Yamaha MU80, MU80E2 User Manual

Effect Program List

REVERB

No. Effect Type Features

1 NO EFFECT Effect off.
2 HALL1 Concert hall reverb.
3 HALL2 Concert hall reverb.
4 ROOM1 Small room reverb.
5 ROOM2 Small room reverb.
6 ROOM3 Small room reverb.
7 STAGE1 Reverb for solo instruments.
8 STAGE2 Reverb for solo instruments.

9 PLATE Simulated steel plate reverb.
10 WHITE ROOM Distinctive short reverb with initial delay.
11 TUNNEL Simulation of long tunnel-like space.
12 CANYON Long, cavernous reverb.
13 BASEMENT Small, highly reflective room reverb.

CHORUS

No. Effect Type Features

1 NO EFFECT Effect off.

2 CHORUS1 Conventional chorus program with rich, warm chorusing.

3 CHORUS2 Conventional chorus program with rich, warm chorusing.

4 CHORUS3 Conventional chorus program with rich, warm chorusing.

5 CELESTE1 Three-phase LFO for richer, more pronounced chorusing.

6 CELESTE2 Three-phase LFO for richer, more pronounced chorusing.

7 CELESTE3 Three-phase LFO for richer, more pronounced chorusing.

8 FLANGER 1 Pronounced three-phase modulation with slight metallic sound.

9 FLANGER 2 Pronounced three-phase modulation with slight metallic sound.
10 SYMPHONIC Exceptionally rich & deep chorusing.
11 PHASER Pronounced, metallic modulation with periodic phase change.

VARIATION

No. Effect Type Features

1 NO EFFECT Effect off.

2 HALL1 Concert hall reverb.

3 HALL2 Concert hall reverb.

4 ROOM1 Small room reverb.

5 ROOM2 Small room reverb.

6 ROOM3 Small room reverb.

7 STAGE1 Reverb for solo instruments.

8 STAGE2 Reverb for solo instruments.

9 PLATE Simulated steel plate reverb.
10 DELAY L,C,R Three independent delays, for the left, right and center stereo positions.
11 DELAY L,R Initial delay for each stereo channel, and two separate feedback delays.
12 ECHO Stereo delay, with independent Feedback Level controls for each channel.
13 CROSS DELAY Complex effect that sends the delayed repeats “bouncing” between the left and right channels.
14 ER1 Early reflections only.
15 ER2 Early reflections only.
16 GATE REVERB Gated reverb effect, in which the reverberation is quickly cut off for special effects.
17 REVERSE GATE Similar to Gate Reverb, but with a reverse increase in reverb.
18 KARAOKE1 Deep echo effects, suited especially for Karaoke-type vocals.
19 KARAOKE2 Deep echo effects, suited especially for Karaoke-type vocals.
20 KARAOKE3 Deep echo effects, suited especially for Karaoke-type vocals.
21 CHORUS1 Conventional chorus program with rich, warm chorusing.
22 CHORUS2 Conventional chorus program with rich, warm chorusing.
23 CHORUS3 Conventional chorus program with rich, warm chorusing.
24 CELESTE1 Three-phase LFO for richer, more pronounced chorusing.
25 CELESTE2 Three-phase LFO for richer, more pronounced chorusing.
26 CELESTE3 Three-phase LFO for richer, more pronounced chorusing.
27 FLANGER 1 Pronounced three-phase modulation with slight metallic sound.
28 FLANGER 2 Pronounced three-phase modulation with slight metallic sound.
29 SYMPHONIC Exceptionally rich & deep chorusing.
30 ROTARY SPEAKER Rotary speaker simulation. Rotation speed can be controlled using AC1 (Assignable Controller 1).
31 TREMOLO Rich Tremolo effect with both volume and pitch modulation.
32 AUTO PAN Several panning effects that automatically shift the sound position (left, right, front, back).
33 PHASER Pronounced, metallic modulation with periodic phase change.
34 DISTORTION Hard-edge distortion.
35 OVERDRIVE Mild, warm distortion.
36 AMP SIMULATOR Simulated guitar amplifier sound.
37 3BAND EQ(MONO) Mono EQ, with Low, Mid and High band controls.

*2BAND EQ(STEREO)

38
39 AUTO WAH(LFO) Repeating filter sweep “wah” effect; also serves as pedal wah (with AC1).
40 PITCH CHANGE Independent left, right channel pitch change.
41 AURAL EXCITER Enhances the sound by giving it greater definition, presence and clarity.
42 TOUCH WAH Wah effect that varies filter sweep according to input level (or touch); also serves as pedal wah (with AC1).
43 TOUCH WAH+DIST Same as Touch Wah, but with added Distortion.
44 COMPRESSOR Affects the dynamics of the sound by smoothing out the high-volume peaks and soft-volume dips.
45 NOISE GATE Eliminates any noise or hum in the signal.
46 THRU Effect bypass; no effect applied.

*2BAND EQ(STEREO) voice cannot be used with A/D input.

DISTORTION

No. Effect Type Features

1 THRU Effect off.

2 DISTORTION Hard-edge distortion.

3 OVERDRIVE Mild, warm distortion.

4 3BAND EQ(MONO) Mono EQ, with Low, Mid and High band controls.

Stereo EQ program with low and high frequency controls; ideal for tweaking drum parts. (Cannot be used with A/D input.)

1

MU80 Effect Parameter List

Parameter Range Value

HALL1,HALL2
ROOM1,ROOM2,ROOM3
STAGE1,STAGE2
PLATE

1 Reverb Time 0.3~30.0s 0-69 Table#4 This determines the time or length of the Reverb effect.
2 Diffusion 0~10 0-10 This determines the density and complexity of the reflections that make up the

3 Initial Delay 0~63 0-63 Table#5 This determines the time delay between the direct sound and the first of the many
4 HPF Cutoff Thru~8.0kHz 0-52 Table#3 The High Pass Filter allows you to filter out low frequency sounds from the

5 LPF Cutoff 1.0k~Thru 34-60 Table#3 The Low Pass Filter allows you to filter out high frequency sounds from the

6
7
8
9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •

11 Rev Delay 0~63 0-63 Table#5
12 Density 0~4 0-4
13 Er/Rev Balance E63>R ~ E=R ~ E<R63 1-127
14 High Damp 0.1~1.0 1-10

15
16

HINT : LPF Cutoff Judicious use of the Low Pass Filter helps to create a more natural Reverb sound, since many actual performance environments have a relatively “dead”

WHITE ROOM
TUNNEL
CANYON
BASEMENT

1 Reverb Time 0.3~30.0s 0-69 Table#4 See above.
2 Diffusion 0~10 0-10 See above.
3 Initial Delay 0~63 0-63 Table#5 See above.
4 HPF Cutoff Thru~8.0kHz 0-52 Table#3 See above.
5 LPF Cutoff 1.0k~Thru 34-60 Table#3 See above.
6 Width 0.5~10.2m 0-37 Table#11
7 Height 0.5~20.2m 0-73 Table#11
8 Depth 0.5~30.2m 0-104 Table#11
9 Wall Vary 0~30 0-30
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Rev Delay 0~63 0-63 Table#5
12 Density 0~4 0-4
13 Er/Rev Balance E63>R ~ E=R ~ E<R63 1-127
14 High Damp 0.1~1.0 1-10
15 Feedback Level -63~+63 1-127

16

DELAY L,C,R

1 Lch Delay 0.1~715.0ms 1-7150 Left channel initial delay time.
2 Rch Delay 0.1~715.0ms 1-7150 Right channel initial delay time.
3 Cch Delay 0.1~715.0ms 1-7150 Center channel initial delay time.
4 Feedback Delay 0.1~715.0ms 1-7150 Time delay of all delayed repeats following the initial delayed repeat.
5 Feedback Level -63~+63 1-127 Level of feedback delays.

6 Cch Level 0~127 0-127
7 High Damp 0.1~1.0 1-10
8
9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •

11 HPF Cutoff Thru~8.0kHz 0-52 Table#3 See above.
12 LPF Cutoff 1.0k~Thru 34-60 Table#3 See above.

13
14
15
16

CAUTION! : FB Level Be careful when setting this parameter, since extreme values may result in uncontrollable feedback.
NOTE : FB Level This parameter is not available for the Symphonic effect.

DELAY L,R

1 Lch Delay 0.1~715.0ms 1-7150 Right channel initial delay time.
2 Rch Delay 0.1~715.0ms 1-7150 Center channel initial delay time.
3 Feedback Delay 1 0.1~715.0ms 1-7150 Time delay of all delayed repeats (for Delay 1) following the initial delayed repeat.
4 Feedback Delay 2 0.1~715.0ms 1-7150 Time delay of all delayed repeats (for Delay 2) following the initial delayed repeat.
5 Feedback Level -63~+63 1-127 Level of both feedback delays.
6 High Damp 0.1~1.0 1-10
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11 HPF Cutoff Thru~8.0kHz 0-52 Table#3 See above.
12 LPF Cutoff 1.0k~Thru 34-60 Table#3 See above.

13
14
15
16

ECHO

1 Lch Delay1 0.1~355.0ms 1-3550 Left channel initial delay time.
2 Lch Feedback Level -63~+63 1-127 Level of left channel feedback delays (following initial delay).
3 Rch Delay1 0.1~355.0ms 1-3550 Right channel delay time.
4 Rch Feedback Level -63~+63 1-127 Level of right channel feedback delays (following initial delay).
5 High Damp 0.1~1.0 1-10 Damping or filtering out of high frequencies in delay sound.
6 Lch Delay2 0.1~355.0ms 1-3550
7 Rch Delay2 0.1~355.0ms 1-3550
8 Delay2 Level 0~127 0-127
9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •

11 HPF Cutoff Thru~8.0kHz 0-52 Table#3 See above.
12 LPF Cutoff 1.0k~Thru 34-60 Table#3 See above.

13

sound in which the high frequency reflections are absorbed. On the other hand, you may wish to create a more “live” reverb sound by setting the
High Pass Filter Cutoff above to emphasize the high frequencies.

Table No.

AC1

Control

Reverb effect. Lower values result in a clearer, simpler Reverb sound, while
higher values result in a thicker, richer sound.

reflections that make up the Reverb sound.
Reverb sound, “passing” only the high frequencies above the cutoff point.

This parameter determines the frequency cutoff point for the filter.
Higher values effectively take the bass sounds out of the Reverb effect.

Reverb sound, “passing” only the low frequencies below the cutoff point.
This parameter determines the frequency cutoff point for the filter.
Lower values effectively take the treble sounds out of the Reverb effect.

•

A setting of 0 results in no delayed repeats after the initial delay.

•

2

MU80 Effect Parameter List

Parameter Range Value

14
15
16

CROSS DELAY

1 L->R Delay 0.1~355.0ms 1-3550 Time of delay fed from left channel to right.
2 R->L Delay 0.1~355.0ms 1-3550 Time of delay fed from right channel to left.
3 Feedback Level -63~+63 1-127 Level of feedback delays.
4 Input Select L,R,L&R 0-2 Determines input for initial delay: Left, Right, or Left & Right.
5 High Damp 0.1~1.0 1-10 Damping or filtering out of high frequencies in delay sound.
6
7
8
9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •

11 HPF Cutoff Thru~8.0kHz 0-52 Table#3 See above.
12 LPF Cutoff 1.0k~Thru 34-60 Table#3 See above.
13
14
15
16

EARLY REF1,EARLY REF2

1 Type S-H, L-H, Rdm, Rvs, Plt, Spr 0-5 Selects the pattern of early reflections: S-H (Small Hall), L-H (Large Hall), Rdm
2 Room Size 0.1~7.0 0-44 Table#6 Apparent room size. Affects length of reflections.

3 Diffusion 0~10 0-10 See above.
4 Initial Delay 0~63 0-63 Table#5 See above.
5 Feedback Level -63~+63 1-127 See above.
6 HPF Cutoff Thru~8.0kHz 0-52 See above.
7 LPF Cutoff 1.0k~Thru 34-60 See above.
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Liveness 0~10 0-10
12 Density 0~3 0-3
13 High Damp 0.1~1.0 1-10
14
15
16

GATE REVERB
REVERSE GATE

1 Type TypeA,TypeB 0-1 Selects the type of gate reverb.
2 Room Size 0.1~7.0 0-44 Table#6 Apparent room size. Affects length of reverb.
3 Diffusion 0~10 0-10 See above.
4 Initial Delay 0~63 0-63 Table#5 See above.
5 Feedback Level -63~+63 1-127 See above.
6 HPF Cutoff Thru~8.0kHz 0-52 See above.
7 LPF Cutoff 1.0k~Thru 34-60 See above.
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Liveness 0~10 0-10
12 Density 0~3 0-3
13 High Damp 0.1~1.0 1-10
14
15
16

KARAOKE1,2,3

1 Delay Time 0~63 0-127 Table#7 Time between delayed repeats.
2 Feedback Level -63~+63 1-127 See above.
3 HPF Cutoff Thru~8.0kHz 0-52 See above.
4 LPF Cutoff 1.0k~Thru 34-60 See above.
5
6
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11
12
13
14
15
16

CHORUS1,2,3
CELESTE1,2,3

1 LFO Frequency 0.08~39.7Hz 0-127 Table#1 This determines the amount of phase shift, or to what degree the modulated signal

2 LFO PM Depth 0~63 0-63 See above.
3 Feedback Level -63~+63 1-127 See above.
4 Delay Offset 0~127 0-127 Table#2 See above.
5
6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3
7 EQ Low Gain -12~+12dB 52-76
8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3
9 EQ High Gain -12~+12dB 52-76
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 EQ Mid Frequency 100Hz~10.0kHz 14-54 Table#3
12 EQ Mid Gain -12~+12dB 52-76
13 EQ Mid Width 1.0~12.0 10-120
14 LFO AM Depth 0~127 0-127
15
16

NOTE : Delay Ofst This parameter is not available for the Phaser effect.

FLANGER1,FLANGER2

1 LFO Frequency 0.08~39.7Hz 0-127 Table#1 See above.
2 LFO Depth 0~127 0-127
3 Feedback Level -63~+63 1-127
4 Delay Offset 0~63 0-63 Table#2
5
6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3

Table No.

AC1

Control

(Random), Rvs (Reverse), Plt (Plate), Spr (Spring).

•

•

•

is out of phase with the dry signal. Lower values result in the signal being more
out of phase, and hence create a stronger Phaser effect.

•

3

MU80 Effect Parameter List

Parameter Range Value

7 EQ Low Gain -12~+12dB 52-76
8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3
9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •

11 EQ Mid Frequency 100Hz~10.0kHz 14-54 Table#3
12 EQ Mid Gain -12~+12dB 52-76
13 EQ Mid Width 1.0~12.0 10-120
14 LFO Phase Difference -180~+180deg 4-124
15
16

NOTE : Delay Ofst This parameter is not available for the Phaser effect.

SYMPHONIC

1 LFO Frequency 0.08~39.7Hz 0-127 Table#1 See above.
2 LFO Depth 0~127 0-127
3 Delay Offset 0~127 0-127 Table#2
4
5
6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3
7 EQ Low Gain -12~+12dB 52-76
8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3
9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •

11 EQ Mid Frequency 100Hz~10.0kHz 14-54 Table#3
12 EQ Mid Gain -12~+12dB 52-76
13 EQ Mid Width 1.0~12.0 10-120
14
15
16

NOTE : Delay Ofst This parameter is not available for the Phaser effect.

ROTARY SPEAKER

1 LFO Frequency 0.08~39.7Hz 0-127 Table#1
2 LFO Depth 0~127 0-127 Depth of rotary speaker effect.
3
4
5
6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3
7 EQ Low Gain -12~+12dB 52-76
8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3
9 EQ High Gain -12~+12dB 52-76
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 EQ Mid Frequency 100Hz~10.0kHz 14-54 Table#3
12 EQ Mid Gain -12~+12dB 52-76
13 EQ Mid Width 1.0~12.0 10-120
14
15
16

TREMOLO

1 LFO Frequency 0.08~39.7Hz 0-127 Table#1
2 AM Depth 0~127 0-127 Depth of tremolo effect on volume. (AM = Amplitude Modulation)
3 PM Depth 0~127 0-127 Depth of tremolo effect on pitch. (PM = Pitch Modulation)
4
5
6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3
7 EQ Low Gain -12~+12dB 52-76
8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3
9 EQ High Gain -12~+12dB 52-76
10

11 EQ Mid Frequency 100Hz~10.0kHz 14-54 Table#3
12 EQ Mid Gain -12~+12dB 52-76

13 EQ Mid Width 1.0~12.0 10-120
14 LFO Phase Difference -180~+180deg 4-124
15
16

AUTO PAN

1 LFO Frequency 0.08~39.7Hz 0-127 Table#1
2 L/R Depth 0~127 0-127 Depth of left/right stereo separation.
3 F/R Depth 0~127 0-127 Depth of apparent front/rear image separation. (This parameter is only effective

4 PAN Direction L<->R,L->R,L<-R,Lturn,Rturn,L/R 0-5 Direction of auto pan effect: L<—>R (shifts back and forth between left and right),

5
6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3
7 EQ Low Gain -12~+12dB 52-76
8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3
9 EQ High Gain -12~+12dB 52-76
10

11 EQ Mid Frequency 100Hz~10.0kHz 14-54 Table#3
12 EQ Mid Gain -12~+12dB 52-76
13 EQ Mid Width 1.0~12.0 10-120
14
15
16

NOTE If Variation Connection is set to SYS, the Variation Pan parameter should be set to C (Center) for optimum use of Auto Pan.

PHASER

1 LFO Frequency 0.08~39.7Hz 0-127 Table#1 See above.
2 LFO Depth 0~127 0-127 See above.
3 Phase Shift Offset 0~127 0-127 See above.
4 Feedback Level -63~+63 1-127 See above.
5
6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3
7 EQ Low Gain -12~+12dB 52-76
8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3
9 EQ High Gain -12~+12dB 52-76
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

Table No.

AC1

Control

• Apparent speed of rotary speaker.

• Speed of tremolo effect.

• Speed of auto pan effect.

when Pan Direction below is set to Lturn or Rturn.)
L->R (shifts continually from left to right), L<-R (shifts continually from right to

left), Lturn (simulated 3D panning effect in which sound circles counterclock­wise), Rturn (simulated 3D panning effect in which sound circles clockwise), L/
R (alternates between left and right).

•

4

MU80 Effect Parameter List

Parameter Range Value

11 Stage 4,6,8, 4-8
12 Diffusion Mono/Stereo 0-1
13
14
15
16

DISTORTION
OVERDRIVE

1 Drive 0~127 0-127
2 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3

3 EQ Low Gain -12~+12dB 52-76
4 LPF Cutoff 1.0k~Thru 34-60
5 Output Level 0~127 0-127 This determines the level of the Distortion effect.

6
7 EQ Mid Frequency 100Hz~10.0kHz 14-54
8 EQ Mid Gain -12~+12dB 52-76
9 EQ Mid Width 1.0~12.0 10-120
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11
12
13
14
15
16

GUITAR AMP SIMULATOR

1 Drive 0~127 0-127
2 AMP Type Off,Stack,Combo,Tube 0-3 Type of amplifier simulated: Stack (huge amp/speaker setup), Combo (compact

3 LPF Cutoff 1.0k~Thru 34-60
4 Output Level 0~127 0-127 See above.
5
6
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11
12
13
14
15
16

MONO EQ(3BAND)

1 EQ Low Gain -12~+12dB 52-76 Amount of boost or cut of low frequencies.
2 EQ Mid Frequency 100Hz~10.0kHz 14-54 Table#3 Central frequency for mid-range adjustment.
3 EQ Mid Gain -12~+12dB 52-76 Amount of boost or cut of mid-range frequencies.
4 EQ Mid Width 1.0~12.0 10-120 Band width of mid-range frequencies.

5 EQ High Gain -12~+12dB 52-76 Amount of boost or cut of high frequencies.
6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3
7 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3
8
9
10

11
12
13
14
15
16

STEREO EQ(2BAND)

1 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3 Central frequency for low adjustment.
2 EQ Low Gain -12~+12dB 52-76 Amount of boost or cut of low frequencies.
3 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3 Central frequency for high adjustment.
4 EQ High Gain -12~+12dB 52-76 Amount of boost or cut of high frequencies.
5
6
7
8
9
10

11 EQ Mid Frequency 100Hz~10.0kHz 14-54 Table#3
12 EQ Mid Gain -12~+12dB 52-76
13 EQ Mid Width 1.0~12.0 10-120
14
15
16

AUTO WAH

1 LFO Frequency 0.08~39.7Hz 0-127 Table#1 Speed of auto wah effect.
2 LFO Depth 0~127 0-127 Depth of auto wah effect.
3 Cutoff Frequency Offset 0~127 0-127
4 Resonance 1.0~12.0 10-120 Amount of emphasis of the cutoff frequency.
5
6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3
7 EQ Low Gain -12~+12dB 52-76
8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3
9 EQ High Gain -12~+12dB 52-76
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11Drive 0~127 0-127
12
13
14
15
16

PITCH CHANGE

1 Pitch -24~+24 40-88 Coarse pitch change setting. (Affects both left and right channels.)
2 Initial Delay 0~127 0-127 Table#7 Length of time before onset of pitch change.
3 Fine 1 -50~+50 14-114 Fine pitch adjustment for the left channel sound.
4 Fine 2 -50~+50 14-114 Fine pitch adjustment for the right channel sound.

Table No.

AC1

Control

• This determines the intensity of the Distortion effect.

The higher the value, the greater the distortion.

Use this parameter together with the Dry/Wet Balance parameter below to obtain
the desired overall sound.

• See above.

amp cabinet), Tube (warm tube amplifier sound).

Higher values result in a narrower range of frequencies.

• Central frequency for the auto wah effect.

5

MU80 Effect Parameter List

Parameter Range Value

5 Feedback Gain -99~+99% 1-127 Level of pitch change sound that is returned (or fed back) to the Pitch Change

6
7
8
9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •

11 Pan 1 L63~R63 1-127
12 Output Level 1 0~127 0-127
13 Pan 2 L63~R63 1-127
14 Output Level 2 0~127 0-127
15
16

AURAL EXCITER

1 HPF cutoff 500Hz~16.0kHz 28-58 High pass filter cutoff frequency for the Aural Exciter¿ effect.
2 Drive 0~127 0-127 Degree or depth of the Aural Exciter effect.
3 Mix Level 0~127 0-127 Level of the Aural Exciter sound, relative to the dry sound.
4
5
6
7
8
9
10

11
12
13
14
15
16

*Aural Exciter is a registered trademark of Aphex Systems Ltd.

TOUCH WAH,WAH+DIST

1 Sensitive 0~127 0-127 Sensitivity of wah effect to playing velocity and Voice level.
2 Cutoff Frequency Offset 0~127 0-127
3 Resonance 1.0~12.0 10-120 Amount of emphasis of the cutoff frequency.
4
5
6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3
7 EQ Low Gain -12~+12dB 52-76
8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3
9 EQ High Gain -12~+12dB 52-76
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Drive 0~127 0-127
12
13
14
15
16

COMPRESSOR

1 Attack 1~40ms 0-19 Table#8 Amount of time before compression of the signal begins.
2 Release 10~680ms 0-15 Table#9 Amount of time for which compression of the signal continues.

3 Threshold -48~-6dB 79-121 Determines minimum level of signal necessary to trigger compression.
4 Ratio 1.0~20.0 0-7 Table#10 Determines the degree of compression.

5 Output Level 0~127 0-127 Output level of the compressor sound.
6
7
8
9
10

11
12
13
14
15
16

NOISE GATE

1 Attack 1~40ms 0-19 Table#8 Amount of time before the noise gate is triggered.
2 Release 10~680ms 0-15 Table#9 Amount of time the noise gate remains.

3 Threshold -72~-30dB 55-97 Determines minimum level of signal necessary to trigger the noise gate.
4 Output Level 0~127 0-127 Output level of the overall sound.
5
6
7
8
9
10

11 Ratio 1.0~5.0 0-7
12
13
14
15
16



*

Table No.

AC1

Control

effect.
Extreme values send the pitch +spiraling+ down or up (depending on the Pitch and
Fine 1/2 parameters).

• Central frequency for the wah effect.

Higher values result in a gradual decay of the compression.

Higher levels result in greater compression of the signal.

Higher values result in a gradual decay of the noise gate.

6