EFFECT presets of XENYX 1002FX
No. |
EFFECT |
Description |
|
HALL 00-09 |
|
00 |
SMALL HALL 1 |
approx. 1.0s reverb decay |
01 |
SMALL HALL 2 |
approx. 1.2s reverb decay |
02 |
SMALL HALL 3 |
approx. 1.5s reverb decay |
03 |
MID HALL 1 |
approx. 1.8s reverb decay |
04 |
MID HALL 2 |
approx. 2.0s reverb decay |
05 |
MID HALL 3 |
approx. 2.5s reverb decay |
06 |
BIG HALL 1 |
approx. 2.8s reverb decay |
07 |
BIG HALL 2 |
approx. 3.2s reverb decay |
08 |
BIG HALL 3 |
approx. 4s reverb decay |
09 |
CHURCH |
approx. 7s reverb decay |
|
ROOM 10-19 |
|
10 |
SMALL ROOM 1 |
approx. 0.5s reverb decay |
11 |
SMALL ROOM 2 |
approx. 0.8s reverb decay |
12 |
SMALL ROOM 3 |
approx. 1.0s reverb decay |
13 |
MID ROOM 1 |
approx. 1.2s reverb decay |
14 |
MID ROOM 2 |
approx. 1.5s reverb decay |
15 |
MID ROOM 3 |
approx. 1.8s reverb decay |
16 |
BIG ROOM 1 |
approx. 2.0s reverb decay |
17 |
BIG ROOM 2 |
approx. 2.2s reverb decay |
18 |
BIG ROOM 3 |
approx. 2.5s reverb decay |
|
|
|
19 |
CHAPEL |
approx. 3s reverb decay |
|
PLATE 20-29 |
|
20 |
SHORT PLATE |
approx. 1.0s reverb decay |
|
|
|
21 |
MID PLATE |
approx. 1.5s reverb decay |
22 |
LONG PLATE |
approx. 2.2s reverb decay |
|
|
|
23 |
VOCAL PLATE |
approx. 1.2s reverb decay |
24 |
DRUMS PLATE |
approx. 1.0s reverb decay |
|
|
|
25 |
GOLD PLATE 1 |
approx. 1.2s reverb decay |
26 |
GOLD PLATE 2 |
approx. 2.0s reverb decay |
|
|
|
27 |
SHORT SPRING |
approx. 1.0s reverb decay |
28 |
MID SPRING |
approx. 2.0s reverb decay |
29 |
LONG SPRING |
approx. 2.5s reverb decay |
|
GATED/REVERSE 30-39 |
|
30 |
GATED REV SHORT |
approx. 0.8s gate time |
31 |
GATED REV MID |
approx. 1.2s gate time |
32 |
GATED REV LONG |
approx. 2.0s gate time |
33 |
GATED REV XXL |
approx. 3.0s gate time |
34 |
GATED REV DRUMS 1 |
approx. 0.8s gate time |
35 |
GATED REV DRUMS 2 |
approx. 1.2s gate time |
36 |
REVERSE SHORT |
approx. 0.8s reverb raise |
37 |
REVERSE MID |
approx. 1.2s reverb raise |
38 |
REVERSE LONG |
approx. 2.0s reverb raise |
39 |
REVERSE XXL |
approx. 3.0s reverb raise |
|
EARLY REFLECTIONS 40-49 |
|
40 |
EARLY REFLECTION 1 |
Short |
|
|
|
41 |
EARLY REFLECTION 2 |
Medium-short |
42 |
EARLY REFLECTION 3 |
Medium-long |
|
|
|
43 |
EARLY REFLECTION 4 |
Long |
44 |
SHORT AMBIENCE |
Short |
|
|
|
45 |
MID AMBIENCE |
Medium-short |
46 |
LIVE AMBIENCE |
Medium-short |
|
|
|
47 |
BIG AMBIENCE |
Medium-long |
48 |
STADIUM |
Long |
|
|
|
49 |
GHOST AMBIENCE |
Extra-long special FX |
No. |
EFFECT |
Description |
|
|
DELAY 50-59 |
50 |
SHORT DELAY 1 |
Like a short shattering |
51 |
SHORT DELAY 2 |
1-2 short impulse(s) |
52 |
SHORT DELAY 3 |
1-2 short impulse(s) |
53 |
MID DELAY 1 |
Classical Delay for up-tempo music (115-125 BPM) |
54 |
MID DELAY 2 |
Classical Delay for mid-tempo music (105-115 BPM) |
55 |
MID DELAY 3 |
Classical Delay for slow-tempo music (95-105 BPM) |
56 |
LONG DELAY 1 |
Classical Delay for reggae-tempo music (85-95 BPM) |
57 |
LONG DELAY 2 |
Classical Delay for dub-tempo music (75-85 BPM) |
58 |
LONG DELAY 3 |
Extra long (nearly infinite) delay effect |
59 |
LONG ECHO |
Extra long canyon echo effect |
|
|
CHORUS 60-69 |
60 |
SOFT CHORUS 1 |
Unobtrusive effect |
61 |
SOFT CHORUS 2 |
Unobtrusive effect with different color |
62 |
WARM CHORUS 1 |
Analog sounding |
63 |
WARM CHORUS 2 |
Analog sounding with different color |
64 |
PHAT CHORUS 1 |
Pronounced chorus effect |
65 |
PHAT CHORUS 2 |
Pronounced chorus effect with different color |
66 |
CLASSIC FLANGER |
Standard flanger effect |
67 |
WARM FLANGER |
More analog touch |
68 |
DEEP FLANGER |
Deep modulation impression |
|
|
|
69 |
HEAVY FLANGER |
Extremely pronounced effect |
|
|
PHASE/PITCH 70-79 |
70 |
CLASSIC PHASER |
Standard phaser effect |
|
|
|
71 |
WARM PHASER |
More analog touch |
72 |
DEEP PHASER |
Deep modulation impression |
|
|
|
73 |
HEAVY PHASER |
Extreme strong effect |
74 |
PITCH SHIFT DETUNE |
2-3-times detune for a wider solo voice sound |
|
|
|
75 |
PITCH SHIFT +3 |
Minor third added voice |
76 |
PITCH SHIFT +4 |
Major third added voice |
|
|
|
77 |
PITCH SHIFT +7 |
Quint above added voice |
78 |
PITCH SHIFT -5 |
Fourth down added voice |
79 |
PITCH SHIFT -12 |
1 octave down added voice |
|
|
MULTI 1 80-89 |
|
|
|
80CHORUS + REVERB 1 Soft chorus + medium-short reverb
81CHORUS + REVERB 2 Deep chorus + medium-long reverb
82FLANGER + REVERB 1 Soft flanger + medium-short reverb
83FLANGER + REVERB 2 Deep flanger + medium-long reverb
84PHASER + REVERB 1 Soft phaser + medium-short reverb
85PHASER + REVERB 2 Deep phaser + medium-long reverb
86 |
PITCH + REVERB 1 |
Soft voice detuning + medium-short reverb |
87 |
PITCH + REVERB 2 |
Fourth above interval + medium-long reverb |
88DELAY + REVERB 1 Short delay + medium-short reverb
89DELAY + REVERB 2 Medium-long delay + medium-long reverb
MULTI 2 90-99
90DELAY + GATED REV Short delay + medium-long gated reverb
91DELAY + REVERSE medium-short delay + medium-long reverse reverb
92 |
DELAY + CHORUS 1 |
Short delay + soft chorus |
93 |
DELAY + CHORUS 2 |
Medium-long delay + deep chorus |
94 |
DELAY + FLANGER 1 |
Short delay + soft flanger |
|
|
|
95 |
DELAY + FLANGER 2 |
Medium-long delay + deep flanger |
96 |
DELAY + PHASER 1 |
Short delay + soft phaser |
|
|
|
97 |
DELAY + PHASER 2 |
Medium-long delay + deep phaser |
98 |
DELAY + PITCH 1 |
Short delay + fourth down interval |
|
|
|
99 |
DELAY + PITCH 2 |
Medium-long delay + minor third above interval |
|
|
|
FXPL-UB2/2007-08-20