Effect Types and Parameters
© 2016 ZOOM CORPORATION
Manufacturer names and product names are trademarks or registered trademarks of their respective owners. The names are used only to illustrate
sonic characteristics and do not indicate any affiliation with the Zoom Corporation.
Effect explanation overview
Addisional effects
Effect type Effect explanation Parameter range
PDL Delay The expression pedal controls the delay input level of this effect.
★
InLvl Adjusts the delay input level. 0 – 100 P
Time Sets the delay time. 1 – 4000
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
ParameterEffect Screen
Parameter explanation
Pedal control possible icon
Tempo synchronization possible icon
Contents
DYNAMICS
FILTER
DRIVE
AMP
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CABINET
MODULATION
SFX
DELAY
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REVERB
PEDAL
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Additional tables
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Effect Types and Parameters
[ DYNAMICS ]
Comp This compressor in the style of the MXR Dyna Comp.
Sense Adjusts the compressor sensitivity.
ATTCK Sets compressor attack speed to Fast or Slow.
Tone Adjusts the tone.
VOL Adjusts the volume.
RackComp This compressor allows more detailed adjustment than Comp.
THRSH Sets the level that activates the compressor. 0 – 50
Ratio Adjusts the compression ratio. 1 – 10
ATTCK Sets compressor attack speed. 1 – 10
VOL Adjusts the volume. 0 – 100
SlowATTCK This effect slows the attack of each note, resulting in a violin-like performance.
Time Adjusts the attack time. 1 – 50
Curve Set the curve of volume change during attack. 0 – 10
Tone Adjusts the tone. 0 – 100
VOL Adjusts the volume. 0 – 100
ZNR
ZOOM's unique noise reduction cuts noise during pauses in playing without affecting
the tone.
DETCT Sets control signal detection level.
Depth Sets the depth of noise reduction. 0 – 100
THRSH Adjusts the effect sensitivity. 0 – 100
Decay Adjust the envelope release. 0 – 100
MuteSW This effect allows you to mute the volume using the foot switch.
Edge
Speed Adjust the recovery time from muting. 0 – 100
INVRT Sets the foot switch control direction.
ON/OFF
Sets how smoothly the volume changes. As the parameter value increases, the change
becomes smoother.
Sets the foot switch function.
GrayComp This models a ROSS Compressor. Added parameters allow you to adjust the tone.
★
SUSTN Adjusts the sustain. 0 – 100
Lo Adjusts volume of low frequencies. 0 – 100
Hi Adjusts volume of high frequencies. 0 – 100
VOL Adjusts the volume. 0 – 100
NoiseGate This is a noise gate that cuts the sound during playing pauses.
★
DETCT Sets control signal detection level. GTRIN , EFXIN
Depth Sets the depth of noise reduction. 0 – 100
THRSH Adjusts the effect sensitivity. 0 – 100
Decay Adjust the envelope release. 0 – 100
0 –10
SLOW , FAST
0 – 10
0 – 100
GTRIN ,
EFXIN
0 – 100
NORMAL ,
INVERT
LATCH ,
UnLATCH ,
TRGGR
Effect Types and Parameters
[ FILTER ]
AutoWah This effect varies wah in accordance with picking intensity.
Mode Sets direction of movement of the filter. DOWN , UP
Sense Adjusts the sensitivity of the effect. 1 – 10
RESO Sets effect resonance. 0 – 10
VOL Adjusts the volume. 0 – 100
Resonance This effect varies the resonance filter frequency according to picking intensity.
Mode Sets direction of movement of the filter. DOWN , UP
Sense Adjusts the sensitivity of the effect. 1 – 10
RESO Sets effect resonance. 0 – 10
VOL Adjusts the volume. 0 – 100
Cry This effect varies the sound like a talking modulator.
Range Adjusts the frequency range processed by the effect. 1 – 10
RESO Sets effect resonance. 0 – 10
Sense Adjusts the sensitivity of the effect.
BAL Adjusts the balance between original and effect sounds. 0 – 100
SeqFLTR The sequence filter has the flavor of a Z.Vex Seek-Wah.
Step Adjusts number of sequence steps. 2 – 8
PTTRN Sets effect pattern. 1 – 8
Speed Sets the speed of the modulation. 1 – 50
RESO Sets effect resonance. 0 – 10
Gt GEQ This mono graphic equalizer has 6 bands that suit guitar frequencies.
160 Boosts or cuts the low (160 Hz) frequency band. -12 – 12
400 Boosts or cuts the low (400 Hz) frequency band. -12 – 12
800 Boosts or cuts the low (800 Hz) frequency band. -12 – 12
3.2k Boosts or cuts the low (3.2 kHz) frequency band. -12 – 12
6.4k Boosts or cuts the low (6.4 kHz) frequency band. -12 – 12
12k Boosts or cuts the low (12 kHz) frequency band. -12 – 12
VOL Adjusts the volume. 0 – 100
CH SEL
Sets the control switch function.
Gt GEQ7 This mono graphic equalizer has 7 bands that suit guitar frequencies.
100 Boosts or cuts the low (100 Hz) frequency band. -12 – 12
200 Boosts or cuts the low (200 Hz) frequency band. -12 – 12
400 Boosts or cuts the low (400 Hz) frequency band. -12 – 12
800 Boosts or cuts the low (800 Hz) frequency band. -12 – 12
1.6k Boosts or cuts the low (1.6 kHz) frequency band. -12 – 12
3.2k Boosts or cuts the low (3.2 kHz) frequency band. -12 – 12
6.4k Boosts or cuts the low (6.4 kHz) frequency band. -12 – 12
VOL Adjusts the volume. 0 – 100
St Gt GEQ This stereo graphic equalizer has 6 bands that suit guitar frequencies.
160 Boosts or cuts the low (160 Hz) frequency band. -12 – 12
400 Boosts or cuts the low (400 Hz) frequency band. -12 – 12
800 Boosts or cuts the low (800 Hz) frequency band. -12 – 12
3.2k Boosts or cuts the low (3.2 kHz) frequency band. -12 – 12
6.4k Boosts or cuts the low (6.4 kHz) frequency band. -12 – 12
12k Boosts or cuts the low (12 kHz) frequency band. -12 – 12
VOL Adjusts the volume. 0 – 100
CH SEL
Sets the control switch function.
-10 – -1 ,
1 – 10
LATCH ,
UnLATCH
LATCH ,
UnLATCH
4 5
Effect Types and Parameters
[ FILTER ]
ParaEQ This is a 1-band parametric equalizer.
FREQ Sets the frequency of the equalizer. 20 – 20k
Q Adjusts equalizer Q. 0.5 – 16
Gain Adjusts the gain. -12 – 12
VOL Adjusts the volume. 0 – 100
EG FLTR This filter effect is controlled using the control switch.
FREQ1 Sets the frequency when the control switch is off. 0 – 100
FREQ2 Sets the frequency when the control switch is on. 0 – 100
RESO Sets effect resonance. 0 – 100
Type Sets filter type.
Speed Sets the speed of the modulation. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
VOL Adjusts the volume. 0 – 100
CNTRL
RndmFLTR This filter effect changes character randomly.
★
Type Sets filter type. HPF , LPF
Speed Sets modulation speed. 1 – 50
BAL Adjusts the balance between original and effect sounds. 0 – 100
VOL Adjusts the output level. 0 – 100
LowPassFL This effect varies the low pass filter frequency according to picking intensity.
★
FREQ Sets minimum frequency of low pass filter.
Sense Sets effect sensitivity.
RESO Sets effect resonance.
BAL Adjusts the balance between original and effect sounds.
Exciter This exciter enables flexible control.
★
Bass Adjusts the amount of low-frequency phase correction. 0 – 100
Treble Adjusts the amount of high-frequency phase correction. 0 – 100
VOL Adjusts the volume. 0 – 100
ON/OFF
Sets the control switch function.
Sets the foot switch function.
HPF2 –
LPF4
LATCH ,
UnLATCH ,
TRGGR
♪
0 – 100
FST100 –
SLW100
2P-10 – 4P-10
0 – 100
LATCH ,
UnLATCH
Effect Types and Parameters
[ DRIVE ]
TS Drive Simulation of the Ibanez TS808.
Gain
Boost
Tone
VOL
EP Stomp This models the Maestro Echoplex preamp.
Gain Adjusts the gain. 0 – 100
Bass Adjusts volume of low frequencies. -10 – 10
Treble Adjusts volume of high frequencies. -10 – 10
VOL Adjusts the volume. 0 – 100
RC Boost This booster covers sounds ranging from clean boosts to light drives.
Gain Adjusts the gain. 0 – 100
Bass Adjusts volume of low frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
VOL Adjusts the volume. 0 – 100
GoldDrive This effect models a famous gold overdrive boutique pedal.
Gain Adjusts the gain. 0 – 100
Bass Adjusts volume of low frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
VOL Adjusts the volume. 0 – 100
SweetDrv This effect models a sweet sounding overdrive.
Gain Adjusts the gain. 0 – 100
Tone Adjusts volume of high frequencies 0 – 100
Focus Adjusts volume of middle frequencies. 0 – 100
VOL Adjusts the volume. 0 – 100
DYN Drive This effect easily achieves the warm drive tone of a tube amp.
Gain Adjusts the gain. 0 – 100
Tone Adjusts the tone. 0 – 100
Mode Sets the sound style.
VOL Adjusts the volume. 0 – 100
RedCrunch Use this effect for the famous "brown sound."
Gain Adjusts the gain. 0 – 100
Tone Adjusts the tone. 0 – 100
PRSNC Adjusts volume of super-high frequencies. 0 – 100
VOL Adjusts the volume. 0 – 100
MetalWRLD
Simulation of the BOSS Metal Zone, which is characterized by long sustain and a
powerful lower midrange.
Gain Adjusts the gain. 0 – 100
Bass Adjusts volume of low frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
VOL Adjusts the volume. 0 – 100
Adjusts the gain. 0 – 100
Turns boost ON/OFF. OFF , ON
Adjusts the tone. 0 – 100
Adjusts the volume. 0 – 100
COMBO ,
STAC K
6 7
Effect Types and Parameters
[ DRIVE ]
TB MK1.5 This is a classic fuzz effect.
ATTCK Adjusts the gain. 0 – 100
Tone Adjusts the tone. 0 – 100
Color Sets the sound color. 1 , 2
VOL Adjusts the volume. 0 – 100
OctFuzz This fuzz effect adds an octave above.
Boost Adjusts the gain. 0 – 100
Color Sets the sound color. 1 , 2
Tone Adjusts the tone. 0 – 100
VOL Adjusts the volume. 0 – 100
SpotBoost This booster enables flexible control.
Boost Adjusts the gain. 0 – 100
Bass Adjusts volume of low frequencies. -10 – 10
Treble Adjusts volume of high frequencies. -10 – 10
ON/OFF Sets the foot switch function.
Aco.Sim
NYC Muff
★
HG THRTTL
★
BG GRID
★
This effect changes the tone of an electric guitar to make it sound like an acoustic
guitar.
Top Adjusts the unique string tone of acoustic guitars. 0 – 100
Body Adjusts the body resonance of acoustic guitars. 0 – 100
Tone Adjusts the tone. 0 – 100
VOL Adjusts the volume. 0 – 100
This models an Electro-Harmonix Big Muff Pi. An added parameter allows you to
adjust the balance of original sound and distortion.
SUSTN Adjusts the gain. 0 – 100
Tone Adjusts the tone. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
VOL Adjusts the volume. 0 – 100
This models the sound of the Mesa Boogie THROTTLE BOX(GAIN SWITCH:HI /
BOOST:ON).
Gain Adjusts the gain. 0 – 100
Tone Adjusts the tone. 0 – 100
MdCut Adjusts volume of middle frequencies. 0 – 100
VOL Adjusts the volume. 0 – 100
This models a Mesa Boogie GRID SLAMMER. An added parameter allows you to
adjust the balance of original sound and overdrive.
Gain Adjusts the gain. 0 – 100
Tone Adjusts the tone. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
VOL Adjusts the volume. 0 – 100
LATCH ,
UnLATCH
Effect Types and Parameters
[ AMP ]
MS 800 This models the sound of the Marshall JCM800 2203.
Input Adjusts the input gain. LO , HI
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
PRSNC Adjusts volume of super-high frequencies. 0 – 100
Gain Adjusts the gain. 0 – 100
VOL Adjusts the volume. 0 – 100
SOLO Sets the volume when the control switch is on. 1 – 9
FD TWNR This models the sound of the Fender '65 Twin Reverb.
Bass Adjusts volume of low frequencies. 10 – 100
MID Adjusts volume of middle frequencies. 10 – 100
Treble Adjusts volume of high frequencies. 10 – 100
BRGHT Sets the high frequency response. The effect is noticeable at lower gain settings. OFF , ON
Gain Adjusts the gain. 10 – 100
VOL Adjusts the volume. 10 – 100
DEPTH Sets the depth of the modulation. 10 – 100
SPEED Sets the speed of the modulation. 10 – 100
FD B-MAN This models the sound of the Fender '59 Bassman.
★
FD DLXR This models the sound of the Fender '65 Deluxe Reverb.
★
UK 30A This models the sound of an early class A British combo amp.
Input Selects the input channel.
Bass Adjusts volume of low frequencies. 10 – 12 0
MID Adjusts volume of middle frequencies. 10 – 120
Treble Adjusts volume of high frequencies. 10 – 12 0
PRSNC Adjusts volume of super-high frequencies. 10 – 12 0
Gain Adjusts the gain. 10 – 12 0
VOL Adjusts the volume. 10 – 120
SOLO Sets the volume when the control switch is on. 1 – 9
Input Selects the input channel.
Bass Adjusts volume of low frequencies. 10 – 100
Treble Adjusts volume of high frequencies. 10 – 100
Gain Adjusts the gain. 10 – 100
VOL Adjusts the volume. 10 – 10 0
DEPTH Sets the depth of the modulation. 10 – 100
SPEED Sets the speed of the modulation. 10 – 100
TRM VOL Sets the volume when the tremolo is on. 0 – 9
Bass Adjusts volume of low frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Cut Adjusts the tone. 0 – 100
Gain Adjusts the gain. 0 – 100
VOL Adjusts the volume. 0 – 100
Depth Sets the depth of the modulation. 0 – 100
Speed Sets the speed of the modulation. 0 – 100
SOLO Sets the volume when the control switch is on. 1 – 9
NORMAL ,
BRIGHT
NORMAL ,
VIBRATO
♪
8 9
Effect Types and Parameters
[ AMP ]
BG MK3 This models the sound of the Mesa Boogie Mark III combo amp.
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
PRSNC Adjusts volume of super-high frequencies. 0 – 100
Gain1 Adjusts the gain of the first stage. 0 – 100
Gain2 Adjusts the gain of the second stage. 0 – 100
VOL Adjusts the volume. 0 – 100
SOLO Sets the volume when the control switch is on. 1 – 9
XtasyBlue This models the sound of the Bogner Ecstasy Blue channel.
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
PRSNC Adjusts volume of super-high frequencies. 0 – 100
STRCT Selects the type and gain of the tone. LO , HI
Gain Adjusts the gain. 0 – 100
VOL Adjusts the volume. 0 – 100
SOLO Sets the volume when the control switch is on. 1 – 9
HW 100 This models the sound of the Hiwatt Custom 100.
★
Input Selects the input channel.
Bass Adjusts volume of low frequencies. 0 – 100
NORMAL ,
BRILL
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
PRSNC Adjusts volume of super-high frequencies. 0 – 100
Gain Adjusts the gain. 0 – 100
VOL Adjusts the volume. 0 – 100
SOLO Sets the volume when the control switch is on. 1 – 9
Recti ORG This models the sound of the Mesa Boogie Dual Rectifier Orange Channel.
★
Mode Sets the tone of the character. VNTG , MDRN
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
PRSNC Adjusts volume of super-high frequencies. 0 – 100
Gain Adjusts the gain. 0 – 100
VOL Adjusts the volume. 0 – 100
SOLO
Sets the volume when the control switch is on. 1 – 9
ORG120 This models the sound of the Orange Graphic120.
★
Input Selects the input channel. LO , HI
Color Sets the tone of the effect type. 1 – 6
Bass Adjusts volume of low frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
PRSNC Adjusts volume of super-high frequencies. 0 – 100
Gain Adjusts the gain. 0 – 100
VOL Adjusts the volume. 0 – 100
SOLO
Sets the volume when the control switch is on. 1 – 9
Effect Types and Parameters
[ CABINET ]
MS4x12
FD2x12
FD-B4x10
★
FD-DX1x12
★
UK2x12
MK3 1x12
This models the sound of a Marshall 1960 A-type cabinet with four 12" Celestion
speakers.
MIC
D57:D421
MIC=OFF: This tone is optimized for using amp modeling with a guitar amp.
MIC=ON: This tone is optimized for using amp modeling with headphones or monitor
speakers.
This adjusts the volume balance between the Shure SM57 and the Sennheiser MD421.
When the MIC parameter is set to OFF, this setting has no effect.
Hi Adjusts volume of high frequencies. 0 – 100
Lo Adjusts volume of low frequencies. 0 – 100
OFF , ON
0 – 100
This models the sound of the Fender '65 Twin Reverb cabinet with two 12" Jensen
speakers.
MIC
D57:D421
MIC=OFF: This tone is optimized for using amp modeling with a guitar amp.
MIC=ON: This tone is optimized for using amp modeling with headphones or monitor
speakers.
This adjusts the volume balance between the Shure SM57 and the Sennheiser MD421.
When the MIC parameter is set to OFF, this setting has no effect.
Hi Adjusts volume of high frequencies. 0 – 100
Lo Adjusts volume of low frequencies. 0 – 100
OFF , ON
0 – 100
This models the sound of the Fender '59 Bassman cabinet with four 10" Jensen
speakers.
MIC
D57:D421
MIC=OFF: This tone is optimized for using amp modeling with a guitar amp.
MIC=ON: This tone is optimized for using amp modeling with headphones or monitor
speakers.
This adjusts the volume balance between the Shure SM57 and the Sennheiser MD421.
When the MIC parameter is set to OFF, this setting has no effect.
Hi Adjusts volume of high frequencies. 0 – 100
Lo Adjusts volume of low frequencies. 0 – 100
OFF , ON
0 – 100
This models the sound of a Fender '65 Deluxe Reverb cabinet with one 12" Jensen
C-12K Speaker.
MIC
D57:D421
MIC=OFF: This tone is optimized for using amp modeling with a guitar amp.
MIC=ON: This tone is optimized for using amp modeling with headphones or monitor
speakers.
This adjusts the volume balance between the Shure SM57 and the Sennheiser MD421.
When the MIC parameter is set to OFF, this setting has no effect.
Hi Adjusts volume of high frequencies. 0 – 100
Lo Adjusts volume of low frequencies. 0 – 100
OFF , ON
0 – 100
This models the sound of an early British combo amp with two 12" Celestion Alnico
speakers.
MIC
D57:D421
MIC=OFF: This tone is optimized for using amp modeling with a guitar amp.
MIC=ON: This tone is optimized for using amp modeling with headphones or monitor
speakers.
This adjusts the volume balance between the Shure SM57 and the Sennheiser MD421.
When the MIC parameter is set to OFF, this setting has no effect.
Hi Adjusts volume of high frequencies. 0 – 100
Lo Adjusts volume of low frequencies. 0 – 100
OFF , ON
0 – 100
This models the sound of a Mesa Boogie Mark III cabinet with one 12" Celestion Black
Shadow Speaker.
MIC
D57:D421
MIC=OFF: This tone is optimized for using amp modeling with a guitar amp.
MIC=ON: This tone is optimized for using amp modeling with headphones or monitor
speakers.
This adjusts the volume balance between the Shure SM57 and the Sennheiser MD421.
When the MIC parameter is set to OFF, this setting has no effect.
Hi Adjusts volume of high frequencies. 0 – 100
Lo Adjusts volume of low frequencies. 0 – 100
OFF , ON
0 – 100
10 11
Effect Types and Parameters
[ CABINET ]
BGN4x12 This models the sound of the Bogner Ecstasy cabinet with four 12" Celestion speakers.
MIC
D57:D421
HW4x12 This models the sound of a Hiwatt SE-4123 cabinet with four 12" Fane speakers.
★
RCT4x12
★
ORG4x12
★
MIC
D57:D421
This models the sound of a Mesa Boogie Recto Standard Slant Cabinet ARMOR with
four 12" Celestion Vintage 30 speakers.
MIC
D57:D421
This models the sound of an Orange PPC412 cabinet with four 12" Celestion Vintage
30 speakers.
MIC
D57:D421
MIC=OFF: This tone is optimized for using amp modeling with a guitar amp.
MIC=ON: This tone is optimized for using amp modeling with headphones or monitor
speakers.
This adjusts the volume balance between the Shure SM57 and the Sennheiser MD421.
When the MIC parameter is set to OFF, this setting has no effect.
Hi Adjusts volume of high frequencies. 0 – 100
Lo Adjusts volume of low frequencies. 0 – 100
MIC=OFF: This tone is optimized for using amp modeling with a guitar amp.
MIC=ON: This tone is optimized for using amp modeling with headphones or monitor
speakers.
This adjusts the volume balance between the Shure SM57 and the Sennheiser MD421.
When the MIC parameter is set to OFF, this setting has no effect.
Hi Adjusts volume of high frequencies. 0 – 100
Lo Adjusts volume of low frequencies. 0 – 100
MIC=OFF: This tone is optimized for using amp modeling with a guitar amp.
MIC=ON: This tone is optimized for using amp modeling with headphones or monitor
speakers.
This adjusts the volume balance between the Shure SM57 and the Sennheiser MD421.
When the MIC parameter is set to OFF, this setting has no effect.
Hi Adjusts volume of high frequencies. 0 – 100
Lo Adjusts volume of low frequencies. 0 – 100
MIC=OFF: This tone is optimized for using amp modeling with a guitar amp.
MIC=ON: This tone is optimized for using amp modeling with headphones or monitor
speakers.
This adjusts the volume balance between the Shure SM57 and the Sennheiser MD421.
When the MIC parameter is set to OFF, this setting has no effect.
Hi Adjusts volume of high frequencies. 0 – 100
Lo Adjusts volume of low frequencies. 0 – 100
OFF , ON
0 – 100
OFF , ON
0 – 100
OFF , ON
0 – 100
OFF , ON
0 – 100
Effect Types and Parameters
[ MODULATION ]
Tremolo This effect varies the volume at a regular rate.
Wave Sets the modulation waveform.
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 0 – 100
VOL Adjusts the volume. 0 – 100
Chorus
This effect mixes a shifted pitch with the original sound to add movement and
thickness.
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 1 – 50
Tone Adjusts the tone. 0 – 10
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
StereoCho This is a stereo chorus with a clear tone.
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 1 – 50
Tone Adjusts the tone. 0 – 10
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
Phaser This effect adds a phasing variation to the sound.
Color Sets the tone of the effect type.
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 1 – 50
RESO Sets effect resonance. 0 – 100
VinFLNGR This analog flanger sound is similar to an MXR M-117R.
PreD Sets pre-delay time of effect sound. 0 – 50
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 0 – 50
RESO Sets effect resonance. -10 – 10
TheVibe This vibe sound features unique undulations.
Speed Sets the speed of the modulation. 0 – 50
Depth Sets the depth of the modulation. 0 – 100
Mode Sets effect to vibrato or chorus.
VOL Adjusts the volume. 0 – 100
Vibrato This effect automatically adds vibrato.
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 0 – 50
Tone Adjusts the tone. 0 – 10
BAL Adjusts the balance between original and effect sounds. 0 – 100
Octave This effect adds sound one octave and two octaves below the original sound.
OCT1 Adjusts the level of the sound one octave below the effect sound. 0 – 100
OCT2 Adjusts the level of the sound two octaves below the effect sound. 0 – 100
Tone Adjusts the tone. 0 – 10
Dry Adjusts the volume of the unaffected sound. 0 – 100
TRI , TUBE ,
SQR
4 STG ,
8 STG ,
INV 4 ,
INV 8
VIBRT ,
CHORS
12 13
Effect Types and Parameters
[ MODULATION ]
RingMod
Detune
This effect produces a metallic ringing sound. Adjusting the "FREQ" parameter results
in a drastic change of sound character.
FREQ Sets the frequency of the modulation. 1 – 50
Tone Adjusts the tone. 0 – 10
BAL Adjusts the balance between original and effect sounds. 0 – 100
VOL Adjusts the volume. 0 – 100
By mixing an effect sound that is slightly pitch-shifted with the original sound, this
effect type has a chorus effect without much sense of modulation.
Cent Adjusts the detuning in cents, which are fine increments of 1/100-semitone. -25 – 25
PreD Sets the pre-delay time of the effect sound. 0 – 50
Tone Adjusts the tone. 0 – 10
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
PitchSHFT This effect shifts the pitch up or down.
Shift Adjusts the pitch shift amount in semitones. Selecting "0" gives a detuning effect. -12–12, 24
Fine Allows fine adjustment of pitch shift amount in Cent (1/100 semitone) steps. -25 – 25
Tone Adjusts the tone. 0 – 10
BAL Adjusts the balance between original and effect sounds. 0 – 100
MonoPitch This is a pitch shifter with little sound variance for monophonic (single note) playing.
Shift Adjusts the pitch shift amount in semitones. Selecting "0" gives a detuning effect. -12–12, 24
Fine Allows fine adjustment of pitch shift amount in Cent (1/100 semitone) steps. -25 – 25
Tone Adjusts the tone. 0 – 10
BAL Adjusts the balance between original and effect sounds. 0 – 100
HPS
This intelligent pitch shifter outputs the effect sound with the pitch shifted according
to scale and key settings.
-6, -5, -4, -3,
Scale Sets the pitch of the pitch-shifted sound added to the original sound.
Key Sets the tonic (root) of the scale used for pitch shifting.
Tone Adjusts the tone. 0 – 10
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
-m, m,3, 4, 5,
6
( See Table 1 )
C, C#, D, D#,
E,F, F#, G, G#,
A, A#, B
Kick FLNG This flanger is controlled using the control switch.
PreD Sets pre-delay time of effect sound. 0 – 100
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 0 – 100
ON/OFF
RESO Sets effect resonance. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
RST-F Adjusts the LFO reset frequency. 0 – 100
LFO
Sets the foot switch function.
Sets the function when the control switch is on.
LATCH ,
UnLATCH
RESET ,
STOP
Effect Types and Parameters
[ MODULATION ]
Slicer This effect creates a rhythmical sound by continuously slicing the input.
★
CloneCho This analog chorus sound models the Electro-Harmonix SmallClone.
★
SuperCho This models the sound of a BOSS CH-1 SUPER CHORUS.
★
StonePha This phaser sound models the Electro-Harmonix SmallStone.
★
CoronaTri This is a model of tc electronic's CORONA Tri-Chorus.
★
PTTRN Sets effect pattern. 1 – 20
Speed Sets modulation speed. 1 – 50
THRSH Adjusts effect threshold. 0 – 50
VOL Adjusts the output level. 0 – 100
Depth Sets the depth of the modulation. 1, 2
Rate Sets the speed of the modulation. 0 – 100
Tone Adjusts the tone. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 0 – 100
Tone Adjusts the tone. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
Color Sets the sound color. 1 , 2
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 0 – 100
RESO Sets effect resonance. 0 – 100
Depth Sets the depth of the modulation. 0 – 100
Speed Sets modulation speed. 0 – 100
Tone Adjusts the tone. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
♪
[ SFX ]
Bomber This effect generates explosive sounds.
Decay Adjusts the length of the explosive sound. 1 – 100
Tone Adjusts the tone. 0 – 10
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
ON/OFF
AutoPan This effect moves the sound image cyclically left and right.
★
Rate Sets the speed of the modulation. 0 – 50
Width Sets the width of the panning. 0 – 50
Clip
VOL Adjusts the volume. 0 – 100
Sets the foot switch function.
Adjusts the amount of waveform clipping. Higher values emphasize the auto-panning effect
more.
14 15
LATCH ,
TRGGR
♪
0 – 10
Effect Types and Parameters
[ DELAY ]
Delay This long delay has a maximum length of 4000 ms.
Time Sets the delay time. 1 – 4000
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
AnalogDly This analog delay simulation has a long delay with a maximum length of 4000 ms.
Time Sets the delay time. 1 – 4000
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
TapeEcho
This effect simulates a tape echo. Changing the "Time" parameter changes the pitch of
the echoes.
Time Sets the delay time. 1 – 2000
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
ReverseDL This reverse delay is a long delay with a maximum length of 2000 ms.
Time Sets the delay time. 10 – 2000
F. B Adjusts the feedback amount. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
ModDelay This delay effect allows the use of modulation.
Time Sets the delay time. 1 – 2000
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
Hold DLY This hold delay effect is controlled using the control switch.
Time Sets the delay time. 1 – 4000
F. B Adjusts the feedback amount. 0 – 100
HiDMP Adjusts the treble attenuation of the delay sound. 0 – 10
Tone Adjusts the tone. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
P- P Sets delay output to mono or Ping Pong. MONO , P-P
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
Hold
Sets the control switch function.
P-P Delay This delay outputs the delay sound alternately left and right.
★
Time Sets the delay time. 1 – 4000
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
OFF , ON
OFF , ON
OFF , ON
OFF , ON
OFF , ON
OFF , ON
LATCH ,
UnLATCH
OFF , ON
♪
Effect Types and Parameters
[ DELAY ]
FilterDly This effect filters a delayed sound.
★
Dual DLY This effect combines 2 individual delays.
★
Time Sets the delay time. 1 – 2000
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
TimeA Adjusts the delay time of Delay A.
F.B A Adjusts the Delay A feedback amount. 0 – 110
TimeB Adjusts the delay time of Delay B.
F.B B Adjusts the Delay B feedback amount. 0 – 110
DlyMx Adjust the mix of the Delay A and B effect sounds. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
Depth Adjusts the modulation depth. Also sets the output to mono (M0.M50) or stereo (S0.S50). MN-0 – ST-50
Speed Sets modulation speed. 0 – 50
OFF , ON
0 – 1990,
x 8
♩
0 – 1990,
x 8
♩
♪
♪
♪
[ REVERB ]
Air This effect reproduces the ambience of a room, to create spatial depth.
Size Sets the size of the space. 1 – 100
REF Adjusts the amount of reflection from the wall. 0 – 10
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
Room This reverb effect simulates the acoustics of a room.
PreD Adjusts the delay between input of the original sound and start of the reverb sound. 1 – 100
Decay Sets the duration of the reverberations. 1 – 30
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
Hall This reverb effect simulates the acoustics of a concert hall.
PreD Adjusts the delay between input of the original sound and start of the reverb sound. 1 – 100
Decay Sets the duration of the reverberations. 1 – 30
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
HD Hall This is a dense hall reverb.
PreD Adjusts the delay between input of the original sound and start of the reverb sound. 1 – 200
Decay Sets the duration of the reverberations. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
Spring This reverb effect simulates a spring reverb.
PreD Adjusts the delay between input of the original sound and start of the reverb sound. 1 – 100
Decay Sets the duration of the reverberations. 1 – 30
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
OFF , ON
OFF , ON
OFF , ON
OFF , ON
OFF , ON
16 17
Effect Types and Parameters
[ REVERB ]
FD Spring This simulates the spring reverb of the '65 Fender Twin Reverb.
Color Sets the tone of the effect type. 0 , 1
Lo Adjusts volume of low frequencies. 0 – 100
Hi Adjusts volume of high frequencies. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
Plate This simulates a plate reverb.
PreD Adjusts the delay between input of the original sound and start of the reverb sound. 1 – 200
Decay Sets the duration of the reverberations. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
EarlyRef This effect reproduces only the early reflections of reverb.
★
Church This effect simulates the reverberations of a church.
★
Ambience This effect adds a natural ambience (air) to the sound.
★
Decay Adjusts the duration of the reverb. 1 – 30
Shape Adjusts the effect envelope. -10 – 10
Tone Adjusts the tone. 0 – 10
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
PreD Adjusts the delay between input of the original sound and start of the reverb sound. 0 – 200
Decay Sets the duration of the reverberations. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. The dry sound also continues
Tail
to have the same tone as when the effect was on. When OFF, effect sound stops right when
effect is turned off.
PreD Adjusts the delay between input of the original sound and start of the reverb sound. 0 – 200
Decay Sets the duration of the reverberations. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. The dry sound also continues
Tail
to have the same tone as when the effect was on. When OFF, effect sound stops right when
effect is turned off.
OFF , ON
OFF , ON
OFF , ON
Effect Types and Parameters
[ PEDAL ]
PDL Vol The volume curve of the volume pedal can be set.
VOL Adjusts the volume. 0 – 100 P
Min Adjusts the volume when the pedal is at minimum position. 0 – 100
Max Adjusts the volume when the pedal is at maximum position. 0 – 100
Curve Sets the volume curve. A , B
BlackWah This pedal wah effect simulates the Cry Baby.
FREQ Adjusts the emphasized frequency. 0 – 100 P
Range Adjusts the frequency range processed by the effect. 0 – 100
Dry Adjusts the volume of the unaffected sound. 0 – 100
VOL Adjusts the volume. 0 – 100
ChromeWah This simulates a British wah pedal with a chrome finish.
FREQ Adjusts the emphasized frequency. 0 – 100 P
Range Adjusts the frequency range processed by the effect. 0 – 100
Dry Adjusts the volume of the unaffected sound. 0 – 100
VOL Adjusts the volume. 0 – 100
WAH100 Simulates an Ibanez wah pedal.
FREQ Adjusts the emphasized frequency. 0 – 50 P
Depth Sets the depth of the wah. 0 – 100
Dry Adjusts the volume of the unaffected sound. 0 – 100
VOL Adjusts the volume. 0 – 100
PDL Pitch Use an expression pedal to change the pitch in real time with this effect.
Bend Sets the amount of pitch shift. 0 – 100 P
Color Sets the type of pitch change control with the expression pedal.
Tone Adjusts the tone. 0 – 10
Mode Sets the sound style. UP , DOWN
PDL MnPit
PDL Vibe This vibe sound features unique undulations.
PDL Drive The expression pedal controls the gain of this drive effect.
This is a pitch shifter specially for monophonic sound (single-note playing), which
allows the pitch to be shifted in real time with the expression pedal.
Bend Sets the amount of pitch shift. 0 – 100 P
Color Sets the type of pitch change control with the expression pedal.
Tone Adjusts the tone. 0 – 10
Mode Sets the sound style. UP , DOWN
Speed Sets the speed of the modulation. 0 – 50 P
Depth Sets the depth of the modulation. 0 – 100
Mode Sets effect to vibrato or chorus.
VOL Adjusts the volume. 0 – 100
Gain Adjusts the gain. 0 – 100 P
Tone Adjusts the tone. 0 – 100
PRSNC Adjusts volume of super-high frequencies. 0 – 100
VOL Adjusts the volume. 0 – 100
1 – 9
( See Table 2 )
1 – 9
( See Table 2 )
VIBRAT ,
CHORS
18 19
Effect Types and Parameters
[ PEDAL ]
PDL PHSR The expression pedal controls the modulation frequency of this phaser.
Rate Sets the speed of the modulation. 1 – 50 P
Depth Sets the depth of the modulation. 0 – 100
RESO Sets effect resonance. 0 – 100
Color Sets the tone of the effect type.
PDL Delay The expression pedal controls the delay input level of this effect.
InLvl Adjusts the delay input level. 0 – 100 P
Time Sets the delay time. 1 – 4000
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
PDL Rev The expression pedal controls the reverb input level of this effect.
InLvl Adjusts the reverb input level. 0 – 100 P
PreD Sets the pre-delay time of the effect sound. 1 – 100
Decay Sets the duration of the reverberations. 1 – 30
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
OSC Echo The expression pedal controls the delay oscillation of this effect.
OSC Adjusts the delay time and feedback. 0 – 100 P
T-Min Adjusts the delay time when the pedal is at minimum position. 19 – 500
T-Max Adjusts the delay time when the pedal is at maximum position. 19 – 500
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
VoiceWah This effect can make a guitar sound like a human voice.
Vowel Adjusts the emphasized vowel. 0 – 100 P
PTTRN Sets effect pattern. A – C
Voice Adjusts the vowel sounds. 0 – 100
Mode Sets the sound style. STEP , SOFT
PDL Roto Simulates a rotary speaker.
Mode Sets the rotary mode. SLOW , FAST P
Drive Adjusts the amount of amplification from the preamp. 0 – 100
BAL Adjusts the balance between the horn (high frequencies) and the drum (low frequencies). 0 – 100
VOL Adjusts the volume. 0 – 100
4 STG ,
8 STG ,
INV 4 ,
INV 8
Additional tables
Table 1 [Scale Parameter] Table 2 [Color Parameter]
Setting Scale used Interval
-6
-5 5th down
-4 4th down
-3 3rd down
-m
m 3rd up
3
4 4th up
5 5th up
6 6th up
Major
Minor
Major
6th down
3rd down
3rd up
Color
1 0 cent +1 octave
2 0 cent +2 octave
3 0 cent - 100 cent
4 0 cent - 2 octave
5 0 cent -∞
6 - 1 octave +original +1 octave +original
7 - 700 cent +original +500 cent +original
8 Doubling Detuned +original
9 -∞ (0 Hz) +original +1 octave +original
Table 3 [PATTERN Parameter]
No. PatternName TimSig No. PatternName TimSig
1 GUIDE 4/4 35 NewWave 4/4
2 8Beats1 4/4 36 OneDrop 4/4
3 8Beats2 4/4 37 Steppers 4/4
4 8Beats3 4/4 38 Rockers 4/4
5 16Beats1 4/4 39 Ska 4/4
6 16Beats2 4/4 40 2nd Line 4/4
7 16Beats3 4/4 41 Country 4/4
8 Rock1 4/4 42 Shuffle1 4/4
9 Rock2 4/4 43 Shuffle2 4/4
10 Rock3 4/4 44 Blues1 4/4
11 ROCKABLY 4/4 45 Blues2 4/4
12 R'n'R 4/4 46 Jazz1 4/4
13 HardRock 4/4 47 Jazz2 4/4
14 HeavyMtl 4/4 48 Fusion 4/4
15 MtlCore 4/4 49 Swing1 4/4
16 Punk 4/4 50 Swing2 4/4
17 FastPunk 4/4 51 Bossa1 4/4
18 Emo 4/4 52 Bossa2 4/4
19 TomTomBt 4/4 53 Samba1 4/4
20 Funk1 4/4 54 Samba2 4/4
21 Funk2 4/4 55 Breaks1 4/4
22 FunkRock 4/4 56 Breaks2 4/4
23 JazzFunk 4/4 57 Breaks3 4/4
24 R&B1 4/4 58 12/8 Grv 12/8
25 R&B2 4/4 59 Waltz 3/4
26 70s Soul 4/4 60 JzWaltz1 3/4
27 90s Soul 4/4 61 JzWaltz2 3/4
28 Motown 4/4 62 CtWaltz1 3/4
29 HipHop 4/4 63 CtWaltz2 3/4
30 Disco 4/4 64 5/4 Grv 5/4
31 Pop 4/4 65 Metro3 3/4
32 PopRock 4/4 66 Metro4 4/4
33 IndiePop 4/4 67 Metro5 5/4
34 EuroPop 4/4 68 Metro
Pedal min
Pedal max
©2016 ZOOM CORPORATION Z2I-2556-03
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