANK]
indicator
AbB A BB B C DB
˙< ˙
˙ ˙ ˙ ˙< ˙< ˙ < ˙ < ˙ <
[GROUP/BANK]
Note
£440Hz
indicator
D EB E F GB G
Pitch is low
Pitch is correct
Pitch is high
3. Tune the string of your instrument
while checking the note and pitch indication.
HINT
First you should perform rough tuning to bring up the desired note indication, and then watch the lower part of the display and fine tune the pitch.
4. To change the reference pitch of the
tuner, turn parameter knob 3.
ZOOM G7.1ut
After the G7.1ut is turned on, the tuner reference pitch is always "440 Hz (center A = 440 Hz). The adjustment range using parameter knob 3 is center A = 435 – 445 Hz, in 1-Hz steps.
™CHROMATC >
˙<
HINT
When the G7.1ut is turned off and on again, the reference pitch will be reset to 440 Hz.
£442Hz
5. When tuning is completed, press one
of the BANK [W]/[Q] foot switches.
The G7.1ut returns to the previous mode. If the G7.1ut was in edit mode, it will be switched to play mode.
HINT
The bypass/mute condition can be canceled by pressing the [BYPASS/TUNER] key, [EXIT] key, or one of the foot switches 1 – 4.
21
Using the Internal Tuner (Bypass/Mute Condition)
r
>
<
Str2
OPEN A
440Hz
r
>
<
Str1
GUITAR
Depth =100
MOD:Chorus
Using other tuner types
Besides chromatic tuning, the G7.1ut offers various other tuning types such as standard tuning for guitar and bass, open tuning, etc. To use these functions, proceed as follows.
1. Switch the G7.1ut to the bypass or
mute condition as described in step 1 of "Using the chromatic tuner".
The display shows the tuning indication.
2. Turn parameter knob 2 to select the
tuner type.
The available tuner types and the corresponding note names for each string are listed below.
If you select "OPEN A" as tuner type, the [GROUP/BANK] indicator and display indication will be as follows.
Tuner type Reference pitch
DB
Correct note for selected string
™OPEN A >
˙<
£440Hz ¢Str2
String numbe
3. If necessary, turn parameter knob 3
to change the reference pitch of the tuner.
The setting range is center A = 435 – 445 Hz, in 1-Hz steps.
If "GUITAR" or "BASS" has been selected as tuner type, turning parameter knob 3 further anticlockwise from the "435" setting selects the
Tuner type
String number
GUITAR BASS OPEN A OPEN G OPEN E OPEN D DADGAD STR1 STR2 STR3 STR4 STR5 STR6 STR7
E
G
B
D
G
A
D
E
A
B E B
E
DB
A E A E
setting "b" (one semitone lower), "bb" (two semitones lower), and "bbb" (three semitones lower).
Optional tuning to 1 - 3 semitones lowe
™GUITAR >
˙<
HINT
When the G7.1ut is turned off and on again, the reference pitch will be reset to 440 Hz.
£ ¢Str1
4. Play the open string of the indicated
number and adjust the pitch.
5. Turn parameter knob 4 to switch to
other strings.
6. Tune other strings in the same way.
7. When tuning is completed, press one
of the BANK [W]/[Q] foot switches.
The G7.1ut returns to the previous mode. If the G7.1ut was in edit mode, it will be switched to play mode.
HINT
When the G7.1ut is turned off and on again, the tuner type setting will be reset to the default (chromatic tuner).
D B G D G D
E B
AB
E B E
D A
GB
D A D
D A G D A D
Changing the Sound of a Patch (Edit Mode)
The condition where you can change the effect types and settings that make up a patch is called "edit mode". This section describes how to use this mode.
Patch configuration
As shown in the "Patch configuration" illustration below, the G7.1ut can be thought of as a series of several single effects (effect modules). A combination of these modules and the settings for each module are stored as a patch.
Almost all modules comprise several different effects (called effect types), one of which is selected at any given time. For example, the MOD/EFX2 module allows selection of either CHORUS, PITCH SHIFTER, DELAY, etc.
The elements that determine the sound of a patch are called effect parameters. Each effect type has its own parameters that can be controlled with knobs on the panel. Even within the same module, when the effect type is different, the effect parameters that can be controlled will also be different.
In the module configuration shown below, the ZNR, PRE-AMP, EQ, and CABINET modules operate as a virtual pre-amp section. Depending on the application, this section can be inserted after the WAH/EFX1 module or after the DELAY module (p. 52). For the ZNR, PRE-AMP and EQ modules, different settings can be made in two channels (A/B).
[Patch configuration]
INPUT
COMP WAH/EFX1 MOD/EFX2
Pre-amp section
Channel B
Channel A
Basic edit mode steps
The basic steps that are normally taken in edit mode are explained here. For details on effect types and parameters for each module, see the section "Effect Types and Parameters" on page 54 – 67.
1. Select the patch to edit.
The patch can be from a preset group (A/b) or user group (U/u). However, if you have edited a patch from a preset group, it can only be stored in a user group ( p. 27).
2. In play mode or manual mode, press
the effect module key (see illustration on next page) to select the module on which to operate.
The G7.1ut switches to edit mode, and the display changes as follows.
[Module other than PRE-AMP/EQ]
Module name
Effect type name
MOD:Chorus ¡Depth =100
Parameter number
HINT
• On every display screen, the number shown in reverse indicates the parameter knob that can be used to adjust the parameter.
EQPRE-AMPZNR
EQPRE-AMPZNR
CABINET
Currently selected parameter and its setting value
DELAY REVERB
22
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23
Changing the Sound of a Patch (Edit Mode)
FD Clean
é–œ–œµµ
PRE-AMP
œ–ø–––
Off
––––––
Equalizer
––––––
Depth = 80
MOD:Chorus
Changing the Sound of a Patch (Edit Mode)
Effect module keys
[COMP] key [EQ] key [MOD/EFX2] key [REVERB] key
[WAH/EFX1] key [PRE-AMP] key [CABINET] key [DELAY] key [TOTAL/FUNCTION] key
• The effect module keys for modules that are ON in the currently selected patch are lit in red (keys for modules that are OFF are not lit). When you press a key to select a module, the key color changes to orange (or to green if the module is off).
[PRE-AMP module ]
Effect type name Simplified graphical
[EQ module ]
[ZNR] key
PRE-AMP FD Clean
representation of EQ settings
œ–ø–––
é–œ–œµµ
HINT
• If any module on/off status, effect type selection, or a parameter setting value has been changed at least once, the [STORE/SWAP] key lights up and the indication "E" appears next to the item.
• The "E" indication disappears when the item is returned to the original value. However, if any other item has been changed, the [STORE/ SWAP] key remains lit.
NOTE
The PRE-AMP, ZNR, and EQ modules can be set to on or off separately for each channel (A/B).
4. To edit the selected module, proceed
Equalizer Off
NOTE
• If edit mode was activated from play mode, foot switches 1 – 4 can be used to switch patches. However, note that editing changes will be lost when switching patches during editing.
• When edit mode was activated from manual mode, the foot switches 1 – 4 can be used to switch a specific module on or off.
–––––– ––––––
as follows.
When a module other than PRE-AMP/
EQ is selected
Switch the effect type as needed with the [TYPE] knob (for modules having several effect types), and use the parameter knobs 1 – 4 the adjust the parameters of the effect type. Which parameters are assigned to the parameter knobs 1 – 4 differs, depending on the module and effect type ( p. 54 – 67).
3. To switch the selected module
between on and off, press the same module key once more.
When the module is off, the indication "Module Off" is shown on the display. Pressing the same key once more in this condition switches the module on.
When you turn a parameter knob, the display changes as follows.
Parameter knobs 1 - 4[TYPE] knob
MOD:Chorus ¡¡Depth = 80
parameter knob and parameter name
HINT
For effect modules with only one effect type (EQ module, CABINET module etc.), the effect type cannot be changed.
When PRE-AMP/EQ module is selected
The PRE-AMP and EQ module parameters can always be adjusted with the knobs and keys of the pre-amp section, regardless of which module is currently selected. The functions of
Figure 1
[Editing PRE-AMP/EQ module with pre-amp section]
[PRE-AMP A/B] keys
Select one of the two channels of the pre-amp section.
[GAIN] knob
Adjusts the gain (distortion intensity) of the PRE-AMP module.
[AMP TYPE] knob
Selects the distortion type of the PRE-AMP module.
Figure 2
[Editing PRE-AMP/EQ module with parameter knobs 1 – 4 ]
TONE parameter
Adjusts the tonal quality of the PRE­AMP module.
Parameter value Number of operated
[LEVEL] knob
Adjusts the output level of the PRE-AMP module.
PRE-AMP CHAIN parameter
Selects the insert position of the pre-amp section.
é
[BASS] knob
Adjusts the low range boost/cut of the EQ module.
[MIDDLE] knob
Adjusts the mid range boost/cut of the EQ module.
the knobs and keys are listed in Figure 1 below.
When the effect module key [PRE-AMP]/[EQ] is selected, parameter knobs 1 – 4 can be used to adjust other parameters of the PRE-AMP/EQ module. The functions of the knobs are listed in Figure 2 below.
HINT
• When the PRE-AMP parameter of the pre-amp section is adjusted, the PRE-AMP module is automatically selected and the [PRE-AMP] key lights up in orange. When an EQ parameter is adjusted, the EQ module is automatically selected and the [EQ] key lights up in orange.
• The PRE-AMP, ZNR, and EQ modules allow separate parameter settings for the two channels (A/B). Select the channel first, and then adjust the parameter.
[TREBLE] knob
Adjusts the high range boost/cut of the EQ module.
LO-MID parameter
Adjusts the lower mid range boost/cut of the EQ module.
[PRESENCE] knob
Adjusts the ultra-high range boost/cut of the EQ module.
HARMONICS parameter
Adjusts the harmonics component of the EQ module.
24
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Changing the Sound of a Patch (Edit Mode)
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STORE?
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5. Repeat steps 2 – 4 to edit other
modules in the same way.
6. When editing is finished, press the
[EXIT] key.
The G7.1ut returns to the previous mode.
NOTE
• The changes that you have made to a patch will be lost when you select another patch. To keep the changes, store the patch first ( p. 27).
• The patch level (output level of individual patch) cannot be changed in edit mode. Use play mode or manual mode to set the level.
HINT
• If edit mode was entered from play mode, you can return to play mode by pressing the BANK [W]/[Q] foot switches or foot switches 1 – 4. In this case, the bank/patch will be switched at the same time.
• If edit mode was entered from manual mode, you can cancel the mode by pressing the BANK [W] foot switch. The G7.1ut will then return to manual mode.
Changing a patch name
You can change the name of an edited patch. To do this, proceed as follows.
1. In play mode, manual mode, or edit
mode, press the [TOTAL/FUNCTION] effect module key.
2. Turn the [TYPE] knob to bring up the
patch name on the lower part of the display.
The first character of the patch name is shown alternating with a black square.
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NAME:[
The alternating black square ( ) indicates that this character can be changed
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3. Turn parameter knob 4 to move the
character input position, and use parameter knobs 1 – 3 to select the new character.
Parameter knobs 1 – 3 select characters as follows.
Parameter knob 1 (numerals): 0 – 9 Parameter knob 2 (letters): A – Z, a – z Parameter knob 3 (symbols):(space)
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4. Repeat step 3 until the patch name is
as desired. Then press the [EXIT] key.
Storing Patches and Banks (Store Mode)
This section explains how to use the store mode. In store mode, you can store edited patches in memory, or swap the store location of user group patches. Storing and swapping can also be carried out for entire banks. The patches of the user groups can be returned to the factory default condition at any time.
the display.
Storing/swapping patches
This section explains how to store and swap patches.
NEWDrive ™STORE?
1. In play mode, manual mode, or edit
mode, press the [STORE/SWAP] key.
NOTE
When "BANK" is shown, the subsequent operation will be carried out for the entire bank. Make sure that the correct indication is shown.
3. Turn parameter knob 2 to bring up the
The G7.1ut switches to the store standby condition, and the currently selected patch becomes the store/swap source. The [GROUP/BANK] indicator shows the store/ swap target group name and bank number.
indication "STORE?" or "SWAP?" on the display.
NEWDrive ™STORE?
Indicates that the patch was edited.
Store/swap source patch name
U0
Store/swap target group name/bank number
HINT
• In the factory default condition, the user groups (U, u) contain the same patches as the preset groups (A, b).
• If a patch has been edited, it will be stored or swapped in the edited condition.
a patch from a preset group was selected
• If
when you pressed the [STORE/SWAP] key, the first user group patch will automatically be selected as store target.
NEWDrive ™™STORE?
Store/swap target group name, bank number, patch number
£:PATCH
åU0-1
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2. To store/swap individual patches,
turn parameter knob 3 to bring up the indication "PATCH" in the top right of
When "STORE?" is selected, the current patch can be stored as any user patch. When "SWAP?" is selected, the current user patch can be swapped with any other user patch.
NOTE
If the source patch is from a preset group, the indication "SWAP?" does not appear.
4. Use the [TYPE] knob or BANK [W]/
[Q] foot switches to select the store/ swap target group name/bank number.
or
£:PATCH
åU0-1
£:PATCH
åU0-1
BANK [W]/[Q] foot switches
é
é
26
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