Line 6 POD xt Pro, Vetta II Combo, Vetta II HD, POD X3, POD X3 Live Reference Manual

...

MIDI Co n t I n u o u s Co n t r o l l e r re f e r e n C e

For Line 6 Hardware & GearBox Software

Mac® OS X, Windows® XP® & Windows® Vista

Table of Contents

Line 6 Products and MIDI .....................................................................1•1

What’s MIDI? .................................................................................................................. 1•2

MIDI In & Out ............................................................................................................... 1•2

USB ................................................................................................................................. 1•2

MIDI Channel ................................................................................................................ 1•2

Making the connection .................................................................................................. 1•2

GearBox SysEx Control .................................................................................................. 1•6

GuitarPort Online Player Transport Control ................................................................. 1•7

MIDI Channel Selection ................................................................................................ 1•7

MIDI CC Reference Tables ......................................................................2•1

Line 6 Hardware MIDI CC Reference Table ................................................................. 2•2

GearBox Software MIDI CC Reference Table ............................................................. 2•14

MIDI CC Range Reference - Model Tables .............................................3•1

Pocket POD Model Tables ............................................................................................. 3•1

Floor POD Model Tables ............................................................................................... 3•3

POD 2.0 Model Tables.................................................................................................... 3•5

PODx t Model Tables ...................................................................................................... 3•7

Bass PODx t Model Tables ............................................................................................ 3•11

POD X3 Model Tables .................................................................................................. 3•13

Flextone III Model Tables............................................................................................. 3•17

HD 147 Model Tables ................................................................................................... 3•19

Vetta II Model Tables ................................................................................................... 3•21

GearBox Software Model Tables .................................................................................. 3•23

Effects Model Tables (All Line 6 Products) ................................................................. 3•29

Line 6, POD, POD 2.0, Bass PODxt, POD X3, PODxt, Vetta, Flextone, HD 147, GuitarPort Online and GearBox are trademarks of Line 6, Inc. All other product names, trademarks, and artists’ names are the property of their respective owners, which are in no way associated or afﬁliated with Line 6.

MIDI CC Reference - Line 6 Products & MIDI

lI n e 6 Pr o D u C t s a n D MIDI

This document describes the setup of Line 6 devices for MIDI communication and includes reference tables for the products’ MIDI controllers. Many Line 6 products allow their parameters to be tweaked remotely by 3rd party, external MIDI controller hardware units, and/or software MIDI sequencers. These items communicate with Line 6 products by sending MIDI Continuous Controller (MIDI CC), Program Change and/ or MIDI System Exclusive (SysEx) commands. A MIDI CC is the most common type of message used for this task, and what is used for accessing most functions on Line 6 products. A MIDI CC message consists of a “controller” number followed by a data value. When you access a button, slider, knob or pedal on your MIDI controller device, or when you conﬁgure your MIDI sequencing software to output MIDI control data, this MIDI CC command is what is transmitted, which makes it possible to do things such as remotely control the Volume or other parameters of your Line 6 hardware or software in real-time! Likewise, some Line 6 products’ functions, (such as Monitor levels in the Line 6 GearBox software), can be remotely accessed using MIDI SysEx commands. Additionally, these same Line 6 products are also capable of transmitting MIDI control data. This makes it possible to control another software or hardware device’s parameters in real-time via your Line 6 product.

The key to all this communication is the MIDI CC and SysEx mapping. The following pages include MIDI CC master tables for both Line 6 hardware and GearBoxTM software, as well as model tables for each product to serve as a reference document of MIDI assignments for the parameters of several Line 6 products. With this information you can set the MIDI CC values for your controller device to match the Line 6 parameters to be controlled. References for MIDI SysEx commands can be found in the GearBox SysEx Control section. The Line 6 products included in this reference are:

Pocket POD•

Floor POD•

POD•

Bass POD•

POD•

Flextone•

HD147•

Vetta•

TonePort•

POD Studio•

GearBox•

, Firmware Version 1.x

Plus, Firmware Version 1.x

2.0, POD® Pro, Firmware Version 2.3 and later

x t , POD® x t Pro & POD® x t Live, USB Firmware Version 1.12, Flash Memory Version 3.01

x t , Bass POD® x t Pro & Bass POD® x t Live, Firmware Version 2.14

X3 Live, POD® X3 Pro, USB Firmware Version 1.02, Flash Memory Version 1.15

III, Firmware Version 1.10

, Firmware Version 1.x

II & VettaTM II HD, Firmware Version 2.5

UX1, UX2, UX8, KB37, GX, D.I.

UX1, UX2, UX8, KB37

Software, Version 3.5 and later (please visit the line6.com Software Downloads page to get the latest GearBox version)

1•1

MIDI CC Reference - Line 6 Products & MIDI

What’s MIDI?

MIDI (Musical Instrument Digital Interface) is a communications protocol designed to allow various music-making machines exchange information. It allows one device to control another, and several devices to all be used together in coordination. To follow are details on the MIDI connections for your Line 6 Device.

MIDI In & Out

Hardware devices commonly use standard 5-pin MIDI cables, which are always connected from the MIDI Out jack of the sending device to the MIDI In jack of the receiving device. Each connection is a one-way street: information ﬂows from the OUT of one device to the IN of another device. To allow information to ﬂow back, you must connect a second cable, from IN to OUT. Several of the Line 6 hardware devices include MIDI jacks and can be connected to other MIDI devices in this manner.

USB

If you are using a Windows® or Mac® computer in your setup, then you can exchange MIDI data via USB rather than via a 5-pin MIDI cable connection. Many computer-based Line 6 products such as PODx t , BASS PODx t , TonePort, and POD Studio devices include drivers that establish Line 6 USB MIDI “ports” on your computer, allowing them to be connected to the MIDI ports of other computer-based hardware and MIDI software. Pocket POD needs no drivers to establish MIDI “ports” on your computer.

MIDI Channel

MIDI allows sixteen different channels of information to be transmitted and received through one MIDI port. (The MIDI channel is independent of, and has nothing to do with, your Line 6 device’s channels for storing individual Tones). You tune your Line 6 POD, Ampliﬁer or GearBox software in to listen to a particular MIDI channel (like choosing a channel on a TV or a station on a radio), and make sure the device that you want your Line 6 device to listen to is transmitting on that same MIDI Channel.

Making the connection

To follow are details for connecting your Line 6 product to other devices for MIDI communication.

POD X3 Live/Pro, Floor POD Plus, POD 2.0, POD Pro, Flextone III, HD 147 and Vetta II

Each of these Line 6 devices includes two MIDI cable connections: MIDI In & MIDI Out. You connect to other MIDI devices by plugging MIDI cables to these In & Out jacks. As mentioned above, be sure to use two MIDI cables, and connect between the MIDI Out of one device

1•2

MIDI CC Reference - Line 6 Products & MIDI

to the MIDI In of the other, and vice-versa. If you are connecting a 3rd party external MIDI Controller device to your Line 6 POD or Ampliﬁer, then you can typically connect the controller directly to the Line 6 device with two MIDI cables this way. If you are connecting to a computer, then you’ll need a MIDI Interface device that offers at least one physical MIDI port (one MIDI In and one MIDI Out jack). Then go into the MIDI software’s MIDI Preferences or Control Panel dialog and choose the 3rd party MIDI Interface’s MIDI In and MIDI Out port to allow the software to communicate to your connected Line 6 device. MIDI Interface units are relatively inexpensive and can be found at most music shops. Most modern MIDI Interface units connect to your computer via USB.

Connecting to a computer MIDI Interface with MIDI cables

Pod X3, PODx t , Bass PODx t , TonePort, POD Studio & Pocket POD

POD X3 Live & Pro devices include 5-Pin MIDI In and Out jacks, and it is necessary for you to use these connections to recieve and send MIDI data. (The POD X3 bean, Live & Pro USB connections do not carry MIDI data). POD X3 Live and Pro can be controlled by receiving MIDI messages coming into the 5-Pin MIDI Input. POD X3 Live and Pro also transmits MIDI data out through the 5-Pin MIDI Output jack, allowing you to control or communicate other MIDI hardware and software.

All PODx t and Bass PODx t family devices include both USB and 5-pin MIDI jacks. It is recommended to use the USB connection for your MIDI connectivity with these devices when connecting to your computer. Alternatively, you can use a 5-Pin MIDI cable connection as described above if it is the only way to connect to your other MIDI device.

1•3

MIDI CC Reference - Line 6 Products & MIDI

TonePort & POD Studio family devices include a USB MIDI driver that allows other Windows® or Mac® software applications to access “virtual” USB Line 6 MIDI In and Out ports. This allows you to send and receive MIDI control data between Line 6 GearBox and 3rd party MIDI software.

Pocket POD has a mini USB jack, which provides MIDI connectivity to your computer.

When connected to your computer via USB cable, the Line 6 driver will expose “virtual” MIDI ports that are accessible to other computerconnected MIDI hardware and MIDI software. Pocket POD requires no drivers to expose its “virtual” MIDI ports. For example, if you are using a MIDI sequencing software, you should be able to go into that software’s MIDI control panel and access the Line 6 MIDI In and PODxt MIDI out ports, such as within the Ableton Live Lite Line 6 Edition’s MIDI Preferences dialog shown here:

The MIDI Preferences panel window in Ableton Live. The Line 6 MIDI “ports” are selectable for any of Live’s MIDI In or Out functions

Once the Line 6 MIDI port is conﬁgured in the MIDI software, you can then choose it for any MIDI track and/or MIDI control options within your sequencing projects in the software. This allows you to use your POD’s on-board knobs & pedal to control parameters in the software. Or, this also allows you to have existing MIDI control data within a MIDI track of the sequencer send that data out to your POD to control one of its parameters. Check your sequencing software’s documentation fore more speciﬁcs on its MIDI capabilities.

Note that if you are connecting your Line 6 device to your computer using MIDI cables to and from a MIDI Interface (such as an M-Audio MIDISport, MOTU Express, etc.) then the MIDI Interface is the “MIDI Device” that will be visibly selectable in your MIDI software’s control panel. However, your Line 6 device will transmit and receive MIDI data through this device and allow you to use it to control the software, or to be controlled from the software.

1•4

MIDI CC Reference - Line 6 Products & MIDI

Line 6 GearBox Software

Much like the Line 6 hardware devices discussed above, the Line 6 GearBox software can also have it’s on-screen knobs, buttons, sliders and model selections controlled remotely via a hardware MIDI controller device, or via MIDI software. Most GearBox functions can be controlled via MIDI CC – please refer to the Line 6 GearBox MIDI CC Reference chart and Model Tables for the MIDI CC mapping. Likewise, GearBox can also output MIDI CC data whenever most of its functions are operated, which allows the remote control of other hardware or software products that are capable of responding to MIDI CC messages. Some additional GearBox functions can be controlled via MIDI SysEx commands – please see the following GearBox SysEx Control section.

To conﬁgure GearBox to receive MIDI data from a 3rd party controller:

Connect your external MIDI controller device to your computer (either via 5-pin MIDI cables to a MIDI Interface, or via USB if your controller offers it). Next, go to the GearBox Preferences dialog and choose the MIDI/Control tab. To receive MIDI data from a 3rd party external MIDI controller, access the MIDI Input selector, where you can choose the MIDI device or port from which you want GearBox to receive MIDI controller data:

GearBox Preferences – MIDI/Control tab, Mac OS X

If you are using Windows, the options are the same within the GearBox Preferences > MIDI/Control tab. As shown in the above example, we’ve selected to receive MIDI Input from a connected M-Audio MIDISPORT 2x2 MIDI Interface – GearBox will receive MIDI data from any MIDI controller connected into the “Port A” MIDI Input jack of the MIDISPORT.

GearBox will automatically receive MIDI data on MIDI Channel 1 from the connected Line 6 USB source hardware, regardless of the above MIDI Input selector’s setting (supported by TonePort, POD Studio, POD X3 and PODx t family devices). Therefore, to control GearBox from a 3rd party MIDI sequencing software you can simply set the MIDI sequencer application’s MIDI Out to be the MIDI In port of your source Line 6 USB device.

1•5

MIDI CC Reference - Line 6 Products & MIDI

Note – When using a PODxt family device as your USB source device for GearBox, then the PODxt hardware is already a “ﬁxed” MIDI Input device into GearBox, therefore, the Preferences-MIDI/Control tab appears blank. You can plug an external controller into PODxt’s 5-Pin MIDI In, or set your MIDI software to use the PODxt USB MIDI In port to route MIDI data into GearBox.

To conﬁgure GearBox to send MIDI data - In the same MIDI/Control tab, simply check the box for “Send MIDI as on-screen controls are

operated” (this box is unchecked by default).

MIDI data is automatically routed out the USB MIDI Out of the connected Line 6 USB source device.

GearBox SysEx Control

Some GearBox and GuitarPort Online (GPO) functions, such as Monitor & Send Levels, can be controlled via MIDI by using SysEx commands. GearBox SysEx messages take on the following format:

F0 00 01 0C 08 <opcode> <data> … F7

Where:

<opcode> is a single byte opcode (00 – 7F)

Number of bytes in <data> depends on the opcode.

The following table lists the opcodes implemented in GearBox 3.5 and later:

Function Opcode Data Size (bytes) Data Description Bypass 00 1 Byte 1: 00 for bypass off; 01 for bypass on

Monitor Mute 01 2

Next/Previous Tone 02 1 Byte 1: 01 for next tone; 00 for previous tone

Record Send Level 03 2

Byte 1: Audio stream, 00 = Send 1/2, 01 = Send 3/4 ... 7F = all Byte 2: 01 is mute on; 00 is mute off

Byte 1: Audio stream, 00 = Send 1/2, 01 = Send 3/4 ...7F = all Byte 2: Gain scale, 00-7F (00 = 0.0 to 7F = 1.0)

1•6

MIDI CC Reference - Line 6 Products & MIDI

Monitor Level 04 2

GPO Track Level 05 1 Byte 1: Gain scale, 00-7F (00 = 0.0 to 7F = 1.0) GPO Player Half Speed 06 1 Byte 1: 01 = enable half speed; 0x00 = disable half speed GPO Player Loop Enable 07 1 Byte 1: 01 = loop enable; 00 = loop disable

Byte 1: Audio stream, 00 = Send 1/2, 01 = Send 3/4 ...7F = all Byte 2: Gain scale, 00-7F (00 = 0.0 to 7F = 1.0)

GuitarPort Online Player Transport Control

In addition, the following MIDI events are recognized for the Guitar Port Online (GPO) Player transport control. These 3 byte MIDI short messages (not SysEx) are based on the Mackie control speciﬁcation.

GPO Track Play 90 5E 7F GPO Track Stop 90 5D 7F GPO Track FWD Start 90 5C 7F GPO Track FWD Stop 90 5C 00 GPO Track REW Start 90 5B 7F GPO Track REW Stop 90 5B 00

MIDI Channel Selection

Typically, you can use the default MIDI Channel settings on your Line 6 POD or Ampliﬁer for most setups. But if you have problems with communication between devices, or if you need to use a speciﬁc MIDI channel, then you can change the speciﬁc MIDI Channel your Line 6 device uses for receiving and transmitting.

Floor POD Plus

To set Floor POD Plus’ MIDI Channel, hold the Manual button and press Save to enter MIDI channel mode. The display will indicate the current MIDI transmit/receive channel. Use the Bank Up/Down footswitches to change the MIDI transmit/receive channel. Selecting “All” places the unit into Omni mode - In Omni mode the unit receives MIDI on all channels and transmits only on channel 1. Press the Manual button to save the MIDI channel selection and exit MIDI channel mode.

1•7

MIDI CC Reference - Line 6 Products & MIDI

POD 2.0, POD Pro

To set POD’s MIDI Channel, press the MIDI button (which will light up). The single-digit display will show you the current channel POD is tuned in to – the default is Channel 1. Use the Up and Down arrows to select a different MIDI channel from 1 thru 16. POD displays channels 10 through 16 by lighting up the decimal point to the right of the single digit. So “2.” means channel 12. You can also set POD to listen to all channels (Omni mode) by selecting “A” (A for all) for the MIDI channel. When in Omni mode, POD transmits on channel 1.

PODx t and Bass PODx t

To set the MIDI Channel on PODx t , PODx t Pro, Bass PODx t or Bass PODx t Pro, press the TUNE/SYSTEM button (which will light up). For PODx t Live or Bass PODx t Live, press the OUTPUT MODE/SYSTEM button so that it lights up. Then, for any of these units, use the Select knob to ﬁnd the MIDI page that looks like this:

PODxt/Bass PODxt MIDI options

Press the button under CHANL and start spinning the EFFECT TWEAK knob to change the MIDI Channel. You can choose channels 1 thru 16, or OMNI (Omni means PODx t will ‘listen’ on all MIDI channels, which is ﬁne if it’s your only connected MIDI device). PODxt/ Bass PODxt always accepts SysEx data on any channel, so if you are only working with SysEx data, this channel setting is only important to determine what channel your PODx t /Bass PODx t will send on.

POD X3 Live, POD X3 Pro

To set the MIDI Channel on POD X3, press and hold the Outputs/Hold for System button for 2 seconds to go to the SYSTEM page:

The POD X3 System page

1•8

MIDI CC Reference - Line 6 Products & MIDI

Choose from MIDI Channel 1-16, or select Omni to have POD X3 respond to all MIDI channels, while transmitting on Channel 1. When MIDI Program Change messages 0-127 are received, POD X3 Live will recall User Presets 01A-32D, and it will send those same program changes as presets are selected from the POD X3. It also echoes all Program Change messages it receives to the MIDI Out, so they can be connected “thru” to another MIDI device.

Vetta II and Vetta II HD

To set the MIDI Channel on a Vetta II Combo or HD ampliﬁer, press the SYSTEM SETUP button (which will light up), then turn the PAGE knob until the LCD displays page 3. Select the knob directly beneath the MIDI CHAN item in the display and adjust it to the desired channel number (1-16).

Flextone III, HD 147, and Pocket POD

Flextone III, HD 147, and Pocket POD always communicate on MIDI Channel 1 as a ﬁxed setting.

GearBox Software

GearBox receives and sends MIDI data on Channel 1 as a ﬁxed setting.

Looking for more control? The Line 6 FBV Series Foot Controllers are designed to work with most Line 6 POD and amp products right out of the box. Also check out the Line 6 Product Manuals page to grab more info on Line 6 gear, recording, computer optimizations and more!

1•9

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

MIDI CC re f e r e n C e ta b l e s

The following sections include MIDI reference tables. The ﬁrst MIDI CC refrence table is speciﬁcally for Line 6 hardware devices, followed by a table for the Line 6 GearBox software. These tables list all controllable parameters, the MIDI CC controller number and values assigned to each parameter, as well as descriptions for what is being controlled. To follow are descriptions of the columns shown in the Line 6 Hardware and GearBox MIDI CC tables.

Parameter - The table lists all parameters that can be remotely controlled by MIDI CC’s, and you can see that many parameters are common to several Line 6 hardware devices.

Notes - Some Parameters may not be too obvious by name alone, or have some special behaviors for how their data value ranges are applied, so this column is where to look for this info.

Product Columns - (Line 6 Hardware chart) There are 5 sets of paired columns that refer to the 5 product types. Note that PODx t and Bass PODx t are each one paired column set – these each include all PODx t and Bass PODx t products (XT, XT Pro and XT Live), unless otherwise noted. Each has a column for “TX” (transmit) and “RX” (receive). A check mark in the slot means that the control of the parameter via MIDI CC is supported for the product type.

MIDI CC# and Range - This set of columns lists the assigned MIDI CC controller number, and the range for the data values supported. You can see that most CCs offer a range from 0 to 127, which typically map to a knob or slider. If the parameter is a simple on/off type, then usually values from 0 to 63 will all set that parameter to “off” and 64 to 127 will set the parameter to “on”. Some parameters, such as the various “Model Select” items, will number only from 0 up to a number less than 127, since each value represents each Model that is available – all higher values have no related function (see the Model Tables section*). Check the Notes column to see if other behaviors apply.

*The Model Tables section provide the detailed breakdown of MIDI CC range values that are assigned to the individual Amp, Cabinet and Effects Models and Effect parameters. These are the available Model types for each Amp/Cab/Effect Model Select parameter, and each Model is recalled using the speciﬁc range value for the assigned MIDI CC.

2•1

Line 6 Hardware MIDI CC Reference Table

Line 6 Hardwaere MIDI CC Refrence Table

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Tweak 1 0 127 √ √ √ √ √ √ √ √ √ √ √ √ Pedal 1 1 0 127 √ √ Delay Tweak 2 0 127 √ √ Tweak 2 2 0 127 √ √ Pedal 2 2 0 127 √ √ Modulation

Tweak Wah Position 4 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ Compressor

Gain Split/Blend 0=Blend/Blend, 1=Split/

Blend, 2=Blend/Split, 3=Split/Split

Volume Pedal Realtime (not saved in

Channel or Setup)

Amp 2 Pan 0=Full Left, 64=Center,

127=Full Right

Compression Threshold

Amp 1/Studio Pan

Amp 1 Model w/ Amp defaults

0=Full Left, 64=Center, 127=Full Right

Loads Amp with Amp Defaults. Range depends on device (see model tables)

3 0 127

5 0 127

6 0 3

7 0 127

8 0 127

9 0 63

10 0 127

11 0 -

POD 2.0

√ √ √ √ √ √ √ √ √ √ √ √ √ √ √

PODx t Bass

PODx t

√ √ √ √ √ √

√ √ √ √

√ √ √ √ √ √ √ √

Flex III HD147

√ √

Vetta II Floor

POD Plus

Pocket

POD

POD X3

Live /Pro

2•2

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardwaere MIDI CC Refrence Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Amp 1 Model w/out Amp defaults

Amp 1 Model w/ Amp defaults

Amp 1 Drive 13 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ Mic Pre Amp

Param 0 Amp 1 Bass 14 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ Mic Pre Amp

Param 1 Amp 1 Mid 15 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ Mic Pre Amp

Param 2 Low Mid 15 0 127 √ √ Amp 1 Treble 16 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ Mic Pre Amp

Param 3 High Mid 16 0 127 √ √ Amp 1

Channel Volume

Mic Pre Amp Param 4

Reverb Level 18 0 127 √ √ √ √ √ √ √ √ √ √ √ √

Loads Amp Model without Amp Model Defaults. Range depends on device (see model tables)

12 0 -

13 0 127

14 0 127

15 0 127

16 0 127

17 0 127

POD 2.0

√ √ √ √ √ √ √ √

√ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √

PODx t Bass

PODx t

√ √ √ √

Flex III HD147

Vetta II Floor

POD Plus

Pocket

POD

POD X3

Live /Pro

2•3

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardwaere MIDI CC Refrence Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Effect Model Range depends on device

(see model tables)

Effect Setup 19 0 63 √ √ √ √ √ √ √ √ Drive 2 (Only

if Amp Type = Layer)

EQ Freq 1 (low shelving)

Amp 1 Presence

Mic Pre Amp Param 5

Treble 21 0 127 √ √ Noise Gate

Enable Gate

Threshold Gate Decay 0=.1msec; 127=3000msec 24 0 127 √ √ √ √ √ √ √ √ √ √ √ √ Stomp Enable 0~63=Off ; 64~127=On 25 0 127 √ √ √ √ √ √ √ √ √ √ Drive/Boost 0~63=Off ; 64~127=On 25 √ √ Comp Enable 0~63=Off ; 64~127=On 26 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ Volume Boost 0~63=Off ; 64~127=On 26 0 127 √ √ Stomp Param 1

MSB Presence Boost 0~63=Off ; 64~127=On 27 0 127 √ √ √ Delay Enable 0~63=Off ; 64~127=On 28 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ Modulation

Param 1

Non-linear mapping 20 0 127

0~63=Off ; 64~127=On 22 0 127

0<>31=-96dB, 32=-96dB...127=0dB

Not currently in use 27 0 127

19 0 -

21 0 127

23 32 127

29 0 127

POD 2.0

√ √ √ √ √ √ √ √ √ √

√ √ √ √ √ √

√ √ √ √ √ √ √ √ √ √ √

√ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √

PODx t Bass

PODx t

√ √

√ √ √ √ √ √ √ √ √ √ √ √ √

√ √ √ √ √ √ √

Flex III HD147

Vetta II Floor

POD Plus

√ √

Pocket

POD

POD X3

Live /Pro

2•4

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardwaere MIDI CC Refrence Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Delay Param 1 MSB

Delay Param 1 Note value

EQ Freq 2 (peaking)

Delay Regeneration

Delay Param 2 33 0 127 √ √ √ √ √ √ √ √ √ Delay Mix 34 0 127 √ √ √ √ √ √ √ √ √ √ √ Delay Param 3 35 0 127 √ √ √ √ √ √ √ Reverb Enable 0~63=Off ; 64~127=On 36 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ Reverb Model Range depends on device

Reverb Decay 38 0 127 √ √ √ √ √ √ √ √ √ Reverb Tone 39 0 127 √ √ √ √ √ √ √ √ Reverb

Diffusion Reverb Pre-

Delay Reverb Density 41 0 127 √ √ √ Reverb Pre/

Post

1=Whole, 2=Dotted Half, 3=Half, 4=Half Triplet, 5=Dotted Quarter, 6=Quarter,

7=Quarter Triplet, 8=Dotted Eighth, 9=Eighth, 10=Eighth Triplet, 11=Dotted Sixteenth, 12=Sixteenth, 13=Sixteenth Triplet

Non-linear mapping 32 0 127

(see model tables)

0~63 = Pre-Amp Model, 64~127 = Post-Amp Model

30 0 127

31 0 127

32 0 127

37 0 127

40 0 127

41 0 127

POD 2.0

√ √ √ √ √ √ √ √

PODx t Bass

PODx t

√ √ √ √ √ √ √ √ √ √ √

√ √

√ √ √ √

√ √ √ √ √ √ √ √

√ √ √ √ √

√ √ √

√ √ √ √ √ √

Flex III HD147

Vetta II Floor

POD Plus

Pocket

POD

POD X3

Live /Pro

2•5

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardwaere MIDI CC Refrence Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Compression Ratio

EQ Freq 2 (peaking)

EQ Freq 3 (peaking)

Wah Enable 0~63=Off ; 64~127=On 43 0 127 √ √ √ √ √ √ √ √ √ √ √ √ Pedal 1 Enable 0~63=Off ; 64~127=On 43 0 127 √ √ Wah Model 44 0 127 √ √ Modulation

lo-cut Wah Bottom

Frequency Wah Top

Frequency Delay/Reverb

lo-cut Volume Pedal

Maximum Volume Pedal

Minimum EQ Pre/Post 0~63 = Pre-Amp Model,

Volume Pre/ Post

Volume Swell Enable

D.I.>Model 48 0 127 √ √

Non-linear mapping 42 0 127

64~127 = Post-Amp Model

0~63 = Pre-Amp Model, 64~127 = Post-Amp Model

42 0 127

44 0 127

45 0 127

46 0 127

47 0 127

48 0 127

POD 2.0

PODx t Bass

PODx t

√ √ √

√ √ √ √

√ √

√ √ √

√ √

√ √ √ √ √ √ √ √ √

√ √

√ √ √ √ √ √ √ √ √ √

√ √

Flex III HD147

Vetta II Floor

POD Plus

Pocket

POD

√ √

POD X3

Live /Pro

√ √

2•6

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardwaere MIDI CC Refrence Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Vol Swell Ramp Time

D.I. Delay 49 0 127 √ √ Mod Enable 0~63=Off ; 64~127=On 50 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ Chorus/Flange

Speed Modulation

Param 1 Note value

Chorus/Flange Depth

Mod Param 2 52 0 127 √ √ √ √ √ √ √ Chorus/Flange

Regen. Mod Param 3 53 0 127 √ √ √ √ √ √ √ Chorus

PreDelay Mod Param 4 54 0 127 √ √ √ √ √ √ √ Rotary Speed 55 0 127 √ √ √ Mod Param 5 55 0 127 √ √ √ √ Rotary Max

Speed Mod Mix 56 0 127 √ √ √ √ √ √ √

1=Whole, 2=Dotted Half, 3=Half, 4=Half Triplet, 5=Dotted Quarter, 6=Quarter,

7=Quarter Triplet, 8=Dotted Eighth, 9=Eighth, 10=Eighth Triplet, 11=Dotted Sixteenth, 12=Sixteenth, 13=Sixteenth Triplet

49 0 127

51 0 127

51 0 13

52 0 127

53 0 127

54 0 127

56 0 127

POD 2.0

PODx t Bass

PODx t

√ √ √

√ √ √ √ √ √ √

√ √ √

Flex III HD147

Vetta II Floor

POD Plus

Pocket

POD

POD X3

Live /Pro

2•7

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardwaere MIDI CC Refrence Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Rotary Min Speed

Mod Pre/Post 0~63 = Pre-Amp Model,

64~127 = Post-Amp Model

Tremolo Speed 58 0 127 √ √ √ Mod Model 58 0 - √ √ √ √ √ √ √ √ Tremolo Depth 59 0 127 √ √ √ Stomp Param

1 LSB EQ Freq 3

(peaking) EQ Freq 4

(peaking) Mod Param 1

LSB Delay Time

(Dbl Precision) Delay Param 1

LSB EQ Enable 0~63=Off ; 64~127 63 0 127 √ √ √ √ √ √ √ √ Tap Tempo 64-127 = a Tap 64 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ Pedal Assign 0~41 = Wah/Off -

Not currently in use 59 0 127

Non-linear mapping 60 0 127

Volume; 42~85 = TweakVolume; 86~127 = Wah/ Vol - Tweak

57 0 127

61 0 127

62 0 127

65 0 127

POD 2.0

PODx t Bass

PODx t

√ √ √

√ √ √ √ √ √ √

√ √ √ √

√ √

√ √ √ √ √ √ √

√ √ √ √

√ √ √ √ √ √ √

√ √ √ √ √ √

Flex III HD147

Vetta II Floor

POD Plus

Pocket

POD

POD X3

Live /Pro

√ √

2•8

+ 42 hidden pages

Line 6 POD xt Pro, Vetta II Combo, Vetta II HD, POD X3, POD X3 Live Reference Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

lI n e 6 Pr o D u C t s a n D MIDI

What’s MIDI?

MIDI In & Out

MIDI Channel

Making the connection

GearBox SysEx Control

GuitarPort Online Player Transport Control

MIDI Channel Selection

MIDI CC re f e r e n C e ta b l e s

Line 6 Hardware MIDI CC Reference Table