Yamaha PSR-E423 User Manual
DIGITAL KEYBOARD
Setting UpReferenceAppendix Quick Guide
Owner’s Manual
EN
SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter).
DO NOT connect this product to any power supply or adapter other
than one described in the manual, on the name plate, or specifically
recommended by Yamaha.
WARNING:
walk on, trip over, or roll anything over power or connecting cords of any
kind. The use of an extension cord is not recommended! If you must use an
extension cord, the minimum wire size for a 25’ cord (or less) is 18 AWG.
NOTE: The smaller the AWG number, the larger the current handling
capacity. For longer extension cords, consult a local electrician.
This product should be used only with the components supplied or; a
cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is
used, please observe all safety markings and instructions that accompany the accessory product.
Do not place this product in a position where anyone could
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at
the time of printing. However, Yamaha reserves the right to change or
modify any of the specifications without notice or obligation to update
existing units.
This product, either alone or in combination with an amplifier and
headphones or speaker/s, may be capable of producing sound levels
that could cause permanent hearing loss. DO NOT operate for long
periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you
should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period before
damage occurs.
Some Yamaha products may have benches and / or accessory
mounting fixtures that are either supplied with the product or as
optional accessories. Some of these items are designed to be dealer
assembled or installed. Please make sure that benches are stable and
any optional fixtures (where applicable) are well secured BEFORE
using.
Benches supplied by Yamaha are designed for seating only. No other
uses are recommended.
NOTICE:
Service charges incurred due to a lack of knowledge relating to how a
function or effect works (when the unit is operating as designed) are
not covered by the manufacturer’s warranty, and are therefore the
owners responsibility. Please study this manual carefully and consult
your dealer before requesting service.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the
production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be
aware of the following:
Battery Notice:
This product MAY contain a small non-rechargeable battery which (if
applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary,
contact a qualified service representative to perform the replacement.
This product may also use “household” type batteries. Some of these
may be rechargeable. Make sure that the battery being charged is a
rechargeable type and that the charger is intended for the battery being
charged.
When installing batteries, never mix old batteries with new ones, and
never mix different types of batteries. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and
battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as
regulated by the laws in your area. Note: Check with any retailer of
household type batteries in your area for battery disposal information.
Disposal Notice:
Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all
local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable
to assist you, please contact Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model
number, serial number, power requirements, etc., are located on this
plate. You should record the model number, serial number, and the
date of purchase in the spaces provided below and retain this manual
as a permanent record of your purchase.
Model
Serial No.
Purchase Date
92-BP (bottom)
PLEASE KEEP THIS MANUAL
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not
expressly approved by Yamaha may void your authority, granted by
the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/
or another product use only high quality shielded cables. Cable/s
supplied with this product MUST be used. Follow all installation
instructions. Failure to follow instructions could void your FCC
authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the
requirements listed in FCC Regulations, Part 15 for Class “B” digital
devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential
environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies
and, if not installed and used according to the instructions found in
the users manual, may cause interference harmful to the operation
of other electronic devices. Compliance with FCC regulations does
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)
Owner’s Manual
2
not guarantee that interference will not occur in all installations. If
this product is found to be the source of interference, which can be
determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by
the interference.
Utilize power outlets that are on different branch (circuit breaker or
fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the
antenna. If the antenna lead-in is 300 ohm ribbon lead, change the
lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results,
please contact the local retailer authorized to distribute this type of
product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division,
6600 Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distributed by
Yamaha Corporation of America or its subsidiaries.
OBSERVERA!
Apparaten kopplas inte ur växelströmskällan (nätet) så länge
som den ar ansluten till vägguttaget, även om själva apparaten
har stängts av.
ADVARSEL: Netspændingen til dette apparat er IKKE
afbrudt, sålæenge netledningen siddr i en stikkontakt, som er t
endt — også selvom der or slukket på apparatets afbryder.
VAR OITUS : Laitteen toisiopiiriin kytketty käyttökytkin ei irroita
koko laitetta verkosta.
(standby)
The serial number of this product may be found on the bottom
of the unit. You should note this serial number in the space
provided below and retain this manual as a permanent record
of your purchase to aid identification in the event of theft.
Model No.
Serial No.
COMPLIANCE INFORMATION STATEMENT
(DECLARATION OF CONFORMITY PROCEDURE)
Responsible Party : Yamaha Corporation of America
Type of Equipment : Digital Keyboard
This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including
See user manual instructions if interference to radio reception is
suspected.
* This applies only to products distributed by
YAMAHA CORPORATION OF AMERICA.
Address : 6600 Orangethorpe Ave., Buena Park,
Telephone : 714-522-9011
Model Name : PSR-E423
interference that may cause undesired operation.
Calif. 90620
(FCC DoC)
(bottom)
Entsorgung leerer Batterien
(nur innerhalb Deutschlands)
Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte
Batterien oder Akkumulatoren dürfen nicht in den Hausmüll.
Sie können bei einer Sammelstelle für Altbatterien bzw.
Sondermüll abgegeben werden. Informieren Sie sich bei Ihrer
Kommune.
(battery)
Information for Users on Collection and Disposal of Old Equipment and used Batteries
These symbols on the products, packaging, and/or accompanying documents mean that used electrical and electronic products and batteries should not be mixed with general household waste.
For proper treatment, recovery and recycling of old products and used batteries, please take them to applicable collection points, in accordance with your national legislation and the Directives 2002/96/EC and 2006/66/EC.
By disposing of these products and batteries correctly, you will help to save valuable resources and prevent any
potential negative effects on human health and the environment which could otherwise arise from inappropriate
waste handling.
For more information about collection and recycling of old products and batteries, please contact your local municipality, your waste disposal service or the point of sale where you purchased the items.
[For business users in the European Union]
If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information.
[Information on Disposal in other Countries outside the European Union]
These symbols are only valid in the European Union. If you wish to discard these items, please contact your local
authorities or dealer and ask for the correct method of disposal.
Note for the battery symbol (bottom two symbol examples):
This symbol might be used in combination with a chemical symbol. In this case it complies with the requirement set
by the Directive for the chemical involved.
(weee_battery_eu_en)
Owner’s Manual
3
PRECAUTIONS
Power supply/AC power adaptor
Do not open
Water warning
Fire warning
Battery
If you notice any abnormality
Power supply/AC power adaptor
Location
Connections
Handling caution
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, shortcircuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
• Do not place the power cord near heat sources such as heaters or radiators, and
do not excessively bend or otherwise damage the cord, place heavy objects on it,
or place it in a position where anyone could walk on, trip over, or roll anything
over it.
• Only use the voltage specified as correct for the instrument. The required voltage
is printed on the name plate of the instrument.
• Use the specified adaptor (page 86) only. Using the wrong adaptor can result in
damage to the instrument or overheating.
• Check the electric plug periodically and remove any dirt or dust which may have
accumulated on it.
• This instrument contains no user-serviceable parts. Do not open the instrument
or attempt to disassemble or modify the internal components in any way. If it
should appear to be malfunctioning, discontinue use immediately and have it
inspected by qualified Yamaha service personnel.
• Do not expose the instrument to rain, use it near water or in damp or wet
conditions, or place containers on it containing liquids which might spill into any
openings. If any liquid such as water seeps into the instrument, turn off the power
immediately and unplug the power cord from the AC outlet. Then have the
instrument inspected by qualified Yamaha service personnel.
• Never insert or remove an electric plug with wet hands.
• Do not put burning items, such as candles, on the unit.
A burning item may fall over and cause a fire.
• Always replace all batteries at the same time. Do not use new batteries together
with old ones.
• Do not mix battery types, such as alkaline batteries with manganese batteries, or
batteries from different makers, or different types of batteries from the same
maker, since this can cause overheating, fire, or battery fluid leakage.
• Do not tamper with or disassemble batteries.
• Do not dispose of batteries in fire.
• Do not attempt to recharge batteries that are not intended to be charged.
• Keep batteries away from children.
• If the batteries do leak, avoid contact with the leaked fluid. If the battery fluid
should come in contact with your eyes, mouth, or skin, wash immediately with
water and consult a doctor. Battery fluid is corrosive and may possibly cause loss
of sight or chemical burns.
• Always make sure all batteries are inserted in conformity with the +/- polarity
markings. Failure to do so might result in overheating, fire, or battery fluid
leakage.
• When the batteries run out, or if the instrument is not to be used for a long time,
remove the batteries from the instrument to prevent possible leakage of the battery
fluid.
• When one of the following problems occur, immediately turn off the power switch
and disconnect the electric plug from the outlet. (If you are using batteries,
remove all batteries from the instrument.) Then have the device inspected by
Yamaha service personnel.
• The power cord or plug becomes frayed or damaged.
• It emits unusual smells or smoke.
• Some object has been dropped into the instrument.
• There is a sudden loss of sound during use of the instrument.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the
instrument or other property. These precautions include, but are not limited to, the following:
• Do not connect the instrument to an electrical outlet using a multiple-connector.
Doing so can result in lower sound quality, or possibly cause overheating in the
outlet.
• When removing the electric plug from the instrument or an outlet, always hold the
plug itself and not the cord. Pulling by the cord can damage it.
• Remove the electric plug from the outlet when the instrument is not to be used for
extended periods of time, or during electrical storms.
• Do not place the instrument in an unstable position where it might accidentally
fall over.
• Before moving the instrument, remove all connected cables.
• When setting up the product, make sure that the AC outlet you are using is easily
accessible. If some trouble or malfunction occurs, immediately turn off the power
switch and disconnect the plug from the outlet. Even when the power switch is
turned off, electricity is still flowing to the product at the minimum level. When
you are not using the product for a long time, make sure to unplug the power cord
from the wall AC outlet.
• Use only the stand specified for the instrument. When attaching the stand or rack,
use the provided screws only. Failure to do so could cause damage to the internal
components or result in the instrument falling over.
Owner’s Manual
4
• Before connecting the instrument to other electronic components, turn off the
power for all components. Before turning the power on or off for all components,
set all volume levels to minimum.
• Be sure to set the volumes of all components at their minimum levels and
gradually raise the volume controls while playing the instrument to set the desired
listening level.
• Do not insert a finger or hand in any gaps on the instrument.
• Never insert or drop paper, metallic, or other objects into the gaps on the panel or
keyboard.
• Do not rest your weight on, or place heavy objects on the instrument, and do not
use excessive force on the buttons, switches or connectors.
• Do not use the instrument/device or headphones for a long period of time at a
high or uncomfortable volume level, since this can cause permanent hearing loss.
If you experience any hearing loss or ringing in the ears, consult a physician.
(7)-1 1/2
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
Even when the [ ](Standby/On) switch is in the “Standby” position, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for
a long time, make sure you unplug the power cord from the wall AC outlet.
Make sure to discard used batteries according to local regulations.
NOTICE
To avoid the possibility of damage to the product, data or other property, follow the notices below.
Handling and Maintenance
• Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio
may generate noise.
• Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day)
to prevent the possibility of panel disfiguration or damage to the internal components.
• Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.
• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths.
Saving data
• Some data items (page 50) are automatically saved as backup data in the internal memory even if you turn the power off. Saved data may be lost due to
malfunction or incorrect operation. Save important data to external device such as a computer (page 77).
About copyrights
• Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal
use.
• This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use
others’ copyrights. Such copyrighted materials include, without limitation, all computer software, style files, MIDI files, WAVE data, musical scores and
sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of
copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.
About functions/data bundled with the instrument
• Some of the preset songs have been edited for length or arrangement, and may not be exactly the same as the original.
About this manual
• The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat different from those on your
instrument.
• Windows is a registered trademark of Microsoft
®
Corporation in the United States and other countries.
• The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.
(7)-1 2/2
Owner’s Manual
5
Logos
GM System Level 1
“GM System Level 1” is an addition to the MIDI standard which ensures that any GM-compatible
music data can be accurately played by any GM-compatible tone generator, regardless of manufacturer.
The GM mark is affixed to all software and hardware products that support GM System Level.
XGlite
As its name implies, “XGlite” is a simplified version of Yamaha’s high-quality XG tone generation format. Naturally, you can play back any XG song data using an XGlite tone generator. However, keep in
mind that some songs may play back differently compared to the original data, due to the reduced set of
control parameters and effects.
USB
USB is an abbreviation for Universal Serial Bus. It is a serial interface for connecting a computer with
peripheral Devices. It allows “hot swapping” (connecting peripheral devices while the power to the
computer is on).
Stereo Sampled Piano
The instrument has a special Portable Grand Piano Voice—created by state-of-the-art stereo sampling
technology and using Yamaha’s sophisticated AWM (Advanced Wave memory) tone generation system.
Touch Response
The exceptionally natural Touch Response feature, with a convenient front panel on/off switch, gives
you maximum expressive level control over the voices. It also works in conjunction with the Dynamic
Filter, which dynamically adjusts the timbre or tone of a voice according to your playing strength—just
a like a real musical instrument!
STYLE FILE
The Style File Format is Yamaha’s original style file format which uses a unique conversion system to
provide high-quality automatic accompaniment based on a wide range of chord types.
Owner’s Manual
6
About this Owner’s Manual and Data List
Insert the music
rest into the slots
as shown.
Music Rest
This manual consists of four main sections: “Setting Up,” “Quick Guide,” “Reference,” and “Appendix.”
Also, a separate “Data List” is provided.
Owner’s Manual (this book)
Setting Up
Quick Guide
Reference
Appendix
• • • • • • • • •
• • • • • • • • •
• • • • • • • • •
• • • • • • • • •
Please read this section first.
This section explains how to use the basic functions. Refer to this
section while playing the instrument.
This section explains how to make detailed settings for the instrument’s various functions.
This section includes troubleshooting information and specifications.
Data List
Voice List, MIDI Data Format, etc.
MIDI Reference
The MIDI Reference section contains MIDI related information. The MIDI Reference is available for
downloading from the Yamaha Manual Library at: http://www.yamaha.co.jp/manual/
Included Accessories
The package includes the following items. Please check that you have them all.
• Owner’s Manual
• Music rest
• Accessory CD-ROM
• Data List
• My Yamaha Product User Registration
* The PRODUCT ID on the sheet will be needed when
you fill out the User Registration form.
Owner’s Manual
7
Special Features
042
EuTrance
Creating New Sounds
Page 22
By adjusting just two knobs you can add varying degrees of distortion, “sweetness,” or other characteristics to a sound to change it subtly or drastically. Parameters that can be assigned to the knobs include effect, filter, envelope generator
and more. You can create new sounds in real time!
Arpeggio Function
Page 20
Similar to the arpeggio functions provided on some synthesizers, this function
automatically produces arpeggios (broken chords) when you simply play the
appropriate notes on the keyboard. A variety of arpeggios can be produced by
changing your fingering or the arpeggio type.
Performance assistant technology
Page 37
Play along with a song on the instrument’s keyboard and produce a perfect performance every time ... even if you play wrong notes! All you have to do is play
on the keyboard—alternately on the left- and right-hand ranges of the keyboard,
for example—and you’ll sound like a pro as long as you play in time with the
music.
Play a Variety of Instrument Voices
Page 16
The instrument voice that sounds when you play the keyboard can be changed to
violin, flute, harp, or any of an extensive range of voices. You can change the
mood of a song written for piano, for example, by using violin to play it instead.
Experience a whole new world of musical variety.
Play Along with Styles
Page 27
Want to play with full accompaniment? Try the auto-accompaniment Styles.
The accompaniment styles provide the equivalent of a full backing band covering a wide variety of styles from waltzes to 8-beat to euro-trance ... and much
more. Select a style that matches the music you want to play, or experiment with
new styles to expand your musical horizons.
Owner’s Manual
8
Contents
About this Owner’s Manual and Data List........................7
Included Accessories .......................................................7
Special Features ..............................................................8
Setting Up
Setting Up 10
Power Requirements......................................................10
Connecting Headphones (PHONES/OUTPUT Jack).....11
Connecting a Footswitch (SUSTAIN Jack).....................11
Turning the Power On ....................................................11
Panel Controls and Terminals 12
Basic Operation and Displays 14
Quick Guide
Try Playing a Variety of Instrument Voices 16
Select and Play a Voice—MAIN.....................................16
Play the Grand Piano Voice...........................................17
Play Two Voices Simultaneously—DUAL......................18
Play Different Voices with the Left and Right Hands
—SPLIT..........................................................................18
Using the Metronome.....................................................19
Creating Arpeggios 20
Use the Arpeggio Function.............................................20
Changing the Arpeggio type...........................................21
Create Original Sounds 22
Assigning Effects to the Knobs ......................................22
Using the Knobs.............................................................24
Playing Styles 26
Select a Style Rhythm....................................................26
Play Along with a Style...................................................27
Playing Songs 30
Select and Listen to a Song ...........................................30
Play Songs in Sequence................................................31
Song Fast Forward, Fast Reverse, and Pause ..............32
Reference
Select a Song For a Lesson 33
The Easy Way to Play Piano 37
Play Using the Music Database 40
Change a Song’s Style 41
Record Your Own Performance 43
Memorize Your Favorite Panel Settings 48
Backup and Initialization 50
Backup ...........................................................................50
Initialization ....................................................................50
Handy Performance Features 51
Adding Reverb ...............................................................51
Adding Chorus ...............................................................51
Pitch Controls (Transpose) ............................................52
Pitch Controls (Tuning) ..................................................52
Setting the Metronome Time Signature .........................53
Adjusting the Metronome Volume..................................53
Pitch Bend......................................................................54
One Touch Setting .........................................................54
Select an EQ Setting for the Best Sound.......................54
Voice Settings 55
Voice Editing ..................................................................55
Selecting a Dual Voice...................................................56
Selecting a Split Voice ...................................................56
Touch Response Sensitivity...........................................56
Harmony ........................................................................57
Arpeggio Settings 58
Controlling Arpeggio Volume with
Keyboard Dynamics.......................................................58
Synchronizing an arpeggio to a tempo of
Style or Song .................................................................58
Holding the arpeggio Playback ......................................59
Style (Auto-accompaniment) Functions 60
Pattern Variation (Sections)...........................................60
Changing the tempo of the Style....................................62
Adjusting the Style Volume............................................62
Setting the Split Point.....................................................63
Tap Start ........................................................................63
Play a Style with Chords but No Rhythm
(Stop Accompaniment) ..................................................63
Loading Style Files.........................................................64
Looking Up Chords Using the Chord Dictionary ............65
Song Settings 66
BGM Playback ...............................................................66
Random Song Playback ................................................66
Changing the tempo of the Song ...................................67
Song Volume .................................................................67
A-B Repeat ....................................................................68
Muting Independent Song Tracks..................................68
Tap Start ........................................................................69
Change the Melody Voice..............................................69
The Functions 70
Selecting and Setting Functions ....................................70
Connecting to a Computer 73
Connecting a Personal Computer..................................73
Transferring Performance Data to and
from a Computer ............................................................74
Transferring Data between the Computer and
Instrument ......................................................................75
Accessory CD-ROM Installation Guide 78
Important Notices about the CD-ROM...........................78
CD-ROM Contents.........................................................79
System Requirements....................................................80
Software Installation.......................................................80
Appendix
Troubleshooting 85
Specifications 86
Index 87
Quick GuideReferenceAppendix Setting Up
Owner’s Manual
9
Setting Up
WARNING
CAUTION
AC outlet
AC power
adaptor
3
2
CAUTION
NOTICE
Setting Up
Be sure to do the following operations BEFORE turning on the power.
Setting Up
Power Requirements
Although the instrument will run either from an optional AC adaptor or batteries, Yamaha recommends use of an
AC adaptor whenever possible. An AC adaptor is more environmentally friendly than batteries and does not
deplete resources.
Using an AC Power Adaptor
1 Make sure that the [ ](Standby/On) switch of the
instrument is in the “Standby” position.
• Use the specified adaptor (page 86). The use of other
adaptors may result in irreparable damage to both the
adaptor and the instrument.
2 Connect the AC adaptor to the power supply jack.
3 Plug the AC adaptor into an AC outlet.
• Unplug the AC Power Adaptor when not using the
instrument, or during electrical storms.
For battery operation the instrument requires six 1.5V
“AA” size, LR6 or equivalent batteries. (Alkaline batteries are recommended.) When battery power becomes
too low for proper operation, make sure to replace all
batteries, following the precautions listed below.
If necessary, also make sure to save all important User
data (see pages 50, 77).
Using Batteries
1 Open the battery compartment cover located on the
instrument’s bottom panel.
2 Insert the six new batteries, being careful to follow
the polarity markings on the inside of the compartment.
3 Replace the compartment cover, making sure that it
locks firmly in place.
NOTE
• Connecting the AC power adaptor automatically supplies
power from the adaptor and overrides battery power, even
when batteries are installed.
Owner’s Manual
10
• Be sure to install the batteries in the same direction, maintaining the correct polarity (as shown). Incorrect battery
installation may result in heat, fire and/or leaking of corrosive chemicals.
• When the batteries run down, replace them with a complete set of six new batteries. NEVER mix old and new batteries. Do not use different kinds of batteries (e.g. alkaline
and manganese) at the same time.
• If the instrument will not be used for an extended period of
time, remove the batteries to prevent possible fluid leakage.
• Use only manganese or alkaline batteries for this instrument. Other types of batteries (including rechargeable batteries) may exhibit a sudden drop in power when the
batteries are low, possibly resulting in a loss of flash memory data.
• Please use the power adaptor when transferring data to
flash memory. Batteries (including rechargeable types) can
be drained rapidly by this type of operation. If the batteries
do become drained during a data transfer, both the data
being transferred and the data currently in the transfer destination will be lost.
Make all necessary connections below BEFORE turning the power on.
WARNING
CAUTION
CAUTION
Setting Up
Connecting Headphones (PHONES/OUTPUT Jack)
Any pair of stereo headphones with a 1/4" stereo
phone plug can be plugged in here for convenient
monitoring. The speakers are automatically shut off
when a plug is inserted into this jack.
The PHONES/OUTPUT jack also functions as an
external output. You can connect the PHONES/OUTPUT jack to a keyboard amplifier, stereo system,
mixer, tape recorder, or other line-level audio device
to send the instrument’s output signal to that device.
• Avoid listening with the headphones at high volume for
long periods of time; doing so may not only result in ear
fatigue, it may be damaging to your hearing.
Connecting a Footswitch (SUSTAIN Jack)
Setting Up
The sustain function lets you produce a natural sustain
as you play by pressing a footswitch. A Yamaha FC4
or FC5 footswitch plugged into this jack can be used
to switch sustain on and off.
NOTE
• The sustain function does not affect split voices.
• Make sure that the footswitch plug is properly connected
to the SUSTAIN jack before turning on the power.
• Do not press the footswitch while turning the power on.
Doing this changes the recognized polarity of the footswitch, resulting in reversed footswitch operation.
• To prevent damage to the speakers, set the volume of the
external devices at the minimum setting before connecting
them. Failure to observe these cautions may result in electric shock or equipment damage. Also, be sure to set the
volumes of all devices at their minimum levels and gradually raise the volume controls while playing the instrument
to set the desired listening level.
Turning the Power On
The [ ](Standby/On) switch turns the power to the
instrument on ( ) or standby ( ). Turn down the
volume by turning the [MASTER VOLUME] control
to the left and press the [ ](Standby/On) switch to
turn on the power. Press the [ ](Standby/On) switch
again to turn the power off.
While playing the keyboard, adjust the volume level
by using the [MASTER VOLUME] control.
• Even when the switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum
level. When you are not using the instrument for a long
time, make sure you unplug the AC power adaptor from
the wall AC outlet, and/or remove the batteries from the
instrument.
Owner’s Manual
11
Setting Up
001
001
GrandPno
q
w
e
r
t
y
@6
@7
u
i
o
!0
!1
!3
!2
!5
!4
Front Panel
Song List (Data List) Style List (Data List) Display
(page 15)
f
r
Panel Controls and Terminals
Front Panel
q [ ](Standby/On) switch...................... page 11
w LIVE CONTROL
[ASSIGN] button ...............................page 22
[A] and [B] knobs .............................page 22
e [MASTER VOLUME] control ................ page 11
r [DEMO/BGM] button ............................page 31
t [PERFORMANCE ASSISTANT]
button ....................................................page 37
y [EASY SONG ARRANGER] button......page 41
u [FUNCTION] button..............................page 70
i LESSON START
[WAITING] button..............................page 33
[YOUR TEMPO] button .....................page 35
[MINUS ONE] button.........................page 36
o [METRONOME] button................. pages 19, 53
!0 [TEMPO/TAP] button.. pages 19, 62, 63, 67, 69
!1 [REC] button.........................................page 43
!2 [1]–[5], [A] buttons ...............................page 44
!3 ARPEGGIO
[ON/OFF] button ...............................page 20
[TYPE] button ...................................page 21
!4 SONG CONTROL
[ ] (REPEAT & LEARN) button ... page 36
[ ] (A-B REPEAT) button .......... page 68
[] (REW) button........................... page 32
[ ] (FF) button............................... page 32
[ ] (PAUSE) button ..........................page 32
[ ] (START/STOP) button............page 32
!5 STYLE CONTROL
[ACMP ON/OFF] button....................page 27
[INTRO/ENDING/rit.] button .............page 61
[MAIN/AUTO FILL] button ................ page 61
[SYNC STOP] button ........................page 61
[SYNC START] button.......................page 60
[START/STOP] button.......................page 26
!6 Dial................................................ pages 14, 16
!7
CATEGORY [ ] and [ ] buttons
.. pages 14, 70
Owner’s Manual
12
Panel Controls and Terminals
@5
!8
@0
@1
@2
@3
@4
!6
!7
@8 @9
#0 #1
!9
Rear Panel
Music Database List
(Data List)
Voic e L i st (Data List)
Setting Up
!8 [SONG] button......................................page 30
!9 [STYLE] button.....................................page 26
@0 [MUSIC DATABASE] button.................page 40
@1 [VOICE] button ..................................... page 16
@2 Number buttons [0]–[9],
[+] and [-] buttons ................................ page 14
@3 [PORTABLE GRAND] button...............page 17
@4 REGIST MEMORY
[MEMORY/BANK], [1], [2] buttons ......page 48
@5 VOICE CONTROL
[SPLIT] button........................... pages 18, 56
[DUAL] button ...........................pages 18, 56
[HARMONY] button ..........................page 57
[TOUCH] button ................................page 56
@6 PITCH BEND wheel..............................page 54
@7 Drum Kit................................................page 16
The illustrations next to each key indicate the drum and percussion instruments assigned to the keys when “Standard Kit
1” is selected.
Rear Panel
@8 USB terminal........................................ page 73
@9 SUSTAIN jack ....................................... page 11
#0 PHONES/OUTPUT jack........................ page 11
#1 DC IN jack............................................. page 10
Owner’s Manual
13
Basic Operation and Displays
Press briefly
to increase.
3 Start a function or play
the keyboard.
2 Select an item
or value.
1 Select a basic
function.
Rotate the dial clockwise to
increase the value of the
selected item, or counterclockwise to decrease it’s
value. Rotate the dial continuously to continuously
increase or decrease the
value.
Dial
Increase
When selecting a song or style,
you can use these buttons to jump
to the first item in the next or previous category.
The CATEGORY [ ] and [ ]
buttons can also be used to select
function items sequentially after
pressing the [FUNCTION] button.
CATEGORY [ ] and [ ] buttons
f
r
f
r
The number buttons can be
used to directly enter a Song,
Style or Voice number or
parameter value.
For numbers that start with
one or two zeroes, the first
zeroes can be omitted.
Example:
Selecting Voice 003, Bright
Piano.
Number buttons [0]–[9]
Press the [+] button briefly
to increase the value by 1, or
press the [-] button briefly to
decrease the value by 1.
Press and hold either button
to continuously increase or
decrease the value in the corresponding direction.
[+], [-] buttons
Decrease
Press briefly
to decrease.
Jump to the
first item in
the next or
previous category.
Press number buttons [0], [0], [3].
The “Press & Hold” Symbol
Buttons having this indication can be used to call up an alternate function when the relevant button is pressed and held.
Hold down this button until the function calls up.
Press the [SONG] button to access the SONG functions (printed above the
buttons), and press the [STYLE] button to access the STYLE functions
(printed below).
Basic Operation
Setting Up
Press a button to select a basic function: Voice, Style or Song. To change the instrument voice that sounds when
you play the keyboard, press the [VOICE] button. If you want to play along with auto accompaniment, press the
[STYLE] button. If you want to listen to a song, press the [SONG] button.
GrandPno
001
001
Owner’s Manual
14
Basic Operation and Displays
Indicates that Touch response is
turned on. (page 56)
Indicates that Harmony is
turned on. (page 57)
Indicates that the Dual voice is
turned on. (page 18)
Indicates that the Split voice is
turned on. (page 18)
Indicates that the Arpeggio is
turned on. (page 20)
Indicates that performance
assistant technology is turned
on. (page 36)
Indicates that Accompaniment
is turned on. (page 27)
Indicates that SYNC STOP is
turned on. (page 61)
TOUCH
HARMONY
DUAL
SPLIT
ARPEGGIO
Performance assistant technology
ACMP ON
SYNC STOP
Displays the melody and
chord notes of a song when
the Song Lesson function is
in use, or the notes of chords
you specify when the Dictionary function is in use. At
other times the notes you
play on the keyboard are displayed.
Notation
• Any notes occurring below or above the staff are
indicated by “8va” in the notation.
• For a few specific chords, not all notes may be
shown in the notation section of the display. This
is due to space limitations in the display.
Indicates the beat number in a measure during the Metronome function. Indicates the current measure during playback
of a song or style, and the currently set Tempo
value for the song or style. (pages 45, 53)
Indicates the name of the chord currently being played back, or the
name of the chord being played on
the keyboard. (page 27)
Information related to the
song tracks is shown here.
(pages 32, 44, 68)
BEAT number and MEASURE
Chord Display
Track Display
Indicates the current style or song
beat with flashing arrows. (page 31)
This display allows you to visually
confirm parameters assigned to the
knobs. (page 22)
Beat Display
Knob Assign Display
Display Items
The display shows all of the current basic settings: song, style, voice.
It also includes a range of indicators that show the on/off status of a range of functions.
NOTE
GrandPno
001
001
001
Owner’s Manual
Setting Up
15
Try Playing a Variety of Instrument Voices
Appears when the Voice
mode is engaged.
Voice name
Voice number
NOTE
f
Select 141 Flute
Quick Guide
In addition to piano, organ, and other “standard” keyboard instruments, this instrument has a large range of voices that includes guitar, bass, strings, sax, trumpet,
drums and percussion, sound effects … a wide variety of musical sounds.
Select and Play a Voice—MAIN
This procedure selects the main voice you will play on the keyboard.
Press the [VOICE] button.
1
The voice number and name will be displayed.
Quick Guide
GrandPno
001
Select the voice you want to play.
2
While watching the displayed voice name rotate the dial. The available voices will be selected and displayed in sequence. The voice
selected here becomes the main voice.
For this example select the “141 Flute” voice.
Flute
141
Preset Voice Types
001–183 Instrument Voices
Various drum and percussion sounds are assigned to
184–198
(Drum Kit)
199–238 Arpeggio voices for arpeggio performance.
individual keys, via which they can be played. Details
on assigning instruments to keys are provided in the
Drum Kit List of the separate Data List.
• You can also select the voice
using the CATEGORY [ ]
and [ ] buttons after pressing the [VOICE] button.
(page 14)
Owner’s Manual
16
Try Playing a Variety of Instrument Voices
NOTE
NOTE
Play the keyboard.
3
• Voice Settings (page 55)
Try selecting and playing a variety of voices.
Play the Grand Piano Voice
When you just want to play piano, all you have to do is press one convenient button.
Quick Guide
Press the [PORTABLE GRAND] button.
The “001 Grand Piano” voice will be selected.
• When you press the [PORTABLE GRAND] button all
settings other than touch
sensitivity are turned off. The
dual and split voices will
also be turned off, so only
the Grand Piano voice will
play ove r the entire keyboard.
Owner’s Manual
17
Try Playing a Variety of Instrument Voices
141
Flute
Appears when
dual voice is on
Two voices will sound
at the same time.
141
Flute
Split voice
Split point
Main voice and dual voice
Appears when split
voice is on
Play Two Voices Simultaneously—DUAL
Once you press the [DUAL] button to turn the dual function on, a second voice will sound that will
play in addition to the main voice when you play the keyboard. The second voice is known as the
“dual” voice.
Quick Guide
Press the button a second time to turn the dual voice function off. A suitable
dual voice is automatically selected when you turn on this function, but you
can easily select a different dual voice (page 56).
Play Different Voices with the Left and Right Hands—SPLIT
Once you press the [SPLIT] button to turn the split function on, you can play different voices to the
left and right of the keyboard “split point”. The main and dual voices can be played to the right of the
split point, while the voice played to the left of the split point is known as the “split voice”. The split
point setting can be changed as required (
page 63).
Press the button a second time to turn the split voice function off. A suitable
split voice is automatically selected when you turn on this function, but you
can easily select a different split voice (page 56).
Owner’s Manual
18
Try Playing a Variety of Instrument Voices
NOTE
Current Tempo value
Using the Metronome
The instrument features a built-in metronome (a device that keeps an accurate tempo) that is convenient for practicing.
Press the [METRONOME] button to start the metronome. To stop the metronome, press the [METRONOME] button again.
If you want to adjust the metronome tempo, press the [TEMPO/TAP] button
to call up the Tempo setting in the display, then you can use the dial to set
the tempo. You can also set the tempo using the number buttons on the front
panel.
Tempo
090
• You can set the time signature (page 53).
Quick Guide
Owner’s Manual
19
Creating Arpeggios
NOTE
NOTE
NOTE
The arpeggio function lets you create arpeggios (broken chords) by simply playing the
required notes on the keyboard. For example, you could play the notes of a triad—the
root, third, and fifth—and the arpeggio function will automatically create a variety of
interesting arpeggio-type phrases. By changing the arpeggio type and the notes you
play it is possible to create a wide range of patterns and phrases that can be used for
music production as well as performance.
Use the Arpeggio Function
Press the ARPEGGIO [ON/OFF] button to turn the
1
Quick Guide
arpeggio function on.
The indicator lights when the Arpeggio function is on.
• When you select a voice
number between 199 and
238 the arpeggio function
will automatically be turned
on.
Play a note or notes on the keyboard to trigger
2
Arpeggio playback.
The sound of the arpeggio produced will change according to the
number of notes you play and the area of the keyboard you play in.
When the split function is on, the arpeggio applies to the split voice.
The arpeggio applies to the main and dual voices when the split function is off. Arpeggios cannot be played using the split and main/dual
voices simultaneously.
When you have finished playing with the arpeggio
3
function, press the ARPEGGIO [ON/OFF] button to
turn it off.
• Play a key to the left of the
keyboard split point
because the arpeggio function applies only to the split
voice when you select a
voice between 229 and 238.
• When an FC4 or FC5 footswitch is connected to the
SUSTAIN jack is pressed,
the Arpeggio will continue to
play after the note is
released (page 59).
Owner’s Manual
20
Creating Arpeggios
The currently selected
arpeggio type
NOTE
Changing the Arpeggio type
The most suitable arpeggio type is automatically selected when you select a voice, but you can
easily select any other arpeggio type.
Press the ARPEGGIO [TYPE] button.
1
“ARP Type” will appear in the display for a few seconds, then the
name of the current arpeggio type will appear in the display.
DownOct
02
Rotate the dial to select the desired arpeggio type.
2
Quick Guide
A list of the available arpeggio types is provided in the Arpeggio List
of the separate Data List.
You can save the instrument’s settings at this point and then recall
them at any time you want to repeat your performance (page 48). You
can also record your performance (page 43). Please note that the
arpeggio sound for the split voice cannot be recorded.
• No arpeggio will sound if
you turn the arpeggio function on while playing notes
on the keyboard.
Owner’s Manual
21
Create Original Sounds
NOTE
NOTE
001
001
GrandPno
Filter
Resonance
Filter
Cutoff
Knob A adjusts the filter’s cutoff
frequency, and therefore the
brightness of the sound.
Level
Frequency
Cutoff Frequency
Frequencies in this
range are passed.
Frequencies in this
range are cut off.
Knob B adjusts the amount of resonance applied at the filter’s cutoff
frequency. Increasing the resonance emphasizes the frequencies
at the cutoff frequency, and thus
“strengthens” the perceived effect
of the filter.
Level
Frequency
Resonance
The two knobs located in the lower left area of the panel can be used to add variations
to the sound being played, transforming the sound in a variety of musical ways. Filter,
envelope generator, and other effects can be assigned to the two knobs as required. In
this section we’ll explain how effects can be assigned to the knobs, and provide a few
tips for their use.
Assigning Effects to the Knobs
Repeatedly press the [ASSIGN] button to sequentially select the five effect combinations provided:
z x c v b z ... etc. The currently selected combination is shown in the display.
Quick Guide
• The assignable knob effects
are pre-programmed in the
pairs listed above.
It is not possible to assign
different effect combinations.
• z–c affect the main and
dual voices only. Split voices
will not be affected. Styles
and songs will also not be
affected.
v–b affect styles only.
z Filter
Owner’s Manual
22
Filter effects shape sound by allowing only a specified range of frequencies
to pass and/or by producing a resonance peak at the filter’s “cutoff” frequency. Filter effects can be used to create a range of synthesizer-like
sounds.
* Filter effects can sometimes cause distortion in the bass frequencies.
Create Original Sounds
Chorus
Send Level
Reverb
Send Level
Release
Time
Attack
Time
Knob A adjusts attack time
(the amount of time it takes the
sound to reach maximum level
when a key is played).
Knob B adjusts release time
(the amount of time it takes for
the sound to decay to silence
after a key is released).
Sustain Level
Level
Time
Key Played Key Released
Filter
Resonance
Filter
Cutoff
–No Effect–Tempo
x Effect
c EG
(Envelope Generator)
v Style Filter
Reverb reproduces the acoustic ambience of a concert hall or club, while
chorus produces a layered “multi-instrument” effect.
Knob A adjusts the depth of the reverb effect, and Knob B adjusts the depth
of the chorus effect.
Envelope Generator effects determine how the level of the sound varies over
time. You can make the attack faster for a more percussive sound or slower
for a violin-like sound, for example. Or you can lengthen or shorten the sustain to most ideally match the music.
ATTA C K
DECAY
RELEASE
In this case the knobs apply the filter effect to the style being played. Knob A
and Knob B have the same functions as for “z Filter” described on the preceding page.
Quick Guide
b Style Tempo
Knob A adjusts the tempo of the style and arpeggios. Rotating the knob
clockwise increases the tempo while rotating it counterclockwise decreases
the tempo. The knob’s center position produces the initial default tempo.
Owner’s Manual
23
Create Original Sounds
NOTE
147
SquareLd
“z” appears here.
Filter
Cutoff
Filter
Resonance
Using the Knobs
Select the voice you want to play on the keyboard.
1
For this example we want to use a synth-lead type voice, so select
“147 SquareLd” (Square-wave Lead).
Press the [ASSIGN] button as many times as neces-
2
sary to select “z FILTER” (“z” will appear in the
display).
Quick Guide
• Try Playing a Variety of
Instrument Voices (page 16)
Knob A can now be used to adjust the filter cutoff frequency, and
Knob B can be used to adjust the resonance.
Rotate Knob B to its maximum setting (all the way
3
to the right), then play with the right hand while
operating Knob A with the left hand.
Rotating the knob to the right while the volume is set to a high level can
result in distortion. If this occurs, reduce the volume level.
If you select a different keyboard voice the knobs will be reset and the ideal
settings for the selected voice will be automatically recalled. In the same
way, if the “
a different style is selected. If you create an original setting you like, it might
be a good idea to save it in the instrument’s Registration Memory (page 48)
so you can recall the same settings again at any time. You can also record
performances using original sounds you’ve created (page 43).
Changing the knob settings does not immediately change the sound. Newly
assigned effects will only change the sound when the knobs are first operated
after the new effect has been selected.
Owner’s Manual
24
v STYLE FILTER” effect is selected, the knobs will be reset if
Create Original Sounds
The chart below lists some interesting ways to use the various effects that
can be assigned to the knobs.
Some Ideas for Using the Knobs
Number/Effect Try This
Select a synth-type lead or pad voice (see the Voice List of the separate Data List).
z FILTER
x EFFECT
c EG
v STYLE FILTER
b STYLE TEMPO Play a style and/or arpeggio and use Knob A to adjust the tempo.
Turn Knob B all the way up and operate Knob A while playing for some spacey,
floating 1980’s effects.
Select a voice that sounds as though it already has reverb and chorus effects applied,
and turn Knob A and Knob B all the way down to hear the “direct” sound of the
voice. You can then turn the Knob A and Knob B settings up to add extra impact and
richness to the voice.
Select a piano voice, and turn Knob B all the way up and Knob A to about the 3
o’clock position. This should give you a majestic, organ-like sound. The attack time
is quite long so play the keys and hold them to let the sound come in fully. Ideal for
slow pieces.
Select style 42, Euro Trance. Turn accompaniment on and start style playback
(pages 26–28). Set Knob B to about 3 o’clock, and Knob A to about 8 o’clock. The
overall sound of the style should be a bit muffled, with the drums emphasized for
solid rhythmic impact.
Quick Guide
Owner’s Manual
25
Playing Styles
This icon appears when a style
number and name is displayed.
Style Name
Style Number
NOTE
042
EuTrance
NOTE
This instrument has an auto accompaniment feature that produces accompaniment
(rhythm + bass + chords) in the style you choose to match chords you play with your
left hand. You can select from 174 different styles covering a range of musical genres
and time signatures.
In this section we’ll learn how to use the auto accompaniment features.
Select a Style Rhythm
Most styles includes a rhythm part. You can select from a wide variety of rhythmic types—rock,
blues, Euro trance, and many, many more. Let’s begin by listening to just the basic rhythm. The
rhythm part is played using percussion instruments only.
Quick Guide
Press the [STYLE] button.
1
The style number and name will appear in the display.
Select a style.
2
Use the dial to select the style you want to use.
A list of all the available styles is provided in the Style List of the separate Data List.
BritRock
001
• You can also use the style
files provided on the supplied CD-ROM (page 64).
Press the [START/STOP] button.
3
The style rhythm will start playing.
Press the [START/STOP] button a second time when you want to stop
playback.
Owner’s Manual
26
• Style numbers 150, 162–174
have no rhythm part and
therefore no rhythm will play
if you use them for the above
example. For these styles
first turn auto accompaniment on as described on
page 27, press the [START/
STOP] button, and the
accompaniment bass and
chord parts will begin playing when you play a key to
the left of the keyboard split
point.
Playing Styles
042
EuTrance
This icon appears when automatic
accompaniment is on.
Auto accompa-
niment range
Split point (page 63)
042
Eutrance
Flashes when sync start is on.
Play Along with a Style
You learned how to select a style rhythm on the preceding page.
Here we’ll see how to add bass and chord accompaniment to the basic rhythm to produce a full,
rich accompaniment that you can play along with.
Press the [STYLE] button and select the desired
1
style.
For this example select the “042 Euro Trance” style.
Turn automatic accompaniment on.
2
Press the [ACMP ON/OFF] button.
Pressing this button a second time will turn automatic accompaniment off.
When automatic accompaniment is on ...
The area of the keyboard to the left of the split point (54 : F#2) becomes the
“auto accompaniment range” and is used only for specifying the accompaniment chords.
Turn sync start on.
3
Press the [SYNC START] button to turn the sync start function on.
Quick Guide
When sync start is on, the bass and chord accompaniment included in
a style will start playing as soon as you play a note to left of the keyboard split point. Press the button a second time to turn the sync start
function off.
Owner’s Manual
27
Playing Styles
NOTE
Auto accompa-
niment range
Split point
Indicates the chord currently being played in
the accompaniment range of the keyboard.
001
042
EuTrance
Start playing.
4
Style playback will begin as soon as you play a chord in the accompaniment range of the keyboard. Try playing the chord progression
shown below.
• Chords (page 29)
• Looking Up Chords Using
the Chord Dictionary (page
65)
Quick Guide
This is a simple-but-effective chord progression.
Stop playing.
5
Press the [START/STOP] button to stop style playback when you’re
done.
F
C G A
m
You can also stop playing by pressing the [INTRO/ENDING/rit.] button so that an appropriate ending pattern will play and then style playback will stop.
You can switch style “sections” to add variety to the accompaniment.
Refer to “Pattern Variation (Sections)” on page 60.
Owner’s Manual
28
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