Yamaha PSR-310 User Manual

Y AM A HA

Owner’s Manual

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply (adapter). DO NOT
connect this product to any power supply or adapter other than one described in
the nnanual, on the name plate, or specifically recommended by Yamaha.

This product should be used only with the components supplied or; a cart, rack,
or stand that is recommended by Yamaha. If a cart, etc., is used, please observe
all safety markings and Instructions that accompany the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE;

The information contained in this manual is believed to be correct at the time of
printing. However, Yamaha reserves the right to change or modify any of the
specifications without notice or obligation to update existing units.

This product, either alone or in combination with an amplifier and headphones or
speaker/s, may be capable of producing sound levels that could cause perma
nent hearing loss. DO NOT operate for long periods of time at a high volume
level or at a level that is uncomfortable. If you experience any hearing loss or
ringing in the ears, you should consult an audiologist. IMPORTANT: The louder
the sound, the shorter the time period before damage occurs.

This product may also use “household" type batteries. Some of these may be
rechargeable. Make sure that the battery being charged is a rechargeable type
and that the charger is intended for the battery being charged.

When installing batteries, do not mix old batteries with new, or with batteries of a
different type. Batteries MUST be installed correctly. Mismatches or incorrect
installation may result in overheating and battery case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all batteries away
from children. Dispose of used batteries promptly and as regulated by the laws
in your area. Note: Check with any retailer of household type batteries in your
area for battery disposal information.

Disposal Notice:

Should this product become damaged beyond repair, or for some reason its
useful life is considered fo be at an end. please observe all local, state, and fed
eral regulations that relate to the disposal of products that contain lead, batter

ies, plastics, etc. If your dealer is unable to assist you, please contact Yamaha

directly,

NOTICE:

Service charges incurred due to a lack of knowledge relating to how a function
or effect works (when the unit is operating as designed) are not covered by the
manufacturer’s warranty, and are therefore the owner’s responsibility. Please
study this manual carefully and consult your dealer before requesting service.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model number,
serial number, power requirements, etc,, are located on this plate. You should

record the model number, serial number, and the date of purchase in the spaces

provided below and retain this manual as a permanent record of your purchase.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and environmentally
friendly. We sincerely believe that our products and the production methods
used to produce them, meet these goals, In keeping with both the letter and the
spirit of the law, we want you to be aware of the following:

Battery Notice:

The product MAY contain a small non-rechargeable battery which (if applicable)

is soldered in place. The average life span of this type of battery is approxi
mately five years. When replacement becomes necessary, contact a qualified

service representative to perform the replacement.

Model

Serial No.

Purchase Date

_________________________________________________

^

PLEASE KEEP THIS MANUAL

FCC INFORMATION

IMPORTANT NOTICE; DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this
manual, meets FCC requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC. to use the product.

IMPORTANT:

When connecting this product to accessories and/or another product use only
high quality shielded cables. Cable/s supplied with this product MUST be used.
Follow all installation instructions. Failure to follow instructions could void your
FCC authorization to use this product in the USA.

NOTE:

This product has been tested and found to comply with the requirements listed
in FCC Regulations, Part 15 for Class ‘B” digital devices. Compliance with these
requirements provides a reasonable level of assurance that your use of this
product in a residential environment will not result in harmful interference with
other electronic devices. This equipment generates/uses radio frequencies and.

This applies only to products distributed by Yamaha Corporation of America.

if not installed and used according to the instructions found in the user’s manual,
may cause interference harmful to the operation of other electronic devices.
Compliance with FCC regulations does not guarantee that interference will not
occur in all installations. If this product is found to be the source of interference,
which can be determined by turning the unit “OFF” and “ON”, please try to elimi
nate the problem by using one of the following measures;

• Relocate either this product or the device that is being affected by the inter

• Utilize power outlets that are on different branches (circuit breaker or fuse) cir

• In the case of radio or TV interference, relocate/reorient the antenna. If the

If these corrective measures do not produce satisfactory results, please contact
the local retailer authorized to distribute this type of product. If you can not
locate the appropriate retailer, please contact Yamaha Corporation of America.
Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA9062C

ference.

cuits or install AC line filter/s.

antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type
cable.

Welcome to Yamaha PortaTone

PSR-210 and PSR-310

___________________

Congratulations! You are now the proud owner of a powerful new musical instrument capable of inspiring and
fueling your musical creativity. This is not just another keyboard. The PortaTone keyboard is the result of pas

sion, vision, and commitment from people who want you to enjoy yourself every time you play the PortaTone.

We're sure you’ll agree as you discover the limitless possibilities of your new keyboard!

Regarding this Manuai

Just as we have taken many hours perfecting this keyboard, we would like to ask you to take some time and read
this manual thoroughly. This manual describes the functions and features of your new keyboard and it contains
important warnings, installation instructions, and safety information. Please be sure to keep this manual for
future reference.

Table of Contents

The PSR-210 at a glance...................................2

The PSR-310 at a glance...................................3

Setting Up

Taking Care of Your PortaTone..........................................4

Supplying Power to your Keyboard
Connecting Headphones
Connecting an Amplifier

Connecting a Foot Pedal ..................................................

Inserting a Music Stand .....................................................6

The Basics

Switching the Keyboard On and Off

Adjusting the Master Volume..............................................7

Listening to a Demonstration Song from
the Song Book

Selecting and Playing Voices

Keyboard Percussion

Auto Harmony.....................................................................9

Sustain................................................................................9

Touch Response

Dual Voice .......................................................................10

Split..................................................................................11

Transpose.........................................................................12

Playing with Accompaniment

Selecting an Accompaniment Style

Selecting an Accompaniment Mode ................................13

Starting the Accompaniment
Setting the Tempo

Adjusting the Accompaniment Volume.............................16

Adding a Fill-in pattern......................................................16

Stopping the Accompaniment

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4

10

13

13
14

15

16

Using the Song Book...

Playing Back Demonstration Songs from

the Song Book ......................................................................17

Minus One..............................................................................17

Recording and Playing Back Your Music

5
6
6
6

7

7

7

8

8

Recording a Sequence

Playing Back a Recorded Sequence ..................................19

Programming a Chain...........................................................19

Playing Back a Programmed Chain

Adding Sound Effects (PSR-310 only)

MIDI (PSR-310 only) ..................................... 21

The Remote Control Mode...................................................21

Multi Mode ............................................................................21

MIDI Channels

......................................................................

Resetting the PortaTone

Resetting the (Melody and) Chord Memory
Resetting the Chain Memory

Resetting the Split Point......................................................

Polyphony
Troubleshooting
Specifications
Song Book

.......................................................

..............................................24

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...........................................25 ~ 35

MIDI Implementation Charts...........................36

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24

17

18

18

19

20

22

23

23
23
23

23

The PSR-210 at a glance

POWER switch

Turns the PSR-210 on or off.

MASTER VOLUME control

MULTI DISPLAY

Shows the
selected Voice or

+ and and NUMERIC SELECTION buttons

Allows you to select
Voices and Styles.

SONG BOOK section

Allows you to select and play back

15 pre-programmed songs. Press
the MINUS ONE button and play the
melody line yourself (see page 17).

MODE button

Selects Normal, Split, Single
Finger, or Fingered mode.
This determines the way you
play your keyboard (see page

11 and 13).

OVERALL CONTROL section

TEMPO buttons

Controls the tempo of the Accompa
niment, Song Book, and Chord Mem
ory (see page 15).

TRANSPOSE buttons

Transposes the pitch of the keyboard
up or down in semitone intervals (see
page 12).

SPLIT POINT CHANGE button

Changes the Split Point location (see
page 11).

Rear Panel

CHORD MEMORY section

Makes it possible to record, play
back three sequences, and to chain
them together in an eight step
sequence (see page 18).

VOICE EFFECT section

Controls the Auto Harmony, Sus
tain, Touch Response, and Dual
Voice aspects of the voices gener
ated when the keyboard is played
(see page 9 and 10).

HEADPHONES/AUX OUT jack

Connects your keyboard to a
sound output device, such as a
pair of headphones or an
amplifier.

SUSTAIN jack

Connects a sustain pedal,
such as the Yamaha FC-4
or FC-5,

DC IN jack

Connects a power
adaptor, such as the
Yamaha PA-3, PA-4, or
PA-40.

The PSR-310 at a glance

POWER switch

Turns the PSR-310 on or off.

MASTER VOLUME control

Adjusts the overall volume.

+ and - and NUMERIC
SELECTION buttons

Allows you to select Voices,
Styles, and Sound Effects.

SOUND EFFECT PADS

Plays back one of the 40 pre
recorded Sound Effects when
pressed (see page 20).

MODE button

Selects Normal, Split,
Single Finger, or Fin
gered mode. This deter
mines the way you play
your keyboard (see
page 11 and 13),

OVERALL CONTROL section

ACCOMPANIMENT CONTROL section

Controls volume, intro and start, stop
and ending, and fill-in of a selected
Accompaniment Style (see page 13).

TEMPO buttons

Controls the tempo of the Accom
paniment, Song Book, and Mel
ody and Chord Memory (see

page 15).

TRANSPOSE buttons

Transposes the pitch of the key
board up or down in semitone
intervals (see page 12).

SPLIT POINT CHANGE button

Changes the Split Point location
(see page 11).

Rear Panel

MIDI ports

MIDI IN

Receives data from

another MIDI device.

MIDI OUT

Transmits data to
another MIDI device.

MELODY AND CHORD MEMORY section

Makes it possible to record, play

back three sequences, and to
chain them together in an eight
step sequence (see page 18).

VOICE EFFECT section

Controls the Auto Harmony, Sus
tain, Touch Response, and Dual
Voice aspects of the voices gener
ated when the keyboard is piayed
(see page 9 and 10).

HEADPHONES/AUX OUT jack

Connects your keyboard to a
sound output device, such as a
pair of headphones or an
amplifier.

SUSTAIN jack

Connects a sustain pedal,
such as the Yamaha FC-4
or FC-5.

DC IN jack

Connects a power adap
tor, such as the Yamaha
PA-3, PA-4, or PA-40.

Setting Up

Once you’ve unpacked your PortaTone and connected a power adaptor or inserted batteries, it is ready to use.
This part will guide you step by step through the process of actually setting up your PortaTone.

Before you begin setting up your PortaTone, and before connecting other equipment to it, always make sure that
all equipment is turned off.

Taking Care of Your PortaTone

You’re almost ready to set up your PortaTone, but before you begin, first read these important safety instruc
tions. For your safety and the protection of your equipment always follow these precautions.

Location

j Avoid exposure to direct sunlight.

j Do not place your PortaTone in places .subject to

extreme heat; for example: inside a car, near a
window, or near a heater.

J

Do not place your Porta'I'onc in places subject to

extreme moisture; for example: near an air condi
tioner or inside a bathroom.

Interference from Electromagnetic Fields

J

Do not use your PortaTone close to television

sets, radios, or similar equipment since this may
cause interference noise in the other appliance.

Handling

J Protect your PortaTone from strong impact. Be

careful not to drop it or place heavy objects on top
of it. Avoid applying excessive force to the con
trols, keys, and connections.

When not Using the PortaTone

□ After use. always turn off the POWER switch.

When not using your PortaTone for a long time,
remove the batteries to avoid damage through bat
tery leakage.

When Using a Power Adaptor

:j Disconnect the power adaptor from the outlet

under these conditions:

• If the power cord is damaged

• If any liquid is spilled on the PortaTone

• If there is a threat of lightning

□ Always disconnect the PortaTone's power adaptor

by pulling the plug only. Do not pull the cord.

□ If you use an extension cord or power strip, do not

exceed its power rating.

Cleaning

J

Clean the exterior with a soft, dry cloth. To remove

stubborn stains, use a slightly moistened cloth.

J

Never use alcohol, thinner or other chemical sol

vent since they will damage the linish. Also do
not leave any plastic material on your PortaTone
for a long lime, since it may adhere to the exterior.

Service

j Your PortaTone has no user-serviceable parts.

Refer any problems to your Yamaha dealer or ser
vice center.

YAMAHA is NOT responsible for damage caused
by improper use.

9

Supplying Power to your Keyboard

Your PSR-210 or PSR-310 will run either from an optional power adaptor or batteries. Follow the instructions
below according to the power source you intend to use.

Connecting a Power Adaptor

The PSR-210 or PSR-310 can be powered from an optional power adaptor. To connect a power adaptor follow
the steps below.

T To connect a power adaptor:

1. Make sure that the POWER switch of the keyboard is turned
off, and that the power adaptor is not piugged into a wall outlet
or power strip.

2. Plug the power adaptor’s DC IN plug into the DC IN jack at the

rear of the PSR-210 or PSR-310.

3. Plug the power adaptor into a wall outlet or power strip.

Warning:

■j Use ONLY a Yamaha FA-3, PA-4, or PA-40 AC PovmrAdaptoi to power your
instrument from the AC mams. Other adaptors may cause serious damage to
your PSR-210 or PSR-310 and your power adaptor.

Inserting Batteries

The PSR-210 or PSR-310 can also be powered from six 1.5V D size (SUM-1 or R-20) or equivalent batteries.

T To insert batteries:

1. Make sure that the POWER switch is turned off.

2. Open the battery compartment cover located on the keyboard’s

bottom panel.

3. Insert the six batteries, being careful to follow the polarity

markings on the cabinet.

4. Replace the compartment cover, making sure that it locks

firmly in place.

j No power will be drawn from the batteries when a power adaptor is used.

Warnings:

□ When the batteries run down the sound of your PortaJbne may be db-

torted. Replace them with a complete set of six newbetteries. NEVER

mix old and now batteries together.

j Du not use different kinds of batteries at tne same time.

j Dhnng battpry replacement the PSR-P10 and PSR-310 memory wr/l be

packed up for approximately 1 minute If the batteries are removed for a
longer period, the keyboard will revert la its default factory setSngs.

Connecting Headphones

A standard pair of stereo headphones, such as Yamaha’s HPE-3, can be plugged in for private practice or late-

night playing.

▼ To connect headphones:

Connect the headphones’ standard stereo phone plug into the
HEADPHONES/AUX OUT jack at the rear of your PSR-210 or
PSR-310.

j The internal speaker system is automatically shut off when a pair of head

phones is plugged into the HFADPHONFS/AUX OUT jack

Connecting an Amplifier

The HEADPHONES/AUX OUT jack can also be used for outputting the sound of the PSR-210 or PSR-310 to a
keyboard amplifier, stereo sound system, mixing console or tape recorder.

To amplifier

▼ To connect an amplifier:

t

Plug the cable from the amplifier’s input jack into the HEAD
PHONES/AUX OUT jack at the tear of your PSR-210 or PSR-310.

Connecting a Foot Pedal

A connected foot pedal can be used to function as a damper pedal controlling sustain.

dc^iw2vin y xo connect a foot pedal:

Connect the foot pedal’s plug into the SUSTAIN PEDAL jack at
the rear of your PSR-210 or PSR-310.

Holding the pedal down sustains the notes you play on the keyboard after
you release the keys.

J Make suie d\at the PortaTune is turned off when connecting or rkscmnecting

a foot pedal, FC-4 or FC-S (optional). Othennse the Sustain ON/OFFt
will be revorsod.

T To insert a music stand:

Insert the bottom edge of the music stand into the slot located

at the top of the PortaTone’s control panel.

6

The Basics

Switching the Keyboard On and Off

T To switch the power on and off:

Press the POWER switch once to turn the power on,

ON /moFF keyboard off, press the .POWER switch once again.

POWER

Adjusting the Master Voiume

The overall volume is controlled by the MASTER VOLUME control.

▼ To adjust the master volume:

1. Initially turn the MASTER VOLUME control to the half way

point.

2. While playing the keyboard adjust it to the desired volume

MIN MAX
MASTER VOLUME

level.

Listening to a Demonstration Song from the Song Book

To give you an idea of the PSR-210 or PSR-310’s sophisticated capabilities, it comes with 15 internal demon

stration songs that you can select and play back.

T To play back demonstration songs:

m □

L_M_J

SONG BOOK

1, Press the DEMO START/STOP button.

The demo songs will play back, one after the other, from the selected
song number. To jump to the next song or to go back and listen to a pre
vious song you can use the SONG SELECT + or - buttons.

2. To stop playback, press the DEMO START/STOP button again.

□ See page 1T for more information regarding the Song Book.

Selecting and Playing Voices

Your keyboard contains 100 vivid and realistic voices — instrument or percussion sounds — created by Yama
ha’s time-proven AWM tone generation technology. Select a voice you like and try playing.

T To select and play a voice:

PSR 210

INVOICE

OSTYLE

1. If the VOICE indicator is not lit, press the VOICE/STYLE

(/SOUND EFFECT) button once or twice so that it lights.

The number of the currently selected voice will appear on the MULTI
DISPLAY when the VOICE indicator is lit.

y

PSR-310

^rOICE

f

STYLE

r> SOUND

DQaGGG

2. Choose one of the 100 voices from the VOICE list on the panel.

3. Enter the voice number using the NUMERIC SELECTION but
tons.

To select voice number 03 (HARPSICHORD), for example, first press 0
then 3. The number “03” should then appear on the MULTI DISPLAY.

01 03

The -I- and - SELECTION buttons can also be used to increase or de
crease the current voice number. Holding down either button increases or
decreases the voice number continuously.

4. Play one or more keys on the keyboard to hear the selected ^ voice.

J

j Voice number 01 f ACOUSTIC PIANO) is •wtomatically

selected as the default voice when the Porta lone is
turned cn.

When using the + and - SELECTION buttons the voice

numbers cycle in this way: 01^. 99 ^ 00 ^ 01 99..

■ J The optimum range is preset for each voice.

Keyboard Percussion

The keyboard keys can be used to play the sounds of drum and percussion instruments. Voice numbers 97 (TIM
PANI) and 98 (STEEL DRUM) can be played like normal voices. Voice number 99 (LATIN PERC), however,
divides the keyboard into five different instruments, and voice number 00 (DRUM KIT) provides a different
drum or percussion instrument for each key, 61 sounds in all.

irft

Conga With Pitch Bongo With Pitch Timbale With Pitch Agogo With Pitch

J

When voice number 00 (DRUM KiT) is selected the percussion voices corre

spond to the symbols above the keys of your Porta Tone.

rP. rP. rP.rP .rP

00 DRUM KIT

Cuíca With Pitch 99 LATIN PERC

8

Auto Harmony

This sophisticated feature automatically adds appropriate harmony notes to a melody you play on the keyboard.
You can choose from 5 different types of harmony.

VOICE EFFECT

T To select an Auto Harmony type:

SUSTAIN

Only a single note can be played at a time on the keyboard
(or the right-hand section of the keyboard when in the Split
mode) when the Auto Harmony feature is used.

In the Single Finger, Fingered, or Split mode, the left-hand
chords determine the harmony notes that will be applied to
the right-hand melody. Also Auto Harmony is not applied to
the left-hand voice in the Split mode and to the Accompani
ment sounds.

1- Press the AUTO HARMONY + or - button.

The first time the AUTO HARMONY + or - button is pressed the letter
“H” together with the current Harmony type number will appear on the
MULTI DISPLAY and remain for approximately 2 seconds afterwards.

2. Choose one of the five Harmony types from the list next to the

HARMONY + and - buttons.

3. While the current Harmony type is still showing on the display,
press the AUTO HARMONY + or - button to increase or

decrease the Harmony type number.

Holding down either button increases or decreases the Harmony type
number continuously.

If Auto Harmony is used at the same time as the Dual Voice
feature (see page 10), harmony will not be applied to the
second ‘dual” voice.

The default Auto Harmony type (00: OFF) can be recalled

at any time by pressing both the AUTO HARMONY + and ­buttons at the same time.

Sustain

Sustain causes notes played on the keyboard to fade gradually after you lift your fingers from the keys.

T To turn Sustain on:

Press the SUSTAIN button once (the indicator will light).

mi

Loff J

VOICE EFFECT

SUSTAIN

Press the SUSTAIN button a second time (the indicator light will go out)
to turn the sustain effect off.

T To turn Sustain on independently for the left and

right-hand voices in the Split mode:

1. Press a key to the right of the Split Point to select the right-

hand voice, then turn Sustain on or off for that voice.

2. Press a key to the left of the Split Point to select the left-hand

voice, then turn Sustain on or off for that voice.

□ When the Dual Voice function is used, sustain is applied to both voices:
□ A sustain pedal can be used as well to achieve the same effect. See “Con

necting a Foot Pedal” on page 6.

□ Sustain cannot be applied to some of the voices.

Touch Response

Your keyboard is touch responsive. This means that you can control the loudness of the sound to a certain degree
according to how hard you play the keys.

T To switch Touch Response on:

mi

Loff-J

VOICE EFFECT

00: OFF
01: DUFT
02: TRIO
03: SLOCK
04: COUNTRY

'OS: OCTAVE

Press the TOUCH RESPONSE ON/OFF button once (the indica

tor will light).

When on, the notes played on the keyboard will correspond to how hard
or soft you play the keys.

Turn the Touch Response feature off by pressing the TOUCH RE
SPONSE ON/OFF button again (the indicator light will go out).

Dual Voice

The keyboard’s Dual Voice feature makes it possible to select and play two voices at the same time.

T To activate Dual Voice:

VOICE EFFECT

\y t. OCTAVE ^

Loff-J

TOUCH DUAL

RESPONSE VOICE

ON/OFF

---------

------------------

' '

Press the DUAL VOICE button (the indicator will light).

When on, the voice selected prior to turning the Dual Voice on will sound

simultaneously with a second “Dual” Voice. Any voice can be selected

------------

'

as the Dual Voice while the DUAL VOICE is on. ^
Dual Voice can be turned off by pressing the DUAL VOICE button

again.
When the Dual Voice function is used in the Split mode (see page 11) dif

ferent dual voices can be assigned to the left- and right-hand sections of
the keyboard. Press a key to the right of the Split Point to select the right­hand voice, then turn Dual Voice on and select the right-hand dual voice.
Press a key to the left of the Split Point to select the left-hand voice, then
turn Dual Voice on and select the left-hand dual voice.

The default Dual Voice that is automatically selected when
the PortaTone is switched ON, is voice number 39
(STRfNGS2SLOW).

When the Single Finger or Fingered mode is seiectedr the
Dual Voice feature applies only to the right-hand section of
the keyboard.

The maximum polyphony of 26 notes is reduced w/ien

using Dual Voice. See "Polyphony^ on page 23 for more
details.

10

Split

The Split mode on the PSR-210 and PSR-310 allows you to play two voices at once — one with the left hand
and one with the right.

Entering the Split Mode

▼ To enter the Split mode:

OVERALL CONTROL

Ce ItMTO TRANSPOSE SPLIT POINT

Q NORMAL _ _

fc. mmD

Q FINGEREO tiftESetl

Changing the Split Point

MODE TEMPO TRANSPOSE SPLIT POINT

□fc mm

c 3 re

OVERALL CONTROL

O NORMAL

Q FINGERED IpRESETJ

CHANGE

CHANGE

Press the MODE button repeatedly until the SPLIT indicator lights up.

This selects the Split mode. The left-hand voice can now be played to the
left of the Split Point, and the right-hand voice can be played to the right
of the Split Point.

□ The default Split Point in Split mode is C3 (note name). Note names are

shown above each white key.

T To change the Split Point;

1, Press the SPLIT POINT CHANGE button.

The Split Point is shown on the MULTI DISPLAY for as long as the
SPLIT POINT CHANGE button is held. For example, if the Split Point
is C3, the MULTI DISPLAY shows “C 3”; if at F#2 the MULTI DIS
PLAY shows

2. While holding down the SPLIT POINT CHANGE button, press a

keyboard key to select the new Split Point.

□ The Split Point can be changed as well in the Single Finger mode and in the

Fingered mode; this affects the physical playing range of the Accompaniment

You can assign separate Split Points in the Single Finger mode and in ffie Fin

gered mode.

□ The Split Point cannot be changed in Norma! mode.
□ Note that the Split Point key is included in the right-hand section of the key

board,

□ Split Points for the Split, Single Finger, and Fingered modes are separately

retained in memory, and will be recalled separately whenever a certain mode
is selected. The memory is retained even when the PortaTone is turned off,
provided power is supplied to the Porta Tone by batteries or a power adaptor.

11

Selecting Voices in the Split mode:

In the Split mode, voices can be selected and played separately in the left and right-hand sections of the key
board.

T To select left and right-hand voices:

1. If the VOICE indicator is not lit, press the VOICE/STYLE

(/SOUND EFFECT) button once or twice so that it iights.

2. To change the right-hand voice press any keyboard key to the

right of the Spiit Point, then select a voice in the normal way.

The current right-hand voice number will be shown on the MULTI DIS

PLAY and a new right-hand voice can be selected.

3. To change the left-hand voice press any key to the left of the

Split Point, then select a voice in the normai way.

The current left-hand voice number will be shown on the MULTI DIS
PLAY and a new left-hand voice can be selected.

□ When the Split mode is first selected the cun^mt v&ee is assigned to the right-

hand section of the keyboard and voice number 87 {WOOD BASS) will be
assigned as the default voice to the left-hand section of the keyboard.

□ The left-hand voice is octave-shifted to provide the best sound in the fe0-fiarKl

range.

9

Transpose

The PSR-210 and PSR-310 TRANSPOSE buttons make it possible to shift the pitch of the entire keyboard up or
down in semitone intervals up to a maximum of 12 semitones (one octave). Transposing the pitch of the PSR­210 or PSR-310 keyboard makes it easier to play in difficult key signatures, and you can simply match the pitch
of the keyboard to the range of a singer or another instrumentalist.

▼ To transpose the keyboard range:

MULTI DISPLAY

- I

CHANGE

1. Press the TRANSPOSE + or - button.

The first time the TRANSPOSE -i- or - button is pressed, the current
transpose value will appear on the MULTI DISPLAY and remain for ap
proximately 2 seconds afterwards.

2. While the current transpose value is still showing on the dis

play, press the TRANSPOSE + or - button to raise or lower the
pitch.

Holding down either button raises or lowers the pitch continuously.

□ The normal transpose value (0) can be recalled at any time by pressing both

the TRANSPOSE + and - buttons at the same time.

□ Transpose does not affect the voice number 00 (DRUM KIT).

□

MJLTI DISPLAY

Q) NOBMAL

O

0

OVERALL CONTROL

TEMPO TRANSPOSE SPLIT POINT

12

Playing with Accompaniment

Playing along with the PSR-210 or PSR-310 Accompaniment can be exciting. The PSR-210 provides 50 and the
PSR-310 provides 100 popular and exciting Accompaniment Styles that can be used to provide fully orches
trated accompaniment.

Selecting an Accompaniment Style

T To select an Accompaniment Style:

PSR-210

O VOICE

MJLTI DISPLAY

PSR-310

) VOICE

teTYLE

ODD D D D D

MULTI DISPLAY

1. If the STYLE indicator is not lit, press the VOICE/STYLE

(/SOUND EFFECT) button once or twice so that it lights.

The number of the selected style will appear on the MULTI DISPLAY
when the STYLE indicator is lit.

2. Choose one of the Accompaniment Styles from the STYLE list

on the panel.

3. Enter its number using the NUMERIC or + and - SELECTION

buttons.

To select style number 05, for example, first press 0 and then 5. The number
“05” should then be displayed on the MULU DISPLAY.

00

OS

□ A different Accompaniment Style can be selected at any time while the

Accompaniment is playing. The style nLmbe>' display v/ill change as soon as

the selection is made, but the now style will begin playback from the next

measure. The tempo will not change when the new style begins playing.

□ Style number 01 is automatically selected as the default style when the Porta-

Tone is turned on.

Selecting an Accompaniment Mode

There are two (different Accompaniment moiies: Single Finger and Fingered. (See below.)

OVERALL CONTROL

TEMPO TRANSPOSE SPLIT POINT

IpBESEt)

Single Finger Mode

Chord roots

T To select an Accompaniment mode:

Select Single Finger or Fingered mode by pressing the MODE
button as many times as necessary.

The indicator of the selected mode will light.

The Single Finger mode provides the fastest and easiest means to produce
beautifully orchestrated accompaniment, by simply using one, or at most,
two or three fingers to play the chords.

□ The default Split Point in Single Finger Mode is D2.

To play a major chord:

Press the root key.

□ The root key is the note

that corresponds to the
chord's name.

T To play a seventh chord:

Press the root key and
a white key to its left
simultaneously.

▼ To play a minor chord:

Press the root key and

a black key to its left
simultaneously.

To play a minor-seventh chord:

Press the root key and

both a white and black
key to its left simulta
neously. Cm^

13

Fingered mode

The Fingered mode lets you play a wider range of chord types than the Single Finger mode. Play the notes of

the chords yourself in the left-hand section of the keyboard, and the PortaTone will automatically produce an
appropriate accompaniment.

AbbreviationNormal Voicing*

M

mM7

sus4

1+2+5

dim 1-1.3-1.5-(6)

1-3-5
1-1.3-5
1-3-(5)-7
1-l,3-(5)-7
1-1.3-5-6
1-|.3-(5)-|.7
1-1.3-1.5-1.7

1-4-5-1.7
1-4-5
1-3-5-6
1-2-5
1-3-#5-(1.7)

3 (5) 1>7

Caug

Chord

Major
Minor m
Major seventh M7
Minor major seventh
Minor sixth m6
Minor seventh m7
Minor seventh flatted fifth m7-5
Seventh 7 1-3-(5)-l.7
Seventh flatted fifth 7-5 1-3-1.5-1.7
Seventh suspended fourth7sus4
Suspended fourth
Major sixth 6
One-plus-two-plus-five
Augmented aug
Diminished

*Notes in parentheses () may be omitted.

The chart above shows the basic fingerings for ihe chords:
however, different voicings can be used as well, with the
following exceptions:

• Minor sixth chords will be recognized only if the root is

the lowest note.

• Seventh flatted fifth chords will be recognized only if

either the root or flatted seventh is the lowest note.

• For diminished and augmented chords, the lowest key

pressed is regarded as the root of the chord,

• One-p/us-hvo-p/i/s-fifVe chords and mapr sixth chords will

be property detected only if they are played in root posi-

■ tion. ■

.................

.......................................................

starting the Accompaniment

T To start the Accompaniment:

Press a key, key combination, or chord in the ieft-hand section

of the keyboard to start a fuily orchestrated accompaniment.

The start is synchronized with the first note or chord played in the left-hand ^
section of the keyboard since the Synchro Start mode is automatically set

Split
Point

when selecting Fingered or Single Finger mode.
The Synchro Start mode is indicated by three flashing dots along the top of

the MULTI DISPLAY. To cancel Synchro Start mode press the
SYNCHRO START/ENDING button.

J The default Split Point in Fingered mode is G2.

j An octave — Le. two notes played exactly one octave

apart — will produce Accompaniment using only that root
note.

□ Full accompaniment can be cancelled if you press three

adjoining keys including a black key. At that point only the
rhythm accompaniment will continue.

□ The accompaniment wilt continue playing even if you lift

your fingers from the left-hand section of the keyboard.

You only need to press the accompaniment keys when

changing chords.

14

□ Chord changes always coincide with a beat.

other ways of starting the Accompaniment

Pressing the START/STOP button

ACCOMPANIMENT CONTROL

'VOTE

QNOFF I

ENDING

m

Pressing the INTRO/FILL IN button

ACCOMPANIMENT CONTROL

1

Pressing the START/STOP button immediately starts a rhythm pattern.
No bass or chord accompaniment is produced until a chord is detected
in the left-hand section of the keyboard.

To begin with an introduction, press the INTRO button while in Synchro

Start mode. As soon as a note or chord is played in the left-hand section
of the keyboard the Intro will start.

If you press the INTRO/FILL IN button while the Synchro Start mode is
canceled, the Accompaniment will play an Intro pattern without bass and
chord accompaniment. After the Intro pattern a normal rhythm pattern
will continue from the next measure. No bass or chord accompaniment is
produced until you begin to play in the left-hand section of the keyboard.

□ If you cancel the Synchro Start mode by pressing the SYNCHRO START/

ENDING button in SINGLE FINGER or FINGERED mode, and play a chord in
the left-hand section of the keyboard, the chord and bass of the selected
accompaniment will sound for as long as the chord is held.

□ A before the style number in the MULTI DISPLAY indk^tes that the Intro

Ready mode is selected.

□ In Normal or Split mode only rhythm patterns can be played.

Setting the Tempo

The tempo of the Accompaniment can be adjusted from 40 to 240 beats per minute.

OVERALL CONTROL

TEMPO TRANSPOSE SPLIT POINT

O SPLIT

Om

□

MULTI DISPLAY MULTI DISPLAY

108 180

Beat Display

The MULTI DISPLAY provides a visual indication of the beats as shown in the figure below.

MULTI DISPLAY

'IB

▼ To adjust the tempo:

1. Press the TEMPO + or - button.

The first time the TEMPO + or - button is pressed the current tempo will
appear (in quarter-note beats per minute) on the MULTI DISPLAY and
remain for approximately 2 seconds afterwards.

2. While the current tempo value is still showing on the display,

press the TEMPO + or - button to increase or decrease the tempo.

Each Accompaniment Styfe has a different defauft tempo which is automath

□

caliy set whenever a new st^e is selected. However, if you select a new style

while the Accompaniment is playing, the newly selected style will use the

tempo of the previous style.

The default tempo for the selected Accompaniment Style can be recalled at

□

any time by simultaneou^y pressing the TEMPO + and - buttons.

% Time

• • •

• 0 0
0*0

1st Beal

2nd Beat

3rd Beat

4th Beat

^4 Time

• • •

• 0 0
0 • 0
0 0#

15

Adjusting the Accompaniment Volume

ACCOMPANIMENT CONTROL

WìTé '№ W ‘

ON-OFFi

MULTI DISPUY

T To adjust the Accompaniment volume:

1. Press the ACCOMPANIMENT VOLUME + or - button.

The first time the ACCOMPANIMENT VOLUME + or - button is pressed
the current volume value will appear on the MULTI DISPLAY and remain
for approximately 2 seconds afterwards.

2. While the current volume is still showing on the display, press the ACCOMPANIMENT VOLUME + or - button to increase or decrease the volume.

гl 18

The volume range is from 0 to 24, with 0 being the lowest volume and 24 the
highest The default Accompaniment volume (21) can be recalled at any time
by simultaneously pressing both the ACCOMPANIMENT VOLUME + and ­buttons.

Adding a Fill-in pattern

You can enhance your performance by adding a Fill-in (rhythm variation) at anytime during the Accompani
ment.

T To add a Fill-in pattern:

ACCOMPANIMENT CONTROL

m

T:;rr

INTRO/ SYNCHRO START,'

FILL IN START STOP

ON-OFF/

Press the INTRO/FILL IN button.

A Fill-in pattern that matches the selected style will be produced. The
normal Accompaniment will then continue from the beginning of the
next measure.

□ If the INTRO/FILL IN button is pressed after the last beat of the measure, the

Fill-in will start at the beginning of the next measure.

stopping the Accompaniment

An Accompaniment in progress can be stopped immediately, or it can be stopped with an appropriate ending
pattern.

▼ To stop the Accompaniment:

ACCOMPANIMENT CONTROL

ACCOMP. INTRO/ SYNCHRO START/

VOLUME FILL IN START STOP

m

1—21—1

Press the START/STOP button to stop the Accompaniment.

The Accompaniment will end immediately.
Pressing the SYNCHRO START/ENDING button will automatically

add a brief ending pattern before stopping the Accompaniment.

'2 If the INTRO/FILL IN button is pressed while the ending pattern is playing, a

Fill-in pattern wilt be played, followed by a return to the normal pattern,

J Some of the PSR-310's Intro and Ending styles have chord progressions. If

you finger a major or a minor chord using the accompaniment rules, the
appropriate Intro or Ending pattern will play back.

T

16

Using the Song Book

The Song Book features 15 popular and exciting demonstration songs for your listening enjoyment. You can

also play along with them by using the Minus-one feature.

Playing Back Demonstration Songs from the Song Book

T To play back a demonstration song from the SONG

SONG BOOK

BOOK;

1. Refer to the SONG list on the panel and press the SONG

SELECT + or - button.

The first time the SONG SELECT + or - button is pressed the letter “d”

together with the current song number will appear on the MULTI DIS

PLAY and remain for approximately 2 seconds afterwards.

2. While the current song number is stili showing on the display,

select a new song by pressing the SONG SELECT + or - but
ton.

3. Press the DEMO START/STOP button to start playback of the

song.

The demonstration will continue to play all songs one after the other until
the DEMO START/STOP button is pressed again.

□ You can play along on the keyboard with the demo song. □ The following different settings can be changed at any time

If you change the song number while a song is playing, the
newly selected song wilt start playing immediately.

Only the Normal and Split modes can be used during play
back of a song. When you press the DEMO START/STOP
button while the Fingered or Single Finger mode is active,
the Normal mode will automatically be selected.

while a song is playing: Split, Dual Voice, Voice selection,
Sustain, Tempo, Accompaniment Volume, Transpose, Split
Point Change, and Auto Harmony (applies to notes played
on the keyboard).

Minus One

The Minus One feature removes the melody part of a demonstration song, allowing you to play that part your
self. Please refer to pages 25 through 35 for the music scores of these songs. The songs are the same as the demo

songs, and are selected in the same way.

▼ To play back a song without the melody line:

SONG BOOK

1. Press the SONG SELECT + or - button.

2. While the current song number is still showing on the display,

select a new song by pressing the SONG SELECT + or - but

ton.

3. Press the MINUS ONE button.

The indicator will light.

4. Press the DEMO START/STOP button.

The song will start to play back without the melody line,

5. Play along on the keyboard.

Refer to the melody score of each song in the latter part of this manual.
The voice assigned to the keyboard is the same as the original melody
voice. Playback of the selected song will continue until the DEMO
START/STOP button is pressed again.

□ Split mode and Dual Voice can be used with the Minus One

feature.

You can press the MINUS ONE button during playback to

switch between Minus One and Demonstration song play
back.

17

Recording and Playing Back Your Music

The CHORD MEMORY function of the PSR-210 and the MELODY AND CHORD MEMORY function of the
PSR-310 allow you to record and play back chord and melody sequences. (Melody sequences can only be
recorded and played back by the PSR-310.)

The (MELODY AND) CHORD MEMORY function is also equipped with three separate Banks that can be used
to record different sequences. The Banks can be chained — i.e. they will play back in any specified order. This
allows you to record a verse and chorus in different Banks, then “chain” them in the desired order for playback.

Recording a Sequence

▼ To record a sequence:

1. Select the Single Finger or Fingered mode and choose an

jk o o

n (m D <0

\ V\\\ lPsn-3101

V \

Accompaniment Style that is appropriate for the type of music
you want to record.

2. Press one of the BANK buttons while holding the REC button.

This engages the Record Ready mode for the selected Bank. The Bank indi
cator will flash, the metronome will sound, and three dots along the top of the

MULTI DISPLAY will flash at the selected tempo.
Press the REC button again if you want to disengage the Record Ready mode

and perform some other function.
Before actually starting to record, try setting a tempo that will be easy to

record by using the TEMPO + and - buttons.

3. Recording will begin as soon as you play a note or chord in the

left-hand section of the keyboard (Synchro Start operation).

Recording can also be started by pressing the START/STOP button. In
this case the rhythm will begin without bass and chord accompaniment
until a chord is detected in the left-hand section of the keyboard.

4. Play the required chords and melody (The melody is recorded

by the PSR-310 only).

5. Press either the START/STOP button or the SYNCHRO START/

ENDING button to stop recording.

Sequenœs recorded with the (MELODYAND) CHORD
MEMORY are retained in memory even when the POWER
switch is turned off (provided power is supplied to the Por-

taTone by batteries or a power adaptor).
Whenever you record using thé (MELODY AND) CHORD

MEMORY, any previously recorded data in the same Bank
will be erased.

The CHORD MEMORY records the following data: Style

number, chord timing, chords. Intro, Fill in, and Ending.
In addition to these the PSR-310‘s MELODY AND CHORD
MEMORY lets you record the melody performance data
from the right-hand section of the keyboard, including the
selected voice number.

□ The PSR-210 can record chord sequences that contain a

maximum of 60 chords per Bank (with one chord change

per measure). The PSR-310 Can record melody and chord

sequences that contain either a maximum of 1600 notes or
200 chords per Bank (or a reduced combination of both).

j With the PSR-310, recording will also begin if you play a

melody in the right-hand section. Until you press a key in
the left-hand section, only the melody will be recorded.

J You cannot change the Accompaniment Style while

recording.

J If the memory becomes full while recording, “End” will

appear on the MULTI DISPLAY, and recording will stop
automatically.

□ If the Normal or Split mode is selected, the Fingered mode

is automatically selected when the Record Reacsy mode is
engaged.

18

Playing Back a Recorded Sequence

T To play back a recorded sequence:

MELODY AND CHORD MEMORY

O □□□ <]

[PSR-310] ing the INTRO/FILL IN button, or change the tempo during playback.

1. Press the BANK button to begin playback.

2. Play along on the keyboard if you like.

You can also change the voice for the right-hand melody, add fill-ins us-

3. Press the START/STOP button to stop playback.

Playback will also stop when you press the SYNCHRO START/END­ING button, or it will stop automatically after playback of an ending pat
tern when the SYNCHRO START/ENDING button was used to stop
recording.

□ Normal mode will be selected automatically if you press a BANK S/n-

gfe Finger or Fingered mode.

□ If you press another Bank button during playback, that Bank*s indicator will

start to flash, and playback of that Bank wilt start from the next measure.

□ The maximum polyphony is 28. If more than 28 notes are played at the same

time, some notes may not sound, and some may be truncated (cut off)^ See
“Polyphony** on page 23.

Programming a Chain

▼ To program a Chain:

MELODY AND CHORD MEMORY -| _ Prcss thc CHAIN buttoii to engage the Chain Ready mode.

REC BANK BANK BANK CHAIN W ^ *

The three recording hank indicators and the three dots along the top of
the MULTI DISPLAY will flash simultaneously.

You can disengage the Chain Ready mode by pressing the CHAIN button
again or the SYNCHRO START/ENDING button.

2. Press the BANK 1, BANK 2, and BANK 3 buttons in the order

that you want them to play back — up to 8 steps can be pro
grammed.

<]

[PSR'310]

A synthesized voice will announce the order of the programmed Banks
each time a BANK button is pressed. The voice will stop if you attempt
to program more than 8 steps.

3. Press the CHAIN button again to exit the Chain Ready mode.

Playing Back a Programmed Chain

▼ To play back a programmed Chain:

MELODY AND CHORD MEMORY

REC BANK BANK BANK CHAIN

[PSR-310]

ACCOMPANIMENT CONTROL

JSVNCHRO

START
ON-OFF/
ENDING

1. Press the CHAIN button to engage the Chain Ready mode.

2. Press the START/STOP button to begin Chain playback.

3. Play along on the keyboard if you like.

4. Press the START/STOP button to stop playback.

Playback will also stop when you press the SYNCHRO START/ENDING
button. Playback will automatically stop when an ending pattern in the last
bank of a Chain is encountered.

w

l_2i—I

□ The contents of the CHAfN memory are retained even when PortaTorm ls

turned off, provided power is supplied to the PortaTone by batteries ora power
ad^ton

□ You cannot enter CHAIN mode during Accompaniment play or in (M0LODY

AND) CHORD MEMOPY recording ready mode.

19

Adding Sound Effects (PSR-310 only)

From the sounds of a train to a day on the farm, the PSR-310 provides you with a multitude of sound effects
from around the world. Ten different Sound Effect sets are available for each Pad, giving you up to 40 exciting
sound effects to choose from.

T To select and play a sound effect:

I'^'i

OVOCE
OSTVLE

JkSOUND

WEFFECT

1. If the SOUND EFFECT indicator is not lit, press the VOICE/

STYLE/SOUND EFFECT button once or twice so that it lights.

The number of the selected Sound Effect set will appear on the MULTI
DISPLAY when the SOUND EFFECT indicator is lit.

00

OH

2. Choose one of the 10 Sound Effect sets from the SOUND

,—EFFECT list on the panei.

^ ^ ODD 3. Enter the Sound Effect set number using the NUMERIC or +

( !) \ ) and - SELECTION buttons.

SOUND EFFECT PADS

\- \

No.

Sound Effect
01 SAFARI
02

CAR

FOREST Chirp 44(G#1) Bird 1

03

04

PET
05 OCEAN
06 SPORTS
07 TELEPHONE Push Tones 60 (C3)
08 TRAIN

WESTERN Cowboy

09

STORM Rain 72 (C4)

10

Elephant 36 (C1)
Brake

Cat 48(C2)
Boat
Tennis

Crossing Beil 64(E3)

1

4. Press one of the four SOUND EFFECT PADS to play one of the

sound effects.

Note No.
(Name)

40 (E1)

52(E2)
56 (G#2) Basketball

68 (G#3)

2

Lion 37 (C#1)
Horn 41 (FI) Start & Idle

Dog 1
Marine Horn 53(F2)

Busy Signal 61 (C#3) Call Signal
Steam Whistle 65 (F3) Steam Engine 66 (F#3) Train 67 (G3)
Horse Gallop 69 (A3)
Thunder 73 (C#4) Wind 74 (D4) Frogs

Note No.
(Name)

Monkey 38 (D1) Percussion

45 (A1) Bird 2 46 (A#1) Brook
49 (C#2) Dog 2 50 (D2) Rooster

Seagull 54 (F#2)

57 (A2)

Baseball

Horse 70 (A#3) Cow

3

Note No.
(Name)

42 (F#1)

58 (A#2) Golf 59 (B2)
62 (D3)

Accelerate 43(G1)

Wave

Voice

4

Note No.'^
(Name)

39(D#1)

47 (B1)
51 (D#2)
55 (G2)

63 (D#3)

71 (B3)
75 (D#4)

□ Some sound effects keep sounding while you hold down the pad.
□ More than one pad can be played back at the same time (provided the maxi-

mum polyphony is not exceeded during Demonstration, Minus One, or Sound

Effect playback).

□ MIDI Program Change message no. 100 selects the Sound Effect sets.

20

MIDI (PSR-310 only)

MIDI (Musical Instrument Digital Interface) is a world-standard commu
nication interface that allows MIDI-compatible musical instruments and
equipment to share musical information and control one another. This
makes it possible to create “systems” of MIDI instruments and equip
ment that offer far greater versatility and control than is available with
isolated instruments.

You will need a MIDI cable if you want to connect the PSR-310 to an
other MIDI device.

The PSR-310 features two MIDI modes; Remote Control and Multi.

The Remote Control Mode

The Remote Control mode can be used to let the PSR-310 control other

MIDI devices, or it can be used to let other devices control the PSR-310. It
allows you, for example, to record your PSR-3 lO’s performance data on a
sequencer or you could play the Accompaniment of the PSR-310 from a
master keyboard. The Remote Control mode is automatically selected
whenever the PSR-310 is turned on. However, if Multi mode has been se
lected (see below), the Remote Control mode can be re-selected.

To select the Remote Control mode:

MIDI device

MIDI
IN

^

____

MIDI
OUT

MIDI
OUT

MIDI

PSR-310

w

IN

Hold down the REC button and press the NUMERIC SELEC

rc

TION 0 button.

Each time 0 is pressed while holding down the REC button, the PSR-310
switches between the Remote Control mode “rc” and the Multi mode “I

□ The following data is transmitted:

• Velocity data

• Sustain ON/OFF data

• Keyboard performance data

• Program Change messages (Program change num

bers 00 through 99 correspond to the PSR-310's voice
numbers 01 through 00)

m MIDI START, STOP, and CLOCK messages

• In Split mode both the left and right-hand keyboard sec

tions are transmitted over one MIDI channel.

□ The following data is not transmitted:

• Transpose settings

• ACCOMPANIMENT, SONG BOOK, MELODY AND

CHORD MEMORY performance data.

• Performance data from the left-hand section of the key

board in Single Finger or Fingered mode.

_

ij The following data can be received:

• Performance data for the Accompaniment in Single Fin

ger or Fingered mode

• Sustain ON/OFF data (The panel setting will not change)

• Program Change data (Program change numbers OT

through 99 correspond to the PSR-310's voice numbers
01 through 00)

• MIDI START, STOP, and CLOCK messages. (External

CLOCK messages override the PSR-310 TEMPO but
tons; if you try to operate them “EC" will appear on the
MULTI DISPLAY If after that no other external CLOCK
messages are sent, the PSR-310 settings will become
effective.)

• In Split mode, different voices can be produced in the
left and right-hand sections of the keyboard when the
appropriate MIDI messages are sent over separate
channels.

□ When the PSR-310 is set to Single Finger or Fingered

mode the PSR-310’s accompaniment can be controlled
from another MIDI device.

Multi Mode

MIDI MIDI
IN

PSR-310

___

OUT

MIDI sequencer or
computer

The Multi mode should be used when the PSR-310 is to be used as a tone
generator, for example, receiving data from a second MIDI device. In this
mode the PSR-310 can receive on multiple MIDI channels, each channel
corresponding to a different voice.

21

MULTI DISPLAY

I

_______

T To select the Multi mode:

Hold down the REC button and press the NUMERIC SELEC

I

TION 0 button.

Each time 0 is pressed while holding down the REC button the PSR -310
switches between the Remote Control mode “rc” and the Multi mode ‘1

□ The foUowing data is transmitted:

e Velocity data

• Sustain ON/OFF data.

• Keyboard performance data

0

Program Change messages (Program change num

bers 00 through 99 correspond to the PSR-310's voice
numbers 01 U^rough 00)

The following data is not transmitted:

0 ACCOMPANtMENl SONG BOOK, MELODY AND

CHORD MEMORY performances data.

0

Transpose settings

J The following applies to data received:

Sustain ON/OFF data (The panel setting will not change)
Program Change messages (with the exception of
channel 16, which is reserved for rhythm data) (Pro

gram change numbers 00 through 99 correspond to the

PSR-SIO’s voice numbers 01 through 00)

Velocity sensitivity is the same for all voices.

MIDI START, STOP, and Clock messages are not
received.

MIDI Channels

MIDI channels allow communication between individual devices in a MIDI system. Before you can communi
cate with a particular MIDI device you need to match its MIDI channel. A sending device can send messages on ^

any of 16 MIDI channels. Only the receiving MIDI devices that are set to that channel receive the messages. A

MIDI device can also be set to receive MIDI messages on all channels; this is known as the OMNI ON mode.

MIDI Transmission Channel

The PSR-310 can be set to transmit on any of its 16 MIDI channels.

▼ To set the MIDI transmit channel:

1. Hold down the REC button and press the NUMERIC

2 4 7 9 11

1 3 5 6 3 10 12 13 15

14 16

SELECTION 1 button.

The current MIDI channel will appear on the MULTI DISPLAY.

2. While still holding down the REC button press one of the key

board keys (C1 through El>2) to select a corresponding MIDI
channel.

The keys Cl through El’2 correspond to MIDI channels 1 through 16.

MIDI Reception Channels

The PSR-310 can be set to receive on any of the 16 MIDI channels or to ALL MIDI channels (OMNI ON).

T To set the MIDI receive channel:

1. Hold down the REC button and press the NUMERIC

SELECTION 2 button.

14 16

5 6 8 10 12 1315 ALL

□ If a MIDI message is not transmitted or received due to a

transmission or reception error, no sound will be produced
(MIDI error).

The current MIDI channel will appear on the MULTI DISPLAY.

2. While still holding down the REC button press one of the key

board keys (Cl through E2) to select a corresponding MIDI
channel.

The keys Cl through El’2 correspond to MIDI channels 1 through 16, and
key E2 selects ALL (OMNI ON mode).

□ OMNI ON is automatically selected when the PSR-310 is first switf^ted on.

□ If MIDI data is received that exceeds the transmission and

reception buffer capacity, no sound will be produced (Buffer
full).

22

Resetting the PortaTone

Each of the following PortaTone functions can be reset separately. These operations restore the original default

settings of the instrument.

Resetting the (Melody and) Chord Memory

... ... ▼ To reset the (Melody and) Chord Memory:

0 o o

+

Resetting the Chain Memory

Resetting the Split Point

Q] Q While holding down the BANK button, turn the PortaTone on.

Only data of the selected Bank will be deleted. To delete data from the
other Banks repeat the same procedure while holding down the other
Bank buttons.

T To reset the Chain Memory:

While holding down the CHAIN button, turn the PortaTone on.

y This deletes all Chain data.

T

To reset the Split Point:

While holding down the SPLIT POINT CHANGE button, turn the

PortaTone on.

All Split Points for the Split, Single Finger and Fingered modes will be reset.

Polyphony

The maximum polyphony of the PSR-210 and PSR-310 is 28 notes. This means that your keyboard can generate
a maximum of 28 notes at the same time. This number not only includes notes played by you on the keyboard
but also the notes played back by the Accompaniment, (Melody and) Chord Memory, Sound Effects, and the
Demonstration Songs. If more than 28 notes are played at the same time, some notes may not sound, and some
may be truncated (cut off).

The following is a list of the number of notes used by each voice.

VOICE

ACOUSTIC PIANO

01

HONKY-TONK PIANO 2 27 GUITAR HARMONICS

02

HARPSICHORD

03
04 CLAVl

CELESTA

05

CHURCH ORGAN 2 31 HARP

06
07 REED ORGAN

ACCORDION 2 33 VIOLIN

08

BANDONEON

09
10 ELECTRIC PIANO 1
11 ELECTRIC PIANO 2
12 ELECTRIC PIANO 3

ELECTRIC PIANO 4

13
14 ELECTRIC ORGAN 1
15 ELECTRIC ORGAN 2

ELECTRIC ORGAN 3 2

16

FOLK GUITAR 1

17

12STR1NG GUITAR 2 43

18

GUT GUITAR 2

19

JAZZ GUITAR 1 43

20

ELECTRIC GUITAR 2 46 FRENCH HORN

21

MUTE GUITAR 1 47 BRASS ENSEMBLE I 2

22

MUTE GUITAR ECHO

23
24 12STRING ELECTRIC GUITAR 1

12STRING ELECTRIC GUITAR 2

25

POLYPHONY VOICE POLYPHONY

1 26 DISTORTION GUITAR 1 51 ■ FLUTE 1 76

1 28 EL-ACC GUITAR 1 2 53 PAN FLUTF 1 78 SEQ PAD

29 EL-ACC GUITAR 2 2 54 OCARINA 1

1
1 30

1 32 PIZZICATO STRINGS 2

2 34
2 35
2 36 STRINGS 1 FAST

3
3 38 STRINGS 2 FAST
2 39
2

2
2 49 BRASS ENSEMBLE 3
2 50 PICCOLO

BANIO

CELLO
CONTRABASS

37

STRINGS 1 SLOW

STRINGS 2 SLOW 2
40 CHOIR AAHS
41

VOICE OOHS

TRUMPET

42

TROMBONE 2 68
44

TUBA

MUTE TRUMPET 1 70 SYNTH LEAD

48 BRASS ENSEMBLE 2 3 73 SYNTH STRINGS 1 2 98

VOICE POLYPHONY

1 52 RECORDER 1 77

2 55 SOPRANO SAX 1 80 ELECTRIC PIANO PAD 1

56

1

2

2 59 OBOE 1

1 60 ENGLISH HORN

2 61
2 62 CLARINET
2 63 HARMONICA

2 65 SAX ENSEMBLE 2 2 90 FRETLESS BASS

1 66 WOODWIND ENSEMBLE 2 91

1 67 VIBRAPHONE 2 92

1

1 71 SYNTH BRASS 1 2 96

2 74 SYNTH STRINGS 2 2

1 75 SYNTH VOICE

ALTO SAX

57

TENOR SAX

58

BARITONE SAX

BASSOON 1 86 ORCHESTRA HIT

64 SAX ENSEMBLE 1

MARIMBA 1 93

69 GLOCKENSPIEL

71 SYNTH BRASS 2 2

VOICE

FANTASY 1
FANTASY 2 3

79 ACOUSTIC PIANO PAD

1 81
1 82 ELECTRIC PIANO PAD 3
1 83

1 85

1 87 WOOD BASS
1 88 ELECTRIC BASS 1

2 89

2
2 95

3 00

ELECTRIC PIANO PAD 2 3

ELECTRIC PAINO PAD 4

84 ACOUSTIC GUITAR PAD

BELL STRINGS

ELECTRIC BASS 2

SLAP BASS 1
SLAP BASS 2
SYNTH BASS 1

94 SYNTH BASS 2

SYNTH BASS 3 1
MUSIC BOX 2
TIMPANI 1

97

STEEL DRUM 2

99 U^TIN PERCSW/PITCH

DRUM KIT

POLYPHONY

4

4
3
3

3
3
3

4
1
1
1
1
1
1
1
1
1

1
1

23

Troubleshooting

Problem

D Turning the POWER switch on or off produces a

“pop” sound.

G Accompaniment won’t function. No Accompaniment

is produced when you play in the left-hand section of
the keyboard.

□ The Accompaniment chords don’t seem to change

properly.

□ The sound is distorted or intermittent.
□ Sustain is on, after disconnecting the foot switch. 3 Connect the foot switch again, or turn on the power again after turning it off.

3 This is norm al and is no cause for alarm .

3

Is the Accompaniment volume turned up high enough?

Accompaniment w on’t function if the Fingered mode is selected and you’re using Single

3

Finger type fingering or improper chord fingering.

Make sure that you are playing the proper chords in the proper mode (The Single Finger and

3

Fingered mode arc each designed to recognize different chords or key combinations,)

Make sure that you completely release the keys of one chord before playing another one.

3
3 In this case, your batteries are probably depleted and need replacement.

Action

Specifica tiens

Keys
Voices

Styles

General controls

Overall controls

Voice effect controls

Accompaniment controls

Song Book (Demonstration & Minus One)

Melody and Chord Memory (PSR-310)
Chord Memory (PSR-210)

Sound Effects (PSR-310)
MIDI (PSR-310)

Built-in ports
Maximum amplifier output

Dimensions
Weight
Speaker
Optional Accessories

Supplied Accessories

61 regular sized keys (Cl ~C6) with Touch Response

100 AWM voices

Maximum polyphony: 28

PSR-210: 50 Accompaniment Styles
PSR-310: 100 Accompaniment Styles

POWER switch : ON/OFF
MASTER VOLUME: MIN-MAX
PSR-210: VOICE/STYLE SELECTION button
PSR-310: VOICE/STYLE/SOUND EFFECT SELECTION button
NUMERIC SELECTION buttons (0 ~ 9)
+/- SELECTION buttons

NORMAL, SPLIT, SINGLE FINGER, FINGERED Selection button
TEMPO: 40-240: -i-/- buttons
TRANSPOSE: -12-+12: -n/- buttons

SPLIT POINT CHANGE
AUTO HARMONY: 00-05: +/- buttons

SUSTAIN : ON/OFF
TOUCH RESPONSE: ON/OFF

DUAL VOICE: ON/OFF
ACCOMPANIMENT VOLUME: 0-24: -h/- buttons

INTRO/FILL IN, SYNCHRO START ON-OFF/ENDING, START/STOP

15 Songs : 01-15: +/- buttons

MINUS ONE: ON/OFF

DEMO: START/STOP

MELODY & CHORD recording: REC button, 3 Banks, CHAIN

CHORD recording, REC button, 3 Banks, CHAIN

4x10 voices

Remote Control mode

Multi mode

DC IN, Headphones/AUX. output, SUSTAIN pedal, MIDI IN and OUT (PSR-310)

2W X 2 (When AC power adaptor PA-3 is used)

2W X 2 (When batteries are used)

HEADPHONES/AUX. OUT: output impedance 50 Q
908x344x 110(WxDxH)

5.1 Kg (without batteries)

10cm X 2

Headphones

Keyboard Stand

AC Power Adaptor

Foot switch

Music Stand

Foot pedal*

HPE-3
L-2C
PA-3 , PA-4, or PA-40
FC-4, FC-5

24

*Foot pedal and PA-3 are included only in the PSR-310M package.

Song Book

-M

%

4^

, D^m?

?

----

7

--- -------

I

----

8vfl

......

^

Cm? D^ni7 Cm?

felCrCLf? iJ:

Fm?

___

:

~0—0-

’Yin

rTrf

Fpf-p -p­ij?sj—Ny—L

Fn

H?

*--ww

Cm?

^4S

_-^_

..._

01: Lazy Afternoon

'•Si’fl ■

m0

-------

—

Cm?

V; 83

"i# #

0—0

—

bI>7

“1^

r-^

00

iJ-U

r[[XCT

Cm? |1. 12.

^ o

Cm?

1»

J-

------

0 -f-

~~M

zi.

=i=

H:01 H:00

G

Trf

r-?

mmm^mm m"~

= -7^1

-F
±5

V: VOICE
H: AUTO HARMONY

H:01

Fm

—

----------------------­V: 14

H: 00

n

L^J ^3-

A^m?

tr

V; 83
H: 01

0 '0

Cm?

V: 36
H;00

^ #

#—

H; 01

H: 00

25

J. = 64

02: Sunset Glow

Em? Dm? G? C Em? Fm7 Em? Dm?

V: 60

Bdim

Am

Dm? G?

V: VOICE
H: AUTO HARMONY

1.

l-¿- «

JÌ52

____

______I___

^ U. HA

1 iJ SK

G?

^

Am Am? D?

\' \

-#

J- y?^

2.

C Em? Dm? G?

m

' ' " —

è

•/ ——

----

T

03:Tailspln

J =100 Am? D? Am? D? Am?

Am?

H: 01

tfe

i*

i=if

—^

Dm?

---------

it=i^

Dm? G? C

V

L

.

—

V; VOICE
H: AUTO HARMONY

NN

H: 01

Ì

fi

Bm?

:#==

Am?}i^^

frr^ I

E?

Am?

i^5>—r

D?

-.hmhn

Aim? E? ^

_________

________V_____________V___
_

_______

^_____________^

___

B

mmm —

■ w
J. ^

)?

0m0F0M 0

Am?

Am?

^-0 >>—»r

D?

E

>7

0

T^*00_ *Jj .•/ i»F_C

^ Am? E?

Am?

-0Coda

------------

26

j = 180

^ V: 64

H: 01

)S (D.S.

A

l^i#i

1=^

■U-

m

with repeat

p —:

1

é

-----

^

t 1 __#__!in:

to^ ^

H: AUTO HARMONY

^=-hr^

p

—^

A7

7 fi]-

tatir-

1 2,

#¥=Ur- =1=^

^ ^ *1| ■_

T -|J ^

#h^

-fe * -V-

E7

J J

H: 01

E?

H:00

E7

D7 ' i

»7

E

:«

D.S,

----

fc-J—J

-----

1^--

' /

^ ^ ^ '7 |i

[;iJi

D7 h

' 1 1

■^Coda

» |P -*r

7 7 ■ 1 '7'

“«?—r*T'

A

E7 '

H: 03 (D.s. oniv)

A

^ <

^ez:

---------------

^bJü-J-*—■ '—-

1^ ♦ —

*#

^

J = 108

C? ' FM7 ^ 1 Fm 7

^ V: 19

H: 01 (2nd time only)

G7

-8vfl

05; Mambo Step

CM7

.gva-n V:19

-ßpp\ß- mm ^ f m \yß-

CM7

^

___________________

Dm? Cm?

•• 8vfl-

G?

Em? ^ EÌ^M7

-O-----

m

V: VOICE

H: AUTO HARMONY

Dm?

2.

C7

p-^

H:00
V; 01

27

(Sva)±^^‘^

^ Dm?

____________ ________

I r

G7

CM7

o-

• 8vfl-

D.S.

m

H:00j^^

J = 120

V: 49

I Bt? |—*^“1 Cm?

k -------------------0-

06: Purple Minds

Cm? Cm?

^ ^ V

Cm?

3T

m

ZJ-[jAU ^ i’r Ci

V: 01

H: 01 (2nd time only)

Bt i \—^—\ \—^—\

mm I?

Cm 7 B B 7

V: 21

¥ w

B i—-^“1 Cm?

2.

V: VOICE
H: AUTO HARMONY

Fm?

I**

Fm?

Tf~

H:00

# # # #

■ 1 C7SUS4

xn

nu.Г]S^mh.::Г]n\,.■s:s^з

bI^

28

t ^ r Y -=arrrrrr

----

=r-

KT—j

y

----

# 1 # 1

Fh

bI-?

C7SUS4 Cm?

~n~

p—

#—s—

___

H;00 V; 49

1 BP

K__L

Cm?

---------

--------

1

C-

f

---

f=£f--f I- r r irrrrr-f

i ^ ^ ^ Lr I 1/ r LJ* ' I*

[7. Aa

C?sus4 Cm?

#

---

u

______

---------a-----1^-----

L.H

____1K___

H: 01

At

iW~f~w~

I Bt?

J= 120

_________________________________

f r raf

V: 48

Cm?

07: Funky Tower

I

----- 8va

........

Cm? Fm?

Cm? Fm7________________________A^M7

Fm?

A‘*M7

V: VOICE
H: AUTO HARMONY

A^M7 B“" G7

■ 8va-

m G?

4#^

t) V: 16

m

p—~—^—:w—:

»—I

jV

p p

, .......

H; 01 (2nd time only)

Fm?Fm? A^M?

r r

r

Fm?

ZSjUff ^iCXri rr pi

V: 88

A ^M7 B t G? n

Cm?

'Tfi

aLT ^

Fm?

D.S.

--------

G7 Cm?

----------

mM

-0. Coda

¿i=

f-^

AIm7 G?

M? B^ Cm?

*-p-

08: Grooving High

j = 92

- iH rito

V: 53

^ p j! \p ^ I j|* ^

G?

i [j'C jr^ r I Y“* F ^'r -11^ L/ C_i

D.S.

H: 00

F G F

F G Am? G

4 r ir P r /r r ir ^ 1^

Am? V. , ^ F G C

G “O’Coda ^

## ^

to^l

H: 01

V: = VOICE
H: = AUTO HARMONY

i r rf['jrv ji

F G

29

n-ìì’

1 = 116

Em? E'’?

09: Dear Friend

_ I Dm? G?

Em? еЦ

V: VOICE
H; AUTO HARMONY

Dm? G?

^67 “ ^

G?SUS4 G?

Dm? G?

Ì IJ- |T IJ. I? >[_r‘i[j*

H: 02

Cm?

m

G? Cm?

Am?

7 |ilQj» g

G?

Cm?

Bm?

7 J W

B'^?

A^M? G?sus4 G? Em? Am? Dm?

Gm? C?

Am?

фСойа

D? ,1 Dm?^

Em?

A?

E?*^

E?

G?

Dm?

30

F6 F^dim Gm7 Caug F6

> ^7 j: - |- ^ t y 1^

^

......

m

Gm?

^^^^E==g=

Am? ^

ferlf^rrrtTi

Fé Gm7

Gm? C? Fé B^7 Fé

—f

-------

f ^f\f i

?r virif

Fé

-----------------------

i’rrr^n IJ nCTlJ

-----

0~

Am7

1 i 7

\ff\ÀrtX

V: 45 sg sg

Gm? C? Fé F^dim Gm? Caug Fé

ì

- I- nrilr

l i

r

Gm? F6

E

Gm? Am? Gm?

^ 'f

bu^rr r

fihvi?

-0- Coda

—Q-n

---

A 7 Y—T~y

T—f~Ff

Dm? G? Gm? C?

—

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» - ^ _

0^:

- i 1 nt

V: 65

fi#

u . -

T—P

-~l

----

----

^

C?

D.S.

-l

--------

--------

--------

1
1

31

J = 120

11: After Dark

V: VOICE
H: AUTO HARMONY

Gm7 ^ A^M7

Gm7

È

F7

m

LjT *n

to-0-

p~

;—

Fm? Gm? Cm? te

rf^

Cm?

0

V: 72
H: 00

-o—

V: 86

—

m

-------

—1#—

r mrtj

V: 00

*■>_1

/T71 ^

^ f

^—>---------

V: 86
H: 05

Fm? Gm? Cm?

# V0

3?

AliM7

£1

_ _

32

J = 120 Cm7

l^. -

4^ -

____^_____

f 2: Quiet Shore

Cm? Cm?

____^_____

1 ^ —1*

V: 50

^

---=---

V: VOICE
H; AUTO HARMONY

^

1 —

S—0—

^ ' U ■

_____________

V I* ^

,

Cm?

è

i iM c;r pipi' i"Pri^ c/r p

F? B^M? B^m? eI't

Cm?

V: 01

Cm?

f pr 0^-1^ ¿rr ¿rp..fVr r

M? B'^m?

?0 O

M? G?sus4 G? G?sus4 G? Dm? 3 -

Cm? B'^m? A^M? G M?

m

in xn

H:03

-0-

90 O

Cm? Cm?

i

4=

^Coda

Dm?"^ ^ _ Cm? G?

j r

S 7

m

H: 00

■"^ •/ J'^ ^ J J k

i

¡D

^

Bl>m? E^? M? b1» m? Cm?

B^^m? A^f^i G^m? L^L a A‘’M7 G?sus4

7^^ / # I

^ li \

zy f 7i^

tJ P# r C/

Cm?

^UL#

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1 0 \ ^ ^

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*

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rr p If ? I *~^r p if'^

Cm? shvi?

o

Cm? B^m? Cm? B^m? Am?

in

Ì r ^

r r l " n - I I

^ J 1^^

-?# o

----------

'

D.S.

H: 03

33

J = 104

y Q

-------

-m-a

---------------------

f r 7

J

--------^---------

----

V:83

«?—1

E

13: Modem Times

Em

----wi--

--------------------

1

E

Vi

V: VOICE
H: AUTO HARMONY

^ ^ m

S

Fm6

l-

4^

ih>—

G7

g. U’ j-

—-m

^—•

......

•

GTE

E ^ IE

Ahvi7 Fm

o

..........

z»*

......

#

mu

“

__

j-

^ i'nlJ)JJ- l^ ^

E ^ ~ tE

h J

.

~m

Em

1^- 9

f

-—0

n. y- II r Ì- •yffip'fr' |i- j- 1^

V: 53

Fm6

E-i^

i- j- 7Trip'll* l^ ^ '^1?

Em

Em

V: 03

L^J

-

---

J= 72

w [1-

4 -

-s-

—7 rT^-

s

G7

.............

V:76 “

O

Dm

m—

V: 84 ^ V: 83

C

J—eL

E-E^

f 4; Someday

Dm G7 C

g. ■ -:.'-E

o

G7

;?r ft|r ^*rlTir r P

A7

F6

1^

E-^

i

G7 C

---4
\7.

V: VOICE
H: AUTO HARMONY

A7

g

------

m

-

Dm

_

=p=

E—

-T#--r

iJ

QA \7. «'1

m^

#

E

_

-

34

m

1^-

E7 Am

Dm

r

■ß—ß

Dm E7 Am Dn

------Ш

----

•—

Dm E? Am

p ^

Í

Am

E7

Dm E?

Am

дН^фМ

r ~ ^

Am

Am E? Am

35

Remote control mode

YAMAHA [PortaTone]
Model PSR-310 MIDI Implementation Chart

Date: 01/11/1993
Version : 1.0

Transmitted Recognized

Function

Basic Default 1

Channel

Mode

Note
Number : True voice

Velocity Note ON O 9nH,v= 1-127 o 9nH,v:= 1-127

After

Touch

Pitch Bend

Changed 1 -16 1 - 16, OMNI ON

Default
Messages
Altered

3

X

**********

36-96

★ ★ ★ ★ ★ ★ ★ ★ ★ ★

Note OFF

Key’s

Ch’s

X 9nH, v = 0

X
X X

X

OMNI ON

1

X
X

24-127
24-127

X 9nH,v = 0,8nH

X

X

Remarks

Control
Change

Program 0 0-99

Change

System Exclusive

System

Common : Tune

System

Real Time

Aux : Local ON/OFF

Messages

10

64

: True #

: Song Pos
: Song Sel

: Clock
: Commands

: All Notes OFF
: Active Sense
: Reset

X

0

*★ *★ *★ **■★ *

X

X
X
X

0
0

X

X

o

X

o
o

X

X
X

X

0
0

X
X

o

X

PAN
SUSTAIN

0 0-99

0-99

Notes

Mode 1; OMNI ON, POLY
Mode 3: OMNI OFF, POLY

36

Mode 2: OMNI ON, MONO
Mode 4: OMNI OFF, MONO

O :Yes

X :No

Multi mode

YAMAHA [PortaTone]

Model PSR 310

MIDI Implementation Chart

Date : 01/11/1993
Version : 1.0

Function

Basic Default
Channel Changed

Default 3 1*1

Mode Messages

Altered

Note
Number : True voice

Velocity Note ON

Note OFF X 9nH, v = 0

After Key’s
Touch Ch’s

Pitch Bend

Transmitted Recognized

1 -16
1 -16 1 -16

1 -16

X X

X

36-96

★ ★ *■**★ ★ **★

24 - 127
24 - 127

o 9nH, v= 1 -127 O 9nH, v= 1 -127

X 9nH, v = 0, 8nH

X
X X

X X

X

Remarks

Control 10
Change 64

Program O 0-99
Change : True #

System Exclusive

System : Song Pos

; Song Sel

Common : Tune

System : Clock
Real Time ; Commands

Aux : Local ON/OFF

: All Notes OFF

Messages : Active Sense

: Reset

X

o o

★ ★ ★ ■*•***★ *★

X

X
X
X

X
X

X

X

o

X

o

O 0-99*2

0-99

X

X
X
X

X
X

X

X

o

X

PAN
SUSTAIN

Notes

r

Model: OMNI ON, POLY
Mode 3: OMNI OFF, POLY

*1: 16 channel Multi Timbre
*2: Except channel 16

Mode 2: OMNI ON, MONO
Mode 4: OMNI OFF, MONO

O : Yes

X :No

For details of products, please contact your nearest Yamaha
or the authorized distributor listed below.

Die Einzelheiten zu Produkten sind bei Ihrer unten aufge
führten Niederlassung und bei Yamaha Vertragshändlern in
den jeweiligen Bestimmungsländern erhältlich.

Pour plus de détails sur les produits, veuillez-vous adresser
à Yamaha ou au distributeur le plus proche de vous figurant
dans la liste suivante.

NORTH AMERICA

CANADA

Yamaha Canada Music Ltd.

135 Milner Avenue. Scarborough, Ontario.
MIS 3R1, Canada
Tel: [phone]

U.S.A.

Yamaha Corporation of America

6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.

lei: 714-522-9011

MIDDLE & SOUTH AMERICA

MEXICO

Yamaha Dc Mexico S.A. De C.V.,
Departamento de ventas

Javier Rojo Gómez No.1149, Col. Gpe Del
Moral, Deleg. Iztapalapa. 09300 México, D.F.
Tel: [phone]

BRASIL

Yamaha Musical Do Brasil LTDA.

,\ve. Reboucas 2636, Sao Paulo, Brasil
Tel: [phone]

PANAMA

Yamaha De Panama S.A.

Edificio Interseco, Calle Elvira Mendez no. 10, Piso

3, Oficina #105, Ciudad de Panama, Panama

Tel: [phone]

OTHER LATIN AMERICAN COUNTRIES

AND CARIBBEAN COUNTRIES

Yamaha Music Latin America Corp.

6101 Blue Lagoon Drive, Miami, Florida 33126,

U.S.A.
Tel: [phone]

EUROPE

THE UNITED KINGDOM

Yamaha-Kemble Music(U.K.) Ltd.

Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL England

lei: 0908-366700

IRELAND

Danfay Ltd.

61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin
Tel: [phone]

GERMANY/SWITZERLAND

Yamaha Europa GmbH.

SiemensstraBe 22-34, D-2084 Rellingen, F.R. of
Germany
Tel: [phone]

AUSTRIA/HUNGARY/SLOVENIA/
ROMANIA/BULGARIA

Yamaha Music Austria GesmbH.

Schleiergasse 20, A-llOO WOen Austria
Tel: [phone]

THE NETHERLANDS

Yamaha Music Benelux B.V.,
Verkoop Administratie

Kanaalweg 18G, 3526 KL Utrecht, The Netherlands
Tel: [phone]

BELGIUM/LUXEMBOURG

Yamaha Music Benelux B.V.,
Brussels-office

Keiberg Imperiasiraat 8, 1930 Zaventem, Belgium
Tel: [phone]

FRANCE

Yamaha Musique France, Division
Instruments Electroniques et de Scène

BP 70-77312 Marne-la-Valée Cedex 2, France
Tel: [phone]

ITALY

Yamaha Musica Italia S.P.A.,

Home Keyboard Division

Viale Italia 88, 20020 Lainaie(Milano), Italy

Tel: [phone]

SPAIN

Yamaha-Hazen Electronica Musical, S.A.

Jorge Juan 30, 28001, Madrid, Spain
Tel: [phone]

PORTUGAL

Valentim de Carvalho Cl SA

Estrada de Porto Salvo, Pago de Arcos 2780 Oeiras,
Portugal
Tel: [phone]/1823

GREECE

Philippe Nakas S.A.

Navarinou Street 13, P.Code 10680, Athens, Greece
Tel: [phone]

SWEDEN

Yamaha Scandinavia AB

J. A. W'ettergrens gata 1, Box 30053, 400 43

Goteborg, Sweden

Tel: [phone]

DENMARK

YS Copenhagen Liaison Office

FinsensveJ 86, DK-2000 Frederiksberg, Denmark

Tel; 31-87 30 88

FINLAND

Fazer Music Inc.

Aleksanterinkatu 11, SF 00100 Helsinki, Finland
Tel: 0435 Oil

NORWAY

Narud Yamaha AS

Gsierndalen 29, 1345 0sierâs

Tel: [phone]

ICELAND

Pall H. Palsson

P.O. Box 85. 121 Reykjavik, Iceland

Tel: [phone]

OTHER EUROPEAN COUNTRIES

Yamaha Europa GmbH.

SiemensstraBe 22-34, D-2084 Rellingen, F.R. of
Germany
Tel: [phone]

AFRICA

Yamaha Corporation,
International Marketing Division

Nakazawa-cho iO 1, Hamamatsu, Japan 430

Tel: [phone]

MIDDLE EAST

TURKEY/CYPRUS

Yamaha Musique France, Division Export

BP70-77312 Marne-la-Valcc Cedex 2, France
Tel: [phone]

OTHER COUNTRIES

Yamaha Corporation,
International Marketing Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430
Tel: [phone]

Para detalles sobre productos, contacte su tienda Yamaha más

cercana o el distribuidor autorizado que se lisia debajo.

ASIA

HONG KONG

Tom Lee Music Co., Ltd.

11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: [phone]

INDONESIA

PT. Yamaha Music Indonesia (Distributor)

PT. Nusantik

Gedung Yamaha Music Center, Jalan Jend. Gatot

Subroto Kav. 4, Jakarta 12930. Indonesia

Tel: [phone]

KOREA

Cosmos Corporation

^131-31, Neung-Dong, Sungdong-Ku, Seoul
Korea
Tel: [phone]

MALAYSIA

Yamaha Music Malaysia Sdn., Bhd.

16-28, Jalan SS 2/72, Petaling Jaya, Selangor,
Malaysia
Tel; 3-717-8977

PHILIPPINES

Yiipangco Music Corporation

339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makaii, Metro Manila, Philippines
Tel: [phone]

SINGAPORE

Yamaha Music Asia Pte., Ltd.

Blk 17A Toa Payoh #01-190 Lorong 7
Singapore 1231
Tel: [phone]

TAIWAN

Kung Hsue She Trading Co., Ltd.

No. 322, Section 1. FuHsing S. Road,
Taipei 106, Taiwan. R.O.C.
Tel: [phone]

THAILAND

Siam Music Yamaha Co., Ltd.

865 Phornprapha Building, Rama 1 Road,
Patumwan, Bangkok 10330, Thailand
Tel: [phone]

THE PEOPLE’S REPUBLIC OF CHINA
AND OTHER ASIAN COUNTRIES ^

Yamaha Corporation,
International Marketing Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430
Tel: [phone]

OCEANIA

AUSTRALIA

Yamaha Music Australia Pty. Ltd.

17-33 Market Street, South Melbourne, Vic, 3205,
Australia
Tel: [phone]

NEW ZEALAND

Music Houses of N.Z. Ltd.

146/148 Captain Springs Road, Te Papapa,
Auckland, New Zealand
Tel: [phone]

COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN

Yamaha Corporation,
International Marketing Division

Nakazawa-cho 10-1, Hamamatsu. Japan 430
Tel: [phone]

HEAD OFFICE Yamaha Corporation, Electronic Musical Instrument Division

Nakazawa-cho 10-1. Hamamatsu, Japan 430
Tel: [phone]

[PKj 1

YA MAH A

YAMAHA CORPORATION

M.D.G. EM! Division C 1993 Yamaha Corporation

VQ28050 404BWCPI.4-05EO Printed m Jaoan