Zoom MultiStomp MS-100BT Zoom MS 100BT - Effects List

Effect Types and Parameters

© 2012 ZOOM CORPORATION

Copying or reproduction of this document in whole or in part without permission is prohibited.

2 3

Flanger This is a jet sound like an ADA Flanger.

Knob1 Knob2 Knob3

Page01

Depth 0–100 Rate 0–50

Reso -10–10

Sets the depth of the modulation. Sets the speed of the modulation.

Adjusts the intensity of the modulation resonance.

Page02

PreD 0–50 Mix 0–100 Level 0–150

Sets pre-delay time of effect sound.

Adjusts the amount of effected sound
that is mixed with the original sound.

Adjusts the output level.

Effect Types and Parameters

[DYN/FLTR]

Comp This compressor in the style of the MXR Dyna Comp.

Knob1 Knob2 Knob3

Page01

Sense 0–10 Tone 0–10 Level 0–150

Adjusts the compressor sensitivity. Adjusts the tone. Adjusts the output level.

Page02

ATTCK Slow, Fast

Set s co mpress or atta ck sp eed to
Fast or Slow.

RackComp This compressor allows more detailed adjustment than Comp.

Knob1 Knob2 Knob3

Page01

THRSH 0–50 Ratio 1–10 Level 0–150

Set s t he leve l tha t acti vate s t he
compressor.

Adjusts the compression ratio. Adjusts the output level.

Page02

ATTCK 1–10

Adjusts the compressor attack rate.

M Comp This compressor provides a more natural sound.

Knob1 Knob2 Knob3

Page01

THRSH 0–50 Ratio 1–10 Level 0–150

Se ts t he l eve l tha t ac ti va te s t he
compressor.

Adjusts the compression ratio. Adjusts the output level.

Page02

ATTCK 1–10

Adjusts the compressor attack rate.

OptComp This compressor is in the style of an APHEX Punch FACTORY.

Knob1 Knob2 Knob3

Page01

Drive 0–10 Tone 0–100 Level 0–150

Adjusts the depth of the compression.

Adjusts the tone.

Adjusts the output level.

Page02

SlowATTCK This effect slows the attack of each note, resulting in a violin-like performance.

Knob1 Knob2 Knob3

Page01

Time 1–50 Curve 0–10 Level 0–150

Adjusts the attack time.

Set the curve of volume change during
attack.

Adjusts the output level.

Page02

Effect type Effect explanation

Parameter

Parameter range

Effect screen

Tempo synchronization possible icon

Parameter explanation

Effect Types and Parameters

Effect Types and Parameters

ZNR

ZOOM's unique noise reduction cuts noise during pauses in playing without affecting the tone.

Knob1 Knob2 Knob3

Page01

THRSH 1–25 DETCT GtrIn, EfxIn Level 0–150

Adjusts the effect sensitivity. Sets control signal detection level. Adjusts the output level.

Page02

NoiseGate This is a noise gate that cuts the sound during playing pauses.

Knob1 Knob2 Knob3

Page01

THRSH 1–25 Level 0–150

Adjusts the effect sensitivity. Adjusts the output level.

Page02

LineSel

Sound input into the LineSel effect is sent directly to the OUTPUT jacks when OFF and to the next
effect in order when ON.

Knob1 Knob2 Knob3

Page01

EFX_L 0–150 OUT_L 0–150

Adjusts level sent to next effect.

Adj ust s l evel se nt dir ect ly t o t he
outputs.

Page02

GraphicEQ This unit has a 6-band equalizer.

Knob1 Knob2 Knob3

Page01

160Hz -12–12 400Hz -12–12 800Hz -12–12

Boosts or cuts the low (160 Hz) frequency
band.

Boosts or cuts the low-middl e (400
Hz) frequency band.

Boosts or cuts the midd le (800 Hz)
frequency band.

Page02

3.2kHz -12–12 6.4kHz -12–12 12kHz -12–12

Boos ts o r cu ts the high (3.2 kHz )
frequency band.

Boosts or cuts the ext remely high
(6.4 kHz) frequency band.

Boos ts o r cuts the harmon ics (12
kHz) frequency band.

Page03

Level 0–150

Adjusts the output level.

ParaEQ This is a 2-band parametric equalizer.

Knob1 Knob2 Knob3

Page01

Freq1 20Hz–20kHz Q1

0.5, 1, 2, 4, 8, 16

Gain1 -12–12

Adjusts center frequency of EQ1. Adjusts EQ1 Q. Adjusts EQ1 gain.

Page02

Freq2 20Hz–20kHz Q2

0.5, 1, 2, 4, 8, 16

Gain2 -12–12

Adjusts center frequency of EQ2. Adjusts EQ2 Q. Adjusts EQ2 gain.

Page03

Level 0–150

Adjusts the output level.

Exciter Adjusts the depth of the compression.

Knob1 Knob2 Knob3

Page01

Bass 0–100 Trebl 0–100 Level 0–150

Adjusts the amount of low-frequency
phase correction.

Adjusts the amount of high-frequency
phase correction.

Adjusts the level of the signal after it
has passed through the module.

Page02

CombFLTR

This effect uses the comb filter that results from fixing the modulation of the flanger like
an equalizer.

Knob1 Knob2 Knob3

Page01

Freq 1–50 Reso -10–0–10 Mix 0–100

This sets the emphasized frequency.

Adjusts the intensity of the resonance
sound of the effect.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

HiDMP 0–10 Level 0–150

Adjusts the treble attenuation of the
effect sound.

Adjusts the output level.

4

Effect Types and Parameters

AutoWah This effect varies wah in accordance with picking intensity.

Knob1 Knob2 Knob3

Page01

Sense -10– -1, 1–10 Reso 0–10 Level 0–150

Adjusts the sensitivity of the effect.

Adjusts the intensity of the resonance
sound.

Adjusts the output level.

Page02

Resonance This effect varies the resonance filter frequency according to picking intensity.

Knob1 Knob2 Knob3

Page01

Sense -10– -1, 1–10 Reso 0–10 Level 0–150

Adjusts the sensitivity of the effect.

Adjusts the intensity of the resonance
sound.

Adjusts the output level.

Page02

Cry This effect varies the sound like a talking modulator.

Knob1 Knob2 Knob3

Page01

Range 1–10 Reso 0–10 Sense -10– -1, 1–10

Adjusts the frequency range processed
by the effect.

Adjusts the intensity of the modulation
resonance sound.

Adjusts the sensitivity of the effect.

Page02

Bal 0–100 Level 0–150

Adjusts the balance between original
and effect sounds.

Adjusts the output level.

M-Filter

This envelope filter has the flavor of a Moog MF-101 Low Pass Filter and can be set in a wide range.

Knob1 Knob2 Knob3

Page01

Freq 0–100 Sense 0–10 Reso 0–10

Sets m inimum frequency of enve lope
filter.

Sets effect sensitivity. Sets effect resonance.

Page02

Type

HPF, BPF, LPF

Chara

2Pole, 4Pole

VLCTY Fast, Slow

Sets filter type. Adjusts amount of filter applied. Sets speed of filter action.

Page03

Bal 0–100 Level

0–150

Adjusts the balance between original
and effect sounds.

Adjusts the output level.

Step This special effect gives the sound a stepped quality.

Knob1 Knob2 Knob3

Page01

Depth 0–100 Rate 0–50

Reso 0–10

Sets the depth of the modulation. Sets the speed of the modulation.

Adjusts the intensity of the modulation
resonance sound.

Page02

Shape 0–10 Level 0–150

Adjusts the effect envelope. Adjusts the output level.

SeqFLTR The sequence filter has the flavor of a Z.Vex Seek-Wah.

Knob1 Knob2 Knob3

Page01

Step 2–8 PTTRN 1–8 Speed 1–50

Adjusts number of sequence steps. Sets effect pattern. Sets modulation speed.

Page02

Shape 0–10 Reso 0–10 Level 0–150

Sets effect sound envelope. Sets effect resonance. Adjusts the output level.

RndmFLTR This filter effect changes character randomly.

Knob1 Knob2 Knob3

Page01

Speed 1–50

Range 0–100 Reso 0–10

Sets modulation speed. Adjusts frequency range affected. Sets effect resonance.

Page02

Type

HPF, BPF, LPF

Chara

2Pole, 4Pole

Bal 0–100

Sets filter type. Adjusts amount of filter applied.

Adjusts the balance between original
and effect sounds.

Page03

Level 0–150

Adjusts the output level.

5

Effect Types and Parameters

fCycle This filter effect changes tone characteristics cyclically.

Knob1 Knob2 Knob3

Page01

Rate 1–50

Wave

Sine, Tri,
SawUp, SawDn

Level 0–150

Sets the sp

eed of the modulation. Sets the modulation waveform. Adjusts the output level.

Page02

Depth 0–100 Reso 0–10

Sets the depth of the modulation.

Adjusts the intensity of the modulation
resonance.

[OD/DIST]

Booster The booster increases signal gain to make the sound more powerful.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tone 0–100 Level 0–150

Adjusts the gain. Adjusts the tone. Adjusts the output level.

Page02

OverDrive

Simulation of the BOSS OD-1, the compact effect box that was the first to take the
“overdrive” title.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tone 0–100 Level 0–150

Adjusts the gain. Adjusts the tone. Adjusts the output level.

Page02

T Scream

Simulation of the Ibanez TS808, which is loved by many guitarists as a booster and has
inspired numerous clones.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tone 0–100 Level 0–150

Adjusts the gain. Adjusts the tone. Adjusts the output level.

Page02

Governor Simulation of the Guv'nor distortion effect from Marshall.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tone 0–100 Level 0–150

Adjusts the gain. Adjusts the tone. Adjusts the output level.

Page02

Dist+ Simulation of the MXR distortion+ effect that made distortion popular worldwide.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tone 0–100 Level 0–150

Adjusts the gain. Adjusts the tone. Adjusts the output level.

Page02

Dist 1 Simulation of the BOSS DS-1 distortion pedal, which has been a long-seller.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tone 0–100 Level 0–150

Adjusts the gain. Adjusts the tone. Adjusts the output level.

Page02

Squeak Simulation of the popular Pro Co RAT famous for its edgy distortion sound.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tone 0–100 Level 0–150

Adjusts the gain. Adjusts the tone. Adjusts the output level.

Page02

6

Effect Types and Parameters

FuzzSmile

Simulation of the Fuzz Face, which has made rock history with its humorous panel design
and smashing sound.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tone 0–100 Level 0–150

Adjusts the gain. Adjusts the tone. Adjusts the output level.

Page02

GreatMuff

Simulation of the Electro-Harmonix Big Muff, which is loved by famous artists around the
world for its fat, sweet fuzz sound.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tone 0–100 Level 0–150

Adjusts the gain. Adjusts the tone. Adjusts the output level.

Page02

MetalWRLD

Simulation of th e B OSS Metal Zo ne, wh ich is characterized by long su stain and a
powerful lower midrange.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tone 0–100 Level 0–150

Adjusts the gain. Adjusts the tone. Adjusts the output level.

Page02

HotBox Simulation of the compact MATCHLESS HOT BOX pre-amplifier with a built-in tube.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tone 0–100 Level 0–150

Adjusts the gain. Adjusts the tone. Adjusts the output level.

Page02

Z Clean ZOOM original unadorned clean sound.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tone 0–100 Level 0–150

Adjusts the gain. Adjusts the tone. Adjusts the output level.

Page02

Z MP1

An original so und cr eated by merging characterist ics of an ADA MP1 and a Marsha ll
JCM800.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tone 0–100 Level 0–150

Adjusts the gain. Adjusts the tone. Adjusts the output level.

Page02

Z Bottom A high gain sound that emphasizes low and middle frequencies.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tone 0–100 Level 0–150

Adjusts the gain. Adjusts the tone. Adjusts the output level.

Page02

Z Dream

A high gain sound for lead playing based on the Mesa Boogie Road King Series II Lead
channel.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tone 0–100 Level 0–150

Adjusts the gain. Adjusts the tone. Adjusts the output level.

Page02

7

Effect Types and Parameters

Z Scream An original high gain sound balanced from low to high frequencies.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tone 0–100 Level 0–150

Adjusts the gain. Adjusts the tone. Adjusts the output level.

Page02

Z Neos A crunch sound modeled on the sound of a modified British class A combo amplifier.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tone 0–100 Level 0–150

Adjusts the gain. Adjusts the tone. Adjusts the output level.

Page02

Z Wild A high gain sound with even more overdrive boost.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tone 0–100 Level 0–150

Adjusts the gain. Adjusts the tone. Adjusts the output level.

Page02

Lead Lead a bright and smooth distortion sound.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tone 0–100 Level 0–150

Adjusts the gain. Adjusts the tone. Adjusts the output level.

Page02

ExtremeDS This distortion effect boasts the highest gain in the world.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tone 0–100 Level 0–150

Adjusts the gain. Adjusts the tone. Adjusts the output level.

Page02

Aco.Sim This effect changes the tone of an electric guitar to make it sound like an acoustic guitar.

Knob1 Knob2 Knob3

Page01

Top 0–100 Body 0–100 Level 0–150

Adju sts the unique str ing ton e of
acoustic guitars.

Adjusts the body resonance of acoustic
guitars.

Adjusts the output level.

Page02

8

Effect Types and Parameters

[AMP]

FD COMBO

Modeled sound of a Fender Twin Reverb ('65), which is loved by guitarists in various genres.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tube 0–100 Level 0–150

Adjusts the gain. Adjusts tube amp compression. Adjusts the output level.

Page02

Trebl 0–100 Middl 0–100 Bass 0–100

Adjusts volume of high frequencies.

Adjusts volume of middle frequencies.

Adjusts volume of low frequencies.

Page03

Prese 0–100 CAB See Table 1 OUT See Table 3

Adjusts volume of super-high frequencies.

Selects cabinet. Selects type of connected device.

DELUXE-R This models the sound of a Fender Deluxe Reverb made in 1965.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tube 0–100 Level 0–150

Adjusts the gain. Adjusts tube amp compression. Adjusts the output level.

Page02

Trebl 0–100 Middl 0–100 Bass 0–100

Adjusts volume of high frequencies.

Adjusts volume of middle frequencies.

Adjusts volume of low frequencies.

Page03

Prese 0–100 CAB See Table 1 OUT See Table 3

Adjusts volume of super-high frequencies.

Selects cabinet. Selects type of connected device.

US BLUES Crunch sound of a Fender Tweed Bassman.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tube 0–100 Level 0–150

Adjusts the gain. Adjusts tube amp compression. Adjusts the output level.

Page02

Trebl 0–100 Middl 0–100 Bass 0–100

Adjusts volume of high frequencies.

Adjusts volume of middle frequencies.

Adjusts volume of low frequencies.

Page03

Prese 0–100 CAB See Table 1 OUT See Table 3

Adjusts volume of super-high frequencies.

Selects cabinet. Selects type of connected device.

VX JMI This simulates the sound of an early model of a class-A British combo amp.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tube 0–100 Level 0–150

Adjusts the gain. Adjusts tube amp compression. Adjusts the output level.

Page02

Trebl 0–100 Middl 0–100 Bass 0–100

Adjusts volume of high frequencies.

Adjusts volume of middle frequencies.

Adjusts volume of low frequencies.

Page03

Prese 0–100 CAB See Table 1 OUT See Table 3

Adjusts volume of super-high frequencies.

Selects cabinet. Selects type of connected device.

TW ROCK

This crunch sound uses th e drive chann el of a Two Rock Emerald 50, an Ameri can
boutique amplifier.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tube 0–100 Level 0–150

Adjusts the gain. Adjusts tube amp compression. Adjusts the output level.

Page02

Trebl 0–100 Middl 0–100 Bass 0–100

Adjusts volume of high frequencies.

Adjusts volume of middle frequencies.

Adjusts volume of low frequencies.

Page03

Prese 0–100 CAB See Table 1 OUT See Table 3

Adjusts volume of super-high frequencies.

Selects cabinet. Selects type of connected device.

MS 1959 This models the sound of a Marshall 1959 Plexi made in 1969.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tube 0–100 Level 0–150

Adjusts the gain. Adjusts tube amp compression. Adjusts the output level.

Page02

Trebl 0–100 Middl 0–100 Bass 0–100

Adjusts volume of high frequencies.

Adjusts volume of middle frequencies.

Adjusts volume of low frequencies.

Page03

Prese 0–100 CAB See Table 1 OUT See Table 3

Adjusts volume of super-high frequencies.

Selects cabinet. Selects type of connected device.

9

Effect Types and Parameters

DZ DRIVE

The 3-channel high gain sound of a Diezel Herbert, which is a handmade German guitar
amplifier that allows control of 3 independent channels.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tube 0–100 Level 0–150

Adjusts the gain. Adjusts tube amp compression. Adjusts the output level.

Page02

Trebl 0–100 Middl 0–100 Bass 0–100

Adjusts volume of high frequencies.

Adjusts volume of middle frequencies.

Adjusts volume of low frequencies.

Page03

Prese 0–100 CAB See Table 1 OUT See Table 3

Adjusts volume of super-high frequencies.

Selects cabinet. Selects type of connected device.

ALIEN

This simulates the high-gain sound of the Engl Invader, which features a powerful low-end.

Knob1 Knob2 Knob3

Page01

Gain 0–100 Tube 0–100 Level 0–150

Adjusts the gain. Adjusts tube amp compression. Adjusts the output level.

Page02

Trebl 0–100 Middl 0–100 Bass 0–100

Adjusts volume of high frequencies.

Adjusts volume of middle frequencies.

Adjusts volume of low frequencies.

Page03

Prese 0–100 CAB See Table 1 OUT See Table 3

Adjusts volume of super-high frequencies.

Selects cabinet. Selects type of connected device.

[MOD/SFX]

Tremolo This effect varies the volume at a regular rate.

Knob1 Knob2 Knob3

Page01

Depth 0–100 Rate 0–50

Level 0–150

Adjust the depth of the modulation. Adjusts the rate of the modulation. Adjusts the output level.

Page02

Wave

UP 0–UP 9,
DWN 0–DWN 9,
TRI 0–TRI 9

Sets the modulation waveform.

Slicer This effect creates a rhythmical sound by continuously slicing the input.

Knob1 Knob2 Knob3

Page01

PTTRN 1–20 Speed 1–50

Bal 0–100

Sets effect pattern.

Sets modulation speed.

Adjusts the balance between original
and effect sounds.

Page02

THRSH 0–50 Level 0–150

Adjusts effect threshold. Adjusts the output level.

Phaser This effect adds a phasing variation to the sound.

Knob1 Knob2 Knob3

Page01

Rate 1–50

Color

4 STG, 8 STG,
inv 4, inv 8

Level 0–150

Sets the speed of the modulation. Sets the tone of the effect type. Adjusts the output level.

Page02

DuoPhase This effect combines 2 phasers.

Knob1 Knob2 Knob3

Page01

RateA 1–50

RateB

1–50,
SyncA, RvrsA

Level 0–150

Adjusts speed of LFO A modulation. Adjusts speed of LFO B modulation. Adjusts the output level.

Page02

ResoA 0–10 ResoB 0–10 Link Seri, Para, STR

Adjusts resonance of LFO A modulation. Adjusts resonance of LFO B modulation.

Sets how 2 phasers are connected.

Page03

DPT_A 1–100 DPT_B 1–100

Adjusts depth of LFO A modulation. Adjusts depth of LFO B modulation.

10

Effect Types and Parameters

WarpPhase This phaser has a one way effect.

Knob1 Knob2 Knob3

Page01

Speed 1–50

Reso 0–10 Level 0–150

Sets modulation speed. Sets effect resonance. Adjusts the output level.

Page02

DRCTN Go, Back

Sets direction of warping.

TheVibe This vibe sound features unique undulations.

Knob1 Knob2 Knob3

Page01

Speed 0–50 Depth 0–100 Bias 0–100

Sets modulation speed. Sets the depth of the modulation.

Adjusts bias of waveform modulation.

Page02

Wave 0–100 Mode VIBRT, CHORS Level 0–150

Adjusts modulation waveform. Sets effect to vibrato or chorus. Adjusts the output level.

Chorus This effect mixes a shifted pitch with the original sound to add movement and thickness.

Knob1 Knob2 Knob3

Page01

Depth 0–100 Rate 1–50 Mix 0–100

Sets the depth of the modulation. Sets the speed of the modulation.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

Tone 0–10 Level 0–150

Adjusts the tone. Adjusts the output level.

Detune

By mixing an effect sound that is slightly pitch-shifted with the original sound, this effect
type has a chorus effect without much sense of modulation.

Knob1 Knob2 Knob3

Page01

Cent -25–25 PreD 0–50 Mix 0–100

Adjusts the d etuning in ce nts, which
are fine increments of 1/100-semitone.

Sets the pre-delay time of the effect
sound.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

Tone 0–10 Level 0–150

Adjusts the tone. Adjusts the output level.

VintageCE This is a simulation of the BOSS CE-1.

Knob1 Knob2 Knob3

Page01

Comp 0–9 Rate 1–50 Mix 0–100

Sets the sensitivity of the compressor.

Sets the speed of the modulation.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

Level 0–150

Adjusts the output level.

StereoCho This is a stereo chorus with a clear tone.

Knob1 Knob2 Knob3

Page01

Depth 0–100 Rate 1–50 Mix 0–100

Sets the depth of the modulation. Sets the speed of the modulation.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

Tone 0–10 Level 0–150

Adjusts the tone. Adjusts the output level.

Ensemble This is a chorus ensemble that features three-dimensional movement.

Knob1 Knob2 Knob3

Page01

Depth 0–100 Rate 1–50 Mix 0–100

Sets the depth of the modulation. Sets the speed of the modulation.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

Tone 0–10 Level 0–150

Adjusts the tone. Adjusts the output level.

11

Effect Types and Parameters

SuperCho This models the sound of a BOSS CH-1 SUPER CHORUS.

Knob1 Knob2 Knob3

Page01

E.LVL 0–120 Rate 0–100 Depth 0–100

Adj ust s amo unt of ef fec t soun d
mixed with original sound.

Sets the speed of the modulation. Adjust the depth of the modulation.

Page02

EQ 0–100 Mode MONO, STR

Adjusts effect tone.

Sets output to mono or stereo (STR).
When stereo, effect s ound is ou tput
from L channe l and unchanged input
sound is output from R channel.

VinFLNGR This analog flanger sound is similar to an MXR M-117R.

Knob1 Knob2 Knob3

Page01

Depth 0–100 Rate 0–50

Reso -10–10

Sets the depth of the modulation. Sets the speed of the modulation.

Adjusts the intensity of the modulation resonance.

Page02

PreD 0–50 Mix 0–100 Level 0–150

Sets pre-delay time of effect sound.

Adjusts the amount of effected sound
that is mixed with the original sound.

Adjusts the output level.

Flanger This is a jet sound like an ADA Flanger.

Knob1 Knob2 Knob3

Page01

Depth 0–100 Rate 0–50

Reso -10–10

Sets the depth of the modulation. Sets the speed of the modulation.

Adjusts the intensity of the modulation resonance.

Page02

PreD 0–50 Mix 0–100 Level 0–150

Sets pre-delay time of effect sound.

Adjusts the amount of effected sound
that is mixed with the original sound.

Adjusts the output level.

DynaFLNGR

The volume of the effect sound changes according to the input signal level with this
dynamic flanger.

Knob1 Knob2 Knob3

Page01

Depth 0–100 Rate 0–50

Sense -10– -1, 1–10

Sets the depth of the modulation. Sets the speed of the modulation. Adjusts the sensitivity of the effect.

Page02

Reso -10–10 Level 0–150

Adjusts the intensity of the modulation resonance.

Adjusts the output level.

Vibrato This effect automatically adds vibrato.

Knob1 Knob2 Knob3

Page01

Depth 0–100 Rate 0–50

Bal 0–100

Sets the depth of the modulation. Sets the speed of the modulation.

Adjusts the balance between original
and effect sounds.

Page02

Tone 0–10 Level 0–150

Adjusts the tone. Adjusts the output level.

Octave This effect adds sound one octave and two octaves below the original sound.

Knob1 Knob2 Knob3

Page01

Oct1 0–100 Oct2 0–100 Dry 0–100

Adjusts th e level of the s ound one
octave below the effect sound.

Adjusts the l evel of the soun d two
octaves below the effect sound.

Adjusts the volume of the unaffected
sound.

Page02

Chara 0–100 Tone 0–10 Level 0–150

Adjusts effect character. Adjusts the tone. Adjusts the output level.

PitchSHFT This effect shifts the pitch up or down.

Knob1 Knob2 Knob3

Page01

Shift -12–12 , 24 Tone 0–10 Bal 0–100

Adjusts the pitch shift amount in semitones.
Selecting “0” gives a detuning effect.

Adjusts the tone.

Adjusts the balance between original
and effect sounds.

Page02

Fine -25–25 Level 0–150

All ows fine adju stmen t of pitch shift
amount in Cent (1/100 semitone) steps.

Adjusts the output level.

12

Effect Types and Parameters

MonoPitch This is a pitch shifter with little sound variance for monophonic (single note) playing.

Knob1 Knob2 Knob3

Page01

Shift -12 – 12 , 24 Tone 0–10 Bal 0–100

Adjusts the pitch shift amount in semitones.
Selecting “0” gives a detuning effect.

Adjusts the tone.

Adjusts the balance between original
and effect sounds.

Page02

Fine -25 – 25 Level 0–150

All ows fine adju stmen t of pitch shift
amount in Cent (1/100 semitone) steps.

Adjusts the output level.

HPS

This intelligent pitch shifter outputs the effect sound with the pitch shifted according to
scale and key settings.

Knob1 Knob2 Knob3

Page01

Scale

-6, -5, -4, -3, -m, m, 3,
4, 5, 6
(See Table 2)

Key

C, C#, D, D#, E, F,
F#, G, G# , A, A#, BMix 0–100

Set s t he pitch of th e pit ch-sh ifted
sound added to the original sound.

Sets the tonic (root) of the scale used
for pitch shifting.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

Tone 0–10 Level 0–150

Adjusts the tone. Adjusts the output level.

BendCho

This effect provides pitch bending that uses the input signal as trigger and processes each note separately.

Knob1 Knob2 Knob3

Page01

Depth 0–100 Time 0–50 Bal 0–100

Adjusts the effect depth. Sets time before effect starts.

Adjusts the balance between original
and effect sounds.

Page02

Mode Up, Down Tone 0–10 Level 0–150

Sets direction of pitch bend. Adjusts the tone. Adjusts the output level.

MojoRolle This effect modulates the pitch after picking.

Knob1 Knob2 Knob3

Page01

Depth

0–100

Speed 0–100 Rise 0–100

Sets the depth of the modulation. Sets the speed of the modulation.

Se ts the ti me bef ore th e eff ect
begins to modulate the pitch.

Page02

Mode Up-Dn, Up, Down Level 0–150

Sets the direction of pitch modulation.

Adjusts the output level.

RingMod

This effect produces a metallic ringing sound. Adjusting the “Freq” parameter results in a
drastic change of sound character.

Knob1 Knob2 Knob3

Page01

Freq 1–50 Tone 0–10 Bal 0–100

Sets the frequency of the modulation.

Adjusts the tone.

Adjusts the balance between original
and effect sounds.

Page02

Level 0–150

Adjusts the output level.

BitCrush This effect creates a lo-fi sound.

Knob1 Knob2 Knob3

Page01

Bit 4–16 SMPL 0–50 Bal 0–100

Sets bit depth. Sets sampling rate.

Adjusts the balance between original
and effect sounds.

Page02

Tone 0–10 Level 0–150

Adjusts the tone. Adjusts the output level.

Bomber This effect produces an explosive sound when picking.

Knob1 Knob2 Knob3

Page01

PTTRN

HndGn, Arm,
Bomb, Thndr

Decay 1–100 Bal 0–100

Sets type of effect sound. Sets length of reverberations.

Adjusts the balance between original
and effect sounds.

Page02

THRSH 0–50 Power

0–30

Tone 0–10

Adjusts effect threshold. Adjusts strength of explosive sound. Adjusts the tone.

Page03

Level 0–150

Adjusts the output level.

13

Effect Types and Parameters

MonoSynth

This effect produces the sound of a monophonic (single-note playing) guitar synthesizer
that detects the pitch of the input signal.

Knob1 Knob2 Knob3

Page01

Synth 0–100 Dry 0–100 Level 0–150

Adjusts synthesizer sound level. Adjusts level of original sound. Adjusts the output level.

Page02

Wave

Si ne, Tri , Saw Up,
SawDn

Tone 0–10 Speed 0–100

Sets waveform. Adjusts the tone.

Adjusts smoothness of pitch change.

Z-Organ This effect simulates an organ sound.

Knob1 Knob2 Knob3

Page01

Upper 0–100 Lower 0–100 Dry 0–100

Adjusts volume of high frequencies. Adjusts volume of low frequencies. Adjusts level of original sound.

Page02

HPF 0–10 LPF 0–10 Level 0–150

Adjusts high-pass filter cutoff frequency.

Adjusts low-pass filter cutoff frequency.

Adjusts the output level.

AutoPan This effect cyclically moves the panning position of the sound.

Knob1 Knob2 Knob3

Page01

Rate 0–50

Width L50–R50 Level 0–150

Sets the speed of the modulation. Sets the width of the panning. Adjusts the output level.

Page02

Depth 0–10 Clip 0–10

Sets the depth of the modulation.

Adj ust s th e a mount of wavef orm
clip ping . Hig her va lues emphasize
the auto-panning effect more.

Rt Closet Simulates a rotary speaker.

Knob1 Knob2 Knob3

Page01

Bal 0–100 Mode Slow,Fast Level 0–150

Adju sts the balanc e be tween the
horn (high frequencies) and the drum
(low frequencies).

Sets the rotary mode. Adjusts the output level.

Page02

Drive 0–100

Adjusts the a mount of ampl ification
from the preamp.

[DLY/REV]

Delay This long delay has a maximum length of 4000 ms.

Knob1 Knob2 Knob3

Page01

Time 1–4000

F.B 0–100 Mix 0–100

Sets the delay time. Adjusts the feedback amount.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

HiDMP 0–10 P-P MONO, P-P Level 0–150

Adjusts the treble attenuation of the
delay sound.

Sets delay outpu t t o m ono or ping­pong.

Adjusts the output level.

Page03

Tail OFF/ON

When ON, effect s ound c ontinues
even after effect is turned off. When
OFF, effect sound stops righ t w hen
effect is turned off.

TapeEcho

This effect simulates a tape echo. Changing the “Time” parameter changes the pitch of
the echoes.

Knob1 Knob2 Knob3

Page01

Time 1–2000

F.B 0–100 Mix 0–100

Sets the delay time. Adjusts the feedback amount.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

HiDMP 0–10 Level 0–150 Tail OFF/ON

Adjusts the treble attenuation of the
delay sound.

Adjusts the output level.

When ON, effect s ound c ontinues
even after effect is turned off. When
OFF, effect sound stops righ t w hen
effect is turned off.

14

Effect Types and Parameters

ModDelay This delay effect allows the use of modulation.

Knob1 Knob2 Knob3

Page01

Time 1–2000

F.B 0–100 Mix 0–100

Sets the delay time. Adjusts the feedback amount.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

Rate 1–50 Level 0–150 Tail OFF/ON

Sets the speed of the modulation. Adjusts the output level.

When ON, effect s ound c ontinues
even after effect is turned off. When
OFF, effect sound stops righ t w hen
effect is turned off.

AnalogDly This analog delay simulation has a long delay with a maximum length of 4000 ms.

Knob1 Knob2 Knob3

Page01

Time 1–4000

F.B 0–100 Mix 0–100

Sets the delay time. Adjusts the feedback amount.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

HiDMP 0–10 P-P MONO, P-P Level 0–150

Adjusts the treble attenuation of the
delay sound.

Sets delay outpu t t o m ono or ping­pong.

Adjusts the output level.

Page03

Tail OFF/ON

When ON, effect s ound c ontinues
even after effect is turned off. When
OFF, effect sound stops righ t w hen
effect is turned off.

ReverseDL This reverse delay is a long delay with a maximum length of 2000 ms.

Knob1 Knob2 Knob3

Page01

Time 10–2000

F.B 0–100 Bal 0–100

Sets the delay time. Adjusts the feedback amount.

Adjusts the balance between original
and effect sounds.

Page02

HiDMP 0–10 Level 0–150 Tail OFF/ON

Adjusts the treble attenuation of the
delay sound.

Adjusts the output level.

When ON, effect s ound c ontinues
even after effect is turned off. When
OFF, effect sound stops righ t w hen
effect is turned off.

MultiTapD This effect produces several delay sounds with different delay times.

Knob1 Knob2 Knob3

Page01

Time 1–3000

PTTRN 1–8 Mix 0–100

Sets the delay time.

Sets the tap pattern, which varies from
rhythmical to random patterns.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

Tone 0–10 Level 0–150 Tail OFF/ON

Adjusts the tone. Adjusts the output level.

When ON, effect s ound c ontinues
even after effect is turned off. When
OFF, effect sound stops righ t w hen
effect is turned off.

DynaDelay

This dynamic delay adjusts the volume of the effect sound according to the input signal
level.

Knob1 Knob2 Knob3

Page01

Time 1–2000

Sense -10– -1, 1–10 Mix 0–100

Sets the delay time. Adjusts the effect sensitivity.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

F.B 0–100 Level 0–150 Tail OFF/ON

Adjusts the feedback amount. Adjusts the output level.

When ON, effect s ound c ontinues
even after effect is turned off. When
OFF, effect sound stops righ t w hen
effect is turned off.

15

Effect Types and Parameters

FilterDly This effect filters a delayed sound.

Knob1 Knob2 Knob3

Page01

Time 1–2000

F.B 0–100 Mix 0–100

Sets the delay time. Adjusts the feedback amount.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

Rate 1–50 Depth

0–100

Reso 0–10

Sets the speed of the modulation. Sets the depth of the modulation.

Adjusts the intensity of the modulation
resonance.

Page03

Level 0–150 Tail OFF/ON

Adjusts the output level.

When ON, effect s ound c ontinues
even after effect is turned off. When
OFF, effect sound stops righ t w hen
effect is turned off.

PitchDly

This effect applies pitch shift to a delayed sound.

Knob1 Knob2 Knob3

Page01

Time 1–2000 Pitch -12–12 Mix 0–100

Sets the delay time.

Sets volume of pitch shift applied to
delayed sound.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

F.B 0–100 Tone 0–10 Level 0–150

Adjusts the feedback amount. Adjusts the tone. Adjusts the output level.

Page03

Tail OFF/ON

When ON, effect s ound c ontinues
even after effect is turned off. When
OFF, effect sound stops righ t w hen
effect is turned off.

StereoDly This stereo delay allows the left and right delay times to be set separately.

Knob1 Knob2 Knob3

Page01

TimeL 1–200 0

TimeR 1–2000 Mix 0–100

Adju sts delay time of left channel
delay.

Adjusts delay time of right cha nnel
delay.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

LchFB 0–100 RchFB

0–100

Level 0–150

Adjusts delay feedback of left channel.

Adjusts delay feedback of right channel.

Adjusts the output level.

Page03

LchLv 0–100 RchLv 0–100 Tail OFF/ON

Adjusts delay output of left channel. Adjusts delay output of right channel.

When ON, effect s ound c ontinues
even after effect is turned off. When
OFF, effect sound stops righ t w hen
effect is turned off.

PhaseDly This effect applies a phaser to a delayed sound.

Knob1 Knob2 Knob3

Page01

Time 1–2000

F.B 0–100 Mix 0–100

Sets the delay time. Adjusts the feedback amount.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

Rate 1–50 Color

4 STG, 8 STG,
inv 4, inv 8

Level 0–150

Sets the speed of the modulation. Sets the tone of the effect type. Adjusts the output level.

Page03

Tail OFF/ON

When ON, effect s ound c ontinues
even after effect is turned off. When
OFF, effect sound stops righ t w hen
effect is turned off.

TrgHldDly This delay samples and holds using picking as the trigger.

Knob1 Knob2 Knob3

Page01

Time 10–1000 Dut y 25–10 0 Mix 0–100

Sets the delay time.

Sets the time th at the sample-and­hold sound is produced.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

THRSH 0–30 Level 0–150 Tail OFF/ON

Adjusts effect threshold. Adjusts the output level.

When ON, effect s ound c ontinues
even after effect is turned off. When
OFF, effect sound stops righ t w hen
effect is turned off.

16

Effect Types and Parameters

StompDly By turning the feedback up on this stomp-style delay, you can make it self-oscillate.

Knob1 Knob2 Knob3

Page01

E.LVL 0–120 F.B 0–100 Time 1–600

Adj ust s amo unt of ef fec t soun d
mixed with original sound.

Adjusts the feedback amount. Sets the delay time.

Page02

Sync OFF,

– x8

Mode MONO, STR Tail OFF/ON

Activates tempo sync.

Sets output to mono or stereo (STR).
When stereo, effect sound is output
from L channel and unchanged input
sound is output from R channel.

When ON, effect s ound c ontinues
even after effect is turned off. When
OFF, effect sound stops righ t w hen
effect is turned off.

Page03

HiDMP 0–10

Adjusts the treble attenuation of the
delay sound.

HD Hall This is a dense hall reverb.

Knob1 Knob2 Knob3

Page01

PreD 1–200 Decay 0–100 Mix 0–100

Adjusts the delay between input of
the original s ound an d star t of the
reverb sound.

Sets the duration of the reverberations.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

LoDMP 0–100 HiDMP 0–100 Tail OFF/ON

Adjus ts low f requency dampin g in
reverb sound.

Adjusts hi gh frequ ency dam ping in
reverb sound.

When ON, effect s ound c ontinues
even after effect is turned off. When
OFF, effect sound stops righ t w hen
effect is turned off.

HD Reverb This is a high-definition reverb.

Knob1 Knob2 Knob3

Page01

Decay 0–100 Tone 0–10 Mix 0–100

Sets the duration of the reverberations.

Adjusts the tone.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

PreD 1–200 HPF 0–10 Level 0–150

Adj ust s t he del ay bet ween inpu t of th e
original sound and start of the reverb sound.

Adjusts high-pass filter cutoff frequency.

Adjusts the output level.

Page03

Tail OFF/ON

When ON, effect s ound c ontinues
even after effect is turned off. When
OFF, effect sound stops righ t w hen
effect is turned off.

Hall This reverb effect simulates the acoustics of a concert hall.

Knob1 Knob2 Knob3

Page01

Decay 1–30 Tone 0–10 Mix 0–100

Sets the duration of the reverberations.

Adjusts the tone.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

PreD 1–100 Level 0–150 Tail OFF/ON

Adj ust s t he del ay bet ween inpu t of th e
original sound and start of the reverb sound.

Adjusts the output level.

When ON, effect s ound c ontinues
even after effect is turned off. When
OFF, effect sound stops righ t w hen
effect is turned off.

Room This reverb effect simulates the acoustics of a room.

Knob1 Knob2 Knob3

Page01

Decay 1–30 Tone 0–10 Mix 0–100

Sets the duration of the reverberations.

Adjusts the tone.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

PreD 1–100 Level 0–150 Tail OFF/ON

Adj ust s t he del ay bet ween inpu t of th e
original sound and start of the reverb sound.

Adjusts the output level.

When ON, effect s ound c ontinues
even after effect is turned off. When
OFF, effect sound stops righ t w hen
effect is turned off.

17

Effect Types and Parameters

TiledRoom This reverb effect simulates the acoustics of a tiled room.

Knob1 Knob2 Knob3

Page01

Decay 1–30 Tone 0–10 Mix 0–100

Sets the duration of the reverberations.

Adjusts the tone.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

PreD 1–100 Level 0–150 Tail OFF/ON

Adj ust s t he del ay bet ween inpu t of th e
original sound and start of the reverb sound.

Adjusts the output level.

When ON, effect s ound c ontinues
even after effect is turned off. When
OFF, effect sound stops righ t w hen
effect is turned off.

Spring This reverb effect simulates a spring reverb.

Knob1 Knob2 Knob3

Page01

Decay 1–30 Tone 0–10 Mix 0–100

Sets the duration of the reverberations.

Adjusts the tone.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

PreD 1–100 Level 0–150 Tail OFF/ON

Adj ust s t he del ay bet ween inpu t of th e
original sound and start of the reverb sound.

Adjusts the output level.

When ON, effect s ound c ontinues
even after effect is turned off. When
OFF, effect sound stops righ t w hen
effect is turned off.

Arena This reverb effect simulates the acoustics of a large enclosure such as a sports arena.

Knob1 Knob2 Knob3

Page01

Decay 1–30 Tone 0–10 Mix 0–100

Sets the duration of the reverberations.

Adjusts the tone.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

PreD 1–100 Level 0–150 Tail OFF/ON

Adj ust s t he del ay bet ween inpu t of th e
original sound and start of the reverb sound.

Adjusts the output level.

When ON, effect s ound c ontinues
even after effect is turned off. When
OFF, effect sound stops righ t w hen
effect is turned off.

EarlyRef This effect reproduces only the early reflections of reverb.

Knob1 Knob2 Knob3

Page01

Decay 1–30 Shape -10–10 Mix 0–100

Adjusts the duration of the reverb. Adjusts the effect envelope.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

Tone 0–10 Level 0–150 Tail OFF/ON

Adjusts the tone. Adjusts the output level.

When ON, effect s ound c ontinues
even after effect is turned off. When
OFF, effect sound stops righ t w hen
effect is turned off.

Air This effect reproduces the ambience of a room, to create spatial depth.

Knob1 Knob2 Knob3

Page01

Size 1–100 Tone 0–10 Mix 0–100

Sets the size of the space. Adjusts the tone.

Adjusts the amount of effected sound
that is mixed with the original sound.

Page02

Ref 0–10 Level 0–150 Tail OFF/ON

Adj usts the amoun t o f refl ectio n
from the wall.

Adjusts the output level.

When ON, effect s ound c ontinues
even after effect is turned off. When
OFF, effect sound stops righ t w hen
effect is turned off.

18

Effect Types and Parameters

Table 1 CAB Parameter

Type Modeled cabinet and speakers

FD COMBO 2x12 Fender Twin Reverb ('65) cabinet with 2x12-inch Jensen speakers

DLX-R 1x12 Fender Deluxe Reverb cabinet with 1x12-inch Jensen speaker

US BLUES 4x10 Fender Tweed Bassman cabinet with 4x10-inch Jensen speakers

VX JMI 2x12

Early model British combo amp cabinet with 2x12-inch Celestion Alnico speakers

TW ROCK 1x12 Two Rock Emerald 50 cabinet with 1x12-inch Fane speaker

MS 1959 4x12 Marshall 1959 B cabinet with 4x12-inch Celestion speakers

DZ DRIVE 4x12 Diezel Herbert cabinet with 4x12-inch Celestion speakers

ALIEN 4x12 Engl Invader cabinet with 4x12-inch Celestion speakers

OFF No cabinet used.

Table 3 OUT Parameter

Parameter value Meaning

LINE

Use when connected to headphones, speakers or line level inputs

COMBO FRONT

Use when connected to an ordinary combo amp input

STACK FRONT

Use when connected to an ordinary stack amp input

COMBO POWER AMP

Use when connected to an ordinary combo amp return

STACK POWER AMP

Use when connected to an ordinary stack amp return

Table 2 Scale Parameter

Setting Scale used Interval Setting Scale used Interval

−6

Major

6th down 3

Major

3rd up

−5 5th down 4 4th up

−4 4th down 5 5th up

−3 3rd down 6 6th up

−m

Minor

3rd down

m 3rd up

Z2I-1535-01

MS-100BT Patch Memory List

No. NAME

RAT Drive2

1

PercusPhas

2

CleanCho

3

BS DRIVE

4

RotaryDRV

5

STOMPMULTIARTIST

CoolFuzz

6

CrunchAmp

7

St PanDly

8

PSZ CLEAN

9

It'sMyTalk

10

11

12

DLY&FLTDLY

13

Gt Pad

MAY C

COMMENT

This distortion sound for solos uses the Squea k effect.

This phaser sound is good for muted rhythm playing with single notes and chords. You can create a percussive feeling by
playing with lots of brushing strokes.

A clean chorus sound goes well with arpeggios and muted playing.

This overdrive sound cuts through the mix and can be used not only for backing parts but also for soloing.

This 60s style guitar sound is like a driven rotary speaker. Set the Rt Closet Mode parameter as you like.

Heavy fuzz sound for the shoegazers.

This cr unch sound uses the DELUXE-R effect. Turn the Booster on for an even gutsier sound.

Enjoy the stereo sound created by AutoPan and StereoDly effects. This patch supports stereo input.

This is a clear, clean sound that uses compression, pitch shifting, chorus and delay.

A talking modulation sound in the style of Bon Jovi.

By playing long chords with this patch, you can achieve a wide sound like a synthesizer pad.

This re-creates the solo sound of Queen's Brian May. Play in the key of C.

A ghostly clean tone that uses FilterDly. The overlapping delay sound is the key to this effect.

DigiSlice

14

RockVin

15

WarpDist

16

DeepSEQ

17

M FLT HOLD

18

Smooth GT

19

CountryBoy

20

Blasting

21

Gray Stone

22

Acoustixy

23

Out There

24

Whipdelay

25

Whipflange

26

Justis4yal

27

RockerChnk

28

LM A Pond

29

LM River S

30

*Patches 31-50 are empty by default.

Manufacturer names and product names mentioned in this patch memory list are trademarks or registered trademarks of their respective owners and do not indicate any affiliation with ZOOM CORPORATION.

This is a slicer-like sound that even suits dance music. Whole-note chords sound good with this effect.

Combining a violin-like tone with a rock sound, this is good with slow phrases.

This special effect sound combines WarpPhase and Dist 1 effects.

This sound dances when you play long chords or single notes. Use the tap tempo function to make it dance in time to your song.

Play muted single notes with this complex sound effect that uses M-Filter and TrgHldDly modules.

This is a very simple musical overdrive setting perfect for rock rhythm guitar or a bluesy lead tone.
The compressor setting adds plenty of sustain without the fuzz.

This is a more aggressive clean tone perfect for finger style percussive country guitar.

Perfect to play rhythms or straight to the face solos. ALIEN amp heavy distortion with a tiny of
NoiseGate and Hall.

MS 1959 combined with Octave. A good alternative for a different tone for your solos. Just like the solo
on the song Gray Stone Gateway.

Almost sounds like an acoustic guitar.

The combination of a envelope generator with ReverseDL and a slight MonoSynth puts this sound in the
"Out There" category.

Basic delay for soloing.

Basic flange for effected chords heavy or clean.

My interpretation on the guitar tone used on Metallica's Justice album.

I backed the gain off of this one for a more rock vibe yet remaining heavy.

Less compressed but still a bit Squashed, with some swirling Tremolo and that Spring thrown in to give it
a little love. FilterDly for some depth of Space and Time.

A freaky spread low texture for slow moving picked chords in time with the delay. The delay is set for
dotted 8th note love. There is a pitch effect that is bypassed on the preset, turn it on for more texture.

All product and artist names are intended only to illustrate sonic characteristics that were used as reference in the development of this product.

Richie
Kotzen

Kiko
Loureiro

Vinny
Valentino

Michael
Wilton

Willie
Adler

Larry
Mitchell

Z2I-1595-01