Yamaha PSR-E363 User manual

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Page 1

DIGITAL KEYBOARD

Setting UpReferenceAppendix

Before using the instrument, be sure to read “PRECAUTIONS” on pages 5–7.

Owner’s Manual

Page 2

For this instrument

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha.

WARNING: Do not place this product in a position where any-

one could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25’ cord (or less ) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician.

This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.

This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.

Some Yamaha products may have benches and / or accessory mounting fixtures that are either supplied with the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended.

NOTICE:

Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

Battery Notice:

This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.

This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the batter y being charged is a rechargeable type and that the charger is intended for the battery being charged.

When installing batteries, never mix old batteries with new ones, and never mix different types of batteries. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and batter y case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for batter y disposal information.

Disposal Notice:

Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

Model

Serial No.

Purchase Date

92-BP (bottom)

COMPLIANCE INFORMATION STATEMENT

(DECLARATION OF CONFORMITY PROCEDURE)

Responsible Party : Yamaha Corporation of America

Address : 6600 Orangethorpe Ave., Buena Park, Calif. 90620

Telephone : 714-522-9011

Type of Equipment : Digital Keyboard

Model Name : PSR-E363, PSR-EW300, YPT-360

This device complies with Part 15 of the FCC Rules. Operation is subject to the fol lowing two conditions:

1) this device may not cause harmful interference, and

2) this device must accept any interference received including interference that may cause undesired operation.

See user manual instructions if interference to radio reception is suspected.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

PLEASE KEEP THIS MANUAL

(FCC DoC)

Page 3

For AC adaptor and this instrument

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

FCC INFORMATION (U.S.A.)

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories

and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply

with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

(class B)

Page 4

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

(bottom_en_01)

The model number, serial number, power requirements, etc., may be found on or near the name plate, which is at the bottom of the unit. You should note this serial number in the space provided below and retain this manual as a permanent record of your purchase to aid identification in the event of theft.

Model No.

Serial No.

For AC adaptor

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.

CAN ICES-3 (B)/NMB-3(B)

(can_b_02)

IMPORTANT SAFETY INSTRUCTIONS

1 Read these instructions. 2 Keep these instructions. 3 Heed all warnings. 4 Follow all instructions. 5 Do not use this apparatus near water. 6 Clean only with dry cloth. 7 Do not block any ventilation openings. Install in accor-

dance with the manufacturer’s instructions.

8 Do not install near any heat sources such as radiators,

heat registers, stoves, or other apparatus (including amplifiers) that produce heat.

9 Do not defeat the safety purpose of the polarized or

grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10 Protect the power cord from being walked on or

pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Explanation of Graphical Symbols

The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

11 Only use attachments/accessories specified by the

manufacturer.

12 Use only with the cart , stand, tri-

pod, bracket, or table specifi ed by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13 Unplug this apparatus during

lightning storms or when unused for long periods of time.

14 Refer all servicing to qualified service personnel. Ser-

vicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

(UL60065_03)

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PRECAUTIONS

Power supply/AC adaptor

Do not open

Water warning

Fire warning

Battery

PLEASE READ CAREFULLY BEFORE PROCEEDING

Please keep this manual in a safe and handy place for future reference.

For AC adaptor

WARNING

• This AC adaptor is designed for use with only Yamaha electronic instruments. Do not use for any other purpose.

• Indoor use only. Do not use in any wet environments.

CAUTION

• When setting up, make sure that the AC outlet is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch of the instrument and disconnect the AC adaptor from the outlet. When the AC adaptor is connected to the AC outlet, keep in mind that electricity is flowing at the minimum level, even if the power switch is turned off. When you are not using the instrument for a long time, make sure to unplug the power cord from the wall AC outlet.

For this instrument

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:

• Do not place the power cord near heat sources such as heaters or radiators. Also, do not excessively bend or otherwise damage the cord, or place heavy objects on it.

• Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument.

• Use the specified adaptor (page 77) only. Using the wrong adaptor can result in damage to the instrument or overheating.

• Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.

• Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place on it any containers (such as vases, bottles or glasses) containing liquids which might spill into any openings. If any liquid such as water seeps into the instrument, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel.

• Never insert or remove an electric plug with wet hands.

• This instrument contains no user-serviceable parts. Do not open the instrument or attempt to disassemble or modify the internal components in any way. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.

• Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire.

• Follow the precautions below. Failure to do so might result in explosion, fire, overheating or battery fluid leakage.

- Do not tamper with or disassemble batteries.

- Do not dispose of batteries in fire.

DMI-5 1/3

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 6

- Do not attempt to recharge batteries that are not designed to be

If you notice any abnormality

Power supply/AC adaptor

Location

Connections

Handling caution

charged.

- Keep the batteries separate from metallic objects such as necklaces, hairpins, coins, and keys.

- Use the specified battery type (page 77) only.

- Use new batteries, all of which are the same type, same model, and made by the same manufacturer.

- Always make sure all batteries are inserted in conformity with the +/- polarity markings.

- When the batteries run out, or if the instrument is not to be used for a long time, remove the batteries from the instrument.

- When using Ni-MH batteries, follow the instructions that came with the batteries. Use only the specified charger device when charging.

• Keep batteries away from small children who might accidentally swallow them.

• If the batteries do leak, avoid contact with the leaked fluid. If the battery fluid should come in contact with your eyes, mouth, or skin, wash immediately with water and consult a doctor. Battery fluid is corrosive and may possibly cause loss of sight or chemical burns.

• When one of the following problems occur, immediately turn off the power switch and disconnect the electric plug from the outlet. (If you are using batteries, remove all batteries from the instrument.) Then have the device inspected by Yamaha service personnel.

- The power cord or plug becomes frayed or damaged.

- It emits unusual smells or smoke.

- Some object has been dropped into the instrument.

- There is a sudden loss of sound during use of the instrument.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:

• Use only the stand specified for the instrument. When attaching it, use the provided screws only. Failure to do so could cause

• Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.

• When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it.

• Remove the electric plug from the outlet when the instrument is not to be used for extended periods of time, or during electrical storms.

damage to the internal components or result in the instrument falling over.

• Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum.

• Be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.

• Do not place the instrument in an unstable position where it might accidentally fall over.

• Before moving the instrument, remove all connected cables, to prevent damage to the cables or injury to anyone who might trip over them.

• When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still flowing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

• Do not insert a finger or hand in any gaps on the instrument.

• Never insert or drop paper, metallic, or other objects into the gaps on the panel or keyboard. This could cause physical injury to you or others, damage to the instrument or other property, or operational failure.

• Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors.

• Do not use the instrument/d evice or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.

DMI-5 2/3

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Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.

Always turn the power off when the instrument is not in use.

Even when the [ ] (Standby/On) switch is in standby status (display is off), electricity is still flowing to the instrument at the minimum level.

When you are not using the instrument for a long time, make sure you unplug the power cord from the wall AC outlet.

Make sure to discard used batteries according to local regulations.

NOTICE

To avoid the possibility of malfunction/ damage to the product, damage to data, or damage to other property, follow the notices below.

 Handling

• Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise. When you use the instrument along with an application on your iPad, iPhone or iPod touch, we recommend that you set “Airplane Mode” to “ON” on that device in order to avoid noise caused by communication.

• Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration, damage to the internal components or unstable operation. (Verified operating temperature range: 5° – 40°C, or 41° – 104°F.)

• Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.

 Maintenance

• When cleaning the instrument, use a soft cloth. Do not use paint thinners, solvents, alcohol, cleaning fluids, or chemical-impregnated wiping cloths.

 Saving data

• Some of the data of this instrument (page 49) are retained when the power is turned off. However, the saved data may be lost due to some failure, an operation mistake, etc. Save your important data onto an external device such as a computer (page 48).

Information

 About copyrights

• Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use.

• This product incorporates and bundles contents in which Yamaha owns copyrights or with respect to which Yamaha has license to use others' copyrights. Due to copyright laws and other relevant laws, you are NOT allowed to distribute media in which these contents are saved or recorded and remain virtually the same or very similar to those in the product. * The contents described above include a computer

program, Accompaniment Style data, MIDI data, WAVE data, voice recording data, a score, score data, etc.

* You are allowed to distribute medium in which your

performance or music production using these contents is recorded, and the permission of Yamaha Corporation is not required in such cases.

 About functions/data bundled with the

instrument

• Some of the preset songs have been edited for length or arrangement, and may not be exactly the same as the original.

 About this manual

• The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat different from those on your instrument.

• iPhone, iPad, iPod touch are trademarks of Apple Inc., registered in the U.S. and other countries.

• The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.

DMI-5 3/3

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 8

About the Manuals

In addition to this Owner’s Manual, the following Online materials (PDF files) are available.

MIDI Reference

Contains MIDI-related information, such as the MIDI Implementation Chart.

MIDI Basics (only in English, French, German and Spanish)

Contains basic explanations about what MIDI is and can do.

Computer-related Operations

Contains instructions about computer-related functions.

iPhone/iPad Connection Manual

Explains how to connect the instrument to smart devices, such iPhone, iPad, etc.

To obtain these materials, access the Yamaha Downloads website, then enter the model name for searching the desired files.

Yamaha Downloads

http://download.yamaha.com/

Song Book (only in English, French, German and Spanish)

Contains music scores for the preset Songs (excluding the Demo Songs) of this instrument. After completing the user registration at the website below, you can download this Song Book free of charge.

Yamaha Online Member

https://member.yamaha.com/ You will need the PRODUCT ID on the sheet (“Online Member Product Registration”) packaged with this manual in order to fill out the User Registration form.

Included Accessories

• Owner’s Manual (this book)

• AC adaptor

• Music rest

• Online Member Product Registration

*1: May not be included depending on your particular locale. Check with your Yamaha dealer. *2: The PRODUCT ID on the sheet will be needed when you fill out the User Registration form.

Formats and functions

GM System Level 1

“GM System Level 1” is an addition to the MIDI standard which ensures that any GM-compatible music data can be accurately played by any GM-compatible tone generator, regardless of manufacturer. The GM mark is affixed to all software and hardware products that support GM System Level.

XGlite

As its name implies, “XGlite” is a simplified version of Yamaha’s high-quality XG tone generation format. Naturally, you can play back any XG song data using an XGlite tone generator. However, keep in mind that some songs may play back differently compared to the original data, due to the reduced set of control parameters and effects.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

USB

USB is an abbreviation for Universal Serial Bus. It is a serial interface for connecting a computer with peripheral devices. It allows “hot swapping” (connecting peripheral devices while the power to the computer is on).

Style File Format (SFF)

The Style File Format combines all of Yamaha’s auto accompaniment know-how into a single unified format.

Touch Response

The exceptionally natural Touch Response feature gives you maximum expressive control over the level of the Voices.

Page 9

Thank you for purchasing this Yamaha Digital Keyboard! We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient functions of the instrument. We also recommend that you keep this manual in a safe and handy place for future reference.

Contents

About the Manuals................................................ 8

Included Accessories............................................ 8

Formats and functions .......................................... 8

Setting Up

Panel Controls and Terminals 10

Setting Up 12

Power Requirements .......................................... 12

Turning the Power On......................................... 13

Setting the Auto Power Off function.................... 13

Adjusting the Master Volume.............................. 14

Connecting Headphones or External Speaker ... 14

Using a Pedal (Sustain)...................................... 14

Using the music rest ........................................... 14

Display Items and Basic Operations 15

Display Items ...................................................... 15

Basic Operations ................................................ 15

Reference

Playing a Variety of Instrument Voices 16

Selecting a Main Voice ....................................... 16

Playing the “Grand Piano” .................................. 16

Using the Metronome ......................................... 16

Layering a Dual Voice......................................... 17

Playing a Split Voice in the Left Hand area ........ 17

Changing the Touch Response of the Keyboard

Applying Effects to the Sound............................. 18

Adding Harmony or Arpeggio ............................. 19

Playing the keyboard with two persons (Duo mode) 21

Playing Styles 22

Using the Music Database.................................. 23

Registering a Style File....................................... 23

Style Variations—Sections ................................. 24

Changing the Tempo .......................................... 24

Chord Types for Style Playback ......................... 25

Looking Up Chords Using the Chord Dictionary

Playing Songs 27

Listening to a Demo Song .................................. 27

Selecting and Playing Back a Song.................... 27

BGM Playback.................................................... 28

Song Fast Forward, Fast Reverse, and Pause... 28

Changing the Melody Voice................................ 28

A-B Repeat ......................................................... 29

Turning Each Part On/Off ................................... 29

Playing an External Audio Device with the Built-in Speakers 30

Lowering the volume of a melody part

(Melody Suppressor function) ........................ 31

... 18

... 26

Using the Song Lesson Feature 32

Downloading the Song Book ...............................33

Keys To Success.................................................33

Phrase Repeat.....................................................35

Listening, Timing and Waiting .............................36

Learning How to Use “Touch” Control (Touch Tutor) 38

Hearing and Experiencing the Sound of the Chords (Chord Study) 39

Hear and experience a sound of a single chord Hear and experience basic chord progressions

...39 ...39

Playing Chords along with Chord Progressions of a Song 40

Play the chords in combination with “Waiting” of

the Lesson function.........................................40

Recording Your Performance 41

Track Structure of a Song....................................41

Quick Recording ..................................................41

Recording to a Specified Track ...........................42

Clearing a User Song ..........................................42

Memorizing Your Favorite Panel Settings 43

Memorizing Panel Settings to the Registration

Memory...........................................................43

Recalling Panel Settings from the Registration

Memory...........................................................43

Selecting an EQ Setting for the Best Sound

The Functions 45

Using with a Computer or iPhone/iPad 48

Connecting to a computer ...................................48

Connecting an iPhone/iPad .................................48

Backup and Initialization 49

Backup Parameters .............................................49

Initialization..........................................................49

Appendix

Troubleshooting .............................................50

Song Book Sample.........................................52

Voice List ........................................................62

Drum Kit List...................................................67

Song List .........................................................70

Style List .........................................................71

Music Database List.......................................72

Effect Type List...............................................73

Specifications.................................................76

Index ................................................................78

Setting UpAppendix Reference

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 10

Setting Up

!1 !2 !3 !4 !5!0

@1 @2 @3

@5 @6 @7 @8

C1 C2 C3 C4 C5 C6

@4@0

Panel Controls and Terminals

Setting Up

Front Pan el

Style List

(page 71)

Song List

(page 70)

NOTE

• The illustrations and displays as shown in this manual are based on the PSR-E363.

• Please note that the PSR-EW300, PSR-E363 and YPT-360 have different numbers of keys: the PSR-EW300 has 76 keys, and the PSR-E363 and YPT-360 have 61 keys.

Display

(page 15)

Voice List

(page 62)

Music

Database List

(page 72)

As illustrated, each note of the keyboard has a specific note number and name (e.g., 036/C1), which is used in making various settings, such as Split Point (page 22).

PSR-E363, YPT-360: 036 (C1) – 096 (C6) PSR-EW300: 028 (E0) – 103 (G6)

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 11

q [ ] (Standby/On) switch ....................page 13

#1 #2 #3

Rear Panel

w [MASTER VOLUME] dial ......................page 14

e [DEMO] button......................................page 28

r [METRONOME] button......................... page 16

t [TEMPO/TAP] button............................page 24

Panel Controls and Terminals

In the Lesson mode

y PA RT

In the Recording mode

y [REC TRACK 2] button.........................page 41

u [KEYS TO SUCCESS] button...............page 33

i [PHRASE REPEAT] button...................page 35

o [1 LISTENING 2 TIMING 3 WAITING] button

In the Song mode

!0 [A-B REPEAT] button...........................page 29

!1 [REW] button ........................................page 28

!2 [FF] button ............................................page 28

!3 [PAUSE] button.....................................page 28

In the Style mode

!0 [ACMP ON/OFF] button........................page 22

!1 [INTRO/ENDING/rit.] button .................page 24

!2 [MAIN/AUTO FILL] button.................... page 24

!3 [SYNC START] button ..........................page 22

!4 [START/STOP] button...........................page 27

!5 [REC] button .........................................page 41

!6 [SONG] button ......................................page 27

!7 [VOICE] button......................................page 16

!8 [STYLE] button .....................................page 22

!9 Number buttons [0]–[9], [+], [-]............ page 15

@0 [PORTABLE GRAND] button...............page 16

@1 [REVERB] button.......................... pages 18, 44

@2 [MELODY SUPPRESSOR] button........page 31

@3 [REGIST MEMORY] button ..................page 43

@4 [FUNCTION] button ..............................page 45

@5 [MUSIC DATABASE] button.................page 23

@6 [DUAL] button .......................................page 17

@7 [SPLIT] button ......................................page 17

@8 [HARMONY/ARPEGGIO] button.......... page 19

@9 Drum illustrations for the Drum Kit .... page 16

[L] button ..............................................page 36

[R] button ..............................................page 36

[REC TRACK 1] button.........................page 41

...............................................................page 36

Each of these indicates the drum or percussion instrument assigned to the corresponding key for “Standard Kit 1.”

#0 [SUSTAIN] jack .....................................page 14

#1 [PHONES/OUTPUT] jack ......................page 14

#2 [AUX IN] jack.........................................page 30

#3 [USB TO HOST] terminal*....................page 48

* For connecting to a computer. For details, refer to “Com-

puter-related Operations” (page 8) on the website. When connecting, use an AB type USB cable of less than 3 meters. USB 3.0 cables cannot be used.

#4 DC IN jack .............................................page 12

Panel Setup (Panel Settings)

By using the controls on the panel, you can make various settings as described here. These settings of the instrument are together referred to as “panel setup” or “panel settings” in this manual.

The “Press & Hold” Symbol

Buttons having this indication can be used to call up an alternate function when the relevant button is pressed and held. Hold down this button until the function is called up.

Setting Up

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 12

Setting Up

DC IN jack (page 11)

AC outle t

adaptor

WARN ING

Plug

The shape of the plug differs depending on your area.

Slide the plug as indicated.

CAUTION

NOTE

WARN ING

NOTICE

Power Requirements

Although the instrument will run either from an AC

Setting Up

adaptor or batteries, Yamaha recommends use of an AC adaptor whenever possible. An AC adaptor is more environmentally friendly than batteries and does not deplete resources.

Using an AC Adaptor

Connect the AC adaptor in the order shown in the illustration.

• Use the specified AC adaptor (page 77) only. Using the wrong AC adaptor can result in damage to the instrument or overheating.

• When using the AC adaptor with a removable plug, make sure to keep the plug attached to the AC adaptor. Using the plug alone can cause electric shock or fire .

• If the plug is accidentally removed from the AC adaptor, slide it back in until it clicks into place, t aking care to avoid touching any internal metal parts. To avoid electric shock, short circuit or damage, also be careful that there is no dust between the AC adaptor and plug.

Using Batteries

This instrument requires six “AA” size, Alkaline (LR6)/ Manganese (R6) batteries, or rechargeable nickelmetal hydride batteries (rechargeable Ni-MH batteries). The Alkaline batteries or rechargeable Ni-MH batteries are recommended for this instrument, since other types may result in poorer battery performance.

• When the batteries run out, or if the instrument is not to be used for a long time, remove the batteries from the instrument.

1 Make sure that the power of the instrument is off. 2 Open the battery compartment cover located on

the instrument’s bottom panel.

3 Insert the six new batteries, being careful to follow

the polarity markings on the inside of the compartment.

• When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn the power off and disconnect the plug from the outlet.

• Follow the order shown above in reverse when disconnecting the AC adaptor.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

4 Replace the compartment cover, making sure that

it locks firmly in place.

• Connecting or disconnecting the AC adaptor with batteries installed may turn the power off, resulting in loss of data being recorded or transferred at the time.

• Make sure to set the battery type correctly (page 13).

• When battery power becomes too low for proper operation, the volume may be reduced, the sound may be distorted, and other problems may occur. When this happens, make sure to replace all batteries with new ones or already recharged ones.

Page 13

Setting Up

NOTE

NOTICE

CAUTION

NOTICE

PSR-EW300

PSR-E363, YPT-360

The lowest key

NOTICE

NOTE

• This instrument cannot charge the batteries. Use only the specified charger device when charging.

• Power will be automatically drawn from the AC adaptor if an AC adaptor is connected while batteries are installed in the instrument.

 Setting the battery type

Depending on the battery type to be used, you may need to change the battery type setting on this instrument. Alkaline (and manganese) batteries are chosen by default. After installing new batteries and turning the power on, make sure to set the Battery Type appropriately (rechargeable or not) via Function number 046 (page 47).

• Failure to set the battery type may shorten the amount of the battery life. Make sure to set the battery type correctly.

Turning the Power On

1 Turn down the [MASTER VOLUME] dial to “MIN.”

2 Press the [ ] (Standby/On) switch to turn the

power on. The Voice name appears on the display. Adjust the volume as desired while playing the keyboard.

3 Press and hold the [ ] (Standby/On) switch for

about a second to set the instrument to standby mode.

• Even when the [ ] (Standby/On) switch is in standby status, electricity is still flowing to the product at the minimum level. Remove the electric plug from the outlet when the instrument is not to be used for extended peri ods of time, or during electrical storms.

• Press only the [ ] (Standby/On) switch when turning the power on. Any other operations such as pressing the pedal are not allowed. Doing so may cause the instrument to malfunction.

Setting the Auto Power Off function

To prevent unnecessary power consumption, this instrument features an Auto Power Off function that automatically turns the power off if the instrument is not operated for a specified period of time. The amount of time that elapses before the power is automatically turned off is 30 minutes by default; however, you can change the setting.

 To set the time that elapses before

Auto Power Off is executed:

Press the [FUNCTION] button several times until “AutoOff” (Function 045; page 47) appears, then use the [+] or [-] button to select the desired value.

Settings: OFF, 5, 10, 15, 30, 60, 120 (minutes) Default value: 30 (minutes)



To disable the Auto Power Off function:

Turn the power on while holding down the lowest key on the keyboard. A message “oFF AutoOff ” appears briefly, then the instrument starts up with the Auto Power Off function disabled. The Auto Power Off function also can be disabled by selecting Off in Function number 045 (page 47).

• Depending on the instrument status, the power may not turn off automatically, even after the elapse of the specified period of time. Always turn off the power manually when the instrument is not in use.

• When the instrument is not operated for a specified period of time while connected to an external device such as an amplifier, speaker or computer, make sure to follow the instructions in the Owner’s Manual to turn off the power to the instrument and the connected devices, in order to protect the devices from damage. If you do not want the power to turn off automatically when a device is connected, disable Auto Power Off.

• Generally, the data and settings are maintained even when the power is turned off with the Auto Power Off function. For details, see page 49.

Setting Up

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 14

Setting Up

CAUTION

Standard stereo phone plug

CAUTION

NOTICE

NOTE

Adjusting the Master Volume

To adjust the volume of the entire keyboard sound,

Setting Up

use the [MASTER VOLUME] dial while playing the keyboard.

• Do not use the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss.

Connecting Headphones or External Speaker

Connect a pair of headphones to the [PHONES/ OUTPUT] jack. This jack also functions as an external output. By connecting to a computer, keyboard amplifier, recorder, or other audio device, you can output the audio signal of this instrument to that external device. The speakers of this instrument are automatically shut off when a plug is inserted into this jack.

Using a Pedal (Sustain)

You can produce a natural sustain as you play by pressing a footswitch (FC5 or FC4A; sold separately) plugged into the [SUSTAIN] jack.

• Plug or unplug the footswitch while the power is off. Also, do not press the footswitch when turning the power on. Doing so changes the polarity of the footswitch, resulting in reversed operation.

• The sustain function does not affect split voices (page 17) and style (automatic accompaniment; page 22).

Using the music rest

Insert the music rest into the slots as shown.

• Do not use the instrument or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss.

• Before connecting the instrument to other electronic components, turn off the power of all the components. Also, before turning any components on or off, make sure to set all volume levels to minimum. Otherwise, damage to the components or electrical shock may occur.

• To avoid possible damage to the external device, first turn on the power to the instrument, then to the external device. When turning off the power, do so in reverse order: first turn off the power to the external device, then to the instrument.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 15

Display Items and Basic Operations

These indicate the operating condition of the instrument.

Song/Voice/Style

Normally this indicates the notes you play. When the Song Lesson function is used, this indicates the current notes and chord of playback. When the Dictionary function (page 26) is used, this indicates the notes of the chord you specify.

Notation

• Any notes occurring below or above the staff are indicated by “8va.”

• For a few specific chords, not all notes may be shown, due to space limitations in the display.

NOTE

This area indicates the Lesson related status is on.

Keys To Success (page 33)

Phrase Repeat (page

35) Chord Progression (page 40)

Indicates the Passing Status (page 34) of the Keys To Success lesson.

Lesson Indication

Each indication is shown when the corresponding function is turned on.

...

Auto Accompaniment (page 22)

... Touch Response

(page 18)

... Arpeggio (

page 19

)

... Duo (

page 21

)

... Split (

page 17

)

... Dual (

page 17

)

... Harmony (

page 19

)

On/Off status

Indicates the chord which is played on the Auto Accompaniment range (page 22) of the keyboard, or specified via Song playback.

Normally indicates the current measure number of current Style or Song. When the [FUNCTION] button (page 45) is in use, this indicates the Function number.

Indicates notes currently being played. Indicates the melody and chord notes of a Song when the Song lesson function is in use. Also indicates the notes of a chord—either when playing a chord or when using the Dictionary function.

Chord

Measure or Function

Keyboard Display

003

027

Indicates the on/off status of Song playback or target Track of Song recording (page 29, 42).

Lit: Track contains data

Unlit: Track is muted or contains no data

Flashing: Track is selected as recording track

Indicates the current beat of playback.

Song Track status

Beat

The illustration is of the PSR-E363.

Press number buttons [0], [0], [3], or simply press [3].

Example: Selecting Voice 003,

Harpsichord.

Press briefly to increase.

Press briefly to decrease.

Display Items

001

Setting Up

GrandPno

Basic Operations

Before operating the instrument, it may be helpful to familiarize yourself with the basic controls below that are used to select items and change values.

 Number buttons

Use the Number buttons to directly enter an item or value. For numbers that start with one or two zeroes, the first zeroes can be omitted.

 [-] and [+] buttons

Press the [+] button briefly to increase the value by 1, or press the [-] button briefly to decrease the value by 1. Press and hold either button to continuously increase or decrease the value in the corresponding direction.

003

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 16

Playing a Variety of Instrument Voices

Voice name

The Voice shown here becomes the Main Voice for the instrument.

Voice number

Appears after the [VOICE] button is pressed.

Flute

096

Select the Voice you want to play

Current Tempo value

Referenc e

In addition to piano, organ, and other “standard” keyboard instruments, this instrument has a large range of Voices that includes guitar, bass, strings, sax, trumpet, drums and percussion, and even sound effects—giving you a wide variety of musical sounds.

Selecting a Main Voice

Press the [VOICE] button.

The Voice number and name will be shown.

001

Reference

Use the number buttons [0]–[9], [+], [-]

buttons to select the desired Voice.

Refer to the Voice List on page 62.

Play the keyboard.

Preset Voice Types

001–197 Instrument Voices (including sound effects).

198–215 (Drum Kit)

216–235

236–574 XGlite Voices (page 64)

000

Various drum and percussion sounds are assigned to individual keys, from which they can be played. Details on the instruments and key assignments of each Drum Kit can be found in the Drum Kit List on page 67.

Arpeggios are automatically reproduced by simply playing the keyboard (page 19).

One Touch Setting

The One Touch Setting feature automatically selects the most suitable Voice when you select a Style or Song (excepting the Song inputted from the [AUX IN] jack). Simply select Voice number “000” to activate this feature.

GrandPno

Playing the “Grand Piano”

When you want to reset various settings to default and simply play a Piano sound, press the [PORTABLE GRAND] button.

The Voice “001 Grand Piano” will automatically be selected as the Main Voice.

Using the Metronome

The instrument features a built-in metronome (a device that keeps an accurate tempo), convenient for practicing.

Press the [METRONOME] button to start

the metronome.

Press the [METRONOME] button again to

stop the metronome.

To change the tempo:

Press the [TEMPO/TAP] button to call up the Tempo value, then use the number buttons [0]–[9], [+], [-].

090

Tempo

Press the [+] and [-] buttons simultaneously to instantly reset the value to the default tempo.

To set the Time Signature:

Press and hold the [METRONOME] button to call up “TimeSigN” (Functions 036; page 47), then use the number buttons, [+] and [-] buttons.

To set the Metronome Volume:

This can be set via Function number 038 (page 47).

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 17

Playing a Variety of Instrument Voices

GrandPno

001

Appears when Dual is on

Two Voices will sound at the same time.

Appears when Split is on

Split Voice

Main Voice and Dual Voice

Split Point ... default setting: 054 (F#2)

036 (C1)

048 (C2)

060 (C3)

072 (C4)

084 (C5)

096 (C6)

Layering a Dual Voice

In addition to the Main Voice, you can layer a different Voice over the entire keyboard as a “Dual Voice.”

Press the [DUAL] button to turn Dual on.

Press the [DUAL] button again to exit

from Dual.

To select a different Dual Voice:

Although turning on Dual will select a Dual Voice suitable for the current Main Voice, you can easily select a different Dual Voice by pressing and holding the [DUAL] button to call up “D.Voice” (Function 013; page

46), then using the number buttons [0]–[9], [+], [-].

Playing a Split Voice in the Left Hand area

By dividing the keyboard into the two separate areas, you can play a different Voice between the Left hand and Right hand areas.

Press the [SPLIT] button to turn on Split.

The keyboard is divided into the Left hand and Right hand areas.

001

GrandPno

You can play a “Split Voice” on the Left hand area of the keyboard while playing a Main Voice and Dual Voice on the Right hand area of the keyboard. The highest key for the Left hand area is referred to as the “Split Point” (Function 007; which can be changed from the default F#2 key.

Press the [SPLIT] button again to exit

from Split.

To select a different Split Voice:

Press and hold the [SPLIT] button to call up “S.Voice” (Function 017; page 46), then use the number buttons [0]–[9], [+], [-].

page 45

)

Reference

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 18

Playing a Variety of Instrument Voices

TouchRes

Medium

008

Reverb

Hall2

021

Current type

NOTE

Changing the Touch Response of the Keyboard

The keyboard of this instrument is equipped with a Touch Response feature that lets you dynamically and expressively control the level of the Voices according to your playing strength.

Press the [FUNCTION] button several

times until “TouchRes” (Function 008) appears.

After a few seconds, the current Touch Response

Reference

appears.

Use the number buttons [1]–[4], [+], [-]

buttons to select a Touch Response setting between 1 and 4.

Touch Response

1Soft

2 Medium

3Hard

4Fixed

Produces relatively high volume even with light playing strength. Best for players with a light touch who want to maintain a consistent, relatively loud volume.

Produces a fairly “standard” keyboard response.

The keys must be played very strongly to generate loud volume. This setting is best for a wide dynamic range and optimum expressive control of the sound, from pianissimo to fortissimo.

All notes are produced at the same volume no matter how hard the keyboard is played.

Applying Effects to the Sound

This instrument can apply various Effects as listed below to the instrument’s sound.

 Reverb

Adds the ambience of a club or concert hall to the sound. Although the best-suited Reverb type is called up by selecting a Song or Style, you can select another one by the operation below.

To select a Reverb type

1 Press the [REVERB] button.

After “Reverb” (Function 021; for a few seconds, the current type appears.

2 Use the number buttons [0]–[9], [+], [-] buttons to

select the desired type. When “Off ” is selected, Reverb is off.

You can also set the Reverb depth via Function number 022 (

page 46

 Chorus

Makes the Voice sound richer, warmer and more spacious. Although the best-suited Chorus type is called up by selecting a Song or Style, you can select another one via Function number 023 ( 46

). You can also set the Chorus depth for Voices via Function numbers 012, 016, 020 (page 46). The Chorus depth cannot be applied to the Styles or Songs.

 Panel Sustain

By turning on the Sustain parameter of Function number 024 (page 46), you can add a fixed, automatic sustain to the Main/Dual Voices played on the keyboard. Or, you can produce a natural sustain as desired with the footswitch (sold separately; page 14).

• Even if you turn on Panel Sustain, there are some Voices to which sustain is not applied.

page 46

) is shown

page

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 19

Adding Harmony or Arpeggio

Analogon

106

GrandPno

001

Appears when the Harmony is turned on.

Appears when the Arpeggio is turned on.

NOTE

Harm/Arp

Duet

001

028

Current type

Hold for longer than a second.

NOTE

You can add harmony or arpeggio notes to the Voice played on the keyboard. By specifying the Harmony Type, you can apply harmony parts, such as duet or trio, or add tremolo or echo effects to the played sound of the Main Voice. Also, when the Arpeggio Type is selected, arpeggios (broken chords) are automatically played back when you simply play the appropriate notes on the keyboard. For example, you could play the notes of a triad—the root, third, and fifth—and the Arpeggio function will automatically create a variety of interesting phrases. This feature can be used creatively in music production as well as performance.

Press the [HARMONY/ARPEGGIO] but-

ton to turn on the Harmony or Arpeggio function.

Playing a Variety of Instrument Voices

Hold down the [HARMONY/ARPEGGIO]

button for longer than a second so that “Harm/Arp” (Functions 028; page 46) appears on the display.

After “Harm/Arp” is shown for a few seconds, the current type appears.

Use the number buttons [0]–[9], [+], [-]

buttons to select the desired type.

When you want to specify a Harmony Type, refer to the Harmony Type list on page 73; to specify an Arpeggio Type, refer to the Arpeggio Type list on page 74.

• When playing one of the Arpeggio Types 143 to 176, select the corresponding Voice below as the Main Voice.

143–173: Select a Drum Kit (Voice No.198–207). 174 (China): Select “StdKit1 + Chinese Perc.” (Voice

No.208).

175 (Indian): Select “Indian Kit 1” (Voice No.209) or

“Indian Kit 2” (Voice No.210).

176 (Arabic): Select “Arabic Kit” (Voice No.211).

Reference

When the Harmony or the Arpeggio is turned on, the most suitable one will be selected for the current Main Voice. If you want to select a specific type, select it by the operation steps 2 and 3 below.

• The Harmony effect can be added to only the Main Voice.

• When selecting a Voice number between 216 and 235, the Arpeggio function will automatically be turned on.

• When selecting a Harmony Type between 001 and 005, the harmony effect will only be added to your right-hand melody play if you turn on the Style (page 22) and press chords in the auto accompaniment range of the keyboard.

Press a note or notes on the keyboard to

trigger the Harmony or Arpeggio.

When a Harmony Type is selected, a harmony part (for example, duet or trio) or an effect (for example, tremolo or echo) can be added to the played sound of the Main Voice. Also, when an Arpeggio Type is selected, arpeggios (broken chords) are automatically played back when you simply play the appropriate notes on the keyboard. The particular arpeggio phrase differs depending on the number of pressed notes and the area of the keyboard.

To turn the Harmony or Arpeggio off,

press the [HARMONY/ARPEGGIO] button again.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 20

Playing a Variety of Instrument Voices

How to play the various Types

• Harmony Type 001 to 005

Press the right-hand keys while playing chords in the auto accompaniment range of the keyboard when Auto Accompaniment is on (page 22).

• Harmony Type 006 to 012 (Trill)

Hold down two keys.

• Harmony Type 013 to 019 (Tremolo)

Keep holding down the keys.

• Harmony Type 020 to 026 (Echo)

Play the keys.

• Arpeggio Type 027 to 176

Arpeggio function applies to the Main Voice and the Dual Voice.

Arpeggio function applies only to the split Voi ce.

When Split is off:

When Split is on:

• Arpeggio cannot be applied to the Split and Main/ Dual Voices simultaneously.

• Selecting a Voice number between 226 and 235 as the Main Voice will turn on Arpeggio and Split automatically.

The method of sounding the Harmony effect (01–26) differs depending on the selected type. For Types 01– 05, turn the Auto Accompaniment on and play it by pressing a chord in the auto accompaniment section of the keyboard, then play some keys in the right-hand side to produce the Harmony effect. For Types 06–26, turning auto accompaniment on or off has no effect. However, it is necessary to play two notes simultaneously for Types 06–12.

Arp Hold

031

Reference

To adjust the Harmony Volume:

This can be adjusted via Function number 029 ( 46

page

To adjust the Arpeggio Velocity:

This can be adjusted via Function number 030 ( 46

page

Holding the Arpeggio Playback via the Footswitch (Hold)

You can set the instrument so that Arpeggio playback continues even after the note has been released, by pressing the footswitch connected to the [SUSTAIN] jack.

Press a [FUNCTION] button a number of

times until the “Pdl Func” (Function 031) item appears on the display.

After “Pdl Func” is shown for a few seconds, the current setting is shown.

Pdl Func

031

NOTE

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Sustain

Use the number buttons [1]–[3], [+], [-]

buttons to select “Arp Hold.”

If you want to restore the footswitch function to sustain, select “Sustain.” If you want to use both hold and sustain functions, select “Hold+Sus.”

Try playing the keyboard with Arpeggio

playback using the footswitch.

Press the notes to trigger the Arpeggio, then press the footswitch. Even if you release the notes, Arpeggio playback will continue. To stop Arpeggio playback, release the footswitch.

Page 21

Playing the keyboard with two persons (Duo mode)

DuoMode

Equivalent to C3

Split Point:

066 (F#3)

Left Voice

Equivalent to C3 (PSR-E363, YPT-360)

Right Voice

Equivalent to C3 (PSR-EW300)

NOTE

When the Duo mode is activated on this instrument, two different players can play the instrument simultaneously, with the same sound, over the same octave range—one person on the left and the other on the right. This is useful for learning applications, in which one person (a teacher, for example) plays a model performance and the other person watches and practices while sitting at the first person’s side.

To start this instrument in the Duo mode, simultaneously hold down the [L] button and press the [ ] (Standby/On) switch to turn on the power.

“DuoMode” is shown in the display for a few seconds, and the F#3 key becomes the Split Point and the keyboard is divided into two sections: one for the left Voice and one for the right Voice.

• The right Voice section and the left Voice section of the keyboard are both set to the same Voice (Main Voice).

• In the Duo mode, the Split Point cannot be changed from F

One person should play the left Voice section of the keyboard while the other plays the right Voice section.

Selecting a Voice

Select a Voice by executing Steps 1 and 2 in “Selecting a Main Voice” on page 16.

• When a Dual Voice is selected from Voice numbers 162 to 188, the left Voice section sounds only the Main Voice.

• Certain functions such as Lesson, Harmony/Arpeggio and Dual cannot be used in the Duo mode.

How sounds are output in the Duo mode

Notes played in the left Voice section sound from the left side speaker while notes played in the right Voice section sound from the right side speaker, in the initial Duo mode setting. This output setting can be changed from the “VoiceOut” setting (Function 027; page 46).

• In the Duo mode, the pan, volume and tonal characteristics of the stereo sound may differ from those in the normal mode, due to the setting of VoiceOut = “Separate” (page 46). Particularly with Drum Kits, the difference may be more obvious, since each key of a Drum Kit features a different stereo pan position.

Using sustain in the Duo mode

Sustain can be applied to the left and right Voice sections in Duo mode just as it normally is by using one of the following methods in the Duo mode like the usual mode.

• Press the foot switch (page 14) connected to the [SUSTAIN] jack.

• Set “Sustain” (Function 024; page 46) to on. Sustain is applied to all notes.

• Sustain cannot be applied independently to the left Voice

section and the right Voice section.

• While Panel Sustain is on, the setting of hold is main-

tained even when the power is turned off.

Style Playback in the Duo mode

Although full Style features (accompaniment) cannot be used in the Duo mode, the rhythm part of a Style can be played back while playing the left/right Voices normally.

Recording in the Duo mode

The right Voice section and the left Voice section are recorded on the same track.

To exit from the Duo mode, press the

[ ] (Standby/On) switch to turn off the power, and turn the power back on again normally.

Reference

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 22

Playing Styles

Style Name

Style Number

Appears when Style mode is active.

16Beat

020

This icon appears when automatic accompaniment is on.

Split Point ... default setting: 054 (F#2)

Auto

Accompaniment

range

036

(C1)

048

(C2)

060

(C3)

072

(C4)

084

(C5)

096

(C6)

16Beat

020

Flashes when sync start is on.

Split Point

• Since the Pianist category Styles (157–165) have no rhythm parts, no sound will be produced if you start rhythm-only playback. When playing these Styles, make sure to carry out Steps 2–4 on this page.

This instrument includes the Auto Accompaniment feature that plays appropriate “Styles” (rhythm + bass + chord accompaniment). You can select from a huge variety of Styles covering a wide range of musical genres.

Press the [STYLE] button, then use the

number buttons [0]–[9], [+], [-] to select the desired Style.

The Style List is provided on the front panel, or in the Style List (page 71).

Play a chord in the Auto Accompaniment

001

Reference

Press the [ACMP ON/OFF] button to turn

BritRock

on the Auto Accompaniment.

range to start playback.

Play a melody with the right hand and chords with the left hand. For information about chords, refer to “Chord Types for Style Playback” (page 25) or use the Chord Dictionary function (page 26).

Press the [START/STOP] button to stop

playback.

With this operation, the area of the keyboard to the left of the Split Point (054: F#2) becomes the “Auto Accompaniment range” and is used only for specifying the chords.

The highest key for the Auto Accompaniment range is referred to as the “Split Point,” which can be changed from the default of F#2 via Function number 007 (page 45).

Press the [SYNC START] button to turn

Synchro Start on.

This puts the Style playback in “standby” and Style starts playing back when you play the keyboard.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

You can add intro, ending and rhythm variations to Style playback by using “Sections.” For details, refer to page 24.

To play back the rhythm part only

If you press the [START/STOP] button (without pressing the [ACMP ON/OFF] button in step 2), only the rhythm part can be played back, and you can play a melody performance using the entire keyboard range.

NOTE

Adjusting the Style Volume

To adjust the volume balance between Style playback and keyboard, you can adjust the Style Volume. This can be set via Function number 001 (page 45).

Page 23

Playing Styles

Jude Hey

001

StyleReg

009

NOTICE

Using the Music Database

If you have difficulty finding and selecting the desired Style and Voice, use this feature. From the Music Database, just selecting the favorite music genre calls up the ideal settings.

Press the [MUSIC DATABASE] button.

Both the Auto Accompaniment and Synchro Start are automatically turned on.

Use the number buttons [0]–[9], [+], [-] to

select the desired Music Database.

This operation calls up the panel settings such as Voice and Style that are registered to the selected Music Database. The category name of Music Database List is provided on the front panel, or in the Music Database List (page 72).

Play the keyboard as described in Steps

4–5 on page 22.

Registering a Style File

Style data created on another instrument or computer can be registered (loaded) to Style numbers 166–175, and you can play them just the same as the internal preset Styles.

Transfer the Style file (***.sty) from a

computer to this instrument by using Musicsoft Downloader.

For instructions, refer to “Computer-related Operations” (page 8) on the website.

Press the [FUNCTION] button several

times until “StyleReg” (Function 009; page 46) appears.

After about two seconds, a registerable Style file name will appear in the display.

If necessary, select the desired Style by

using the [+] or [-] button.

Press the [0] button.

As the Load destination, “Load To? ***” (***: 166–

175) appears on the display. If desired, select a different number using the [+] or [-] button.

Reference

Press the [0] button.

A confirmation message will appear. To cancel the operation, press the [-/NO] button.

Press the [+/YES] button to actually load

the file.

After a while, a message indicating completion of the operation appears.

• The load operation cannot be cancelled during execution. Never turn off the power during the operation. Doing so may result in data loss.

Press the [STYLE] button, use the [+] or

[-] button to select a Style from 166–175, and then try playing it back.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 24

Playing Styles

MAIN A

Current Section

INTRO≥A

Split Point ... default setting: 054 (F#2)

Auto Ac comp a-

niment range

FILL A≥B

ENDING

Tempo

090

Current Tempo value

Style Variations—Sections

Each Style consists of “Sections” that allow you to vary the arrangement of the accompaniment to match the song you are playing. These instructions cover a typical example for using the Sections.

After the Intro finishes, play the key-

board according to the progression of the Song you are playing.

Play chords with your left hand while playing melodies with your right hand, and press the [MAIN/ AUTO FILL] button as necessary. The Section will change to Fill-in then Main A or B.

1–3

Reference

Same as Steps 1–3 in page 22.

Press the [MAIN/AUTO FILL] button to

select Main A or Main B.

Press the [INTRO/ENDING/rit.] button.

The Section switches to the Ending. When the Ending is finished, Style playback stops automatically. You can have the Ending gradually slow down (ritardando) by pressing the [INTRO/ENDING/rit.] button again while the Ending is playing back.

Changing the Tempo

Press the [TEMPO/TAP] button to call up the Tempo value, then use the number buttons, [-] and [+] buttons to adjust the Tempo value.

Now, you’re ready to start Style playback from the Intro section.

Play a chord with your left hand to start

playback of the Intro.

For this example, play a C major chord (as shown below). For information on how to enter chords, see “Chord Types for Style Playback” on page

25.

Press the [+] and [-] buttons simultaneously to reset the value to the default tempo of the current Style or Song.

Using the Tap function

While a Song or Style is playing back, press the [TEMPO/TAP] button just twice at the desired tempo to change the tempo. While Song or Style playback is stopped, tap the [TEMPO/TAP] button several times to start playback at the tapped tempo—four times for a 4-beat Song or Style or three times for a 3-beat Song or Style.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 25

Playing Styles

Bm7B

Chord Types for Style Playback

For users who are new to chords, this chart conveniently shows how to play common chords in the Auto Accompaniment range of the keyboard. Since there are many useful chords and many different ways to use them musically, refer to commercially available chord books for further details.

Major Minor Seventh Minor Seventh Major Seventh

 indicates the root note.

• Inversions can be used as well as in “root” position—with the following exceptions: m7, m7

• Inversions of the 7sus4 chords are not recognized if the notes are omitted.

• Sus2 chords are indicated by the root name only.

• When playing a chord which cannot be recognized by this instrument, nothing is shown on the display. In such a case, only a specific

5, m7(11), 6, m6, sus4, aug, dim7, 7b5, 6(9), sus2

part, such as the rhythm, will be played.

Easy Chords

This method lets you easily play chords in the accompaniment range of the keyboard using only one, t wo, or three fingers.

For root “C”

Reference

To play a major chord

Press the root note () of the chord.

To play a minor chord

Press the root note together with the nearest black key to the left of it.

To play a seventh chord

Press the root note together with the nearest white key to the left of it.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

To play a minor seventh chord

Press the root note together with the nearest white and black keys to the left of it (three keys altogether).

Page 26

Playing Styles

Hold for longer than a second.

Chord Type range Root range Keyboa rd

playing range

Dict.

001

Chord name (root and type)

Individual notes of chord (keyboard)

Notation of chord

NOTE

Reference

Looking Up Chords Using the Chord Dictionary

The Dictionary function is useful when you know the name of a certain chord and want to quickly learn how to play it.

Press and hold the [1 LISTENING

2 TIMING 3 WAITING] button for longer than a second to call up “Dict.”

“Dict.” will appear in the display.

Dict.

This operation will divide the entire keyboard into the three ranges as illustrated below.

• The range to the right of “ ”: Lets you specify the Chord Root, but produces no sound.

• The range between “ ” and “”: Lets you specify the Chord Type, but produces no sound.

• The range to the left of “ ”: Lets you play and confirm the Chord specified in the above two ranges.

As an example, learn how to play a GM7

(G major seventh) chord.

Press the “G” key in the section to the right

2-1.

of “ ” so that the “G” is shown as the root note.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Dict.

001

Press the key labeled “M7” in the section

2-2.

between “ ” and “ .” The notes you should play for the specified chord (root note and chord type) are conveniently shown in the display, both as notation and in the keyboard diagram.

To call up possible inversions of the chord, press the [+]/[-] buttons.

• About major chords: Simple major chords are usually indicated only by the root note. For example, “C” refers to C major. However, when specifying major chords here, make sure to select “M” (major) after pressing the root note.

• These chords are not shown in the Chord Dictionary function: 6(9), M7(9), M7( mM7(9), mM7

Following the notation and keyboard dia-

gram in the display, try playing a chord in the range to the left of “ .”

When you’ve played the chord properly, a bell sound signals your success and the chord name in the display flashes.

To exit from the Chord Dictionary mode,

press one of these buttons; [SONG], [VOICE] or [STYLE].

5, 7b

11) , b

5, sus2

5, M7b

5, M7aug, m7(11),

Page 27

Playing Songs

These demonstration songs showcase the various sounds of the instrument.

Each of these songs has two variations: an easy one which even beginners can practice with ease, and another more challenging version.

We’ve collected various folk songs from around the world which have been handed down from through the generations, as well as famous classical pieces. Try playing the melody of these songs with your right hand.

Enjoy performing a piece with Style accompaniment (automatic accompaniment data). (Keys to Success is designed so that you master playing the melody with your right hand first, and then learn the roots of the chords with your left hand.)

These songs feature solo instruments other than piano—letting you enjoy playing other instrumental voices along with orchestral accompaniment.

These included famous pieces from around the world along with well-known piano pieces. Enjoy the beautiful, resonant piano sound as you play solo or along with orchestral backing.

Learn how to use expressive “touch” control while playing the keyboard according to the strength level displayed in the LCD.

Hear and experience the sound of chords and easy chord progressions while playing the keyboard according to the LCD display indications.

Learn how to play chords with Songs featuring simple, fundamental chord progressions.

Songs (User Songs) you record yourself.

Songs transferred from a computer (refer to “Computer-related Operations”—page 8).

NOTE

Elise 1

004

Song name

Song number

Appears when Song mode is active.

You can simply enjoy listening to the internal Songs, or use them with just about any of the functions, such as Lesson.

 Song Category

The Songs are organized by category as listed below.

Listening to a Demo Song

Press the [DEMO] button to play the Demo Songs in sequence.

Reference

When Song numbers 001 to 003 are played back in sequence and the last Song (003) is finished, playback will repeat continuously, starting again from the first Song (001). To stop playback, press the [DEMO] button or the [START/STOP] button.

• You can select the next or previous Song in order by using the [+]/[-] buttons after pressing the [DEMO] button. The selection range is all Songs in the selected Demo Group (Function 043; page 47).

Selecting and Playing Back a Song

Press the [SONG] button, then use the

Number buttons to select the desired Song.

Refer to the Song List (page 70).

Press the [START/STOP] button to start

playback.

To stop playback, press the [START/STOP] button again.

To change the tempo:

Refer to “Changing the Tempo” on page 24.

Adjusting the Song Volume

To adjust the volume balance between Song playback and keyboard, you can adjust the Song Volume. This can be set via Function number 002 (page 45).

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 28

Playing Songs

Hold for longer than a second.

NOTE

Fast Reverse

During playback, press this button to rapidly return to an earlier point in the Song.

Fast Forward

During playback, press this button to rapidly skip ahead to a later point in the Song.

Pause

During playback, press this button to pause playback, and press again to start from that point.

NOTE

BGM Playback

With the default setting, pressing the [DEMO] button will play back only three internal Demo Songs repeatedly. This setting can be changed so that, for example, all internal Songs automatically play back, letting you use the instrument as a background music source.

Hold down the [DEMO] button for longer

than a second.

“DemoGrp” (Function 043; page 47) is shown in

Reference

the display for a few seconds, followed by the current repeat playback target.

Use the [+] or [-] button to select a play-

back group.

Demo Preset songs (001–003)

Preset All preset songs (001–102)

User All User songs (155–159)

Download

• When User songs and Download songs data do not exist, Demo songs are played b ack.

All songs transferred from a computer (160–)

Song Fast Forward, Fast Reverse, and Pause

Like the transport controls on an audio player, this instrument lets you fast forward (FF), rewind (REW) and pause (PAUSE) playback of the Song.

• When the A-B repeat is specified, the Fast Reverse and Fast Forward will only work within the range between A and B.

• [REW], [FF] and [PAUSE] button cannot be used during Song playback by using the [DEMO] button.

Press the [DEMO] button to start play-

back.

To stop playback, press the [DEMO] button again or press the [START/STOP] button.

Random Song Playback

When the Demo Group (above) is set to something other than “Demo,” the playback order via the [DEMO] button can be changed between numerical order and random order. To do this, press the [FUNCTION] button several times until “PlayMode” (Function 044; “Normal” or “Random.”

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

page 47

) is called up, then select

Changing the Melody Voice

You can change a Song’s melody Voice to any other desired Voice.

Select a Song.

Select the desired Voice.

Press and hold the [VOICE] button for

longer than a second.

“SONG MELODY VOICE” appears in the display for a few seconds, and the selected Voice replaces the Song’s original melody Voice.

• Selecting another Song will cancel the changed Melody Voice.

• You cannot change the melody Voice of a User Song.

Page 29

Playing Songs

Repeat playback of this section

NOTE

FrereJac

020

010

Lit: Track contains data

Unlit: Track is muted or contains no data

NOTE

A-B Repeat

You can play back only a specific section of a Song repeatedly by setting the A point (start point) and B point (end point) in one-measure increments.

Start playback of the Song (page 27).

When playback reaches to the point you

want to specify as the start point, press the [A-B REPEAT] button to set the A point.

When playback reaches to the point you

want to specify as the end point, press the [A-B REPEAT] button again to set the B point.

The specified A-B section of the song will now play repeatedly.

• You can also set the A-B Repeat function when the Song is stopped. Simply use the [REW] and [FF] buttons to select the desired measures, pressing the [A-B REPEAT] button for each point, then start playback.

• If you want to set the start point “A” at the top of the Song, press the [A-B REPEAT] button before starting playback.

Turning Each Part On/Off

As indicated above the panel buttons (shown below), Songs other than Song numbers 125 to 154 consist of two Parts, which can be turned on or off individually by pressing the corresponding button, L or R.

By turning the left- and right-hand parts on or off during playback, you can listen to the Part (that is turned on), or practice the other part (that is turned off) on the keyboard.

• Selecting another Song will cancel the on/off status of the Part s.

Reference

To cancel repeat playback, press the

[A-B REPEAT] button.

To stop playback, press the [START/STOP] button.

• The A-B Repeat function will be canceled when you select another Song.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 30

Playing an External Audio Device with the Built-in Speakers

CAUTION

NOTICE

Audio device (Por table audio player, etc.)

Stereo-mini plug

NOTE

• Before connecting, turn off the power of both this instrument and the external audio device. Also, before turning the power on or off, make sure to set all volume levels to minimum (0). Otherwise, damage to the devices, electrical shock, or even permanent hearing loss may occur.

You can output the sound of an external audio device, such as a portable music player, with the built-in speakers of this instrument by connecting it via a cable. This lets you play the keyboard along with playback of your music player.

Adjust the volume balance between the

• To avoid damage to the devices, first turn on the power to the external device, and then to the instrument. When turning off the power, first turn off the power to the instrument, and then to the external device.

Reference

Turn off the power for both the external

audio device and this instrument.

Connect the audio device to the instru-

ment’s [AUX IN] jack.

Use the cable which has the stereo-mini plug at one side for connecting to this instrument and the plug matching the output jack of the external audio device at the other side.

external audio device and this instrument.

Adjust the audio playback volume on the audio device, then adjust the entire volume by rotating the [MASTER VOLUME] control of the instrument.

• You can adjust the level of the input from the external audio device by calling up “AuxInVol” via Function number 003 (page 45) and using the [0]–[9], [+], [-] buttons.

Play the keyboard along with the sound

of the audio device.

You can cancel or lower the volume of the melody part of audio playback. For details, refer to page

31.

After finishing the performance, stop

playback of the audio device.

• If you are using a computer or a smart device such as an iPhone/iPad, you can also connect it to the [USB TO HOST] terminal (see “Connecting to a Computer” on page 48).

Turn on the external audio device, then

this instrument.

Play back the connected external audio

device.

The sound of the audio device is output through the speakers of this instrument.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 31

Playing an External Audio Device with the Built-in Speakers

MelodySP

Appears when Melody Suppressor is on

NOTE

026

SupprPan

Hold for longer than a second.

L63 – C – R63 (Left – Center – Right)

NOTE

Lowering the volume of a melody part (Melody Suppressor function)

When you output the audio sound of an external audio device or a computer connected to the [AUX IN] jack or the [USB TO HOST] terminal through this instrument, you can cancel or lower the volume of the melody part of audio playback. You can use the function to practice the melody part along with the audio playback.

Play back audio on the connected exter-

nal device.

Press the [MELODY SUPPRESSOR] but-

ton to turn it on.

• When the instrument is connected to the [USB TO HOST] terminal, and Audio Loop Back (page 47, Function 035) is set to OFF, the Melody Suppressor function cannot be used.

Adjust the pan position of the sound to

be cancelled (lowered) by using the [+], [-] buttons.

• Depending on the particular music content, the melody or vocal sound may not be canceled as expected even if the Melody Suppressor is turned on.

Press the [MELODY SUPPRESSOR] but-

ton again to turn it off.

Reference

Press the [MELODY SUPPRESSOR] but-

ton again to turn it off.

When the melody or vocal sound may not be canceled (or lowered) as expected

Hold down the [MELODY SUPPRESSOR]

button for longer than a second to call up “SupprPan” (Function 026; page 46) while the Melody Suppressor function is turned on.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 32

Using the Song Lesson Feature

Keys To Success (Page 33)

Select the

Song you want

to learn.

Practice Step 1

Practice

Steps 2, 3, 4...

and so on.

Practice the

last Step.

You’re done!

Passe d

✩✩✩

Passe d

✩

Passe d

✩✩

Phrase Repeat (Page 35)

Phrase mark

Repeat playback of this section

Listening, Timing and Waiting (Page 36)

Select the Song you

want to learn.

Select the part you

want to work on (right

hand, left hand, both

hands).

Select lesson

1, 2, or 3.

Start the

lesson!

Use these convenient features to practice the preset Songs and improve your playing skills. The lessons are arranged for optimum, enjoyable learning, so select the one suitable for you, and take your keyboard skills higher, step by step. You can refer to the music score in the Song Book (free downloadable scores). To obtain the Song Book, complete the user registration at the following website:

https://member.yamaha.com/

You can select just the key phrases of the Song—the ones you like most or need to work on—and practice them one by one. This lesson is ideal for beginning players.

Reference

Each Song consists of several Steps. Each time you play all the way through the current Step, your performance will be evaluated. A score of “60” or more indicates that you passed this Step and you should try the next Step, which begins automatically. The passing status retry the Step later.

You can practice two or more phrases at once repeatedly by specifying them, as desired. This is ideal as a finishing practice before you try a last (finishing) Step to pass in the Keys to Success mode, or when you just want to practice the difficult phrase(s) repeatedly.

✩ is saved, but you can go on to next Step even when you didn’t pass the Step, or you can

You can practice the preset Songs in three steps, independently for the right or left hand, or both hands together. This is ideal when you want to practice all the way through the Song with the selected part.

 Lesson 1 (Listening) ....... Listen to the playback part you will play. Remember it as best as you can.

 Lesson 2 (Timing) ........... Learn to play the notes with the correct timing. Even if you play wrong notes,

the correct notes will sound.

 Lesson 3 (Waiting) .......... Learn to play the correct notes at the correct timing. The Song pauses until

you play the right note.

You can combine the Keys to Success lesson (page 33) with the Listening, Timing or Waiting lesson (page 36). If you feel it difficult to play the specific phrase in the Keys to Success lesson, use Listening, Timing or Waiting lesson to listen to the phrase, to practice only the timing to play, or to let the phrase pause until you play the correct notes.

The passing status is not shown when the selected lesson playback starts in the Keys to Success mode.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 33

Using the Song Lesson Feature

NOTE

Elise 1

004

Step01

Appears when Keys to Success is on

Lesson part

: Right-hand lesson : Left-hand lesson : Both-hands lesson

Current Step number

NOTE

In addition, various learning functions are provided for your enjoyable playing experience as follows:

 Touch Tutor (page 38)

Lets you learn how hard or soft to play the keys for more expressive performances.

 Chord Study (page 39)

Lets you hear and experience the sound of the chords to use styles efficiently.

 Chord Progressions (page 40)

Lets you hear and experience standard chord progressions. Mastering the typical chord progressions in specific musical genres enables you to play a wider variety of songs with the Style function.

Downloading the Song Book

To use the Song Lesson, you need the music score in the Song Book (free downloadable scores). To obtain the Song Book, complete the user registration at the following website: https://member.yamaha.com/

Keys To Success

In this lesson, you can practice individual phrases in the Song (with each Step) to effectively master the entire Song.

Prepare the Song Book.

Download the Song Book from the above website, or you can refer to the scores of some Songs at the end of this manual. The amount of Steps and lesson parts (which are pre-programmed) will differ depending on the Song. For details, refer to the Song Book.

• All preset Songs 004 to 102 other than 001–003 and 103– 154 can be used with this mode, especially the “LEARN TO PL AY ” ca tegory S ongs.

Press the [SONG] button, then select a

Song for your lesson.

Here, select song “Für Elise (Basic)” from the “LEARN TO PLAY” category, then open the corresponding page of the Song Book.

you have already passed several Steps, the next Step number appears on the display.

Press the [START/STOP] button to start

Lesson.

After the lead-in, playback of the current Step starts.

Step01

001

• For your practice enjoyment, a special arrangement is applied to each Song. This is why playback tempo may be slower than original.

Reference

Press the [KEYS TO SUCCESS] button to

engage this lesson.

The keyboard icon, “Step01” and lesson part (“R” or “L” or “LR”) appears on the display, indicating that you are to start this lesson from scratch. If

Practice the phrase in the current Step.

Referring to the notation in the Song Book and the notes shown on the display, press the notes.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 34

Using the Song Lesson Feature

Displayed when you’ve passed the Step.

NOTE

✩ : Passed

No information: Not yet passed

✩✩✩ : There are one or more Steps not yet

passed in addition to the last Step

✩✩✩ : Only last Step passed ✩✩✩ : All Steps passed other than last Step ✩✩✩ : All Steps passed

NOTE

Confirm the evaluation in the current

Step.

When the current Step reaches the end, your performance will be evaluated and your score (from 0–100) is shown in the display.

068

Excellen

Confirming the Passing Status

You can confirm the passing status of each Song simply by selecting a Song and each Step.

When Step is selected

Step01

001

Reference

A score between “0”–“59” indicates that you did not pass this Step and you should try the same Step again, which begins automatically. A score of “60”–“100” indicates that you passed this Step and you should try the next Step, which begins automatically.

• If the specified part is both hands, you cannot pass the Step until you play both hands, even if you play one of the hands well. Only a message such as “L-part is Nice” appears in the display.

Execute Step 2, 3, 4, and so on.

In the last Step of each Song, you will practice all the way through the Song. When you pass all Steps, the Keys to Success mode will automatically be turned off and playback stops.

• Even during lesson, you can select another Step by using the [+]/[-] buttons.

To stop this Lesson, press the [KEYS TO

SUCCESS] button.

When Song is selected

004

Elise 1

001

Clearing the Passing Status

You can clear existing passing status entries for the entire Song or a specific Step of the Song.

To clear the passing status entries of all Steps:

Select the desired Song then hold down the [KEYS TO SUCCESS] button for longer than three seconds, with the Keys to Success mode disabled. A “Cleared” message will appear on the display.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

To clear the passing status entry for a specific

Step:

Select the desired Song, enable Keys to Success, select the desired Step, then hold down the [KEYS TO SUCCESS] button for longer than three seconds. A “Cleared” message will appear on the display.

• This operation cannot be executed during playback.

Page 35

Using the Song Lesson Feature

NOTE

Phrase mark

Repeat playback of this section

REPEAT

P03

Appears when the Phrase Repeat function is on

Phrase number

NOTE

Phrase Repeat

You can practice a difficult phrase repeatedly by selecting a specific number of the Phrase Marks preprogrammed in the Preset Songs (excepting the Song numbers 001–003, 103–154). You can confirm the Phrase Mark location in the Song Book (page 8).

• Phrase Mark is a pre-programmed marker in certain Song data, which indicates a specific location in the Song.

Practicing only a single Phrase

During Song playback, press the [PHRASE REPEAT] button at the phrase you want to practice. The corresponding Phrase number will appear in the display and, after a lead-in, repeat playback will start. Turn off the L or R part (page 29), then practice the phrase which is turned off repeatedly until you are satisfied.

Practicing two or more Phrases

By setting Phrase A (as the start point) and Phrase B (as the end point), you can practice two or more Phrases repeatedly. During Phrase Repeat playback, press the [A-B REPEAT] button to assign the current Phrase to Phrase A. When playback reaches to the desired Phrase, press the [A-B REPEAT] button again to assign Phrase B. “A-B Rep” appears on the display, and Repeat playback between Phrases A and B starts. To cancel this setting, press the [A-B REPEAT] button again.

• You can set Phrases A and B also when playback is stopped by selecting the Phrase number via the [+] and [-] buttons.

• Specifying only Point A results in repeat playback between Point A and the end of the Song.

Reference

Even during repeat playback, you can select any other phrase number via the [+] or [-] button, and you can return to normal playback by pressing the [PHRASE REPEAT] button again.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 36

Using the Song Lesson Feature

NOTE

RightLeft

BothHand

Left-hand

lesson

Right-hand

lesson

Both-hands

lesson

NOTE

~~~~~~~~ ~~~~~~ ~~~~ ~~

Excellent! Very Good! Good OK

NOTE

Listening, Timing and Waiting

Lesson 1—Listening

In this Lesson, you need not play the keyboard. The model melody/chords of the part you selected will sound. Listen to it carefully and remember it well.

Lesson 2—Timing

In this Lesson, simply concentrate on playing the notes with the correct timing. Even if you play wrong notes, the correct notes shown in the display will sound.

Reference

Lesson 3—Waiting

In this Lesson, try playing the correct notes shown on the display. The Song pauses until you play the right note, and playback tempo will change to match the speed at which you are playing at.

• If you want to keep a steady playback tempo maintained during Lesson 3: Waiting, set the Your Tempo parameter to OFF via the Function number 041 (page 47).

Press the [SONG] button then select a

Song for your lesson.

• The Song Lesson can be applied also to the Songs (SMF format 0 only) transferred from a computer (page 48), but cannot be applied to the User Songs.

• Songs 125 to 154 are not compatible with the Listening, Timing and Waiting Lessons.

Press either or both the [R] and [L] but-

tons to select the part you want to practice.

Press the [1 LISTENING 2 TIMING

3 WAITING] button to start playback of the Song Lesson.

Pressing this button repeatedly will change the Lesson number from 1: LISTENING  2: TIMING  3: WAITING  off  1…. Press this button until the desired number is shown on the display.

• During playback, you can change the Lesson mode by pressing this button, and you can stop the Lesson at any time by pressing the [START/STOP] button.

• The Main Voice changes to “000” (One Touch Setting; page 16) during the Lesson.

When Lesson playback reaches to the

end, check your evaluation Grade on the display.

“2 Timing” and “3 Waiting” will evaluate your performance in four levels.

After the evaluation display has appeared, the lesson will start again from the beginning.

• When the melody Voice of the Song is changed, the key position shown in the display may be shifted (in octave units), depending on the selected Voice.

• The Dual or Split mode cannot be engaged during lessons.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

• In this step, “No LPart” may appear, indicating that the current Song does not contain a left-hand part.

Stop the Lesson mode.

You can stop the Lesson mode at any time by pressing the [START/STOP] button.

Page 37

Using the Song Lesson Feature

Guide

042

NOTE

Turning the Guide note off

When the “Guide” function is on, you can hear the Guide note while you are practicing with Lesson 3 (Waiting), and this is ideal when you are not sure of which keys to play next. The Guide note will sound slightly behind the timing to indicate the correct note, when you fail to play the correct note with the correct timing. When you play the correct note with the correct timing, the Guide note will not sound and the playback continues. If you don’t want to hear the Guide note, turn the function to off in the following steps.

Press the [FUNCTION] button several

times until “Guide” (Function 042) appears.

Use the [+] and [-] buttons to select the

value “oFF.”

The default value of this function is “on” (Guide note will sound.)

• The Guide setting cannot be changed during the Lesson mode.

Keys to Success with Listening, Timing or Waiting

You can combine the Keys to Success lesson (page

33) with the Listening, Timing or Waiting lesson (page 36).

Enable the Keys to Success lesson.

Refer to Steps 1–3 on page 33.

Select the desired Step via the [+]/[-] but-

tons, then press the [1 LISTENING 2 TIMING 3 WAITING] button repeatedly to select the desired lesson.

The selected lesson playback starts under the Keys to Success mode. Practice the phrase of the current Step via the selected Lesson. As evaluation for each Step, just “Timing is Nice” or “Play key is Nice” appears, and the passing status is not available.

To return to only the Keys to Success

mode, press the [1 LISTENING 2 TIMING 3 WAITING] button repeatedly until “StepXX” (XX: number) appears in the display.

To exit from the Lesson mode, press the

[KEYS TO SUCCESS] button.

Reference

The Guide function can be used for all preset Songs, except Songs in categories “FAVORITE WITH STYLE” (left-hand part) and “CHORD PROGRESSION,” and No.79.

Phrase Repeat with Listening, Timing or Waiting

With Phrase Repeat set to On, press the [1 LISTENING 2 TIMING 3 WAITING] button once, twice or three times to start and use Lesson playback with Phrase Repeat. Pressing the same button again several times to exit from the Lesson mode stops playback and allows use of just the Phrase Repeat mode.

• In this status, the evaluation function is not available.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 38

Learning How to Use “Touch” Control

NOTE

TTutor01

103

Strength level (Target value)

// : Soft ///// : Medium //////// : Hard

The notes to play are indicated in the graphic keyboard in the display.

00 : Soft 00000 : Medium 00000000 : Hard

00000~~~

Target value: medium

Your touch: hard

00///

Target value: medium

Your touch: soft

NOTE

(Touch Tutor)

This learning feature lets you practice how hard or soft to play the keys for musical expression, referred to as “Touch” in this chapter, by playing back Song numbers 103 to 112 (in the “Touch Tutor” category). Playing back Songs from this category shows indications for the appropriate playing strength. Try playing according to the level displayed in the LCD as the Song progresses.

• Be sure to set the Touch Response parameter (page 18) to a value other than “Fixed.” When set to “Fixed,” th e To uc h Tu to r function is inactive.

Select a Song from Song numbers 103 to

Reference

112 in the “Touch Tutor” category by executing Step 1 in “Selecting and Playing Back a Song” on page 27.

To play with the same Voice that is used in a performance data, select Voice number “000” (OTS; page 16). After this operation, please make sure to go back to the Touch Tutor display by pressing the [SONG] button.

Press the [START/STOP] button to play

back the selected Song.

When the following display appears,

play the notes shown in the display with the strength level displayed in the LCD.

Play while the strength level is shown.

Try playing so that the indications below appear (as target values) while you play.

“/” remains or “~” will be shown when your touch is softer or harder than the target value.

Your touch is harder than the target value (Target value: medium, your touch: hard)

Your touch is softer than the target value (Target value: medium, your touch: soft)

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

103

////////

Your actual playing “Touch” is indicated by “0.”

003

To stop the playback, press the [START/

STOP] button.

To exit from the Touch Tutor mode, select a Song from any other category, except “Touch Tutor.”

• This function cannot be used with Keys To Success.

Page 39

Hearing and Experiencing the Sound of

NOTE

the Chords (Chord Study)

You can hear and experience the sound of the chords used in a typical performance by playing back Song numbers 113 to 124 (in the “Chord Study” category). Song numbers 113 to 119 are very simple songs consisting of a single chord (C, Dm, Em, F, G, Am, Bm; respectively) played in various positions, letting you listen to and master the chords one by one. On the other hand, Song numbers 120 to 124 consist of several chords strung together in a pattern, for experiencing and understanding basic chord progressions. Hear and experience the sound of simple chords and progressions by playing back these Songs, and play the keyboard while following along with the music notation and key/chord indications shown in the display.

Hear and experience a sound of a single chord

Select a Song from Song numbers 113 to

119 in the “CHORD STUDY” category by executing Step 1 in “Selecting and Playing Back a Song” on page 27.

Press the [START/STOP] button to play

back the selected Song.

Play the keyboard while looking at the

notes shown on the display.

113

ChdStd01

003

• When playing the keyboard while playing back a Song, you should turn off any parts you don’t intend to have played back (page 29), to avoid exceeding the maximum number of simultaneous notes.

If you feel it difficult to play the notes, use the Waiting function (page 36) to have the Song automatically pause until you play the correct notes. Press the [1 LISTENING 2 TIMING 3 WAITING] button repeatedly until “WAITING” appears in the display. To exit from the Waiting function, press the same button again.

Hear and experience basic chord progressions

Select a Song from Song numbers 120 to

124 by pressing the [+]/[-] buttons.

Press the [START/STOP] button to play

back the selected Song.

Play the keyboard while looking at the

notes shown on the display.

Listen to the basic chord progression, and play along with the Song repeatedly until you can smoothly perform and play along with the chord changes.

To stop the playback, press the [START/

STOP] button.

Reference

To stop the playback, press the [START/

STOP] button.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 40

Reference

C 1Note

CPg

The tonic pitch of the selected Song: C

The number of the keys to press : 1

Appears when Chord Progression is on.

NOTE

C 2Notes

CPg

NOTE

bEbF#AbBb

DEFGAB

Root range

NOTE

Playing Chords along with Chord Progressions of a Song

Song numbers 125 to 154 in the “Chord Progression” category are constructed from typical chord progressions. You can listen to and get a feel for the chord progressions by playing back the Song and playing the keyboard while looking at the notes shown on the display. The number of keys that are indicated for you to play progress in sequence— from a single root note, to two notes, then three and four—getting you to gradually and naturally memorize the chords. Also, you can change the key of the Song, allowing you to practice the progressions in all keys for full mastery of the chords.

Select a Song from Song numbers 125 to

154 in the “Chord Progression” category by executing Step 1 in “Selecting and Playing Back a Song” on page 27.

Press the [PHRASE REPEAT] button.

After “CHORD PROGRESSION” scrolls across the display, the tonic pitch of the selected Song and the number of the keys to be pressed are shown.

• The initial key setting is C major or A minor.

Press the [+]/[-] buttons to select the num-

ber of the keys to be played.

Each time the [+] button is pressed, the number of the keys to press is increased from just one root note (1Note) to two notes (2Notes), three notes (3Notes) and four notes (All).

• The number of the keys to press can als o be set by using the number buttons [1]–[4].

Press the [START/STOP] button to play

back the selected Song.

Play the keyboard looking at the notes

shown on the display.

To change the key of a Song:

When Chord Progression is on, press one of the keys in the top octave (C5–B5; indicated to the right of “ROOT” on the panel, just above the keys) to change the tonic pitch of the Song.

For example, if you press the key D5 in the Song of C major, the key changes to D major.

• The key of a Song cannot be changed during playback.

The number of the keys to be played

 Only one root note (1Note)

Press only the root note of the chord.

 Two notes (2Notes)

Pres s t he 3 note, and understand the difference between major chords and minor chords.

 Three notes (3Notes)

Pres s t he 5 note and the 3

 Four notes (All)

Press all the notes that make up the chord. Very often, chords are played with just three notes; however, another interval (such as a 7th) is sometimes added. Keep in mind that depending on the chord, there may be no 4

Play the chords in combination with “Waiting” of the Lesson

CPg

C 1Note

001

• When you play the keyboard within the range of C5–B5, the notes will not sound.

Press the [PHRASE REPEAT] button

again to turn the Chord Progression function off.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

function

You can practice the playing the chords in combination with “Waiting” (page 36) of the Lesson function by simply pressing the [1 LISTENING 2 TIMING 3 WAITING] button once.

• Even if you play notes in octaves outside of the notes shown on the display (excluding the range of C5 change the key of a Song), as well as different inversions of the chords, the playback will progress.

interval of a chord along with the root

note.

–

B5, which are used to

Page 41

Recording Your Performance

User 1

001

User Song Number

Flashes

NOTICE

NOTE

36 48

7260

Split Point ... default setting: 054 (F#2)

Auto Accompani-

ment range

NOTICE

You can record up to 5 of your performances as User Songs (User 1–5: Song numbers 155–159). The recorded User Songs can be played back on the instrument. The recorded User Song can be played back in the same way as the preset Songs.

Track Structure of a Song

You can record your performance to the following two tracks of a User Song individually or simultaneously.

Track 1:

Your melody performance is recorded to this track.

Track 2:

Your melody performance, or Style playback (Chord changes and Section changes), is recorded to this track.

Recording Data Capacity:

A total of approximately 10,000 notes or 5,500 chord changes can be recorded to the five User Songs.

Quick Recording

The operation is convenient for recording a new Song without having to specify a track.

Make the desired settings such as Voice

and Style settings.

If you want to record only the melody performance, turn ACMP off (page 22). If you want to record Style playback or Rhythm playback as well as melody performance, turn ACMP on (page 22).

Press the [REC] button to enter the

Record Ready mode.

This operation selects the lowest-numbered unrecorded User Song (“User 1”–“User 5”) as the recording target, if a User Song has not been specified in advance or if Record Ready mode has been entered from the Style mode. If you want to select another Song, use the [+] and [-] buttons.

To exit from the Record mode, press the [REC] button again to stop flashing on the display.

• If all User Songs contain recorded data, “User 1 (Song Number 155)” will automatically be selected. In this case, since you will record over and erase any previous data in “User 1,” we recommend that you save your important data to a computer (see page 48).

• ACMP cannot be turned on or off in this status while you can select another Style in this status by using the [STYLE] and Number bu ttons.

Play the keyboard to start recording.

If ACMP is turned on, you can independently record just the rhythm sound of Style playback by pressing the [START/STOP] button then changing the Section (page 24).

Press the [START/STOP] button to stop

recording.

When using a Style, you can stop recording also by pressing the [INTRO/ENDING/rit.] button then waiting until playback ends.

• After Recording stops, a “Writing!” message is shown on the display for a while. Never attempt to turn the power off while this is shown in the display. Doing so can damage the internal memory and result in a loss of data.

To play back the recorded Song, press

the [START/STOP] button.

Reference

Limitations while Recording

• You cannot record the Reverb Level, metronome click, or the Transpose and Tuning settings.

• The following settings and buttons are not available, or if operated, the new settings cannot be recorded:

ACMP ON/OFF, Split Point, Reverb Type, Chorus Type, Harmony/Arpeggio Type, [FUNCTION] button, [PORTABLE GRAND] button.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 42

Recording Your Performance

001

User 1

User Song

Hold for longer than a second.

Sure?

YES

Recording to a Specified Track

Make the desired settings, such as those

of Voice or Style.

If you want to record the melody performance, turn ACMP off (page 22). If you want to record Style playback, turn ACMP on (page 22).

While holding down the [REC] button,

press the desired Track button 1 or 2 to engage the Record mode.

If you want to record Style playback, make sure to

Reference

select the Track 2. If you want to record melody performance, select either Track 1 or Track 2 as desired. The illustration below is the example when selecting Track 2.

The User Song appears on the display.

Clearing a User Song

Press the [SONG] button then select the

desired User Song by using the Number buttons.

Press and hold the [REC] button for lon-

ger than a second.

A confirmation message appears.

YES

ClrUser1

To cancel the operation, press the [-/NO] button.

Press the [+/YES] button.

A confirmation message appears again.

To cancel the operation, press the [-/NO] button.

If Track 2 is selected as Recording target for example and Track 1 contains already recorded data, L flashes and R lights in the display. Turning on or off R via the [TRACK 1] button will determine whether you listen to a previously recorded Track or not while recording a new Track.

Press the [+], [-] buttons to select the

User Song you want to record.

Same as in Steps 3 to 5 (page 41) in

“Quick Recording.”

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Press the [+/YES] button to clear the

Song.

A “Writing!” message appears while the track is being cleared.

Page 43

Memorizing Your Favorite Panel Settings

MemNo.?

Hold for longer than a second.

NOTICE

LoadNo.?

REGIST 1

This instrument has a Registration Memory feature that lets you memorize your favorite settings for easy recall whenever they’re needed. Up to nine complete setups can be memorized and assigned to each number button 1–9.

Memorizing Panel Settings to the Registration Memory

Make the desired settings such as those

for Voice and Style.

Press and hold down the [REGIST MEM-

ORY] button for longer than a second.

“MemNo.?” appears on the display.

Press one of the [1]–[9] buttons to mem-

orize the current panel settings.

If you select a Registration Memory number that already contains data, an “Overwr?” message appears in the display. To overwrite, press the [+/YES] button; to cancel, press [-/NO].

• If you select a Registration Memory number that already contains data, the previous data is deleted and overwritten by the new data.

• Do not turn off the power while memorizing settings to the Registration Memory, otherwise the data may be damaged or lost.

Recalling Panel Settings from the Registration Memory

Press the [REGIST MEMORY] button.

“LoadNo.?” appears on the display.

Press one of the [1]–[9] buttons to call

up the panel settings you memorized.

The recalled REGIST MEMORY number appears in the display.

The REGIST MEMORY number can be changed by pressing one of the other [1]–[9] buttons.

Parameters that can be memorized to Registration Memory

 Style settings*

Style number, ACMP on/off, Style volume, Tempo, Main A/B

 Voice settings

Main Voice settings: Voice number and all settings of the related Functions Dual Voice settings: Dual on/off and all settings of the related Functions Split Voice settings: Split on/off and all settings of the related Functions



Effect settings:

, Voice output, Panel Sustain on/off

Ty pe

 Harmony/Arpeggio settings: Harmony/Arpeggio

on/off and all settings of the related Functions



Other settings:

* When a Song is selected, the Style settings cannot be

recorded or called up. Also, in the Duo mode, only Style settings can be recorded or called up.

Reverb Type, Reverb level, Chorus

Tr anspose

, Split Point

Reference

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 44

Selecting an EQ Setting for the Best Sound

Current Master EQ type

Hold for longer than a second.

Six different master equalizer (EQ) settings give you the best possible sound when listening through different reproduction systems—the instrument’s internal speakers, headphones, or an external speaker system.

Hold down the [REVERB] button for lon-

ger than a second to call up “MasterEQ” (Function 025; page 46).

“MasterEQ” is shown in the display for a few seconds, and the current Master EQ type appears.

MasterEQ

Reference

Use the [+] or [-] button to select the

desired Master EQ type.

Master EQ types

1 Speaker

2 Headphone

3 Boost Features more powerful sound.

4 Piano Optimum for piano solo performance.

5 Bright

6 Mild

025

Speaker

025

Optimum for listening via the instrument’s built-in speakers.

Optimum for headphones, or for listening via external speakers.

Lowers the mid range for a brighter sound.

Lowers the high range for a softer sound.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 45

The Functions

Transpos

005

Current value

Function number

Function name

Press several times as necessary

NOTE

Direct numeric entry.

•Increment value by 1.

•Yes

•On

Press simultaneously to recall the default setting.

• Decrement value by 1.

•No

•Off

NOTE

The Functions settings provide access to a range of detailed instrument parameters such as Tuning, Split Point, Voices and Effects.

Press the [FUNCTION] button several

times until the desired item appears.

Set the value by using the number but-

tons [0]–[9], [+], [-].

Each time the [FUNCTION] button is pressed, the Function number increases one by one. To decrease the Function number by one, simultaneously hold down the [FUNCTION] button and press the [-] button briefly. Simply pressing only the [+] or [-] button does not change the Function number.

• To exit the Function settings, press one of these buttons; [SONG], [VOICE] or [STYLE].

After a few seconds, the Function name may be replaced with the setting value depending on the selected Function.

• The Function number does not appear in the display during Song, Style or metronome playback. The beat value appears instead.

Function List

Function

Function name Display Range/Settings

Number

Vol um e

001 Style Volume StyleVol 000–127 100

002 Song Volume SongVol 000–127 100

[AUX IN] Audio

003

Vol ume

[USB TO HOST]

004

Audio Volume

Overall

005 Transpose Transpos -12–12 0 Determines the pitch of the instrument in semitone increments.

006 Tuning Tuning 427.0Hz–453.0Hz 440.0Hz

007 Split Point SplitPnt

008 Touch Response TouchRes

AuxInVol 000–127 50

USBINVol 000–127 100

(C1–C6;

036–096 PSR-E363, YPT-360)/ 028–103 (E0–G6; PSR-EW300)

1 (Soft), 2 (Medium), 3 (Hard), 4 (Fixed)

Default

Valu e

Determines the volume of the Style while a Style is selected. (page 22)

Determines the volume of the Song while a Song is selected. (page 27)

Adjusts the volume of audio playback, input from the [AUX IN] jack (page 30).

Adjusts the volume of audio playback, input from the [USB TO HOST] terminal (page 48).

Determines the fine tuning of the pitch of the entire instrument in approx. 0.2Hz increments.

Determines the highest key for the Split Voice and sets the Split “point”—in other words, the key that separates the Split (lower)

54 (F#2)

and Main (upper) Voices. The Split Point setting and Accompaniment Split Point setting are automatically set to the same value.

2 (Medium) Refer to the page 18.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Descriptions

Reference

Page 46

The Functions

Function

Function name Display Range/Settings

Number

Style file

009 Style Register StyleReg 001–nnn –

Main Voice (page 16)

010 Volu me M.Volume 000–127 *

011 Octave M.Octave -2 – +2 * Determines the octave range for the Main Voice.

012 Chorus Depth M.Chorus 000–127 *

Dual Voice (page 17)

013 Dual Voice D.Voice 001–574 * Selects a Dual Voice.

014 Volum e D.Volume 000–127 * Determines the volume of the Dual Voice.

Reference

015 Octave D.Octave -2 – +2 * Determ ines the octave range for the Dual Voice.

016 Chorus Depth D.Chorus 000–127 *

Split Voice (page 17)

017 Spli t Voic e S.Voice 001–574 * Selects a Split Voice.

018 Volum e S.Volume 000–127 * Determines the volume of the Split Voice.

019 Octave S.Octave -2 – +2 * Determines the octave range for the Split Voice.

020 Chorus Depth S.Chorus 000–127 *

Effects

021 Reverb Type Reverb

022 Reverb Level RevLevel 000–127 64

023 Chor us Type Chorus

024 Panel Sustain Sustain ON/OFF OFF

025 Master EQ Type MasterEQ

026 Suppressor Pan SupprPan L63 – C – R63 C

027 Voice Output VoiceOut

Harmony/Arpeggio (page 19)

Harmony/

028

Arpeggio Type

029 Har mony Volume HarmVol 000–127 * Determines the volume of the Harmony effect.

030 Ar peggio Velocity Arp Velo

031 Pedal Function Pdl Func

Harm/Arp

1–4 (Hall 1–4) 5 (Cathedral) 6–8 (Room 1–3) 9–10 (Stage 1–2) 11–12 (Plate 1–2) 13 (O ff)

1 (Chorus1) 2 (Chorus2) 3 (Chorus3) 4 (Flanger1) 5 (Flanger2) 6 (off)

1 (Speaker) 2 (Headphone) 3 (Boost) 4 (Piano) 5 (Bright) 6 (Mild)

1 (Normal) 2 (Separate)

001–026 (Harmony) 027–176 (Arpeggio)

1 (Original) 2 (Thru)

1 (Sustain) 2 (Arp Hold) 3 (Hold+Sus)

Default

Valu e

Select and register a Style file from flash files that are loaded from computer (page 23).

Adjusts the volume of keyboard performance when performing along with a Song or a Style.

Determines how much of the Main Voice’s signal is sent to the Chorus effect.

Determines how much of the Dual Voice’s signal is sent to the Chorus effect.

Determines how much of the Split Voice’s signal is sent to the Chorus effect.

** Determines the Reverb type, including off (13). (page 75)

Determines how much of the Voice’s signal is sent to the Reverb effect.

** Determines the Chorus t ype, including off (6). (page 75)

Determines whether the Panel Sustain function is on or off. (page 18)

1 (Speaker)

Split Mode:

1 (Normal)

Duo mode:

2 (Separate)

Sets the equalizer applied to the speaker output or headphone output for optimum sound in different listening situations. (page 44)

Adjusts the position of the playback sound of the external audio device to be canceled or lowered (page 31).

When a Split Voice (page 17) is turned on or Duo mode (page 21) is on, this function is effective. If “Normal” is selected, the performance sounds of the left Voice and the right Voice will sound from both the left and right speakers. If “Separate” is selected, the performance sound of the left Voice will sound from the left speaker, and the performance sound of the right Voice will sound from the right speaker.

Determines whether the Harmony type or Arpeggio t ype is

selected.

Determines the Arpeggio velocity. If “Thru” is selected, arpeggios will be played back at a volume matching the strength at which

you play the keyboard. If “Original” is selected, arpeggios will be played back at their original volume regardless of your playing strength.

* Refer to the page 20.

Descriptions

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 47

The Functions

Function

Function name Display Range/Settings

Number

MIDI

032 Local Control Local ON/OFF ON

033 External Clock ExtClock ON/OFF OFF

034 Initial Send InitSend YES/NO –

Audio (page 30)

035 Audio Loop Back

Metronome (page 16)

Time Signature

036

Numerator

Time Signature

037

Denominator

Metronome

038

Vol ume

Lesson (page 32)

039 Lesson Track (R) R-Part 01–16 01

040 Lesson Track (L) L-Part 01–16 02

041 Your Tempo YourTemp ON/OFF ON

042 Guide Guide ON/OFF ON

Demo (page 27)

043 Demo Group DemoGrp

044 Demo Play Mode PlayMode

Auto Power Off (page 13)

Auto Power Off

045

Time

Battery (page 13)

046 Battery Type Battery

* The appropriate value is automatically set for each Voice combination. ** The appropriate value is automatically set for each Song, Style or Arpeggio.

LoopBack

TimeSigN 00–60 ** Determines the time signature of the Metronome.

TimeSigD

MetroVol 000–127 100 Determines the volume of the Metronome.

AutoOff

ON/OFF ON

Half note, Quarter note, Eighth note, Sixteenth note

1 (Demo) 2 (Preset) 3 (User) 4 (Download)

1 (Normal) 2 (Random)

OFF, 5/10/15/30/60/ 120 (minutes)

1 (Alkaline) 2 (Ni-MH)

Default

Valu e

1 (Demo) Determines the repeat playback group.

1 (Normal) Determines the repeat playback mode.

30 minutes

1 (Alkaline)

Descriptions

Determines whether the instrument’s keyboard controls the internal tone generator (ON) or not (OFF). When you record your keyboard performance to the application software on the computer via MIDI, set this parameter to OFF.

Determines whether the instrument synchronizes to the internal clock (OFF) or an external clock (ON). When you record your keyboard performance to the application software on the computer via MIDI, set this parameter to ON.

Lets you send the data of the panel settings to a computer. Press [+/YES] to send, or press [-/NO] to cancel. This operation should be done immediately after starting the Recording operation on the computer.

Determines whether Audio sound input from the [USB TO HOST] terminal is returned to the computer or not with the performance played on the instrument. If you want to output only the sound played on this instrument to the computer, set this parameter to OFF.

** Determines the lengt h of each metronome beat.

Determines the guide track number for your right hand lesson. The setting is only effective for Songs in SMF format 0 transferred from a computer. Select a Song you want to use for the lessons, select the “RPart,” then use the number buttons [0]–[9], [+] and [-] to select the channel you want to play back as the specified right-hand part. We recommend that you select channel 1 for the right-hand part.

Determines the guide track number for your left hand lesson. The setting is only effective for Songs in SMF format 0 transferred from a computer. Select a Song you want to use for the lessons, select the “L-Part,” then use the number buttons [0]–[9], [+] and [-] to select the channel you want to play back as the specified left-hand part. We recommend that you select channel 2 for the left part.

This parameter is for the Lesson 3 “Waiting.” When set to ON, playback tempo will change for matching the speed you are playing at. When set to OFF, playback tempo will be maintained regardless of the speed you are playing at.

Determines whether the Guide note sounds (ON) or not (OFF) during the “Waiting” lesson.

Specifies the time that will elapse before the instrument’s power is automatically turned off.

Selects the type of batteries you have installed to this instrument. Alkaline: Alkaline battery/manganese batter y Ni-MH: Rechargeable batte ry

Reference

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 48

Using with a Computer or iPhone/iPad

USB cable

USB

terminal

instrumentcomputer

[USB TO HOST]

terminal

NOTICE

NOTE

• Files that can be transferred to this instrument is up to approx. 1.3MB total for Songs and Styles.

NOTE

NOTICE

Connecting to a computer

Connecting the [USB TO HOST] terminal of this instrument and the computer via a USB cable allows you to transmit/receive MIDI and Audio data (USB Audio) to/from the computer. For details on using a computer with this instrument, refer to the online PDF manual (page 8) “Computer-related Operations.” The [MASTER VOLUME] dial setting on this instrument does not affect the signal output to USB Audio.

Reference

• Use an AB type USB cabl e of less than 3 meters. U SB 3.0 cables cannot be used.

• If you are using a DAW (digital audio workstation) with this instrument, set the Audio Loop Back (page 47) to OFF. Otherwise, a loud sound may occur, depending on the settings of the computer or the application software.

• If you transfer the Style file from the computer to this instrument, you need to register it to this instrument for Style playback. For details, refer to the “Registering a Style File” on page 23.

• Song, Style and keyboard performance data are transmitted to an external device via MIDI by playing the Song or Style, or by playing the keyboard. As for Songs, only User Song data can be transmitted to an external device via MIDI by playing back the Song.

Files that can be transferred from a computer to this instrument (and vice versa).

• Song: (.mid) SMF format 0/1

Song files created on an external device such as other instrument or a computer can be transferred between the computer and this instrument. User Song recorded on this instrument cannot be transferred to a computer as a single file, but can be stored as a part of backup file.

• Style: (.sty)

This instrument doesn’t have a function for creating Styles. However, Style files created on another instrument or a computer can be transferred to this instrument from the computer. 50KB is the maximum capacity for one Style file. Style files over this limit are not shown in the display.

• Backup File*: PSR-E363.BUP (PSR-E363)/ PSREW300.BUP (PSR-EW300)/ YPT-360.BUP (YPT-360)

* Backup parameters (as described in next chapter) other

than “Passing Status of Keys to Success” can be transferred and saved to a computer via Musicsoft Downloader as a single Backup file.

For details on using a computer with this instrument, refer to the online PDF manual (page 8) “Computerrelated Operations.”

Connecting an iPhone/iPad

By connecting your iPhone/iPad to the instrument, you can take advantage of various functions. For details on connections, refer to the online PDF manual (page 8) “iPhone/iPad Connection Manual.” For information about the compatible smart devices and application tools, access the following page: https://www.yamaha.com/kbdapps/

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 49

Backup and Initialization

PSR-EW300

PSR-E363, YPT-360

The highest white key

PSR-EW300

PSR-E363, YPT-360

The highest white key

and the three highest

black keys

NOTICE

Backup Parameters

The following Backup parameters will be maintained even if the power is turned off. Backup parameters other than “Passing Status of Keys to Success” can be transferred and saved to a computer as a single Backup file (with the extension: .BUP). This backup file can be loaded to the instrument for future.

For details on using a computer with this instrument, refer to the online PDF manual (page 8) “Computerrelated Operations.”

Backup parameters

• User Songs (page 41)

• Style Number 166–175 (page 23)

• Registration Memory (page 43)

• Passing Status of Keys to Success (page 34)

• FUNCTION Settings: (page 45) Tuning, Split Point, Touch Response, Style Volume, Song Volume, Metronome Volume, Your Tempo, Demo Group, Demo Play Mode, Master EQ type, Panel Sustain, Auto Power Off, Battery Type, Guide, Audio Loop Back

In addition to the Backup parameters above, all the data (including Style data that have not been loaded) transferred from the connected computer will be maintained even if you turn off the power.

Initialization

You can initialize your original data via the following two methods.

Backup Clear

This operation initializes the backup parameters. While holding down the highest white key, press the [ ] (Standby/On) switch to turn the power on.

Reference

Flash Clear

This operation deletes all the Songs and Styles that have been transferred from a computer. Note that Style data registered to Style numbers 166–175 will be maintained. While simultaneously holding the highest white key and the three highest black keys, press the [ ] (Standby/On) switch to turn the power on.

• Keep in mind that Backup Clear and Flash Clear also delete the data you have purchased. Be sure to save the important data to a computer via Musicsoft Downloader (MSD) software.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 50

Troubleshooting

Appendix

Problem Possible Cause and Solution

When the instrument is turned on or off, a popping sound is temporarily produced.

When using a mobile phone, noise is produced. Using a mobile phone in close proximity to the instrument may produce

Noise is heard from the instrument’s speakers or headphones when using the instrument with the application on iPhone/iPad/iPod touch.

There is no sound even when the keyboard is played or when a song or style is being played back.

Playing keys in the right hand area of the keyboard does not produce any sound.

Not all of the voices seem to sound, or the sound seems to be cut off.

The harmony doesn’t sound.

The Style or Song does not play back when the [START/STOP] button is pressed.

The ACMP ON indicator does not appear when the [ACMP ON/OFF] button is pressed.

Appendix

The Style does not sound properly. Make sure that the Style Volume (page 45 Function 001) is set to an appro-

The Style does not sound as you play a chord. • The auto accompaniment will sometimes not change when related

The footswitch (for sustain) seems to produce the opposite effect. For example, pressing the footswitch cuts off the sound and releasing it sustains the sounds.

The sound of the voice changes from note to note. This is normal. The AWM tone generation method uses multiple recordings

• The volume is too soft.

• The sound quality is poor.

• The rhythm stops unexpectedly or will not play.

• The recorded data of the song, etc. does not play correctly.

• The LCD display suddenly goes dark, and all panel settings are reset.

Power suddenly and unexpectedly turns off. This is normal and the Auto Power Off function may have been activated

When the instrument is turned on, power is turned off suddenly and unexpectedly.

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

This is normal and indicates that the instrument is receiving electrical power.

interference. To prevent this, turn off the mobile phone or use it further away from the instrument.

When you use the instrument along with the application on your iPhone/iPad/ iPod touch, we recommend that you set “Airplane Mode” to “ON” on your iPhone/iPad/iPod touch in order to avoid noise caused by communication.

Check that nothing is connected to the [PHONES/OUTPUT] jack on the rear panel. When a set of headphones is pl ugged into this jack, no sound is output.

Check the Local Control on/off setting. (See page 47 Function 032.)

When using the Dictionary function (page 26), the keys in the right hand area are used only for entering the chord root and type.

The instrument is polyphonic up to a maximum of 48 notes—including Dual voice, Split Voice, auto accompaniment, song, and Metronome. Notes exceeding this limit will not sound.

The method of sounding the Harmony effect (01–26) differs depending on the selected type. For Types 01–05, turn the Auto Accompaniment on and play it by pressing a chord in the auto accompaniment section of the keyboard, then play some keys in the right-hand side to produce the Harmony effect. For Types 06–26, turning auto accompaniment on or off has no effect. However, it is necessary to play two notes simultaneously for Types 06–12.

Is External Clock set to ON? Make sure External Clock is set to OFF; refer to “Function Settings” on page 47 (Function 033).

• Always press the [STYLE] button first when you are going to use any Style-related function.

• The ACMP ON indicator does not appear when the Duo mode is on.

priate level.

Is the Split Point set to an appropriate key for the chords you are playing? Set the Split Point to an appropriate key (page 45 Function 007). Is the “ACMP” indicator showing in the display? If it is not showing, press the [ACMP ON/OFF] button so that it does show.

chords are played in sequence (e.g., some minor chords followed by the minor seventh).

• Two-note fingerings will produce a chord based on the previously played chord.

• Playing t wo same root keys in the adjacent octaves produces accompaniment based only on the root.

The polarity of the footswitch is reversed. Make sure that the footswitch plug is properly connected to the [SUSTAIN] jack before turning on the power.

(samples) of an instrument across the range of the keyboard; thus, the actual sound of the voice may be slightly different from note to note.

The batteries are low or dead. Replace all six batteries with completely new ones, or use the included AC adaptor.

(page 13). If you need to disable the Auto Power Off function, select “Off” in the Function settings (Function 045; page 47).

The protection circuit has been activated due to over current. This may occur when an AC adaptor other than the one specified is used, or an AC adaptor is damaged. Use the specified adaptor (page 77) only. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.

Page 51

MEMO

Appendix

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 52

Song Book Sample

Für Elise

Für Elise is an all-time classical favorite. The beautiful, well-known melody is repeated a number of times. In each step you won’t be practicing alone. You have a wonderful orchestra to back you up! First, listen to the example a few times. It won’t be long before you’ll want to start playing it yourself!

Für Elise With Step Map

.......................................................................12

Song No.004

Basic

Warm-up Exercise - “The Semitone Mystery” ....................................14

Diligent Practice Time ................................................................15

Warm-up Exercise - “Basic Accompaniment” ..................................... 16

Diligent Practice Time ................................................................16

First Half Review ...................................................................... 17

Diligent Practice Time ................................................................17

Warm-up Exercise - “The Jump Competition” ....................................18

“EEEEE!” ................................................................................ 18

“Left! Right! Left! Right!” ............................................................ 19

Second Half Review ...................................................................19

Play the Whole Song! .................................................................19

L. v. Beethoven

This score is provided with the part of the song book (free downloadable scores). The song book contains not only the scores for all internal songs (excepting Songs 1–3) but also music terms and important points for your practice. To obtain the Song Book, complete the user registration at the following website.

Yamaha Online Member https://member.yamaha.com/

* The Song book is provided in English, French, German and Spanish.

This example introduces part of the English song book.

Appendix

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 53

Song Book Sample

Before Playing...

Sit Correctly Finger Numbering

Sit near the middle of the keyboard.

Reading the Score

The Keyboard, Staff Lines, and Clef

Treble clef

Bass clef

Time Signatures and Counting Time

4/4 time 2/2 time 2/4 time

3/4 time 6/8 time 9/8 time

1 octave

2 black keys 3 black keys

Accidentals



(Sharp) Raise a semitone

B

(Flat) Lower a semitone

N

(Natural) Return to normal pitch

Key signature

Clef

Time signature

Notes and Rests

BDEFGACBDEFGA BDCEFGAC BDEFGACBDEFGACC

i d d

l e

Whole note

Dotted half note

Half note

Dotted quarter note

Quarter note

Eighth note

Sixteenth note



 







 

Left Right

1234

Whole note rest

Dotted half note rest

Half note rest

Dotted quarter note rest

Quarter note rest

Eighth note rest

Sixteenth note rest

Appendix





 



   

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 54

Song Book Sample

Play with both hands as if gently telling a story. It might help to sing or hum the melody as you play.

Similar melody lines and rhythms are repeated in this song, so there aren’t as many sections to practice as

you might think. Enjoy learning each section as you build proﬁciency.

Für Elise

Song No.004

Basic

With Step Map

From here...

Song No.004

Appendix

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 55

...to here From here...

...to here

Für Elise

Song No.004

Basic

Song Book Sample

Song No.004 Für Elise Basic

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Appendix

Page 56

Song Book Sample

Für Elise

Song No.004

Basic

Warm-up Exercise - “The Semitone Mystery”

Let’s start with a warm-up exercise using three ﬁngers of the right hand.

We’ll start by ascending and descending the white and black keys. Check out the

illustrations until you understand how the fingers are supposed to move, then get

started!

You’ll ﬁnd it easier to play if you bend your ﬁngers slightly.

Right

Go back to the beginning and play it again.

Song No.004 Für Elise Basic

i d d

l e

i d d l e

A E

Appendix

i d d l e

ABCD

Tip-toe

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 57

Für Elise

Song No.004

Basic

Diligent Practice Time

Right! Now that we’re warmed up let’s try playing along with the orchestra in 3/4 time.

The melody will be built up little by little.

Compare each line... notice that many of the shapes formed by the notes are very similar.

Short break

Almost done

Song Book Sample

Song No.004 Für Elise Basic

Appendix

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 58

Song Book Sample

Für Elise

Song No.004

Basic

Warm-up Exercise - “Basic Accompaniment”

And now a warm-up exercise for the left hand.

It’s important to spread your ﬁngers widely from the start.

Don’t play the black keys too strongly.

Diligent Practice Time

Connect the notes smoothly, as if the left hand were passing them to the right hand. You’ll be able to play

smoothly if you move the left hand into position for the next phrase as soon as it ﬁnishes playing the ﬁrst

phrase.

Song No.004 Für Elise Basic

Left hand

Appendix

M i d d l e

AEAE

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 59

Song No.004 Für Elise Basic

Für Elise

Song No.004

Basic

Diligent Practice Time

OK, let’s begin the second half!

You’ll be able to play the melody nicely if you lift your ﬁngers from the keyboard between the slurs.

It might be easier to grasp the key release timing if you sing along with the melody.

Don’t panic and play too strongly where the left hand has to play short notes.

First Half Review

You’ve reached the halfway step! Have you learned all the material provided in the preceding steps?

Now let’s go back and play through all the first-half exercises. If you find that you’re having trouble

playing any of the material, go back and review the steps using the Step Map as a guide.

Always have left-hand ﬁnger 5 ready to play the next note!

Song Book Sample

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Appendix

Page 60

Song Book Sample

Für Elise

Song No.004

Basic

Warm-up Exercise - “The Jump Competition”

The ﬁrst note has a staccato dot.

Spread your ﬁngers wide and jump quickly to the next note!

“EEEEE!”

The only note in this step is E!

Make the connection between the left and right hands as smooth as possible.

Song No.004 Für Elise Basic

Left hand

Appendix

Jump to the next E!

And again!

i d d l e

EEE

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 61

Left

Right

Für Elise

Song No.004

Basic

“Left! Right! Left! Right!”

Play “D E” repeatedly, alternating the left and right hands.

Have the next hand ready in position to play D so you won’t have to rush.

Second Half Review

Try playing all the way through the second half.

As we did after the ﬁrst half, if there are places you can’t play with conﬁdence go back and review the steps.

Play the Whole Song!

This is the ﬁnishing step!

Don’t be afraid of making mistakes. Just concentrate on playing the entire song from start to finish.

Practice this with the lessons learned in each step in mind, and gradually you’ll master the whole song.

Song Book Sample

Song No.004 Für Elise Basic

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Appendix

Page 62

Voice List

Maximum Polyphony

The instrument has 48-note maximum polyphony. This means that it can play a maximum of up to 48 notes at once, regardless of what functions are used. Auto accompaniment uses a number of the available notes, so when auto accompaniment is used the total number of available notes for playing on the keyboard is correspondingly reduced. The same applies to the Split Voice and Song functions. If the maximum polyphony is exceeded, earlier played notes will be cut off and the most recent notes have priority (last note priority).

NOTE

• The Voice List includes MIDI program change numbers for each voice. Use these program change numbers when playing the instrument via MIDI from an external device.

• Program change numbers are often specified as numbers “0–127. For these cases, it is necessary to subtract 1 from the intended program change number to select the appropriate sound, because this list uses a “1–128” numbering system. For example, to select program change number 38 in the list below, transmit program change number 37.

• Some voices may sound continuously or have a long decay after the notes have been released while the sustain pedal (footswitch) is held.

”

Appendix

Panel Voice List

Bank Select

Voice

MSB

No.

(0–127)

1 0 112 1 Grand Piano 2 0 112 2 Bright Piano 3 0 112 7 Harpsichord 4 0 112 4 Honky Tonk Piano 5 0 112 3 MIDI Grand Piano 601133CP80

7 0 114 5 Cool! Galaxy Electric Piano 8 0 113 6 Hyper Tines

9 0 112 5 Funk y Electric Piano 10 0 112 6 DX Modern Electric Piano 11 0 114 6 Venus Electric Piano 12 0 112 8 Clavi

13 0 118 19 Cool! Organ 14 0 117 19 Cool! Rotor O rgan 15 0 112 17 Jazz O rgan 1 16 0 113 17 Jazz O rgan 2 17 0 112 19 Rock Or gan 18 0 114 19 Purple Organ 19 0 112 18 Click Organ 20 0 116 17 Bright Organ 21 0 127 19 Theater Organ 22 0 121 20 16'+2' Organ 23 0 120 20 16'+4' Organ 24 0 113 20 Chapel Organ 25 0 112 20 Pipe Organ 26 0 112 21 Reed Organ

27 0 112 22 Musette Accordion 28 0 113 22 Traditional Accordion 29 0 113 24 Bandoneon 30 0 113 23 Moder n Harp 31 0 115 23 Har monica

32 0 116 25 Dynamic Nylon Guitar 33 0 118 30 Dynamic Overdriven 34 0 112 25 Classical Guitar 35 0 112 26 Folk Guitar 36 0 112 27 Jazz Guitar 37 0 117 28 60s Clean Guitar 38 0 113 26 12Strings Guitar 39 0 112 28 Clean Guitar 40 0 113 27 Octave Guitar 41 0 112 29 Muted Guitar 42 0 112 30 Overdriven Guitar 43 0 112 31 Distortion Guitar

44 0 116 34 Dynamic Electric Bass 45 0 112 34 Finger Bass 46 0 112 33 Acoustic Bass 47 0 112 35 Pick Bass 48 0 112 36 Fretless Bass

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

LSB

(0–127)

MIDI

Program

Change#

(1–128)

PIANO

E.PIANO

ORGAN

ACCORDION

GUITAR

BASS

Voice Name

Bank Select

Voice

MSB

No.

(0–127)

49 0 112 37 Slap Bass 50 0 121 40 Funk Bass 51 0 112 39 Synth Bass 52 0 113 39 Hi-Q Bass 53 0 113 40 Dance Bass

54 0 112 49 Strings 55 0 112 50 Chamber St rings 56 0 115 50 Marcato Strings 57 0 113 50 Slow Strings 58 0 112 45 Tremolo Strings 59 0 112 51 Synth Strings 60 0 112 46 Pizzicato Strings 61 0 112 41 Violin 62 0 112 43 Cello 63 0 112 44 Contrabass 64 0 112 47 Harp 65 0 112 56 Orchestra Hit

66 0 112 53 Choir 67 0 113 53 Vocal Ensemble 68 0 112 55 Air Choir 69 0 112 54 Vox Humana

70 0 117 67 Sweet! Tenor Sax 71 0 112 67 Tenor Sax 72 0 112 66 Alto Sax 73 0 112 65 Soprano Sax 74 0 112 68 Baritone Sax 75 0 114 67 Breathy Tenor Sax 76 0 116 66 Sax Section 77 0 112 72 Clarinet 78 0 112 69 Oboe 79 0 112 70 English Horn 80 0 112 71 Bassoon

81 0 112 57 Trumpet 82 0 112 58 Trombone 83 0 113 58 Trombone Section 84 0 112 60 Muted Trumpet 85 0 112 61 French Horn 86 0 112 59 Tuba

87 0 112 62 Brass Section 88 0 113 62 Big Band Brass 89 0 116 62 Octave Brass 90 0 113 63 80s Brass 91 0 119 62 Mellow Horns 92 0 115 63 Funky Brass 93 0 114 63 Techno Brass 94 0 112 63 Synth Brass

95 0 114 74 Sweet! Flute 96 0 112 74 Flute

LSB

(0–127)

MIDI Program Change#

(1–128)

STRINGS

CHOIR

SAXOPHONE

TRUMPET

BRASS

FLUTE

Voice Name

Page 63

Voice List

Bank Select

Voice

MSB

No.

(0–127)

97 0 112 73 Piccolo 98 0 112 76 Pan Flute 99 0 112 75 Recorder

100 0 112 8 0 Oca rina

101 0 112 81 Square Lead 102 0 112 82 Sawtooth Lead 103 0 108 82 RS Tech Saw 104 0 112 88 Under Heim 105 0 112 85 Portatone 106 0 115 82 Analogon 107 0 119 8 2 Fargo 108 0 112 86 Voice Lead 109 0 121 82 Funky Lead

110 0 118 89 Sweet Heaven

111 0 121 89 Dream Heaven

112 0 113 89 Symbiont

113 0 112 99 Stardust

114 0 112 101 Brightness

115 0 112 92 Xenon Pad

116 0 112 95 Equinox

117 0 112 89 Fantasia

118 0 113 90 Dark M oon

1190113101Bell Pad 120 0 126 90 RS Analog Pad 121 0 116 91 RS Short Resonance

122 0 112 12 Vibraphone 123 0 112 13 Marimba 124 0 112 14 Xylophone 125 0 112 115 Steel Drums 126 0 112 9 Celesta 127 0 112 11 M usic Box 128 0 112 15 Tubular Bells 129 0 112 48 Timpani

130 0 112 106 Banjo 13 1 0 0 111 Fi dd l e 132 0 0 110 Bagpipe 133 0 0 16 Dulcimer 1 134 0 35 16 Dulcimer 2 135 0 96 16 Cimbalom 136 0 97 16 Santur 137 0 97 108 Kanoon 138 0 9 8 106 O ud 139 0 96 106 Rabab 1400 0109Kalimba 141 0 113 21 Harmonium 1 (Single Reed) 142 0 114 21 Harmonium 2 (Double Reed) 143 0 115 21 Harmonium 3 (Triple Reed) 144 0 114 105 Tanpura 145 0 96 112 Pungi 146 0 117 74 Bansuri 1470 0105Sitar 1 148 0 32 105 Detuned Sitar 149 0 3 5 105 Si tar 2 150 0 0 112 Shehnai 151 0 97 106 Gopichant 152 0 116 117 Tabla 15 3 0 11 5 111 E r H u 154 0 118 74 Di Zi 155 0 116 106 Pi Pa 156 0 113 108 Gu Zhen g 157 0 40 47 Yang Qin 158 0 120 111 Morin Khuur 159 0 0 107 Shamisen 1600 0108Koto 161 0 96 108 Taisho-kin

162–––Octave Piano 163 – – – Piano & Strings

LSB

(0–127)

MIDI

Program

Change#

(1–128)

SYNT H

PERCUSSION

WORLD

DUAL*

Voice Name

Bank Select

Voice

MSB

No.

(0–127)

164 – – – Piano Pad 165 – – – Octave Harpsichord 166 – – – Tiny Electric Piano 167 – – – Electric Piano Pad 168–––Full Organ 169 – – – Octave Jazz Gui tar 170–––Octave Strings 171 – – – Orchestra Section 172 – – – Octave Pizzicato Strings 173 – – – Strings Session 174 – – – Brass Tutti 175 – – – Orchestra Tutti 176 – – – Octave French Horns 177–––Octave Harp 178 – – – Orchestra Hit & Timpani 179–––Octave Choir 180 – – – Jazz Brass Section 181 – – – Jazz Section 182 – – – Ballroom Sax Ensemble 183 – – – Ballroom Brass 184 – – – Flute & Clarinet 185 – – – Trumpet & Trombone 186 – – – Fat Synth Brass 187–––Octave Lead 188 – – – Super 5th Lead

1890 0121Fret Noise 190 0 0 122 Breath Noise 191 0 0 123 Seashore 192 0 0 124 Bird Tweet 193 0 0 125 Telephone Ring 194 0 0 126 Helicopter 195 0 0 127 Applause 196 0 113 116 Hand Clap 197 0 0 128 Gunshot

198 127 0 1 Standard Kit 1

199 127 0 2 Standard Kit 2 200 127 0 9 Room Kit 201 127 0 17 Rock Kit 202 127 0 25 Electronic Kit 203 127 0 26 Analog Kit 204 127 0 113 Dance Kit 205 127 0 33 Jazz Kit 206 127 0 41 Brush Kit 207 127 0 49 Symphony Kit 208 126 0 128 StdKit 1 + Chinese Perc. 209 126 0 40 Indian Kit 1 210 126 0 115 Indian Kit 2 211 126 0 37 Arabic Kit 212 126 0 41 Cuban Kit 213 126 0 1 SFX Kit 1 214 126 0 2 SFX Kit 2 215 126 0 113 Sound Effect Kit

216 – – – Concerto 217 – – – Latin Rock 218 – – – Brass Section 219 – – – Piano Ballad 220 – – – Synth Sequence 221 – – – Guitarist 222 – – – Pickin' 223 – – – Spanish 224 – – – Funky Clavi 225 – – – Harpeggio 226 – – – Finger Bass Left 227 – – – Combo Jazz Left 228 – – – Paul's Bass Left 229 – – – Trance Bass Left 230 – – – Acid Bass Left 231 – – – Piano Ballad Left

LSB

(0–127)

SOUND EFFECTS

MIDI Program Change#

(1–128)

DRUM KITS

ARPEGGIO**

Voice Name

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Appendix

Page 64

Voice List

Bank Select

Voice

MSB

No.

(0–127)

232 – – – Salsa Piano Left 233 – – – Piano Arpeggio Left 234 – – – Guitar Arpeggio Left 235 – – – Strum Left

* When you select a Voice of the DUAL category, two voices

sound at the same time.

** Selecting a Voice number between 216 and 235 will turn on

Arpeggio.

LSB

(0–127)

MIDI

Program

Change#

(1–128)

Voice Name

XGlite Voice List

Bank Select

Voice

MSB

No.

(0–127)

236 0 0 1 Grand Piano 237 0 1 1 Grand Piano KSP 238 0 40 1 Piano Strings 239 0 41 1 Dream 240 0 0 2 Bright Piano 241 0 1 2 Bright Piano KSP 242 0 0 3 Electric Grand Piano 243 0 1 3 Electric Grand Piano KSP 244 0 32 3 Detuned CP80 245 0 0 4 Honky Tonk Piano 246 0 1 4 Honky Tonk Piano KSP 247 0 0 5 Electric Piano 1 248 0 1 5 Electric Piano 1 KSP

Appendix

249 0 32 5 Chorus Electric Piano 1 250 0 0 6 Electric Piano 2 251 0 1 6 Electric Piano 2 KSP 252 0 32 6 Chorus Electric Piano 2 253 0 41 6 DX + Analog Electric Piano 254 0 0 7 Harpsichord 1 255 0 1 7 Harpsichord KSP 256 0 35 7 Harpsichord 2 257 0 0 8 Clavi 258 0 1 8 Clavi KSP

259 0 0 9 Celesta 260 0 0 10 Glockenspiel 261 0 0 11 Music Box 1 262 0 64 11 Music Box 2 263 0 0 12 Vibraphone 264 0 1 12 Vibraphone KSP 265 0 0 13 Marimba 266 0 1 13 Marimba KSP 267 0 64 13 Sine Marimba 268 0 97 13 Balimba 269 0 98 13 Log Drums 270 0 0 14 Xylophone 271 0 0 15 Tubular Bells 272 0 96 15 Church Bells 273 0 97 15 Carillon

274 0 0 17 Drawbar Organ 1 275 0 32 17 Detuned Drawbar Organ 276 0 33 17 60s Drawbar Organ 1 277 0 34 17 60s Drawbar Organ 2 278 0 35 17 70s Drawbar Organ 1 279 0 37 17 60s Drawbar Organ 3 280 0 40 17 16+2'2/3 Organ 281 0 64 17 Organ Bass 282 0 65 17 70s Drawbar Organ 2 283 0 66 17 Cheezy Organ 284 0 67 17 Drawbar Organ 2 285 0 0 18 Percussive Organ 1 286 0 24 18 70s Percussive Organ

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

LSB

(0–127)

MIDI

Program

Change#

(1–128)

XG PIANO

XG CHROMATIC

XG ORGAN

Voice Name

Bank Select

Voice

MSB

No.

(0–127)

287 0 32 18 Detuned Percussive Organ 288 0 33 18 Light Organ 289 0 37 18 Percussive Organ 2 290 0 0 19 Rock Organ 291 0 64 19 Rotary Organ 292 0 65 19 Slow Rotary Organ 293 0 66 19 Fast Rotary Organ 294 0 0 20 Church Organ 1 295 0 32 20 Church Organ 3 296 0 35 20 Church Organ 2 297 0 40 20 Notre Dame 298 0 64 20 Organ Flute 299 0 65 20 Tremolo Organ Flute 300 0 0 21 Reed Organ 301 0 40 21 Puff Organ 302 0 0 22 Accordion 303 0 0 23 Harmonica 1 304 0 32 23 Harmonica 2 305 0 0 24 Tango Accordion 1 306 0 64 24 Tango Accordion 2

307 0 0 25 Nylon Guitar 1 308 0 25 25 Nylon Guitar 3 309 0 43 25 Velocity Guitar Harmonics 310 0 96 25 Ukulele 311 0 0 26 Steel Guitar 312 0 35 26 12-string Guitar 313 0 40 26 Nylon & Steel Guitar 314 0 41 26 Steel Guitar with Body Sound 315 0 96 26 Mandolin 316 0 0 27 Jazz Guitar 317 0 32 27 Jazz Amp 318 0 0 28 Clean Guitar 319 0 32 28 Chorus Guitar 320 0 0 29 Muted Guitar 321 0 40 29 Funk Guitar 322 0 41 29 Muted Steel Guitar 323 0 45 29 Jazz Man 324 0 0 30 Overdriven Guitar 325 0 43 30 Guitar Pinch 326 0 0 31 Distortion Guitar 327 0 40 31 Feedback Guitar 1 328 0 41 31 Feedback Guitar 2 329 0 0 32 Guitar Harmonics 1 330 0 65 32 Guitar Feedback 331 0 66 32 Guitar Harmonics 2

332 0 0 33 Acoustic Bass 333 0 40 33 Jazz Rhythm 334 0 45 33 Velocity Crossfade Upright Bass 335 0 0 34 Finger Bass 1 336 0 18 34 Finger Bass Dark 337 0 40 34 Bass & Distorted Electric Guitar 338 0 4 3 34 Finger Slap Bass 339 0 45 34 Finger Bass 2 340 0 65 34 Modulated Bass 341 0 0 35 Pick Bass 342 0 28 35 Muted Pick Bass 343 0 0 36 Fretless Bass 1 344 0 32 36 Fretless Bass 2 345 0 33 36 Fretless Bass 3 346 0 34 36 Fretless Bass 4 347 0 0 37 Slap Bass 1 348 0 32 37 Punch Thumb Bass 349 0 0 38 Slap Bass 2 350 0 43 38 Velocity Switch Slap 351 0 0 39 Synth Bass 1 352 0 40 39 Techno Synth Bass 353 0 0 40 Synth Bass 2 354 0 6 40 Mellow Synth Bass 355 0 12 40 Sequenced Bass

LSB

(0–127)

MIDI Program Change#

(1–128)

XG GUITAR

XG BASS

Voice Name

Page 65

Voice List

Bank Select

Voice

MSB

No.

(0–127)

356 0 18 40 Click Synth Bass 357 0 19 40 Synth Bass 2 Dark 358 0 40 40 Modular Synth Bass 359 0 41 40 DX Bass

360 0 0 41 Violin 361 0 8 41 Slow Violin 362 0 0 42 Viola 363 0 0 43 Cello 364 0 0 44 Contrabass 365 0 0 45 Tremolo Strings 366 0 8 45 Slow Tremolo Strings 367 0 40 45 Suspense Strings 368 0 0 46 Pizzicato Strings 369 0 0 47 Orchestral Harp 370 0 0 48 Timpani

371 0 0 49 Strings 1 372 0 3 49 Stereo Strings 373 0 8 49 Slow Strings 374 0 35 49 60s Strings 375 0 40 49 Orchestra 1 376 0 41 49 Orchestra 2 377 0 42 49 Tremolo Orchestra 378 0 45 49 Velocity Strings 379 0 0 50 Strings 2 380 0 3 50 Stereo Slow Strings 381 0 8 50 Legato Strings 382 0 40 50 Warm Strings 383 0 41 50 Kingdom 384 0 0 51 Synth Strings 1 385 0 64 51 Synth Strings 4 386 0 0 52 Synth Strings 2 387 0 0 53 Choir Aahs 388 0 3 53 Stereo Choir 389 0 32 53 Mellow Choir 390 0 40 53 Choir Strings 391 0 0 54 Voice Oohs 392 0 0 55 Synth Voice 1 393 0 40 55 Synth Voice 2 394 0 41 55 Choral 395 0 64 55 Analog Voice 396 0 0 56 Orchestra Hit 1 397 0 35 56 Orchestra Hit 2 398 0 64 56 Impact

399 0 0 57 Trumpet 400 0 32 57 Warm Trumpet 401 0 0 58 Trombone 1 402 0 18 58 Trombone 2 403 0 0 59 Tuba 404 0 0 60 Muted Trumpet 405 0 0 61 French Horn 1 406 0 6 61 French Horn Solo 407 0 32 61 French Horn 2 408 0 37 61 Horn Orchestra 409 0 0 62 Brass Section 410 0 35 62 Trumpet & Trombone Section

411 0 0 63 Synth Brass 1 412 0 20 63 Resonant Synth Brass 413 0 0 64 Synth Brass 2 414 0 18 64 Soft Brass 415 0 41 64 Choir Brass

416 0 0 65 Soprano Sax 417 0 0 66 Alto Sax 418 0 40 66 Sax Section 419 0 0 67 Tenor Sax 420 0 40 67 Breathy Tenor Sax 421 0 0 68 Baritone Sax 422 0 0 69 Oboe

LSB

(0–127)

MIDI

Program

Change#

(1–128)

XG STRINGS

XG ENSEMBLE

XG BRASS

XG REED

Voice Name

Bank Select

Voice

MSB

No.

(0–127)

423 0 0 70 English Horn 424 0 0 71 Bassoon 425 0 0 72 Clarinet

426 0 0 73 Piccolo 427 0 0 74 Flute 428 0 0 75 Recorder 429 0 0 76 Pan Flute 430 0 0 77 Blown Bottle 431 0 0 79 Whistle 432 0 0 80 Ocarina

433 0 0 81 Square Lead 1 434 0 6 81 Square Lead 2 435 0 8 81 LM Square 436 0 18 81 Hollow 437 0 19 81 Shroud 438 0 64 81 Mellow 439 0 65 81 Solo Sine 440 0 66 81 Sine Lead 441 0 0 82 Sawtooth Lead 1 442 0 6 82 Sawtooth Lead 2 443 0 8 82 Thick Sawtooth 444 0 18 82 Dynamic Sawtooth 445 0 19 82 Digital Sawtooth 446 0 20 82 Big Lead 447 0 24 82 Heavy Synth 448 0 96 82 Sequenced Analog 449 0 0 83 Calliope Lead 450 0 65 83 Pure Lead 451 0 0 84 Chiff Lead 452 0 0 85 Charang Lead 453 0 64 85 Distorted Lead 454 0 0 86 Voice Lead 455 0 0 87 Fifths Lead 456 0 35 87 Big Five 457 0 0 88 Bass & Lead 458 0 16 88 Big & Low 459 0 64 88 Fat & Perky 460 0 65 88 Soft Whirl

461 0 0 89 New Age Pad 462 0 64 89 Fantasy 463 0 0 90 Warm Pad 464 0 0 91 Poly Synth Pad 465 0 0 92 Choir Pad 466 0 66 92 Itopia 467 0 0 93 Bowed Pad 468 0 0 94 Metallic Pad 469 0 0 95 Halo Pad 470 0 0 96 Sweep Pad

471 0 0 97 Rain 472 0 64 97 Harmo Rain 473 0 65 97 African Wind 474 0 66 97 Carib 475 0 0 98 Sound Track 476 0 27 98 Prologue 477 0 0 99 Crystal 478 0 12 99 Synth Drum Comp 479 0 14 99 Popcorn 480 0 18 99 Tiny Bells 481 0 35 99 Round Glockenspiel 482 0 40 99 Glockenspiel Chimes 483 0 41 99 Clear Bells 484 0 42 99 Chorus Bells 485 0 65 99 Soft Crystal 486 0 70 99 Air Bells 487 0 71 99 Bell Harp 488 0 72 99 Gamelimba 489 0 0 100 Atmosphere

MIDI

Program

LSB

Change#

(0–127)

(1–128)

XG PIPE

XG SYNTH LEAD

XG SYNTH PAD

XG SYNTH EFFECTS

Voice Name

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Appendix

Page 66

Voice List

Bank Select

Voice

MSB

No.

(0–127)

490 0 18 100 Warm Atmosphere 491 0 19 100 Hollow Release 492 0 40 100 Nylon Electric Piano 493 0 64 100 Nylon Har p 494 0 65 100 Har p Vox 495 0 66 100 Atmosphere Pad 496 0 0 101 Brightness 497 0 0 102 Goblins 498 0 64 102 Goblins Synth 499 0 65 102 Creeper 500 0 67 102 Ritual 501 0 68 102 To Heaven 502 0 70 102 Night 503 0 71 102 Glisten 504 0 96 102 Bell Choir 505 0 0 103 Echoes 506 0 65 103 Big Pan 507 0 0 104 Sci-Fi

508 0 0 78 Shakuhachi 509 0 97 105 Tamboura 510 0 0 106 Banjo

511 0 28 106 Muted Banjo

512 0 0 113 Tinkle Bell 513 0 96 113 Bonang 514 0 97 113 Altair 515 0 98 113 Gamelan Gongs 516 0 99 113 Stereo Gamelan Gongs 517 0 100 113 Rama Cymbal 518 0 0 114 Agogo

Appendix

519 0 0 115 Steel Drums 520 0 97 115 Glass Percussion 521 0 98 115 Thai Bells 522 0 0 116 Woodblock 523 0 96 116 Castanets 524 0 0 117 Taiko Drum 525 0 96 117 Gran Cassa 526 0 0 118 Melodic Tom 1 527 0 64 118 Melodic Tom 2 528 0 65 118 Real Tom 529 0 66 118 Rock Tom 530 0 0 119 Synth Drum 531 0 64 119 Analog Tom 532 0 65 119 Electronic Percussion 533 0 0 120 Reverse Cymbal

534 64 0 1 Cutting Noise 1 535 64 0 2 Cutting Noise 2 536 64 0 4 String Slap 537 64 0 17 Flute Key Click 538 64 0 33 Shower 539 64 0 34 Thunder 540 64 0 35 Wind 541 64 0 36 Stream 542 64 0 37 Bubble 543 64 0 38 Feed 544 64 0 49 Dog 545 64 0 50 Horse 546 64 0 51 Bird Tweet 2 547 64 0 56 Maou 548 64 0 65 Phone Call 549 64 0 66 Door Squeak 550 64 0 67 Door Slam 551 64 0 68 Scratch Cut 552 64 0 69 Scratch Split 553 64 0 70 Wind Chime 554 64 0 71 Telephone Ring 2 555 64 0 81 Car Engine Ignition 556 64 0 82 Car Tires Squeal 557 64 0 83 Car Passing

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

MIDI

Program

LSB

Change#

(0–127)

(1–128)

XG WORLD

XG PERCUSSIVE

XG SOUND EFFECTS

Voice Name

Bank Select

Voice

MSB

No.

(0–127)

558 64 0 84 Car Crash 559 64 0 85 Siren 560 64 0 86 Train 561 64 0 87 Jet Plane 562 64 0 88 Starship 563 64 0 89 Burst 564 64 0 90 Roller Coaster 565 64 0 91 Submarine 566 64 0 97 Laugh 567 64 0 98 Scream 568 64 0 99 Punch 569 64 0 100 Heartbeat 570 64 0 101 Footsteps 571 64 0 113 Machine Gun 572 64 0 114 Laser Gun 573 64 0 115 Explosion 574 64 0 116 Firework

LSB

(0–127)

MIDI Program Change#

(1–128)

Voice Name

Page 67

Drum Kit List

• “ ” indicates that the dr um sound is the same as “Standard Kit 1.”

• Each percussion voice uses one-note polyphony.

• The MIDI Note # and Note are actually one octave lower than keyboard Note # and Note. For example, in “Standard Kit 1,” the “Seq Click H” (Note #36/Note C1) corresponds to MIDI (Note #24/Note C0).

Voice No. 198 199 200 201 202 203

MSB (0–127) / LSB (0–127) / PC (1–128) 127/000/001 127/000/002 127/000/009 127/000/017 127/000/025 127/000/026

Keyboard MIDI

Note # Note Note # Note

25 C # 013C# -1 Surdo Mute 26 D 0 14 D -1 Surdo Open 27 D # 015D# -1 Hi Q 28 E 0 16 E -1 Whip Slap 29 F 0 17 F -1 Scratch H 30 F# 018F# -1 Scratch L 31 G 0 19 G -1 Finger Snap 32 G # 020G# - 1 Cli ck Noise 33 A 0 21 A -1 Metronome Click 34 A # 022A# -1 Metronome Bell 35 B 0 23 B -1 Seq Click L

36 C 1 24 C 0 Seq Click H 37 C # 125C# 0 Brush Tap

C#1

38 D 1 26 D 0 Brush Swirl 39 D # 127D# 0Brush Slap

D#1

40 E 1 28 E 0 Brush Tap Swirl Reverse Cymbal Reverse Cymb al 41 F 1 29 F 0 Snare Roll 42 F# 130F# 0 Castanet Hi Q 2 Hi Q 2

F#1

43 G 1 31 G 0 Snare Soft Snare Soft 2 44 G # 132G# 0Sticks

G#1

45 A 1 33 A 0 Bass Drum Soft Bass Drum H Bass Drum H 46 A # 134A# 0 Open Rim Shot Open Rim Shot 2

A#1

47 B 1 35 B 0 Bass Drum Hard Bass Drum H Bass Drum Rock Bass Drum Analog L 48 C 2 36 C 1 Bass Drum Bass Drum 2 49 C # 237C# 1 Side Stick

C#2

50 D 2 38 D 1 Snare Snare 2 Snare Room L Snare Rock Snare Noisy 2 Snare Analog 1 51 D # 239D# 1 Hand Clap

D#2

52 E 2 40 E 1 Snare Tight Snare Tight 2 Snare Room H Snare Rock Rim Snare Noisy 3 Snare Analog 2 53 F 2 41 F 1 Floor Tom L 54 F# 242F# 1 Hi-Hat Closed

F#2

55 G 2 43 G 1 Floor Tom H 56 G # 244G# 1 Hi-Hat Pedal

G#2

57 A 2 45 A 1 Low Tom 58 A # 246A# 1 Hi-Hat Open

A#2

59 B 2 47 B 1 Mid Tom L 60 C 3 48 C 2 Mid Tom H 61 C # 349C# 2 Crash Cymbal 1

C#3

62 D 3 50 D 2 High Tom 63 D # 351D# 2 Ride Cymbal 1

D#3

64 E 3 52 E 2 Chinese Cymbal 65 F 3 53 F 2 Ride Cymbal Cup 66 F# 354F# 2 Tambourine

F#3

67 G 3 55 G 2 Splash Cymbal 68 G # 356G# 2 Cowbell Cowbell Analog

G#3

69 A 3 57 A 2 Crash Cymbal 2 70 A # 358A# 2Vibraslap

A#3

71 B 3 59 B 2 Ride Cymbal 2 72 C 4 60 C 3 Bongo H 73 C # 461C# 3 Bongo L

C#4

74 D 4 62 D 3 Conga H Mute Conga Analog H 75 D # 463D# 3 Conga H Open

D#4

76 E 4 64 E 3 Conga L 77 F 4 65 F 3 Timbale H 78 F# 466F# 3 Timbale L

F#4

79 G 4 67 G 3 Agogo H 80 G # 468G# 3 Agogo L

G#4

81 A 4 69 A 3 Cabasa 82 A # 470A# 3 Maracas Maracas 2

A#4

83 B 4 71 B 3 Samba Whistle H 84 C 5 72 C 4 Samba Whistle L 85 C # 573C# 4Guiro Short

C#5

86 D 5 74 D 4 Guiro Long 87 D # 575D# 4Claves Claves 2

D#5

88 E 5 76 E 4 Wood Block H 89 F 5 77 F 4 Wood Block L 90 F# 578F# 4Cuica Mute Scratch H Scratch H

F#5

91 G 5 79 G 4 Cuica Open 92 G # 580G# 4 Triangle Mute

G#5

93 A 5 81 A 4 Triangle Open 94 A # 582A# 4Shaker

A#5

95 B 5 83 B 4 Jingle Bells 96 C 6 84 C 5 Bell Tree 97 C # 685C# 5 98 D 6 86 D 5 99 D # 687D# 5

100 E 6 88 E 5 101 F 6 89 F 5 102 F# 690F# 5 103 G 6 91 G 5

Standard Kit 1 Standard Kit 2 Room Kit Rock Kit Electronic Kit Analog Kit

Snare Noisy Snare Snappy Electronic Snare Noisy 4

Bass Drum Rock Bass Drum Gate Bass Drum Analog H

Tom Room 1 Tom Rock 1 Tom Electronic 1 Tom Analog 1

Tom Room 2 Tom Rock 2 Tom Electronic 2 Tom Analog 2

Tom Room 3 Tom Rock 3 Tom Electronic 3 Tom Analog 3

Tom Room 4 Tom Rock 4 Tom Electronic 4 Tom Analog 4 Tom Room 5 Tom Rock 5 Tom Electronic 5 Tom Analog 5

Tom Room 6 Tom Rock 6 Tom Electronic 6 Tom Analog 6

Scratch L Scratch L

Side Stick Analog

Hi-Hat Closed Analog 1

Hi-Hat Closed Analog 2

Hi-Hat Open Analog

Crash Analog

Conga Analog M Conga Analog L

Appendix

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 68

Appendix

Drum Kit List

Voice No. 198 204 205 206 207 208

MSB (0–127) / LSB (0–127) / PC (1–128) 127/000/0 01 127/000/113 127/000/033 127/000/041 127/000/049 126/000/128

Keyboard MIDI

Note #NoteNote #Note

25 C # 013C# -1 Surdo Mute 26 D 0 14 D -1 Surdo Open 27 D # 015D# -1 Hi Q 28 E 0 16 E -1 Whip Slap 29 F 0 17 F -1 Scratch H 30 F# 018F# -1 Scratch L 31 G 0 19 G -1 Finger Snap 32 G# 020G# -1 Click Noise 33 A 0 21 A -1 Metronome Click 34 A # 022A# -1 Metronome Bell 35 B 0 23 B -1 Seq Click L

36 C 1 24 C 0 Seq Click H 37 C # 125C# 0 Brush Tap

C#1

38 D 1 26 D 0 Brush Swirl 39 D # 127D# 0Brush Slap

D#1

40 E 1 28 E 0 Brush Tap Swirl Reverse Cymbal 41 F 1 29 F 0 Snare Roll 42 F# 130F# 0 Castanet Hi Q 2

F#1

43 G 1 31 G 0 Snare Soft Snare Techno Brush Slap 2 44 G# 132G# 0Sticks

G#1

45 A 1 33 A 0 Bass Drum Soft Kick Techno Q Bass Drum Soft L 46 A # 134A# 0 Open Rim Shot Rim Gate

A#1

47 B 1 35 B 0 Bass Drum Hard Kick Techno L Gran Cassa 48 C 2 36 C 1 Bass Drum Kick Techno Bass Drum Jazz Bass Drum Jazz Gran Cassa Mute 49 C # 237C# 1 Side Stick Side Stick Analog

C#2

50 D 2 38 D 1 Snare Snare Clap Snare Jazz L Brush Slap 3 Band Snare 1 51 D # 239D# 1 Hand Clap

D#2

52 E 2 40 E 1 Snare Tight Snare Dry Snare Jazz M Brush Tap Band Snare 2 53 F 2 41 F 1 Floor Tom L Tom Analog 1 Tom Jazz 1 Tom Brush 1 Tom Jazz 1 54 F# 242F# 1 Hi-Hat Closed Hi-Hat Closed Analog 3

F#2

55 G 2 43 G 1 Floor Tom H Tom Analog 2 Tom Jazz 2 Tom Brush 2 Tom Jazz 2 56 G# 244G# 1 Hi-Hat Pedal Hi-Hat Closed Analog 4

G#2

57 A 2 45 A 1 Low Tom Tom Analog 3 Tom Jazz 3 Tom Brush 3 Tom Jazz 3 58 A # 246A# 1 Hi-Hat Open Hi-Hat Open Analog 2

A#2

59 B 2 47 B 1 Mid Tom L Tom Analog 4 Tom Jazz 4 Tom Brush 4 Tom Jazz 4 60 C 3 48 C 2 Mid Tom H Tom Analog 5 Tom Jazz 5 Tom Brush 5 Tom Jazz 5 61 C # 349C# 2 Crash Cymbal 1 Crash Analog Hand Cymbal 1

C#3

62 D 3 50 D 2 High Tom Tom Analog 6 Tom Jazz 6 Tom Brush 6 Tom Jazz 6 63 D # 351D# 2 Ride Cymbal 1 Hand Cymbal 1 Short

D#3

64 E 3 52 E 2 Chinese Cymbal 65 F 3 53 F 2 Ride Cymbal Cup 66 F# 354F# 2 Tambourine

F#3

67 G 3 55 G 2 Splash Cymbal 68 G# 356G# 2 Cowbell Cowbell Analog

G#3

69 A 3 57 A 2 Crash Cymbal 2 Hand Cymbal 2 70 A # 358A# 2Vibraslap

A#3

71 B 3 59 B 2 Ride Cymbal 2 Hand Cymbal 2 Short 72 C 4 60 C 3 Bongo H 73 C # 461C# 3 Bongo L

C#4

74 D 4 62 D 3 Conga H Mute Conga Analog H 75 D # 463D# 3 Conga H Open Conga Analog M

D#4

76 E 4 64 E 3 Conga L Conga Analog L 77 F 4 65 F 3 Timbale H 78 F# 466F# 3 Timbale L

F#4

79 G 4 67 G 3 Agogo H Dagu Mute 80 G# 468G# 3 Agogo L

G#4

81 A 4 69 A 3 Cabasa 82 A # 470A# 3 Maracas Maracas 2

A#4

83 B 4 71 B 3 Samba Whistle H 84 C 5 72 C 4 Samba Whistle L 85 C # 573C# 4 Guiro Short

C#5

86 D 5 74 D 4 Guiro Long 87 D # 575D# 4 Claves Claves 2

D#5

88 E 5 76 E 4 Wood Block H 89 F 5 77 F 4 Wood Block L 90 F# 578F# 4 Cuica Mute Scratch H

F#5

91 G 5 79 G 4 Cuica Open Scratch L 92 G# 580G# 4 Triangle Mute

G#5

93 A 5 81 A 4 Triangle Open 94 A # 582A# 4 Shaker

A#5

95 B 5 83 B 4 Jingle Bells 96 C 6 84 C 5 Bell Tree 97 C # 685C# 5 98 D 6 86 D 5 99 D # 687D# 5

100 E 6 88 E 5

101 F 6 89 F 5

102 F# 690F# 5 103 G 6 91 G 5

Standard Kit 1 Dance Kit Jazz Kit Brush Kit Symphony Kit

StdKit 1 +

Chinese Perc.

Zhongcha Mute Dagu Heavy Zhongcha Open Paigu Middle Paigu L ow Xiaocha Mute Bangu Xiaocha Open Bangzi Muyu Low Zhongluo Mute Muyu Mid-Low Zhongluo Open Muyu Middle Xiaoluo Open Triangle Mute Triangle Open

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 69

* Actual keyboard notes of the SFX Kit 1 and 2 are one octave lower than the ones described in the list.

209 210 211 212 213 214 215

126/000/040 126/000/115 126/000/037 126/000/041 126/000/001 126/00 0/002 126/000/113

Indian Kit 1 Indian Kit 2 Arabic Kit Cuban Kit SFX Kit 1 * SFX Kit 2 * Sound Effect Kit

Indian Hand Clap Zarb Eshareh Dafli Open Zarb Whipping Dafli Slap Tombak Tom f Dafli Rim Neghareh Tom f Duff Open Tombak Back f Duff Slap Neghareh Back f

Hateli Long Hatheli Long Neghareh Pelang f Conga H Tip Hateli Short Hatheli Short Tombak Trill Conga H Heel Baya ge Baya ge Khaligi Clap 1 Conga H Open

Baya ke Baya ke Arabic Zalgouta Open Conga H Mute

C#1

Baya ghe Baya ghe Khaligi Clap 2 Conga H Slap Open

Baya ka Baya ka Arabic Zalgouta Close Conga H Slap

D#1

Tabla na Tabla na Arabic Hand Clap Conga H Slap Mute Tabla tin Tabla tin Tabel Tak 1 Conga L Tip

Tablabaya dha Tablabaya dha Sagat 1 Conga L Heel

F#1

Tabla tun Dhol 1 Open Tabel Dom Conga L Open

Tablabaya dhin Dhol 1 Slap Sagat 2 Conga L Mute

G#1

Tabla di Dhol 1 Mute Tabel Tak 2 Conga L Slap Open

Tablabaya dhe Dhol 1 Open Slap Sagat 3 Conga L Slap

A#1

Tabla ti Dhol 1 Roll Riq Tik 3 Conga L Slide Tabla ne Dandia Short Riq Tik 2 Bongo H Open 1 finger Cutting Noise 1 Phone Call Heartbeat

Tabla taran Dandia Long Riq Tik Hard 1 Bongo H Open 3 finger Cutting Noise 2 Door Squeak Footsteps

C#2

Tabla tak Chutki Riq Tik 1 Bongo H Rim Door Slam Door Squeak

Chipri Chipri Riq Tik Hard 2 Bongo H Tip String Slap Scratch Cut Door Slam

D#2

Kanjira Open Khanjira Open Riq Tik Hard 3 Bongo H Heel Scratch Applause Kanjira Slap Khanjira Slap Riq Tish Bongo H Slap Wind Chime Camera

Kanjira Mute Khanjira Mute Riq Snouj 2 Bongo L Open 1 finger Telephone Ring Horn

F#2

Kanjira Bend up Khanjira Bendup Riq Roll Bongo L Open 3 finger Hiccup

Kanjira Bend down Khanjira Benddown Riq Snouj 1 Bongo L Rim Cuckoo Clock

G#2

Dholak Open Dholak 1 Open Riq Sak Bongo L Tip Stream

Dholak Mute Dholak 1 Mute Riq Snouj 3 Bongo L Heel Frog

A#2

Dholak Slap Dholak 1 Slap Riq Snouj 4 Bongo L Slap Rooster Dhol Open Dhol 2 Open Riq Tak 1 Timbale L Open Dog

Dhol Mute Dhol 2 Slap Riq Brass 1 Cat

C#3

Dhol Slap Dhol 2 Rim Riq Tak 2 Owl

Dhol Slide Mridangam na Riq Brass 2 Horse Gallop

D#3

Mridangam Normal Mridangam din Riq Dom Flute Key Click Car Engine Ignition Horse Neigh Mridangam Open Mridangam ki Katem Tak Doff Paila L Car Tires Squeal Cow

Mridangam Mute Mridangam ta Katem Dom Timbale H Open Car Passing Lion

F#3

Mridangam Slap Mridangam Chapu Katem Sak 1 Car Crash Scratch

Mridangam Rim Mridangam Lo Closed Katem Tak 1 Siren Yo!

G#3

Chimta Open Mridangam Lo Open Katem Sak 2 Train Go!

Chimta Normal Chimta Normal Katem Tak 2 Jet Plane Get up!

A#3

Chimta Ring Chimta Ring Daholla Sak 2 Paila H Starship Whoow! Dholki Open Dholki Hi Open Daholla Sak 1 Cowbell Top Burst

Dholki Mute Dholki Hi Mute Daholla Tak 1 Roller Coaster

C#4

Dholki Slap Dholki Lo Open Daholla Dom Submarine

Dholki Slide Dholki Hi Slap Daholla Tak 2

D#4

Dholki Rim Dholki Lo Slide Tablah Prok Guiro Short Khol Open Khol Open Tablah Dom 2 Guiro Long

Khol Slide Khol Slide Tablah Roll of Edge

F#4

Khol Mute Khol Mute Tablah Tak Finger 4

Manjira Open Manjira Open Tablah Tak Trill 1 Tambourine Shower Laugh

G#4

Manjira Close Manjira Close Tablah Tak Finger 3 Thunder Scream

Jhanji Open Jhanji Open Tablah Tak Trill 2 Wind Punch

A#4

Jhanji Close Jhanji Close Tablah Tak Finger 2 Stream Heartbeat Mondira Open Mondira Open Tablah Tak Finger 1 Maracas Bubble Footsteps

Mondira Close Mondira Close Tablah Tik 2 Shaker Feed

C#5

Mridang Open Indian Bhangra Scat 1 Tablah Tik 4 Cabasa

Mridang Mute Indian Bhangra Scat 2 Tablah Tik 3

D#5

Mridang Rim Indian Bhangra Scat 3 Tablah Tik 1 Mridang Slide Indian Bhangra Scat 4 Tablah Tak 3

Khomokh Normal Khomokh Normal Tablah Tak 1

F#5

Khomokh Mute Khomokh Mute Tablah Tak 4

Khomokh Mltatk Khomokh Mltatk Tablah Tak 2

G#5

Madal-A2 Thavil Open Tablah Sak 2

Madal-A#2 Thavil Slap Tablah Tremolo

A#5

Madal-B2 Thavil Mute Tablah Sak 1 Madal-C3 Khartaal Tablah Dom 1 Dog Machine Gun

Madal-C#3 Dholak 2 Open Horse Laser Gun Applause 1 Madal-D3 Dholak 2 Slide Bird Tweet Explosion Applause 2 Madal-D#3 Dholak 2 Rim 1 Firework Applause 3 Madal-E3 Dholak 2 Rim 2 Applause 4 Madal-F3 Dholak 2 Ring Madal-F#3 Dholak 2 Slap Madal-G3 Maou

Duff Rim Tombak Snap f

Zarb Back mf Zarb Tom f

Drum Kit List

Drum Loop

Appendix

Huuaah!

Uh!+Hit

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 70

Song List

Song No. Song Name

001 Demo 1 (Yamaha Original) 002 Demo 2 (Yamaha Original) 003 Demo 3 (Yamaha Original)

004 Für Elise (Basic) (L. v. Beethoven) 005 Für Elise (Advanced) (L. v. Beethoven) 006 Twinkle Twinkle Little Star (Basic) (Traditional) 007 Twinkle Twinkle Little Star (Advanced) (Traditional) 008 Turkish March (Basic) (W.A. Mozart) 009 Turkish March (Advanced) (W.A. Mozart)

010 Ode to Joy (Basic) (L. v. Beethoven) 011 Ode to Joy (Advanced) (L. v. Beethoven) 012 The Entertainer (Basic) (S. Joplin) 013 The Entertainer (Advanced) (S. Joplin) 014 Londonderry Air (Basic) (Traditional) 015 Londonderry Air (Advanced) (Traditional) 016 The Last Rose of Summer (Basic) (Traditional) 017 The Last Rose of Summer (Advanced) (Traditional) 018 Amazing Grace (Basic) (Traditional) 019 Amazing Grace (Advanced) (Traditional)

020 Frère Jacques (Traditional) 021 Der Froschgesang (Traditional) 022 Aura Lee (Traditional) 023 London Bridge (Traditional) 024 Sur le pont d'Avignon (Traditional) 025 Nedelka (Traditional)

Appendix

026 Aloha Oe (Q. Liliuokalani) 027 Sippin’ Cider Through a Straw (Traditional) 028 Old Folks at Home (S. C. Foster) 029 Bur y Me Not on the Lone Prairie (Traditional) 030 Cielito Lindo (Traditional) 031 Santa Lucia (A. Longo) 032 If You’re Happy and You Know It (Traditional) 033 Beautiful Dreamer (S. C. Foster) 034 Greensleeves (Traditional) 035 Kalinka (Traditional) 036 Holdilia Cook (Traditional) 037 Ring de Banjo (S. C. Foster) 038 La Cucaracha (Traditional) 039 Funiculi Funicula (L. Denza) 040 Largo (from the New World) (A. Dvořák) 041 Brahms’ Lullaby (J. Brahms) 042 Liebesträume Nr.3 (F. Liszt) 043 Pomp and Circumstance (E. Elgar) 044 Chanson du Toreador (G. Bizet) 045 Jupiter, the Bringer of Jollity (G. Holst) 046 The Polovetsian Dances (A. Borodin) 047 Die Moldau (B. Smetana) 048 Salut d'Amour op.12 (E. Elgar) 049 Humoresques (A. Dvořák)

Symphony No.9 (from the New World - 4th movement)

050

(A. Dvořák)

051 O du lieber Augustin (Traditional) 052 Mar y Had a Little Lamb (Traditional) 053 When Irish Eyes Are Smiling (E. R. Ball) 054 Little Brown Jug (Traditional) 055 Ten Little Indians (Traditional) 056 On Top of Old Smoky (Traditional) 057 My Darling Clementine (Traditional) 058 Oh! Susanna (S. C. Foster) 059 Red River Valley (Traditional) 060 Turkey in the Straw (Traditional)

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Top Picks

Learn to Play

Favorite

Favorite wit h Style

Song No. Song Name

061 Muffin Man (R. A. King) 062 Pop Goes the Weasel (Traditional) 063 Grandfather’s Clock (H. C. Work) 064 Camptown Races (S. C. Foster) 065 When the Saints Go Marching In (Traditional) 066 Yankee Doodle (Traditional) 067 Battle Hymn of the Republic (Traditional) 068 I’ve Been Working on the Railroad (Traditional) 069 American Patrol (F. W. Meacham) 070 Down by the Riverside (Traditional)

071 Sicilienne/Fauré (G. Fauré) 072 Swan Lake (P. I. Tchaikovsky) 073 Grand March (Aida) (G. Verdi) 074 Serenade for Strings in C major, op.48 (P. I. Tchaikovsky) 075 Pizzicato Polka (J. Strauss II) 076 Romance de Amor (Traditional) 077 Menuett BWV. Anh.114 (J. S. Bach) 078 Ave Verum Corpus (W. A. Mozart) 079 Radetzky Marsch (J. Strauss I)

080 Wenn ich ein Vöglein wär (Traditional) 081 Die Lorelei (F. Silcher) 082 Home Sweet Home (H. R. Bishop) 083 Scarborough Fair (Traditional) 084 My Old Kentucky Home (Traditional) 085 Loch Lomond (Traditional) 086 Silent Night (F. Gruber) 087 Deck the Halls (Traditional) 088 O Christmas Tree (Traditional) 089 090 091 Jesus bleibet meine Freude (J. S. Bach) 092 Prelude op.28-15 “Raindrop” (F. Chopin) 093 Noctur ne op.9-2 (F. Chopin) 094 Etude op.10-3 “Chanson de L'adieu” (F. Chopin) 095 Romanze (Serenade K.525) (W. A. Mozart) 096 Arabesque (J. F. Burgmüller) 097 La Chevaleresque (J. F. Burgmüller) 098 Für Elise (L. v. Beethoven) 099 Turkish March (W.A. Mozart) 100 24 Preludes op.28-7 (F. Chopin)

101 Annie Laurie (Traditional)

102 Jeanie with the Light Brown Hair (S. C. Foster)

Song No. Special Appendix

103–112 TTutor01–TTutor10

113–124 ChdStd01–ChdStd12

125–154 Maj1234–min1476

• Some songs have been edited for length or for ease in learning, and may not be exactly the same as the original.

• A song book (free downloadable scores) is available that includes scores for all internal songs (excepting Songs 1–3). To obtain the Song Book, complete the user registration at the following website.

https://member.yamaha.com/

Instrument Master

Piano Repertoire

Sonata Pathétique 2nd Adagio Cantabile (L. v. Beethoven) Ave Maria/J. S. Bach - Gounod (J. S. Bach / C. F. Gounod)

Touch Tutor

Chord Study

Chord Progression

Page 71

Style List

Style No. Style Name

1 BritPopRock 2 8BeatModern 3 Cool8B eat 4 Happy8Beat 5 Shake8Beat 6 ContemporaryRock 7StadiumRock 8 70sRock

9 HardRock 1 10 60sGuitarPop 11 8BeatAdria 12 60s8Beat 13 8Beat 14 OffBeat 15 Folk rock 16 60sRock 17 Hard Rock 2 18 RockS huffle 19 8BeatRock

20 16Beat 21 PopShuffle 22 GuitarPop 23 16BeatUptempo 24 KoolShuffle 25 HipHopLight

26 70sGlamPiano 27 PianoBallad 28 LoveSong 29 6/8ModernEP 30 6/8SlowRock 31 OrganBallad 32 PopBallad 33 16BeatBallad

34 ClubBeat 35 Electronica 36 FunkyHouse 37 RetroClub 38 USHipHop 39 MellowHipHop 40 Chillout 41 EuroTrance 42 Ibiza 43 SwingHouse 44 Clubdance 45 ClubLatin 46 Garage 1 47 Garage 2 48 TechnoParty 49 UKPop 50 HipHopGroove 51 HipShuffle 52 HipHopPop

53 ModernDisco 54 70sDisco 55 LatinDisco

8BEAT

16BE AT

BALLAD

DANCE

DISCO

Style No. Style Name

56 SaturdayNight 57 DiscoHands

SWING&JAZZ

58 BigBandFast 59 BigBandBallad 60 AcousticJazz 61 AcidJazz 62 JazzClub 63 Swing 1 64 Swing 2 65 Five/Four 66 Dixieland 67 Ragtime

68 BluesRock 69 Soul 70 DetroitPop 71 60sRock&Roll 72 6/8Soul 73 CrocoTwist 74 R oc k &R ol l 75 ComboBoogie 76 6/8Blues

77 CountryPop 78 CountrySwing 79 Country2/4 80 Bluegrass

81 BrazilianSamba 82 BossaNova 83 Forro 84 Sertanejo 1 85 Sertanejo 2 86 Baião 87 Vallenato 88 Joropo 89 Parranda 90 Merengue 91 Reggaeton 92 Tijuana 93 PasoDuranguense 94 CumbiaGrupera 95 BaladaBanda 96 MexicanMambo 97 Mambo 98 Salsa 99 Beguine

100 Reg gae

101 S cotti shRee l 102 4/4Standart 103 Rumba2/4 104 Saeidy 105 WehdaSaghira 106 IranianElec 107 Ema rati 108 AfricanGospelReggae 109 HighLife 110 AfricanGospel

R&B

COUNTRY

LATIN

WORLD

Style No. Style Name

111 IndianPop 112 Bhangra 113 Bh aj a n 114 Bo ll y M ix 115 Tam il 116 Kerala 117 GoanPop 118 Rajasthan

119 Dandiya 120 Qawwa li 121 FolkH ills 122 ModernDangdut 123 Keroncong 124 XiQingLuoGu 125 YiZuMinGe 126 JingJuJieZou

BALLROOM

127 VienneseWaltz 128 Engl ishWalt z 129 Slow fox 130 Foxtro t 131 Quickstep 132 Tango 133 Pasodoble 134 Samba 135 ChaChaCha 136 Rumba 137 Jive

TRADITIONAL

138 US Ma rch 139 6/8M arch 140 GermanMarch 141 PolkaPo p 142 OberkrainerPolka 143 Tarantella 144 Showt une 145 ChristmasSwing 146 ChristmasWaltz

147 ItalianWaltz 148 SwingWaltz 149 JazzWaltz 150 ValsMexicano 151 CountryWaltz 152 OberkrainerWalzer 153 Musette

154 Learning2/4 155 Learning4/4 156 Learning6/8

157 Strid e 158 PianoSwing 159 PianoBoogie 160 Arpeggio 161 Habanera 162 Slow Rock 163 8BeatPianoBallad 164 6/8PianoMarch 165 PianoWaltz

WALTZ

CHILDREN

PIANIST

Appendix

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 72

Music Database List

MDB No. MDB Name

1 Jude Hey 2 Jumping 3 WrldRock 4 All OK 5 YourTune 6USASurf 7JustCall 8 Get home

9 GtrWheel 10 IWa sBo rn 11 Sailing 12 BluJeans 13 Holiday 14 Imagine 15 Marriage 16 WiteShde 17 NowN ever 18 Hard Day 19 USA P ie

20 Norway 21 YesterBd 22 A Magic

23 Cheerful

Appendix

24 SwftShke 25 Watches 26 PrtTmLvr 27 S Party 28 MoonShdw 29 NikitSng 30 GirlsMne 31 Radio 32 Attempt 33 OnAStrng 34 WhatWant 35 ThankFor 36 Tmbourin 37 RubyGirl 38 TopWorld 39 TeachSng 40 EachMin 41 ShakenUp 42 CrocRock 43 HurryLov 44 Champion 45 Jailhous

46 Rock&Rll 47 HonkyTnk 48 JustU&Me 49 LveSmile 50 Wish I

51 Red Lady 52 IvoryAnd 53 TheWorld 54 Paradise 55 Whisper

ALL TIME HITS

POP & ROCK

BALLAD

MDB No. MDB Nam e

56 Woman 57 CndleWnd 58 FlyAway 59 LoveYou 60 SavingAl 61 InTheDrk 62 SayYou 63 ThisWay 64 Inspirng

OLDIES

65 Diana’s 66 Tonight 67 SandLter 68 NoRain 69 Ghetto 70 PrettyWm 71 Sherry 72 Sally’s

DANCE & DISCO

73 FevrNite 74 St yAlive 75 Westerly 76 Run Fre e 77 DISCO 78 JoelLife 79 Coupled 80 SingBack 81 Janeiro 82 BoomRoom 83 DontHide 84 RewCraig 85 LondonRU 86 WerUBeen 87 MkeMusic 88 10,2 Sun 89 Believe 90 MarieClb

SWING & JAZZ

91 MoonOf 92 Patrol 93 Rhythm 94 CatSwing 95 Misbehav 96 Safari 97 SoWhatIs 98 TimeGone

99 TasteHny 100 TwoFoot 101 Blk& Whte 102 Ent erRag 103 TakeFour 104 Birdland 105 Mis tyFl n

COUNTRY

106 OnTheRd 107 BlueSong 108 InM yMin d 109 ContryHw

MDB No. MDB Name

110 GreenGrs 111 EverNeed 112 Lucille 113 Tennesse

LATIN

114 Br as i l 115 Ch r yP i nk 116 MyShadow 117 BosaWave 118 Dn tW o rr y 119 JelsTngo 120 I'mPola 121 MamboJm 122 OneNote 123 PasoCani 124 Beguine 125 Tijuana 126 Puntuali 127 Cielito 128 The Liar 129 Unfrg ivn

ENTERTAINMENT

130 Raindrop 131 Calif rag 132 CatMemry 133 MyPrin ce 134 NoBuiz 135 JinglBel 136 Sile ntNt 137 Christms 138 Favorit e 139 RedRdolf 140 MoonWlz 141 AroundWd

WALTZ & TRAD

142 DadClock 143 RockBaby 144 SomeLara 145 Doodah! 146 Dreamer 147 Bir thday 148 Suns hine 149 TexRose 150 ThePolka 151 Yanke e’s 152 DanubeWz

153 D'am or 154 Reine de 155 MnchHaus 156 Comrades 157 VanMass 158 ClariPka

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 73

Effect Type List

Harmony Types

No. Harmony Type Description

001 Duet

002 Trio

003 Block

004 Country

005 Octave

006 Trill 1/4 note

007 Trill 1/6 note

008 Trill 1/8 note

009 Trill 1/12 note

010 Trill 1/16 note

011 Trill 1/24 note

012 Trill 1/32 note

013 Tremolo 1/4 note

014 Tremolo 1/6 note

015 Tremolo 1/8 note

016 Trem ol o 1/ 12 no te

017 Trem ol o 1/ 16 no te

018 Tremolo 1/24 note

019 Tremolo 1/32 note

020 Echo 1/4 note

021 Echo 1/6 note

022 Echo 1/8 note

023 Echo 1/12 note

024 Echo 1/16 note

025 Echo 1/24 note

026 Echo 1/32 note

If you want to sound one of the harmony types 01–05, play keys to the right side of the Split Point

while playing chords in the left side of the keyboard after turning Auto Accompaniment on. One, two

or three notes of harmony are automatically added to the note you play. When playing back a Song

that includes chord data, harmony is applied whichever keys are played.

If you keep holding down two different notes, the notes alternate (in a trill)

continuously.

(The trill speed differs depending on the selected type.)

If you keep holding down a note, the note is repeated continuously.

(The repeat speed differs depending on the selected type.)

If you play a note, echo is applied to the note played.

(The echo speed differs depending on the selected type.)

Appendix

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 74

Effect Type List

Arpeggio Type List

Arpeggio No. Arpeggio Name

027 UpOct 028 DownOct 029 UpDwnOct 030 SynArp1 031 SynArp2 032 SynArp3 033 SynArp4 034 SyncEcho 035 PulsLine 036 StepLine 037 Random 038 Down&Up 039 SuperArp 040 AcidLine 041 TekEcho 042 VelGruv 043 Planet 044 Trance1 045 Trance2 046 Trance3 047 ChordAlt 048 SynChrd1 049 SynChrd2 050 Syncopa 051 Hybrid1 052 Hybrid2 053 Hybrid3 054 Hybrid4

Appendix

055 Hybrid5 056 PfArp1 057 PfArp2 058 PfArp3 059 PfArp4 060 PfClub1 061 PfClub2 062 PfBallad 063 PfChd8th 064 EPArp 065 PfShufle 066 PfRock 067 Clavi1 068 Clavi2 069 RocknPf 070 70RockPf 071 SlowflPf 072 SoulPf 073 ChordUp 074 ChdDance 075 LatinRck 076 Salsa1 077 Salsa2 078 Reggae1 079 Reggae2 080 Reggae3 081 6/8R&B 082 Gospel 083 BalladEP 084 Strum1 085 Strum2 086 Strum3 087 Strum4 088 Pickin1 089 Pickin2 090 Funky

Arpeggio No. Arpeggio Name

091 GtrChrd1 092 GtrChrd2 093 GtrChrd3 094 GtrArp 095 FngrPck1 096 FngrPck2 097 CleanGtr 098 Slowfl 099 Samba1

100 Samba2 101 Spanish1 102 Spanish2 103 Harp1 104 Harp2 105 Fn grBas 1 106 Fn grBas 2 107 Fn grBas 3 108 CoolFunk 109 SlapBass 110 AcidBas1 111 AcidBas2 112 FunkyBas 113 C m bJ az B 1 114 C m bJ az B 2 115 C m bJ az B 3 116 NewR&BBs 117 HipHopBs 118 S m oo t hB s 119 D re a mB a s 120 TranceBs 121 LatinBas 122 Stri ngs1 123 Stri ngs2 124 Stri ngs3 125 Stri ngs4 126 Str ngDwn 127 Str ngUp 128 OrcheStr 129 Jupiter 130 Piz z1 131 Piz z2 132 Bra sSec1 133 Bra sSec2 134 Bra sSec3 135 FunkBras 136 Sou lReed 137 Dis coLd 138 Smo othPd 139 PercA rp 140 Ethnic 141 Cresendo 142 Dis coCP 143 Perc1 144 Perc2 145 R&B 146 Funk1 147 Funk2 148 Funk3 149 Sou l 150 ClscHip 151 Smo oth 152 NewG ospl 153 Cmb Jazz1 154 Cmb Jazz2

Arpeggio No. Arpeggio Name

155 Bebop 156 JazzHop 157 FolkRock 158 Unpluggd 159 Hip Hop 160 Trance 161 Dre am 162 2 Ste p 163 ClubHs1 164 ClubHs2 165 EuroTek 166 House 167 Ibi za1 168 Ibi za2 169 Ibi za3 170 Garage 171 Samba 172 Afri can 173 Lat in 174 China 175 Ind ian 176 Arab ic

• When playing one of the Arpeggio Types 143 to 176, select the corresponding Voice below as the Main Voice.

143–173: Select a Drum Kit (Voice No.198–

207).

174 (China): Select “StdKit1 + Chinese

Perc.” (Voice No.208).

175 (Indian): Select “Indian Kit 1” (Voice

No.209) or “Indian Kit 2” (Voice No.210).

176 (Arabic): Select “Arabic Kit” (Voice

No.211).

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 75

Reverb Types

No. Reverb Type Description

01–04 Hall 1–4 Concert hall reverb.

05 Cathedral Rich reverb simulating the acoustics of a cathedral. Good for pipe organ sounds.

06–08 Room 1–3 Small room reverb.

09–10 S tage 1–2 Reverb for solo instruments.

11–12 Plate 1–2 Simulated steel plate reverb.

13 Off No effect.

Chorus Types

No. Chorus Type Description

1–3 Chorus 1–3 Conventional chorus program with rich, warm chorusing.

4–5 Flanger 1–2 This produces a rich, animated wavering effect in the sound.

6 Off No effect.

Effect Type List

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Appendix

Page 76

Specifications

Product Name Digital Keyboard

Dimensions (W x D x H )

Weight

Keyboard

Display

Panel Language English

Tone Generation

Polyphony (max.) 48

Preset Number of Voices

Compatibility GM/X Glite

Types

Functions

Preset

External Styles 10

Other Features

Compatibility Style File Format (SFF)

Preset Number of Preset Songs

Recording

Form at

Lesson

USB Audio (USB TO HOST) 44.1kHz, 16bit, stereo Registration

Memory

Overall Controls

Miscellaneous PIANO Button Yes (Por table Grand Button) Storage Internal Memory Approx. 1.3MB

Connectivity

Amplifiers 2.5W + 2.5W Speakers 12cm x 2

Number of Keys 61 76 Touch Response Soft, Medium, Hard, Fixed Type LCD Backlight Yes Language English

Tone Generation Technology

Reverb 12 types Chorus 5 types Master EQ 6 types Dual Yes Split Yes Panel Sustain Yes Harmony 26 types Arpeggio 150 types Melody Suppressor Yes Number of Styles 165 Fingering Multi finger

Style Control

Music Database 158 One Touch Setting

(OTS)

Number of Songs 5 Number of Tracks 2 Data Capacity Approx. 10,000 notes Playback SMF Formats 0 & 1 Recording Original File Format

Number of Buttons 9

Metronome Yes Tempo Range 11–280 Transpose -12 to 0, 0 to +12 Tuning 427.0–440.0–453.0 Hz (approx. 0.2Hz increments) Duo Yes

DC IN 12V Headphones/Output Standard stereo phone jack (PHONES/OUTPUT) Sustain Pedal Yes AUX I N Yes (S ter eo m in i ja ck) USB TO HOST Yes

Appendix

Size/Weight

Control Interface

Voi c es

Effects

Accompaniment Styles

Songs (MIDI)

Functions

Storage and Connectivity

Sound System

PSR-E363, YPT-360 PSR-EW300

945mm x 369mm x 118mm (37-3/16” x 14-1/2” x 4-5/8”)

4.6kg (10 lbs 2 oz.)

(not including batteries)

(197 Panel Voices + 18 Drum/SFX kits + 20 Arpeggio +

ACMP ON/OFF, SYNC START, START/STOP, INTRO/ENDING/rit.,

(including Touch Tutor: 10, Chord Study: 12, Chord Progression: 30)

KEYS TO SUCCESS, Lesson 1–3 (Listening, Timing, Waiting),

Phrase Repeat, A-B Repeat, Chord Dictionary, Touch Tutor,

Chord Study, Chord Progression

1152mm x 369mm x 118mm

(45-3/8” x 14-1/2” x 4-5/8”)

6.2kg (13 lbs 11 oz.)

(not including batteries)

AWM Stereo Sampling

574

339 XGlite Voices)

MAIN/AUTO FILL

Ye s

154

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 77

Specifications

Power Supply

Included Accessories

Separately Sold Accessories (May not be available depending on your area.)

* The contents of this manual apply to the latest specifications as of the publishing date. To obtain the latest manual, access the Yamaha

website then download the manual file. Since specifications, equipment or separately sold accessories may not be the same in every locale, please check with your Yamaha dealer.

Power Supply

Power Consumption 5W (When using PA-130 AC adaptor) Auto Power O ff Yes

AC Adaptor

Batteries

Users within U.S or Europe: PA-130 or an equivalent recommended

by Yamaha

Others: PA-3C,PA-130 or an equivalent recommended by Yamaha

Six 1.5V “AA” size alkaline (LR6), manganese (R6) or

six 1.2V “AA” size Ni-MH rechargeable batteries (HR6)

• Music rest

• Owner’s Manual

• AC adaptor *1 (PA-130 or an equivalent recommended by Yamaha)

• Online Member Product Registration

*1: May not be included depending on your par ticular area. Please check

with your Yamaha dealer.

• AC adaptor:

Users within U.S or Europe: PA-130 or an equivalent recommended by

Yamaha

Others: PA-3C, PA-130 or an equivalent recommended by Yamaha

• Keyboard stand: L-2C

• Headphones: HPH-50/HPH-100/HPH-150

• Footswitch: FC4A/FC5

• Wireless MIDI adaptor: UD-BT01

Appendix

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Page 78

Index

A-B Repeat ............................. 29

AC Adaptor ............................. 12

Accessories ............................77

ACMP .....................................22

Arpeggio .................................19

Arpeggio Type ........................ 74

Arpeggio Velocity .................... 46

audio .......................................30

Audio Device ..........................30

Auto Accompaniment ..............22

Auto Accompaniment range ...22

AUTO FILL ..............................24

Auto Power Off .................. 13, 47

AUX IN .................................... 30

Backup Parameters ................ 49

Batteries .................................. 12

Battery Type ...................... 13, 47

Beat ........................................15

BGM ....................................... 28

Chord ................................ 15, 25

Chord Dictionary .....................26

Chord Progressions ................40

Chord Study ............................ 39

Appendix

Chorus ....................................18

Chorus Type ..................... 46, 75

Clear (Backup parameters) .....49

Clear (User Song) .................. 42

computer ................................. 48

Computer-related Operations ...8

Demo ................................ 27, 47

Display .................................... 15

Drum Kit List ........................... 67

Dual Voice .........................17, 46

Duo ......................................... 21

Effect Type List ....................... 73

Effects ..................................... 18

ENDING ................................. 24

External Clock ........................47

Fast Forward ...........................28

Fast Reverse ........................... 28

Footswitch .........................14, 20

Function List ...........................45

Functions ................................45

GM System Level 1 ................... 8

Grade ......................................36

Guide Note .............................37

PSR-E363, PSR-EW300, YPT-360 Owner’s Manual

Harmony ................................ 19

Harmony Type .................. 20, 73

Headphones ........................... 14

Initial Send ............................. 47

Initialization ............................ 49

INTRO .................................... 24

iPad ........................................ 48

iPhone .................................... 48

iPhone/iPad Connection

Manual .................................. 8

Key  Transpose ................... 45

Keyboard Display ................... 15

Keys To Success .................... 33

Lesson .................................... 32

Listening ................................. 36

Local Control .......................... 47

MAIN ...................................... 24

Main Voice .............................. 16

Master EQ .............................. 44

Measure ................................. 15

Melody Suppressor ................ 31

Metronome ............................. 16

MIDI Basics .............................. 8

MIDI Reference ........................ 8

Music Database ..................... 23

Music Database List ............... 72

music rest ............................... 14

Musicsoft Downloader ............ 23

Notation .................................. 15

One Touch Setting .................. 16

Panel Sustain ......................... 18

Part ......................................... 29

Passing Status ....................... 34

Pause ..................................... 28

Pedal ...................................... 14

Phrase Repeat ....................... 35

Pitch  Transpose ................. 45

Pitch  Tuning ....................... 45

Playback ................................. 28

Portable Grand ....................... 16

Power Requirements .............. 12

Random playback ................... 28

Recording ............................... 41

Recording (track) .................... 42

Registration Memory .............. 43

Reverb ....................................18

Reverb Level .......................... 46

Reverb Type ..................... 46, 75

rhythm .................................... 22

rit. ........................................... 24

Sections ................................. 24

Song ...................................... 27

Song Book ............................... 8

Song Book Sample ................ 52

Song Category ....................... 27

Song List ................................ 70

Specifications ..........................76

Split Point .................... 17, 22, 45

Split Voice ......................... 17, 46

Style ....................................... 22

Style File ............................ 8, 23

Style List ................................ 71

Sustain ....................................14

Synchro Start ......................... 22

Tap function ........................... 24

Tempo .........................16, 24, 27

Time Signature ........................16

Timing .................................... 36

Touch Response .....................18

Touch Tutor ............................ 38

Track ...................................... 41

Transpose .............................. 45

Troubleshooting ...................... 50

Tuning .................................... 45

USB Audio ............................. 48

USB TO HOST ....................... 48

User Songs ............................ 41

Voice .......................................16

Voice List ............................... 62

Volume ..............................14, 45

Volume (AUX IN) .................... 45

Volume (Harmony) ................. 46

Volume (Metronome) ............. 47

Volume (Style, Song) ............. 45

Volume (USB TO HOST) ....... 45

Volume (Voice) ....................... 46

Waiting ................................... 36

XGlite ....................................... 8

Your Tempo ............................ 47

Page 79

Information for users on collection and disposal of old equipment and used batteries:

These symbols on the products, packaging, and/or accompa nying documents mean that used electrical and electronic products and batteries should not be mixed with general household waste. For proper treatment, recover y and recycling of old products and used batteries, pleas e take them to applicable colle ction points, in accordance with your national legislation.

By disposing of these products and batteries correctly, you will help to save valuable resources and prevent any potential negative effects on human health and the environment which could otherwise arise from inappropriate waste handling.

For more information about collection and recycling of old products and batteries, please contact your local municipality, your waste disposal service or the point of sale where you purchased the items.

For business users in the European Union:

If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for fur ther information.

Information on Disposal in other Countries outside the European Union:

These symbols are only valid in the European Union. If you wish to discard these items, please conta ct your local authorities or dealer and ask for the correct method of disposal.

Note for the battery symbol (bottom two symbol examples):

This symbol might be used in combination with a chemical symbol. In this c ase it complies with the requirement set by the EU Batter y Directive for the chemical involved.

(weee_battery_eu_en_02)

Page 80

LIMITED 1-YEAR WARRANTY ON

PORTABLE KEYBOARDS

(NP, PSRE, PSREW, PSRF, EZ, DGX230, DGX530, YPG AND YPT SERIES)

Thank you for selecting a Yamaha product. Yamaha products are designed and manufactured to provide a high level of defect-free performance. Yamaha Corporation of America (“Yamaha”) is proud of the experience and craftsmanship that goes into each and every Yamaha product. Yamaha sells its products through a network of reputable, specially authorized dealers and is pleased to offer you, the Original Owner, the following Limited Warranty, which applies only to products that have been (1) directly purchased from Yamaha’s authorized dealers in the fifty states of the USA and District of Columbia (the “Warranted Area”) and (2) used exclusively in the Warranted Area. Yamaha suggests that you read the Limited Warranty thoroughly, and invites you to contact your authorized Yamaha dealer or Yamaha Customer Service if you have any questions.

Coverage: Yamaha will, at its option, repair or replace the product covered by this warranty if it becomes defective, malfunctions or

otherwise fails to conform with this warranty under normal use and service during the term of this warranty, without charge for labor or materials. Repairs may be performed using new or refurbished parts that meet or exceed Yamaha specifications for new parts. If Yamaha elects to replace the product, the replacement may be a reconditioned unit. You will be responsible for any installation or re moval charges and for any initial shipping charges if the product(s) must be shipped for warranty service. However, Yamaha will pay the return shipping charges to any destination within the USA if the repairs are covered by the warranty. This warranty does not cover (a) damage, deterioration or malfunction resulting from accident, negligence, misuse, abuse, improper installation or operation or failure to follow instructions according to the Owner’s Manual for this product; any shipment of the product (claims must be presented to the carrier); repair or attempted repair by anyone other than Yamaha or an authorized Yamaha Service Center; (b) any unit which has been altered or on which the serial number has been defaced, modified or removed; (c) normal wear and any periodic maintenance; (d) deterioration due to perspiration, corrosive atmosphere or other external causes such as extremes in temperature or humidity; (e) damages attributable to power line surge or related electrical abnormalities, lightning damage or acts of God; or (f) RFI/EMI (Interference/noise) caused by improper grounding or the improper use of either certified or uncertified equipment, if applicable. Any evidence of alteration, erasing or forgery of proof-of-purchase documents will cause this warranty to be void. This warranty covers only the Original Owner and is not transfera ble.

In Order to Obtain Warranty Service: Warranty service will only be provided for defective products within the Warranted Area.

Contact your local authorized Yamaha dealer who will advise you of the procedures to be followed. If this is not successful, contact Yamaha at the address, telephone number or website shown below. Yamaha may request that you send the defective product to a local authorized Yamaha Servicer or authorize return of the defective product to Yamaha for repair. If you are uncertain as to whether a dealer has been authorized by Yamaha, please contact Yamaha’s Service Department at the number shown below, or check Yamaha’s website at www.Yamaha.com problem(s) requiring service, together with the original or a machine reproduction of the bill of sale or other dated, proof-of-purchase document describing the product, as evidence of warranty coverage. Should any product submitted for warranty service be found ineligible therefore, an estimate of repair cost will be furnished and the repair will be accomplished only if requested by you and upon receipt of payment or acceptable arrangement for payment.

. Product(s) shipped for service should be packed securely and must be accompanied by a detailed explanation of the

Limitation of Implied Warranties and Exclusion of Damages: ANY IMPLIED WARRANTIES, INCLUDING

WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE SHALL BE LIMITED IN DURATION TO THE APPLICABLE PERIOD OF TIME SET FORTH ABOVE. YAMAHA SHALL NOT BE RESPONSIBLE FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES OR FOR DAMAGES BASED UPON INCONVENIENCE, LOSS OF USE, DAMAGE TO ANY OTHER EQUIPMENT OR OTHER ITEMS AT THE SITE OF USE OR INTERRUPTION OF PERFORMANCES OR ANY CONSEQUENCES. YAMAHA’S LIABILITY FOR ANY DEFECTIVE PRODUCT IS LIMITED TO REPAIR OR REPLACEMENT OF THE PRODUCT, AT YAMAHA’S OPTION. SOME STATES DO NOT ALLOW LIMITATIONS ON HOW LONG AN IMPLIED WARRANTY LASTS OR THE EXCLUSION OR LIMITATION OF INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THE ABOVE LIMITATION OR EXCLUSION MAY NOT APPLY TO YOU. This Warranty gives you specific legal rights, and you may also have other rights which vary from state to state. This is the only express warranty applicable to the product specified herein; Yamaha neither assumes nor authorizes anyone to assume for it any other express warranty.

If you have any questions about service received or if you need assistance in locating an authorized Yamaha Servicer, please contact:

CUSTOMER SERVICE

6600 Orangethorpe Avenue, Buena Park, California 90620-1373

Do not return any product to the above address without a written Return Authorization issued by YAMAHA.

Yamaha Cor poration of America

Telephone: 800-854-1569

www.yamaha.com

Page 81

Page 82

MEMO

Page 83

CANADA

Yamaha Canada Music Ltd.

135 Milner Avenue, Toronto, Ontario M1S 3R1, Canada Tel: +1-416-298-1311

U.S.A.

Yamaha Corporation of America

6600 Orangethorpe Avenue, Buena Park, CA 90620, U.S.A. Tel: +1-714-522-9011

MEXICO

Yamaha de México, S.A. de C.V.

Av. Insurgentes Sur 1647 Piso 9, Col. San José Insurgentes, Delegación Benito Juárez, México, D.F., C.P. 03900, México Tel: +52-55-5804-0600

BRAZIL

Yamaha Musical do Brasil Ltda.

Rua Fidêncio Ramos, 302 – Cj 52 e 54 – Torre B – Vila Olímpia – CEP 04551-010 – São Paulo/SP, Brazil Tel: +55-11-3704-1377

ARGENTINA

Yamaha Music Latin America, S.A., Sucursal Argentina

Olga Cossettini 1553, Piso 4 Norte, Madero Este-C1107CEK, Buenos Aires, Argentina Tel: +54-11-4119-7000

PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES

Yamaha Music Latin America, S.A.

Edif. Torre Banco General, F7, Urb. Marbella, Calle 47 y Aquilino de la Guardia, Panama, P.O.Box 0823-05863, Panama, Rep.de Panama Tel: +507-269-5311

THE UNITED KINGDOM/IRELAND

Yamaha Music Europe GmbH (UK)

Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, U.K. Tel: +44-1908-366700

GERMANY

Yamaha Music Europe GmbH

Siemensstrasse 22-34, 25462 Rellingen, Germany Tel: +49-4101-303-0

SWITZERLAND/LIECHTENSTEIN

Yamaha Music Europe GmbH, Branch Switzerland in Thalwil

Seestrasse 18a, 8800 Thalwil, Switzerland Tel: +41-44-3878080

AUSTRIA/CZECH REPUBLIC/ HUNGARY/ROMANIA/SLOVAKIA/ SLOVENIA

Yamaha Music Europe GmbH, Branch Austria

Schleiergasse 20, 1100 Wien, Austria Tel: +43-1-60203900

POLAND

Yamaha Music Europe GmbH Sp.z o.o. Oddział w Polsce

ul. Wielicka 52, 02-657 Warszawa, Poland Tel: +48-22-880-08-88

BULGARIA

Dinacord Bulgaria LTD.

Bul.Iskarsko Schose 7 Targowski Zentar Ewropa 1528 Sofia, Bulgaria Tel: +359-2-978-20-25

MALTA

Olimpus Music Ltd.

Valletta Road, Mosta MST9010, Malta Tel: +356-2133-2093

NETHERLANDS/BELGIUM/ LUXEMBOURG

Yamaha Music Europe, Branch Benelux

Clarissenhof 5b, 4133 AB Vianen, The Netherlands Tel: +31-347-358040

FRANCE

Yamaha Music Europe

7 rue Ambroise Croizat, Zone d'activités de Pariest, 77183 Croissy-Beaubourg, France Tel: +33-1-6461-4000

ITALY

Yamaha Music Europe GmbH, Branch Italy

Via Tinelli N.67/69 20855 Gerno di Lesmo (MB), Italy Tel: +39-039-9065-1

SPAIN/PORTUGAL

Yamaha Music Europe GmbH Ibérica, Sucursal en España

Ctra. de la Coruna km. 17,200, 28231 Las Rozas de Madrid, Spain Tel: +34-91-639-88-88

GREECE

Philippos Nakas S.A. The Music House

19th klm. Leof. Lavriou 190 02 Peania – Attiki, Greece Tel: +30-210-6686260

SWEDEN

Yamaha Music Europe GmbH Germany filial Scandinavia

JA Wettergrensgata 1, 400 43 Göteborg, Sweden Tel: +46-31-89-34-00

DENMARK

Yamaha Music Denmark, Fillial of Yamaha Music Europe GmbH, Tyskland

Generatorvej 8C, ST. TH., 2860 Søborg, Denmark Tel: +45-44-92-49-00

FINLAND

F-Musiikki Oy

Antaksentie 4 FI-01510 Vantaa, Finland Tel: +358 (0)96185111

NORWAY

Yamaha Music Europe GmbH Germany Norwegian Branch

Grini Næringspark 1, 1332 Østerås, Norway Tel: +47-6716-7800

ICELAND

Hljodfaerahusid Ehf.

Sidumula 20 IS-108 Reykjavik, Iceland Tel: +354-525-5050

CROATIA

Euro Unit D.O.O.

Slakovec 73 40305 Nedelisce Tel: +38540829400

RUSSIA

Yamaha Music (Russia) LLC.

Room 37, entrance 7, bld. 7, Kievskaya street, Moscow, 121059, Russia Tel: +7-495-626-5005

OTHER EUROPEAN COUNTRIES

Yamaha Music Europe GmbH

Siemensstrasse 22-34, 25462 Rellingen, Germany Tel: +49-4101-303-0

Yamaha Music Gulf FZE

JAFZA-16, Office 512, P.O.Box 17328, Jebel Ali FZE, Dubai, UAE Tel: +971-4-801-1500

TURKEY

Yamaha Music Europe GmbH Merkezi Almanya Türkiye İstanbul Şubesi

Maslak Meydan Sodak, Spring Giz Plaza Bagimsiz Böl. No:3, Sariyer Istanbul, Turkey Tel: +90-212-999-8010

CYPRUS

Nakas Music Cyprus Ltd.

Nikis Ave 2k 1086 Nicosia Tel: + 357-22-511080

Major Music Center

21 Ali Riza Ave. Ortakoy P.O.Box 475 Nicosia, Cyprus Tel: (392) 227 9213

OTHER COUNTRIES

Yamaha Music Gulf FZE

JAFZA-16, Office 512, P.O.Box 17328, Jebel Ali FZE, Dubai, UAE Tel: +971-4-801-1500

THE PEOPLE’S REPUBLIC OF CHINA

Yamaha Music & Electronics (China) Co., Ltd.

2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu, Shanghai, China Tel: +86-400-051-7700

HONG KONG

Tom Lee Music Co., Ltd.

11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: +852-2737-7688

INDIA

Yamaha Music India Private Limited

P-401, JMD Megapolis, Sector-48, Sohna Road, Gurgaon-122018, Haryana, India Tel: +91-124-485-3300

INDONESIA

PT. Yamaha Musik Indonesia (Distributor)

Yamaha Music Center Bldg. Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: +62-21-520-2577

KOREA

Yamaha Music Korea Ltd.

8F, Dongsung Bldg. 21, Teheran-ro 87-gil, Gangnam-gu, Seoul, 06169, Korea Tel: +82-2-3467-3300

MALAYSIA

Yamaha Music (Malaysia) Sdn. Bhd.

No.8, Jalan Perbandaran, Kelana Jaya, 47301 Petaling Jaya, Selangor, Malaysia Tel: +60-3-78030900

SINGAPORE

Yamaha Music (Asia) Private Limited

Block 202 Hougang Street 21, #02-00, Singapore 530202, Singapore Tel: +65-6740-9200

TAI WAN

Yamaha Music & Electronics Taiwan Co., Ltd.

2F., No.1, Yuandong Rd., Banqiao Dist., New Taipei City 22063, Taiwan (R.O.C.) Tel: +886-2-7741-8888

THAILAND

Siam Music Yamaha Co., Ltd.

3, 4, 15, 16th Fl., Siam Motors Building, 891/1 Rama 1 Road, Wangmai, Pathumwan, Bangkok 10330, Thailand Tel: +66-2215-2622

VIETNAM

Yamaha Music Vietnam Company Limited

15th Floor, Nam A Bank Tower, 201-203 Cach Mang Thang Tam St., Ward 4, Dist.3, Ho Chi Minh City, Vietnam Tel: +84-8-3818-1122

OTHER ASIAN COUNTRIES

http://asia.yamaha.com

AUSTRALIA

Yamaha Music Australia Pty. Ltd.

Level 1, 99 Queensbridge Street, Southbank, VIC 3006, Australia Tel: +61-3-9693-5111

NEW ZEALAND

Music Works LTD

P.O.BOX 6246 Wellesley, Auckland 4680, New Zealand Tel: +64-9-634-0099

COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN

http://asia.yamaha.com

NORTH AMERICA

CENTRAL & SOUTH AMERICA

EUROPE

AFRICA

MIDDLE EAST

ASIA

OCEANIA

DMI20

Head Office/Manufacturer: Yamaha Corporation 10-1, Nakazawa-cho, Naka-ku, Hamamatsu, 430-8650, Japan

(For European Countries) Importer: Yamaha Music Europe GmbH Siemensstrasse 22-34, 25462 Rell ingen, Germany

For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below.

Page 84

Yamaha Global Site

https://www.yamaha.com/

Yamaha Downloads

http://download.yamaha.com/

Manual Development Group

Published 04/2017 PO##*.*-**B0

Printed in China

ZY73930

Yamaha PSR-E363 User manual

Specifications and Main Features

Frequently Asked Questions

User Manual

About the Manuals

Included Accessories

Formats and functions

Setting Up

Panel Controls and Terminals

Setting Up

Power Requirements

Turning the Power On

Setting the Auto Power Off function

Adjusting the Master Volume

Connecting Headphones or External Speaker

Using a Pedal (Sustain)

Using the music rest

Display Items and Basic Operations

Display Items

Basic Operations

Playing a Variety of Instrument Voices

Referenc e

Selecting a Main Voice

Playing the “Grand Piano”

Using the Metronome

Layering a Dual Voice

Playing a Split Voice in the Left Hand area

Changing the Touch Response of the Keyboard

Applying Effects to the Sound

Adding Harmony or Arpeggio

Playing the keyboard with two persons (Duo mode)

Playing Styles

Using the Music Database

Registering a Style File

Style Variations—Sections

Changing the Tempo

Chord Types for Style Playback

Looking Up Chords Using the Chord Dictionary

Playing Songs

Listening to a Demo Song

Selecting and Playing Back a Song

BGM Playback

Song Fast Forward, Fast Reverse, and Pause

Changing the Melody Voice

A-B Repeat

Turning Each Part On/Off

Playing an External Audio Device with the Built-in Speakers

Lowering the volume of a melody part (Melody Suppressor function)

Using the Song Lesson Feature

Downloading the Song Book

Keys To Success

Phrase Repeat

Listening, Timing and Waiting

Hear and experience a sound of a single chord

Hear and experience basic chord progressions

Playing Chords along with Chord Progressions of a Song

Recording Your Performance

Track Structure of a Song

Quick Recording

Recording to a Specified Track

Clearing a User Song

Memorizing Your Favorite Panel Settings

Memorizing Panel Settings to the Registration Memory

Recalling Panel Settings from the Registration Memory

Selecting an EQ Setting for the Best Sound

The Functions

Using with a Computer or iPhone/iPad

Connecting to a computer

Connecting an iPhone/iPad

Backup and Initialization

Backup Parameters

Initialization

Troubleshooting

Appendix

Song Book Sample

Voice List

Drum Kit List

Song List

Style List

Music Database List