Corel PAINTER ESSENTIALS 3 User Manual

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USER GUIDE
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Copyright 1991 - 2005 Corel Corporation. All rights reserved.
Corel® Painter™ Essentials 3 Getting Started Guide
Corel, the Corel logo, Corel Painter Essentials, Corel Painter, Natural-Media, Corel Paint Shop Pro, and Corel Photo Album are trademarks or registered trademarks of Corel Corporation and/or its subsidiaries in Canada, the U.S. and/or other countries.
Apple, Mac OS, and iPhoto are registered trademarks of Apple Computer, Inc., registered in the United States and other countries. Wacom, Graphire, Cintiq, and Intuos are registered trademarks of Wacom Company, Ltd. Microsoft and Windows are registered trademarks of Microsoft Corporation in the United States and/or other countries.
Corel’s licensor(s) makes no warranties, express or implied, including without limitation the implied warranties of merchantability and fitness for a particular purpose, regarding the software, Corel’s licensor(s) does not warrant, guaranty, or make any representations regarding the use of the results of the use of the software in terms of its correctness, accuracy, reliability, currentness, or otherwise. The entire risk as to the results and performance of the software is assumed by you. The exclusion of the implied warranties is not permitted by some states. The above exclusion may not apply to you.
In no event will Corel’s licensor(s), and their directors, officers, employees, or agents (collectively "Corel's licensor") be liable to you for any consequential, incidental, or indirect damages (including damages for loss of business profits, business interruption, loss of business information, and the like) arising out of the use of, or inability to use, the software even if Corel’s licensor has been advised of the possibility of such damages. Because some states do not allow the exclusion or limitation of liability for consequential or incidental damages, the above limitations may not apply to you.

Table of contents

Quick Start Tutorials . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Using the new Artists' Oils . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Using Digital Watercolor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Erasing techniques . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Transforming a photo into a painting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Cloning within an image. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Cloning with an Artistic style . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Creating an Underpainting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Auto-Painting your photos . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Restoring detail to your painting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Applying Surface Texture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Welcome to Corel Painter Essentials 3 . . . . . . . . . . . . . . . . . . . . . . . 11
What’s New in Corel Painter Essentials 3? . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Learn to Draw and Paint Digitally . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Turn Photos into Paintings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Have Fun with Digital Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Enjoy Compatibility with Popular Software and Hardware . . . . . . . . . . . . . . . . 14
How to Use the Documentation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Documentation Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Using Corel Painter Essentials 3 Help . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Using the Quick Guide palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
How to Sign Up for Free Training from lynda.com . . . . . . . . . . . . . . . . . . . . 19
How to Access Corel Support Services. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
A Workspace Tour . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Corel Painter Essentials 3 Workspace . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
The Menus and the Document Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
The Toolbox. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Toolbox Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Accessing Tools in the Toolbox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Exploring the Toolbox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Using Selectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
The Property Bar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Property Bar Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Table of contents i
Using Tool Settings on the Property Bar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
The Brush Selector Bar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Working with the Brush Selector Bar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
The Palettes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Showing and Hiding Palettes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31
Navigating Palettes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32
Exploring the Palette Groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32
Grouping, Repositioning, and Resizing Palettes . . . . . . . . . . . . . . . . . . . . . . . . .33
Docking Palettes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
Restoring Palette Layout . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35
Restoring the default Corel Painter Essentials settings . . . . . . . . . . . . . . . . . . . .35
The Basics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Working with Documents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Creating and Opening Documents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37
Creating and Opening Templates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40
Placing Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40
Understanding Resolution . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41
Zooming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42
Repositioning Documents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
Rotating Documents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
Cropping Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46
Using Full Screen Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47
Resizing the Canvas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47
Rotating and Flipping the Canvas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48
Saving Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49
Editing iPhoto Images in Corel Painter Essentials (Mac OS) . . . . . . . . . . . . . . . .52
Sending Images to Corel Photo Album (Windows) . . . . . . . . . . . . . . . . . . . . . .52
Closing Documents and Quitting the Application . . . . . . . . . . . . . . . . . . . . . . .53
Drag-and-Drop Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
Setting Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
General Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55
Brush Tracking Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57
Memory and Scratch Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .58
Using Two Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .59
Wacom Intuos Support . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .59
Textures and Patterns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Using Paper Texture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Choosing Paper Textures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64
Using Patterns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
ii Table of contents
Choosing Patterns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Getting Started with Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Changing the Paper Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Using the Colors Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Understanding Main and Additional Colors . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Sampling Colors from Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Cloning Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Working with Gradients . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Using Gradients . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Painting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Exploring Brushes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Understanding Brush Categories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Selecting a Brush . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Choosing Brush Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Adjusting Opacity and Grain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Using a Stylus or Mouse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Marking the Canvas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Freehand vs. Straight-Line Drawing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Constraining, Fading, and Undoing Strokes . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Erasing Image Areas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Exploring Painting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
Painting with Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
Working with the Impasto Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
Painting with Airbrushes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Working with Fill. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Filling an Area with Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Using the Image Hose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
How the Image Hose Works . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Getting Started with the Image Hose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Controlling the Image Hose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Cloning and Tracing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Cloning Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Cloning a Document . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Using Tracing Paper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Changing Clone Source . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Table of contents iii
Using Quick Clone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .107
Using Cloner Brushes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Painting in the Clone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .108
Using Point-to-Point Cloning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .109
Turning Other Brushes into Cloners . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Using Clone Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .111
Cloning with Photo Painting Palettes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112
Preparing a photo for cloning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .112
Cloning photos . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .113
Restoring photo detail . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .114
Selections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
Getting Started with Selections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
Selecting a Drawing Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .117
Turning Selections On and Off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .118
Inverting Selections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .118
Creating Selections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Editing Selections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Getting Started with Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Layer Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .126
The Layers Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .126
The Layer Adjuster Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .126
Creating Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .126
Naming Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .128
Saving Files That Contain Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .129
Deleting Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .129
Managing Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
Selecting Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .129
Moving Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .130
Viewing Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .132
Changing Layer Hierarchy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .132
Grouping Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .133
Merging Layers with the Canvas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .135
Editing Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Painting on Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .135
Working with Floating Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .136
Setting Layer Opacity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .137
Adding Notes to a Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .137
iv Table of contents
Image Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
Applying Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
Where to Apply Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
Using Fade with Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140
Applying Recently Used Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Understanding the Using Pop-up Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Using Orientation Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Rotating Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Scaling Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142
Flipping Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143
Adjusting Brightness and Contrast . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144
Equalizing Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
Using the Equalize Effect to Equalize Images . . . . . . . . . . . . . . . . . . . . . . . . . 145
Using Lighting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147
Applying Preset Lighting Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148
Creating Custom Lighting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148
Adding, Deleting, and Repositioning Light Sources . . . . . . . . . . . . . . . . . . . . 148
Setting Light Properties . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
Working with Surface Texture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
Setting Appearance of Depth Properties . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151
Using Paper to Create Texture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151
Using Image Luminance to Create Texture . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
Applying Express Texture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153
Applying Woodcut Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
Applying the Sketch Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155
Using Focus Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156
Sharpening Focus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157
Softening Focus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157
Using Esoterica Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158
Using Auto Van Gogh . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158
Working with Text. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
Understanding the Text Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
Creating and Formatting Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
Adding Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
Changing the Font, Point Size, and Color of Text . . . . . . . . . . . . . . . . . . . . . . 162
Aligning Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
Stretching, Rotating, and Skewing Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
Dropping Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164
Table of contents v
Printing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
Understanding Printing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
Printing Composited Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .165
Printing Your Work . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166
Setting Up Printing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .166
Sizing an Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .166
Printing an Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .166
Keyboard Shortcuts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
Toolbox Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
Palette Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171
Corel Painter Essentials 3 Menu Commands (Mac OS) . . . . . . . . . . . . . . . . 171
File Menu Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172
Edit Menu Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172
Canvas Menu Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172
Select Menu Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
Effects Menu Commands. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
Window Menu Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
Screen Navigation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174
Palette Menu Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174
Brush Tools. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
Selection Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176
Adjuster Tools. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176
Other Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177
vi Table of contents

Quick Start Tutorials

Quick Start Tutorials guide you through basic tasks in a few easy steps.

Using the new Artists' Oils

The new Artists’ Oils brush category gives users an incredibly realistic oil painting experience. Each dab of an Artists’ Oils brush on the canvas loads a preset, finite amount of paint. As the paint runs out, the bristly brush stroke becomes fainter. Brush strokes interact with any paint already on the canvas as they would with natural media. Corel Painter Essentials 3 includes five Artists’ Oils brush variants: Blender Brush, Grainy Dry Brush, Impasto Palette Knife, Thick Wet Impasto, and Wet Oily Brush.
To paint with Artists’ Oils
1 Choose File menu > New, and select a white paper color.
Artists’ Oils blend with all colors on the canvas, including paper color. This is useful when painting on a photograph or using a color wash as an underpainting. To prevent Artists’ Oils from blending with the canvas color, create a new layer exclusively for the Artists’ Oils (choose Layers menu > New Layer).
2 On the Brush Selector Bar, choose Artists’ Oils from the Brush Category Selector.
3 On the Brush Selector Bar, choose a brush variant from the Brush Variant Selector.
4 Paint on the canvas.
Quick Start Tutorials 1

Using Digital Watercolor

Digital Watercolor brush variants produce watercolor effects that react with the canvas texture. You can apply a Digital Watercolor brush stroke to any layer or the canvas. For example, if you’re applying watercolor effects to a digital photo, Digital Watercolor brush strokes can be applied directly to the image.
To paint with Digital Watercolor
1 Choose File menu > New, choose a paper size and color, and click OK.
2 On the Brush Selector Bar, choose Digital Watercolor from the Brush Category
Selector.
3 On the Brush Selector Bar, choose a brush variant from the Brush Variant Selector.
4 Paint on the canvas.

Erasing techniques

Conveniently located in the toolbox, the new Eraser tool gives you easy access to the Erasers brush category. When you choose the Eraser tool, you activate the last Eraser brush variant you used. Eraser brush variants erase down to the paper color.
Some brush categories, such as Digital Watercolor, have eraser variants that only erase media applied by brushes from that category. These media-specific eraser variants are useful because they only let you erase brush strokes that you applied with certain brush categories, leaving everything else unaffected.
In the following example, you’ll paint on the canvas with brush strokes from the Airbrushes and Digital Watercolor brush categories. Then, you’ll use the Eraser tool and the Digital Watercolor brush category’s media-specific eraser to erase portions of the brush strokes.
To apply brush strokes
1 Choose File menu > New.
2 On the Brush Selector Bar, choose Airbrushes from the Brush Category Selector
and Coarse Spray from the Brush Variant Selector.
3 Paint on the canvas.
2 Corel Painter Essentials 3 User Guide
4 On the Brush Selector Bar, choose Digital Watercolor from the Brush Category
Selector and Broad Water Brush from the Brush Variant Selector.
5 Paint on the canvas.
To erase with the Eraser tool
1 Choose the Eraser tool from the toolbox.
2 Drag over parts of both brush strokes.
Both brush strokes are erased.
To erase with a media-specific eraser
1 On the Brush Selector Bar, choose Digital Watercolor from the Brush Category
Selector and Gentle Wet Eraser from the Brush Variant Selector.
2 Drag over parts of both brush strokes.
Only the Digital Watercolor brush stroke is erased.

Transforming a photo into a painting

Quick Clone helps you transform photos into paintings. This is done by creating a clone of your image, and painting in the clone. The clone of the file is more than a copy. It maintains a pixel-for-pixel correspondence with its source document.
This new feature speeds up the manual image-cloning process by reducing five steps to one. You can adjust Quick Clone settings on the General page of the Preferences dialog box.
To clone using Quick Clone
1 Choose File menu > Open.
2 In the Open (Mac OS) or Select Image (Windows) dialog box, choose the image
that you want to clone, and click Open.
3 Choose File menu > Quick Clone.
4 Trace over the image using any Corel Painter Essentials brush variant.
If you have enabled the Switch to Cloner Brushes check box in the Preferences dialog box, the last Cloner brush you used is automatically selected.
Quick Start Tutorials 3
You can customize the Quick Clone effect. You can choose whether to delete the image from the clone or to turn on Tracing Paper. You can also select the last-used Cloner brush or choose to clone color with any brush variant.

Cloning within an image

The new Rubber Stamp Tool is located in the Toolbox to make it easy for you to set up point-to-point cloning. By setting source and destination reference points, you can clone within a document or between different areas of separate documents.
To clone point to point within a document
1 Choose File menu > Open, choose an image from the Open (Mac OS) or Select
Image (Windows) dialog box, and click Open.
2 Choose the Rubber Stamp tool in the toolbox.
3 Choose File menu > Clone Source, and choose the image you want to reference.
4 Hold down Option (Mac OS) or Alt (Windows).
A crosshair cursor appears.
5 Click inside the source image to set the source reference point.
A green marker appears on the image, indicating the reference point for the source image.
6 Begin painting in the destination area.

Cloning with an Artistic style

Using the Artists brush category and the Clone Color button, you can clone an image in the style of Vincent Van Gogh, Georges Seurat, or an Impressionist.
You can turn almost any brush into a cloner with the Clone Color button. The Clone Color button causes a brush to pick up color from the source image while staying true to its own stroke nature.
Artist brush variants help you paint in the styles of master artists. For example, you can paint in the style of Vincent Van Gogh, where brush strokes are multishaded, or in the style of Georges Seurat, where multiple dots combine to form an image.
4 Corel Painter Essentials 3 User Guide
To clone with an artistic style
1 Choose File menu > Open.
2 In the Open (Mac OS) or Select Image (Windows) dialog box, choose the image
that you want to clone, and click Open.
3 Choose File menu > Quick Clone.
4 On the Brush Selector Bar, choose Artists from the Brush Category Selector and
Seurat from the Brush Variant Selector.
5 On the Colors palette, click the Clone Color button .
6 Choose File menu > Clone Source, and choose the active image.
7 Paint over the image.
To see the results, you can toggle Tracing Paper off or on by pressing Command + T (Mac OS) or Ctrl + T (Windows).

Creating an Underpainting

The new Underpainting palette gives you access to several options for preparing an image for cloning. You can adjust the contrast, lightness, or saturation of an image. In addition, you can add a decorative edge effect to an image, such as rectangular, circular, or jagged vignettes.
You can prepare a photo for cloning by using the Underpainting palette.
Quick Start Tutorials 5
To create an underpainting
1 Choose File menu > Open, choose an image from the Open (Mac OS) or Select
Image (Windows) dialog box, and click Open.
2 On the Underpainting palette, choose an option from Style pop-up menu.
A preview of the change is shown in the photo, but the change is not applied until you click Apply.
3 If you want to add a decorative border to your cloned image, choose an option from
the Edge Effect pop-up menu, and adjust the Amount slider.
The edge effect is previewed in the image, but isn’t set until you click Apply.
4 In the Smart Blur area, adjust the Amount slider.
The range is 0 to 100. Moving the slider to the right increases the amount of blur. More detail is maintained in high contrast areas than in low contrast areas.
5 Click Apply.
6 Click Quick Clone.
A clone of the photo is created.

Auto-Painting your photos

Even if you have no experience with digital art, the new Auto-Painting palette lets you create painted portraits from digital images or scanned photos. You simply choose a brush stroke and adjust several preset options that determine how the brush strokes interact with the canvas. Then, with the click of a button, Corel Painter Essentials auto-paints a portrait based on the original image.
The Auto-Painting palette provides a range of cloning options.
6 Corel Painter Essentials 3 User Guide
To auto-paint a photo
1 On the Brush Selector Bar in the upper-right corner of the application window,
choose a Cloner brush variant from the Brush Variant Selector.
2 With the clone of the image open, choose an option from the Stroke pop-up menu
on the Auto-Painting palette.
3 Adjust the Pressure slider to set the amount of pressure with which the brush
strokes are applied.
The range is 0 to 200. This setting represents the percentage of the preset pressure for the Stroke option.
4 Adjust the Length slider to set the length of the brush strokes.
The range is 0 to 200. This setting represents the percentage of the preset length for the Stroke option.
5 Adjust the Rotation slider to set the rotation of the brush strokes.
The value range is 0 to 360 degrees.
6 Adjust the Brush Size slider.
7 Click the Play button .
Brush strokes are automatically applied.
8 When you’re satisfied with the results, click the Stop button .
You can view the progress of the cloning at any time by clicking the Stop button and choosing Canvas menu > Tracing Paper. You can resume cloning by clicking the Play button.

Restoring detail to your painting

After you’ve used the Auto-Painting palette to create the clone, you can use the Restoration palette to recover photo detail. The Restoration Palette is ideal for restoring a subject’s eyes when converting a photo to a portrait.
Quick Start Tutorials 7
You can restore detail using the Restoration palette.
To restore photo detail
1 On the Restoration palette, click one of the following buttons:
• Soft Edge Cloner Brush — activates the Soft Edge Cloner brush variant, which restores detail gradually
• Hard Edge Cloner Brush — activates the Straight Cloner brush variant, which restores detail quickly with a few brush strokes
2 Adjust the Brush Size slider.
3 Paint over the area in which you want to restore detail.

Applying Surface Texture

The Apply Surface Texture effect lets you add a three-dimensional (3D) surface texture to your image. You can use this feature to apply a paper texture across the image or to give depth to the brush strokes of an oil painting.
Surface texture is created either by applying a paper texture or by using information from a clone source to determine depth and height. There are two methods for creating texture:
• Using a paper texture
• Using image luminance
When you create a texture using the Paper method, the current paper texture is applied to your image. The Preview window is updated automatically to reflect paper changes.
8 Corel Painter Essentials 3 User Guide
To create surface texture by using paper
1 Choose File menu > Open.
2 In the Open (Mac OS) or Select Image (Windows) dialog box, choose the image to
which you want to apply surface texture, and click Open.
3 Choose Effects menu > Surface Control > Apply Surface Texture.
4 In the Apply Surface Texture dialog box, choose Paper from the Using pop-up
menu.
5 Adjust the Softness slider to control the amount of distortion created by the
texture.
Increasing softness creates more intermediate steps, which produces a smoother distortion.
6 Adjust the Amount slider.
This controls how much surface texture is applied to the image. Moving the slider all the way to the right applies the maximum amount.
7 Adjust the Brightness slider.
Quick Start Tutorials 9

Welcome to Corel Painter Essentials 3

Built on the award-winning power of Corel Painter IX, Corel Painter Essentials 3 is a complete home art studio that includes everything a new user needs to get started with digital art and create stunning paintings from photos.

What’s New in Corel Painter Essentials 3?

Corel Painter Essentials 3 includes a range of new tools and features that help users get started on their next digital art project. The new Photo Painting Palettes magically transform photos into stunning paintings, and the new Artists’ Oils brushes take Painter’s legendary Natural-Media features into a new dimension of realism. In addition, to ensure that digital camera enthusiasts get the most out of their photos, Corel Painter Essentials 3 integrates with Corel Paint Shop Pro X, Corel Photo Album 6, and Apple iPhoto.

Learn to Draw and Paint Digitally

Corel Painter Essentials 3 makes it easier than ever for you to start creating breathtaking digital works of art. The application includes a convenient new Quick Guide palette, free lynda.com training videos, the printed Corel Painter Essentials 3 Getting Started Guide, and 10 Quick Start tutorials that launch from the new Welcome screen.
Quick Guide Palette
Providing context-sensitive information about the options available from workspace items, the Quick Guide palette makes it easy for you to get started. When you click on a palette, the toolbox, the Brush Selector bar, or the property bar, the Quick Guide palette displays relevant information about the options available, as well as a link to the more comprehensive Help.
Welcome to Corel Painter Essentials 3 11
New lynda.com Training Videos
Corel Painter Essentials 3 includes 10 new training videos created by lynda.com, one of the world’s most renowned graphics training companies, to guide you through the Corel Painter Essentials workspace, tools, features, and techniques. Ten more training videos can be downloaded for free upon product registration.
Welcome Screen
Getting started with digital art has never been more straightforward, thanks to the new Corel Painter Essentials 3 Welcome screen. The Welcome screen gives you quick access to recently used files, tutorials, and settings. It also showcases original artwork from renowned Corel Painter Masters to inspire you to explore the application and create your own works of art.
Quick Start Tutorials
These short, instructive tutorials guide you through basic tasks, such as transforming a photo into a painting, in a few easy steps.

Turn Photos into Paintings

With Corel Painter Essentials 3, it’s never been easier for you to turn digital photos into stunning paintings.
Photo Painting Palettes
Right out of the box, the new Photo Painting Palettes let you create beautiful paintings from digital photos. The three Photo Painting Palettes are the Underpainting palette, the Auto-Painting palette, and the Restoration palette.
With the Underpainting palette, you can prepare a photo for painting and can add beautiful effects and borders, such as a vignette. The Auto-Painting palette lets you magically transform a photo into a painting by automatically applying random paint strokes that vary in stroke type, direction, and pressure. The Restoration palette allows you to touch up your painting manually with one of two special brushes that “restore” areas of the image — such as facial features — to their original pristine detail.
12 Corel Painter Essentials 3 User Guide
Underpainting Palette
The new Underpainting palette gives you access to several options for preparing an image for cloning. You can adjust the contrast, lightness, or saturation of an image. In addition, you can add a decorative edge effect to an image, such as rectangular, circular, or jagged vignettes.
Auto-Painting Palette
Even if you have never before experimented with digital art, the new Auto-Painting palette makes it easy to create painted portraits from digital photos. Simply choose a brush stroke, and adjust the preset options to determine how the brush strokes interact with the canvas. Then, with the click of a button, watch Corel Painter Essentials auto­paint a portrait based on the original image.
Restoration Palette
When painting a portrait, you can take advantage of the Restoration palette to restore detail from your original image. This palette is particularly beneficial for finishing a subject’s eyes.
Quick Clone
Quick Clone gives you total control when transforming photos into paintings. This new feature speeds up the manual image-cloning process by reducing five steps to one. You can adjust Quick Clone settings on the General page of the Preferences dialog box.
Cloner Tool
The new Cloner tool is conveniently located in the toolbox to give you immediate access to your last-used Cloner brush and brush variant.

Have Fun with Digital Art

Corel Painter Essentials 3 an impressive array of new features that give you unprecedented ability to replicate a real-world painting experience with your computer.
Welcome to Corel Painter Essentials 3 13
Artists’ Oils Brush Category
The new Artists’ Oils brush category gives you an incredibly realistic oil-painting experience. Each dab of an Artists’ Oils brush on the canvas loads a preset, finite amount of paint. As the paint runs out, the bristly brush stroke becomes fainter. Brush strokes interact with any paint already on the canvas as they would in the real world. Corel Painter Essentials 3 includes five Artists’ Oils brush variants: Blender Brush, Grainy Dry Brush, Impasto Palette Knife, Thick Wet Impasto, and Wet Oily Brush.
Digital Watercolor Brush Category
Digital Watercolor produces watercolor effects that react with the canvas texture. Significantly enhanced in Corel Painter Essentials 3, the Digital Watercolor paint now stays wet between sessions, enabling you to start one session where the last one ended.
Rotate/Flip Canvas
Corel Painter Essentials 3 now lets you rotate or flip images directly in the application, just as you would do with non-digital images in the real world. You can choose from preset rotation values or specify your own custom rotation value. Image composition is easily verified at the touch of a button.
Rubber Stamp Tool
The new Rubber Stamp tool is located in the toolbox to make it easy for you to set up point-to-point cloning. By setting source and destination reference points, you can clone within a document or between different areas of separate documents.

Enjoy Compatibility with Popular Software and Hardware

Corel Painter Essentials 3 is fully compatible with Corel Paint Shop Pro X and Corel Photo Album 6. As a result, you can enjoy a complete digital photography workflow, ranging from photo editing and digital painting to organizing image collections and creating keepsakes and crafts. For Mac OS X users, Corel Painter Essentials 3 is also compatible with Apple iPhoto. In addition, Corel Painter Essentials offers extensive support for Wacom pen tablet technology. What’s more, the application has been enhanced to run faster and smoother — with some brushes operating 10 times faster than ever before.
14 Corel Painter Essentials 3 User Guide
Support for Corel Paint Shop Pro file format
Users of the Windows operating system can now open Corel Paint Shop Pro file formats (versions 9 and X) in Corel Painter Essentials 3, which ensures that you can seamlessly exchange images between the applications.
Integration with Corel Photo Album
For users of the Windows operating system, Corel Painter Essentials 3 is integrated with Corel Photo Album. You can now use Corel Photo Album 6 to organize and showcase the paintings you’ve crafted with Corel Painter Essentials, so that your creative projects can be easily shared with friends and family.
Support for Apple iPhoto
If you use the Mac OS, you can now easily add their Corel Painter Essentials artwork to your digital image collections, thanks to support for Apple iPhoto. You can now set your iPhoto preferences to designate Corel Painter Essentials as your photo-editing software. This means that double-clicking an iPhoto image will open the image for editing in Corel Painter Essentials. When the you save your work, changes are instantly updated in iPhoto.
Support for Microsoft Tablet PC Edition
Corel Painter Essentials 3 supports Windows XP Tablet PC Edition 2005, the latest pen-based mobile operating system from Microsoft.
Support for Wacom Pen Tablets
Corel Painter Essentials 3 supports the most recent advancements in pen tablet technology from Wacom, including the Wacom Intuos 3 pen tablet, the Cintiq 2 UX interactive pen display, and the 6D Art Pen.
Support for Mac OS X.4 (Tiger)
Corel Painter Essentials 3 supports Mac OS X.4 (Tiger), the latest Apple operating system.
Welcome to Corel Painter Essentials 3 15
Improved Speed and Performance
This is the fastest version of Corel Painter Essentials yet. Some brushes perform up to 10 times faster than in earlier versions. On average, all brushes work twice as fast. In addition, you can now change the default scratch disk location and memory allocation in the Preferences dialog box.
Enhanced Zoom
With Corel Painter Essentials 3, you can zoom by pressing Command and + (Mac OS) or Ctrl and + (Windows). These shortcuts now use predefined values, so it’s easier to return to common zoom levels.

How to Use the Documentation

You can find answers to many of your questions in the Corel Painter Essentials 3 User Guide and the Help available from within the Corel Painter Essentials workspace.
Corel Painter Essentials 3 Getting Started Guide contains commonly used procedures and information. A Portable Document Format (PDF) version of the entire Corel Painter Essentials Help is available on the Corel Painter Essentials 3 CD.
The Help gives you access to a full range of topics in a searchable format. You can access the Help by clicking Help > Help topics.

Documentation Conventions

The following table describes important conventions used in the Corel Painter Essentials 3 Getting Started Guide and in the Help.
Convention Description Example
Multiple platforms This guide is for both the Mac
OS and Windows platforms. As a convention, Mac OS commands precede Windows commands in the text.
16 Corel Painter Essentials 3 User Guide
Hold down Command (Mac OS) or Ctrl (Windows).
Convention Description Example
Modifier keys When a modifier key differs
between Mac OS and Windows, the Mac OS modifier is listed first, followed by the Windows modifier.
Choose X menu > menu item
Title bar A title bar is located at the top or
Palette title bar The palette title bar appears at
On the menu bar, click the menu name, and choose the menu item from the list.
side of some UI elements, such as the toolbox, property bar, and palettes. It may not display title text.
the top of a palette. When expanded, the palette’s title bar changes to dark gray. When a palette is collapsed, you can still see the palette’s title bar, which is now light gray.
“Command + I (Mac OS) or Ctrl + I (Windows)” means that Mac OS users would press Command + I and Windows users would press Ctrl + I.
“Choose File menu > Quick Clone” means the following:
Examples of the toolbox title bar on the Mac OS (left) and in Windows (right):
Palette title bars for the Auto­Painting, Underpainting palettes are collapsed, and the Restoration palette is expanded.
Welcome to Corel Painter Essentials 3 17
Convention Description Example
Palette arrow The palette arrow is used to
expand or collapse a palette.
Flyout Some tools share a space in the
toolbox. Hold down the tool button that’s displayed to open the flyout.
A note contains information that is important to the steps that precede it. It can describe conditions under which the procedure can be performed.
A tip contains suggestions for performing the steps that precede it. It can present alternatives to the steps, as well as other benefits and uses of the procedure.
The Auto-Painting palette arrow is collapsed, and the Underpainting palette arrow is expanded.
In the toolbox, by clicking and holding the Grabber tool, you can display a flyout that includes another tool: the Rotate Page tool.
For example: “This command is available only if you have turned off a selection.”
For example: “You can quickly access the Dropper tool by pressing D on the keyboard.”

Using Corel Painter Essentials 3 Help

The Help is the documentation that can be accessed from within the Corel Painter Essentials workspace. It is fully searchable and includes all the information in the Corel Painter Essentials 3 User Guide and more.
To use Help
1 Choose Help menu > Help Topics.
18 Corel Painter Essentials 3 User Guide
2 Click one of the following tabs:
• The Contents tab lets you browse through topics in the Help.
• The Index tab lets you use the index to find a topic.
• The Search tab lets you search the full text of the Help for a particular word. For example, if you are looking for information about RGB color mode, you can type “RGB” to display a list of relevant topics.

Using the Quick Guide palette

You can find information about the toolbox, the property bar, Brush Selector bar, or any palette you are using by referring to the Quick Guide palette. By displaying Help topics about the functionality and controls the features you are using, the Quick Guide palette can help you get the most out of each Corel Painter Essentials session.
To display the Quick Guide palette
Choose Window menu > Show Quick Guide.
The Quick Guide palette is displayed by default.
You can get more information about related to a palette by clicking More Help on the Quick Guide palette.

How to Sign Up for Free Training from lynda.com

When you register Corel Painter Essentials 3, you will receive free access to some of the lynda.com “Getting Started With Corel Painter Essentials 3” training videos. These videos are designed to allow new users to start working quickly and give experienced users a tour of the new features.

How to Access Corel Support Services

Corel Support Services can provide you with prompt and accurate information about product features, specifications, pricing, availability, services, and technical support. For the most current information on support services available for your Corel product, please visit www.corel.com/support.
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