Yamaha MU50 Sound List
TONE GENERATOR
MU50
SOUND LIST & MIDI DATA
MU50 Effect Type List
REVERB
No. Exclusive Effect Type Description
msb lsb
0 0 0 NO EFFECT Effect turned off.
1 1 0 HALL1 Reverb simulating the resonance of a hall.
2 1 1 HALL2 Reverb simulating the resonance of a hall.
3 2 0 ROOM1 Reverb simulating the resonance of a room.
4 2 1 ROOM2 Reverb simulating the resonance of a room.
5 2 2 ROOM3 Reverb simulating the resonance of a room.
6 3 0 STAGE1 Reverb appropriate for a solo instrument.
7 3 1 STAGE2 Reverb appropriate for a solo instrument.
8 4 0 PLATE Reverb simulating a metal plate reverb unit.
9 10 0 WHITE ROOM A unique short reverb with a bit of initial delay.
10 11 0 TUNNEL Simulation of a tunnel space expanding to left and right.
11 13 0 BASEMENT A bit of initial delay followed by reverb with a unique resonance.
CHORUS
No. Exclusive Effect Type Description
msb lsb
0 0 0 NO EFFECT Effect turned off.
1 41 0 CHORUS1 Conventional chorus program that adds natural spaciousness.
2 41 1 CHORUS2 Conventional chorus program that adds natural spaciousness.
3 41 2 CHORUS3 Conventional chorus program that adds natural spaciousness.
4 41 8 CHORUS4 Chorus with stereo input. The pan setting specified for the Part will also apply to the effect sound.
5 42 0 CELESTE1 A 3-phase LFO adds modulation and spaciousness to the sound.
6 42 1 CELESTE2 A 4-phase LFO adds modulation and spaciousness to the sound.
7 42 2 CELESTE3 A 5-phase LFO adds modulation and spaciousness to the sound.
8 42 8 CELESTE4 CELESTE with stereo input. The pan setting specified for the Part will also apply to the effect sound.
9 43 0 FLANGER1 Adds a jet-airplane effect to the sound.
10 43 1 FLANGER2 Adds a jet-airplane effect to the sound.
11 43 8 FLANGER3 Adds a jet-airplane effect to the sound.
VARIATION
No. Exclusive Effect Type Description
msb lsb
0 0 0 NO EFFECT Effect turned off.
1 1 0 HALL1 Reverb simulating the resonance of a hall.
2 1 1 HALL2 Reverb simulating the resonance of a hall.
3 2 0 ROOM1 Reverb simulating the resonance of a room.
4 2 1 ROOM2 Reverb simulating the resonance of a room.
5 2 2 ROOM3 Reverb simulating the resonance of a room.
6 3 0 STAGE1 Reverb appropriate for a solo instrument.
7 3 1 STAGE2 Reverb appropriate for a solo instrument.
8 4 0 PLATE Reverb simulating a metal plate reverb unit.
9 5 0 DELAY L,C,R A program that creates three delay sounds; L, R, and C (center).
10 6 0 DELAY L,R A program that creates two delay sounds; L and R. Two feedback delays are provided.
11 7 0 ECHO Two delays (L and R) and independent feedback delays for L and R.
12 8 0 CROSS DELAY A program that crosses the feedback of two delays.
13 9 0 ER1 An effect that produces only the early reflection component of reverb.
14 9 1 ER2 An effect that produces only the early reflection component of reverb.
15 A 0 GATE REVERB A simulation of gated reverb.
16 B 0 REVERSE GATE A program that simulates gated reverb played backwards.
17 14 0 KARAOKE 1 A delay with feedback of the same type as used for karaoke reverb.
18 14 1 KARAOKE 2 A delay with feedback of the same type as used for karaoke reverb.
19 14 2 KARAOKE 3 A delay with feedback of the same type as used for karaoke reverb.
20 41 0 CHORUS1 A conventional chorus program, providing natural spaciousness.
21 41 1 CHORUS2 A conventional chorus program, providing natural spaciousness.
22 41 2 CHORUS3 A conventional chorus program, providing natural spaciousness.
23 41 8 CHORUS4 Chorus with stereo input.
24 42 0 CELESTE1 A 3-phase LFO adds modulation and spaciousness to the sound.
25 42 1 CELESTE2 A 4-phase LFO adds modulation and spaciousness to the sound.
26 42 2 CELESTE3 A 5-phase LFO adds modulation and spaciousness to the sound.
27 42 8 CELESTE4 Celeste with stereo input.
28 43 0 FLANGER1 Adds a jet-airplane effect to the sound.
29 43 1 FLANGER2 Adds a jet-airplane effect to the sound.
30 43 8 FLANGER3 Adds a jet-airplane effect to the sound.
31 44 0 SYMPHONIC A multi-phase version of CELESTE.
32 45 0 ROTARY SPEAKER A simulation of a rotary speaker. You can use an AC1 (assignable controller) etc. to control the speed of rotation.
33 46 0 TREMOLO An effect that cyclically modulates the volume.
34 47 0 AUTO PAN A program that cyclically moves the sound image to left and right, front and back.
35 48 0 PHASER1 Cyclically changes the phase to add modulation to the sound.
36 48 8 PHASER2 Phaser with stereo input.
37 49 0 DISTORTION Adds a sharp-edged distortion to the sound.
38 4A 0 OVER DRIVE Adds mild distortion to the sound.
39 4B 0 AMP SIMULATOR A simulation of a guitar amp.
40 4C 0 3-BAND EQ(MONO) A mono EQ with adjustable LOW, MID, and HIGH equalizing.
41 4D 0 2-BAND EQ(STEREO) A stereo EQ with adjustable LOW and HIGH. Ideal for drum Parts.
42 4E 0 AUTO WAH(LFO) Cyclically modulates the center frequency of a wah filter. With an AC1 etc. this can function as a pedal wah.
43 40 0 THRU Bypass without applying an effect.
1
MU50 Effect Parameter List
parameter 1~10 = required parameters
BASIC EFFECT TYPE
No. Parameter Display Value See Table MU80 MU50 Control
CHORUS1,2,3,4
CELESTE1,2,3,4
1 LFO Frequency 0.00~39.7Hz 0-127 table#1 ••
2 LFO PM Depth 0~127 0-63 • T 0-127
3 Feedback Level -63~+63 1-127 ••
4 Delay Offset 0~127 0-127 table#2 ••
5
6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 T 4-40 32Hz~2.0kHz •
7 EQ Low Gain -12~+12dB 52-76 ••
8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 ••
9 EQ High Gain -12~+12dB 52-76 ••
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •••
11 EQ Mid Frequency 100Hz~10.0kHz 14-54 table#3 •
12 EQ Mid Gain -12~+12dB 52-76 •
13 EQ Mid Width 1.0~12.0 10-120 •
14 LFO AM Depth 0~127 0-127 •
15 Input Mode mono/stereo 0-1 •
16
FLANGER1,2,3
1 LFO Frequency 0.00~39.7Hz 0-127 table#1 ••
2 LFO Depth 0~127 0-127 ••
3 Feedback Level -63~+63 1-127 ••
4 Delay Offset 0~63 0-63 table#2 ••
5
6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 T 4-40 32Hz~2.0kHz •
7 EQ Low Gain -12~+12dB 52-76 ••
8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 ••
9 EQ High Gain -12~+12dB 52-76 ••
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •••
11 EQ Mid Frequency 100Hz~10.0kHz 14-54 table#3 •
12 EQ Mid Gain -12~+12dB 52-76 •
13 EQ Mid Width 1.0~12.0 10-120 •
14 LFO Phase Difference -180~+180deg 4-124 resolution = 30deg. • T resolution = 3deg.
15
16
SYMPHONIC
1 LFO Frequency 0.00~39.7Hz 0-127 table#1 ••
2 LFO Depth 0~127 0-127 ••
3 Delay Offset 0~127 0-127 table#2 ••
4
5
6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 T 4-40 32Hz~2.0kHz •
7 EQ Low Gain -12~+12dB 52-76 ••
8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 ••
9 EQ High Gain -12~+12dB 52-76 ••
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •••
11 EQ Mid Frequency 100Hz~10.0kHz 14-54 table#3 •
12 EQ Mid Gain -12~+12dB 52-76 •
13 EQ Mid Width 1.0~12.0 10-120 •
14
15
16
ROTARY SPEAKER
1 LFO Frequency 0.00~39.7Hz 0-127 table#1 •••
2 LFO Depth 0~127 0-127 ••
3
4
5
6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 T 4-40 32Hz~2.0kHz •
7 EQ Low Gain -12~+12dB 52-76 ••
8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 ••
9 EQ High Gain -12~+12dB 52-76 ••
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ••
11 EQ Mid Frequency 100Hz~10.0kHz 14-54 table#3 •
12 EQ Mid Gain -12~+12dB 52-76 •
13 EQ Mid Width 1.0~12.0 10-120 •
14
15
16
TREMOLO
1 LFO Frequency 0.00~39.7Hz 0-127 table#1 •••
2 AM Depth 0~127 0-127 ••
3 PM Depth 0~127 0-127 ••
4
5
6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 T 4-40 32Hz~2.0kHz •
7 EQ Low Gain -12~+12dB 52-76 ••
8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 ••
9 EQ High Gain -12~+12dB 52-76 ••
10
11 EQ Mid Frequency 100Hz~10.0kHz 14-54 table#3 •
12 EQ Mid Gain -12~+12dB 52-76 •
parameter 11~16 = optional parameters
2
MU50 Effect Parameter List
No. Parameter Display Value See Table MU80 MU50 Control
13 EQ Mid Width 1.0~12.0 10-120 •
14 LFO Phase Difference -180~+180deg 4-124 resolution = 30deg. • T resolution = 3deg.
15 Input Mode mono/stereo 0-1 •
16
AUTO PAN
1 LFO Frequency 0.00~39.7Hz 0-127 table#1 •••
2 L/R Depth 0~127 0-127 ••
3 F/R Depth 0~127 0-127 ••
4 PAN Direction
5
6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 T 4-40 32Hz~2.0kHz •
7 EQ Low Gain -12~+12dB 52-76 ••
8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 ••
9 EQ High Gain -12~+12dB 52-76 ••
10
11 EQ Mid Frequency 100Hz~10.0kHz 14-54 table#3 •
12 EQ Mid Gain -12~+12dB 52-76 •
13 EQ Mid Width 1.0~12.0 10-120 •
14
15
16
PHASER1,PHASER2
1 LFO Frequency 0.00~39.7Hz 0-127 table#1 ••
2 LFO Depth 0~127 0-127 ••
3 Phase Shift Offset 0~127 0-127 ••
4 Feedback Level -63~+63 1-127 ••
5
6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 T 4-40 32Hz~2.0kHz •
7 EQ Low Gain -12~+12dB 52-76 ••
8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 ••
9 EQ High Gain -12~+12dB 52-76 ••
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •••
11 Stage 3~10 3-10 ▲ 4,6,8, ▲
12 Diffusion Mono/Stereo 0-1 ••
13 LFO Phase Difference -180~+180deg. 4-124 resolution = 3deg. • phaser2 only
14
15
16
DISTORTION
OVERDRIVE
1 Drive 0~127 0-127 •••
2 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 • 4-40 32Hz~2.0kHz •
3 EQ Low Gain -12~+12dB 52-76 ••
4 LPF Cutoff 1.0k~Thru 34-60 table#3 ••
5 Output Level 0~127 0-127 ••
6
7 EQ Mid Frequency 500Hz~10.0kHz 28-54 table#3 T 14-54100Hz~10.0kHz •
8 EQ Mid Gain -12~+12dB 52-76 ••
9 EQ Mid Width 1.0~12.0 10-120 ••
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ••
11 Edge(Clip Curve) 0~127 0-127 mild~sharp •
12
13
14
15
16
GUITAR AMP SIMULATOR
1 Drive 0~127 0-127 •••
2 AMP Type Off,Stack,Combo,Tube 0-3 ••
3 LPF Cutoff 1.0k~Thru 34-60 table#3 ••
4 Output Level 0~127 0-127 ••
5
6
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ••
11 Edge(Clip Curve) 0~127 0-127 mild~sharp •
12
13
14
15
16
3-BAND EQ
1 EQ Low Gain -12~+12dB 52-76 ••
2 EQ Mid Frequency 500Hz~10.0kHz 28-54 table#3 T 14-54100Hz~10.0kHz •
3 EQ Mid Gain -12~+12dB 52-76 ••
4 EQ Mid Width 1.0~12.0 10-120 ••
5 EQ High Gain -12~+12dB 52-76 ••
6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 T 4-40 32Hz~2.0kHz •
7 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 ••
8
9
10
11
12
L<->R,L->R,L<-R,Lturn,Rturn,L/R
0-5 ••
6~10(phaser1) / 3~5(phaser2)
3
MU50 Effect Parameter List
No. Parameter Display Value See Table MU80 MU50 Control
13
14
15
16
2-BAND EQ
1 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 T 4-40 32Hz~2.0kHz •
2 EQ Low Gain -12~+12dB 52-76 ••
3 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 ••
4 EQ High Gain -12~+12dB 52-76 ••
5
6
7
8
9
10
11 EQ Mid Frequency 100Hz~10.0kHz 14-54 table#3 •
12 EQ Mid Gain -12~+12dB 52-76 •
13 EQ Mid Width 1.0~12.0 10-120 •
14
15
16
AUTO WAH
1 LFO Frequency 0.00~39.7Hz 0-127 table#1 ••
2 LFO Depth 0~127 0-127 ••
3 Cutoff Frequency Offset 0~127 0-127 •••
4 Resonance 1.0~12.0 10-120 ••
5
6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 T 4-40 32Hz~2.0kHz •
7 EQ Low Gain -12~+12dB 52-76 ••
8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 ••
9 EQ High Gain -12~+12dB 52-76 ••
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ••
11 Drive 0~127 0-127 •
12
13
14
15
16
HALL1,HALL2
ROOM1,ROOM2,ROOM3
STAGE1,STAGE2
PLATE
1 Reverb Time 0.3~30.0s 0-69 table#4 ••
2 Diffusion 0~10 0-10 ••
3 Initial Delay 0~63 0-63 table#5 ••
4 HPF Cutoff Thru~8.0kHz 0-52 table#3 ••
5 LPF Cutoff 1.0k~Thru 34-60 table#3 ••
6
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •••
11 Rev Delay 0~63 0-63 table#5 ••
12 Density 0~3 0-3 T 0-4
13 Er/Rev Balance E63>R ~ E=R ~ E<R63 1-127 ••
14 High Damp 0.1~1.0 1-10 •
15 Feedback Level -63~+63 1-127 •
16
DELAY L,C,R
1 Lch Delay 0.1~715.0ms 1-7150 ••
2 Rch Delay 0.1~715.0ms 1-7150 ••
3 Cch Delay 0.1~715.0ms 1-7150 ••
4 Feedback Delay 0.1~715.0ms 1-7150 ••
5 Feedback Level -63~+63 1-127 ••
6 Cch Level 0~127 0-127 ••
7 High Damp 0.1~1.0 1-10 ••
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •••
11 HPF Cutoff Thru~8.0kHz 0-52 table#3 •
12 LPF Cutoff 1.0k~Thru 34-60 table#3 •
13 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 •
14 EQ Low Gain -12~+12dB 52-76 •
15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 •
16 EQ High Gain -12~+12dB 52-76 •
DELAY L,R
1 Lch Delay 0.1~715.0ms 1-7150 ••
2 Rch Delay 0.1~715.0ms 1-7150 ••
3 Feedback Delay 1 0.1~715.0ms 1-7150 ••
4 Feedback Delay 2 0.1~715.0ms 1-7150 ••
5 Feedback Level -63~+63 1-127 ••
6 High Damp 0.1~1.0 1-10 ••
*REV(0-4),VAR(0-3)
•
4
MU50 Effect Parameter List
No. Parameter Display Value See Table MU80 MU50 Control
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •••
11 HPF Cutoff Thru~8.0kHz 0-52 table#3 •
12 LPF Cutoff 1.0k~Thru 34-60 table#3 •
13 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 •
14 EQ Low Gain -12~+12dB 52-76 •
15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 •
16 EQ High Gain -12~+12dB 52-76 •
ECHO
1 Lch Delay1 0.1~355.0ms 1-3550 ••
2 Lch Feedback Level -63~+63 1-127 ••
3 Rch Delay1 0.1~355.0ms 1-3550 ••
4 Rch Feedback Level -63~+63 1-127 ••
5 High Damp 0.1~1.0 1-10 ••
6 Lch Delay2 0.1~355.0ms 1-3550 ••
7 Rch Delay2 0.1~355.0ms 1-3550 ••
8 Delay2 Level 0~127 0-127 ••
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •••
11 HPF Cutoff Thru~8.0kHz 0-52 table#3 •
12 LPF Cutoff 1.0k~Thru 34-60 table#3 •
13 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 •
14 EQ Low Gain -12~+12dB 52-76 •
15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 •
16 EQ High Gain -12~+12dB 52-76 •
CROSS DELAY
1 L->R Delay 0.1~355.0ms 1-3550 ••
2 R->L Delay 0.1~355.0ms 1-3550 ••
3 Feedback Level -63~+63 1-127 ••
4 Input Select L,R,L&R 0-2 ••
5 High Damp 0.1~1.0 1-10 ••
6
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •••
11 HPF Cutoff Thru~8.0kHz 0-52 table#3 •
12 LPF Cutoff 1.0k~Thru 34-60 table#3 •
13 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 •
14 EQ Low Gain -12~+12dB 52-76 •
15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 •
16 EQ High Gain -12~+12dB 52-76 •
EARLY REF1,EARLY REF2
1 Type S-H, L-H, Rdm, Rvs, Plt, Spr 0-5 ••
2 Room Size 0.1~7.0 0-44 table#6 ••
3 Diffusion 0~10 0-10 ••
4 Initial Delay 0~63 0-63 table#5 ••
5 Feedback Level -63~+63 1-127 ••
6 HPF Cutoff Thru~8.0kHz 0-52 ••
7 LPF Cutoff 1.0k~Thru 34-60 ••
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •••
11 Liveness 0~10 0-10 ••
12 Density 0~3 0-3 ••
13 High Damp 0.1~1.0 1-10 ••
14
15
16
GATE REVERB
REVERSE GATE
1 Type TypeA,TypeB 0-1 ••
2 Room Size 0.1~7.0 0-44 table#6 ••
3 Diffusion 0~10 0-10 ••
4 Initial Delay 0~63 0-63 table#5 ••
5 Feedback Level -63~+63 1-127 ••
6 HPF Cutoff Thru~8.0kHz 0-52 ••
7 LPF Cutoff 1.0k~Thru 34-60 ••
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •••
11 Liveness 0~10 0-10 ••
12 Density 0~3 0-3 ••
13 High Damp 0.1~1.0 1-10 ••
14
15
16
OPTION EFFECT TYPE
PITCH CHANGE
1 Pitch -24~+24 40-88 •
2 Initial Delay 0~127 0-127 table#7 •
5
MU50 Effect Parameter List
No. Parameter Display Value See Table MU80 MU50 Control
3 Fine 1 -50~+50 14-114 •
4 Fine 2 -50~+50 14-114 •
5 Feedback Gain -99~+99% 1-127 •
6
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ••
11 Pan 1 L63~R63 1-127 •
12 Output Level 1 0~127 0-127 •
13 Pan 2 L63~R63 1-127 •
14 Output Level 2 0~127 0-127 •
15
16
AURAL EXICETER
1 HPF cutoff 500Hz~16.0kHz 28-58 •
2 Drive 0~127 0-127 •
3 Mix Level 0~127 0-127 •
4
5
6
7
8
9
10
11
12
13
14
15
16
TOUCH WAH,WAH+DIST
1 Sensitive 0~127 0-127 •
2 Cutoff Frequency Offset 0~127 0-127 ••
3 Resonance 1.0~12.0 10-120 •
4
5
6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 •
7 EQ Low Gain -12~+12dB 52-76 •
8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 •
9 EQ High Gain -12~+12dB 52-76 •
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •
11 Drive 0~127 0-127 •
12
13
14
15
16
COMPRESSOR
1 Attack 1~40ms 0-19 table#8 •
2 Release 10~680ms 0-15 table#9 •
3 Threshold -48~-6dB 79-121 •
4 Ratio 1.0~20.0 0-7 table#10 •
5 Output Level 0~127 0-127 •
6
7
8
9
10
11
12
13
14
15
16
NOISE GATE
1 Attack 1~40ms 0-19 table#8 •
2 Release 10~680ms 0-15 table#9 •
3 Threshold -72~-30dB 55-97 •
4 Output Level 0~127 0-127 •
5
6
7
8
9
10
11 Ratio 1.0~5.0 0-7
12
13
14
15
16
6
MU50 Effect Parameter List
No. Parameter Display Value See Table MU80 MU50 Control
WHITE ROOM
TUNNEL
CANYON (MU80 Only)
BASEMENT
1 Reverb Time 0.3~30.0s 0-69 table#4 ••
2 Diffusion 0~10 0-10 ••
3 Initial Delay 0~63 0-63 table#5 ••
4 HPF Cutoff Thru~8.0kHz 0-52 table#3 ••
5 LPF Cutoff 1.0k~Thru 34-60 table#3 ••
6 Width 0.5~10.2m 0-37 table#11 ••
7 Heigt 0.5~20.2m 0-73 table#11 ••
8 Depth 0.5~30.2m 0-104 table#11 ••
9 Wall Vary 0~30 0-30 ••
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •••
11 Rev Delay 0~63 0-63 table#5 ••
12 Density 0~3 0-3 T 0-4 *REV(0-4),VAR(0-3) •
13 Er/Rev Balance E63>R ~ E=R ~ E<R63 1-127 ••
14 High Damp 0.1~1.0 1-10 •
15 Feedback Level -63~+63 1-127 •
16
KARAOKE1,2,3
1 Delay Time 0~127 0-127 table#7 ••
2 Feedback Level -63~+63 1-127 ••
3 HPF Cutoff Thru~8.0kHz 0-52 ••
4 LPF Cutoff 1.0k~Thru 34-60 ••
5
6
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •••
11
12
13
14
15
16
7
Changes from the MU80
Delete tables #8,#9,#10(comp attack time,comp release time, comp ratio).
Exchange table#1 with updated table
table#1
LFO Frequency
Data Value Data Value
00
10.04
20.08
30.12
40.16
50.21
60.25
70.29
80.33
90.37
10 0.42
11 0.46
12 0.50
13 0.54
14 0.58
15 0.63
16 0.67
17 0.71
18 0.75
19 0.79
20 0.84
21 0.88
22 0.92
23 0.96
24 1.00
25 1.05
26 1.09
8
27 1.13
28 1.17
29 1.22
30 1.26
31 1.30
32 1.34
33 1.38
34 1.43
35 1.47
36 1.51
37 1.55
38 1.59
39 1.64
40 1.68
41 1.72
42 1.76
43 1.80
44 1.85
45 1.89
46 1.93
47 1.97
48 2.01
49 2.06
50 2.10
51 2.14
52 2.18
53 2.22
54 2.27
55 2.31
56 2.35
57 2.39
58 2.43
59 2.48
60 2.52
61 2.56
62 2.60
63 2.65
64 2.69
65 2.77
66 2.86
67 2.94
68 3.02
69 3.11
70 3.19
71 3.28
72 3.36
73 3.44
74 3.53
75 3.61
76 3.70
77 3.86
78 4.03
79 4.20
80 4.37
81 4.54
82 4.71
83 4.87
84 5.04
85 5.21
86 5.38
87 5.55
88 5.72
89 6.05
90 6.39
91 6.72
92 7.06
93 7.40
94 7.73
95 8.07
96 8.41
97 8.74
98 9.08
99 9.42
100 9.75
101 10.0
102 10.7
103 11.4
104 12.1
105 12.7
106 13.4
107 14.1
108 14.8
109 15.4
110 16.1
111 16.8
112 17.5
113 18.1
114 19.5
115 20.8
116 22.2
117 23.5
118 24.8
119 26.2
120 27.5
121 28.9
122 30.2
123 31.6
124 32.9
125 34.3
126 37.0
127 39.7
table#2
Modulation Delay Offset
Data Value Data Value
0 0.0
1 0.1
2 0.2
3 0.3
4 0.4
5 0.5
6 0.6
7 0.7
8 0.8
9 0.9
10 1.0
11 1.1
12 1.2
13 1.3
14 1.4
15 1.5
16 1.6
17 1.7
18 1.8
19 1.9
20 2.0
21 2.1
22 2.2
23 2.3
24 2.4
25 2.5
26 2.6
27 2.7
28 2.8
29 2.9
30 3.0
31 3.1
32 3.2
33 3.3
34 3.4
35 3.5
36 3.6
37 3.7
38 3.8
39 3.9
40 4.0
41 4.1
42 4.2
43 4.3
44 4.4
45 4.5
46 4.6
47 4.7
48 4.8
49 4.9
50 5.0
51 5.1
52 5.2
53 5.3
54 5.4
55 5.5
56 5.6
57 5.7
58 5.8
59 5.9
60 6.0
61 6.1
62 6.2
63 6.3
64 6.4
65 6.5
66 6.6
67 6.7
68 6.8
69 6.9
70 7.0
71 7.1
72 7.2
73 7.3
74 7.4
75 7.5
76 7.6
77 7.7
78 7.8
79 7.9
80 8.0
81 8.1
82 8.2
83 8.3
84 8.4
85 8.5
86 8.6
87 8.7
88 8.8
89 8.9
90 9.0
91 9.1
92 9.2
93 9.3
94 9.4
95 9.5
96 9.6
97 9.7
98 9.8
99 9.9
100 10.0
101 11.1
102 12.2
103 13.3
104 14.4
105 15.5
106 17.1
107 18.6
108 20.2
109 21.8
110 23.3
111 24.9
112 26.5
113 28.0
114 29.6
115 31.2
116 32.8
117 34.3
118 35.9
119 37.5
120 39.0
121 40.6
122 42.2
123 43.7
124 45.3
125 46.9
126 48.4
127 50.0
table#3
EQ Frequency
Data Value
850
956
10 63
11 70
12 80
13 90
14 100
15 110
16 125
17 140
18 160
19 180
20 200
21 225
22 250
23 280
24 315
25 355
26 400
27 450
28 500
29 560
30 630
31 700
32 800
33 900
34 1.0k
35 1.1k
36 1.2k
37 1.4k
38 1.6k
39 1.8k
40 2.0k
41 2.2k
42 2.5k
43 2.8k
44 3.2k
45 3.6k
46 4.0k
47 4.5k
48 5.0k
49 5.6k
50 6.3k
51 7.0k
52 8.0k
53 9.0k
54 10.0k
55 11.0k
56 12.0k
57 14.0k
58 16.0k
59 18.0k
60
THRU(20.0k)
table#4
Reverb time
Data Value Data Value
0 0.3
1 0.4
2 0.5
3 0.6
4 0.7
5 0.8
6 0.9
7 1.0
8 1.1
9 1.2
10 1.3
11 1.4
12 1.5
13 1.6
14 1.7
15 1.8
16 1.9
17 2.0
18 2.1
19 2.2
20 2.3
21 2.4
22 2.5
23 2.6
24 2.7
25 2.8
26 2.9
27 3.0
28 3.1
29 3.2
30 3.3
31 3.4
32 3.5
33 3.6
34 3.7
35 3.8
36 3.9
37 4.0
38 4.1
39 4.2
40 4.3
41 4.4
42 4.5
43 4.6
44 4.7
45 4.8
46 4.9
47 5.0
48 5.5
49 6.0
50 6.5
51 7.0
52 7.5
53 8.0
54 8.5
55 9.0
56 9.5
57 10.0
58 11.0
59 12.0
60 13.0
61 14.0
62 15.0
63 16.0
64 17.0
65 18.0
66 19.0
67 20.0
68 25.0
69 30.0
table#5
Delay Time(200.0ms)
Data Value Data Value
0 0.1
1 1.7
2 3.2
3 4.8
4 6.4
5 8.0
6 9.5
7 11.1
8 12.7
9 14.3
10 15.8
11 17.4
12 19.0
13 20.6
14 22.1
15 23.7
16 25.3
17 26.9
18 28.4
19 30.0
20 31.6
21 33.2
22 34.7
23 36.3
24 37.9
25 39.5
26 41.0
27 42.6
28 44.2
29 45.7
30 47.3
31 48.9
32 50.5
33 52.0
34 53.6
35 55.2
36 56.8
37 58.3
38 59.9
39 61.5
40 63.1
41 64.6
42 66.2
43 67.8
44 69.4
45 70.9
46 72.5
47 74.1
48 75.7
49 77.2
50 78.8
51 80.4
52 81.9
53 83.5
54 85.1
55 86.7
56 88.2
57 89.8
58 91.4
59 93.0
60 94.5
61 96.1
62 97.7
63 99.3
64 100.8
65 102.4
66 104.0
67 105.6
68 107.1
69 108.7
70 110.3
71 111.9
72 113.4
73 115.0
74 116.6
75 118.2
76 119.7
77 121.3
78 122.9
79 124.4
80 126.0
81 127.6
82 129.2
83 130.7
84 132.3
85 133.9
86 135.5
87 137.0
88 138.6
89 140.2
90 141.8
91 143.3
92 144.9
93 146.5
94 148.1
95 149.6
96 151.2
97 152.8
98 154.4
99 155.9
100 157.5
101 159.1
102 160.6
103 162.2
104 163.8
105 165.4
106 166.9
107 168.5
108 170.1
109 171.7
110 173.2
111 174.8
112 176.4
113 178.0
114 179.5
115 181.1
116 182.7
117 184.3
118 185.8
119 187.4
120 189.0
121 190.6
122 192.1
123 193.7
124 195.3
125 196.9
126 198.4
127 200.0
table#6
Room Size
Data Value
0 0.1
1 0.3
2 0.4
3 0.6
4 0.7
5 0.9
6 1.0
7 1.2
8 1.4
9 1.5
10 1.7
11 1.8
12 2.0
13 2.1
14 2.3
15 2.5
16 2.6
17 2.8
18 2.9
19 3.1
20 3.2
21 3.4
22 3.5
23 3.7
24 3.9
25 4.0
26 4.2
27 4.3
28 4.5
29 4.6
30 4.8
31 5.0
32 5.1
33 5.3
34 5.4
35 5.6
36 5.7
37 5.9
38 6.1
39 6.2
40 6.4
41 6.5
42 6.7
43 6.8
44 7.0
table#7
Delay Time(400.0ms)
Data Value Data Value
0 0.1
1 3.2
2 6.4
3 9.5
412.7
515.8
619.0
722.1
825.3
928.4
10 31.6
11 34.7
12 37.9
13 41.0
14 44.2
15 47.3
16 50.5
17 53.6
18 56.8
19 59.9
20 63.1
21 66.2
22 69.4
23 72.5
24 75.7
25 78.8
26 82.0
27 85.1
28 88.3
29 91.4
30 94.6
31 97.7
32 100.9
33 104.0
34 107.2
35 110.3
36 113.5
37 116.6
38 119.8
39 122.9
40 126.1
41 129.2
42 132.4
43 135.5
44 138.6
45 141.8
46 144.9
47 148.1
48 151.2
49 154.4
50 157.5
51 160.7
52 163.8
53 167.0
54 170.1
55 173.3
56 176.4
57 179.6
58 182.7
59 185.9
60 189.0
61 192.2
62 195.3
63 198.5
64 201.6
65 204.8
66 207.9
67 211.1
68 214.2
69 217.4
70 220.5
71 223.7
72 226.8
73 230.0
74 233.1
75 236.3
76 239.4
77 242.6
78 245.7
79 248.9
80 252.0
81 255.2
82 258.3
83 261.5
84 264.6
85 267.7
86 270.9
87 274.0
88 277.2
89 280.3
90 283.5
91 286.6
92 289.8
93 292.9
94 296.1
95 299.2
96 302.4
97 305.5
98 308.7
99 311.8
100 315.0
101 318.1
102 321.3
103 324.4
104 327.6
105 330.7
106 333.9
107 337.0
108 340.2
109 343.3
110 346.5
111 349.6
112 352.8
113 355.9
114 359.1
115 362.2
116 365.4
117 368.5
118 371.7
119 374.8
120 378.0
121 381.1
122 384.3
123 387.4
124 390.6
125 393.7
126 396.9
127 400.0
table#8
Reverb Width;Depth;Height
Data Value Data Value
0 0.5
1 0.8
2 1.0
3 1.3
4 1.5
5 1.8
6 2.0
7 2.3
8 2.6
9 2.8
10 3.1
11 3.3
12 3.6
13 3.9
14 4.1
15 4.4
16 4.6
17 4.9
18 5.2
19 5.4
20 5.7
21 5.9
22 6.2
23 6.5
24 6.7
25 7.0
26 7.2
27 7.5
28 7.8
29 8.0
30 8.3
31 8.6
32 8.8
33 9.1
34 9.4
35 9.6
36 9.9
37 10.2
38 10.4
39 10.7
40 11.0
41 11.2
42 11.5
43 11.8
44 12.1
45 12.3
46 12.6
47 12.9
48 13.1
49 13.4
50 13.7
51 14.0
52 14.2
53 14.5
54 14.8
55 15.1
56 15.4
57 15.6
58 15.9
59 16.2
60 16.5
61 16.8
62 17.1
63 17.3
64 17.6
65 17.9
66 18.2
67 18.5
68 18.8
69 19.1
70 19.4
71 19.7
72 20.0
73 20.2
74 20.5
75 20.8
76 21.1
77 21.4
78 21.7
79 22.0
80 22.4
81 22.7
82 23.0
83 23.3
84 23.6
85 23.9
86 24.2
87 24.5
88 24.9
89 25.2
90 25.5
91 25.8
92 26.1
93 26.5
94 26.8
95 27.1
96 27.5
97 27.8
98 28.1
99 28.5
100 28.8
101 29.2
102 29.5
103 29.9
104 30.2
MU50 Data Value Assign Table
MU50 EFFECT TYPE
REVERB TYPE
The following effect types are required under XG. 11typ
TYPE MSB TYPE LSB
DEC HEX 00 01 02 ... 08
000 0 [0] NO EFFECT
001 1 [1] HALL1 [2] HALL2
002 2 [3] ROOM1 [4] ROOM2 [5] ROOM3
003 3 [6] STAGE1 [7] STAGE2
004 4 [8] PLATE
005 5 NO EFFECT
:::
015 F NO EFFECT
016 10 [9] WHITE ROOM
017 11 [10] TUNNEL
018 12 NO EFFECT
019 13 [11] BASEMENT
020 14 NO EFFECT
:::
127 7F NO EFFECT
NO EFFECT
same as BASIC EFFECT(LSB=0)
CHORUS TYPE 11type
TYPE MSB TYPE LSB
DEC HEX 00 01 02 ... 08
000 0 [0] NO EFFECT
001 1 NO EFFECT
:::
064 40 NO EFFECT
065 41 [1] CHORUS1 [2] CHORUS2 [3] CHORUS3 [4] CHORUS4
066 42 [5] CELESTE1 [6] CELESTE2 [7] CELESTE3 [8] CELESTE4
067 43 [9] FLANGER 1 [10]FLANGER 2 [11] FLANGER3
068 44 NO EFFECT
:::
127 7F NO EFFECT
NO EFFECT
same as BASIC EFFECT(LSB=0)
VARIATION TYPE(0~63) 42type
TYPE MSB TYPE LSB
DEC HEX 00 01 02 ... 08
000 0 [0] NO EFFECT
001 1 [1] HALL1 [2] HALL2
002 2 [3] ROOM1 [4] ROOM2 [5] ROOM3
003 3 [6] STAGE1 [7] STAGE2
004 4 [8] PLATE
005 5 [9] DELAY L,C,R
006 6 [10] DELAY L,R
007 7 [11] ECHO
008 8 [12] CROSS DELAY
009 9 [13] ER1 [14] ER2
010 A [15] GATE REVERB
011 B [16]
012 C
:::
019 13
020 14 [17] KARAOKE1 [18]KARAOKE2 [19] KARAOKE3
021 15
:::
063 3F
VARIATION TYPE(64~127)
TYPE MSB TYPE LSB
DEC HEX 00 01 02 ... 08
064 40 [43] THRU
065 41 [20] CHORUS1 [21] CHORUS2 [22] CHORUS3 [23] CHORUS4
066 42 [24] CELESTE1 [25]CELESTE2 [26] CELESTE3 [27] CELESTE4
067 43 [28] FLANGER 1 [29] FLANGER 2 [30] FLANGER3
068 44 [31] SYMPHONIC
069 45 [32]
070 46 [33] TREMOLO
071 47 [34] AUTO PAN
072 48 [35] PHASER1 [36] PHASER2
073 49 [37] DISTORTION
074 4A [38] OVER DRIVE
075 4B [39]
076 4C [40]
077 4D [41]
078 4E [42]
079 4F THRU
:::
127 7F THRU
REVERSE GATE
NO EFFECT or THRU
NO EFFECT or THRU
NO EFFECT or THRU
NO EFFECT or THRU
ROTARY SPEAKER
AMP SIMULATOR
3-BAND EQ(MONO)
2-BAND EQ(STEREO)
AUTO WAH(LFO)
NO EFFECT (for SYS) or THRU (for INS)
same as BASIC EFFECT (LSB=0)
THRU
same as BASIC EFFECT (LSB=0)
9
MU50 MIDI Data Format
1. Channel messages
1.1 Key on / Key off
Reception note range =C-2~G8
Velocity range = 1~127 (Velocity is received only for Note Off)
Not received by a Part for which the Multi Part parameter Rcv NOTE MESSAGE =
OFF
Not received by a Rhythm Part for which Rcv NOTE OFF = OFF
Key On is not received by a Rhythm Part for which Rcv NOTE ON = OFF
1.2 Control change
Control Changes are not received by a Part for which the Multi Part parameter Rcv
CONTROL CHANGE = OFF
1.2.1 Bank Select
Cntrl# parameter Data Range
0 Bank Select MSB 0:Normal, 64:SFX, 126-127:Drum
32 Bank Select LSB 0...127
Bank Select processing is suspended until a Program Change is received.
When Sound Module Mode = C/M, all Bank Select messages are ignored.
1.2.2 Modulation
Cntrl# parameter Data Range
1 Modulation 0...127
When the Multi Part parameter Rcv MODULATION = OFF, that Part will not receive
Modulation messages.
1.2.3 Portamento Time
Cntrl# parameter Data Range
5 Portamento Time 0...127
When the parameter 1.2.9 Portamento = ON, this adjusts the speed of pitch change.
A setting of 0 is minimum portamento time, and 127 is longest portamento time.
1.2.4 Data Entry
Cntrl# parameter Data Range
6 Data Entry MSB 0...127
38 Data Entry LSB 0...127
Use this to set the value of the parameter specified by RPN and NRPN.
1.2.5 Main Volume
Cntrl# parameter Data Range
7 Main Volume 0...127
When the Multi Part parameter Rcv VOLUME = OFF, that Part will not receive
Volume messages.
1.2.6 Pan
Cntrl# parameter Data Range
10 Pan 0...127
0 is left, 127 is right.
When the Multi Part parameter Rcv PAN = OFF, that Part will not receive Pan
messages.
1.2.7 Expression
Cntrl# parameter Data Range
11 Expression 0...127
When the Multi Part parameter Rcv EXPRESSION = OFF, that Part will not receive
Expression messages.
1.2.8 Hold1
Cntrl# parameter Data Range
64 Hold1 0...127
When the Multi Part parameter Rcv HOLD1 = OFF, that Part will not receive Hold1
messages.
1.2.9 Portamento
Cntrl# parameter Data Range
65 Portamento 0...127
When the Multi Part parameter Rcv PORTAMENTO = OFF, that Part will not receive
Portamento messages.
(0-63:off, 64-127:on)
(0-63:off, 64-127:on)
1.2.10 Sostenuto
Cntrl# parameter Data Range
66 Sostenuto 0...127
When the Multi Part parameter Rcv SOSTENUTO = OFF, that Part will not receive
Sostenuto messages.
1.2.11 Soft Pedal
Cntrl# parameter Data Range
67 Soft Pedal 0...127
When the Multi Part parameter Rcv SOFT PEDAL= OFF, that Part will not receive Soft
Pedal messages.
1.2.12 Harmonic Content
Cntrl# parameter Data Range
71 Harmonic Content 0...127
This message adjusts the resonance specified by the voice data. Since this is a relative
change parameter,
specify the increase or decrease relative to a center value of 64. Higher values will result
in a more characteristic sound.
Depending on the voice, the range of effect may be narrower than the range available
for setting.
1.2.13 Release Time
Cntrl# parameter Data Range
72 Release Time 0...127
This message adjusts the envelope release time specified by the voice data. Since this is
a relative change parameter,
specify an increase or decrease relative to a center value of 64.
1.2.14 Attack Time
Cntrl# parameter Data Range
73 Attack Time 0...127
This message adjusts the envelope attack time specified by the voice data. Since this is a
relative change parameter,
specify an increase or decrease relative to a central value of 64.
1.2.15 Brightness
Cntrl# parameter Data Range
74 Brightness 0...127
This message adjusts the cutoff frequency specified by the voice data. Since this is a
relative change parameter,
specify an increase or decrease relative to a central value of 64. Lower values will result
in a softer sound.
For some voices, the range of effect may be narrower than the range available for
adjustment.
1.2.16 Portamento Control
Cntrl# parameter Data Range
84 Portamento Control 0...127
Portamento Control is transmitted specifying the Note On Key of currently-sounding
note.
Specify a Portamento Source Key number of 0~127. When a Portamento Control
message is received,
the currently sounding pitch will change with a Portamento Time of 0 to the key of the
next-received Note On on the same channel.
This message is received even if Rcv PORTAMENTO = OFF
1.2.17 Effect1 Depth ( Reverb Send Level )
Cntrl# parameter Data Range
91 Effect1 Depth 0...127
This message sets the send level for the reverb effect.
1.2.18 Effect3 Depth ( Chorus Send Level )
Cntrl# parameter Data Range
93 Effect3 Depth 0...127
This message sets the send level for the chorus effect.
(0-63:off, 64-127:on)
(0-63:off, 64-127:on)
(0:-64, 64:+0, 127:+63)
(0:-64, 64:+0, 127:+63)
(0:-64, 64:+0, 127:+63)
(0:-64, 64:+0, 127:+63)
10
MU50 MIDI Data Format
1.2.19 Effect4 Depth ( Variation Effect Send Level )
Cntrl# parameter Data Range
94 Effect4 Depth 0...127(when Variation Connection = 1 (System))
This message sets the send level for the Variation effect.
If Variation Connection = 0(Insertion), this has no effect.
1.2.20 Data Increment / Decrement (for RPN)
Cntrl# parameter Data Range
96 RPN Increment 0...127
97 RPN Decrement 0...127
The data byte is ignored.
These messages increase or decrease the MSB value of Pitch Bend Sensitivity, Fine
Tune, or Coarse Tune in steps of 1.
When the maximum value or minimum value is reached, the value will not be
incremented or decremented further.
(Incrementing the Fine Tune will not cause the Coarse Tune to be stepped up.)
1.2.21 NRPN (Non-Registered Parameter Number)
Cntrl# parameter Data Range
98 NRPN LSB 0...127
99 NRPN MSB 0...127
When the Multi Part parameter Rcv NRPN = OFF, that Part will not receive NRPN
messages.
First send the NRPN MSB and NRPN LSB to specify the parameter which is to be
controlled. Then
use Data Entry to set the value of the specified parameter.
The following NRPN numbers can be received.
NRPN Data entry
MSB LSB MSB Parameter name and value range
$01 $08 $mm Vibrato Rate
$01 $09 $mm Vibrato Depth
$01 $0A $mm Vibrato Delay
$01 $20 $mm Filter Cutoff Frequency
$01 $21 $mm Filter Resonance
$01 $63 $mm EG Attack Time
$01 $64 $mm EG Decay Time
$01 $66 $mm EG Release Time
$14 $rr $mm Drum Filter Cutoff Frequency
$15 $rr $mm Drum Filter Resonance
$16 $rr $mm Drum EG Attack Rate
$17 $rr $mm Drum EG Decay Rate
$18 $rr $mm Drum Instrument Pitch Coarse
$19 $rr $mm Drum Instrument Pitch Fine
$1A $rr $mm Drum Instrument Level
mm : $00 - $40 - $7F (-64 - 0 - +63)
mm : $00 - $40 - $7F (-64 - 0 - +63)
mm : $00 - $40 - $7F (-64 - 0 - +63)
mm : $00 - $40 - $7F (-64 - 0 - +63)
mm : $00 - $40 - $7F (-64 - 0 - +63)
mm : $00 - $40 - $7F (-64 - 0 - +63)
mm : $00 - $40 - $7F (-64 - 0 - +63)
mm : $00 - $40 - $7F (-64 - 0 - +63)
mm : $00 - $40 - $7F (-64 - 0 - +63)
rr : drum instrument note number
mm : $00 - $40 - $7F (-64 - 0 - +63)
rr : drum instrument note number
mm : $00 - $40 - $7F (-64 - 0 - +63)
rr : drum instrument note number
mm : $00 - $40 - $7F (-64 - 0 - +63)
rr : drum instrument note number
Applies to both Decay1 and 2.
mm : $00 - $40 - $7F (-64 - 0 - +63)
rr : drum instrument note number
mm : $00 - $40 - $7F (-64 - 0 - +63)
rr : drum instrument note number
mm : $00 - $7F (0 - max)
rr : drum instrument note number
$1C $rr $mm Drum Instrument Pan
$1D $rr $mm Drum Instrument Reverb Send Level
$1E $rr $mm Drum Instrument Chorus Send Level
$1F $rr $mm Drum Instrument Variation Send Level
MSB 14h-1Fh(for Drum)is valid only when that channel is in Drum mode
and Drum Setup 1 or 2 is selected.
1.2.22 RPN (Registered Parameter Number)
Cntrl# parameter Data Range
100 RPN LSB 0...127
101 RPN MSB 0...127
When the Multi Part parameter Rcv RPN = OFF, that Part will not receive these
messages.
The following RPN numbers can be received.
RPN Data entry
MSB LSB MSB LSB Parameter name and value range
00H 00H mmH — Pitch Bend Sensitivity
00H 01H mmH 11H Fine Tuning
00H 02H mmH — Coarse Tuning
7FH 7FH — — RPN null
1.2.23 Channel Mode Messages
The following Channel Mode Messages are received.
2nd byte 3rd byte
120 0 All Sound Off
121 0 Reset All Controllers
123 0 All Note Off
124 0 Omni Off
125 0 Omni On
126 0 ~ 16 Mono
127 0 Poly
1.2.23.1 All Sound Off
Turn off all sounds currently sounding on the specified channel.
However the status of channel messages such as Note On and Hold On is maintained.
1.2.23.2 Reset All Controllers
The values of the following controllers will change.
Controller Value
Pitch Bend ±0 (center)
Channel Pressure 0 (off)
Polyphonic Key Pressure 0 (off)
Modulation 0 (off)
Expression 127 (max)
Hold 0 (off)
Portamento 0 (off)
Sostenuto 0 (off)
Soft Pedal 0 (off)
Portamento Control resets the Portamento Source Note
RPN number not specified; internal data
NRPN number not specified; internal data
mm : $00 - $40 - $7F (random, left - center - right)
rr : drum instrument note number
mm : $00 - $7F (0 - max)
rr : drum instrument note number
mm : $00 - $7F (0 - max)
rr : drum instrument note number
mm : $00 - $7F (0 - max)
rr : drum instrument note number
Default:7F 7FH
mm:00-18H(0-2 chromatic steps)
Settable in chromatic steps up to 2 octaves
Default:02H
LSB value is ignored.
mm:00H-40H-7FH(-64-0-+63)
mm:28H - 40H - 58H(-24 - +24 chromatic steps)
LSB value is ignored.
Set condition in which RPN and NRPN numbers are not
specified.
Internally set values are not affected.
Number that was received
will not change
will not change
11
MU50 MIDI Data Format
1.2.23.3 All Note Off
This message turns off all notes currently on for the specified channel.
However if Hold 1 or Sostenuto are on, notes will continue sounding until these are
turned off.
1.2.23.4 Omni Off
Perform the same processing as when All Note Off is received.
1.2.23.5 Omni On
Perform the same processing as when All Note Off is received.
1.2.23.6 Mono
Perform the same processing as when All Sound Off is received, and if the 3rd byte
(mono number) is in the range of 0~16,
set the applicable channel to Mode 4 (m = 1).
1.2.23.7 Poly
Perform the same processing as when All Sound Off is received, and set
the applicable channel to Mode 3.
1.3 Program Change
If the Multi Part parameter Rcv PROGRAM CHANGE = OFF, that Part will not receive
Program Changes.
If Sound Module Mode = C/M, all Program Changes for the Drum Voice Part are
ignored.
1.4 Pitch Bend
If the Multi Part parameter Rcv PITCH BEND CHANGE = OFF, that Part will not
receive Pitch Bend messages.
1.5 Channel Aftertouch
With the default setting there will be no function.
If the Multi Part parameter Rcv CHANNEL AFTER TOUCH = OFF,
that Part will not receive Channel Aftertouch.
1.6 Polyphonic Aftertouch
With the default setting there will be no function.
If the Multi Part parameter Rcv POLYPHONIC AFTER TOUCH = OFF,
that Part will not receive Polyphonic Aftertouch.
There will be an effect only for note numbers 36-97.
2. System Exclusive Messages
2.1 Parameter Changes
This device uses the following parameter changes.
[ UNIVERSAL REALTIME MESSAGE ]
1)Master Volume
[ UNIVERSAL NON REALTIME MESSAGE ]
1)General MIDI Mode On
2)Identity Request(INQUIRY MESSAGE)
3)Identity Reply(INQUIRY MESSAGE)
[ XG NATIVE ]
1)XG System on
2)XG System Data parameter change
3)System Information
4)Multi Effect1 Data parameter change
5)Display Data parameter change
6)Multi Part Data parameter change
7)Drums Setup Data parameter change
[ MU80, MU50 NATIVE ]
1) MU80, MU50 System data parameter change
2) Current Performance parameter change
3) Remote switch
[ Other ]
1)Master tuning
2)TG300 System Data Parameter change
3)TG300 Multi Effect Data parameter change
4)TG300 Mutli Part Data parameter change
5)Disk Orchestra On
2.1.2 Universal Realtime Messages
2.1.2.1 Master Volume
11110000 F0 = Exclusive status
01111111 7F = Universal Real Time
01111111 7F = ID of target device
00000100 04 = Sub-ID #1=Device Control Message
00000001 01 = Sub-ID #2=Master Volume
0sssssss *SS = Volume LSB
0ttttttt TT = Volume MSB
11110111 F7 = End of Exclusive
or,
11110000 F0 = Exclusive status
01111111 7F = Universal Real Time
0xxxnnnn XN = Device Number, xxx = don’t care
00000100 04 = Sub-ID #1=Device Control Message
00000001 01 = Sub-ID #2=Master Volume
0sssssss SS = Volume LSB
0ttttttt TT = Volume MSB
11110111 F7 = End of Exclusive
When this is received, the Volume MSB will be reflected in the System Parameter
MASTER VOLUME.
* SS is the hex expression of 0sssssss Same for others
2.1.3 Universal Non-Realtime Messages
2.1.3.1 General MIDI Mode On
11110000 F0 = Exclusive status
01111110 7E = Universal Non-Real Time
01111111 7F = ID of target device
00001001 09 = Sub-ID #1=General MIDI Message
00000001 01 = Sub-ID #2=General MIDI On
11110111 F7 = End of Exclusive
or,
11110000 F0 = Exclusive status
01111110 7E = Universal Non-Real Time
0xxxnnnn XN = Device Number, xxx = don’t care
00001001 09 = Sub-ID #1=General MIDI Message
00000001 01 = Sub-ID #2=General MIDI On
11110111 F7 = End of Exclusive
When On is received, the SOUND MODULE MODE will be changed to XG mode.
Ignored when in C/M mode.
Not received when Rcv GM EXCLUSIVE = OFF
Since approximately 50 ms is required to execute this message, leave an appropriate
interval before the message that follows it.
2.1.3.2 Identity Request
11110000 F0 = Exclusive status
01111110 7E = Universal Non-Real Time
0ccccccc ccccccc = Device Number
00000110 06 = General Information
00000001 01 = Identity Request(Sub-ID #2)
11110111 F7 = End of Exclusive
When this message is received, this device will
transmit the following 2.1.3.3 Identity Reply message.
2.1.3.3 Identity Reply
11110000 F0 =Exclusive status
11111110 7E =Universal Non-Real Time
0nnnnnnn 0nnnnnnn =Device Number
00000110 06 =General Information(Sub-ID #1)
00000010 02 =Device Identity Reply(Sub-ID #2)
01000011 43 =YAMAHA ID
00000000 00 =Device Family Code LSB MU50ID#1
01000001 41 =Device Family Code MSB MU50ID#2
01000110 46 =Device Number Code LSB MU50ID#3
00000001 01 =Device Number Code MSB MU50ID#4
00000000 00
00000000 00
00000000 00
00000000 01 =XG ID
11110111 F7 =End of Exclusive
This device transmits this message when it receives a 2.1.3.2 Identity Request message.
12
MU50 MIDI Data Format
2.1.4 XG Native Parameter Change
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0001nnnn 1n device Number
01001100 4C XG Model ID
0aaaaaaa aaaaaaa Address High
0aaaaaaa aaaaaaa Address Mid
0aaaaaaa aaaaaaa Address Low
0ddddddd ddddddd Data
||
11110111 F7 End of Exclusive
For parameters whose data size is 2 or 4, transmit the appropriate number of data bytes.
2.1.4.1 XG Sytem On
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0001nnnn 1N device Number
01001100 4C XG Model ID
0aaaaaaa 00 Address High
0aaaaaaa 00 Address Mid
0aaaaaaa 7E Address Low
00000000 00 Data
11110111 F7 End of Exclusive
When On is received, the SOUND MODULE MODE will change to XG.
Since approximately 50 ms is required to execute this message, leave an appropriate
interval before
the message that follows it.
2.1.4.2 XG System Data parameter change
Refer to tables <1-1> and <1-2>.
2.1.4.3 System Information
Data transmission is performed in response to a Dump Request, but data reception is
ignored.
Refer to tables <1-1> and <1-3>.
2.1.4.4 Multi Effect1 Data parameter change
Refer to tables <1-1> and <1-4>.
2.1.4.5 Display Data parameter change
Refer to tables <1-1> and <1-5>.
2.1.4.6 Multi Part Data parameter change
Refer to tables <1-1> and <1-6>.
2.1.4.7 Drums Setup Data parameter change
Refer to tables <1-1> and <1-7>.
If a DRUM SETUP RESET parameter change is received while in XG mode, the Drum
Setup parameter values will be initialized.
In any mode, selecting a Drum Set will cause the Drum Setup parameter values to be
initialized.
2.1.5 MU80, MU50 native parameter change
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0001nnnn 1n device Number
01001001 49 MU80, MU50 Model ID
0aaaaaaa aaaaaaa Address High
0aaaaaaa aaaaaaa Address Mid
0aaaaaaa aaaaaaa Address Low
0ddddddd ddddddd Data
||
11110111 F7 End of Exclusive
For parameters with a data size of 2 or 4, transmit the appropriate number of data bytes.
2.1.5.1 MU80, MU50 System Data parameter change
Refer to tables <2-1> and <2-2>.
2.1.5.2 Current Performance parameter change
Refer to tables <2-1> and <2-3>.
2.1.5.3 Remote Switch
Refer to tables <2-1> and <2-4>.
2.1.6 Other parameter changes
2.1.6.1 Master Tuning
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0001nnnn 1n device Number
00100111 27 Model ID
00000001 30 Sub ID2
00000000 00
00000000 00
0mmmmmmm mm Master Tune MSB
0lllllll ll Master Tune LSB
0ccccccc cc
11110111 F7 End of Exclusive
This message simultaneously changes the pitch of all channels.
2.1.6.2 Disk Orchestra On
11110000 F0
01000011 43
01110011 73
00000001 01
00010100 14
11110111 F7
This message sets the SOUND MODULE MODE of this device to DOC MODE.
2.2 Bulk Dump
This device handles the following bulk dump data.
[ XG NATIVE ]
1) XG System Data
2) Multi Effect1 Data
3) Multi Part Data
4) Drums Setup Data
[ MU80, MU50 NATIVE ]
1) MU80, MU50 System data
2) Internal Performance
2.2.1 XG Native Bulk Dump
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0000nnnn 0n device Number
01001100 4C XG Model ID
0bbbbbbb bbbbbbb ByteCount
0bbbbbbb bbbbbbb ByteCount
0aaaaaaa aaaaaaa Address High
0aaaaaaa aaaaaaa Address Mid
0aaaaaaa aaaaaaa Address Low
00000000 00 Data
||
||
0ccccccc ccccccc Check-sum
11110111 F7 End of Exclusive
For the Address and Byte Count, refer to the supplementary tables.
The Check Sum is the value that results in a value of zero for the lower 7 bits when the
Start Address, Byte Count, and the Check Sum itself are added.
No more than 512 bytes shall be transmitted at one time. If one of the above Dump
Request messages for 513 bytes or more is received,
the data will be divided into appropriate packets of 512 bytes or less, and transmitted at
appropriate intervals (of at least 120 msec).
2.2.1.1 XG System Data bulk dump
Refer to tables <1-1> and <1-2>.
2.2.1.2 Multi Effect1 Data bulk dump
Refer to tables <1-1> and <1-4>.
2.2.1.3 Multi Part Data bulk dump
Refer to tables <1-1> and <1-6>.
2.2.1.4 Drums Setup Data bulk dump
Refer to tables <1-1> and <1-7>.
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