BEST AVAILABL;
COPY
C 3 l / j / - ^ JYJ
EI.ECTRQ[\)]i: IUI*t
INSTRUCTIONS
Power Zooming Switch
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Film Plane Indicator
Battery Chamber
Cover Lock
Film Type
Window
Handgrip Locking Lever
CCA Filter Cancellation Socket/Lighting Unit Mounting Socket
Zooming Ring |
Focusing Ring |
Zoom Lens
Zooming Speed
Switch
Folding Type Handgrip with Battery Chamber
Film Rewind Indicator
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Exposure Adjustment Scale \ Film Rewind Switch |
Instant Slow-Motion Switch |
Exposure Adjustment Knob \ |
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Filming Speed Dial |
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Variable |
Shutter |
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Control Ring |
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Manual Zooming Lever with
Macro-Setting Knob
EE/Manual Aperture
Control Ring
Fading Setting Knob
Switch Dial
CCA Filter Cancellation
Adapter Storage
Tripod Socket
Eyepiece jhutter Dioptric Adjustment Ring
Tightening Ring
Eyecup
Battery Check Button
Battery Check Window
Footage Counter
Frame Counter
Film Transport Indicator
Rear Cover
Rewind Mechanism Cancellation
Button
Socket for Remote Control and Single Frame
Electronic Flash Synchronizing Socket
Battery Chamber Cover
i / i a i i j - |
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^' ‘t ■’ |
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Cjjion Aijta Zoom i014 Electron |
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The New 8mm Cjnon Auto Zoom 1014 Electronic is a Super 8 movie |
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camera o^ extraordinary nigh quaiity It was conceived on the basis of the |
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experience gained with the Canon Auto Zoom 814 Electronic |
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The full range of Canon's technological resources was employed to develop |
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ITS lens whose zoom ratio is 10 times and its speed is f/1.4, the fastest in |
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this class The resolving power and ability to reproduce color are also |
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without parallel. |
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With |
its |
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built-in |
rewinding |
and |
variable |
shutter |
control |
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mechanisms, |
lap |
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dissolves |
are |
possible |
Built-in |
mechanisms |
such |
as |
variable |
shutter |
control, |
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macro-shooting |
system, |
built-in |
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flash |
circuit |
that |
synchronizes |
to |
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single- |
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frame |
shooting, |
and |
accessories |
such |
as |
Interval |
Timer |
E, |
Self-Timer |
E |
and |
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many |
others |
are |
constantly |
expanding |
the |
range |
of |
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its |
movie |
making |
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possibil ities |
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1 10-Time Compact Zoom Lens with Excellent Resolving Power |
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* Although |
10 times |
is |
considered |
a |
high |
magnification |
in |
a |
zoom |
lens. |
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I t s |
filter |
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diameter |
is |
only |
58mm |
and |
is |
very |
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compact. |
In |
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trying |
to achieve |
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better |
resolving |
power, |
half |
of |
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the |
lens components |
are |
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newly |
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developed |
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glasses, and Super Spectra Coating was |
applied |
to |
eliminate |
ghost |
and |
flare |
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completely. |
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^TTL Servo EE of High Precision Metering
^TTL metering which measures the incoming light through the lens is employed and CdS photocells are placed behind the diaphragm and dose to the focal plane for more precision. An EE system with the Servo meter curately controls the aperture, and since this system is more powerful
a n former ones, the minimum diaphragm aperture of f/32 became possible. An ail-transistor bridge circuit which remains stable during temperature and voltage changes is adopted to make pictures always steady, even at the high speed of 54 fps.
0 New Mechanism for Lap Dissolve and Superimposition
^ Advanced techniques, such as fade-in/out. lap dissolve and superimposition can be done accurately and easily.
This extraordinary camera will give you greater joys in movie making.
!C
J Bright and Accurate Viewfinder Information
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The |
dperture |
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of the |
eyepiece was |
enlarged |
ro increase |
the brightness |
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of |
the |
viewfinder |
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and |
for |
easier |
reading. It has the split-image |
screen |
which |
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is |
easy |
to focus |
even |
in |
dark |
places, |
and the |
rangefinder is |
interchangeable |
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with the microprism screen. |
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Meter |
information, |
such |
as |
over |
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and |
under-exposure |
warning |
marks, |
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aperture |
scale, |
meter |
needle, |
film |
end |
warning |
lamp, |
film |
transport |
indi |
cator lamp and shutter angle indicator can be easily read at a glance.
High Speed 54-fps Instant SIow-Motion Shooting
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Ordinary |
shooting |
speed |
is |
changed |
to |
sudden |
slow |
-motion |
shooting |
by |
pulling |
down the |
switch |
and, |
compared |
to |
other cameras, |
it shoots with |
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more definition in slow motion. |
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C Macro-Shooting System Simplifies Close-Ups
Up |
to |
now, |
macro-shooting |
had |
been |
a |
field |
in |
which |
many |
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accessories |
and |
advanced |
techniques |
were |
required, |
but |
with |
the |
Canon |
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Auto Zoom |
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1014 |
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Electronic, |
it is |
done |
by |
simply |
switching |
the |
zooming |
ring, so that you can easily make interesting close-ups in your movies.
1 Synchronized Flash Shooting
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The |
flash |
synchronization |
socket |
is |
built-in |
*or |
single-frame |
shooting, |
and is used for titling or for animation |
films. |
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Q Remote Control Accessories Expand the Range of Shooting
^ |
The’magnetic |
release |
mechanism |
of |
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this |
camera |
enables |
you |
to |
use |
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remote control accessories. |
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With the Self-Timer E, |
the |
photographer |
himself |
can |
enter |
the |
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picture. |
The |
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Interval Timer E, |
and |
the |
Time |
Lapse |
Programmer |
are |
used |
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for |
shooting |
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at |
fixed |
time |
intervals. |
All |
these |
greatly |
expand |
the |
range |
of |
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movie |
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making possibilities. |
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• |
Practice |
and |
master |
the |
operation |
completely |
according |
to |
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this |
instruc |
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tion book before loading the film cartridge. |
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We are vent uldJLPd that you have "Selected the Canon Auto Zoom 1074Electronic — a wise choice that pro mises you many delightful years of
photographic experiences.
Canon is recognized the world over as the foremost pioneer in the deve lopment of photographic equipment
of |
the |
highest |
quality |
and perfor |
I '-ill |
mance. |
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V V! |
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Whether for the home, laboratory, or |
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travelling, nrake the most of your |
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opportunities. |
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A |
whole |
new |
world |
of enjoyment |
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will be opened to you!
Setting-Up
Unfold the handgrip.
Load the batteries (six 1.5 V penlight size AA).
Check the batteries.
4 Remove the lens cap.
Adjust the eyepiece to your individual eyesight using the lines of split image viewfinder.
Insert the film cartridge.
Set the filming speed at "18".
Set the exposure adjustment knob at
Set the variable shutter control ring at "O'
10 Make sure that the fading setting button is pointing to the <3 rnark and check that the setting indicator turns orange.
11Make sure that the EE/manual aperture control ring is pushed
12 Turn the switch to "R
Under-exposure (Increase the lighting)
Over-exposure
(Use ND filter)
Operation
13
14
Hold the camera and look through the viewfinder.
Focus the subject at the maximum magnification (70mm).
15 |
Decide the composition and the size of the picture by turning |
the zooming ring. |
16 |
Pull the trigger slightly to confirm the exposure needle is in the |
range of proper exposure. |
Setting-Up...............................................................................
Preparations for Electric Eye Operation.................................
EE Shooting .................. ......................................................
Manual Aperture Control Shooting.........................................
Variable Shutter Control.........................................................
Shooting Techniques .............................................................
Variable Use of the Shutter....................................................
Cancelling the CCA Filter and Taking Pictures in
Artificial Light .........................................................................
Page
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. . 12
, . 15
.. 19
, . 20
. 22
. . 29
31
17 Pull the trigger completely to start filming.
18 needs.During |
shooting, zoom in and zoom out according to your |
19 |
Pull the cartridge out when you finish shooting. |
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Macro-Shooting ..................................................................................................... |
32 |
Combined Use of Macro-Shooting and Zooming Effect........................................ |
33 |
Electronic Flash Pictures....................................................................................... |
34 |
Time Control and Interval Shooting....................................................................... |
35 |
Shooting Techniques to Heighten, Effects............................................................. |
36 |
Note ...................................................................................................................... |
38 |
Accessories ........................................................................................................... |
39 |
Technical Data....................................................................................................... |
41 |
Setting-Up
1 How to Use the Handgrip |
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* |
The |
handgrip |
also |
serves |
as |
a |
battery |
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chamber. |
It |
is |
automatically |
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locked firmly when turned out. To |
fold |
it, |
push |
the |
handgrip |
lock |
up |
and |
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return it to the former position. |
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If |
you |
should |
have any |
difficulty |
in |
folding |
the |
handgrip, |
push |
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it |
forward |
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once while pushing the handgrip lock up, |
and |
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then |
fold |
it |
to |
the |
former |
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position. |
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0 Loading the Batteries |
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^ |
Prepare |
six |
penlight |
(size |
AA) |
batteries |
which |
are |
the |
source |
of |
energy |
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for |
the |
film |
drive |
system, |
the |
power |
zooming |
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system, |
and |
the |
exposure |
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meter. |
Insert four |
batteries |
in |
the |
handgrip |
and |
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two |
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in |
the battery |
chamber |
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at the side of the camera body. |
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• |
Remove the battery chamber cover at |
the |
bottom |
of |
the |
handgrip |
by |
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turning it counterclockwise with a coin. |
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Insert the batteries confirming the position |
of |
the |
poles |
as |
Indicated |
in |
the |
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diagram and close the cover. |
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• Remove the cover of the battery chamber at the side of the camera. |
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Pull toward the arrow while pushing the cover of the battery chamber. |
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Insert the batteries as the diagram in the chamber indicates. |
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Press the cover of the battery chamber toward the arrow until it clicks. |
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+ Running Ability: |
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Manganese batteries Approx. 10 cartridges or more. |
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(The running ability may differ because of the performance of batteries.} |
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• |
When not using the camera, keep the switch |
dial |
at "OFF" |
to |
prevent |
the |
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camera from operating accidentally. |
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• |
When |
changing |
the |
batteries, |
choose |
six |
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high-quality |
penlight |
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batteries |
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(size AA) of the same brand and change them all at the same time. |
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• |
If the camera will not be |
used |
for |
an |
extended |
length |
of |
time, |
the |
bat |
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teries should be taken out of the |
battery |
compartment |
to |
prevent |
possible |
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damage to the terminals from battery corrosion. |
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Insufficient (Red zone) (Replace the batteries.)
---
Tiqh:>;ni-,j
¡¡Ii C-
0 Checking the Batteries |
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^ If there is not enough |
voltage the camera does not work properly. It is |
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advisable to check the batteries occasionally. |
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• |
Turn the switch dial to |
"R", push |
the |
battery |
check |
button |
and |
read |
the |
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needle in the check window. |
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• |
When |
the |
needle points |
to the blue zone, the voltage is satisfactory and |
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you |
can |
use |
any shooting |
technique. When |
the needle |
is in |
the white |
zone, |
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the |
voltage is |
enough |
only |
to |
run |
the |
film |
at 18 |
fps. When |
the |
needle |
is in |
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the red zone, the voltage |
is |
too |
low |
and |
you |
should |
change |
the |
batteries. |
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With the needle in the red zone, |
even if |
the |
camera |
seems |
to |
work, |
the |
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voltage is |
not |
enough |
to |
operate |
the |
exposure |
system |
properly, |
so |
be |
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sure |
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to change the batteries. |
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к Eyepiece Adjustment |
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Look |
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into |
the |
viewfinder while directing the camera |
to |
a |
bright |
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subject. |
Loosen |
the |
tightening |
screw |
and |
rotate |
the |
eyepiece |
adjustment |
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ring |
till |
you can |
see the |
lines |
of |
the split image |
screen |
clearly in |
the |
center |
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of the viewfinder. Then, close the tightening screw. |
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• |
Without |
adjusting |
the |
eyepiece |
to |
your |
individual |
eyesight, |
you |
cannot |
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focus correctly. |
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• |
The |
microprism |
rangefinder |
can |
be |
interchanged |
at |
the |
Canon |
Slation |
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written on |
the iast |
page |
of this |
instruction |
booklet |
and |
the |
only |
charge will |
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be its actual cost. |
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C Loading the Film
“• Open the rear cover by pushing the opening button.
• |
Insert |
the |
film |
cartridge |
with |
the |
identification |
label |
facing |
the |
film |
type |
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window. |
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• Close the rear cover by pressing it to the former position. |
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When you hear a click the cover is locked. |
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FILM SPEED |
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The |
film |
speed is |
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automatically |
set |
with the |
insertion |
of |
a |
film |
cartridge |
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and no manual adjustment is required. |
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The following film cartridges can be used. |
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Tungsten Type: |
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ASA |
25 |
40 |
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64 |
100 |
160 |
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250 |
400 |
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Daylight Type: |
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ASA |
16 |
25 |
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40 |
64 |
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100 |
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160 |
250 |
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FOOTAGE COUNTER |
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The |
footage |
counter |
turns |
according |
to |
the |
length |
of |
exposed |
film. |
One |
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mark equals 2 ft. The counter |
returns |
automatically |
to |
"0" |
when |
the |
back |
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cover is opened. |
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• |
When the cartridge is out, the counter does not work. |
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FRAME COUNTER |
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One |
scale |
of |
the |
counter |
equals |
two |
frames |
of |
film. |
One |
full turn equals |
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72 frames (1 ft). |
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• |
To |
set |
the |
frame |
counter, rotate its |
knob and set the indication |
needle at |
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"0", so you can sea how many frames you have exposed. |
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Preparations for Electric Eye Operation
1 Set the switch dial at "R".
* |
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All |
the |
electric circuits |
are on |
and |
the |
shutter |
is |
ready |
to |
work. |
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"OFF” |
is |
the |
safety |
position at |
which |
the |
electric source is |
off |
to |
prevent |
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the shutter and the exposure meter from operating accidentally. |
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0 |
Make |
sure |
that |
the |
EE/manual |
aperture |
control |
ring |
is |
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^ pushed in. |
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• |
If |
the |
EE/manual |
aperture |
control |
ring |
is |
pulled |
out, |
the |
camera |
is |
switched to manual operation and the EE exposure control does not work.
Ì3
3 |
Set the filming speed. |
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The standard filming speed for Super 8 movie is 18 fps and the |
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movement of the subject will then look most natural when projected. |
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• |
Turn |
the filming |
speed |
dial to |
18. |
Make |
sure |
that |
the |
index |
is correctly |
set toward the number. |
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• |
When |
projecting |
the film |
shot |
at 24 |
fps, |
motion |
is |
1.3 |
times |
slower than |
when taken at the standard 18 fps. Use 24 fps for the following effects. |
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■Making standard sound film
■Slowing down the motion
■Lengthening the zooming time
■Avoiding blur while panning
The slow-motion shooting mechanism is built in. |
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This |
is |
especially useful for analyzing fast moving |
animals |
or |
sport |
events. |
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• |
The |
instant |
slow-motion |
is |
shot |
at |
approximately |
54 |
fps. |
When |
the |
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instant |
slow-motion |
switch |
is |
pressed |
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while |
shooting, |
the |
speed |
of |
the |
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film will suddenly change to slow-motion shooting. |
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If |
you |
want |
slow-motion |
pictures |
from |
the |
start, |
press |
down |
the |
switch |
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first, |
then |
pull |
the |
trigger. |
To |
stop |
it. |
release the |
trigger |
first, |
then |
the |
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slow-motion switch. |
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• The instant slow-motion switch works |
only when it is pressed down. Be |
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careful not to release it during slow-motion shooting. |
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• The instant slow-motion switch should |
be pressed down quickly. If it is |
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pressed slowly, several frames may not be correctly exposed. |
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The |
instant |
slow-motion switch is |
useless |
in |
single |
frame shooting, |
and |
if it |
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is pressed the frame shall be over-exposed. |
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• |
The |
movement of slow-motion shooting |
when |
projected |
is about three |
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times as slow as the ordinary one. Use it in the following cases: |
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■To avoid blurs during panning or while you are moving.
■To slow down the motion
Single frame shooting is explained in detail in page 31.