Vox AC30C2X, AC30C2, AC30C2-TV, AC15C1X, AC15C2 Owner`s Manual [en, fr, de, es, jp]

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Vox AC30C2X, AC30C2, AC30C2-TV, AC15C1X, AC15C2 Owner`s Manual

E F G S J 10

English ......................................................................................	4
Français...................................................................................	14
Deutsch ...................................................................................	26
Español ...................................................................................	36
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IMPORTANT SAFETY INSTRUCTIONS

•Read these instructions.

•Keep these instructions.

•Heed all warnings.

•Follow all instructions.

•Do not use this apparatus near water.

•Mains powered apparatus shall not be exposed to dripping or splashing and that no objects filled with liquids, such as vases, shall be placed on the apparatus.

•Clean only with dry cloth.

•Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.

•Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.

•Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. (for USA and Canada)

•Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

•Only use attachments/accessories specified by the manufacturer.

•Unplug this apparatus during lightning storms or when unused for long periods of time.

•Turning off the power switch does not completely isolate this product from the power line so remove the plug from the socket if not using it for extended periods of time.

•Install this product near the wall socket and keep the power plug easily accessible.

•WARNING—This apparatus shall be connected to a mains socket outlet with a protective earthing connection.

•Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

•Do not install this equipment on the far position from wall outlet and/or convenience receptacle.

•Do not install this equipment in a confined space such as a box for the conveyance or similar unit.

•Excessive sound pressure from earphones and headphones can cause hearing loss.

•Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/ apparatus combination to avoid injury from tip-over.

•This apparatus is for moderate climates areas use, not suitable for use in tropical climates countries.

•The ventilation should not be impeded by covering the ventilation openings with items, such as newspapers, table-cloths, curtains, etc.

•No naked flame sources, such as lighted candles, should be placed on the apparatus.

The lightning flash with arrowhead symbol within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

Notice regarding disposal (EU only)

When this “crossed-out wheeled bin” symbol is displayed on the product, owner’s manual, battery, or battery package, it signifies that when you wish to dispose of this product, manual, package or battery you must do so in an approved manner. Do not discard this product, manual, package or battery along with ordinary household waste. Disposing in the correct

manner will prevent harm to human health and potential damage to the environment. Since the correct method of disposal will depend on the applicable laws and regulations in your locality, please contact your local administrative body for details. If the battery contains heavy metals in excess of the regulated amount, a chemical symbol is displayed below the “crossed-out wheeled bin” symbol on the battery or battery package.

*All product names and company names are the trademarks or registered trademarks of their respective owners.

INTRODUCTION

Congratulations on your purchase of the VOX Custom Series Guitar Amplifier AC30C2X/AC30C2/ AC30C2-TV/AC15C1X/AC15C2/AC15C1/AC15C1-TV / VOX Custom Series Guitar Amplifier Head AC30CH/AC15CH / Speaker cabinet V212C.

This amp is the culmination of over 50 years of manufacturing expertise and high quality, guitar amplifier design. We have taken the best AC designs and added a number of useful features to give you the most tonally flexible AC to date!

We’re confident you will find these improvements extremely useful and that your new amplifier will give you many hours of tonal pleasure. Your AC30 is equipped with a number of modern features and conveniences, a true bypass FX loop, master volume and Celestion AlNiCo Blue speakers (AC30C2X/AC15C1X only), to name a few. Please read this manual carefully so that you can familiarize yourself with them.

The AC15C1X/AC15C2/AC15C1/AC15C1-TV/AC15CH now features both NORMAL and TOP BOOST channels, and has many common features with the AC30C2X/AC30C2/AC30C2-TV/ AC30CH.

All models are fitted with the Celestion G12M Greenback as standard.

The AC30CH/AC15CH gives you all the great AC tones in the convenience of a portable head format. In addition to the standard AC30C2/AC15C1 specification, the heads also have a built in Reactive Attenuator, giving you great tones at more ear friendly levels.

Please refer to the instructions of the AC30C2/AC15C1 in the Owner’s Manual about how to use AC30C2-TV/AC15C1-TV.

AC30C2(X)/AC30CH FRONT PANEL LAYOUT











1	2	3	4	5	6	7	8	9	10	11	12	13	14

INPUTS

1.NORMAL jack Plugging your guitar into this input will route your signal through the NORMAL

channel. Top jack for high Input, and bottom jack for low input.

2.TOP BOOST jack Plugging your guitar into this input will route your signal through the TOP BOOST

channel. Top jack for high Input, and bottom jack for low input.

NORMAL

3.VOLUME control This determines the sensitivity of the preamp section in the NORMAL channel.

Depending on where this is set, you can either blend in more gain by turning it clockwise or you can turn it anticlockwise for a cleaner sound. The NORMAL volume can be used in conjunction with the MASTER volume which will allow you to get the perfect balance between distortion and overall volume. I.e. if you keep the NORMAL volume low and the MASTER volume high, you will get a clean sound at a high volume. Conversely, if you keep the NORMAL volume high and

the MASTER volume low you will get more distortion at a lower overall volume. NOTE! Because of the nature of the design of this amplifier, it may take a few minutes

until the circuit becomes stable after the power is turned on. Some noise might occur during this time but it soon disappears.

TOP BOOST

NOTE! The tone controls on the TOP BOOST channel are very interactive, eg increasing the level of the TREBLE control will cut the BASS level. It is best to begin with the Tone controls at 12 o’clock and experiment to find your perfect tone.

4.VOLUME control This determines the sensitivity of the preamp section in the TOP BOOST channel. Depend-

ing on where this is set, you can either blend in more gain by turning it clockwise or you can set it lower for a cleaner, “chimey” sound. The TOP BOOST Volume can be used in conjunction with the MASTER volume which will allow you to get the perfect balance between distortion and overall volume. I.e. If you keep the TOP BOOST volume low and the MASTER volume high, you will get a clean sound at a high volume. Conversely, if you keep the TOP BOOST volume high and the MASTER volume low you will get more distor-

tion at a lower overall volume.

NOTE! Because of the nature of the design of this amplifier, it may take a few minutes until the circuit becomes stable after the power is turned on. Some noise might occur during this time but it soon disappears.

5.TREBLE control This controls the high frequencies in your sound—from soft and round when

turned down (counterclockwise) to bright and cutting when cranked (clockwise) and all points in-between.

6.BASS control This controls the low frequencies in your sound—from thin and light when turned

down (counterclockwise) to warm and heavy when turned up full (clockwise) and all points in-between.

REVERB

This section allows you to control the Reverb for both channels by adjusting the Tone and Level. You can remotely switch the reverb On or Off with the Optional VFS2A Foot Switch.

7.TONE control This controls the high and low frequencies of the REVERB. You can make the

REVERB sound brighter by turning this control clockwise or you can make the sound darker by turning it counterclockwise.

Experiment with this control to see which settings work best for you.

8.LEVEL control This controls the mix (amount) of REVERB in your sound. Turning this knob fully

clockwise will give you a wet, saturated sound while counterclockwise will give you a drier sound.

TREMOLO

This section allows you to control the TREMOLO for both channels on this amplifier by adjusting the Speed and Depth. You can remotely switch the TREMOLO on or off with the Optional VFS2A Foot Switch.

9.SPEED control As you might have guessed, this controls the SPEED of the built-in TREMOLO.

10.DEPTH control This controls the DEPTH (intensity) of the built-in TREMOLO.

What is TREMOLO?

Tremolo is a Vintage Guitar Amplifier effect that hails from the Brit invasion during the 60’s. Essentially it’s like having someone sat next to your amplifier turning the master volume up and down! Having the Depth Control set to maximum will give a very dramatic effect, making your guitar sounding very choppy, you can adjust how quickly the volume is turned up and down with the speed control. Best thing to do is experiment to find your perfect sound.

MASTER

11. TONE CUT control This circuit is placed in the power amp as opposed to the preamp section like the TREBLE and BASS controls. What this does is the opposite of what you may think. Turning it clockwise will decrease the higher frequencies and turning it counterclockwise will add higher frequencies.

12. VOLUME control This controls the overall (MASTER) VOLUME of your amplifier. Cleaner sounds can be achieved by lowering the NORMAL or TOP BOOST volumes and raising the MASTER. Setting the MASTER lower and the NORMAL and TOP BOOST volumes higher will give you a fatter, more distorted tone at a lower volume.

As with all the controls of this amplifier, please experiment with different configurations to find the tones that fit your playing style.

POWER

13. STANDBY Switch This switch allows the amplifier to attain the correct working temperature before applying the H.T. supply. Before connecting the amplifier to the Mains supply, ensure the Power and STANDBY switches are in the off position. Turn on the POWER switch first and then wait 2–3 minutes before turning on the STANDBY switch. Doing this each time you play helps prolong tube life.

The STANDBY switch is also very useful for playing live as it allows you to keep the valves at a functional temperature between sets.

14. POWER Switch This is the ON/OFF switch for the power to the amplifier. Please ensure the amplifier is switched off and unplugged before being moved.

AC15C1(X)/AC15C2/AC15CH FRONT PANEL LAYOUT








1	2	3	4	5	6	7	8








10	11
10	11	12 13

POWER

1.POWER Switch This is the ON/OFF switch for the power to the amplifier. Please ensure the ampli-

fier is switched off and unplugged before being moved.

2.STANDBY Switch This switch allows the amplifier to attain the correct working temperature before

applying the H.T. supply. Before connecting the amplifier to the Mains supply, ensure the Power and STANDBY switches are in the off position. Turn on the POWER switch first and then wait 2–3 minutes before turning on the STANDBY switch. Doing this each time you play helps prolong tube life. The STANDBY switch is also very useful for playing live as it allows you to keep the valves at a functional temperature between sets.

MASTER

3.VOLUME control This controls the overall (MASTER) VOLUME of your amplifier. Cleaner sounds

can be achieved by lowering the NORMAL or TOP BOOST volumes and raising the MASTER. Setting the MASTER lower and the NORMAL and TOP BOOST volumes higher will give you a fatter, more distorted tone at a lower volume.

As with all the controls of this amplifier, please experiment with different configurations to find the tones that fit your playing style.

4.TONE CUT control This circuit is placed in the power amp as opposed to the preamp section like the

TREBLE and BASS controls. What this does is the opposite of what you may think. Turning it clockwise will decrease the higher frequencies and turning it counterclockwise will add higher frequencies.

TREMOLO

This section allows you to control the TREMOLO for both channels on this amplifier by adjusting the Speed and Depth. You can remotely switch the TREMOLO on or off with the Optional VFS2A Foot Switch.

5.DEPTH control This controls the DEPTH (intensity) of the built-in TREMOLO.

6.SPEED control As you might have guessed, this controls the SPEED of the built-in TREMOLO.

What is TREMOLO?

REVERB

This section allows you to control the Reverb for both channels by adjusting the Level. You can remotely switch the reverb On or Off with the Optional VFS2A Foot Switch.

7.LEVEL control This controls the mix (amount) of REVERB in your sound. Turning this knob fully

clockwise will give you a wet, saturated sound while counterclockwise will give you a drier sound.

TOP BOOST

8.BASS control This controls the low frequencies in your sound—from thin and light when turned

down (counterclockwise) to warm and heavy when turned up full (clockwise) and all points in-between.

9.TREBLE control This controls the high frequencies in your sound—from soft and round when

turned down (counterclockwise) to bright and cutting when cranked (clockwise) and all points in-between.

10. VOLUME control This determines the sensitivity of the preamp section in the TOP BOOST channel. Depending on where this is set, you can either blend in more gain by turning it clockwise or you can set it lower for a cleaner, “chimey” sound. The TOP BOOST Volume can be used in conjunction with the MASTER volume which will allow you to get the perfect balance between distortion and overall volume. I.e. If you keep the TOP BOOST volume low and the MASTER volume high, you will get a clean sound at a high volume. Conversely, if you keep the TOP BOOST volume high and the MASTER

volume low you will get more distortion at a lower overall volume.

NORMAL

11. VOLUME control This determines the sensitivity of the preamp section in the NORMAL channel. Depending on where this is set, you can either blend in more gain by turning it clockwise or you can turn it anticlockwise for a cleaner sound. The NORMAL volume can be used in conjunction with the MASTER volume which will allow you to get the perfect balance between distortion and overall volume. I.e. if you keep the NORMAL volume low and the MASTER volume high, you will get a clean sound at a high volume. Conversely, if you keep the NORMAL volume high and

the MASTER volume low you will get more distortion at a lower overall volume. NOTE! Because of the nature of the design of this amplifier, it may take a few minutes

until the circuit becomes stable after the power is turned on. Some noise might occur during this time but it soon disappears.

INPUTS

12. TOP BOOST jack Plugging your guitar into this input will route your signal through the TOP BOOST channel.

13. NORMAL jack Plugging your guitar into this input will route your signal through the NORMAL channel.

REAR PANEL LAYOUT







1	2	3 (AC30C2(X)/AC30CH) 4	5

1.POWER OUTPUT Jacks

COMBOS

This is where you can hook up an extension or external speaker cabinet(s) if

desired.

EXTENSION SP: This speaker jack runs parallel with the internal speakers which

are wired for 16 Ohms. The extension cabinet must be 16 Ohms.

EXTERNAL SP: This speaker jack will mute (disconnect) the internal speakers and you can hook up either a 16 Ohm or 8 Ohm cabinet. Be sure to set the Output Select switch accordingly.

NOTE! Hooking up a cabinet through the External jack will mute (disconnect) the internal speakers!

HEAD

LOUDSPEAKER: The two LOUDSPEAKER Jacks are connected in parallel.

You can connect one or two 16 Ohm cabinets. You can only connect one 8 ohm cabinet.

Be sure to set the IMPEDANCE SELECT switch accordingly.

WARNING! To ensure that your system works correctly, you must observe the following points.

a)Don’t use an extension cabinet whose impedance is other than 16 Ohms.

b)Don’t connect a speaker whose rated input capacity is less than 30 watts (for AC30C2(X)/AC30CH) or 15 watts (AC15C2/AC15C1(X)/AC15CH). The speaker may be destroyed if you ignore this caution—not recommended!

c)You must use a speaker cable to connect an external speaker. Don’t use a shielded cable like the one you use to connect a guitar to an amp.

d)You must turn off the power before connecting the cable. Connecting the cable while the power is turned on may damage your amp.

NOTE! It is recommended that all audio cables, with the exception of the speaker lead, used to connect to the AC30C2(X)/AC15C2/AC15C1(X)/AC30CH of a high quality, screened type.

These should not exceed 10 metres in length. Always use a non-screened speaker lead with the AC30C2(X)/AC15C2/AC15C1(X)/AC15CH Amplifier and extension cabinets.

2.IMPEDANCE Select switch

16 OHMS:

COMBOS

Combos allow for the following configurations:

1)Set it to this if you use the internal speakers only.

2)Set it to this if you connect an external 16 Ohm speaker cabinet through the External jack.

HEAD

1)Set it to this if you connect an external 16 Ohm speaker cabinet through the

LOUDSPEAKER jack.

8 OHMS:

COMBOS

Combos allow for the following configurations:

1)Set it to this if you connect an extension cabinet through the Extension jack. You’ll be running the internal and external speakers in parallel. The impedance of the extension cabinet must be 16 Ohms.

2)Set it to this if you connect an external 8 Ohm speaker cabinet through the External jack.

HEAD

1)Set it to this if you connect two external 16 Ohm speaker cabinets.

2)Set it to this if you connect an external 8 Ohm speaker cabinet through the LOUDSPEAKER jack.

3.EFFECTS LOOP jack (AC30C2(X)/AC30CH)

The EFFECTS LOOP allows effects to be added further down the signal chain, rather than just plugging them in line with your guitar and amplifier. By using the Effects loop with Delay stomp boxes, for example, will prevent any strange distortions to the time delayed repetitions.

Please note that the EFFECTS LOOP sends at -10dB meaning it is suitable for stomp boxes.

BYPASS ON/OFF: This is a true bypass effects loop which means if this is set in the “BYPASS” position, absolutely none of your original signal will be running through until it’s switched “ON”.

RETURN: Think of this as the “input” of the effects loop and will be connected to the output of your effect(s).

NOTE! Be sure to use shielded guitar cables only! NEVER use unshielded speaker cables.

SEND: Think of this as the “output” of the FX loop and will be connected to the input of your effect(s).

4.FOOT SWITCH jack

This is where you connect the Optional VFS2A Foot Switch so you can turn the REVERB and TREMOLO on and off.

5.MAINS INPUT connector

This is where the supplied, detachable Mains (power) cord is connected. The specific mains input voltage rating that your amplifier needs to run at is located on the rear panel of your amplifier. Before making any connections or powering up the amplifier, make sure the correct voltage is set. If you have any doubt, refer to your local VOX dealer.

6.Attenuator (AC30CH/AC15CH)

The AC30CH/AC15CH has a built in Reactive Attenuator. This enables you to keep the great sounds of a driven AC30CH/AC15CH at more ear friendly volumes.

AC30CH

There are 3 settings, 30W (BYPASS), 3W (-10dB Attenuation) and 1/3W (-20dB Attenuation).

AC15CH

There are 3 settings, 15W (Bypass), 1.5W (-10dB Attenuation) and 1/6W (-20dB Attenuation). NOTE! When the IMPEDANCE Switch is set to 8Ohms the attenuator does not work.

What is a Reactive Attenuator?

Our Reactive Attenuator design allows for a truer tone even at attenuated output volumes. This is achieved by using our proprietary Reactor technology to allow the speaker and the amplifier interact with one another, even with a resistive load (the attenuator) in line. This means the amplifier and speaker behave the same way as a non-attenuated amplifier, with resonant peaks and troughs. What this simply means to you is great tone, without the volume.

SPECIFICATION

	AC30C2X	AC30C2/AC30C2-TV


Dimensions	702 x 265 x 556 mm / 27.64 x 10.43 x	AC30C2: 702 x 265 x 556 mm / 27.64 x 10.43 x 21.89 inches
(W x D x H)	21.89 inches	AC30C2-TV: 703 x 263 x 562 mm / 27.68 x 10.35 x 22.13 inches

Weight	33.4 kg / 73.59 lbs.	AC30C2: 32.2 kg / 70.99 lbs. AC30C2-TV: 31.0 kg / 68.34 lbs.

Output Power	30 Watts RMS into 16 Ohms	30 Watts RMS into 16 Ohms

Speaker	2 x 12" 8 ohm Celestion Alnico Blue	2 x 12" 8 ohm Celestion G12M Greenback

Inputs	Normal input jack (high and low), Top	Normal input jack (high and low), Top Boost input jack (high and
	Boost input jack (high and low), FX	low), FX RETURN jack, Footswitch jack
	RETURN jack, Footswitch jack

Outputs	External loudspeaker jack, Extension	External loudspeaker jack, Extension loudspeaker jack, FX SEND
	loudspeaker jack, FX SEND jack	jack

Options	VFS2A Footswitch	VFS2A Footswitch

	AC15C1X		AC15C2		AC15C1/AC15C1-TV


Dimensions	602 x 265 x 456 mm / 23.70 x		702 x 265 x 556 mm / 27.64 x		AC15C1: 602 x 265 x 456 mm / 23.70 x
(W x D x H)	10.43 x 17.95 inches		10.43 x 21.89 inches		10.43 x 17.95 inches
					AC15C1-TV: 605 x 263 x 468 mm / 23.82 x
					10.35 x 18.43 inches

Weight	22.6 kg / 49.82 lbs.		30.2 kg / 66.58 lbs.		AC15C1:22 kg / 48.50 lbs.
					AC15C1-TV:21.3 kg / 46.96 lbs.

Output Power:	15 Watts RMS into 16 Ohms		15 Watts RMS into 16 Ohms		15 Watts RMS into 16 Ohms

Speaker	1 x 12" 15 ohm Celestion		2 x 12" 8 ohm Celestion G12M		1 x 12" 16 ohm Celestion G12M Green-
	Alnico Blue		Greenback		back

Inputs	Normal input jack, Top Boost		Normal input jack, Top Boost		Normal input jack, Top Boost input jack,
	input jack,	Footswitch jack	input jack,	Footswitch jack	Footswitch jack

Outputs	External	loudspeaker jack,	External	loudspeaker jack,	External loudspeaker jack, Extension loud-
	Extension loudspeaker jack		Extension loudspeaker jack		speaker jack

Options	VFS2A Footswitch		VFS2A Footswitch		VFS2A Footswitch

	AC30CH	AC15CH	V212C


Dimensions	705 x 266 x 284 mm / 27.76 x	610 x 266 x 284 mm / 24.02 x	705 x 268 x 571 mm / 27.76 x 10.55 x
(W x D x H)	10.47x 11.18 inches	10.47 x 11.18 inches	22.48 inches

Weight	18.8 kg / 41.45 lbs.	15.3 kg / 33.73 lbs.	22.5 kg / 49.60 lbs.

Output Power	30 Watts RMS into 16 Ohms	15 Watts RMS into 16 Ohms	------------

Speaker	-------------	------------	2 x 12" 8 ohm Celestion G12M Greenback

Inputs	Normal input jack (high and	Normal input jack, Top Boost	LOUDSPEAKER Input jack
	low), Top Boost input jack	input jack, Footswitch jack
	(high and low), FX RETURN
	jack, Footswitch jack

Outputs	2x LOUDSPEAKER jack, FX	2x LOUDSPEAKER jack	--------------
	SEND jack

Options	VFS2A Footswitch	VFS2A Footswitch

*Specifications and appearance are subject to change without notice for improvement.

INFORMATIONS IMPORTANTESDESECURITE

•Lisez attentivement ces instructions.

•Veuillez conserver ces instructions.

•Observez tous les avertissements.

•Suivez toutes les consignes à la lettre.

•N’utilisez jamais cet appareil dans un endroit humide ni à proximité d’eau.

•L’appareil alimenté par courant électrique ne peut pas être exposé à des éclaboussures; évite en outre de placer des récipients contenant des liquides, comme un vase (ou un verre de bière), sur l’appareil.

•Nettoyez uniquement l’appareil avec un chiffon doux et sec.

•Ne bloquez jamais les orifices de ventilation de l’appareil et installez-le toujours conformément aux instructions du fabricant.

•N’installez jamais l’appareil à proximité d’une source de chaleur, telle que des radiateurs, poêles ou tout autre dispositif (y compris des amplificateurs) générant de la chaleur.

•N’essayez jamais de contourner le dispositif de sécurité d’une prise de type polarisée ou d’une prise de terre. Une prise dite polarisée dispose de deux broches, dont l’une est plus large que l’autre. Une prise de terre comporte trois broches, dont une de mise à la terre. Cette broche plus large ou broche de mise à la terre vise à assurer votre sécurité. Si la fiche du cordon d’alimentation ne correspond pas au type de prise de courant de votre région, faites remplacer la prise obsolète par un électricien qualifié (pour les Etats-Unis et le Canada).

•Placez toujours le cordon d’alimentation de sorte qu’on ne risque pas de marcher dessus ni de le pincer. Cette précaution vise tout spécialement la fiche du cordon et sa sortie de l’appareil.

•Utilisez exclusivement les fixations/accessoires préconisés par le fabricant.

•S’il y a risque d’orage ou que vous ne comptez pas utiliser l’appareil pendant une période prolongée, débranchez-le du secteur.

•La mise sur OFF de l’interrupteur d’alimentation n’isole pas totalement ce produit de la ligne secteur; aussi, retirez la fiche de la prise s’il doit rester inutilisé pendant une période prolongée.

•Installez ce produit près de la prise électrique murale et gardez un accès facile à la prise électrique et au cordon d’alimentation.

•ATTENTION: Cet appareil doit absolument être connecté à une prise électrique reliée à la terre.

•Confiez tout travail de réparation uniquement à un S.A.V. qualifié. Faites appel au S.A.V. si l’appareil a subi tout endommagement, comme par exemple si sa fiche secteur ou son cordon d’alimentation sont endommagés, si de l’eau ou des objets ont pénétré à l’intérieur de l’appareil, si celui-ci a été exposé à la pluie ou à la moisissure, s’il est tombé ou présente tout signe de dysfonctionnement.

•N’utilisez jamais d’allonge trop longue avec cet appareil et ne l’alimentez jamais via les prises secteur équipant d’autres dispositifs.

•N’installez jamais cet appareil dans un endroit confiné comme une caisse de transport ou tout autre récipient similaire.

•Des niveaux d’écoute trop importants lors de l’utilisation d’un casque ou d’écouteurs peuvent entraîner des pertes d’audition.

•Utilisez l’appareil uniquement avec le chariot, stand, trépied, fixation ou table spécifiés par le fabricant ou fourni avec l’appareil. Si vous avez placé l’appareil sur un chariot, soyez très prudent quand vous déplacez le chariot, afin d’éviter une chute et des blessures.

•Cet instrument est conçu pour être utilisé dans des régions au climat tempéré et ne convient pas pour les pays au climat tropical.

•Veillez à ne jamais bloquer les orifices de ventilation en les couvrant d’objets tels que des journaux, nappes, rideaux, etc.

•Ne placez aucune source de flamme nue, telle qu’une bougie allumée, sur l’instrument.

L’éclair dans le triangle est un symbole destiné à attirer l’attention de l’utilisateur sur la présence de parties non isolées et de “tension dangereuse” à l’intérieur de l’appareil, qui posent des risques d’électrocution pour l’utilisateur.

Le point d’exclamation dans un triangle est un symbole destiné à attirer l’attention de l’utilisateur sur des sections de ce manuel contenant des informations importantes, liées à l’utilisation et à l’entretien de ce produit.

Note concernant les dispositions (Seulement EU)

Quand un symbole avec une poubelle barrée d’une croix apparait sur le produit, le mode d’emploi, les piles ou le pack de piles, cela signifie que ce produit, manuel ou piles doit être déposé chez un représentant compétent, et non pas dans une poubelle ou toute autre déchetterie conventionnelle. Disposer de cette manière, de prévenir les dommages

pour la santé humaine et les dommages potentiels pour l'environnement. La bonne méthode d'élimination dépendra des lois et règlements applicables dans votre localité, s’il vous plaît, contactez votre organisme administratif pour plus de détails. Si la pile contient des métaux lourds au-delà du seuil réglementé, un symbole chimique est affiché en dessous du symbole de la poubelle barrée d’une croix sur la pile ou le pack de piles.

*Tous les noms de produits et de sociétés sont des marques commerciales ou déposées de leur détenteur respectif.

INTRODUCTION

Félicitations pour votre achat de l'amplificateur de guitare VOX Custom Series AC30C2X/AC30C2/ AC30C2-TV/AC15C1X/AC15C2/AC15C1/AC15C1-TV / de la tête d'ampli de guitare VOX Custom Series AC30CH/AC15CH / du baffle V212C.

Cet ampli est l'aboutissement de plus de 50 ans d'expertise dans la conception et la fabrication d'amplis guitare de haute qualité. Nous avons pris les meilleurs modèles AC et leur avons ajouté un certain nombre de caractéristiques utiles pour vous offrir l'AC ayant la plus grande polyvalence sonore à ce jour !

Nous sommes sûrs que vous trouverez ces améliorations extrêmement utiles et que votre nouvel amplificateur vous apportera de nombreuses heures de plaisir sonore. Votre AC30 est équipé d'un grand nombre de caractéristiques modernes et pratiques comme une véritable boucle d'effets bypass, un volume général et des hauts-parleurs Celestion Blue Alnico (sur l'AC30C2X/AC15C1X uniquement), pour n'en citer que quelques unes. Veuillez lire attentivement ce mode d'emploi pour vous familiariser avec elles.

L'AC15C1X/AC15C2/AC15C1/AC15C1-TV/AC15CH possède maintenant un canal NORMAL et un canal TOP BOOST, et partage de nombreuses caractéristiques avec l'AC30C2X/AC30C2/AC30C2TV/AC30CH.

Tous les modèles sont équipés du Celestion G12M Greenback.

L'AC30CH/AC15CH vous propose le formidable éventail de sons AC dans une tête de format portable et pratique. Outre leur conformité aux spécifications standard AC30C2/AC15C1, les têtes intègrent un atténuateur réactif, pour des sons croustillants même à bas volume - un must pour vos tympans.

Veuillez vous reporter aux instructions de l’AC30C2/AC15C1 dans le manuel de l’utilisateur concernant l’utilisation de l’AC30C2-TV/AC15C1-TV.

AGENCEMENT DE LA FACE AVANT DE L'AC30C2(X)/AC30CH











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INPUTS (ENTRÉES)

1.Prise NORMAL Brancher votre guitare à cette entrée fera passer votre signal au travers du canal

NORMAL. Prise jack du haut pour une entrée de haut niveau, et prise jack du bas pour une entrée de bas niveau.

2.Prise TOP BOOST Brancher votre guitare à cette entrée fera passer votre signal au travers du canal

TOP BOOST. Prise jack du haut pour une entrée de haut niveau, et prise jack du bas pour une entrée de bas niveau.

NORMAL

3.Commande VOLUME

Détermine la sensibilité de la section préampli du canal NORMAL. Avec ce réglage, vous pouvez soit ajouter plus de gain en tournant le bouton dans le sens horaire soit obtenir un son plus clair en le tournant en sens inverse. Le volume NORMAL peut être employé en conjonction avec le volume MASTER, ce qui vous permet d'obtenir la balance parfaite entre distorsion et volume général. C'est-à-dire que si vous réglez le volume NORMAL bas et le volume MASTER haut, vous obtiendrez un son clair à fort volume. À l'opposé, si vous réglez le volume NORMAL haut et le volume MASTER bas, vous obtiendrez plus de distorsion à un volume général plus bas.

NOTE! De par la nature de son design, le circuit a besoin de quelques minutes pour se stabiliser une fois l’ ampli mis en sous tension. Il se peut que vous entendiez des bruits au cours de ce laps de temps, mais ils disparaitront tres rapidement.

TOP BOOST

NOTE! Les commandes de tonalité du canal TOP BOOST sont très interactives, ainsi par exemple augmenter le niveau des aigus avec la commande TREBLE réduira le niveau des graves (BASS). Il vaut mieux commencer avec les commandes de tonalité en position 12 heures et expérimenter pour trouver votre son parfait.

4.Commande VOLUME

Détermine la sensibilité de la section préampli du canal TOP BOOST. Avec ce réglage, vous pouvez soit ajouter plus de gain en tournant le bouton dans le sens horaire soit le tourner en sens inverse pour un son "carillonnant" plus clair. Le volume TOP BOOST peut être employé en conjonction avec le volume MASTER, ce qui vous permet d'obtenir la balance parfaite entre distorsion et volume général. C'est-à-dire que si vous réglez le volume TOP BOOST bas et le volume MASTER haut, vous obtiendrez un son clair à fort volume. À l'opposé, si vous réglez le volume TOP BOOST haut et le volume MASTER bas, vous obtiendrez plus de distorsion à un volume général plus bas.

5.Commande TREBLE

Contrôle les hautes fréquences de votre son—d'un son doux et rond en position basse (sens anti-horaire) à un son brillant et tranchant avec un réglage poussé à fond (sens horaire) en passant par tous les intermédiaires.

6.Commande BASS Contrôle les basses fréquences de votre son—d'un son ténu et léger en position

basse (sens anti-horaire) à un son chaud et lourd avec un réglage à fond (sens horaire) en passant par tous les intermédiaires.

REVERB

Cette section vous permet de contrôler la Reverb pour les deux canaux en réglant les commandes Tone (tonalité) et Level (niveau). Vous pouvez activer/désactiver la reverb au pied avec le pédalier optionnel VFS2A.

7.Commande TONE Contrôle les hautes et basses fréquences de la REVERB. Vous pouvez rendre

plus brillant le son de la REVERB en tournant cette commande dans le sens horaire ou plus feutré par une rotation anti-horaire.

Faites des essais avec cette commande pour trouver les réglages qui vous conviennent le mieux.

8.Commande LEVEL Contrôle le mixage (la quantité) de REVERB dans votre son. Tourner cette com-

mande à fond dans le sens horaire vous donne un son saturé d'effet tandis qu'en sens anti-horaire, vous obtenez un son plus sec (moins d'effet).

TREMOLO

Cette section vous permet de contrôler le TREMOLO pour les deux canaux de l'amplificateur en réglant les commandes Speed (vitesse) et Depth (profondeur). Vous pouvez activer/désactiver le TREMOLO au pied avec le pédalier optionnel VFS2A.

9.Commande SPEED Comme vous pouvez vous en douter, c'est la commande de vitesse du TRE-

MOLO intégré.

10.Commande DEPTH Contrôle la profondeur (intensité) du TREMOLO intégré.

Qu'est-ce que le TREMOLO ?

Le Tremolo est un effet d'ampli guitare vintage qui vient de la déferlante britannique des années 60. Essentiellement, cela revient à avoir quelqu'un assis près de votre ampli et chargé de constamment monter et baisser le volume master volume ! Avec la commande Depth au maximum, cela donne un effet très spectaculaire, qui fait sonner votre guitare de façon très hachée, la vitesse à laquelle le volume monte et descend se réglant avec la commande Speed. La meilleure chose à faire est de l'essayer pour trouver votre son idéal.

MASTER

11. Commande TONE CUT

Ce circuit est placé dans l'ampli de puissance contrairement aux commandes TREBLE et BASS de la section préampli. Il fonctionne à l'inverse de ce que vous pourriez imaginer. Tourner la commande dans le sens horaire réduit les plus hautes fréquences et la tourner dans le sens anti-horaire rajoute les plus hautes fréquences.

12. Commande VOLUME

Contrôle le VOLUME général (MASTER) de votre amplificateur. Les sons clairs peuvent être obtenus en baissant les volumes NORMAL ou TOP BOOST et en

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