300L Quick Reference Guide
Selecting Analog and/or Digital Input
The 300L is factory set to run Analog In at 48kHz. To change the Analog Sampling rate, to slave-lock the 300L to an external digital device, or to external system word clock, press CTRL to enter Control mode. Press PAGE until the following set of controls appear on the LARC slider display.
This page allows you to view the current status of the box, (STA), define sample clock speed (CLK), specify a digital Input connector (DIN), and select Input type (INP), output type (OUT) and digital output format (OFMT). Use the sliders beneath each label to make selections.
View the current status of system |
STA |
CLK |
DIN |
INP |
OUT |
OFMT |
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Press the button under the CLK slider to show the current analog clock sample rate. Use the slider to select a new rate.
Before setting the 300L to receive Digital Word Clock, use the DIN slider to designate one digital input connector (XLR, RCA or Optical) as the master for the system.
The INP slider selects Input type:
Single ANALOG, DIGITAL,
ANA + DIG.
Dual Mono ANALOG, DIGITAL, ANA-A DIG-B, ANA-B DIG-A
Cascade ANALOG, DIGITAL.
Select AES or S/PDIF digital output format.
In Split modes, the OUT slider allows selection of unused analog or digital outputs as patch points. (Selecting a patch point with this slider requires a return input in order for the unit to continue passing audio.)
Setups
The 300L is organized into Setup Presets and User Registers. Setups contain input routing, analog and digital levels and balances, LFO rates and shapes, DSP effect configuration, and pointers to one or more effects. The SETUP key accesses this top level of the user interface.
To simplify the choice among the many possible effect and system routings, the 300L is shipped with 150 Setup Presets.
The Setup Presets are organized as follows:
P1-100 = Single Setups
P101-125 = Dual Mono Setups
P126-150 = Cascade Setups
All of the Setups are listed on the reverse side of this card.
Single Setups
Single Setups (P1-100) unify both Machine A and Machine B into a single DSP engine.
Analog |
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L |
Analog |
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R |
Level |
Digital |
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Digital |
R |
Level |
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Dry |
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Analog and |
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Digital Out |
Analog |
Σ |
MACH |
Overall |
L |
Balance |
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A |
Mix |
R |
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Σ |
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Digital |
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Dry |
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Balance |
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All Single Setup Presets are factory loaded with a program of the same name.
Split Setups
Dual Mono Setups (P101125) load one effect into Machine A (left out) and one into Machine B (right out).
Cascade Setups also load two effects: one is loaded into Machine A, then the audio from Machine A is passed to Machine B.
When only one input is selected (analog or digital), the format is referred to as "fixed". When both analog and digital are specified to operate as main inputs, the format is referred to as "mixed".
Analog or
Digital |
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L |
Input |
R |
Level |
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Dry
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Feedback |
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Patch Points |
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Input |
Σ |
MACH |
A |
MACH |
B |
Balance |
Σ |
A |
Mix |
B |
Mix |
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Patch Points |
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Feedback |
L
Out
Overall |
Mix |
R
Out
Dry
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Fixed |
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MA |
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Level |
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Analog or |
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Digital |
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R |
MB |
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Level |
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Mixed
L |
MA |
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Analog |
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Level |
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R |
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L |
MB |
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Digital |
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Level |
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R |
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MA |
Balance |
MB |
Balance |
Dry
Patch Points |
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MACH |
A |
L |
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Mix |
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Out |
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MACH |
B |
R |
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Mix |
Out |
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Patch Points |
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Dry
Dry
MA |
MACH |
A |
L |
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Balance |
A |
Mix |
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Out |
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MB |
MACH |
B |
R |
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Balance |
B |
Mix |
Out |
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Dry |
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Setup Selection and SoftSlider
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Press |
SETUP |
to display the |
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Press |
ENTER |
to load the |
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currently running Setup. Use |
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selected Setup. Use the |
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the PRE slider or numeric |
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SoftSlider to quickly modify |
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keypad entry to select a new |
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the sound of the Effect. |
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Setup. |
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300L Quick Reference Guide
Editing a Program or Register
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Press |
BANK |
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PROG |
or |
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PAGE |
to view addi- |
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tional |
parameter |
pages. Use |
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REG |
to access a page of |
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Effect parameters. |
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the LARC sliders to control |
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the parameters shown on |
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each page. |
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Storing your changes into Setups
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If you modify the SoftSlider setting, or any parameter, press |
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Press |
STORE |
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STORE |
again. |
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SETUP |
to return to the top level of the user interface. |
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REG slider to select an |
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"available" register (or one |
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Note: If the 300L Copy function is disabled, no STORE functions can |
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be performed.This function is enabled in CTRL mode (page 3, Slider 1). |
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Selection of CTRL does not interrupt audio operation of the 300L. |
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Single Setup Presets |
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Dual Mono Setup Presets |
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Name |
SoftSlider |
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Name |
SoftSlider |
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Name |
SoftSlider |
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P1 |
LARGE HALL |
DECAY |
P51 |
LIVEDRUMROOM |
IMPACT |
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P101 |
DM: REV/REV |
INPUT PAN |
P52 |
ON STAGE |
LIVENESS |
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P2 |
MEDIUM HALL |
DECAY |
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P102 |
DM: REV/DLY |
INPUT PAN |
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P53 |
GUITAR CAVE |
DECAY |
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P3 |
SMALL HALL |
DECAY |
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P103 |
DM: REV/PCH |
INPUT PAN |
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P54 |
DRUM CAVE |
DECAY |
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P4 |
SYNTH HALL |
LIVENESSL |
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P104 |
DM: REV/COMP |
INPUT PAN |
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P55 |
BALLROOM |
SIZE / SHAPE |
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P5 |
DANCE HALL |
LIVENESS |
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P105 |
DM: DLY/DLY |
LFO RATE |
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P56 |
SCORE STAGE |
LIVENESS |
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P6 |
SOLO HALL |
DECAY |
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P106 |
DM: DLY/PCH |
DELAY MACH A |
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P57 |
DRUM GATE |
DURATION |
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P7 |
CHURCH |
DEPTH |
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P107 |
DM: DLY/COMP |
SPACE MACH A |
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P58 |
LE GATE! |
HIGH CUT |
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P8 |
GOTHIC HALL |
DEPTH |
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P108 |
DM: PCH/PCH |
INPUT PAN |
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P59 |
THIN LIZZY |
SIZZLE |
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P9 |
GATED HALL |
SIZE |
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P109 |
DM: PCH/COMP |
INPUT PAN |
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P60 |
BAND IN ROOM |
LIVENESS |
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P10 |
DEEP END |
HOW DEEP? |
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P110 |
DM: COMP/COMP |
INPUT PAN |
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P61 |
SPACE & EKOZ |
BLEND |
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P11 |
ROOMS |
SIZES |
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P111 |
DM: SLOW SPIN |
LFO RATE |
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P62 |
VOCAL STAGE |
DECAY |
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P12 |
REHURSAL ROOM PADDING |
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P112 |
DM: WIDEFLANG |
LFO RATE |
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P63 |
WAVE O WALLS |
DECAY |
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P13 |
STUDIO A |
LIVENESS |
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P113 |
DM: X-TRAFFIC |
DELAY MACH B |
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P64 |
BRAND “X” |
DECAY |
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P14 |
STUDIO B |
LIVENESS |
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P114 |
DM: GEAR UP |
INPUT PAN |
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P65 |
HANGAR |
HIGH CUT |
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P15 |
STUDIO C |
LIVENESS |
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P115 |
DM: TWO ROOMS |
INPUT PAN |
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P66 |
EARLY REFLEX |
SPACING |
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P16 |
LARGE ROOM |
LIVENESS |
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P116 |
DM: TWO HALLS |
INPUT PAN |
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P67 |
STAGE SLAP |
PREDELAY |
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P17 |
SMALL ROOM |
LIVENESS |
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P117 |
DM: DELAYS |
DELAY SPACE |
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P68 |
HUGE SPACE |
DECAY LEVEL |
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P18 |
BEDROOM |
REFLEXIONS |
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P118 |
DM: REVPAN |
DECAY TIME |
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P69 |
VOCAL SHEEN |
SPACE |
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P19 |
W.C. |
DECAY |
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P119 |
DM: UP&DOWN |
DELAY |
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P70 |
ALMOST VERB |
PREDELAY |
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P20 |
INVERSE ROOM |
DURATION |
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P120 |
DM: MYGUITAR |
INPUT PAN |
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P71 |
RICH PLATE |
DECAY |
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P21 |
CHAMBER |
DECAY |
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P121 |
DM: ENVSPOOGE |
INPUT PAN |
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P72 |
GLOSSY PLATE |
DECAY |
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P22 |
BRICK WALL |
DIFFUSION |
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P122 |
DM: FLNG&DLYS |
DELAY MACH B |
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P73 |
WARM PLATE |
DECAY |
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P23 |
OIL DRUM |
TUNING |
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P123 |
DM: DLY DAZE |
DELAY |
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P74 |
PERC PLATE |
SIZE |
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P24 |
WIDE CHAMBER |
DECAY |
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P124 |
DM: CLUSTERS |
DELAY MACH B |
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P75 |
CONTEM-PLATE |
DECAY |
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P25 |
FAT CHAMBER |
DECAY |
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P125 |
DM: 2 FLANGES |
INPUT PAN |
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P76 |
EKO PLATE |
EKO DELAY |
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P26 |
CHUNKY |
CHUNK |
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P77 |
5K HALL |
DECAY |
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P27 |
HOMEROOM |
DECAY |
P78 |
ROUND PLATE |
DECAY |
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Cascade Setup Presets |
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P28 |
OPEN WIDE |
DECAY |
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P29 |
WET SUIT |
DECAY |
P79 |
SALAD PLATE |
DECAY |
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P80 |
VOX PLATE |
DECAY |
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Name |
SoftSlider |
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P30 |
BASEMENT |
LIVENESS |
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P31 |
AMBIENCE |
SIZES |
P81 |
STEREOADJUST |
LEVEL |
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P126 |
CC: REV->DLY |
DELAY SPACE |
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P82 |
STEREO DELAY |
DELAY |
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P32 |
MARBLE FOYER |
SLAP LEVEL |
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P83 |
3 FRAME DLY |
FINE DELAY |
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P127 |
CC: DLY->REV |
SLAP & SIZE |
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P33 |
LARGE AMB. |
HIGH CUT |
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P84 |
4 FRAME DLY |
FINE DELAY |
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P128 |
CC: REV->PCH |
DECAY MACH A |
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P34 |
MEDIUM AMB. |
HIGH CUT |
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P85 |
PHASE INVERT |
PHASE |
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P129 |
CC: PCH->REV |
BMIX |
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P35 |
SMALL AMB. |
HIGH CUT |
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P86 |
MS DECODE |
MATRIX M/S |
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P130 |
CC: REV->COMP |
THRESHOLD |
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P36 |
V SMALL AMB. |
HIGH CUT |
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P87 |
TELEPHONE |
LEVEL |
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P131 |
CC: COMP->REV |
NONE |
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P37 |
HEAVY AMB. |
REVERB LVL |
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P88 |
MULTI CANYON |
DEPTH |
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P132 |
CC: DLY->PCH |
LFO RATE |
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P38 |
BRIGHT AMB. |
REVERB LVL |
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P89 |
LFO PANNER |
LFO SPEED |
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P133 |
CC: PCH->DLY |
DELAY SPACE |
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P39 |
SMOOTH AMB. |
HOW SMOOTH? |
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P90 |
THIN EKOZ |
FEEDBACK |
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P134 |
CC: DLY->COMP |
DELAY SPACE |
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P40 |
WAVE AMB. |
HOW LONG? |
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P91 |
STEREO SHIFT |
SHIFT DN/UP |
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P135 |
CC: SLAPS |
SPACE |
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P41 |
IN A ROOM |
HOW BIG? |
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P92 |
OCTAVE DOWN |
FINE PITCH |
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P136 |
CC: PCH->COMP |
LFO RATE |
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P42 |
STAIRWELL |
# OF FLOORS |
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P93 |
VOX CHORUS |
SPLIT SHIFT |
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P137 |
CC: SURRVERB |
SPATIAL EQ |
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P43 |
CAR INTERIOR |
WINDOW DN/UP |
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P94 |
POLE FLANGE |
FEEDBACK |
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P138 |
CC: V3COMP |
NONE |
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P44 |
MEETING ROOM |
LIVENESS |
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P95 |
BULKIE ROLL |
DELAY |
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P139 |
CC: EQ/DITHER |
NONE |
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P45 |
LIVING ROOM |
LIVENESS |
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P96 |
MR. BIG |
FINE PITCH |
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P140 |
CC: FILT DLYS |
DLY/BANDPASS |
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P46 |
POWDER ROOM |
DECAY |
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P97 |
ZORCH! |
FEEDBACK |
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P141 |
CC: JETVERB |
LFO RATE |
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P47 |
FULL CLOSET |
HOW FULL? |
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P98 |
GOING, GOING |
FEEDBACK |
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P142 |
CC: BIGBRICKS |
DIFFUSION |
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P48 |
PODIUM |
DISTANCE |
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P99 |
GTR CHORUS |
FINE PITCH |
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P143 |
CC: REV->EKOZ |
RVB LEVEL |
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P49 |
STUDIO D |
HIGH CUT |
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P100 |
FADE DOWN |
FINE PITCH |
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P144 |
CC: REV->KORUS |
RVB LEVEL |
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P50 |
OFFICE |
LIVENESS |
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P145 |
CC: OVER!TOP |
LFO RATE |
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P146 |
CC: GUITAR XP |
LFO RATE |
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The 300L has many features which are not described here |
P147 |
CC: EKO->FAZE |
AMIX |
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— for complete information, see the 300L Owner's Manual. |
P148 |
CC: VERB->DOWN B MIX |
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P149 |
CC: THE SKY |
DELAYS |
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P150 |
CC: SPINOLA |
LFO RATE |
3 Oak Park • Bedford, MA 01730 USA • Tel 781-280-0300 • Fax 781-280-0499
Lexicon Part No. 070-10674 |
Copyright © 1995 Lexicon Inc. All rights reserved. Printed in U.S.A. |