Yamaha MU90R, MU90RE2 User Manual

POWER

OFF

ON/

VOLUME

AD input preset

MU90 A/D INPUT PRESET

A/D1

BANK Source PGM CNG# = 0 1 2 3456

0 MIC Preset Name Off Mic Reverb Chorus Chorus+Reverb Karaoke1 Karaoke2

1 GUITAR Preset Name Off Guitar Reverb Chorus Chorus+Reverb Tube Stack

(Note 1) input gain mic mic mic mic mic mic mic

2 KEYBOARD Preset Name Off Keyboard Reverb Chorus Chorus+Reverb Phaser EP Pan EP

3 AUDIO Preset Name Off Audio Reverb Chorus Chorus+Reverb

(Note 2) input gain line line line line line

18 STEREO Preset Name Off Keyboard Reverb Chorus Chorus+Reverb Phaser EP Pan EP

KEYBOARD input gain line line line line line line line

(Note 3) var type - - - - - Phaser Auto Pan

19 STEREO Preset Name Off Audio Reverb Chorus Chorus+Reverb

AUDIO input gain line line line line line (Note 3) var type - - - - -

BANK Source PGM CNG# = 7 8 9 10 11 12

0 MIC Preset Name Karaoke3 Echo Vocal Studio Oct Up Oct Down

1 GUITAR Preset Name Flang Gtr Clean Gtr Funk Gtr Tremolo Phaser 5th Guitar

(Note 1) input gain mic mic mic mic mic mic

2 KEYBOARD Preset Name Wah Clavi Rotary Orgn Synth Str Synth Pad Synth Lead SFX

3 AUDIO Preset Name

(Note 2) input gain

18 STEREO Preset Name Wah Clavi Rotary Orgn Synth Str Synth Pad Synth Lead SFX

KEYBOARD input gain line line line line line line

(Note 3) var type Touch Wah Rotary Speaker Symphonic Flanger2 Delay LCR Pitch Change

19 STEREO Preset Name

AUDIO input gain (Note 3) var type

input gain mic mic mic mic mic mic mic var type - - - - - Karaoke1 Karaoke2

var type - - - - - Amp Sim. Amp Sim.

input gain line line line line line line line var type - - - - - Phaser Auto Pan

var type - - - - -

input gain mic mic mic mic mic mic var type Karaoke3 Echo Stage1 Exciter Pitch Change Pitch Change

var type Flanger Celeste Touch Wah Tremolo Phaser Pitch Change

input gain line line line line line line var type Touch Wah Rotary Speaker Symphonic Flanger2 Delay LCR Pitch Change

var type

(Note 1) The input may be distorted depending on the guitar that you use. Make adjustments using either the A/D INPUT V OLUME or the volume of your guitar. (Note 2) For AUDIO, A/D1 is panned to the left channel, and A/D2 is panned to the right channel. (Note 3) The stereo setting can be selected only for A/D1.

A/D2

A/D1 A/D2

The A/D1 and A/D2 inputs are handled as the left and right channels respectively of a stereo signal.

Effect Program List

REVERB

No. MSB LSB Effect Type Features

0 00H 00H NO EFFECT Effect is off 1 01H 00H HALL 1 Reverb simulating the reverberance of a hall 2 01H 01H HALL 2 " 3 02H 00H ROOM 1 Reverb simulating the reverberance of a room 4 02H 01H ROOM 2 " 5 02H 02H ROOM 3 " 6 03H 00H STAGE 1 Reverb suitable for solo instruments 7 03H 01H STAGE 2 " 8 04H 00H PLATE Reverb simulating a metal plate reverb device

9 10H 00H WHITE ROOM Unique short reverb with a slight initial delay 10 11H 00H TUNNEL Simulation of a cylindrical space extending to left and right 11 12H 00H CANYON Simulation of an imaginary sound space extending without limits 12 13H 00H BASEMENT Reverb with unique resonance after a slight initial delay

CHORUS

No. MSB LSB Effect Type Features

0 00H 00H NO EFFECT Effect is off

1 41H 00H CHORUS 1 Standard chorus effect. Gives the sound a natural spaciousness.

2 41H 01H CHORUS 2 "

3 41H 02H CHORUS 3 "

4 41H 08H CHORUS 4 "

5 42H 00H CELESTE 1 This effect uses a three-phase LFO to create modulation and spaciousness

6 42H 01H CELESTE 2 "

7 42H 02H CELESTE 3 "

8 42H 08H CELESTE 4 "

9 43H 00H FLANGER 1 An effect reminiscent of a jet airplane 10 43H 01H FLANGER 2 " 11 43H 08H FLANGER 3 " 12 44H 00H SYMPHONIC Additional stages are added to the modulation of CELESTE 13 57H 00H ENSEMBLE DETUNE 14 48H 00H PHASER 1 Adds modulation by cyclically changing the phase

A chorus effect without modulation created by adding a slightly pitch-shifted sound

VARIATION

No. MSB LSB Effect Type

0 00H 00H NO EFFECT

1 0H1 00H HALL 1

2 01H 01H HALL 2

3 02H 00H ROOM 1

4 02H 01H ROOM 2

5 02H 02H ROOM 3

6 03H 00H STAGE 1

7 03H 01H STAGE 2

8 04H 00H PLATE

9 10H 00H WHITE ROOM 10 11H 00H TUNNEL 11 12H 00H CANYON 12 13H 00H BASEMENT 13 05H 00H DELAY L,C,R 14 06H 00H DELAY L,R 15 07H 00H ECHO 16 08H 00H CROSS DELAY 17 09H 00H ER 1 18 09H 01H ER 2 19 0AH 00H GATE REVERB 20 0BH 00H REVERSE GATE 21 14H 00H KARAOKE 1 22 14H 01H KARAOKE 2 23 14H 02H KARAOKE 3 24 41H 00H CHORUS 1 25 41H 01H CHORUS 2 26 41H 02H CHORUS 3 27 41H 08H CHORUS 4 28 42H 00H CELESTE 1 29 42H 01H CELESTE 2 30 42H 02H CELESTE 3 31 42H 08H CELESTE 4 32 43H 00H FLANGER 1 33 43H 01H FLANGER 2 34 43H 08H FLANGER 3 35 44H 00H SYMPHONIC 36 57H 00H ENSEMBLE DETUNE

37 58H 00H AMBIENCE 38 45H 00H ROTARY SPEAKER

39 56H 00H

2WAY ROTARY SPEAKER

Effect is off Reverb simulating the reverberance of a hall

Reverb simulating the reverberance of a room

Reverb suitable for solo instruments

Reverb simulating a metal plate reverb unit Unique short reverb with a slight initial delay Simulation of a cylindrical space extending to left and right Simulation of an imaginary sound space extending without limits Reverb with unique resonance after a slight initial delay An effect which generates three delays: L, R and C (center) An effect which generates two delays, L and R, and provides two feedback delays Two delays (L and R) and independent feedback for L and R This effect crosses the feedback of two delays An effect which produces only the early reflections of reverb

Simulation of gated reverb Simulation of gated reverb played backward Echo for karaoke

Standard chorus effect. Adds natural spaciousness.

An effect which uses a 3-phase LFO to add modulation and spaciousness

An effect reminiscent of a jet airplane

Additional stages are added to the modulation of CELESTE A chorus effect without modulation created by adding a slightly pitch-shifted sound An effect that blurs the location of the sound to add spatial width Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the speed of rotation. Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the speed of rotation.

Features

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Effect Program List

40 46H 00H TREMOLO 41 47H 00H AUTO PAN 42 48H 00H PHASER 1 43 48H 08H PHASER 2 44 49H 00H DISTORTION

45 49H 01H COMP+DISTORTION

46 4AH 00H OVER DRIVE

47 4BH 00H AMP SIMULATOR

48 4CH 00H 3BAND EQ(MONO) 49 4DH 00H 2BAND EQ(STEREO) 50 4EH 00H AUTO WAH(LFO)

51 4EH 01H AUTO WAH+DIST

52 4EH 02H AUTO WAH+ODRV

53 52H 00H TOUCH WAH 1

54 52H 01H TOUCH WAH+DIST

55 52H 02H TOUCH WAH+ODRV

56 52H 08H TOUCH WAH 2

57 50H 00H PITCH CHANGE 1 58 50H 01H PITCH CHANGE 2 59 51H 00H AURAL EXCITER 60 53H 00H COMPRESSOR

61 54H 00H NOISE GATE

62 55H 00H VOICE CANCEL 63 40H 00H THRU

An effect which cyclically modulates the volume An effect which cyclically moves the sound left/right and front/back Cyclically changes the phase to add modulation

Adds a hard-edged distortion. A noise gate is provided, making this suitable for use with A/D input as well. Since a compressor is provided in the initial stage, even distortion is produced regardless of the input level. Adds mild distortion. A noise gate is provided, making this suitable for use with A/D input as well. Simulates a guitar amp. A noise gate is provided, making this suitable for use with A/D input as well. Mono EQ with low, mid and high equalization Stereo EQ with low and high equalization. Ideal for the drum part. Cyclically changes the center frequency of a wah filter. Can be used with A C1 etc. as a pedal wah. The output of AUT O WAH is distorted by DIST ORTION. Can be used with AC1 etc. as a pedal wah. The output of AUTO WAH is distorted by OVERDRIVE. Can be used with AC1 etc. as a pedal wah. The level of the input will modify the center frequency of the wah filter. Can be used with AC1 etc. as a pedal wah. The output of TOUCH WAH is distorted by DISTORTION. Can be used with AC1 etc. as a pedal wah. The output of TOUCH WAH is distorted by OVERDRIVE. Can be used with AC1 etc. as a pedal wah. The level of the input will modify the center frequency of the wah filter. Can be used with AC1 etc. as a pedal wah. This effect changes the pitch of the input signal.

This effect adds new overtones to the input signal to make it stand out. Limits the output when the input signal exceeds a specified level. Can also add a sense of attack to the sound. Gates the input when the input signal falls below a specified level. Ef fecti ve when you wish to suppress noise from the A/D input. Attenuates the vocal part of a recording on CD etc. Bypass without applying an effect

Aural Exciter  is a registered trademark of Aphex Corporation.

INSERTION1,2

No. MSB LSB Effect Type

0 40H 00H THRU

1 01H 00H HALL 1

2 01H 01H HALL 2

3 02H 00H ROOM 1

4 02H 01H ROOM 2

5 02H 02H ROOM 3

6 03H 00H STAGE 1

7 03H 01H STAGE 2

8 04H 00H PLATE

9 05H 00H DELAY L,C,R 10 06H 00H DELAY L,R 11 07H 00H ECHO 12 08H 00H CROSS DELAY 13 14H 00H KARAOKE 1 14 14H 01H KARAOKE 2 15 14H 02H KARAOKE 3 16 41H 00H CHORUS 1 17 41H 01H CHORUS 2 18 41H 02H CHORUS 3 19 41H 08H CHORUS 4 20 42H 00H CELESTE 1 21 42H 01H CELESTE 2 22 42H 02H CELESTE 3 23 42H 08H CELESTE 4 24 43H 00H FLANGER 1 25 43H 01H FLANGER 2 26 43H 08H FLANGER 3 27 44H 00H SYMPHONIC 28 57H 00H ENSEMBLE DETUNE

29 45H 00H ROTARY SPEAKER

30 46H 00H TREMOLO 31 47H 00H AUTO PAN 32 48H 00H PHASER 1 33 49H 00H DISTORTION 34 4AH 00H OVER DRIVE 35 4BH 00H AMP SIMULATOR 36 4CH 00H 3BAND EQ(MONO) 37 4DH 00H 2BAND EQ(STEREO) 38 4EH 00H AUTO WAH(LFO)

39 52H 00H TOUCH WAH 1

40 52H 08H TOUCH WAH 2 41 51H 00H AURAL EXCITER

42 53H 00H COMPRESSOR

43 54H 00H NOISE GATE

Effect Program List

Bypass without applying an effect Reverb simulating the reverberance of a hall

Reverb simulating the reverberance of a room

Reverb suitable for solo instruments

Reverb simulating a metal plate reverb unit An effect which generates three delays: L, R and C (center) An effect which generates two delays, L and R, and provides two feedback delays Two delays (L and R) and independent feedback for L and R This effect crosses the feedback of two delays Echo for karaoke

Standard chorus effect. Adds natural spaciousness.

An effect which uses a 3-phase LFO to add modulation and spaciousness

An effect reminiscent of a jet airplane

Additional stages are added to the modulation of CELESTE A chorus effect without modulation created by adding a slightly pitch-shifted sound Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the speed of rotation. An effect which cyclically modulates the volume An effect which cyclically moves the sound left/right and front/back Cyclically changes the phase to create modulation Adds a hard-edged distortion Adds mild distortion Simulates a guitar amp Mono EQ with low, mid and high equalization Stereo EQ with low and high equalization. Ideal for the drum part. Cyclically changes the center frequency of a wah filter. Can be used with A C1 etc. as a pedal wah. The level of the input will modify the center frequency of the wah filter. Can be used with AC1 etc. as a pedal wah. The level of the input will modify the center frequency of the wah filter. Can be used with AC1 etc. as a pedal wah. This effect adds new overtones to the input signal to make it stand out. Limits the output when the input signal exceeds a specified level. Can also add a sense of attack to the sound. Gates the input when the input signal falls below a specified level. Ef fectiv e when you wish to suppress noise from the A/D input.

Aural Exciter  is a registered trademark of Aphex Corporation.

Features

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MU90 Effect LSB, MSB LIST

REVERB TYPE

TYPE MSB TYPE LSB DEC HEX 00 01 02 ... 08 000 0 NO EFFECT 001 1 HALL 1 HALL 2 002 2 ROOM 1 ROOM 2 ROOM 3 003 3 STAGE 1 STAGE 2 004 4 PLATE 005 5 NO EFFECT ::: 015 F NO EFFECT 016 10 WHITE ROOM 017 11 TUNNEL 018 12 CANYON 019 13 BASEMENT 020 14 NO EFFECT ::: 127 7F NO EFFECT

NO EFFECT Same as basic effects (LSB=00)

CHORUS TYPE

TYPE MSB TYPE LSB DEC HEX 00 01 02 ... 08 000 0 NO EFFECT 001 1 NO EFFECT ::: 064 40 NO EFFECT 065 41 CHORUS 1 CHORUS 2 CHORUS 3 CHORUS 4 066 42 CELESTE 1 CELESTE 2 CELESTE 3 CELESTE 4 067 43 FLANGER 1 FLANGER 2 FLANGER 3 068 44 SYMPHONIC 069 45 NO EFFECT ::: 071 47 NO EFFECT 072 48 PHASER 1 073 49 NO EFFECT ::: 086 56 NO EFFECT 087 57 ENSEMBLE DETUNE 088 58 NO EFFECT ::: 127 7F NO EFFECT

NO EFFECT Same as basic effects (LSB=00)

V ARIATION TYPE (0-63)

TYPE MSB TYPE LSB DEC HEX 00 01 02 ... 08 000 0 NO EFFECT 001 1 HALL 1 HALL 2 002 2 ROOM 1 ROOM 2 ROOM 3 003 3 STAGE 1 STAGE 2 004 4 PLATE 005 5 DELAY L,C,R 006 6 DELAY L,R 007 7 ECHO 008 8 CROSS DELAY 009 9 ER 1 ER 2 010 A GATE REVERB 011 B REVERSE GATE 012 C NO EFFECT or THRU ::: 015 F NO EFFECT or THRU 016 10 WHITE ROOM 017 11 TUNNEL 018 12 CANYON 019 13 BASEMENT 020 14 KARAOKE 1 KARAOKE 2 KARAOKE 3 021 15 NO EFFECT or THRU ::: 063 3F NO EFFECT or THRU

NO EFFECT (for SYS) or THRU (for INS) Same as basic effects (LSB=00)

MU90 Effect LSB, MSB LIST

V ARIATION TYPE (64-127)

TYPE MSB TYPE LSB DEC HEX 00 01 02 ... 08 064 40 THRU 065 41 CHORUS 1 CHORUS 2 CHORUS 3 CHORUS 4 066 42 CELESTE 1 CELESTE 2 CELESTE 3 CELESTE 4 067 43 FLANGER 1 FLANGER 2 FLANGER 3 068 44 SYMPHONIC 069 45 ROTARY SPEAKER 070 46 TREMOLO 071 47 AUTO PAN 072 48 PHASER 1 PHASER 2 073 49 DISTORTION COMP+DISTORTION 074 4A OVER DRIVE 075 4B AMP SIMULA TOR 076 4C 3-BAND EQ 077 4D 2-BAND EQ 078 4E AUTO W AH(LFO) AUTO WAH+DIST 079 4F THRU 080 50 PITCH CHANGE PITCH CHANGE2 081 51 AURAL EXCITER® 082 52 TOUCH WAH 1 TOUCH WAH+DIST 083 53 COMPRESSOR 084 54 NOISE GATE 085 55 VOICE CANCEL 086 56 087 57 ENSEMBLE DETUNE 088 58 AMBIENCE 089 59 THRU ::: 127 7F THRU

2WAY ROTARY SPEAKER

AUTO WAH+O VERDRIVE

TOUCH W AH+OVERDRIVE

TOUCH WAH 2

THRU Same as basic effects (LSB=00)

INSERTION EFFECT TYPE

TYPE MSB TYPE LSB DEC HEX 00 01 02 ... 08 000 0 THRU 001 1 HALL 1 HALL 2 002 2 ROOM 1 ROOM 2 ROOM 3 003 3 STAGE 1 STAGE 2 004 4 PLATE 005 5 DELAY L,C,R 006 6 DELAY L,R 007 7 ECHO 008 8 CROSS DELAY 009 9 THRU ::: 019 13 THRU 020 14 KARAOKE 1 KARAOKE 2 KARAOKE 3 021 15 THRU ::: 063 3F THRU 064 40 THRU 065 41 CHORUS 1 CHORUS 2 CHORUS 3 CHORUS 4 066 42 CELESTE 1 CELESTE 2 CELESTE 3 CELESTE 4 067 43 FLANGER 1 FLANGER 2 FLANGER 3 068 44 SYMPHONIC 069 45 ROTARY SPEAKER 070 46 TREMOLO 071 47 AUTO PAN 072 48 PHASER 1 073 49 DISTORTION 074 4A OVER DRIVE 075 4B AMP SIMULA TOR 076 4C 3BAND EQ 077 4D 2-BAND EQ 078 4E AUTO W AH(LFO) 079 4F THRU 080 50 THRU 081 51 AURAL EXCITER® 082 52 TOUCH WAH 1 TOUCH WAH 2 083 53 COMPRESSOR 084 54 NOISE GATE 085 55 THRU 086 56 THRU 087 57 ENSEMBLE DETUNE 088 58 THRU ::: 127 7F THRU

THRU Same as basic effects (LSB=00)

Aural Exciter  is a registered trademark of Aphex Corporation.

MU90 Effect Parameter List

HALL1,HALL2 ROOM1,ROOM2,ROOM3 STAGE1,STAGE2 PLATE (reverb, variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Reverb Time 0.3~30.0s 0-69 table#4 2 Diffusion 0~10 0-10 3 Initial Delay 0~63 0-63 table#5 4 HPF Cutoff Thru~8.0kHz 0-52 table#3 5 LPF Cutoff 1.0k~Thru 34-60 table#3 6 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Rev Delay 0~63 0-63 table#5

12 Density 0~4 (reverb, variation block)

13 Er/Rev Balance E63>R ~ E=R ~ E<R63 1-127 14 High Damp 0.1~1.0 1-10 15 Feedback Level -63~+63 1-127 16

0~2 (insertion1,2 block)

0-4 0-2

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DELAY L,C,R (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Lch Delay 0.1~1486.0ms (variation block)

2 Rch Delay 0.1~1486.0ms (variation block)

3 Cch Delay 0.1~1486.0ms (variation block)

4 Feedback Delay 0.1~1486.0ms (variation block)

5 Feedback Level -63~+63 1-127 6 Cch Level 0~127 0-127 7 High Damp 0.1~1.0 1-10 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 12 13 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 14 EQ Low Gain -12~+12dB 52-76 15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 16 EQ High Gain -12~+12dB 52-76

0.1~742.9ms (insertion1,2 block)

1-14860

1-7429

1-14860

1-7429

1-14860

1-7429

1-14860

1-7429

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WHITE ROOM TUNNEL CANYON BASEMENT (reverb, variation block)

No. Parameter Display Value See Table Control

1 Reverb Time 0.3~30.0s 0-69 table#4 2 Diffusion 0~10 0-10 3 Initial Delay 0~63 0-63 table#5 4 HPF Cutoff Thru~8.0kHz 0-52 table#3 5 LPF Cutoff 1.0k~Thru 34-60 table#3 6 Width 0.5~10.2m 0-37 table#11 7 Heigt 0.5~20.2m 0-73 table#11 8 Depth 0.5~30.2m 0-104 table#11 9 Wall Vary 0~30 0-30

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Rev Delay 0~63 0-63 table#5 12 Density 0~4 0-4 13 Er/Rev Balance E63>R ~ E=R ~ E<R63 1-127 14 High Damp 0.1~1.0 1-10 15 Feedback Level -63~+63 1-127 16

DELAY L,R (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Lch Delay 0.1~1486.0ms (variation block)

2 Rch Delay 0.1~1486.0ms (variation block)

3 Feedback Delay 1 0.1~1486.0ms (variation block)

4 Feedback Delay 2 0.1~1486.0ms (variation block)

5 Feedback Level -63~+63 1-127 6 High Damp 0.1~1.0 1-10 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 12 13 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 14 EQ Low Gain -12~+12dB 52-76 15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 16 EQ High Gain -12~+12dB 52-76

0.1~742.9ms (insertion1,2 block)

1-14860

1-7429

1-14860

1-7429

1-14860

1-7429

1-14860

1-7429

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ECHO (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Lch Delay1 0.1~743.0ms (variation block)

2 Lch Feedback Level -63~+63 1-127 3 Rch Delay1 0.1~743.0ms (variation block)

4 Rch Feedback Level -63~+63 1-127 5 High Damp 0.1~1.0 1-10 6 Lch Delay2 0.1~743.0ms (variation block)

7 Rch Delay2 0.1~743.0ms (variation block)

8 Delay2 Level 0~127 0-127 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 12 13 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 14 EQ Low Gain -12~+12dB 52-76 15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 16 EQ High Gain -12~+12dB 52-76

0.1~371.4ms (insertion1,2 block)

1-7430 1-3714

1-7430 1-3714 1-7430 1-3714

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EARLY REF1,EARLY REF2 (variation block)

No. Parameter Display Value See Table Control

1 Type S-H, L-H, Rdm, Rvs, Plt, Spr 0-5 2 Room Size 0.1~7.0 0-44 table#6 3 Diffusion 0~10 0-10 4 Initial Delay 0~63 0-63 table#5 5 Feedback Level -63~+63 1-127 6 HPF Cutoff Thru~8.0kHz 0-52 table#3 7 LPF Cutoff 1.0k~Thru 34-60 table#3 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Liveness 0~10 0-10 12 Density 0~3 0-3 13 High Damp 0.1~1.0 1-10 14 15 16

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CROSS DELAY (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 L->R Delay 0.1~743.0ms (variation block)

2 R->L Delay 0.1~743.0ms (variation block)

3 Feedback Level -63~+63 1-127 4 Input Select L,R,L&R 0-2 5 High Damp 0.1~1.0 1-10 6 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 12 13 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 14 EQ Low Gain -12~+12dB 52-76 15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 16 EQ High Gain -12~+12dB 52-76

GATE REVERB REVERSE GATE (variation block)

No. Parameter Display Value See Table Control

1 Type TypeA,TypeB 0-1 2 Room Size 0.1~20.0 0-127 table#6 3 Diffusion 0~10 0-10 4 Initial Delay 0~127 0-127 table#5 5 Feedback Level -63~+63 1-127 6 HPF Cutoff Thru~8.0kHz 0-52 table#3 7 LPF Cutoff 1.0k~Thru 34-60 table#3 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Liveness 0~10 0-10 12 Density 0~3 0-3 13 High Damp 0.1~1.0 1-10 14 15 16

0.1~371.4ms (insertion1,2 block)

1-7430 1-3714 1-7430 1-3714

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MU90 Effect Parameter List

KARAOKE1,2,3 (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Delay Time 0~127 0-127 table#7 2 Feedback Level -63~+63 1-127 3 HPF Cutoff Thru~8.0kHz 0-52 table#3 4 LPF Cutoff 1.0k~Thru 34-60 table#3 5 6 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 12 13 14 15 16

FLANGER1,2,3 (chorus, variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 LFO Depth 0~127 0-127 3 Feedback Level -63~+63 1-127 4 Delay Offset 0~63 0-63 table#2 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 EQ Mid Frequency 100Hz~10.0kHz

12 EQ Mid Gain -12~+12dB (variation block) 52-76 13 EQ Mid Width 1.0~12.0 (variation block) 10-120 14 LFO Phase

Difference 15 16

(variation block)

-180~+180deg 4-124 resolution=

14-54 table#3

3deg.

CHORUS1,2,3,4 CELESTE1,2,3,4 (chorus, variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 LFO Depth 0~127 0-127 3 Feedback Level -63~+63 1-127 4 Delay Offset 0~127 0-127 table#2 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76

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8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 EQ Mid Frequency 100Hz~10.0kHz

12 EQ Mid Gain -12~+12dB (variation block) 52-76 13 EQ Mid Width 1.0~12.0 (variation block) 10-120 14 15 Input Mode mono/stereo 0-1 16

(variation block)

14-54 table#3

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SYMPHONIC (chorus, variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 LFO Depth 0~127 0-127 3 Delay Offset 0~127 0-127 table#2 4 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

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10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 EQ Mid Frequency 100Hz~10.0kHz

12 EQ Mid Gain -12~+12dB (variation block) 52-76 13 EQ Mid Width 1.0~12.0 (variation block) 10-120 14 15 16

(variation block)

14-54 table#3

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ENSEMBLE DETUNE (chorus, variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Detune -50~+50cent 14-114 2 Lch Init Delay 0~127 0-127 table#2 3 Rch Init Delay 0~127 0-127 table#2 4 5 6 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 EQ Low Frequency 32Hz~2.0kHz

12 EQ Low Gain -12~+12dB

13 EQ High Frequency 500Hz~16.0kHz

14 EQ High Gain -12~+12dB

15 16

(variation, insertion1,2 block)

4-40 table#3

52-76

28-58 table#3

52-76

ROTARY SPEAKER (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 LFO Depth 0~127 0-127 3 4 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 EQ Mid Frequency 100Hz~10.0kHz

12 EQ Mid Gain -12~+12dB (variation block) 52-76 13 EQ Mid Width 1.0~12.0 (variation block) 10-120 14 15 16

(variation block)

14-54 table#3

AMBIENCE (variation block)

No. Parameter Display Value See Table Control

1 Delay Time 0~127 0-127 table#2 2 Output Phase normal/invers 0-1 3 4 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

●

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 12 13 14 15 16

●

2WAY ROTARY SPEAKER (variation block)

No. Parameter Display Value See Table Control

●

1 Rotor Speed 0.0Hz~39.7Hz 0-127 table#1 2 Drive Low 0~127 0-127 3 Drive High 0~127 0-127 4 Low/High L63>H ~ L=H ~ L<H63 1-127 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

11 Crossover

Frequency

12 Mic L-R Angle 0deg~180deg 0-60 resolution=

13 14 15 16

100Hz~10.0kHz 14-54 table#3

3deg.

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MU90 Effect Parameter List

TREMOLO (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 AM Depth 0~127 0-127 3 PM Depth 0~127 0-127 4 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

11 EQ Mid Frequency 100Hz~10.0kHz

12 EQ Mid Gain -12~+12dB (variation block) 52-76 13 EQ Mid Width 1.0~12.0 (variation block) 10-120 14 LFO Phase

Difference 15 Input Mode mono/stereo 0-1 16

(variation block)

-180~+180deg 4-124 resolution=

14-54 table#3

3deg.

●

PHASER 1 (chorus, variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 LFO Depth 0~127 0-127 3 Phase Shift Offset 0~127 0-127 4 Feedback Level -63~+63 1-127 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Stage 4,5,6 (chorus, insertion1,2 block)

12 Diffusion mono/stereo 0-1 13 14 15 16

4~12 (variation block)

4-6

4-12

●

AUTO PAN (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 L/R Depth 0~127 0-127 3 F/R Depth 0~127 0-127 4 PAN Direction L<->R,L->R,L<-R,Lturn,

5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

11 EQ Mid Frequency 100Hz~10.0kHz

12 EQ Mid Gain -12~+12dB (variation block) 52-76 13 EQ Mid Width 1.0~12.0 (variation block) 10-120 14 15 16

Rturn,L/R

(variation block)

0-5

14-54 table#3

PHASER 2 (variation block)

No. Parameter Display Value See Table Control

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Stage 3,4,5,6 3-6 12 13 LFO Phase

Difference 14 15 16

-180deg~+180deg 4-124 resolution= 3deg.

●

DISTORTION OVERDRIVE (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Drive 0~127 0-127 2 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 3 EQ Low Gain -12~+12dB 52-76 4 LPF Cutoff 1.0k~Thru 34-60 table#3 5 Output Level 0~127 0-127 6 7 EQ Mid Frequency 100Hz~10.0kHz 14-54 table#3 8 EQ Mid Gain -12~+12dB 52-76 9 EQ Mid Width 1.0~12.0 10-120

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Edge(Clip Curve) 0~127 0-127 mild~sharp 12 13 14 15 16

●

AMP SIMULATOR (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Drive 0~127 0-127 2 AMP Type Off,Stack,Combo,Tube 0-3 3 LPF Cutoff 1.0k~Thru 34-60 table#3 4 Output Level 0~127 0-127 5 6 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Edge(Clip Curve) 0~127 0-127 mild~sharp 12 13 14 15 16

●

COMP+DIST (variation block)

No. Parameter Display Value See Table Control

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Edge(Clip Curve) 0~127 0-127 mild~sharp 12 Attack 1ms~40ms 0-19 table#8 13 Release 10ms~680ms 0-15 table#9 14 Threshold -48dB~-6dB 79-121 15 Ratio 1.0~20.0 0-7 table#10 16

3BAND EQ(MONO) (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 EQ Low Gain -12~+12dB 52-76 2 EQ Mid Frequency 100Hz~10.0kHz 14-54 table#3 3 EQ Mid Gain -12~+12dB 52-76 4 EQ Mid Width 1.0~12.0 10-120 5 EQ High Gain -12~+12dB 52-76 6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 7 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 8 9

11 12 13 14 15 Input Mode mono/stereo 0-1 16

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MU90 Effect Parameter List

2BAND EQ(STEREO) (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 2 EQ Low Gain -12~+12dB 52-76 3 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 4 EQ High Gain -12~+12dB 52-76 5 6 7 8 9

11 12 13 14 15 16

AUTO WAH+DIST AUTO WHA+ODRV (variation block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 LFO Depth 0~127 0-127 3 Cutoff Frequency

Offset 4 Resonance 1.0~12.0 10-120 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Drive 0~127 0-127

12 EQ Low Gain

(distortion)

13 EQ Mid Gain

(distortion)

14 LPF Cutoff 1.0kHz~thru 34-60 table#3 15 Output Level 0~127 0-127 16

0~127 0-127

-12~+12dB 52-76

AUTO WAH (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 LFO Depth 0~127 0-127 3 Cutoff Frequency

Offset 4 Resonance 1.0~12.0 10-120 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Drive 0~127 0-127 12 13 14 15 16

TOUCH WAH 1 (variation, insertion1,2 block) TOUCH WAH+DIST (variation block)

No. Parameter Display Value See Table Control

1 Sensitive 0~127 0-127 2 Cutoff Frequency

●

Offset 3 Resonance 1.0~12.0 10-120 4 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Drive 0~127 0-127 12 13 14 15 16

0~127 0-127

●

TOUCH WAH 2 (variation, insertion1,2 block) TOUCH WAH+ODRV (variation block)

No. Parameter Display Value See Table Control

1 Sensitive 0~127 0-127 2 Cutoff Frequency

Offset 3 Resonance 1.0~12.0 10-120 4 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Drive 0~127 0-127

12 EQ Low Gain

(distortion)

13 EQ Mid Gain

(distortion)

14 LPF Cutoff 1.0kHz~thru 34-60 table#3 15 Output Level 0~127 0-127 16

0~127 0-127

-12~+12dB 52-76

PITCH CHANGE 2 (variation block)

No. Parameter Display Value See Table Control

1 Pitch -24~+24 40-88 2 Initial Delay 0~127 0-127 table#7 3 Fine 1 -50~+50cent 14-114 4 Fine 2 -50~+50cent 14-114 5 Feedback Level -99~+99% 1-127 6 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Pan 1 L63~R63 1-127 12 Output Level 1 0~127 0-127 13 Pan 2 L63~R63 1-127 14 Output Level 2 0~127 0-127 15 16

PITCH CHANGE 1 (variation block)

No. Parameter Display Value See Table Control

1 Pitch -24~+24 40-88 2 Initial Delay 0~127 0-127 table#7

●

3 Fine 1 -50Hz~+50Hz 14-114 4 Fine 2 -50Hz~+50Hz 14-114 5 Feedback Level -99~+99% 1-127 6 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Pan 1 L63~R63 1-127 12 Output Level 1 0~127 0-127 13 Pan 2 L63~R63 1-127 14 Output Level 2 0~127 0-127 15 16

AURAL EXCITER (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 HPF Cutoff 500Hz~16.0kHz 28-58 table#3 2 Drive 0~127 0-127 3 Mix Level 0~127 0-127 4 5 6 7 8 9

11 12 13 14 15 16

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Aural Exciter is a registered trademark of Aphex Corporation.

MU90 Effect Parameter List

COMPRESSOR (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Attack 1~40ms 0-19 table#8 2 Release 10~680ms 0-15 table#9 3 Threshold -48~-6dB 79-121 4 Ratio 1.0~20.0 0-7 table#10 5 Output Level 0~127 0-127 6 7 8 9

11 12 13 14 15 16

VOICE CANCELAR (variation block)

No. Parameter Display Value See Table Control

1 2 3 4 5 6 7 8 9

11 Low Adjust 0~26 0-26 12 High Adjust 0~26 0-26 13 14 15 16

NOISE GATE (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Attack 1~40ms 0-19 table#8 2 Release 10~680ms 0-15 table#9 3 Threshold -72~-30dB 55-97 4 Output Level 0~127 0-127 5 6 7 8 9

11 12 13 14 15 16

+ 25 hidden pages

Yamaha MU90R, MU90RE2 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual