Yamaha PSR-A3E, PSR-A3 User Manual

M.D.G., EMI Division © 1995 Yamaha Corporation
VT49660 509POCP1.3-01A0 Printed in Japan
Congratulations!
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
You are the proud owner of a fine electronic keyboard. The Yamaha PSR-A3 PortaTone combines the most advanced AWM tone generation technology with state-of-the-art digital electronics and features to give you stunning sound quality with maximum musical enjoyment. A new large graphic display and easy-to-use interface also greatly enhance the operability of this advanced instrument.
In order to make the most of your PortaTone’s features and extensive performance potential, we urge you to read the manual thoroughly while trying out the various features described. Keep the manual in a safe place for later reference.
Important Features
160 outstanding voices with nine percussion kits.
A Voice Set function automatically selects appropriate voice parameters whenever a v oice
is selected.
140 accompaniment styles, each with independent intro, main A and B , 4 fill-ins, and ending
sections.
Advanced auto-accompaniment technology gives you fully-orchestrated accompaniment
to back up what you play on the keyboard.
Large multi-function LCD display panel makes it easy to select and edit parameters.
One Touch Setting feature instantly pro vides you with four types of registration settings , all
of which match to the selected accompaniment style.
Digital Effects — Re verb , Chorus and DSP, let y ou freely create a variety of diff erent sonic
environments.
Minus One, and Repeat functions are ideal for learning new songs and polishing your
keyboard technique.
Song recording feature lets you record two melody tracks with an accompaniment track.
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
With the Multi Pads, you can play and record a number of short rhythmic and melodic
sequences, to add a spice to your performance.
Registration Memory saves 128 your f avorite panel settings for instant recall when needed.
Arabic Scale instantly allows you to play arabic music.
Optional Yamaha Music Car tr idges can be plugged in for enjoyable automated perform-
ance, keyboard practice, and extra accompaniment styles.
MIDI compatibility and a range of MIDI functions make the PSR-A3 useful in a range of
advanced MIDI music systems.
Built-in amplifier and speaker system delivers top-quality sound without the need for
external equipment.
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
1
○○○○○○○○○○○○○○○○○○○○○○○○
Contents
○○○○○○○○○○○○○○○○○○○○○○○○○○
Taking Care of Your PortaTone ................................................. 3
Panel Controls 4
The Music Stand ......................................................................... 5
Setting Up 6
Power Supply .............................................................................. 6
Using An Optional AC Power Adaptor ..................................6
Using Batteries ..................................................................... 6
Connections ................................................................................ 7
The PHONES Jack ...............................................................7
SUSTAIN Jack...................................................................... 7
AUX OUT R and L+R/L Jack ................................................ 7
MIDI IN and OUT Connectors .............................................. 7
The Demonstration 8 Basic Display Operation 10 Playing the PSR-A3 12
Selecting & Playing Voices ...................................................... 12
Keyboard Percussion ......................................................... 14
The Split Mode .......................................................................... 15
Changing the Split Voice & Related Parameters ................... 15
Touch Response ....................................................................... 17
Dual Voice.................................................................................. 17
Changing the Dual Voice & Related Parameters................... 18
Harmony/Echo........................................................................... 20
Selecting a Harmony/Echo Type ........................................... 20
Sustain ....................................................................................... 22
Transposition ............................................................................ 23
Pitch Bend ................................................................................. 23
Digital Effects 24
Using the Digital Effects........................................................... 24
Changing the Reverb Effect..................................................... 24
Selecting the Reverb Effect Type .......................................... 24
Setting the Reverb Return Level............................................ 25
Changing the Chorus Effect .................................................... 26
Selecting the Chorus Effect Type .......................................... 26
Setting the Chorus Return Level............................................ 27
Changing the DSP Effect.......................................................... 28
Selecting the DSP Effect Type .............................................. 28
Setting the DSP Return Level ................................................ 29
Using Auto Accompaniment 30
The Stop Accompaniment Function ................................... 37
Accompaniment Track Control................................................ 38
Large/Small Accompaniment.............................................. 39
Muting Individual Tracks .....................................................39
Changing Accompaniment Track Voices............................ 40
Adjusting Accompaniment Track Volume ...........................40
Changing the Accompaniment Split Point ............................. 41
One Touch Setting .................................................................... 42
Using Arabic Scales 43
Setting an Arabic Scale ............................................................ 43
Adjusting the Scale Tuning .................................................... 43
Registering the Scale Settings ................................................ 45
Recall the Scale Settings ......................................................... 45
Accompaniment Scale Tuning................................................. 46
Registration Memory 47
Registering the Panel Settings ................................................ 47
Recall the Registered Panel Settings...................................... 49
The Accomp Freeze Function .................................................. 49
Song Recording 50
Recording a Melody Track ....................................................... 50
Recording Accompaniment With or Without a Melody
.............. 53
Accompaniment and Melody Playback................................... 56
Play from a Specified Measure .............................................. 57
Voice & Volume Rewrite ..................................................... 58
Clearing the SONG TRACKS ............................................. 58
The Multi Pads 59
Playing the MULTI PADS .......................................................... 59
Recording the MULTI PADS..................................................... 61
Using Music Cartridges 64
Inserting a Music Cartridge................................................. 64
Music Cartridge Handling Precautions ............................... 64
Cartridge Accompaniment Styles ........................................... 65
Selecting Cartridge Styles ..................................................... 65
Cartridge Songs ........................................................................ 66
Cartridge Song Playback ....................................................... 66
Cartridge Registration Presets ................................................ 67
Selecting Cartridge Registration ............................................ 67
Practice Features 68
The Minus One Mode ................................................................ 68
Specifying the Parts To Be Turned On or Off ..................... 68
Repeat Play................................................................................ 69
Overall Functions 70
General Functions .................................................................... 71
Keyboard Volume ............................................................... 71
Octave ................................................................................ 71
Reverb Level ...................................................................... 72
Chorus Level ...................................................................... 72
DSP Level........................................................................... 72
Pan ..................................................................................... 72
Voice Set ............................................................................ 73
Accompaniment Volume..................................................... 73
Touch Sensitivity ................................................................ 73
Minus-one Right/Left-hand Channel ................................... 74
Pitch Bend Range............................................................... 74
Metronome ......................................................................... 74
Tuning................................................................................. 74
MIDI Functions .......................................................................... 75
Remote Channel................................................................. 76
Keyboard Out ..................................................................... 77
Song Out ............................................................................ 77
Accompaniment Out ........................................................... 77
Local Control ...................................................................... 78
External Clock .................................................................... 78
Initial Data Send ................................................................. 78
Bulk Data Send................................................................... 79
Receiving Bulk Data ........................................................... 79
Appendix
PSR-A3 Function Tree........................................................... 80
About Digital Effect ................................................................ 82
Troubleshooting ..................................................................... 84
Data Backup & Initialization ................................................... 85
Data Initialization ................................................................ 85
Index........................................................................................... 86
Specifications......................................................................... 87
Voice List ............................................................................... 88
Percussion Kit List ................................................................. 92
MIDI Implementation Chart .................................................... 94
MIDI Data Format .................................................................. 97
GM System Level 1 .......................................................... 101
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
2
○○○○○○○○○○○ ○○○○○○○○○○
Your PortaTone will give you years of playing pleasure if you follow the simple rules given below:
Taking Care of Your PortaTone
Location
Do not expose the instrument to the following conditions to avoid deformation, discoloration, or more serious damage.
Direct sunlight (e.g. near a window).
High temperatures (e.g. near a heat source, out-
side, or in a car during the daytime).
Excessive humidity.
Excessive dust.
Strong vibration.
Power Supply
Turn the power switch OFF when the instrument
is not in use.
An AC adaptor, if used (the PSR-A3 runs from
either batteries or an optional AC adaptor),
should be unplugged from the AC outlet if the
instrument is not to be used for an extended pe-
riod of time.
Unplug the AC adaptor during electric storms.
Avoid plugging the AC adaptor into the same AC
outlet as appliances with high power consump-
tion, such as electric heaters or ovens. Also avoid
using multi-plug adaptors since these can result
in reduced sound quality, operation errors, and
possibly damage.
Turn Power OFF When Making
Connections
To avoid damage to the instrument and other
devices to which it is connected, turn the power
switches of all related devices OFF prior to con-
necting or disconnecting MIDI cables.
Handling and Transport
Disconnect all cables before moving the instru-
ment.
Physical shocks caused by dropping, bumping,
or placing heavy objects on the instrument can result in scratches and more serious damage.
Cleaning
Clean the cabinet and panel with a dry soft cloth.
A slightly damp cloth may be used to remove
stubborn grime and dirt.
Never use cleaners such as alcohol or thinner.
Avoid placing vinyl objects on top of the instru-
ment (vinyl can stick to and discolor the sur­face).
Electrical Interference
This instrument contains digital circuitry and
may cause interference if placed too close to radio or television receivers. If this occurs, move the instrument further away from the affected equipment.
Data Backup
Internal data (registration memory, user song,
user pad and scale memory data) will be retained in memory even if the power switch is turned OFF as long as an AC power adaptor is con­nected or batteries are installed.
Service and Modification
The PSR-A3 contains no user serviceable parts.
Opening it or tampering with it in anyway can lead to irreparable damage and possibly electric shock. Refer all servicing to qualified YAMAHA personnel.
Never apply excessive force to the controls, con-
nectors or other parts of the instrument.
Always unplug cables by gripping the plug
firmly, not by pulling on the cable.
YAMAHA is not responsible for damage caused by improper handling or operation.
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
3
Panel Controls
/
INTRO
START/STOP
SYNC-
START/STOP
REC PLAY/STOP
REPEAT PLAY
MINUS ONE
SONG
A
AUTO
ACCOMPANIMENT
REVERB
CHORUS
DSP
DSP VARIATION
DIGITAL EFFECT
MIN MAX
MASTER
VOLUME
POWER
PITCH BEND
PHONES
ON / OFF
DEMO
1
2
3
6
4
5
0
!
e
r
POP
01 8BEAT 02 8 UPBT 03 LIGHT 04 16BT P 05 FOLKR 06 POP R 07 DETRO 08 UP PO 09 POP S 10 POP R 11 POP R
POP BAL
12 8BT LI 13 SLOW 14 EPIC B 15 16BT B 16 16BT B 17 PNO B
STYLE
PSR-A3
SCALE SETTING
SCALE MEMORY
MEMORIZE
123456
Top Panel Controls.................................................................
1 POWER Switch ............................................. page 8
2 MASTER VOLUME Control........................... page 8
3 DEMO Button ................................................ page 9
4 SCALE SETTING Buttons .......................... page 43
5 SCALE MEMORY Section
• MEMORIZE Button .................................. page 45
• 1~6 Buttons.............................................. page 45
6 DIGITAL EFFECT Section
• REVERB Button....................................... page 24
• CHORUS Button....................................... page 24
• DSP Button............................................... page 24
• DSP VARIA TION Button........................... page 24
7 LCD Panel ................................................... page 10
8 Data Dial..................................................page 9, 14
9 Number [0]~[9] and
[+/YES], [–/NO] Buttons .......................... page 9, 13
0 SONG Section
• REC Button......................................... page 51, 54
• PLAY/STOP Button ......................page 52, 55, 56
• REPEAT PLAY Button .............................. page 69
• MINUS ONE Button ................................. page 68
! AUTO ACCOMPANIMENT Section
• SYNC-START/STOP Button .................... page 35
• START/STOP Button..........................page 35, 37
• INTRO Button........................................... page 35
• MAIN A/B Button................................page 35, 37
• ENDING Button........................................ page 37
• ACCOMP LARGE/SMALL Button............ page 39
• TRACK ON/OFF Button ........................... page 39
@ CURSOR s, t, <, > Buttons ................... page 10
# TEMPO s, t Buttons................................. page 34
$ FUNCTION s, t Buttons........................... page 10
% REGISTRATION MEMORY Section
• MEMORIZE Button .................................. page 48
• 1~4 Buttons........................................page 48, 49
• ACCOMP FREEZE Button....................... page 49
^ MODE Button .......................................... page 11
& STYLE Button.............................................. page 33
* VOICE Button.............................................. page 12
( ONE TOUCH SETTING Button................... page 42
) Music CARTRIDGE Slot ............................. page 64
q KEYBOARD Section
• TOUCH RESPONSE Button .................... page 17
• DUAL VOICE Button ................................ page 17
• HARMONY/ECHO Button........................ page 20
• SUSTAIN Button....................................... page 22
w MULTI PADS Section
• MULTI PADS 1~4 ...............................page 60, 62
• REC/END, TERMINA TE Button ......... page 60, 62
e PITCH BEND Wheel ................................... page 23
r PHONES Jack............................................... page 7
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
4
Panel Controls
A
N
T
122 FALLAHI
103 SAIDI 1
87 6/8 MARCH 1
37 POLKA POP
18 6/8 BLD 1 19 6/8 BLD 2
ROCK
20 ROCK POP
POP
21 ROCK BALLAD
POP
22 LITE RK BLD
POP
23 HARD ROCK
OP
24 ROCK SHUFFL
OCK
25 6/8HVY ROCK
OCK
26 SLOW ROCK
IT POP
DANCE
P SHFL
27 TECHNO 1
HUFFLE
28 TECHNO 2
HMBA 1
29 POP RAP
HMBA 2
30 EUROBEAT
LAD
31 DANCE POP
GHT
DISCO
BALLAD
32 DISCO POP
ALLAD
33 70S DISCO
LD 1
34 DISCO SOUL
LD 2
35 DISCO PARTY
ALLAD
36 DISCO TROP
CURSOR
RHYTHM & BLUES
38 R&B 39 SOUL 40 FUNK 41 6/8 BLUES 42 6/8 GOSPEL 43 GOSPEL WLTZ
ROCK & ROLL
44 ROCK&ROLL 1 45 ROCK&ROLL 2 46 BOOGIE 47 TWIST
TRAD JAZZ
48 DIXIELAND 49 BIG BAND 50 B B BALLAD 51 SWING 52 CHARLESTON
CONTEMP JAZZ
53 COOL JAZZ 54 JAZZ BALLAD
FUNCTION
@
56 FUSION
LATIN
57 FAST BOSSA 58 SLOW BOSSA 59 POP BOSSA 60 SALSA 61 SAMBA 1 62 MAMBO 63 SON 64 MERENGUE 65 BOLERO LNTO
CARIBBEAN
66 POP REGGAE 67 REGGAE 16 68 REGGAE 12
C & W
69 BLUEGRASS
$
71 C ROCK 2 72 COWBOY BOOG 73 C BALLAD 74 C SHUFFLE 75 TWO STEP 76 C WALTZ 1 77 C WALTZ 2
WORLD MUSIC
78 POLKA1 79 POLKA2 80 ESPAGNOLE 81 TARANTELLA 82 MUSETTE 83 TRD WALTZ 1 84 TRD WALTZ 2
MARCH
85 MARCH 1 86 MARCH 2
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD DUAL VOICE SPLIT VOICE
HARM
/
ECHO
OVERALL
DIGITAL EFFECT
88 6/8 MARCH 2
BALLROOM STD
89 TANGO ARGN 90 FOXTROT 91 JIVE 92 QUICKSTEP 93 SLOWFOX 94 SLOW WALTZ 95 VIEN WALTZ
BALLROOM LATIN
96 CHA CHA 97 RHUMBA 98 SAMBA 2 99 CONGA 100 PASODOBLE ORIENTAL 101 MAKSOUM 102 MAKSOUM S
801
REGIST
RHYTHM BASS CHORD PAD PHRASE ACCOMP MELODY2MELODY
111 ON / OFF
VOICE
135102117 130 1011011
VOL
ACCOMP TRACK SONG TRACK
123 MAGHRIBI
104 SAIDI 2
124 HAJAA
105 SAIDI 3
125 VALS
106 BALADI
126 FOX
107 MALFOUF
127 ZAKY'N
108 OMAR'K
128 SAMBA MASRI
109 IBRAHIMI
129 RHUMBA
110 MASMOUDI
130 GUARACHA
111 WEHDA
131 JERK
112 10/8 SAMAAI
132 SHABABY 1
113 3/4 DAREJ
133 SHABABY 2
114 SOUDASSI
134 TSIFTETELI
115 KATAKOUFTI
135 ZEIMBEKIKOS
116 AYOUB
136 KALAMATA
117 ZAFFA
137 SIRTOS
118 A'DANI
138 TSAMIKOS
119 KHALIGI 1
139 KARSILAMAS
120 KHALIGI 2
140 5/8
121 BAMBI
GrandPno
118 10 a01
TEMPO TRANSPOSE MEASURE REPEAT CHORD
7
1
REC REC REC
70 C ROCK 1
55 JAZZ WALTZ
TEMPO
RESET
#
AUTO FILL
ENDINGMAIN
B
ACCOMP LARGE/SMALL TRACK ON/OFF
MEMORIZE 1 2 3 4
REGISTRATION
MEMORY
%
VOICE
PIANO
01 GRAND PIANO 02 BRIGHT PNO 03 HONKY-TONK 04 FUNKY E PNO 05 DX E PIANO 06 MIDI GRAND 07 HYPER E PNO 08 DREAM E PNO 09 BELL E PNO 10 ICE E PIANO 11 TREM E PNO 12 HARPSICHORD 13 HARPSI CPL 14 CLAVI 15 WAH CLAVI 16 CELESTA
BEAT
OTS
REVERB DUAL
CHORUS HARMONY
DSP SUSTAIN
dim
mM
TOUCHMINUS ONE
119
(
6
513
7
augsus4
MALLETS
17 VIBRAPHONE 18 MARIMBA 19 GLOCKEN 20 XYLOPHONE 21 TUBE BELLS 22 TIMPANI 23 STEEL DRUMS 24 DULCIMER 25 MUSIC BOX 26 KALIMBA
ORGAN
27 JAZZ ORGAN 1 28 JAZZ ORGAN 2 29 DRAWBAR ORG 30 FULL ORGAN 31 CLICK ORGAN 32 ROCK ORGAN 1 33 ROCK ORGAN 2
NORMAL SPLIT SINGLE
)
FINGERED
ACCOMP FREEZE
34 16+2 ORGAN 35 16+4 ORGAN 36 CHURCH ORG 37 REED ORGAN 38 MUSETTE 39 TRAD ACCORD 40 SOFT ACCORD 41 TANGO ACCRD 42 BANDONEON
GUITAR
43 CLASSIC GTR 44 FOLK GUITAR 45 12ST GUITAR 46 JAZZ GUITAR 47 OCTAVE GTR 48 HAWAII GTR 49 CLEAN GTR 50 TREMOLO GTR
^
51 MUTE GUITAR 52 HARMONICS 53 OVRDRV GTR 54 DIST GUITAR
BASS
55 ACC BASS 56 FINGER BASS 57 PICK BASS 58 FRETLESS 59 SLAP BASS 60 SY BASS 1 61 SY BASS 2 62 TECHNO BASS
STRINGS
63 VIOLIN 64 VIOLA 65 CELLO 66 CONTRABASS 67 BANJO
& *
STYLE VOICE
MODE
(
MULTI PADS
TERMINATE
BRASS
68 SHAMISEN
86 TRUMPET
69 KOTO 70 HARP 71 SITAR
ENSEMBLE
72 STRINGS 1 73 STRINGS 2 74 CHAMBER STR 75 SYNTH STRS 76 SLOW STRS 77 TREMOLO STR 78 VIOLIN+STRS 79 PIZZ STR 80 CHOIR 81 CHOIR AAHS 82 CHOIR OOHS 83 SYNTH CHOIR 84 VOYAGER 85 ORCH HIT
87 FLUGEL HORN 88 MUTE TRP 89 TROMBONE 90 TRB SECTION 91 FRENCH HORN 92 TUBA 93 BRASS SECT 94 BRASS+SAX 95 BRASS+TRB 96 BRASS+TRP 97 SY BRASS 1 98 SY BRASS 2
REED
99 SOPRANO SAX 100 ALTO SAX 101 ALTO SAX BR 102 TENOR SAX
103 TEN SAX BR 104 BARI SAX 105 SAX+CLARNET 106 SAX+TRB 107 OBOE 108 ENG HORN 109 BASSOON 110 CLARINET 111 HARMONICA 112 SHANAI 113 BAGPIPE
PIPE
114 PICCOLO 115 FLUTE 116 PAN FLUTE 117 RECORDER 118 BOTTLE 119 SHAKUHACHI
)
**
1
123
8
REC/END
789
+
0
/
NO
PRESS AND HOLD FOR A WHILE.
*
ONE TOUCH SETTING
9
1234
w
120 WHISTLE 121 OCARINA
SYNTH LEAD
122 SQUARE LEAD 123 SAWTOOTH LD 124 VOICE LEAD 125 CRYSTAL 126 BRIGHTNESS 127 SUB AQUA 128 ANALOG LEAD 129 RAIN HOLD 130 70'S LEAD 131 SYNTH CLAVI
SYNTH PAD
132 FANTASIA 133 BELL PAD 134 XENON PAD 135 ANGELS
654
/
YES
136 TRANSFORM 137 ATMOSPHERE 138 SHINING 139 DARK MOON 140 CYBER PAD 141 SCI-FI ORIENTAL 142 KANOUN 143 OCTAVE KNUN 144 OUD 145 TREMOLO OUD 146 RABABA 147 KAMAN 148 WATARYAT 149 BOUZOUKI 150 BAGLAMAS 151 SANTURI 152 BOUZOUK
KEYBOARD
TOUCH RESPONSE
DUAL VOICE
HARMONY/ECHO
SUSTAIN
153 MIZMAR 154 MIJWEZ 155 NAY 156 KAWALA 157 ARGOUL 158 ARABIC BRAS 159 ARABIC ORG 160 ARABIC ACD
DRUM KITS
161 STANDARD 162 ROOM 163 ROCK 164 ELECTRONIC 165 ANALOG 166 JAZZ 167 BRUSH 168 CLASSIC 169 ARABIC
q
MIDI
OUT IN
SUSTAIN
AUX OUT
R L+R/L
DC IN 10-12V
t y u i
Rear Panel Controls...............................................................
The Music Stand
t
MIDI OUT and IN Connectors ....................
y SUSTAIN Ja ck ............................................... page 7
u
AUX OUT R, L+R/L Jacks.................................
i DC IN 10-12V Jack ........................................ page 6
page 7, 75
page 7
The PSR-A3 is supplied with a music stand that can be attached to the instrument by inserting it into the slot at the rear of the control panel.
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
5
Setting Up
This section contains information about setting up your PSR-A3 and preparing to play. Be sure to go through this section carefully before using your PSR-A3.
Power Supply
Your PSR-A3 will run either from batteries or an optional power adaptor.
Follow the instructions below according to the power source you intend to use.
Using An Optional AC Power Adaptor .............................................................
Plug the DC output cable from an optional Yamaha PA-5, PA-5B, or PA-
5C AC Power Adaptor into the DC IN jack on the rear panel of the PSR-A3, then plug the Power Adaptor (or the AC cable of the Power Adaptor) into a convenient wall AC power socket. The internal batteries are automatically disconnected when an AC Power Adaptor is used.
DC IN 10-12V
PA-5,
PA-5B,
or
PA-5C
AC power socket
Never interrupt the power
supply (e.g. remove the batter­ies or unplug the AC adaptor) during any PSR-A3 record operation! Doing so can result in a loss of data.
Use ONLY a Yamaha PA-5, PA-
5B, or PA-5C AC Power Adap­tor to power your instrument from the AC mains. The use of other adaptors may result in irreparable damage to both the adaptor and the PSR-A3.
Using Batteries...............................................................................................................................................
For battery operation the PSR-A3 requires six 1.5V SUM-1, “D” size, R-
20 or equivalent batteries.
When the batteries need to be replaced “Btry Low” will appear on the display. Also the volume may be reduced, the sound may be distorted, and other problems may occur . When this happens, turn the power OFF and ei­ther replace the batteries or connect an AC adaptor.
Replace the batteries as follows:
ZOpen the battery compartment cover located on the instrument’s bottom
panel.
XInsert the six new batteries, being careful to follow the polarity markings
on the inside of the compartment.
CReplace the compartment cover, making sure that it locks firmly in place.
When the batteries run down,
replace them with a complete set of six new batteries. NEVER mix old and new batter­ies.
Do not use different kinds of
batteries (e.g. alkaline and manganese) at the same time.
To prevent possible damage
due to battery leakage, remove the batteries from the instru­ment if it is not to be used for an extended period of time.
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
6
Connections
The PHONES Jack...................................................................................................................................
A standard pair of stereo headphones
can be plugged in here for private prac-
PHONES
SUSTAIN Jack...................................................................................................................................................
tice or late-night playing. The internal stereo speaker system is automatically shut off when a pair of headphones is plugged into the PHONES jack.
Setting Up
An optional Yamaha FC4 or FC5
footswitch can be plugged into the rear-
SUSTAIN
panel SUSTAIN jack for sustain control. The footswitch functions like the damper pedal on a piano — press for sustain, release for normal sound.
AUX OUT R and L+R/L Jack..................................................................................................
The AUX OUT R and L+R/L jacks
AUX OUT
R L+R/L
Stereo
System
deliver the output of the PSR-A3 for connection to an external amplifier, mix­ing console, PA system, or recording equipment. If you will be connecting the PSR-A3 to a monophonic sound system, use only the L+R/L jack. When a plug is inserted into the L+R/L jack only, the left- and right-channel signals are com­bined and delivered via the L+R/L jack so you don’t lose any of the instrument’s sound.
Be sure that you do not press the pedal while turning the power ON. If you do, the ON/OFF status of the footswitch will be reversed.
MIDI IN and OUT Connectors.............................................................................................
The MIDI IN connector receives
MIDI data from an external MIDI device
MIDI
OUT IN
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
(such as a MIDI sequencer) which can be used to control the PSR-A3. The MIDI OUT connector transmits MIDI data generated by the PSR-A3 (e.g. note and velocity data produced by playing the keyboard). More details on MIDI are provided on page 75.
7
The Demonstration
Once youve set up your PSR-A3, try listening to the pre-programmed demonstration songs theyll give you a good idea of what the PSR-A3 can do! A total of 29 demo songs are provided songs 01 through 04 play arabic demonstration songs, songs 05 through 21 demonstrate sever al of the instruments voices and songs 22 through 29 demonstrate a range of accompaniment styles.
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM
/
ECHO
OVERALL
DIGIT AL EFFECT
Switch ON.................................................................................................................................................................
1
801
REGIST
RHYTHM BASS CHORD PAD PHRASE ACCOMP MELODY
111 ON / OFF
VOICE
VOL
ArabSng1
118 10 a01
TEMPO TRANSPOSE MEASURE REPEAT CHORD
135102117130 1011011
ACCOMP TRACK SONG TRACK
MELODY
REC REC REC
1
OTS
2
REVERB DUAL
CHORUS HARMONY
DSP SUSTAIN
BEAT
TOUCHMINUS ONE
Turn the power ON by pressing the [POWER] switch.
POWER
ON / OFF
NORMAL SPLIT SINGLE FINGERED
Set an Initial Volume Level.......................................................................................................
2
Turn the [MASTER VOLUME] control up (clockwise) about a quarter­turn from its minimum position. You can re-adjust the [MASTER VOL- UME] control for the most comfortable overall volume level after playback begins.
MASTER
VOLUME
MIN MAX
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
8
Press the [DEMO] Button...........................................................................................................
3
Press the [DEMO] button to start demo playback. The PSR-A3 SONG
function will automatically be selected and the number and name of the first demo song will appear on the top line of the display and the SONG [PLAY/ STOP] indicator will light. The demo will begin playing automatically. The demo songs will play in sequence, and the sequence will repeat until stopped.
DEMO
801
Skip to the Beginning Of a Different Demo Song.......................
4
ArabSng1
While the demonstration is playing you can select any of the 29 demo
songs by using the [–/NO] and [+/YES] buttons, the number buttons or the data dial. Playback will skip to the beginning of the selected song.
The Demonstration
You can play along on the PSR­A3 keyboard while the demon­stration is playing.
The volume bars of the song tracks at the bottom of the dis­play will move in response to the data in each track while the demo plays.
About the demo songs created by the PSR-A3 internal accompa­niment styles:
* Chord names will appear on
the display and the volume bars of the accomp tracks will move in response to the data in each track, while the demo plays.
* Harmony effect (see page 20)
can be applied when playing along with the chord progres­sion of the song.
VOICE
FUNCTION
Exit When Done.............................................................................................................................................
5
STYLE
SONG
REGIST MEMORY
MULTI PAD DUAL VOICE SPLIT VOICE
HARM
/
ECHO
OVERALL
DIGITAL EFFECT
801
ArabSng1
**
1
– –
123
654
789
+
/NO
/YES
0
Press the [DEMO] button, the SONG [PLAY/STOP] button, or the AUTO ACCOMP ANIMENT [START/STOP] button to stop demo play- back, then press the [VOICE] button to exit from the SONG function and return to the normal play-mode display when you’ve finished playing the demo songs.
DEMO
When you stop the demo songs played in sequence and start again by pressing the [PLAY/ STOP] button, the selected song will play and stop automatically when the selected song playback has ended.
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
9
o
Basic Display Operation
The PSR-A3 LCD panel is a large multi-function type that simultaneously displays and provides access to a number of important parameters. Basic operation of the display as well as the CURSOR, FUNCTION, MODE, and NUMBER buttons, and the meaning of the icons which appear in the display, are summarized briefly below.
The Cursor Buttons
The CURSOR buttons are used to select the various parameters which appear in the dis­play. Depending on the selected parameter, the cursor may appear as an underline, or the selected icon or value may simply flash. Each CURSOR button moves the cursor in the corresponding direction. The [] and [▼] CURSOR buttons are also used to select func­tions within the function groups selected by the FUNCTION buttons in some cases.
The Functions
The PSR-A3 has a range of functions selected via the FUNCTION [] and [▼] buttons e.g. voice selec­tion, style selection, song number selection, etc. The currently selected function is indicated by an arrow in the display next to the function list printed immediately to the left of the display. All of the listed functions can be se­lected by pressing either the FUNCTION [] or [] button as many times as necessary until the arrow in the display appears next to the name of the desired function.
Parameter Icons
CART (Cartridge)
Appears when a Music Cartridge song, style, or registration memory is selected (page 64).
BEAT
Flashes at the current tempo and indicates the
BEAT
current beat during accompaniment and song playback. (page 36)
OTS (One Touch Setting)
OTS
Appears when the ONE TOUCH SETTING fea­ture is engaged (page 42).
FUNCTION
CURSOR
VOICE STYLE
SONG
REGIST MEMORY
MULTI PAD DUAL VOICE SPLIT VOICE
/
ECHO
HARM
OVERALL
DIGITAL EFFECT
801
REGIST
RHYTHM BASS CHORD PAD PHRASE ACCOMP MELODY
111 ON / OFF
VOICE
VOL
GrandPn
118 10 a01
TEMPO TRANSPOSE MEASURE
135102117130 1011011
ACCOMP TRACK SONG TRACK
Accompaniment Track Parameters & Icons
The PSR-A3 has 8 accompaniment tracks (RHYTHM1/2, BASS, CHORD1/2, PAD, and PHRASE1/2), each with ON/OFF, voice number, and volume parameters that can be set as required (page 38). The icons, drums for RHYTHM1 and 2, an acoustic applied bass for BASS, an electric guitar for CHORD1 and 2, violins for PAD, a trumpet for PHRASE 1 and 2, will appear when the respective track is ON.
RHYTHM BASS CHORD PAD PHRASE
111
MELODY
REC REC REC
2
1
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
10
Basic Display Operation
REGIST
TEMPO
TRANSPOSE
MEASURE
REPEAT
m
CHORD
REGIST (Registration Memory)
Indicates the currently selected REGIS­TRATION MEMORY number (page 49).
TEMPO
Shows the current tempo of accompani­ment/song playback (page 34).
TRANSPOSE
The current transpose value (page 23).
MEASURE
Indicates the current measure number during song recording and playback (page 57).
REPEAT
Indicates the “A” and “B” repeat points when programming a repeat section (page 69).
CHORD
Indicates the current chord name during accompaniment/ song playback (page36).
The Modes
The MODE button to the right of the display selects one of the PSR-A3s four operational modes: NORMAL, SPLIT, SINGLE, and FINGERED. The currently se­lected mode is indicated by an arrow in the display next to the mode list printed immediately to the right of the display. All of the listed modes can be selected by pressing the MODE button as many times as necessary until the arrow in the display appears next to the name of the desired mode.
NORMAL: The normal play mode (page 12). SPLIT: The split-keyboard mode in which different
voices can be played by the left and right hands (page 15).
SINGLE: The single-finger accompaniment mode
which allows fully-orchestrated accompa­niment to be produced by specifying chords using only one, two or three fingers (page 31).
FINGERED: The fingered accompaniment mode in
which fully-orchestrated accompaniment is produced according to chords you play on the keyboard (page 31).
BEAT
OTS
m
REPEAT CHORD
TOUCHMINUS ONE
REVERB DUAL
CHORUS HARMONY
DSP SUSTAIN
NORMAL SPLIT SINGLE FINGERED
MODE
Song Track Parameters & Icons
Like the accompaniment tracks, each of the 3 song tracks has ON/OFF, voice number (MELODY tracks), and volume parameters that can be set as required (page 50). Each track has its own icon which appears when the track is ON.
ACCOMP MELODY1MELODY
2
Feature On/Off Icons
MINUS ONE
MINUS ONE
REVERB
CHORUS
DSP
TOUCH
DUAL
HARMONY
SUSTAIN
Appears when the MINUS ONE feature is ON (page 68).
REVERB
Appears when the REVERB EFFECT is ON (page 24).
CHORUS
Appears when the CHORUS EFFECT is ON (page 24).
DSP
Appears when the DSP EFFECT is ON (page 24).
TOUCH (Touch Response)
Appears when the TOUCH RESPONSE is ON (page 17).
DUAL (Dual Voice)
Appears when the DUAL VOICE feature is ON (page 17).
HARMONY
Appears when the HARMONY/ECHO is ON (page 20).
SUSTAIN
Appears when the SUSTAIN is ON (page 22).
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
11
Playing the PSR-A3
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE SPLIT VOICE HARM
/
ECHO
OVERALL
DIGIT AL EFFECT
801
REGIST
RHYTHM BASS CHORD PAD PHRASE ACCOMP MELODY
111 ON / OFF
VOICE
VOL
GrandPno
118 10 a01
TEMPO TRANSPOSE MEASURE REPEAT CHORD
135102117130 1011011
ACCOMP TRACK SONG TRACK
MELODY
REC REC REC
1
OTS
2
REVERB DUAL
CHORUS HARMONY
DSP SUSTAIN
BEAT
TOUCHMINUS ONE
NORMAL SPLIT SINGLE FINGERED
Selecting & Playing Voices
The PSR-A3 has 160 outstanding “pitched” voices (voice numbers 01 through 160) and 9 percussion kits (numbers 161 through 169) that you can select and play on the keyboard. It includes 19 oriental voices and 1 arabic percussion kit.
Select the NORMAL Mode........................................................................................................
1
If you want to play a single voice over the entire range of the PSR-A3
keyboard, you’ll need to select the NORMAL mode. To do this, press the
[MODE] button to the right of the display as many times as necessary until
the arrow in the display appears next to “NORMAL” in the mode list to the
right of the display. The other modes will be described later in this manual.
NORMAL SPLIT SINGLE FINGERED
MODE
Select the VOICE Function......................................................................................................
2
Before you select a voice to play, the PSR-A3 voice function must be
selected. The simplest way to do this is to press the [VOICE] button. This
immediately selects the VOICE function no matter what function was previ-
ously selected.
An alternative method is to press the [FUNCTION] button to the left of
the display as many times as necessary until the arrowhead in the display
appears next to “VOICE” in the function list to the left of the display.
VOICE
FUNCTION
STYLE SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM
/
ECHO
OVERALL
DIGITAL EFFECT
801
GrandPno
VOICE
•“Kybd Vol function (see page
71) in the OVERALL function group can be quickly selected by pressing and holding the [VOICE] button.
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
12
Select a Voice.....................................................................................................................................................
3
The PSR-A3 has 169 voices that can be selected by using either the [–/
NO] and [+/YES] buttons, the number buttons or the data dial. The voices
are listed in the VOICE list printed at the top of the instrument’s control panel. The number and name of the currently selected voice appears on the top line of the display panel while the VOICE function is selected.
The [–/NO] and [+/YES] Buttons
When the VOICE function is selected these buttons step up or down through the PSR-A3’s voices. Press either button briefly to step to the next voice in the corresponding direction, or hold the button to scroll rapidly through the voices in the corresponding direction.
789
+
/NO
/YES
0
Playing the PSR-A3
Voice numbers 170~171 exclu­sively can be used as the dual voice see page 19.
The Number Buttons
The number buttons can be used to directly enter the number of the de­sired voice, thereby immediately selecting that voice without having to step through a number of other voices.
Two-digit voice numbers (i.e. “01” through “99”) are selected simply by entering the two digits in sequence — e.g. to select voice number “57”, briefly press the [5] buttons and then the [7] button.
**
1
– –
123
654
789
+
/NO
/YES
0
Three-digit voice numbers (i.e. “100” through “169”) are entered by first pressing and holding the [1] button until “1” appears in the hundreds position on the display, then press the remaining two digits in sequence.
**
1
– –
VOICE STYLE
SONG
102
GrandPno
123
654
Whenever you select a new voice, the appropriate voice­related parameters for that voice will be set automatically. This is the PSR-A3 Voice Set function. The Voice Set function can be turned OFF if not required page 73.
The stereo pan position of the voice can be set via the “Pan” function in the OVERALL func­tion group see page 72.
789
+
/NO
/YES
0
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
13
Playing the PSR-A3
The Data Dial
This is undoubtedly the easiest way to select a voice. Simply rotate the dial clockwise to increment or counter-clockwise to decrement.
Play & Adjust Volume.........................................................................................................................
4
You can now play the selected voice on the PSR-A3 keyboard. Use the
[MASTER VOLUME] control to adjust the overall volume level.
The optimum octave settings (OVERALL function: octave = 0) are set to the keyboard for each voice (except for keyboard per­cussion).
The keyboard volume can be adjusted independently from the accompaniment volume via the Kybd Vol function in the OVER­ALL function group see page
71. Kybd Vol function can be quickly selected by pressing and holding the [VOICE] button.
Keyboard Percussion
When one of the nine PERCUSSION KIT voices are selected — voice numbers 161 through 169 — you can play drums and percussion instru­ments on the keyboard.
VOICE STYLE
SONG
The Percussion Kits
161 Standard Kit 162 Room Kit 163 Rock Kit 164 Electronic Kit 165 Analog Kit
169: Arabic Kit (Panel Arabic Kit)
Cabasa
Hager Dom
Bongo L
Zagrouda H
Conga H Open
Closed Rim Shot
C1 C2 C3 C4 C5 C6
Conga L
Bongo H
Hager Edge
Nakarazan Dom
Nakarazan Edge
Zagrouda L
Conga H Mute
Snare H Soft
Bass Drum L
Snare H Hard
Floor Tom L
Floor Tom H
169
166 Jazz Kit 167 Brush Kit 168 Classic Kit 169 Arabic Kit
Arabic Hand Clap
Dark Hi-Hat Closed
Dark Hi-Hat Pedal
Low Tom
High Tom
Mid Tom L
Mid Tom H
Crash Cymbal 2
Arab.Kit
(Panel Arabic Kit)
Cowbell
Ride Cymbal 1
Crash Cymbal 1
Doff Dom
Katem Dom
Duhulla Tak
Duhulla Sak
Tambourine
Katem Sak
Dark Hit Hat Open
Duhulla Dom
Claves
Doff Tak
Tabla Dom
Katem Tak
Katem
Tabla Tik
Tabla Sak
Tabla Flam
Tak
Tabla Tak1
Sagat 1
Tabla Roll of Edge
Tabel Dom
Tabla Tak2
Sagat 3
Sagat 2
Rik Dom
Rik Finger 1
Rik Finger 2
Tabel Tak
Rik Sak
Rik Tak 2
Rik Tak 1
Rik Tik
Rik Brass Tremolo
The drums and percussion instruments played by the various keys for voice number 161: Standard Kit are marked by symbols below the keys.
The Harmony/Echo and Dual functions (pages 20 and 17) cannot be turned ON while a keyboard percussion voice is selected, and will automatically be turned OFF if a keyboard percussion voice is selected while they are ON.
The Transpose and Scale Tuning parameters (page 23 and 43) have no effect on the keyboard percussion voices.
See page 93 for a complete listing of the keyboard percus­sion drum instrument assign­ments.
The PSR-A3 has two Arabic Kits (Panel Arabic Kit and GM Arabic Kit). The illustration shown to the left is Panel Arabic Kit which you normally play on the keyboard. See page 93 for more information on Panel Arabic Kit and GM Arabic Kit.
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
14
The Split Mode
The SPLIT mode lets you play different voices with the left and right hands. You could, for example, play bass with the left hand while playing piano with the right. The right-hand voice is the keyboard voice you select in the normal way (page 12), and the left hand voice is selected via the SPLIT VOICE func­tion, described below. The “split point” is initially set at B2 (note number 59), but it can be set at any key on the keyboard.
The SPLIT mode is engaged by pressing the [MODE] button so that the arrow in the display appears next to “SPLIT” in the mode list to the right of the display.
Playing the PSR-A3
The SPLIT mode and DUAL VOICE feature (page 17) can be used together. In this case the dual voice plays simultaneously with the right-hand voice only.
Split Point
Split Voice
Voice selected via the VOICE function
NORMAL SPLIT SINGLE FINGERED
Changing the Split Voice & Related Parameters
Select the SPLIT VOICE Function..............................................................................
1
Press the [FUNCTION] button to the left of the display as many times
as necessary until the arrowhead in the display appears next to “SPLIT VOICE” in the function list to the left of the display .
VOICE
FUNCTION
STYLE
SONG
REGIST MEMORY
MULTI PAD DUAL VOICE SPLIT VOICE
HARM
/
ECHO
OVERALL
DIGITAL EFFECT
855
Aco.Bass
Select the Function and Set As Required.................................................
2
Use the cursor [] and [] buttons to select the desired function, and
then the [–/NO] and [+/YES] buttons, the number buttons or the data dial to set as required (the name of the selected function and its current setting ap­pear on the top line of the display).
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
15
Loading...
+ 35 hidden pages