Corel Painter - 11 Instruction Manual

Page 1
Page 2
Page 3

Contents

Welcome to Corel Painter 11 . . . . . . . . . . . . . . . . 1
What’s in This User Guide? . . . . . . . . . . . . . . . . . . . . . . 1
What’s New in Corel Painter? . . . . . . . . . . . . . . . . . . . . 2
How to Use the Documentation . . . . . . . . . . . . . . . . . . 3
Registration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
About Corel Corporation . . . . . . . . . . . . . . . . . . . . . . . . 4
The Menu Bar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
The Toolbox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
The Property Bar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
The Brush Selector Bar . . . . . . . . . . . . . . . . . . . . . . . . . 12
The Palettes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Custom Palettes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Working with Documents . . . . . . . . . . . . . . . . . . . . . . 20
Working with Composition Tools, Rulers, and Guides . 31
Setting Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Using Two Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Wacom Intuos Support . . . . . . . . . . . . . . . . . . . . . . . . 44
Textures, Patterns, and Weaves . . . . . . . . . . . . . 47
Using Paper Texture . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Using Patterns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Using Weaves . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .59
Getting Started with Color . . . . . . . . . . . . . . . . . . . . . .59
Working with the Mixer Palette . . . . . . . . . . . . . . . . . .65
Working with Color Sets . . . . . . . . . . . . . . . . . . . . . . . .71
Setting Color Variability . . . . . . . . . . . . . . . . . . . . . . . .77
Working with Gradients . . . . . . . . . . . . . . . . . . . . . . . .79
Color Management . . . . . . . . . . . . . . . . . . . . . . .83
Understanding Color Management . . . . . . . . . . . . . . .83
Getting Started with Color Management . . . . . . . . . . .87
Previewing Images . . . . . . . . . . . . . . . . . . . . . . . . . . . .89
Changing Color Profiles . . . . . . . . . . . . . . . . . . . . . . . .89
Working with Color Profile Policies . . . . . . . . . . . . . . . .91
Working with Presets . . . . . . . . . . . . . . . . . . . . . . . . . .92
Painting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .95
Exploring Brushes . . . . . . . . . . . . . . . . . . . . . . . . . . . . .95
Understanding Brush Categories . . . . . . . . . . . . . . . . .97
Choosing Brush Settings . . . . . . . . . . . . . . . . . . . . . . .107
Marking the Canvas . . . . . . . . . . . . . . . . . . . . . . . . . .110
Exploring Painting . . . . . . . . . . . . . . . . . . . . . . . . . . .114
Working with Fills . . . . . . . . . . . . . . . . . . . . . . . . . . . .124
Hard Media . . . . . . . . . . . . . . . . . . . . . . . . . . . .129
Using Hard Media Variants . . . . . . . . . . . . . . . . . . . . .129
Customizing Hard Media Variants . . . . . . . . . . . . . . .130
Table of contents i
Page 4
Markers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Getting Started with Markers . . . . . . . . . . . . . . . . . . 135
Customizing Markers . . . . . . . . . . . . . . . . . . . . . . . . 136
RealBristle Brushes . . . . . . . . . . . . . . . . . . . . . . 137
Getting Started with RealBristle brushes . . . . . . . . . . 138
RealBristle settings . . . . . . . . . . . . . . . . . . . . . . . . . . 138
Watercolor . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Getting Started with Watercolor . . . . . . . . . . . . . . . . 141
Working with Digital Watercolor . . . . . . . . . . . . . . . . 143
Customizing Brushes . . . . . . . . . . . . . . . . . . . . 147
Getting Started with the Brush Creator . . . . . . . . . . . 148
Managing Settings and Controls . . . . . . . . . . . . . . . . 153
Managing Custom Brushes . . . . . . . . . . . . . . . . . . . . 197
Photo Painting System . . . . . . . . . . . . . . . . . . . 201
Creating Underpaintings . . . . . . . . . . . . . . . . . . . . . . 202
Auto-Painting Photos . . . . . . . . . . . . . . . . . . . . . . . . 204
Restoring Detail to Paintings . . . . . . . . . . . . . . . . . . . 207
Cloning and Tracing . . . . . . . . . . . . . . . . . . . . . 209
Cloning Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209
Using Clone Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . 213
Turning Other Brushes into Cloners . . . . . . . . . . . . . . 219
Layers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .241
Getting Started with Layers . . . . . . . . . . . . . . . . . . . . 242
Managing Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . 248
Editing Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257
Image Effects. . . . . . . . . . . . . . . . . . . . . . . . . . .265
Applying Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265
Tonal Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 266
Using Lighting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269
Working with Surface Texture . . . . . . . . . . . . . . . . . . 270
Mosaics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .279
Getting Started with Mosaics . . . . . . . . . . . . . . . . . . . 280
Placing and Customizing Tiles . . . . . . . . . . . . . . . . . . 285
Shapes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .291
Getting Started with Shapes . . . . . . . . . . . . . . . . . . . 292
Creating Shapes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 294
Editing Shapes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 301
Transforming Shapes . . . . . . . . . . . . . . . . . . . . . . . . . 305
Printing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .311
Getting Started with Printing . . . . . . . . . . . . . . . . . . . 311
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .313
Selections and Transformations . . . . . . . . . . . . 223
Creating and Saving Selections . . . . . . . . . . . . . . . . . 223
Adjusting Selections . . . . . . . . . . . . . . . . . . . . . . . . . 231
Transforming Selections . . . . . . . . . . . . . . . . . . . . . . 235
ii
Page 5
www.cliffcramp.com
Cliff Cramp
Page 6
Gracjana Zielinska
www.vinegaria.com
Page 7
www.chrisbeatrice.com
Chris Beatrice
Page 8
Cher Threinen-Pendarvis
www.pendarvis-studios.com
Page 9
Paolo Brabo
www.e-brabo.com
Page 10
Eric Scala
www.ericscala.com
Page 11
Yoko Ogre
www.ogre-s.com
Page 12
Susan Levan
www.bruckandmoss.com
Page 13
www.androidjones.com
Andrew Jones
Page 14
Erik Holmen
www.robrady.com
Page 15
www.widigan.cghub.com
Mike McCarthy
Page 16
Marilyn Sholin
www.marilynsholin.com
Page 17
www.danieljamescox.blogspot.com
Daniel Cox
Page 18
Simon Dominic Brewer
www.painterly.co.uk
Page 19
Heather Michelle Bjoershol
www.HeatherThePainter.com
Page 20
Dan Milligan
www.danmilligan.com
Page 21

Welcome to Corel Painter 11

Corel® Painter™ 11 is the ultimate digital art studio. Its inventive drawing tools, realistic brushes, and customizable features let you expand your creative output in exciting new ways. When you use the pressure-sensitive brushes of Corel Painter, they become fluid extensions of your hand, so the resulting brushstrokes are unrivaled in texture and precision. What's more, features such as the ability to build your own Natural-Media® brushes and customize how brushes interact with the canvas give you countless ways to develop your artistic ideas. Corel Painter takes you far beyond what's possible in a traditional art environment.
This section contains the following topics:
What’s in This User Guide?
What’s New in Corel Painter?
How to Use the Documentation
Registration
About Corel Corporation

What’s in This User Guide?

This user guide provides step-by-step instructions to help you learn to use Corel Painter 11. The content describes the most common tasks performed with Corel Painter 11. Please note that this guide is not an exhaustive reference for every tool. If you require additional information, please refer to the application’s Help system.
1
Page 22
To demonstrate what can be achieved with Corel Painter 11, a gallery of artwork by renowned digital artists is featured at the beginning of this user guide.
Pen s — You can create fine pen strokes, or thick strokes
and ink deposits, by changing the stroke velocity. The faster you go, the thinner the line; the slower you go, the thicker the line.

What’s New in Corel Painter?

In this section, you will find information about the new and enhanced features of Corel Painter 11.

New Features

Color management includes individual color profiles per document and improved color recognition for imported files, which result in better color matches. Having fewer color corrections to make streamlines your workflow. In addition, the fresh, simplified interface for color-management operations makes it easier to control color profiles when you create or open files.
Hard Media variants include pencils, chalk, markers, and pens that mimic the behavior of their traditional counterparts more accurately than the tools of any other software!
Pencils and Chalks — You can control shading by
changing the angle of your pen on the drawing tablet. As with conventional pencils and chalk, you can use the tip for drawing and the side of the nib for shading.
Markers — You can intensify color with each marker
stroke. This feature lets you use one continuous shade or a buildup of color.
Transformation capabilities are combined in a centralized tool, improving the ease and efficiency of transforming images. The new Transform tool offers convenient property bar buttons that let users quickly switch between the Move, Scale, Rotate, Skew, Distort, and Perspective Distortion modes.

Enhanced Features

Brushes perform as much as 30% faster than the previous version, creating a more true-to-life painting speed.
Brush controls let you change the width of your strokes by adjusting the angle of your pen when you work with a drawing tablet. Now, shading by hand feels more natural than ever.
Selection tools include a new Polygonal mode for the Lasso tool, plus overall improvements to marquee tools and the Magic Wand, which lets you make more nimble selections on your first try.
The Colors palette lets you adjust colors manually with sliders and enlarge the palette up to 800 pixels for a clearer view of colors. You can now also fine-tune the Hue Ring with the keyboard arrow keys, so it takes less time to find the perfect color.
2 Corel Painter 11 Getting Started Guide
Page 23
The Mixer palette and swatches give you more color options. Extra mixer swatches appear when you enlarge the newly resizable Mixer palette. You can enlarge the palette to make colors more accessible and provide a clearer view of your chosen color. When you no longer need to mix colors, you can reduce the size of the palette so that it uses less screen space.

How to Use the Documentation

The Help gives you access to a full range of topics in a searchable format. You can access the Help from within the application by choosing Help menu (Mac OS®) or Help Topics (Windows®). In addition, you can refer to the Corel Painter 11 Getting Started Guide, which provides general over views about Corel Painter features and presents the most commonly used procedures.
You can learn about Corel Painter by accessing online resources for the Corel Painter community, including Tips and Tricks and tutorials.
Corel Painter 11 Help
To use the Help
1 Choose Help menu Corel Painter 11 Help (Mac OS)
or Help Topics (Windows).
2 Perform a task from the following table.
To Do the following
Browse through Help topics Click Contents (Mac) or the
Contents tab (Windows).
Use the index Click Index (Mac).
Click the Index tab, and scroll through the entries, or type a word or phrase in the box (Windows).
Search the full text of the Help (Mac OS) Type a word or phrase
in the Search box in the upper­right corner of the Help window, and press Return.
(Windows) Click the Search tab, type a word or phrase in the box, and click List Topics.

Using the Corel Painter Help

The Help is a fully searchable source of information about Corel Painter.
If you are using Windows, you can perform a search by typing a phrase and enclosing it in quotation marks (for example, “Divine Proportion” or “Match Palette”).
3Welcome to Corel Painter 11
Page 24

Registration

Registering Corel products is important. Registration provides you with timely access to the latest product updates, valuable information about product releases, and access to free downloads, articles, tips and tricks, and special offers.

About Corel Corporation

Corel Corporation is one of the world’s top software companies, with more than 100 million active users in over 75 countries. We develop software that helps people express their ideas and share their stories in more exciting, creative, and persuasive ways. Through the years, we’ve built a reputation for delivering innovative, trusted products that are easy to learn and use, helping people achieve new levels of productivity. The industry has responded with hundreds of awards for software innovation, design, and value.
Our award-winning product portfolio includes some of the world's most widely recognized and popular software brands, including CorelDRAW® Graphics Suite, Corel® Paint Shop Pro™ Photo, Corel® Painter™, VideoStudio®, WinDVD®, Corel® WordPerfect® Office, and WinZip®. Our global headquarters are in Ottawa, Canada, and our major offices are in the United States, the United Kingdom, Germany, China, Taiwan, and Japan.
4 Corel Painter 11 Getting Started Guide
Page 25

Workspace Tour

The Corel Painter workspace has been designed to give you easy access to tools, effects, commands, and features. The workspace is organized across a series of menus, selectors, and interactive palettes. Some features are also available in the frame of the document window.
This section contains the following topics:
The Menu Bar
The Toolbox
The Property Bar
The Brush Selector Bar
The Palettes
Customizing the Workspace
Custom Palettes

The Menu Bar

Using the commands on the Corel Painter menu bar, you can
work with files and editing commands
apply and adjust effects
perform selection operations, work with shapes, and
create animations
control the document window or the Corel Painter
workspace
5
Page 26
1. Menu bar 6. Navigation icon 11. Brush Selector bar
2. Tracing Paper icon 7. Drawing Mode icon 12. Document title bar
3. Colors palette 8. Selectors 13. Toolbox
4. Layers palette 9. Color Selection box 14. Property bar
5. Scale slider 10. Canvas Artwork by Weiye Yin
6 Corel Painter 11 User Guide
Page 27
The document window lets you access the following features with the click of a button:
Tracing Paper — Lets you trace a clone source. When
Tracing Paper is in use, you see a faded-out version of the clone source, as if it were displayed under real tracing paper on top of a light box.
Grid — Helps you position brushstrokes and shapes.
You can set the types, size, line thickness, and color of the grid.
Color Correction — Lets you apply the current color
management style to an image. When the icon shows colors, the color management style is applied to the image; when the icon shows black, the color management style is not applied to the image.
Impasto Effect — Lets you view the depth effect of
the Impasto layer.
Drawing Mode — Lets you choose where you can
apply brushstrokes to your image when you have an active selection. Position the pointer over the icon, and hold down the stylus button to choose between drawing anywhere, drawing outside the selection only, or drawing inside the selection only.
Navigation — Lets you view a pop-up window of the
entire image and choose which area is displayed in the document window. For example, when you are working at a high zoom level or with a large image, you can find a different image area without having to adjust the zoom level.

The Toolbox

You can use the tools in the toolbox to paint, draw lines and shapes, fill shapes with color, view and navigate documents, and make selections. Under the toolbox is a color selector, plus six content selectors that let you choose papers, gradients, patterns, weaves, looks, and nozzles.
The toolbox contains flyout menus, in which tools of similar function share a space. The button for only one of these tools is displayed at a given time. A flyout menu is indicated by a triangle in the lower-right corner of the button.
Some tools are located in flyout menus on the toolbox. To open a flyout menu, click and hold down a tool button that has a triangle in the lower-right corner.
7Workspace Tour
Page 28

Exploring the Toolbox

Tool Description
Navigation and Utility Tools
Magnifier tool The Magnifier tool lets you
magnify areas of an image when you are performing detailed work, or reduce areas to get an overall view of an image. For more information, see “Zooming” on page 23.
Grabber tool The Grabber tool gives you a
quick way to scroll an image. For more information, see Repositioning Documents in the Help.
Rotate Page tool The Rotate Page tool lets you
rotate an image window to accommodate the way you naturally draw. For more information, see “Rotating and Flipping the Canvas” on page 27.
To ol D es c ri p ti on
Perspective Grid tool The Perspective Grid tool lets
you select and move the location of the perspective grid lines, the vanishing point, the horizon line, the ground line, and the picture plane. See “Using the Perspective Grid” in the Help for more information.
Divine Proportion tool The Divine Proportion tool lets
you plan compositions by using guides based on a classical composition method. For more information, see “Using the Divine Proportion tool” on page 34.
Layout Grid tool The Layout Grid tool lets you
divide your canvas so that you can plan your composition. For example, you can divide your canvas into thirds vertically and horizontally to use the compositional rule of thirds.
Crop tool The Crop tool lets you remove
unwanted edges from the image. For more information, see “Cropping Images” on page 25.
8 Corel Painter 11 User Guide
Page 29
Tool Description
To ol D es c ri p ti on
Tools that Apply Color or Adjust Tone
Brush tool The Brush tool lets you paint
and draw on the canvas or a layer. Brush categories include pencils, pens, chalk, an airbrush, oil paints, watercolors, and more.
When the Brush tool is selected, you can choose specific brushes from the Brush Selector bar.
Paint Bucket tool The Paint Bucket tool lets you
fill an area. The property bar shows choices for what area to fill and what to fill it with. For more information, see “Filling an Area with Media” in the Help.
Dropper tool The Dropper tool lets you pick
up a color from an existing image. The property bar shows you values for the color. When you select a color with the Dropper tool, that color becomes the current color on the Colors palette.
Dodge tool The Dodge tool lets you lighten
the highlights, midtones, and shadows in an image.
Burn tool The Burn tool lets you darken
the highlights, midtones, and shadows in an image.
Cloner tool The Cloner tool gives you quick
access to the last Cloner brush variant you used.
Rubber Stamp tool The Rubber Stamp tool gives
you quick access to the Straight Cloner brush variant, allowing you to clone point to point in an image or between images. For more information, see “Using Point-to-Point Cloning” on page 214.
Eraser tool The Eraser tool lets you remove
unwanted areas from the image.
Selection Tools
Rectangular Selection tool The Rectangular Selection tool
lets you create rectangular selections.
Oval Selection tool The Oval Selection tool lets you
create oval selections.
Lasso tool The Lasso tool lets you draw a
freehand selection.
9Workspace Tour
Page 30
Tool Description
To ol D es c ri p ti on
Polygonal Selection tool The Polygonal Selection tool
lets you select an area by clicking at different points on the image to anchor straight line segments. For more information, see “Creating Path-Based Selections” on page 224.
Magic Wand tool The Magic Wand tool lets you
click or drag in the image to select an area of similar color. For more information, see “Creating Pixel-Based Selections” on page 226.
Adjuster Tools
Layer Adjuster tool The Layer Adjuster tool is used
to select, move, and manipulate layers. For more information, see “The Layer Adjuster Tool” on page 244.
Selection Adjuster tool The Selection Adjuster tool lets
you select, move, and manipulate selections created with the Rectangular, Oval, and Lasso selection tools and those converted from Shapes.
Shape Tools
Shape Selection tool The Shape Selection tool is for
editing Bézier curves (shape paths). You use the Shape Selection tool to select and move anchor points and to adjust their control handles.
Text tool The Text tool creates text
shapes. Use the Text palette to set the font, point size, and tracking.
Shape Design Tools
Pen tool The Pen tool lets you create
straight lines and curves in shape objects.
Quick Curve tool The Quick Curve tool lets you
create shape paths by drawing freehand curves. For more information, see “Using the Quick Curve Tool” on page 297.
Shape Objects Tools
Rectangular Shape tool The Rectangular Shape tool lets
you create rectangular shape objects. For more information, see “Using Shape Object Tools” in the Help.
10 Corel Painter 11 User Guide
Page 31
Tool Description
To ol D es c ri p ti on
Oval Shape tool The Oval Shape tool lets you
create oval shape objects. For more information, see “Using Shape Object Tools” in the Help.
Shape Edit Tools
Scissors tool The Scissors tool let you cut an
open or closed segment. If the segment is closed, after you click on a line or point to cut the shape path, the shape path becomes open. For more information, see “Cutting and Joining Shape Segments” on page 304.
Add Point tool The Add Point tool lets you
create a new anchor point on a shape path. For more information, see “Adding, Deleting, and Moving Anchor Points” on page 301.
Remove Point tool The Remove Point tool lets you
remove an anchor point from a shape path. For more information, see “Adding, Deleting, and Moving Anchor Points” on page 301.
Convert Point tool The Convert Point tool is used
to convert between smooth and corner anchor points. For more information, see “Adjusting Curvature” on page 303.
Color Selector The Color Selector lets you
choose main and additional colors. The front square displays the main color, and the back square displays the additional color. For more information, refer to “Understanding Main and Additional Colors” on page 62.
Transformation Tool
Transform tool The Transform tool lets modify
selected areas of an images by using different transformation modes.

Using Selectors

The selectors in the toolbox give you quick access to the libraries for the following Corel Painter elements: papers, gradients, patterns, weaves, looks, and nozzles. You can display items in selectors as thumbnails or in a list. You can also access commands from each selector menu. If the command you want is not available, you can display the entire palette that corresponds to the selector.
11Workspace Tour
Page 32
The selectors give you quick access to the libraries.
Paper Selector
Pattern Selector
Look Selector
Gradient Selector
We a ve S el e ct or
Nozzle Selector
The property bar for the Rectangular Selection tool.

The Brush Selector Bar

The Brush Selector bar lets you choose from a variety of brush categories and variants. Brush categories are groups of similar brushes and media. Brush variants are specific brushes and brush settings within a brush category. For example, in the Pastels category, there are pencil, chalk, soft, and hard pastel variants.
The name of the selected brush category appears at the top of the Brush Selector bar. The name of the selected brush variant appears under the brush category name.
Clicking the selector menu arrow lets you access the menu for each selector.
Brush Selector bar
You can preview brush categories and variants as thumbnails

The Property Bar

In Corel Painter, the property bar displays options for the
or in list format. Brush variants can also be previewed as brushstrokes. The Stroke view shows you both the dab type and brushstroke of the selected brush variant.
tool that is currently selected in the toolbox. Here, you can access and change tool options and settings. Tool settings are retained when you switch from one tool to another. You can also use the property bar to restore the default settings of the selected tool.
12 Corel Painter 11 User Guide
Page 33
Brush categories can be displayed as thumbnails (left); brush variants can be displayed as strokes (right).
The Brush Selector bar menu commands, accessed by clicking the menu arrow on the right side of the Brush Selector bar, are used for creating and loading brushes, working with brush variants, and manipulating brushstrokes. For more information, see “Customizing Brushes” on page 147.

The Palettes

The interactive palettes in Corel Painter let you access commands, controls, and settings. By default, palettes are organized into task-related groups. For example, Brush Controls is the name given to the group of palettes that contain all the brush-related settings.
You can set up the palette layout in Corel Painter to best suit your working style. Palettes can be arranged in the application window to give you easy access to the tools and controls you use most often, and to maximize screen space.

Exploring the Palette Groups

As you work with Corel Painter, you’ll use the following groups of palettes.
Palette Description
Brush Controls
The Brush Controls include the following palettes for adjusting brushes: General, Size, Spacing, Angle, Bristle, Well, Rake, Random, Mouse, Cloning, Impasto, Image Hose, Airbrush, Water, Liquid Ink, Digital Watercolor, Artists’ Oils, and RealBristle.
The Brush Controls are a group of palettes that let you customize brush variants. The palettes match the categories on the Stroke Designer page of the Brush Creator. The Brush Controls are ideal for making small adjustments to a brush variant while you work. For more information about specific settings, see “Managing Settings and Controls” in the Help.
13Workspace Tour
Page 34
Palette Description
Palette Description
Color Variability The Color Variability palette
contains sliders to adjust color variability within brushstrokes. For more information, see “Color Variability Palette” on page 77.
Color Expression The Color Expression palette
lets you determine how a stylus applies the Main Color and Additional Color in Corel Painter documents. For more information, refer to “The Color Expression Palette” in the Help.
Color Palettes
Colors The Colors palette lets you
choose main and additional colors for painting in Corel Painter documents. You can also use the Clone Color option on the Colors palette. For more information, see “Using the Colors Palette” on page 60.
Mixer The Mixer palette lets you mix
and blend colors as you would on an artist’s palette. It contains its own set of tools. For more information, see “Working with the Mixer Palette” on page 65.
Color Sets The Color Sets palette displays
Library Palettes
Papers, Gr adients, Patterns, and Weaves
the colors in the current color set. You can use color sets to organize groups of colors. Some color sets are organized by both name and color relationship. For more information, refer to “Working with Color Sets” on page 71.
The Library palettes let you choose and edit resources. You can view resources as thumbnails or in a list, and preview the selected resource. For more information, see “Using Paper Texture” on page 48, “Using Gradients” on page 79, “Using Patterns” on page 52, and “Using Weaves” on page 56.
14 Corel Painter 11 User Guide
Page 35
Palette Description
Palette Description
Layers and Channels Palettes
Layers The Layers palette contains
thumbnail previews of all the layers in a Corel Painter document. You can use the buttons on the Layers palette to arrange layers, use Dynamic Plug-ins, add new layers (including Watercolor and Liquid Ink layers), create layer masks, and delete layers. You can also set the composite method and depth, adjust the opacity, and lock and unlock layers. For more information, see “Layers” on page 241.
Channels The Channels palette contains
thumbnail previews of all the channels in a Corel Painter document, including RGB composite channels, layer masks, and alpha channels. The buttons on the palette can be used to load, save, and invert existing channels, and to create new channels. For more information, see “Alpha Channels” in the Help.
Text and Scripts Palettes
Tex t Th e Te x t p a l et te l e ts y o u
perform all tasks relating to text in a Corel Painter document, such as choosing fonts, adjusting opacity, and applying drop shadows. For more information, refer to “Working with Text” in the Help.
Scripts The Scripts palette gives you
access to all commands and settings related to scripts. For example, you can open, close, play, and record scripts from the Scripts palette.
Info and Tracker Palettes
Info The Info palette provides you
with an image preview; document information, such as width and height; X and Y coordinates and the cursor position; context-sensitive information based on the selected tool; and unit information, such as pixels, inches, and resolution. The palette menu lets you choose the preview style and how RGB values are displayed.
15Workspace Tour
Page 36
Palette Description
Palette Description
Tracker The Tracker palette temporarily
Image Portfolio and Selection Portfolio Palettes
Image Portfolio and Selection Portfolio
Photo Painting Palettes
Underpainting The Underpainting palette lets
stores brush categories, variants, and dab types when you apply brushstrokes to the canvas. Each time you use a new brush, the variant is saved on the Tracker palette.
These palettes contain all of the images or selections in the current library. You can view the items as thumbnails or in a list, as well as preview the current item. For more information, see “Storing Images with the Image Portfolio” and “Using the Selection Portfolio” in the Help.
you adjust tone, color, and detail in a photo in preparation for auto-painting. This palette is used in the first step of the photo-painting process.
Auto-Painting The Auto-Painting palette lets
you specify a range of settings that control how brushstrokes are applied. This palette is used in the second step of the photo-painting process.
Restoration The Restoration palette lets you
fine-tune a painting by providing brushes that help you restore detail. This palette is used in the third step of the photo-painting process.
Composition Palettes
Divine Proportion The Divine Proportion palette
lets you customize the Divine Proportion guide — a tool that helps you plan a layout according to a classic composition method.
Layout Grid The Layout Grid palette lets you
customize the Layout Grid — a tool that helps you divide your canvas so that you can plan your composition.
16 Corel Painter 11 User Guide
Page 37

Custom Palettes

To give you the freedom to work in your own style, Corel Painter lets you create custom palettes that contain exactly the features you want. Because the features on a custom palette are immediately available, you can choose them with a single click. You can place items from the Brush Selector bar, any of the six content selectors (papers, patterns, looks, weaves, nozzles, or gradients), Library palettes, or the Script palette on a custom palette. You can also add any menu command, such as File menu palette.
New, to a custom
Creating a custom palette is as simple as dragging a tool out of a palette. Other icons can then be dragged onto the custom palette.
You may want to create special palettes for a particular project or workflow that you use frequently. You can create a whole series of palettes and switch between them as you change projects or workflows. There is no limit to the number of custom palettes you can create. Corel Painter saves them from session to session, so you can access the necessary tools immediately whenever you sit down to work.
Items that appear on a custom palette are references (aliases or shortcuts) to the original. This means that if you change the original — for example, by modifying and saving a brush variant — the custom palette button loads the newest version. However, if you delete the original, Corel Painter won’t be able to find the item again to load on the custom palette.
Custom palettes behave like the standard palettes. For more information about working with palettes, see “Grouping, Repositioning, and Resizing Palettes” in the Help.
A custom palette can contain menu items as well as icons.

Customizing the Workspace

Corel Painter lets you completely customize your workspace to suit your workflow needs. You can customize Brush Libraries, Paper Libraries, and Portfolios and save these changes to use again whenever you like. In addition, you can easily create multiple workspaces, each with different libraries and portfolios. You can even share these customized workspaces with others by importing or exporting them.
17Workspace Tour
Page 38
To create a new workspace
1 From the Window menu, choose Workspace New
Wo rk s pa c e .
2 In the New Workspace dialog box, type the name of the
new workspace.
3 From the Based On pop-up menu, choose the workspace
on which you want to base the new workspace.
4 Click Save.
To customize a workspace
1 From the Window menu, choose Workspace
Customize Workspace.
2 From the Workspace pop-up menu, choose the
workspace you want to customize.
3 In the Media list, expand the folders for any of the media
categories you want to customize by clicking on the folder name or the + icon.
4 Click on the eye icon that appears next to the name of
each media variant you want to show or hide. A closed eye indicates that the media variant is not visible
in the specified workspace. An open eye indicates that the media variant is visible in the specified workspace. Note that you cannot hide every media variant within a media category. At least one media variant appears for each media category.
To rename a media variant, click on the variant, and
type its new name in the Preview text box.
To reorder media variants, drag each media variant to
a new location in the list.
5 Click Done.
To switch to a different workspace
From the Window menu, choose Workspace
[Workspace Name].
To import a workspace
1 To import a workspace, do one of the following:
From the Window menu, choose Workspace Import
Workspace.
From the Window menu, choose Workspace
Customize Workspace and click Import Workspace.
2 Choose the workspace file you want to import, and click
Open.
To export a workspace
1 To export a workspace, do one of the following:
From the Window menu, choose Workspace Export
Workspace.
From the Window menu, choose Workspace
Customize Workspace and click Export Workspace.
2 Choose the workspace you want to export, and click
Open.
3 Choose a destination for the workspace, and click Save.
18 Corel Painter 11 User Guide
Page 39

Basics

The Corel Painter application provides a digital workspace in which you can create new images, or alter existing images, by using the Natural-Media tools and effects. Your working image is known as a document and is displayed in a document window. This document window includes navigation and productivity features to help you work efficiently.
As you create an image, you can save your document in various file formats, such as RIFF (Corel Painter native format), JPEG, TIFF, and Adobe® Photoshop® (PSD). Corel Painter also lets you open or import images saved in many other file formats.
Every artist works in a unique way, and every computer system has its own configuration of memory, disks, printers, and accessories. Corel Painter preferences let you customize the program for your own work style and for optimum performance on your particular system. You can also customize the features of your tablet and pens.
This section contains the following topics:
Working with Documents
Working with Composition Tools, Rulers, and Guides
Setting Preferences
19
Page 40

Working with Documents

The first step in creating an image in Corel Painter is opening a document. You can open a blank canvas by creating a new document, work with an existing image by opening a file already created, or acquire an image from a scanner or digital camera. After you create your image, you can place it directly in a document.

Creating and Opening Documents

The New command in the File menu lets you create a blank, untitled document based on the specifications you set in the New dialog box. Canvas Size shows the RAM requirement for creating the document at the specified width, height, and resolution. This number does not reflect the file size for the saved document. A saved Corel Painter file is usually 25% to 50% of the size of the working document, depending on the number of colors it contains.
You can open documents from other graphics applications and use Corel Painter to add brushstrokes, tints, or paper textures. You can also clone a document to re-create it in a different medium.
Supported File Formats
CMYK TIF (TIF)
Adobe Photoshop formats (PSD) — Corel Painter
preserves layers, layer masks, alpha channels, and composite methods. Layer effects and adjustment layers are not supported and should be merged or flattened in Adobe Photoshop.
Windows Bitmap (BMP)
PC Paintbrush (PCX)
PSPIMAGE — Corel Paint Shop Pro format (Windows)
TARGA® (TGA)
GIF — Corel Painter does not convert GIF animations
to frame stacks.
JPEG (JPG)
Frame stacks (FRM) — Corel Painter animation files
QuickTime® (MOV), Video for Windows (AVI), and
numbered files. For more information, refer to “Opening a Movie” or “Working with Numbered Files” in the Help.
Corel Painter does not support LZW compressed TIFF file format. Only uncompressed TIFF files can be opened in Corel Painter.
Corel Painter lets you open the following file formats:
RIFF — Corel Painter native format (RIF)
TIFF (TIF)
PNG
20 Corel Painter 11 User Guide
Page 41
To create a new document
1 Choose File menu New.
2 In the New dialog box, enter values for the following:
Width and Height determine the dimensions of the
canvas. You can change the unit of measurement by using the menu. Choose from pixels (the default), inches, centimeters (CM), points, picas, and columns (2 inches wide).
Resolution is the number of pixels per inch (ppi) or
pixels per centimeter that make up an image. In the New dialog box, setting the document’s pixels per inch is the same as setting its dots per inch (dpi). For detailed information about document, screen, and print resolutions, see “Understanding Resolution” on page 22.
3 Click the Paper Color chip to set the document’s
background to a color other than white. Choose a color from the Color dialog box.
4 Choose an option from the Picture Type area.
The Picture Type options let you set up a document to contain a single frame for an image (the default) or multiple frames for a movie.
5 Click OK.
A new document appears in the workspace.
To open an existing document
1 Choose File menu Open.
Corel Painter displays the folder of the last file you opened.
2 In the Open (Mac OS) or Select Image (Windows) dialog
box, use the controls to locate the file you want to open. For each image, Corel Painter lists the dimensions
(in pixels), file size, and file format. Files saved in Corel Painter include thumbnails for browsing.
3 Click Open.
The File menu also offers you a shortcut to previously opened documents. You can find your file in the recently opened files list by choosing File menu
Recent and click the filename to open the
file.
To browse for a document (Mac OS)
1 Choose File menu Open.
2 Click Browse.
The Browse dialog box shows thumbnails for all the RIFF files in a folder.
3 Double-click the filename, or select a file, and click
Open.
21Basics
Page 42

Creating and Opening Templates

If you regularly work with documents that contain similar dimensions, formatting, and resolution, you can create document templates so that you don’t have to start each document from scratch.
If you work in a multiuser environment, only users with Administrator status can add files to the Templates folder.

Understanding Resolution

To open a document template
Choose File menu Open Template.
You can also open a template by choosing Help menu
Welcome, and then choosing a template
from the Open a Template pop-up menu.
To save a document as a template
1 Create a file with the sizing, formatting, and resolution
attributes that you want.
2 Choose File menu
Save As.
3 In the Save dialog box, save the file to one of the
following folders in your user folder:
(Mac OS) Corel Painter 11\Support Files\Templates
(Windows) Application
Data\Corel\Painter 11\Default\Templates
If you want the template to display under File menu Open Template, you need to close and then reopen Corel Painter.
When you work with images in a digital workspace, it is helpful to understand the concept and applications of resolution. Resolution refers to how Corel Painter measures, displays, saves, and prints images — either as small squares of color called “pixels” or as mathematical objects called “vectors.”
A document’s resolution affects both its appearance on your computer screen and its print quality. You can specify a document’s resolution when you create a new document, acquire an image, or save or export a file.
Resolution and Screen Appearance
Most monitors have a resolution of 72 pixels per inch (ppi). The Corel Painter display default is 72 ppi, which means that each pixel in the Corel Painter image occupies 1 pixel on your monitor. The display resolution does not affect the document’s actual number of pixels per inch — it affects only how the image is displayed on the monitor.
For example, a 300-ppi image is displayed on-screen at approximately four times its actual size. Because each pixel in the Corel Painter image occupies 1 pixel on your monitor, and the monitor’s pixels are approximately four times the size of the image’s pixels (72 ppi versus 330 ppi), the image
22 Corel Painter 11 User Guide
Page 43
must appear four times larger on-screen in order to display all of the pixels. In other words, your 330-ppi document will print at approximately one-quarter of its on-screen size. To view the image at its actual size, you can set the zoom level to 25%.
If you set the dimensions in pixels and then change the number of pixels per inch (resolution), this change will affect the size of the printed image. If you set your document size in inches, centimeters, points, or picas and then change the resolution, the dimensions of the printed image will not be affected.
Resolution and Print Quality
The resolution of output devices (printers) is measured in dots per inch, and in the case of halftones, lines per inch (lpi). Output device resolutions vary, depending on the type of press and paper used. In general, a photograph is output at a crisp 150 lpi if printed on glossy magazine stock, and at 85 lpi if printed on newspaper stock.
If you are using a personal laser or inkjet printer, set your document size in inches, centimeters, points, or picas at the dots-per-inch setting specific to your printer. Most printers produce excellent output from images set at 300 ppi. Increasing the file’s pixels-per-inch setting does not necessarily improve the output and may create a large, unwieldy file.
printed piece. A good rule of thumb is to set the number of pixels per inch to twice the desired lines per inch. So, at 150 lpi, the setting should be twice that, or 300 ppi; at 85 lpi, the setting should be 170 ppi. It’s a good idea to check with your service bureau if you have questions about output device resolution.

Zooming

By default, Corel Painter opens a document at 100% magnification, but you can change the level of magnification by zooming. You can zoom in and out by using the Magnifier tool, resetting magnification, or zooming to fit the screen. You can even zoom in and out while working with other tools.
If you are using a commercial printer or a more sophisticated output device, the dimensions of the image should always be set to the actual size that you want the image to appear in the
The Magnifier tool lets you zoom in and out by clicking in the document window.
23Basics
Page 44
To z o o m i n
1 In the toolbox, click the Magnifier tool .
The Magnifier cursor shows a plus sign (+), which indicates that you are increasing magnification (zooming in).
2 Click or drag in the document window.
Each click increases the magnification to the next level, as defined in the Scale box at the bottom of the image window.
When you drag, Corel Painter chooses the magnification level that most closely conforms to the selected area and centers the screen view on that area.
You can also zoom in by doing one of the following:
(Mac OS) While holding down Command, press
+ (plus sign).
(Windows) While holding down Ctrl, press +
(plus sign).
To zoom out
1 In the toolbox, click the Magnifier tool, and hold down
Option (Mac OS) or Alt (Windows). A minus sign (–) appears on the Magnifier cursor, which
indicates that you are decreasing magnification (zooming out).
2 Click in the document window.
Each click reduces the magnification to the next level, as defined in the Scale box at the bottom of the image window.
You can also zoom out by doing one of the following:
(Mac OS) While holding down Command, press
– (minus sign).
(Windows) While holding down Ctrl, press
– (minus sign).
To zoom to a specific magnification by using the Scale slider
At the bottom of the document window, adjust the Scale
slider .
You can also zoom to a specific magnification by typing a value in the Scale box beside the slider.
To reset magnification to 100%
Double-click the Magnifier tool in the toolbox.
You can also reset magnification to 100% by clicking the Reset tool on the property bar.
24 Corel Painter 11 User Guide
Page 45
To zoom to fit the screen
Choose Window menu Zoom to Fit.
Corel Painter generates a view of the entire document to fit your document window.
You can also zoom to fit the screen by clicking the Fit on Screen button on the property bar, or by double­clicking the Grabber tool in the toolbox.

Rotating Documents

The Rotate Page tool lets you rotate an image on the screen to accommodate the way you draw naturally.
To rotate the page
1 Activate the Rotate Page tool by doing one of the
following:
In the toolbox, click the Rotate Page tool .
Hold down Option + Spacebar (Mac OS) or
Alt + Spacebar (Windows).
The cursor changes to a hand with a pointing finger.
2 Drag in the document window to rotate the image.
Move the cursor clockwise to rotate the image clockwise. Move the cursor counterclockwise to rotate the image counterclockwise.
The new rotation angle appears on the property bar.
Rotate a document to accommodate the way you naturally draw.
To return an image to its original orientation
1 In the toolbox, click the Rotate Page tool .
2 Do one of the following:
Click once in the document window.
Double-click the Rotate Page tool.
On the property bar, click the Reset Tool button.
To constrain rotation to 90° increments
Hold down the Shift key while rotating.

Cropping Images

You can remove unwanted edges from the image with the Crop tool. You can adjust the aspect ratio of the cropped image and choose to maintain the aspect ratio.
You can also rotate an image by typing a rotation angle in the Rotation Angle box on the property bar.
25Basics
Page 46
To crop an image
1 In the toolbox, click the Crop tool .
2 Drag inside the image to define the rectangular area you
want to keep. You can adjust the rectangle by dragging a corner or any
of its edges.
3 When you’re ready to execute the crop, click inside the
rectangle.
To constrain the cropping rectangle to a certain aspect ratio, enable the Ratio check box on the property bar, and type values in the Crop Ratio Width and Crop Ratio Height boxes.
To constrain cropping to a square
1 In the toolbox, click the Crop tool.
2 Hold down the Shift key, and drag to define the area for
cropping.
3 Click inside the square.

Using Full-Screen Mode

Full-screen mode lets you hide your computer’s desktop and view the document window without scroll bars. When full-screen mode is on, the document window is centered over a solid background. Except for the buttons on the document window, all Corel Painter features work when you use full-screen mode.
To toggle the full-screen mode on and off
Choose Window menu Screen Mode Toggle.
You can also toggle the full-screen mode by pressing Command + M (Mac OS) or Ctrl + M (Windows).
You can position the canvas anywhere on the screen by holding down the Spacebar and dragging.

Image Size Information

You can use the Info palette to check image size. For more information, see “Using the Info Palette” in the Help.
To adjust the aspect ratio of the cropped image
1 In the toolbox, click the Crop tool.
2 On the property bar, type values in the Crop Ratio Width
and Crop Ratio Height boxes.
26 Corel Painter 11 User Guide

Resizing the Canvas

If you want the same image at a different scale, you can resize the canvas. You can also change the size of the drawing area or crop the canvas.
Page 47
To r e s i z e t h e c a n v a s
1 Choose Canvas menu Resize.
The Resize dialog box appears, showing the current and new sizes by width, height, and resolution.
2 Enter a new value for width, height, or resolution.
For more information on these values, see “Creating and Opening Documents” on page 20.
3 Enable or disable the Constrain File Size check box.
When you enable the Constrain File Size check box, the height and width of the image change together, and the resolution changes accordingly.
When you disable the Constrain File Size check box, you can change the height and width independently of the resolution, and vice versa.
If you choose pixels or percent as the unit and enter a value, the Constrain File Size check box is automatically disabled.
To resize the drawing area
1 Choose Canvas menu Canvas Size.
2 In the Canvas Size dialog box, specify the number of
pixels you want to add to any side of the canvas. To reduce the canvas size, specify negative values.

Rotating and Flipping the Canvas

Corel Painter lets you rotate and flip the Canvas layer. When you rotate or flip the Canvas layer, all other layers move along with it. You can rotate the Canvas layer by a predefined
amount, or you can choose the amount of rotation. If your document has layers of different types, you are prompted to commit all of them to default, pixel-based layers. The Canvas layer increases in size when necessary, so rotating or flipping it does not cause the contents of the other layers to be cropped.
To rotate the Canvas layer
1 Choose Canvas menu Rotate Canvas.
2 Perform a task from the following table.
To Do the following
Rotate the Canvas layer 180 degrees
Rotate the Canvas layer 90 degrees clockwise
Rotate the Canvas layer 90 degrees counterclockwise
Rotate the Canvas layer by a user-defined amount
Choose 180.
Choose 90 CW.
Choose 90 CCW.
Choose Arbitrary; in the Rotate Selection dialog box, type a number in the Angle box to specify degrees of rotation.
To flip the Canvas
1 Choose Canvas menu Rotate Canvas.
2 Choose one of the following:
Flip Canvas Horizontal
Flip Canvas Vertical
27Basics
Page 48

Saving Files

Choosing a file format

You have several options for saving files. You can save a file in its current format or in a different format. You can also save iterations of the same file. Whenever you perform an iterative save, a new version of the file is saved with a number added to the filename, and for each subsequent save, the number added to the filename increases by 1. In addition, the location of the last file saved is stored and used for subsequent saves unless you specify a new location.
To save a file in its current format
Choose File menu Save.
To save a file with a different name or format
1 Choose File menu Save As.
2 In the Save (Mac OS) or Save Image As (Windows)
dialog box, use the controls to specify a location, file name, and format.
To perform an iterative save
Choose File menu Iterative Save.
You can also perform an iterative save by pressing Command + Option + S (Mac OS) or Ctrl + Alt + S (Windows).
When you save a file, you must choose a file format. The following section contains information about some of the file formats that Corel Painter supports.
Saving RIFF Files
RIFF is the Corel Painter native format, which retains special information about your document. For example, a RIFF file maintains layers so that you can return to the file to re-access them.
RIFF files are best used as “work-in-progress” files. It is recommended that you save files in RIFF format first, and then save to GIF, JPEG, TIF, or another file format when a file is ready for production.
Corel Painter lets you compress files and save disk space with a lossless compression method. When saving in RIFF format, you can minimize the file size on your hard disk by ensuring that the Uncompressed option is disabled by default.
Saving JPEG Files
Corel Painter supports the JPEG file format. Because of its small file size and high quality, JPEG is commonly used to transmit files through a modem. Unlike GIF, the JPEG file format displays a full range of colors.
The JPEG file format allows you to compress your file on a scale of Fair to Excellent, where quality is directly proportional to file size. These quality settings will let you
28 Corel Painter 11 User Guide
Page 49
achieve compression ratios ranging from less than 10:1 to greater than 100:1. JPEG is a “lossy” file format, meaning that an uncompressed JPEG file will not be identical, pixel­for-pixel, to the original. However, because the JPEG algorithm takes into account the sensitivity of the eye to different colors, the higher-quality settings should achieve visually satisfying results.
You can assign a URL to layers and placed images and then save the file in GIF or JPEG format to produce an image map. For more information, refer to “Client-Side Image Mapping” in the Help.
When you save a file in JPEG format, Corel Painter displays the JPEG Encoding Quality dialog box.
When you save a file in JPEG format, Corel Painter displays the JPEG Encoding Quality dialog box, with the following options:
The Quality options — Excellent, High, Good, and
Fair — let you set the degree of file compression. The Excellent option compresses the least, but retains the
most data. Fair compresses the most, but loses the most data.
You can also use the Quality slider to adjust file compression.
The Smoothness slider applies smoothing to the entire
image. This is useful when using the Fair option, to blur the edges of JPEG artifacts. The default is 0. Keep in mind that using a high smoothness setting can cause blurring.
The Progressive JPEG check box creates a progressive
JPEG file. Progressive format is useful for files designed for the Web. As the name implies, progressive format displays an image in stages — as a series of scans — while the file downloads. The first scan is a low-quality image; the following scans improve in quality. This allows the user to see the whole image very quickly.
The HTML Map Options — NCSA Map File, CERN
Map File, and Client Side Map File — let you generate an image map. (NCSA refers to the National Center for Supercomputing Applications, and CERN refers to the Conseil Europeén pour la Recherche Nucléaire.) Use the NCSA Map File or CERN Map File option to generate a server-side image map. Use the Client Side Map File option to generate a client-side image map.
Refer to “Working with Image Maps” in the Help for more information about image map types. When a file has lost a significant amount of data, block patterns may appear in areas of the image. If you try to use the Apply Surface Texture feature on a JPEG file, you may find it will accent the block patterns.
Saving GIF Files
Corel Painter allows you to save documents as GIF files. GIF, a file format using 8 or fewer bits, is commonly used to display graphics on the Web. When you save a GIF file, you can choose settings from 4 Colors to 256 Colors. You can choose how your colors will be displayed and what part of your image will be transparent.
29Basics
Page 50
You can enable the Color Set option to force all colors in the color table of the GIF file to match the colors in the current color set. This option can be useful when you are doing Web work, especially if you want to constrain colors to a specific color set or control the number of colors in a Web page, thus controlling the image file size.
transparency of your image in the Preview window of the dialog box. Transparency is displayed in the Preview window by a rectangular lattice. You can toggle between the Preview window and your Save As GIF options to get exactly what you want. Enable the Interlaced check box if your image will be displayed on a Web page.
The Imaging Method setting determines how your 24-bit Corel Painter document will be converted to the limited number of colors that GIF uses. If you choose Quantize to Nearest Color, Corel Painter picks the color nearest to that of each pixel. If you choose Dither Colors, Corel Painter applies a pattern to the colors chosen to generate a more accurate, less banded result.
Corel Painter can also save a frame stack as a GIF animation file. For more information, refer to “Creating Animated GIFs” in the Help.
If you want your image to have transparency, enable the check box for Output Transparency. Most programs that display GIF files support transparency, but for those that don’t, you should specify the color of the “transparent” area. If your image will be displayed on the Web, enable the Background is WWW Gray option. You can also choose to use the background color of your Web page by enabling the Background is BG Color option.
For programs that support transparency, your selection will determine which areas are transparent. The Threshold slider determines which selection (loaded mask) value becomes transparent. You can see how the Threshold slider affects the
For information on creating masks, see “Selections and Transformations” on page 223.
Saving RGB TIF Files
The TIF format facilitates exchange between applications and computer platforms. It is a widely supported bitmap image format that lets you save with RGB color profile information.
Saving Adobe Photoshop (PSD) Files
Corel Painter can save files in Adobe Photoshop (PSD) format. For optimum compatibility, shapes and text are rasterized, and masks are placed in channels.
When you save a file in PSD format, you have RGB options, as you do when saving in TIF format.
Saving Encapsulated PostScript (EPS) Files
The encapsulated PostScript® (EPS) files in Corel Painter conform to the Desktop Color Separation (DCS) 2.0 format (EPS-DCS 5 file format). Although Corel Painter saves files in EPS-DCS, it can’t read EPS-DCS. If you plan to save an
30 Corel Painter 11 User Guide
Page 51
image in EPS-DCS, it’s a good idea to save it in another format first, so that you’ll have a copy of it that you can reopen in Corel Painter.
When you save an image as EPS-DCS with Preview Options turned on, Corel Painter uses the loaded International Color Consortium® (ICC) profile to prepare the separation files. If you’re using the Hexachrome® ICC profile, Corel Painter prepares six separation files — Cyan, Magenta, Yellow, Green, Orange, and Black. For more information on Preview Options and color management, see “Printing” on page 311.
Although you can save your images as CMYK EPS separations, Corel Painter can’t open or edit CMYK files.
When you save a file in EPS-DCS, Corel Painter opens the EPS Save Options dialog box, with these options:
Hex (ASCII) Picture Data provides another way of
storing PostScript information. Some page design programs require that this option be checked. The file sizes will be approximately twice as large when saved with this option.
Preview Options — No Preview, Black and White
Preview, and Color Preview — specify whether to save preview data and in what format. The resulting preview file is a low-resolution (72-ppi) file.
If you have an older laser printer, you have to use the black and white preview to print these files. Although the preview or display is black and white, the color information remains intact.

Closing Documents and Quitting the Application

You can close documents or quit Corel Painter using menu commands, keyboard shortcuts, or the Close button of the current window.
To close a document
Do one of the following:
Click the current window’s Close button.
Choose File menu Close.
Press Command + W (Mac OS) or Ctrl + W
(Windows).
To quit Corel Painter
Do one of the following:
(Mac OS) Choose Corel Painter 11 menu Quit
Corel Painter 11.
(Windows) Choose File menu Exit.
You can also quit Corel Painter by pressing Command + Q (Mac OS) or Ctrl + Q (Windows).

Working with Composition Tools, Rulers, and Guides

The document window in Corel Painter contains the following features to help you compose, size, and position images and image elements:
31Basics
Page 52
Layout Grid — lets you divide the canvas into
compositional sections based on the proportions of the canvas. This nonprinting grid is used primarily for composing artwork before you begin drawing or painting.
Divine Proportion — helps identify where to place focal
areas in artwork by using classical composition. This nonprinting layout is primarily used for composing artwork before you begin drawing or painting.
Rulers — let you size, position, and measure images and
image elements
Guides — let you align and position image elements by
using nonprinting lines that can be placed anywhere on the canvas. They can be used with the ruler to mark specific distances, and they have a “snap” option that makes it easy to align image elements precisely.
Grid — lets you align and snap image elements to a basic
grid. By default, the horizontal and vertical lines appear at equal distances (dividing the canvas area into squares). You can print this basic grid.
Perspective Grid — helps you create three-dimensional
images by displaying a nonprinting array of lines that converge at a single vanishing point.
For more information about rulers and grids, see “Working with Composition Tools, Rulers, and Guides” in the Help.

Using the Layout Grid

The Layout Grid provides an easy way to divide your canvas so that you can plan your composition. For example, you can divide your canvas into thirds vertically and horizontally to use the compositional rule of thirds. From the Layout Grid palette, you can access grid settings, such as the number of divisions, size, angle, color, and opacity of the grid. You can adjust these settings while you work and save them as a preset for future drawings and paintings. You can also move the grid to a new position.
The Layout Grid helps you compose images.
32 Corel Painter 11 User Guide
Page 53
To show or hide the Layout Grid
Choose Canvas menu Compositions, and choose either
Show Layout Grid or Hide Layout Grid.
To Do the following
Change the angle of the grid Type a value in the Rotate box
to set the degree of the angle.
You can also show or hide the Layout Grid by clicking the Layout Grid tool in the toolbox and clicking the Enable button on the property bar.
To set Layout Grid options
1 Choose Window Layout Grid.
On the Layout Grid palette, ensure that the Enable Layout Grid check box is enabled.
2 Perform a task from the following table.
To Do the following
Set the number of vertical and horizontal divisions
Resize the grid In the Size area, move the
In the Divisions area, type values in the Vertical box and the Horizontal box.
If you want to link the Vertical and Horizontal values, enable the Synchronize the Divisions check box.
Vertical slider to set the height, and move the Horizontal slider to set the width.
If you want to resize the grid proportionally, enable the Synchronize the Sizes check box.
Change the color of the vertical or horizontal gridlines
Change the opacity of the grid Move the Opacity slider to the
In the Display area, click the Horizontal or Vertical color picker, and choose a color from the pop-up menu.
left to increase transparency; move the slider to the right to increase opacity.
You can also set some Layout Grid options by clicking the Layout Grid tool in the toolbox and modifying the settings you want on the property bar.
To save Layout Grid settings as a preset
1 On the Layout Grid palette, modify the settings you
want, and click the Add Preset button .
2 In the Save Preset dialog box, type a name for your preset
in the Save As box.
3 Click OK.
The preset appears in the Type pop-up menu.
You can also save a preset by clicking the Layout Grid tool in the toolbox and clicking the Add Preset button on the property bar.
33Basics
Page 54
To delete a Layout Grid preset
1 On the Layout Grid palette, choose the preset you want
to delete from the Type pop-up menu.
2 Click the Delete Preset button .
You can also delete a preset by clicking the Layout Grid tool in the toolbox, selecting a preset from the Presets pop-up menu on the property bar, and clicking the Delete Preset button .
To choose a Layout Grid preset
On the Layout Grid palette, choose a preset from the
Type pop-up menu.
To m o v e a L a y o u t G r i d
1 In the toolbox, click the Layout Grid tool .
The cursor changes to a hand icon.
2 Drag the grid to a new position.

Using the Divine Proportion tool

The Divine Proportion tool lets you use guides based on a classical composition method of the same name. When planning your artwork, you can use the guides to create a sense of proportion, which helps maintain interest as the eye of the viewer travels across a drawing or painting.
The Divine Proportion tool can help you establish focal areas. (Artwork by Andrew Jones.)
The Divine Proportion palette lets you change the orientation, size, angle, color, and opacity of the Divine Proportion guide that appears on the canvas. You can also adjust the number of levels to determine how many times a section divides within itself, creating a spiral. You can adjust these settings while you work, and you can save them as a preset. You can also move the Divine Proportion guide to a new position.
34 Corel Painter 11 User Guide
Page 55
To show or hide the Divine Proportion guide
Choose Canvas menu Compositions, and then choose
either Show Divine Proportion or Hide Divine Proportion.
You can also show or hide the Divine Proportion guide by clicking the Divine Proportion tool in the toolbox and clicking the Enable button on the property bar.
To set Divine Proportion options
1 Choose Window Divine Proportion.
The Divine Proportion palette appears.
2 On the Divine Proportion palette, enable the Enable
Divine Proportion check box, and perform a task from the following table.
To Do the following
Change the angle Type a value in the Rotate box
Change the color of the grid, spiral, or axis
Change the opacity Move the Opacity slider to the
Change the numbers of levels Move the Levels slider to the
to set the degree of the angle.
In the Display area, click the Grid, Spiral, or Axis color picker, and choose a color from the pop-up menu.
left to increase transparency; move the slider to the right to increase opacity.
right to increase the number of levels; move the slider to the left to decrease the number of levels.
To Do the following
Set orientation In the Orientation area, click
one of the Landscape or Portrait buttons.
Resize the guide Move the Size slider to the right
to increase the size; move the slider to the left to decrease the size. Size is measured as a percentage of the width or height of the canvas, depending on whether the orientation is Landscape or Portrait.
You can also set some Divine Proportion options by clicking the Divine Proportion tool in the toolbox and modifying the settings you want on the property bar.
35Basics
Page 56
To save Divine Proportion settings as a preset
1 On the Divine Proportion palette, modify the settings you
want, and click the Add Preset button .
2 In the Save Preset dialog box, type a name for your preset
in the Save As box.
3 Click OK.
The preset appears in the Type pop-up menu.
You can also save a preset by clicking the Divine Proportion tool in the toolbox and clicking the Add Preset button on the property bar.
To move the Divine Proportion guide
1 In the toolbox, click the Divine Proportion tool .
The cursor changes to a hand icon.
2 Drag the Divine Proportion guide to a new position.

Setting Preferences

Corel Painter has several different pages of the Preferences dialog boxes: General, Brush Tracking, Customize Keys, Undo, Shapes, Operating System (Windows), Palettes and UI, and Memory and Scratch.
To delete a Divine Proportion preset
1 On the Divine Proportion palette, choose the preset you
want to delete from the Type pop-up menu.
2 Click the Delete Preset button .
You can also delete a preset by clicking the Divine Proportion tool in the toolbox, selecting a preset from the Presets pop-up menu on the property bar, and clicking the Delete Preset button .
To choose a Divine Proportion preset
On the Divine Proportion palette, choose a preset from
the Type pop-up menu.

General Preferences

The General Preferences page lets you set a variety of settings, such as how the cursor displays, library locations, and units of measurement.
To access General preferences
Do one of the following:
(Mac OS) Choose Corel Painter 11 menu
Preferences
(Windows) Choose Edit menu Preferences
General.
To make changes to other preferences before closing
General.
the Preferences dialog box, choose another preference type from the pop-up menu.
36 Corel Painter 11 User Guide
Page 57
Setting up the Drawing Cursor
You can choose a cursor icon and its orientation. You can also set the drawing cursor to show a brush ghost — a representation of the brush variant you choose from the Brush Selector bar.
The brush ghost (left) gives you information about the size of your brush variant. The Enhanced brush ghost (right) gives you information about the tilt, bearing, and rotation of your pen.
To choose a drawing cursor icon
1 On the General page of the Preferences dialog box,
enable the Brush option in the Cursor Type area.
2 Choose one of the following icon options from the
pop-up menu to the right of the Brush option:
Brush
Cross
To r u s
Tr i a n g l e
Hollow Triangle
Gray Triangle
The selected cursor icon appears in the Orientation area.
3 Enable an Orientation option.
If you want the drawing cursor icon to be a single pixel, enable the Single Pixel option in the Cursor Ty pe a r e a.
To set brush ghost options
On the General page of the Preferences dialog box,
choose one of the following options:
Enable Brush Ghosting — gives you immediate
visual feedback on the cursor, showing you the shape and size of the selected brush
Enhanced Brush Ghost — gives you visual feedback
about the brush size as well as the tilt, bearing, and rotation of the pen. The outer ring indicates the brush size, and the line indicates the tilt and bearing of the pen. If you have a flat-tip pen that supports 360-degree rotation, a dot appears along the outer ring to indicate the pen rotation.
The Enhanced brush ghost gives you more visual feedback about your pen in relation to the tablet.
37Basics
Page 58
Setting the Default Libraries
Corel Painter provides standard libraries that contain brushes, paper grains, selections, layers, images, and color sets. The Libraries section of the General page of the Preferences dialog box lets you designate which libraries appear by default.
To set default libraries
Enter library file names in the Selections and Images
boxes.
Turn on Tracing Paper. When enabled, this option
automatically activates the Tracing Paper feature.
3 Enable one of the following check boxes:
Switch to Cloner Brushes automatically activates the
last Cloner brush variant used.
Clone Color uses the current brush variant to clone
the underlying color.
By default, the Switch to Cloner Brushes check box is enabled. To enable the Clone Color check box, you must disable the Switch to Cloner Brushes check box.
The default libraries must reside in the Corel Painter folder.
Auto-Save Scripts
When you create an image, Corel Painter records all the operations you perform. This recording is known as a
Setting Quick Clone Preferences
You can customize the Quick Clone effect. You can choose whether to delete the image from the clone or to turn on Tracing Paper. You can also select the last-used Cloner brush or choose to clone color with any brush variant.
background script and is saved on the Scripts palette. The Auto-Save Scripts preference governs how long Corel Painter saves background scripts before deleting them.
To reset the Auto-Save Scripts preference
1 Do one of the following:
To set Quick Clone preferences
1 Choose Corel Painter 11 menu Preferences General
(Mac OS), or Edit menu
Preferences General
(Windows).
2 In the Quick Clone area of the Preferences dialog box,
enable or disable the following check boxes:
Delete Image From Clone. When enabled, this option
(Mac OS) Choose Corel Painter 11 menu
Preferences
(Windows) Choose Edit menu Preferences
General.
General.
2 Specify the number of days for which you want
Corel Painter to save background scripts in the Auto-Save Scripts For box.
automatically deletes the contents of the clone file.
38 Corel Painter 11 User Guide
Page 59
Save Preferences
Draw Zoomed-out Views Using Area-Averaging
The Save preferences in Corel Painter let you create backup files.
To create a backup file when you save your work
1 Do one of the following:
(Mac OS) Choose Corel Painter 11 menu
Preferences
(Windows) Choose Edit menu Preferences
General.
General.
2 Enable the Create Backup on Save check box.
Brush Size Increment
The Brush Size Increment preference lets you set the increment value in pixels.
Units
The Units preference lets you choose the unit of measurement used by the application’s various sliders and other measurement options.
Cloning Preference
When you clone an image, Corel Painter uses the color information from the original as you fill in your clone. If you would like Corel Painter to display what part of the original you’re cloning, enable the check box next to Indicate Clone Source with Crosshairs While Cloning.
When you are viewing an image at less than 100% magnification, screen draw is faster when Draw Zoomed-out Views Using Area-Averaging is enabled, and slower — but more accurate — when this check box is not enabled.
Show Commit Dialog When Converting to a Layer
Enable this check box if you have enabled the Commit and Don’t Ask Again check box in the Commit dialog box and want to reinstate the dialog box.

Brush Tracking Preferences

When you draw with traditional media, the amount of pressure you use with a tool determines the density and width of your strokes. Using a pressure-sensitive stylus with Corel Painter gives you this same kind of control. Each artist has a different strength or pressure level in a stroke. The Brush Tracking preference lets you adjust Corel Painter to match your stroke strength. This is particularly useful for artists with a light touch. If a light stroke leaves no color on the canvas, you should use Brush Tracking to increase sensitivity.
You might also change brush tracking between phases of a project. You could use a light touch when sketching with a pencil brush variant, then set tracking for more pressure when you switch to an oil paint variant. Corel Painter saves Brush Tracking between sessions, so whatever tracking sensitivity you set will be the default the next time you open the application.
39Basics
Page 60
To set brush tracking
1 Do one of the following:
(Mac OS) Choose Corel Painter 11 menu
Preferences
(Windows) Choose Edit menu Preferences Brush
Brush Tracking.
Tr a c k i n g .
2 Drag in the scratch pad in a “normal” stroke.
Use the pressure and speed you prefer when drawing or painting. For specific adjustments, you can move the sliders.
Use the Brush Tracking dialog box to customize how Corel Painter responds to your stroke pressure and speed.

Customize Keys Preferences

Corel Painter lets you assign commands to keys on your keyboard. This saves you time by giving you immediate keyboard access to your favorite commands. Along with character, numeric, function, and modifier keys, you can also use Tab, Backspace (Windows), Delete, Insert, Home, End, Page Up, Page Down, Up Arrow, Down Arrow, Left Arrow, Right Arrow, and Spacebar. You can use keys already used for other shortcuts.
You can also create a collection of keyboard shortcuts, or key sets, based on changes to the default key set. For easy reference, you can generate an HTML summary of a key set.
To assign commands to keys
1 Do one of the following:
(Mac OS) Choose Corel Painter 11 menu
Preferences
(Windows) Choose Edit menu Preferences
Customize Keys.
2 Choose a key set from the Key Set pop-up menu.
3 Choose one of the following from the Shortcuts menu:
Application Menus lets you create or modify menu
bar command shortcuts.
Palette Menus lets you create or modify palette menu
command shortcuts.
Tools lets you create or modify tools shortcuts.
Other lets you create or modify command shortcuts
for items that are not menus, palettes, or tools.
Customize Keys.
40 Corel Painter 11 User Guide
Page 61
4 Choose a command from the Application Commands
list, and type the shortcut keys you want to assign. If the shortcut you assigned is already in use, a message
appears below the Application Commands list.
5 Do one of the following:
Click Accept to assign the shortcut to the command.
The conflicting command that previously had the keyboard shortcut now has no keyboard shortcut assigned to it.
Click Accept and Go To Conflict to assign the
shortcut to the new command, and to assign another keyboard shortcut to the conflicting.
To revert keyboard shortcuts
To Do the following
Revert the last keyboard shortcut you created or modified
Revert to all keyboard shortcuts you created or modified since you opened the Preferences dialog box
Revert all keyboard shortcuts to their default settings
Click Undo.
Click Reset. In the warning dialog box, click Yes.
Click Defaults. In the warning dialog box, click Yes.
To m an a g e k e y s et s
To Do the following
Open an existing key set Click the Open button . In
Create a new key set from the existing key set
Save the active key set Click the Save Active Set button
Create an HTML summary of the active key set
Delete the active key set Click the Delete button .
the Open Key Set dialog box, select a key set, and click Open.
Click the New from Existing button . In the Save New Key Set dialog box, type a name for the key set in the Filename box, and click Save.
. In the Save Key Set dialog box, type a name for the key set in the Filename box, and click Save.
Click the Create HTML Summary button . In the Save Summary dialog box, type a name in the Filename box, and click Save.
Key set files created on the Mac OS cannot be imported into Corel Painter on Windows. Likewise, key set files created on Windows cannot be imported into Corel Painter on the Mac OS.
41Basics
Page 62

Undo Preferences

Multiple Undo allows you to undo and redo up to 32 levels of changes. Corel Painter sets 32 levels as the default.
The number of Undo levels applies across open documents. If you have set the number of Undo levels to 5, and you have two documents open and have “undone” three operations on the first document, you can undo only two operations on the second document.
Multiple Undo can use a significant amount of disk space. If you perform multiple operations on the entire image, the whole image must be saved for each Undo step.
To set Undo levels
1 Do one of the following:
(Mac OS) Choose Corel Painter 11 menu
Preferences
(Windows) Choose Edit menu Preferences Undo.
Undo.
2 Enter a number between 1 and 32 in the box.

Shapes Preferences

You can set the default fill and stroke in the Shapes page of the Preferences dialog box. These settings apply to new shapes you create. If you enable the Big Handles check box, the Bézier curve control handles will appear larger. (You may find it easier to work with them in the larger size.) You can also specify colors for the wing color, outline color, and point color.
To change Shapes preferences
1 Do one of the following:
(Mac OS) Choose Corel Painter 11 menu
Preferences
(Windows) Choose Edit menu Preferences
Shapes.
Shapes.
2 Select your preferences from the following options:
Drawing Options controls how Corel Painter displays
shapes as you create them (On Draw) and when a shape path is closed (On Close). The default setting for On Draw is Stroke In Current Color, and the default setting for On Close is Stroke in Current Color.
Big Handles controls the size of the anchor points and
direction wing handles. This can make them easier to grab and drag. If you want big points, enable this option.
Outline controls the color of the shape outline paths.
Double-click the chip to change the color.
Selected Point controls the color of selected anchor
points (unselected anchor points appear “hollow”). Double-click the chip to change the color.
Wing controls the color of the control wings and
handles. Double-click the chip to change the color.
Tolerance determines how close the brushstroke must
be, in pixels, to the path or shape for automatic alignment to occur.
Paint Hidden Shapes aligns a brushstroke with a
hidden shape or path.
42 Corel Painter 11 User Guide
Page 63

Operating System Preferences (Windows)

Palettes and UI Preferences

Computers running Windows have some additional options.
Printing Option
In the Printing Option area of the Operating System page of the Preferences dialog box, if you enable the No Print Banding check box, print banding is disabled. Disabling print banding may help some PostScript printers, but it hurts the performance of some bitmap printers, such as the HP® Deskjet® printers. The operation of most dot matrix printers is faster if you do not enable No Print Banding. If you experience problems printing in landscape orientation, you may have to enable the No Print Banding check box.
Display Option
If your video display driver is set to 16-bit colors, you may experience some color irregularities on your screen when you use Corel Painter. Enabling the No Device Dependent Bitmaps check box corrects this problem for most 16-bit color video displays. If you are not using 16-bit color, enabling this check box does not affect your system.
To access Operating System preferences (Windows)
Choose Edit menu Preferences Operating System.
Corel Painter lets you control how palettes are docked and grouped. You can also set the window background color.
To change palette behavior
1 Do one of the following:
(Mac OS) Choose Corel Painter 11 menu
Preferences
(Windows) Choose Edit menu Preferences
Palettes and UI.
Palettes and UI.
2 Choose your preferences from the following options:
Autoscroll lets you scroll through a palette with many
elements automatically.
Snapping Behavior determines where palettes are
docked in relation to other elements on the user interface.
Snapping Tolerance determines the minimum
distance, in pixels, between the palette and other elements on the user interface before docking.
To change the window background color
1 Do one of the following:
(Mac OS) Choose Corel Painter 11 menu
Preferences
(Windows) Choose Edit menu Preferences
Palettes and UI.
Palettes and UI.
2 Do one of the following:
43Basics
Page 64
To use the current main color, click Use Current
Color.
To choose another color, click Custom Color, select a
color in the Color dialog box, and click OK.

Using Two Monitors

Painting with an Intuos Tablet and Pen
The Intuos tablet provides 1,024 levels of pressure sensitivity to help you create smooth curves, gradual transitions, and precise brushstrokes. Corel Painter allows you to take advantage of tilt and bearing input from an Intuos pen in new and exciting ways.
The Corel Painter user interface can be displayed across two or more monitors. You can drag any of the Corel Painter palettes, the property bar, and the toolbox to any monitor; however, each palette must be displayed entirely on one monitor at a time. If the palette is displayed equally on both monitors, it will snap to the vertical edge of the left monitor.
For best performance, make sure that both monitors are set to the same resolution. In Windows, you must stretch the application window to straddle both monitors, then redesign your workspace. For information on configuring your system so that Corel Painter is displayed across two or more monitors, refer to your operating system documentation.
Before you use Corel Painter with your Wacom Intuos 3 tablet on the Mac OS, you need to ensure that the Wacom Intuos 3 driver you’ve installed is optimized for use with Corel Painter. To do this, access the Mac OS System Preferences, and choose the Wacom Tablet command. Choose Functions from the Tool area, and then click the Touch Strip button that appears. In the Touch Strip area, make sure that the left and right Touch Strip functions are both set to Scroll.
The mouse mode option in the Wacom controls panel, which causes a stylus to behave like a mouse, is not compatible with Corel Painter. Always use pen mode when painting with an Intuos tablet and pen.

Wacom Intuos Support

Customizing Brush Tracking
Corel Painter supports the use of Wacom® Intuos® tablet, pen, and airbrush technology.
44 Corel Painter 11 User Guide
Every artist uses a different pressure when drawing on an Intuos tablet. The Corel Painter Brush Tracking preferences help you customize your Intuos tablet to meet your pressure sensitivity needs. For more information, see “Brush Tracking Preferences” on page 39.
Page 65
Linking Stylus Features to Expression Settings
Settings you make in the Expression areas of the Brush Creator allow you to tie brush features like Opacity, Grain, Angle, Size, Jitter, Resaturation, Bleed, Flow, and Depth to stylus data, such as Velocity, Direction, Pressure, Wheel, Tilt, and Bearing. For more information about using the Expression areas in the Brush Creator, see “Expression Settings” on page 195.
Using the Min Size Setting
In Corel Painter, the Min Size setting lets you take even further advantage of stylus input data. When Size is set in the Expression area of the Brush Creator to respond to stylus pressure, and the Min Size setting is set to a small percentage of the brush size, the strokes you make with the stylus create amazingly realistic results.
Using the Intuos Airbrush Wheel
The Intuos Airbrush — the first true computer airbrush — provides fingertip media flow control. Corel Painter airbrushes respond to angle (tilt), bearing (direction), and flow (wheel setting) data from the Intuos stylus, allowing for a truly realistic brushstroke. For example, as you tilt your stylus, specks of media land on the paper in a way that reflects that tilt. Corel Painter airbrushes create conic sections that mirror your stylus movements.
or how much medium is applied. For more information about using the new airbrushes, see “Painting with Airbrushes” on page 121.
Using Multiple Intuos Pens
All Intuos pens — both standard and airbrush — feature Tool ID™, which allows you to configure and work with multiple pens during a Corel Painter session. For example, let’s assume you have two Intuos pens: Pen 1 and Pen 2. Pen 1 is set to an Oil brush variant; Pen 2 is set to an Artists variant.
Every time you bring Pen 1 into the tablet’s proximity, Corel Painter automatically changes the active brush to the Oil brush. Every time you bring Pen 2 into the tablet’s proximity, Corel Painter switches to the Artists brush. If you’ve adjusted the tool assigned to a pen’s size or other settings, Corel Painter remembers those changes for the next time you use that pen.
Corel Painter airbrushes take advantage of the Intuos Airbrush stylus wheel control. Like the needle control on a real airbrush, the Intuos wheel control adjusts airbrush flow,
45Basics
Page 66
Page 67

Textures, Patterns, and Weaves

With Corel Painter, you can apply paper textures, gradients, patterns, and weaves to your image by brushing some of them on, having them interact with each other, spraying them, or smearing them. You can even create your own textures, patterns, and weaves. Corel Painter lets you experiment freely without interrupting your creative work — you never have to rush to the store to buy a new tube of paint or the right kind of paper.
You can use textures, patterns, and weaves to do the following:
load the Brush tool with media for painting
fill selections when using the Paint Bucket tool or the Fill
command from the Effects menu
control certain image effects, such as Apply Surface
Te x t u r e
This chapter explains how to select, customize, and create textures, patterns, and weaves, as well as how to save them to a library for future use.
Papers, patterns, and weaves all reside in libraries. The default libraries offer sample materials. You’ll find more libraries, with additional materials, on the Corel Painter DVD and on the Corel Web site. For more information about
47
Page 68
libraries, including how to load alternate libraries, create your own libraries, and manage library content, see “What Are Libraries?” in the Help.
This section contains the following topics:
Using Paper Texture
Using Patterns
Using Weaves

Using Paper Texture

Most brushes interact with the current paper texture.
With traditional art media, the results from using a marking tool depend on the texture of the surface to which it is applied. Corel Painter allows you to control the texture of the canvas to achieve the results you’d expect from using traditional media on a given surface — pencil on watercolor paper, felt pens on cotton paper, chalk on the sidewalk, and so on.
Some brushes, like those in the Airbrushes category, don’t reveal paper texture in their strokes. This behavior corresponds with that of a traditional airbrush.
48 Corel Painter 11 User Guide
You can use paper textures in many ways. Brushes interact with paper “grain,” just as traditional tools react with the texture of the surfaces beneath them. Working with paper grains is useful when you use the Apply Surface Texture command or other effects, such as Glass Distortion. You can select different paper textures, modify them, organize them in libraries, and even create your own custom textures.
In Corel Painter, brushes that react with paper texture have a “grainy” method. For more information about brush methods, see “Methods and Subcategories” on page 158.
The terms “paper grain” and “paper texture” are used synonymously.
Page 69

Choosing Paper Textures

The Papers palette is where all paper textures are stored. In addition to using it to select papers, you can use this palette to invert, resize, or randomize paper grain; control brightness and contrast; or open other paper libraries. For more information on working with libraries, see “Creating a Library” in the Help.
You can also choose a paper texture from the Paper Selector in the toolbox.
Corel Painter uses the currently selected texture. You can make a few strokes, and then change the paper and make a few more strokes to get different results.

Creating Paper Textures

The Make Paper command lets you make your own paper textures. The Capture Paper command lets you turn a section of an image into a paper texture. When you save textures, they become available on the Papers palette.
Paper Selector on the Papers palette.
To choose a paper texture
1 Choose Window menu Library Palettes Papers.
The Papers palette appears. If the palette is not expanded, click the palette arrow.
2 On the Papers palette, click the Paper Selector to display
the available paper textures.
3 Choose a paper texture from the Paper Selector.
The Papers palette shows the dimensions, in pixels, of the selected paper. Corel Painter tiles the paper to cover as much canvas as needed.
To create a paper texture
1 Choose Window menu Library Palettes Papers.
2 On the Papers palette, click the palette menu arrow, and
choose Make Paper.
3 In the Make Paper dialog box, choose a pattern from the
Pattern pop-up menu to use as the basis of your paper texture.
4 Adjust the Spacing slider.
Moving the Spacing slider to the right opens up space between rows and columns in the selected pattern.
5 Adjust the Angle slider.
Moving the Angle slider changes the direction in which the pattern’s rows are lined up.
6 When you like the look of the texture, enter a name, and
click OK.
49Textures, Patterns, and Weaves
Page 70
Your new texture appears as the last item in the Paper Selector.
You can also use the Paper Selector in the toolbox to create paper. Click the Paper Selector, click the selector menu arrow, and choose Make Paper.
The Make Paper dialog box allows you to create your own textures based on patterns in the Pattern pop-up menu.
To capture paper texture
1 Open or create an image.
2 Select all or a piece of your source image.
3 On the Papers palette, click the palette menu arrow, and
choose Capture Paper. If you want to blend the distinction between tile borders,
move the Crossfade slider in the Save Paper dialog box to the right.
4 Type the name of your new texture, and click OK.
Your texture now appears in the Paper Selector and is added to the current library.
You can also use the Paper Selector in the toolbox to capture paper texture. Click the Paper Selector, click the selector menu arrow, and choose Capture Paper.
The Make Fractal Pattern feature creates excellent textures. Some weaves also produce good textures. For more information, see “Creating Fractal Patterns” in the Help.

Adjusting the Grain

When you use a brush that interacts with paper grain, the results appear with each stroke. If you have a stylus and tablet, you can adjust paper grain by changing the stroke of the stylus on a pressure-sensitive tablet. In most cases, a light stroke colors only the peaks and ridges of the grain. A heavy stroke fills color deep into the pockets and valleys. You can also affect paper grain by using the Grain settings on the Stroke Designer page of the Brush Creator.
If you want a uniform paper grain across an image, create your artwork first, and then apply the grain as a surface texture. If you apply paper texture before you create an image, the texture is erasable, and you cannot erase paper texture without erasing brushstrokes at the same time. For this reason, it is usually best to add paper texture as a last step in developing your image.
50 Corel Painter 11 User Guide
Page 71
By default, paper grain is fixed, which means that the texture is in the same position each time you apply a brushstroke. You can change this setting if you want grain to be applied randomly.
You can also change the look of brushstrokes by having the paper grain interact with stroke direction. This option works best when you paint with a stylus and use certain papers and brushes.
When you find a brush and paper combination that you really like, you can save it as a new look in the Look Selector.
To randomize paper grain
1 Choose Window menu Brush Creator.
2 Click the Stroke Designer tab, and choose Random.
3 Enable the Random Brush Stroke Grain option.

Inverting and Scaling Paper Textures

Paper texture can be visualized as a three-dimensional landscape. Ordinarily, brushes react to paper texture by coloring the peaks and ignoring the valleys. You can enable the Invert Paper option to make color fill the valleys instead of the peaks. You can also adjust the paper texture scale to resize the paper texture. Scaling the paper grain affects how the grain appears in brushstrokes and images.
To invert paper grain
1 Choose Window menu Library Palettes Papers.
2 On the Papers palette, do one of the following:
Click the palette menu arrow, and choose Invert
Paper.
Click the Invert Paper button .
The Random Brush Stroke Grain option is not available for all brushes.
To enable directional paper grain
1 Choose Window menu Library Palettes Papers.
2 Click the Directional Grain button .
Factors such as stylus pressure, paper, and brush variant affect the appearance of brushstrokes when the Directional Grain option is enabled. Papers with pronounced grain, such as Wood Grain and Gessoed Canvas, produce the best results.
You can also use the Paper Selector in the toolbox to invert paper grain. Click the Paper Selector, click the selector menu arrow, and choose Invert Paper.
Two brushstrokes overlapping. The green brushstroke was painted with the paper grain inverted.
51Textures, Patterns, and Weaves
Page 72
To change the paper texture scale
1 Choose Window menu Library Palettes Papers.
2 On the Papers palette, use the Paper Scale slider to resize
the paper grain. As you move the slider, the Paper Preview Window
updates to display the new grain size. You can scale texture down to 25% or up to 400%.
paint patterns directly onto your image with computed
brushes that use rendered dab types
paint using a cloning brush
control image effects
You’ll find a sampling of patterns in the default Pattern library. You’ll find other pattern libraries on the Corel Painter 11 DVD.
Scaling large textures can use a great deal of RAM.

Choosing Patterns

Most textures in Corel Painter range from 50 to 400 pixels square at 100% scaling.
The Patterns palette shows a preview of the pattern, gives tile image dimensions, and gives you options for scaling and arranging the tile in fills.
Patterns are created by repeating a rectangular image tile across an area. Ideally, images intended to be tiled are created so that they tile seamlessly. Corel Painter provides ways to help you generate seamless tiles.
Brushstrokes on paper grains with different scale
values.
You can capture a pattern after you create it and manipulate it to be a half-drop design, traditionally used in wallpaper designs. Your patterns can be added to the Pattern library.

Using Patterns

A pattern is a repeating design. The smallest unit of a pattern is known as a “tile.” When you fill an area with a pattern, the tile is repeated across the selected area.
With patterns, you can
fill selections with an image
52 Corel Painter 11 User Guide
Page 73
Pattern Selector on the Patterns palette.
Fractal patterns can be used to create interesting landscapes in Corel Painter.
To choose a pattern
1 Choose Window menu Library Palettes Patterns.
If the Patterns palette is not expanded, click the palette arrow.
2 On the Patterns palette, click the Pattern Selector.
3 Choose a pattern from the list.
You can also choose a pattern from the Pattern Selector in the toolbox.
To adjust the appearance of a pattern
1 Choose Window menu Library Palettes Patterns.
2 Choose a pattern from the Pattern Selector.
3 Enable one of the following options:
Rectangular Pattern Type places the tiles in a
rectangular grid for fills. The Pattern Offset slider does not apply.
Horizontal Pattern Type offsets the tiles in
subsequent rows. The Pattern Offset slider controls the amount of offset.
Vertical Pattern Type offsets the tiles in subsequent
columns. The Pattern Offset slider controls the amount of offset.
4 Adjust the Pattern Scale slider to control the dimensions
of the pattern. After setting these options, the pattern is ready to use.
To fill an image with pattern tiles
1 On the Patterns palette, choose a pattern.
2 Choose Edit menu
Fill.
3 In the Fill dialog box, choose Pattern.
The image must be larger than the tile in order for the tiling to be visible in an image.
53Textures, Patterns, and Weaves
Page 74
To paint with a pattern
1 From the Brush Selector bar, choose a brush that applies
media to a document.
2 On the Stroke Designer page of the Brush Creator,
choose General.
3 From the Source pop-up menu, choose one of the
following:
Pattern paints with a pattern containing no mask
information.
Pattern with Mask paints using mask data contained
in the pattern.
Pattern as Opacity paints with the pattern at a reduced
opacity.
4 Choose Window menu
Library Palettes Patterns.
5 Choose a pattern from the Pattern Selector.
6 Paint in the image.
If you have not set a clone source, Corel Painter uses the current pattern in any operation referring to clone source colors or luminance. This means you can paint with a pattern using a Cloner brush.
If the Source option is not available (is grayed), you can use the selected brush only to apply color. In that case, select a rendered brush, or choose Rendered from the Dab Type pop-up menu.
When painting with a pattern, keep in mind that direction matters. Corel Painter flips the pattern you’re painting when you change directions, so apply strokes in the same direction for a uniform effect.

Creating and Capturing Patterns

Corel Painter offers three ways to create patterns:
Define the current image as a pattern, then add it to the
Pattern library.
Create a rectangular selection, then capture it as a
pattern. For more information about creating selections, see “Creating Selections” in the Help.
Make a fractal pattern, then add it to the library. For more
information on creating fractal patterns, see “Creating Fractal Patterns” in the Help.
After creating a pattern tile, you’ll probably want to refine it so that it tiles seamlessly. For more information, see “Creating Seamless Tiles” in the Help.
Images that you turn into patterns and save in RIFF format maintain their pattern characteristics even after being saved and reopened. To keep the Pattern Selector manageable, it’s a good idea to keep libraries small. Use the Patterns Mover to create new libraries and delete unwanted patterns. You can switch libraries whenever you want to use a different set of patterns. For more information about movers, refer to “Creating a Library” in the Help.
54 Corel Painter 11 User Guide
Page 75
If a pattern preview isn’t detailed enough or you want to edit an existing pattern, you can open the pattern tile in its own window. By loading a pattern as a file, you can view the pattern closely and modify it.
After a pattern becomes a tile, you can paint off one side of the canvas and watch your stroke appear on the opposite side of the canvas, automatically wrapping to the other side. For more information about editing pattern tiles, see “Creating Seamless Tiles” in the Help.
You can also create masked patterns to use with the Pattern Pens Masked brush variant.
To create a pattern
1 Open the image file you want to use in creating a pattern.
2 Choose Window menu
Library Palettes Patterns.
The Patterns palette appears.
3 Click the palette menu arrow, and choose Define Pattern.
4 On the Patterns palette, click the palette menu arrow, and
choose Add Image to Library.
5 In the Save Image dialog box, type a name for the pattern.
With the Grabber tool selected, you can hold down the Shift key and drag the seams to the center of the image in the document window. For best results, do this at 100% scale.
To capture a pattern
1 Using the Rectangular Selection tool , select the area of
the image you want to use as a pattern. Remember, selection edges meet when the image is tiled,
so select carefully.
2 Choose Window menu
Library Palettes Patterns.
The Patterns palette appears.
3 Click the palette menu arrow, and choose Capture
Pattern.
4 Enable one of the following options:
Rectangular Tile places the tile in a rectangular grid
for fills. The Bias slider does not apply.
Horizontal Shift offsets the tiles in subsequent rows.
The Bias slider controls the amount of offset.
Vertical Shift offsets the tiles in subsequent columns.
The Bias slider controls the amount of offset.
As you try different tile arrangements and Bias settings, the Pattern Preview Window shows the result.
5 Enter a descriptive name for the pattern.
Corel Painter captures the pattern and saves it to the current library.
55Textures, Patterns, and Weaves
Page 76
The Capture Pattern dialog box lets you decide how much to offset pattern tiles and in which direction.
To edit a pattern tile
1 On the Patterns palette, choose a pattern from the Pattern
Selector.
2 Click the palette menu arrow, and choose Check Out
Pattern. Corel Painter opens the selected pattern tile in its own
document window. You can now edit the pattern tile as you would any image.
To put the modified pattern back in the palette, you must save it to the Pattern library. For more information about saving patterns to a library, refer to “Using Weaves” on page 56.
To create and use a masked pattern
1 Make a selection to capture the area of an image that you
want to use as a pattern.
2 On the Patterns palette, click the palette menu arrow, and
choose Define Pattern.
3 On the Patterns palette, click the palette menu arrow, and
choose Add Image to Library.
4 In the Save Image dialog box, type a name for the pattern,
and click Save.
5 On the Brush Selector bar, choose Pattern Pens from the
Brush Category selector, and choose Pattern Pen Masked from the Brush Variant selector.
On the Patterns palette, choose the masked pattern you saved in step 4.

Using Weaves

The Weaves palette is, in effect, a virtual loom that you can use to create weaves to use as fill patterns. Weave libraries are included with Corel Painter. You can modify a weave by changing the way it displays the scaling and thickness of its threads, or by changing its colors. You can also create and save weaves of your own, and you can preview your changes before you apply them.
56 Corel Painter 11 User Guide
Page 77

Choosing Weaves

You can choose weaves from the Weave Selector on the Weaves palette. In addition, you can change the way a weave is displayed. You can also use the four sliders at the bottom of the Weaves palette to control the thickness of threads and the spacing between them. The top two sliders control horizontal dimensions; the bottom two control vertical dimensions. By adjusting these sliders, you can create a wide variety of weaves with any one of the patterns supplied.
The Weave Selector on the Weaves palette.
Corel Painter can display a weave as two-dimensional or show the interwoven threads three-dimensionally, complete with shadows.
A weave’s appearance changes, depending on whether you display it as two-dimensional or three-dimensional.
To choose a weave
1 Choose Window menu Library Palettes Wea ve s.
If the Weaves palette is not expanded, click the palette arrow.
2 On the Weaves palette, click the Weave Selector.
3 Choose a weave from the list.
You can also choose a weave from the Weave Selector in the toolbox.
To adjust scaling and thickness
1 On the Weaves palette, choose a weave from the Weave
Selector. The weave appears in the Weave Preview Window.
2 Click the Three-Dimensional Weave button to show a
three-dimensional weave. For most weaves, you won’t see a change in the preview
until you adjust the scale and thickness values.
3 Adjust the horizontal and vertical scale sliders to increase
the scale, thus enlarging the weave.
4 Adjust the horizontal and vertical thickness sliders to
reduce the thickness. You should begin to see a change in the Weave Preview
Window.
57Textures, Patterns, and Weaves
Page 78
Thickness sliders affect the three-dimensional display only. When you select a two-dimensional display, the thickness sliders have no effect.
To change how a weave is displayed
1 Choose Window menu Library Palettes Wea ve s.
The Weaves palette appears.
2 Click the Two-Dimensional Weave or the
Three-Dimensional Weave button. The Weave Preview Window changes to show either a
two-dimensional (Blocks) or three-dimensional (Fibers) weave.
Depending on which weave is selected, you may or may not see a change in the Weave Preview Window. For different two- and three-dimensional effects, you can adjust the scaling and thickness sliders at the bottom of the Weaves palette.

Editing Weave Colors

Each weave uses its own color set. You can display the color set used for a weave, change the colors in the set, and apply the changed colors to the weave. Remember that you can open several palettes and rearrange them to make it easier to see the controls you need.
To display the color set for a weave
1 On the Weaves palette, choose a weave from the Weave
Selector.
2 Click the palette menu arrow, and choose Get Color Set.
The color set for the selected weave appears in the Color Sets palette, replacing the current color set.
To change weave colors
1 Choose a new color from the Colors palette or from the
Color Sets palette, or sample a color with the Dropper tool .
2 Choose Window menu
Library Palettes We av es .
The Weaves palette appears.
3 On the Weaves palette, choose a weave from the Weave
Selector.
4 Click the palette menu arrow, and choose Get Color Set.
5 On the Color Sets palette, hold down Command
(Mac OS) or Ctrl (Windows), and click the color swatch that you want to replace.
The new color replaces the old one.
6 On the Weaves palette, click the palette menu arrow, and
choose Put Color Set. The Preview window shows the weave with the new
colors. If you fill an image with the weave pattern, Corel Painter now uses the new color set.
58 Corel Painter 11 User Guide
Page 79

Color

Corel Painter offers many ways to apply color to your image. For example, you can change the paper color, choose colors for your brushstrokes, or apply gradients to an entire image or selection.
This section contains the following topics:
Getting Started with Color
Working with the Mixer Palette
Working with Color Sets
Setting Color Variability
Working with Gradients

Getting Started with Color

You can select colors in several ways by using any of the following:
the color squares on the Colors palette
the Dropper tool, which samples color from the image
the Use Clone Color setting, which pulls color from a
source
the Mixer palette
the Color Sets palette
59
Page 80

Using the Colors Palette

Color information
Main color
Additional color
Clone color
Resize handle
Hue Ring
Saturation/Value Tr i a n g l e
You can use the Colors palette to select a color and view information about the selected color. You can also customize the Colors palette by resizing it or by changing the information that it displays. For instance, you can increase the palette size in order to select colors more accurately, and then decrease the palette size in order to focus on the canvas.
By default, the Colors palette displays the color wheel and color information for a selected color, but you can hide these elements. You can also choose to show or hide color tooltips, which appear by default when you point to a color in the Colors palette. Tooltips provide information about individual colors.
The color wheel includes the Hue Ring and the Saturation/ Value Triangle. The following information can help you use the color wheel.
The Colors palette.
Color values span the Saturation/Value Triangle from top
to bottom. The top of the triangle represents the highest value (white), and the bottom of the triangle represents the lowest value (black).
Saturation levels increase from left to right. Dragging to
the right, or clicking on the right, produces purer colors within the predominant hue. Dragging to the left, or clicking on the left, reduces the color saturation and produces “muddier” or grayer colors.
You can also set the HSV and standard RGB values for the selected color, and you can display RGB values in decimal format. These values can be adjusted by moving the sliders or by typing new values in the corresponding boxes.
You can also enable the Clone Color option from the Colors palette. For more information, see “Using Clone Color” on page 219.
To display the Colors palette
Choose Window menu Color Palettes Colors.
To resize the Colors palette
With the Colors palette undocked, drag the resize handle
at the lower-right corner of the main window of the palette.
To hide the color wheel
On the Colors Palette, click the palette menu arrow and
choose Hide Color Wheel.
60 Corel Painter 11 User Guide
Page 81
To choose a hue and color from the Colors palette
1 Choose Window menu Color Palettes Colors.
2 Drag the circle on the Hue Ring to select the
predominant hue. The Saturation/Value Triangle displays all available
colors within that selected hue.
3 Select a color on the Saturation/Value Triangle by
dragging the circle or by clicking the color you want.
You can display hexadecimal RGB values on the Colors palette by pressing Shift + click in the HSV/RGB square. Hexadecimal RGB values can be useful when you create graphics for the Web.
To h id e t h e c olor information
On the Colors Palette, click the palette menu arrow, and
choose Hide Color Info.
You can also select a hue by clicking anywhere on the Hue Ring (in the Standard Colors view) or on the hue indicator (in the Small Colors view). In addition, you can use the arrow keys on your keyboard to adjust the color in the Saturation/Value Triangle.
To s e t R G B o r H S V v a l u e s
1 On the Colors Palette, click the palette menu arrow and
choose one of the following:
Display as RGB
Display as HSV
2 Move the sliders to adjust the values, or type new values
in the boxes. You can preview the new color in the Main Color and
Additional Color squares.
To hide the color tooltips
On the Colors Palette, click the palette menu arrow, and
choose Show/Hide Color Tooltip.

Changing the Paper Color

You can change a document’s paper color — the color of the background canvas — at any time. This color appears when you delete a filled area or use a brush from the Erasers category to remove color.
Example of changing the paper color.
61Color
Page 82
To change the existing paper color
1 Choose a main color from the Colors palette.
2 Choose Canvas menu
Set Paper Color.
3 To expose the new paper color, do one of the following:
Make a selection, and cut or delete it.
Use a brush from the Erasers category to erase part of
your image.
Do not use a bleach variant to expose the new paper color unless the paper color is white. Bleach variants erase to white, regardless of the paper color.

Understanding Main and Additional Colors

The current color appears as one of two overlapping squares on the Colors palette. The front square represents the selected main color. The back square shows the selected additional color. By default, blue is the main color, and white is the additional color. Most of the time, you work with the main color.
The additional color is used when more than one color is applied, as in multicolor brushstrokes, two-point gradients, and Image Hose effects.
Overlapping squares display the current main and additional colors.
To choose the main color
1 Choose Window menu Color Palettes Colors to
display the Colors palette.
2 Double-click the front square.
3 Choose a color from the Colors dialog box.
Click the front square to set the main color.
To choose the additional color
1 On the Colors palette, double-click the back square.
2 Choose a color from the Colors dialog box.
The additional color is not what other graphics programs call the “background color.” In Corel Painter, the background
Click the back square to set the additional color.
color is the paper color.
If you usually work with the main color, you might want to click the front square again to reselect it.
62 Corel Painter 11 User Guide
Page 83
To swap the main and additional colors
Click the Color Swap icon .

Sampling Colors from Images

In addition to choosing colors on the Colors palette, you can use the Dropper tool to select, or “pick up,” a color from an existing image.
To use the Dropper tool
1 Click the front or back square to select a main or
additional color.
2 Click the Dropper tool in the toolbox.
3 Move the cursor to the color you want to pick up, and
click it. The color square is updated to display the color you’ve
selected.
The Dropper tool picks up visible color only; it cannot be used to select a hidden color.
You can quickly access the Dropper tool by pressing D on the keyboard.
To access the Dropper tool from other tools
Press Option (Mac OS) or Alt (Windows).
The Dropper tool works with the Brush, Crop, Pen, Rectangular Shape, Oval Shape, Text, Shape Selection, Scissors, Add Point, Remove Point, Convert Point, and Paint Bucket tools.

Cloning Color

The Clone Color option offers another way to choose color. This feature lets the brush pick up dabs of color from an original (source) image. Brushes that use dab-based dab types take an average based on samples of color from the clone source, which results in an approximation of the original color. Brushes that use rendered dab types sample several colors and load each color onto individual bristles, which allows startlingly realistic results. For more information, see “Cloning Images” on page 209.
To set up a clone source
1 Choose File menu Open, and choose the file you want
to use as a clone source.
2 Choose File menu
3 Choose Select menu
Backspace (Windows). Now you can work in the new file, taking data from the
original source file.
You can also use this feature when creating a mosaic. For more information, see “Mosaics” on page 279.
Clone.
All, and press Delete (Mac OS) or
63Color
Page 84
To use clone colors
1 Set up a clone source.
If you don’t set a file as the source, Corel Painter uses the currently selected pattern.
2 Choose a brush from the Brush Selector bar.
3 Choose Window menu
Color Palettes Colors to
display the Colors palette.
4 Do one of the following:
Click the palette menu arrow, and choose Use Clone
Color.
Click the Clone Color button on the Colors
palette.
Enabling the Clone Color option disables the Colors palette. This is a reminder that your color information is coming from the clone source.
5 When you paint in the clone file, Corel Painter uses
colors from the clone source image.

Using Two Colors at Once

When you work with only the main color, you produce a solid-color brushstroke. The main color is represented by the top square of the two overlapping squares on the Colors palette.
By selecting an additional color, you can determine the colors for multicolored brushstrokes.
The settings on the Color Expression palette determine when Corel Painter uses one color or the other. For more information about using color expression, see “Setting Color Expression” in the Help.
When you change the brush or variant, Corel Painter turns Use Clone Color off. Be sure to turn it back on to continue working with the clone color.
To set up a two-color brushstroke
You can use two colors at once in a brushstroke.
1 Choose a brush from the Brush Selector bar.
2 Choose Window menu
Color Palettes Colors to
display the Colors palette.
3 Choose a main color and an additional color from the
Colors palette.
64 Corel Painter 11 User Guide
Page 85
For more information, see “Understanding Main and Additional Colors” on page 62.
4 Choose Window menu
Expression to display the Color Expression palette.
5 From the Controller pop-up menu, choose Direction.
6 Paint in the document.
The main color is used in one direction, and the additional color is used in the other.
Brush Controls Color
You can also choose a color from a color set. For more information, see “Working with Color Sets” on page 71.
You might want to try a different setting from the Controller pop-up menu on the Color Expression palette. Try setting it to Pressure instead of Direction.

Working with the Mixer Palette

The Mixer palette lets you mimic the experience of mixing colors on a traditional artist's palette. On the Mixer palette, you can access color swatches and various tools that let you mix colors. You can then apply two or more colors to the Mixer pad, the mixing area at the center of the Mixer palette, and then blend them together to create a new color.
Mixer palette
You can save, load, and reset colors on the Mixer palette. In addition, you can save colors as Mixer swatches and save colors to color sets.

Viewing the Mixer Palette

To display the Mixer palette, you can use the Window menu, or you can use a keyboard shortcut. If you need more space to mix your colors, you can undock the Mixer palette and resize it. Increasing the size of the Mixer palette also gives you access to additional Mixer swatches. For more information, see “Creating Mixer Swatches” on page 71.
You can also change the background of the Mixer pad, the surface on which you mix color.
65Color
Page 86
Mixer palette before (left) and after (right) resizing.
To display the Mixer palette
Choose Window menu Color Palettes Mixer.
You can also display the Mixer palette by pressing Command + 2 (Mac OS) or Ctrl + 2 (Windows).
To resize the Mixer palette
With the Mixer palette undocked, drag the resize handle
at the lower-right corner of the main window of the palette.
To change the Mixer pad background
1 Choose Window menu Color Palettes Mixer.
2 Click the palette menu arrow, and choose Change Mixer
Background.
3 In the Color dialog box, choose a background color.

Understanding the Mixer Palette Controls

The controls on the Mixer palette are used to apply, mix, sample, and clear color on the Mixer pad.
Mixer palette tools.
Mixer Palette tool Description
Dirty Brush Mode tool Lets you apply colors that were mixed
on the Mixer palette to the canvas. The Dirty Brush Mode tool is active by default and can be used with brush variants that support mixing. For more information, see “Mixing Paint” on page 70.
Apply Color tool Acts as a loaded paint source; applies
color to the Mixer pad. Color loaded on the Apply Color tool blends with color already on the Mixer pad.
Mix Color tool Mixes colors already on the Mixer pad;
does not add new colors to the Mixer pad.
Sample Color tool Samples color on the Mixer pad for
use on the canvas. The sampled color becomes the main color on the Colors palette.
66 Corel Painter 11 User Guide
Page 87
Mixer Palette tool Description
Sample Multiple Colors tool
Zoom tool Lets you zoom in and out of areas on
Pan Tool Lets you scroll through the Mixer pad.
Samples multiple colors on the Mixer pad. The size of the sample area is determined by the Change Brush Size slider. You can use the sampled color on the canvas.
the Mixer pad.
Using the Clear and Reset Canvas Button
The Clear and Reset Canvas button erases the contents of the Mixer pad and resets the zoom level to 100%. It does not, however, reset the brush size.
Using the Change Brush Size Slider
The Change Brush Size slider lets you increase or decrease the size of the Apply Color tool and the Mix Color tool. The Change Brush Size slider also lets you set the size of the sample area on the Mixer pad when sampling with the Sample Multiple Colors tool. If you adjust the Change Brush Size slider, the new value is retained when you reopen the application.

Using the Mixer Palette Colors

You can store commonly used colors in Mixer swatches at the top of the Mixer palette and then use these colors on the Mixer pad. A series of colors appears by default; however, this color series can be changed to suit the individual preferences of the artist. Mixer colors can be saved, loaded, and reset to the default.
To change colors on the Mixer palette
1 Choose Window menu Color Palettes Mixer to
display the Mixer palette. If the Mixer palette is not expanded, click the palette
arrow.
2 Choose Window menu
display the Colors palette.
3 On the Colors palette, choose a color.
4 On the Mixer palette, choose the Mixer swatch that you
want to change.
5 In the color Mixer swatch, press Command + click
(Mac OS) or Ctrl + click (Windows). The new color appears in the Mixer swatch.
You can also change a Mixer palette color by sampling a color on the Mixer pad. On the Mixer pad, click the color that you want to sample, choose the Mixer swatch that you want to change, and press Command + click (Mac OS) or Ctrl + click (Windows).
Color Palettes Colors to
67Color
Page 88
To save colors on the Mixer palette
1 Choose Window menu Color Palettes Mixer to
display the Mixer palette.
2 Click the palette menu arrow, and choose Save Mixer
Colors.
3 In the Save Mixer Colors dialog box, type a name for the
Mixer colors and choose where you want to save the Mixer swatches (MSW) file.
4 Click Save.
To load colors on the Mixer palette
1 Choose Window menu Color Palettes Mixer to
display the Mixer palette.
2 Click the palette menu arrow, and choose Load Mixer
Colors.
3 In the Load Mixer dialog box, choose the Mixer swatch
(MSW) file that you want to load.
4 Click Open.
You can also load a color set on the Mixer palette. Click the palette menu arrow, and choose Load Mixer Colors. In the Load Mixer dialog box, go to Corel Painter 11\Support Files\Color Sets, and double-click a color set.
To r es et c o l or s o n the Mixer palette
1 Choose Window menu Color Palettes Mixer to
display the Mixer palette.
2 Click the palette menu arrow, and choose Reset Mixer
Colors.

Mixing Colors

You can create new colors for your documents by using the Mixer pad, Mixer swatches, and Apply Color, Mix Color, Sample Color, Sample Multiple Colors, and Dirty Brush Mode tools.
When you have finished mixing and sampling colors, you can clear the mixer pad, or save it as a mixer pad (MXS) file that you can open and use later.
To m ix co l o r s
1 Choose Window menu Color Palettes Mixer to
display the Mixer palette.
2 Click the Apply Color tool on the Mixer palette.
3 Choose a color from the Mixer swatch, and paint on the
Mixer pad.
4 Choose a second color from the Mixer swatch, and paint
on the Mixer pad.
5 Do one of the following:
Use the Apply Color tool to add to and blend the
colors.
Use the Mix Color tool to blend the colors.
68 Corel Painter 11 User Guide
Page 89
You can toggle between the Apply Color and Mix Color tools by holding down Command (Mac OS) or Ctrl (Windows).
When working with the Apply Color or Mix Color tool, you can access other Mixer palette tools as you work. Holding down Spacebar activates the Pan tool
. Holding down Spacebar + Command (Mac OS) or Spacebar + Ctrl (Windows) activates the Zoom tool in zoom-in mode. Holding down Spacebar + Command + Option (Mac OS) or Spacebar + Ctrl + Alt (Windows) activates the Zoom tool in zoom-out mode. When you release the keys, the Apply Color or Mix Color tool is reactivated.
To sample a color from the Mixer pad
1 Choose Window menu Color Palettes Mixer to
display the Mixer palette.
2 Click the Sample Color tool .
3 On the Mixer pad, click the color you want to sample.
The sampled color becomes the main color in the image.
Some brush variants let you sample multiple colors from the Mixer pad. For more information, see “Mixing Paint” on page 70.
You can also paint on the canvas with an Artists’ Oils palette knife variant. Unlike palette knives in other brush categories, Artists’ Oils palette knives do not apply color. For more information, see “To sample multiple colors” on page 70.
To clear the Mixer pad
1 Choose Window menu Color Palettes Mixer to
display the Mixer palette.
2 Do one of the following:
Click the palette menu arrow, and choose Clear Mixer
Pad.
On the Mixer palette, click the Clear and Reset
Canvas button .
To save a new version of the Mixer pad
1 Choose Window menu Color Palettes Mixer to
display the Mixer palette.
2 Click the palette menu arrow, and choose Save Mixer
Pad.
3 In the Save Mixer Pad dialog box, type a name for the
Mixer colors, and choose where you want to save the Mixer pad (MXS) file.
4 Click Save.
69Color
Page 90
To load a different version of the Mixer pad
1 Choose Window menu Color Palettes Mixer to
display the Mixer palette.
2 Click the palette menu arrow, and choose Open Mixer
Pad.
3 In the Open Mixer Pad dialog box, choose the Mixer pad
(MXS) file that you want to open.
4 Click Open.

Mixing Paint

On its own, the Mixer palette mimics the traditional experience of mixing color on a palette. When used in tandem with brush variants that support mixing, the Mixer palette offers digital artists as much color-mixing flexibility as its traditional counterpart. You can create a color on the Mixer palette and apply it to the canvas. You can also sample and paint with multiple colors.
You can sample multiple colors on the Mixer palette and paint directly on the canvas.
You can mix colors with brush variants that use the following dab types: Camel Hair, Flat, Bristle Spray, Watercolor Camel, Watercolor Flat, and Watercolor Bristle. The dab type for a brush variant appears on the General palette of the Brush Control palettes.
To paint from the Mixer palette
1 Mix the color you want on the Mixer palette.
The Dirty Brush Mode tool is active by default. If it is not active, click the Dirty Brush Mode tool.
2 On the Brush Selector bar, choose a brush variant that
supports mixing.
3 Paint in the document window.
The last color on the Apply Color tool or Mix Color tool is used in the brushstroke.
You can also mix paint on the canvas with the Artists’ Oils palette knife variant. Unlike palette knives in other brush categories, Artists’ Oils palette knives do not apply color.
To sample multiple colors
1 Mix the color you want on the Mixer palette.
2 Move the Change Brush Size slider to set the size of the
sample area. The size of the sample area is displayed to the right of the
slider and is measured in pixels.
70 Corel Painter 11 User Guide
Page 91
3 Click the Sample Multiple Color tool , and click the
area of the Mixer pad that you want to sample.

Creating Mixer Swatches

If you have mixed colors that you are particularly happy with, you can save them as Mixer swatches and add them to color sets. For more information, see “Using Color Sets” on page 71.
Mixer swatches that you create on the Mixer palette can be saved.
To add a Mixer swatch to the color set
1 On the Mixer palette, click the Sample Color tool , and
choose the Mixer swatch that you want to save to a color set.
2 Click the palette menu arrow, and choose Add Swatch to
Color Set. The selected color is added to the current color set.
To create a color set from the Mixer pad
1 Choose Window menu Color Palettes Mixer to
display the Mixer palette.
2 Click the palette menu arrow, and choose New Color Set
from Mixer Pad.
3 To access the new colors, choose Window menu
Palettes
Color Sets.
Color

Working with Color Sets

Corel Painter uses color sets to organize groups of colors. Some color sets are organized by both name and color relationship.

Using Color Sets

Corel Painter provides several color sets — Corel Painter Colors, Mac OS and Windows system palettes, and the PANTONE MATCHING SYSTEM® are a few. The default color set is Artists’ Colors, which is based on the color values of real-world oil paints. Only one color set can be open at a time, but you can easily load a different set.
When Corel Painter starts, it accesses the Painter Colors file in the user folder to determine which color set to load. If Corel Painter cannot determine which color set to open, it loads the default color set from the application folder.
When you open a new color set, and the current color set is one that you’ve created or modified, Corel Painter prompts you to decide whether to append to or overwrite the contents of the Painter Colors file, allowing Corel Painter to load this new color set by default in the future.
Corel Painter provides two methods of finding a particular color in a color set. You can search for the color by name or have Corel Painter find the color that comes closest to matching the current color.
71Color
Page 92
To save a color set
1 On the Color Sets palette, click the palette menu arrow or
the Library Access button, and choose Save Color Set.
2 In the Enter Color Set Name dialog box, choose where
you want to save the file.
3 Type a name for the color set in the File Name box.
4 Click Save.
Color Sets palette
To display the Color Sets palette
Choose Window menu Color Palettes Color Sets.
To choose a color from a color set
On the Color Sets palette, click a color.
To open a different color set
1 On the Color Sets palette, click the palette menu arrow or
the Library Access button , and choose Open Color Set.
2 In the Select Color Set dialog box, do one of the
following:
(Mac OS) Click the Color Sets folder, choose a color
set, and click Open
(Windows) Choose a color set, and click Open.
You can set a default color set in the Preferences dialog box.
72 Corel Painter 11 User Guide
To find a color in a color set
1 On the Color Sets palette, do one of the following:
Click the Search for Color button .
Click the palette menu arrow, and choose Find
Swatch.
2 In the Find Color dialog box, do one of the following:
Enable the By Name option, and type a name in the
box.
Enable Closest to Current Color.
3 Click Begin.
4 Click OK when the desired color is found.
If the color set is visible, Corel Painter surrounds the found color with a selection frame.
To revert to the default color set
1 On the Color Sets palette, click the palette menu arrow or
the Library Access button , and choose Open Color Set.
Page 93
2 In the Select Color Set dialog box, do one of the
following:
(Mac OS) Press Command + Shift + A, click the
Corel Painter 11\Support Files\Color Sets folder, and double-click Artists Oils Colors.colors.
(Windows) From the Look In pop-up menu, choose
the Corel Painter 11\Support Files\Color Sets folder, and double-click Artists Oils Colors.colors.

Customizing the Layouts of Color Sets

To adjust the size of a color swatch
1 On the Color Sets palette, click the palette menu arrow,
and choose Swatch Size.
2 Do one of the following:
Choose a pixel value.
Choose Customize.
3 If you choose Customize, move the Width and Height
sliders in the Customize dialog box, or type values in the Width and Height boxes.
You can arrange colors in a color set in various ways. You can sort by hue, luminance, and saturation; determine the size of color swatches; decide whether to have grid lines; and indicate whether the colors in the set are named. You can change a color set until it’s exactly the way you want it.
To change how colors are sorted
1 On the Color Sets palette, click the palette menu arrow
and choose Sort Order.
2 Choose one of the following options:
Saved sorts colors in the order in which they were
originally entered.
HLS sorts colors by hue, luminance, and saturation.
LHS sorts colors by luminance, hue, and saturation.
SHL sorts colors by saturation, hue, and luminance.
To turn the grid on or off
On the Color Sets palette, click the palette menu arrow,
and choose Show Grid to toggle the display of the grid on and off.
Turning the grid off eliminates lines between colors. You can see more colors, but the separations between colors are not as distinct as when the grid is on.
To turn color names on or off
Click the palette menu arrow, and choose Display Name
to toggle the display of color names on or off.

Creating Color Sets

You can create your own color sets to control the colors in particular projects or to create groups of favorite painting colors. Creating clearly named color sets can be very useful.
73Color
Page 94
For example, you could name a color set Shades of Purple, Hero Image, My Crayons, or Rollover Buttons — all offering you easy access to recognizable color sets.
You can create color sets from
the Colors palette
an image
a selection on an image
a layer
the Mixer palette
Before you create a new color set, you may be prompted to save the current color set. For more information, see “To save a color set” on page 72.
To create a new color set by using the Colors palette
1 On the Color Sets palette, click the palette menu arrow,
and choose New Empty Color Set.
2 On the Colors palette, choose a color.
3 On the Color Sets palette, click the Add Color to Color
Set button .
To create a color set from an image, selection, or layer, or the Mixer palette
On the Color Sets palette, click the palette menu arrow or
the Library Access button , and choose one of the following:
New Color Set from Image — All colors in the image
are included in the color set. This option is available only if an image is open.
New Color Set from Layer — All colors in the active
layer are included in the color set. This option is available only if an active layer is selected in the image.
New Color Set from Selection — All colors in the
selected area of the image are included in the color set. This option is available only if the image has an active selection.
New Color Set from Mixer — All colors that are used
on the Mixer palette are included in the color set.
When working on Web pages, you can reduce the number of colors used in an image (and reduce the subsequent image size) by creating a color set and using only colors in that set.
For information about adding colors to a color set, see “Editing Color Sets” on page 75.
For more information about selecting colors, see “Using the Colors Palette” on page 60.
74 Corel Painter 11 User Guide
Page 95

Editing Color Sets

You can customize color sets by adding, deleting, or replacing colors. You can also append colors to a color set. This is useful if you want to use colors from multiple color sets. In addition, you can name or rename individual colors in a color set.
Naming colors in a color set can be useful. You can then search for a color by name, or annotate the colors you use, right in the document window. For more information about searching for a color, see “To find a color in a color set” on page 72. For more information about annotating colors, see “Annotating Colors” on page 76.
Because Corel Painter closes the current color set before displaying a new one, select the color you want to add from the existing color set before you open the destination set.
To delete a color
1 Choose Window menu Color Palettes Color Sets.
2 On the Color Sets palette, choose a color and click the
Delete Color from Color Set button .
3 In the warning dialog box, click Yes.
Corel Painter deletes the chosen color from the color set.
To add a color
1 Choose the color you want to add from the Colors
palette, a color set, or an existing image.
2 On the Color Sets palette, click the Add Color to Color
Set button . The color is added to the current color set.
3 If you like, double-click the color swatch to enter a name
for the color. You can change the name later by double-clicking on the
swatch again and entering a new name.
4 Repeat this procedure for all colors you want to add.
To replace a color
1 Choose the color you want to add from the Colors
palette, a color set, or an existing image.
2 Hold down Command (Mac OS) or Ctrl (Windows),
and click the color you want to replace. The new color replaces the old one in the color set.
To name or rename a color
1 Choose Window menu Color Palettes Color Sets.
2 Double-click a color swatch on the Color Sets palette.
3 Type a color name in the Set Color Name dialog box.
Color names can contain up to 31 characters.
75Color
Page 96
To append colors to a color set
1 On the Color Sets palette, click the palette menu arrow,
and choose Append Color Set.
2 In the Select Color Set dialog box, select the Color Set
you want to use, and click Open. The new colors from the selected color set are appended
to the active Color Set List.

Annotating Colors

The Annotation feature uses color names as labels for the colors in your images. Labels are small text boxes connected to lines that point to an individual color in your on-screen or printed image. Annotating colors in an image can help you track, and limit, which colors are used, which can help you control image size. After you create annotations, you can hide, show, or delete them.
You must name color swatches in the active color set to generate useful annotations. You can change color names after you have added them as annotations. For information about naming color sets, see “To name or rename a color” on page 75.
Annotations are kept in a separate layer on top of the image and can be saved in RIFF format with your image. Annotations are included when you record a script and are properly scaled when you play the script back at a different resolution.
Create labels or annotations for individual colors in your image.
When you move a layer, its annotations go with it. If you move an annotated layer on top of another, the visible annotation might actually belong to the underlying layer, even though it appears to be labeling the top one.
When you annotate a color that doesn’t exactly match a color in the active color set — for example, when you annotate brushstrokes applied at less than 100% opacity — Corel Painter approximates the color, displays the name of the nearest match, and adds an asterisk after the color name to indicate a near match.
When you refill an annotated area, the annotation is updated to reflect the new color. For more information, see “Filling an Area with Media” on page 125.
76 Corel Painter 11 User Guide
Page 97
To create annotations
1 Use a color set that includes names for the colors.
2 Choose Canvas menu
Annotations Annotate.
3 Position the cursor on the color you wish to annotate and
drag to an area outside the color’s boundaries. A color name appears, attached to a line that points to the
annotated color.
4 After you annotate as many colors as you need, click
Done in the Annotation dialog box.
7 Repeat the procedure for each annotation you want to
rename.

Setting Color Variability

Color variability allows you to create brushstrokes of more than one color. Variability can be used to enhance the Natural-Media appearance of your work.

Color Variability Palette

To delete an annotation
1 Choose Canvas menu Annotations Annotate.
2 Click the annotation (color name) to select it.
3 Press Delete (Mac OS) or Backspace (Windows).
To show or hide annotations
Choose Canvas menu Annotations Show
Annotations or Hide Annotations.
To change color names after annotating an image
1 Choose the annotation you want to rename.
2 Press Delete (Mac OS) or Backspace (Windows).
3 On the Color Sets palette, double-click the color swatch
of the color you want to rename.
4 Type a new name in the Set Color Name dialog box.
5 Choose Canvas menu
Annotations Annotate.
6 Re-create the deleted annotation.
The Color Variability palette contains sliders to adjust color variability values. Color variability can be set for HSV or RGB mode, and it can be based on the current gradient or color set.
Color Variability palette
To display the Color Variability palette
Choose Window menu Brush Controls Color
Va r i a b i l i t y.
77Color
Page 98
To set color variability in HSV mode
1 On the Colors palette, choose a main color.
2 Choose Window menu
Brush Controls Color
Variability to display the Color Variability palette.
3 Choose In HSV from the pop-up menu.
4 Adjust the Hue, Saturation, and Value sliders to control
hue, saturation, and value ranges for color variability:
Moving the ±Hue slider to the right increases the
number of hues in the resulting brushstroke. These colors are the ones adjacent to the selected color on the color wheel.
Moving the ±Saturation slider to the right increases
variability in the color intensity of the brushstroke.
Moving the ±Value slider to the right increases
variability in the brightness of the brushstroke.
You can try different ±HSV settings with any of the brushes to produce interesting results.
When you save a brush variant, the current color variability setting is also saved.
When working with brushes like the Van Gogh and Seurat variants of the Artists brush, you can add a natural, almost 3D appearance to your Web page images by moving the Hue, Saturation, and Value settings to the right.
To set color variability in RGB mode
1 On the Colors palette, choose a main color.
2 Choose Window menu
Brush Controls Color
Variability to display the Color Variability palette.
3 Choose In RGB from the pop-up menu.
4 Move the R, G, and B sliders to control color variability of
red, green, and blue values.
To set color variability based on the current gradient
1 On the Colors palette, choose a main color.
2 Choose Window menu
Brush Controls Color
Variability to display the Color Variability palette.
3 Choose From Gradient from the pop-up menu.
Color variability is now based on random colors from the current gradient.
To set color variability based on the current color set
1 On the Colors palette, choose a main color.
2 Choose Window menu
Brush Controls Color
Variability to display the Color Variability palette.
3 Choose From Color Set from the pop-up menu.
Color variability is now based on random colors from the current color set.
78 Corel Painter 11 User Guide
Page 99

Working with Gradients

A gradient is a gradual transformation from one color into another. Sometimes gradients are called blends or fountains.

Using Gradients

Corel Painter provides several different types of gradients: linear, radial, circular, and spiral.
Left to right: Linear, radial, circular, and spiral
gradients.
You can use gradients to do the following:
Fill an image selection, layer, or channel. For more
information, see “Layers” on page 241, and “Selections and Transformations” and “Alpha Channels” in the Help.
Control a Pop Art Fill effect. (Other effects work best
when you use a filled mask.) For more information, see “Applying Pop Art Fill” in the Help.
Express the gradient in an existing image by mapping
gradient colors to image luminance. For more
information, see “Using Image Luminance to Create Texture” on page 273.
Brush with a gradient by using a computed brush and a
Line Airbrush, Projected, or Rendered dab type. For more information, see “Dab Types” on page 153.
Although Corel Painter comes with libraries full of gradients, you’ll invariably want to create some of your own. You can easily create a gradient between any two colors that you define.
You can also capture gradients from existing images or create your own libraries of gradients. Use the options on the Gradients palette to select and adjust Corel Painter gradients.
Gradients are stored in libraries. You can load alternate libraries of gradients to increase your choices. For more information about working with libraries, see “Creating a Library” in the Help.
Gradient Selector on the Gradients palette.
79Color
Page 100
To select a gradient
1 Choose Window menu Library Palettes Gradients to
display the Gradients palette. If the Gradients palette is not expanded, click the palette
arrow.
2 Click the Gradient Selector, and choose a gradient.
3 Click one of the gradient types on the right of the palette:
Linear Gradient, Radial Gradient, Spiral Gradient, or Circular Gradient.
The Gradient Preview Window shows how current settings affect a selected gradient.
To g r a d i e n t d i r e c t i o n
1 Choose Window menu Library Palettes Gradients to
display the Gradients palette.
2 Click one of the gradient order buttons at the bottom of
the palette to determine how the gradient behaves:
Left to Right Gradient
Mirrored Right to Left Gradient
Double Left to Right Gradient
Right to Left Gradient
Mirrored Left to Right Gradient
Double Right to Left Gradient
The Gradient Order Preview strip (above the gradient orders) shows the selected gradient order.
To change a gradient angle
1 Choose Window menu Library Palettes Gradients to
display the Gradients palette.
2 Drag the red ball in the Gradient Angle Ring, or click
once anywhere on the ring to change the gradient angle. A corresponding numeric value appears below the
Gradient Preview Window.
To change spiral tension
1 Choose Window menu Library Palettes Gradients to
display the Gradients palette.
2 Do one of the following:
80 Corel Painter 11 User Guide
Loading...