Zoom G21MA User Manual

Michael Amott Signature Edition

PATCH List

• 50 patches from bank A through E are created by Michael Amott.

• 50 patches from bank F through J are his favorite sounds selected from G2.1Nu original presets.

• We recommend you to adjust the Noise Reduction parameter according to your guitars, amps and recording or performance situation.

Manufacturer names and product names mentioned in this patch list are trademarks or registered trademarks of their respective owners and do not indicate any affiliation with ZOOM CORPORATION. All product and artist names are intended only to illustrate sonic characteristics that were used as reference in the development of this product.

PATCH NAME COMMENT

Rhythm1

Lead1

Lead2

Lead3

Lead4

Michael Amott Original

Lead5

Lead6

Rhythm2

Clean1

Clean2

Clean3

Clean4

Clean5

Clean6

Rhythm3

Lead7

Lead8

Lead9

LeadRif

LeadRif2

Rhythm4

Lead10

Lead11

Rhythm5

Rhythm6

Lead12

Lead13

Lead14

Lead15

Lead16

Lead17

Rhythm7

Lead18

Lead19

Lead20

Lead21

Acousti1

Acousti2

Clean7

Clean8

Lead22

Lead23

Lead24

Lead25

Lead26

Lead27

Lead28

Clean9

Lead29

Rhythm8

This is my main Arch Enemy style rhythm tone patch. This sound is along the lines of the main rhythm tone on “Yesterday Is Dead And Gone” (ARCH ENEMY – “Khaos Legions”, 2011).

Arch Enemy style, lead tone patch with delay effect.

Arch Enemy style lead tone patch, with chorus effect added.

Arch Enemy style lead tone patch, with Wah and delay.

Wah and Chorus Arch Enemy style lead tone.

Chorus and a PP delay makes this huge sound.

Flanger and delay. So metallic, it’s like chewing aluminum foil!

My main Arch Enemy style rhythm tone patch with a Noisegate. This is a similar type of sound to the one that I use in the verses of “My Apocalypse” (ARCH ENEMY – “Doomsday Machine”, 2005).

Vintage Chorus and Delay on this patch. A similar clean tone to what I use on “Revolution Begins” (ARCH ENEMY - “Rise Of The Tyrant”, 2007).

Clean sound with PP Delay. Blends very well together with patch “A8” in recordings.

Chorus and PP Delay. Sounds great in headphones!

Phaser and analog style Delay, another cool clean sound.

Chorus and analog style Delay. Perfect for stuff like “Snow Bound” (ARCH ENEMY – “Wages Of Sin” 2001). Also great for Jazz style chords and leads.

“Step” effect and analog style delay. Great patch patch for droning, almost Sitar like riffs and leads.

A heavy rhythm tone reminiscent of Arch Enemy’s early albums.

Early Arch Enemy style lead tone with Delay.

Early Arch Enemy style lead tone with Delay and Chorus.

Early Arch Enemy style lead tone with Delay and Wah.

A useful patch for hardrock/metal riff and leads!

The same great sound as the “B8” patch but with some room style reverb.

A brutal patch for heavy riffs! Reminiscent of the rhythm tone on Carcass’ “Heartwork” album.

A lead tone patch reminiscent of my lead tone on Carcass’ “Heartwork” album.

My Carcass style lead tone with Wah.

Classic Rock riff patch, a very lively and inspiring sound!

A much dirtier “classic rock” riff patch. A great sound if you wish to add some dirt and grit to your recording!

Wah, chorus and delay. A perfect sound for the shred hungry player!

Flanger and an analog style delay, this is a really cool sound and you can control the amount of delay effect with the expression pedal.

Octave, ensemble Chorus, delay, spring reverb… Beautiful and chaotic!

Vibrato and delay. Great sound for huge, slow melody lines!

A spaced out mind explosion!

Swell sound, slow attack, can be useful to add some textures and “sound effects” to a recording.

Early Swedish Death Metal rhythm tone, very bass heavy and extreme!

Early Swedish Death Metal lead tone.

A sound inspired by the “Painkiller” era JUDAS PRIEST lead tone…

A really cool and demonic sounding swell sound! Play single string notes have fun!

A great sound for some psychedelic and spaced out leads, or try it for some funky riffs!

Acoustic sound with phaser, it doesn’t get much more 70’s than this!

Acoustic sound with flanger and an analog style delay.

Another strange clean sound that could be used for something experimental and 70’s sounding!

A clean sound similar to the one I used on the instrumental track “Fejee Mermaid” (SPIRITUAL BEGGARS – “On Fire”, 2003).

Psychotic harmonizer madness!

An 80’s style Metal lead tone with plenty of room reverb.

I love playing with the modulation filter while shredding!

This is on of my fave patches, a nice warm tone with analog style delay.

The same nice warm tone with analog style delay as the “E3” patch but with added Wah on the expression pedal.

Awesome 80’s “arena rock” style lead tone!

Another huge sounding lead guitar patch that you can solo on forever (with Wah of course)!

A semi clean tone that works really well for 70’s style riffs and leads!

Lead tone with tremolo effect you can control with the expression pedal.

Yet another rhythm sound patch that can work well on it’s own or blending together with some of the other rhythm tones when recordings several guitar tracks.

PEDAL SETTING

VOLUME

PedalCry : Freq

VOLUME

PedalCry : Freq

VOLUME

PedalCry : Freq

VOLUME

PedalCry : Freq

AnalogDLY : Mix

VOLUME

PedalVox : Freq

VOLUME

CombFLTR : Freq

VOLUME

PedalCry : Freq

VOLUME

PedalCry : Freq

VOLUME

Tremolo : Rate

VOLUME

PATCH NAME COMMENT PEDAL SETTING

Sc00ps

Cream

Chalk

Wowmen

Synthish

G2.1Nu Original

Leading

Grossnes

Angus

Juice

AC house

May

Woosh

Wet Head

Wackjob

Dreamdrg

Milkyway

Oceans

Wreckles

Waves

Oceanflr

FdComp

FullVx

TexasMan

BgLead

HwCrunch

McCrunch

MdRhythm

PvRhythm

DzRhythm

BdRhythm

FatOd

TsDrive

GvDrive

dist+

DS1

RAT

FatFace

MuffDrv

M World

HOT DRV

Z CLEAN

Z MP1

Z DREAM

Z NEOS

EXT DS

Reso

PDLPitch

Vibrato

TapeEcho

Reverse

Spacey smooth but filthy tone in a cave. The scooping of the mids and high mids leaves bottom movement and a fuzzy top.

Great warm sound for lead. Even if you turn the FX you can get a simple raw drive sound.

Mid-rangy semi-dirty tone with many peculiar anomalies and dimensions.

Talking patch good as a semi clean FX sound with an FD Combo. Semi-clean,

Low octave synth sounding patch with some grit and attack. Cool for doubling a bass line.

Squeak distortion. Warm usable lead tone with heavy fattening FX. Very lush melody playing.

Grotesque tone with heavy scooping and pitch shifting. Play "Frankenstein" type riffs with this patch.

Arena style rhythm. HW Stack and some slight delay. If you double rhythms with Simphryt and then triple with Angus it's cool.

Straight ahead crunchy rhythm tone with slight pitch shift for fatness. Good for chunky 5ths.

Clean, warm acoustic tone with rich reverb. Good stand-by for clean strumming.

Midrangy lead tone with a long delay. Great for building harmonies in time.

Z-Clean tone with step for a rhythmic waterfall effect. Reminiscent of Zappa "Ships Ahoy".

Dark and clean with wow resonance. Good for dynamic, clean lead playing.

Phased and clean with sharp attack that's good for smacking rhythms.

Clean tone with delayed attack and heavy FX dimensioning.

Long, rich, cavernous kind of clean tone. Acoustic simulator. Stare into the night sky and play descending double stops in a Lydian sharp 5 scale.

Clean warm sound with folding reverse echoes in a lush hall. Good for background chords.

This has the "kitchen sink!" Auto Wah, StereoChorus, Hall, etc. Play a solo with jumping intervals on every note.

Wet wet wet, lush clean tone with forever delays in all directions. Try playing tension chords with sight whammy bar vibrations.

Heavy phased and revered delay melody tone. Good for legato type Holdsworth riffs.

Fender Twin Reverb and compressor. Great for clean funk rhythm guitar.

Overdriven Vox AC30 with room reverb. The reverb adds a unique closed back type sound.

Texas blues sound of a Fender Bassman volume at 10. The sound responds to the guitar volume. Great sound for blues.

MESA/BOOGIE MKIII mild drive sound. Great for sustained leads.

Fat crunch sound of HIWATT CUSTOM 100. Great rock crunch sound.

Marshall 1959 classic crunch sound. Feel the dynamics of this sound.

Marshall JCM2000 rhythm sound. Heavy, but the sound still has a classic Marshall sound.

Peavey 5150 rhythm sound. Great for metal rhythm guitar.

Diezel Herbert heavy rhythm sound. Great for heavy riffs with tuned down guitars.

MESA/BOOGIE Rectifier rhythm sound. Great for the progressive metal.

Natural overdriven sounds like OD-1 with EQ. Great for both lead and rhythm.

Sounds like Tube Screamer overdriven. Great for blues to rock.

Guv'nor pedal is great for hard rock sound.

MXR distortion drive sound.

DS-1 pedal sound with some extra low end.

Well sustained lead sound of RAT.

Great fuzz sound using FUZZ FACE with added some low end.

BIG MUFF high gain sound.

Classic Metal Zone shrapnel shred sound.

Mild driven sound made by a tube saturation. Even though it is hard driving it still has a strong melodic core in the sound.

Crystal clean sound based on Z CLEAN with chorus and delay. Great for arpeggio.

The sound combination of ADA MP1 and Marshall JCM800.

ZOOM's original high gain sound. Great for 7 strings or tuned down guitar. Great progressive metal sound.

Modified VOX AC30 crunch sound. Responds well to the guitar's volume.

Hard saturated distortion sound. Great sound for technical lead.

Resonance. Best sound to play long sustained chords.

Pedal controlled pitch shifter. Use the expression pedal to control the pitch.

Automatic Vibrato. Great sound for chord arpeggio.

Tape echo effect gives you a unique sound by turn the feedback all the way up and control the pedal.

Reverse delay. It creates a unique reverse effect.

VOLUME

Hall : Mix

VOLUME

Room : Mix

EarlyRef : Mix

Echo : Mix

TiledRoom : Mix

EarlyRef : Mix

VOLUME

TiledRoom : Mix

VOLUME

AnalogDLY : Mix

TiledRoom : Mix

Room : Mix

Echo : Mix

VOLUME

Spring : Mix

Room : Mix

VOLUME

Resonance : Sense

PDL Pitch : Bend

Vibrato : Rate

TapeEcho : Time

ReverseDL : Bal

G2.1MA -PatchList-E-1