R
LTO
OWNER'S MANUAL
GHIBLI 16/16FX
16-CHANNEL, MULTI-EFFECT MIXING CONSOLE WITH SURROUND OUTPUT
www.altoproaudio.com
Version 2.0 NOV. 2007
English
IMPORTANT SAFETY INSTRUCTION
CAUTION |
RISK OF ELECTRIC SHOCK |
DO NOT OPEN |
WARNING
To reduce the risk of electric shock and fire, do not expose this equipment to moisture or rain.
TO REDUCE THE RISK OF ELECTRIC SHOCK PLEASE DO NOT REMOVE THE COVER OR THE BACK PANEL OF THIS EQUIPMENT. THERE ARE NO PARTS NEEDED BY USER INSIDE THE EQUIPMENT. FOR SERVICE, PLEASE CONTACT QUALIFIED SERVICE CENTERS.
This symbol, wherever used, alerts you to the presence of un insulated and dangerous voltages
within the product enclosure. These are voltages that may be sufficient to constitute the risk of electric shock or death.
This symbol, wherever used, alerts you to
important operating and maintenance instructions. Please read.
Protective Ground Terminal
AC mains (Alternating Current)
Hazardous Live Terminal
ON: Denotes the product is turned on. OFF: Denotes the product is turned off.
CAUTION
Describes precautions that should be observed to prevent damage to the product.
1.Read this Manual carefully before operation.
2.Keep this Manual in a safe place.
3.Be aware of all warnings reported
with this symbol.
4.Keep this Equipment away from water and moisture.
5.Clean it only with dry cloth. Do not use solvent or other chemicals.
6.Do not damp or cover any cooling opening. Install the equipment only in accordance with the Manufacturer's instructions.
7.Power Cords are designed for your safety. Do not remove Ground connections! If the plug does not fit your AC outlet, seek advice from a qualified electrician. Protect the power cord and plug from any physical stress to avoid risk of electric shock. Do not place heavy objects on the power cord. This could cause electric shock or fire.
8.Unplug this equipment when unused for long periods of time or during a storm.
9.Refer all service to qualified service personnel only. Do not perform any servicing other than those instructions contained within the User's Manual.
10.To prevent fire and damage to the product, use only the recommended fuse type as indicated in this manual. Do not short circuit the fuse holder. Before replacing the fuse, make sure that the product is OFF and disconnected from the AC outlet.
Dispose of this product should not be placed in municipal waste and should be separate collection.
11.Move this Equipment only with a cart, stand, tripod, or bracket,
specified by the manufacturer, or sold with the Equipment. When a cart is used, use caution when
moving the cart / equipment combination to avoid possible injury from tip over.
12.Permanent hearing loss may be caused by exposure to \ extremely high noise levels. The US. Government's Occupational Safety and Health Administration (OSHA) has specified the permissible exposure to noise level.
These are shown in the following chart:
HOURS X DAY SPL EXAMPLE
8 |
90 |
Small gig |
6 |
92 |
train |
4 |
95 |
Subway train |
3 |
97 |
High level desktop monitors |
2 |
100 |
Classic music concert |
1,5 |
102 |
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1 |
105 |
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0,5 |
110 |
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0,25 or less 115 Rock concert
According to OSHA, an exposure to high SPL in excess of these limits may result in the loss of heat. To avoid the potential damage of heat, it is recommended that Personnel exposed to equipment capable of generating high SPL use hearing protection while such equipment is under operation.
The apparatus shall be connected to a mains socket outlet with a protective earthing connection.
The mains plug or an appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable.
IN THIS MANUAL: |
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1. |
INTRODUCTION...................................................................... |
1 |
2. |
FEATURES............................................................................. |
1 |
3. |
QUICK START......................................................................... |
4 |
4. |
CONTROL ELEMENTS............................................................. |
5 |
5. |
INSTALLATION AND CONNECTION.......................................... |
12 |
6. |
PRESET LIST ....................................................................... |
13 |
7. |
BLOCK DIAGRAM................................................................. |
14 |
8. |
TECHNICAL SPECIFICATION .................................................. |
15 |
9. |
WARRANTY.......................................................................... |
16 |
1. INTRODUCTION
Thank you for purchasing the GHIBLI 16(FX), 16-channel mixing console with 24-bit digital multi-effects with five-channel surround output. It is just one of the many Alto products that a talented, multinational Team of Audio Engineers and Musicians have developed with their great passion for music. Your GHIBLI 16(FX) is a remarkable compact mixing desk that doesn't find many equals in the market today. With 4 microphone and 12 stereo Line-level inputs for serious live performances and recording applications, your
GHIBLI 16FX also includes a 24-Bit digital multi-effect with 16 Factory Presets and separate level for digital reverb.
There is a three bands EQ with mid frequency sweep on all the microphone channels and separate Main Mix, Control Room and Center/Surround outputs. All the microphone channels are also equipped with a tube-like compressor/ de-esser with automatic threshold control. Use it for small Gigs, for Computer Audio, for 4-tracks recording. GHIBLI 16(FX) also is a flexible tool for your Multimedia Presentations.
Enjoy your GHIBLI 16(FX) and make sure to read this Manual carefully before operation!
2. FEATURES
MIC channels with 3 bands EQ + Mid Frequency sweep and MUTE function.
TUBE SOUND COMPRESSOR on all MIC channels + De-esser function.
Insert function for all MIC channels.
5-channel surround processor + Stereo Bass Enhancer.
Extremely high headroom offering more dynamic range.
Balanced ultra low noise microphone inputs with "HIGH END PREAMP".
Suitable for live, studio and home applications.
2 AUX Sends on all mono channels for internal/external effects and monitoring.
Phantom power on all MIC channels.
Rugged construction ensures long life and durability. 
External power supply design for professional applications.
1
SPOTLIGHT |
MIC 1 |
MIC 2 |
MIC 3 |
MIC 4 |
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LTO |
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GHIBLI 16 |
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16 CHANNEL M XING CONSOLE |
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CH5 LEFT IN (MONO) |
CH7 LEFT IN (MONO) |
CENTER & |
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2 |
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2 |
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SURROUND OUT |
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MIC IN (BAL) |
MIC N (BAL) |
MIC IN (BAL) |
MIC IN (BAL) |
CH6 RIGHT IN |
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CH8 RIGHT IN |
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AUX1 OUT |
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LEFT |
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BALANCED +4dBu OUT |
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LINE IN (UNBAL) |
L NE IN (UNBAL) |
LINE IN (UNBAL) |
LINE N (UNBAL) |
CH9 10 IN (LEFT) |
CH13 14 IN (LEFT) |
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AUX2 OUT |
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NSERT |
INSERT |
NSERT |
INSERT |
CH12 11 IN (RIGHT) |
CH16 15 IN (RIGHT) |
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PHONES |
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RIGHT |
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BALANCED +4dBu OUT |
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16 |
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VIBRAFLANGE |
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FUNKY |
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15 |
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3 |
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ROCKABILLY |
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LOW CUT |
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LOW CUT |
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LOW CUT |
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LOW CUT |
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14 |
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4 |
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BIGSTAGE |
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HARD |
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HARD |
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HARD |
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HARD |
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13 |
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5 |
5 |
VIBRATO |
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OFF |
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100Hz |
OFF |
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100Hz |
OFF |
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100Hz |
OFF |
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100Hz |
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SOFT |
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SOFT |
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SOFT |
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SOFT |
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9 |
FLANGER |
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13 |
CHORUS |
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BYPASS COMP DE ES |
BYPASS COMP DE ES |
BYPASS COMP DE ES |
BYPASS COMP DE ES |
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10 |
9 |
8 |
16 |
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GAIN |
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GAIN |
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GAIN |
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GAIN |
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PRESETS |
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CLIP |
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CLIP |
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CLIP |
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CLIP |
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PEAK |
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MIC 0 |
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50 0dB |
MIC 0 |
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50 0dB |
MIC 0 |
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50 0dB |
MIC 0 |
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50 0dB |
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L NE 20 |
+30 |
LINE 20 |
+30 |
L NE 20 |
+30 |
LINE 20 |
+30 |
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+10 |
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+10 |
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0dB |
HIGH |
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0dB |
HIGH |
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0dB |
HIGH |
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0dB |
HIGH |
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FX LEVEL |
REVERB LEVEL |
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15KHz |
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15KHz |
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15KHz |
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15KHz |
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+15 |
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0dB |
MID |
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0dB |
MID |
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0dB |
MID |
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0dB |
MID |
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15 |
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+15 |
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+15 |
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1KHz |
MID |
1KHz |
MID |
1KHz |
MID |
1KHz |
MID |
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freq |
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freq |
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freq |
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freq |
OPERATING |
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Hz |
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Hz |
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Hz |
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Hz |
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BASS ENHANCER |
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600 |
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5K |
600 |
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5K |
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5K |
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5K |
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0 B |
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0 B |
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0dB |
LOW |
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0dB |
LOW |
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0dB |
LOW |
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0dB |
LOW |
0dB |
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AUX1 |
AUX1 |
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pre |
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80Hz |
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80Hz |
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80Hz |
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80Hz |
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BYPASS |
ON |
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8 |
+10 |
8 |
+10 |
15 |
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+15 |
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+15 |
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+15 |
15 |
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+15 |
8 |
+10 |
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center |
center |
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PAN |
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PAN |
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0dB |
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0dB |
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0dB |
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PHONES |
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AUX1 |
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AUX1 |
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AUX1 |
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AUX1 |
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pre |
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pre |
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pre |
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pre |
LEFT |
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20 |
10 |
0 |
10 |
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Left |
Right |
Left |
Right |
8 |
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+10 |
8 |
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+10 |
8 |
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+10 |
8 |
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+10 |
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0dB |
LEVEL |
0dB |
LEVEL |
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0dB |
0dB |
0dB |
0dB |
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AUX2 |
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AUX2 |
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AUX2 |
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AUX2 |
RIGHT |
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D |
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D |
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post |
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post |
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post |
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post |
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F |
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X |
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8 |
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+10 |
8 |
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+10 |
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+10 |
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+10 |
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8 |
+10 |
8 |
+10 |
center |
PAN |
center |
center |
center |
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5-6 |
7-8 |
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0dB |
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0dB |
AUX1 |
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AUX1 |
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Left |
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R ght |
Left |
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Right |
Left |
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Right |
Left |
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Right |
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pre |
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pre |
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CH |
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MUTE |
CH |
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MUTE |
CH |
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MUTE |
CH |
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MUTE |
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8 |
+10 |
8 |
+10 |
ON |
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ON |
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ON |
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ON |
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0dB |
LEVEL |
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0dB |
LEVEL |
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0dB |
LEVEL |
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0dB |
LEVEL |
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0dB |
LEVEL |
0dB |
LEVEL |
8 |
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+10 |
8 |
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+10 |
8 |
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+10 |
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+10 |
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8 |
+10 |
8 |
+10 |
2
HOOK |
GHIBLI 16(FX) IN A LIVE GIG |
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UP |
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MIC 1 MIC 2 |
KEYBOARD 1 |
POWERED |
STAGE MONITORS |
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SUBWOOFER |
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COMPRESSOR |
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KEYBOARD 2 |
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MAIN POWERED SPEAKERS |
MIC 1 |
M C 2 |
MIC 3 |
MIC 4 |
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LTO |
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GHIBLI 16 |
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16 CHANNEL MIX NG CONSOLE |
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CH5 LEFT IN MONO CH7 LEFT N (MONO) |
CENTER & |
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2 1 |
2 1 |
2 1 |
2 1 |
SURROUND OUT |
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3 |
3 |
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MIC IN (BAL) |
MIC IN (BAL) |
MIC IN (BAL) |
MIC IN (BAL) |
CH6 RIGHT N |
CH8 RIGHT N |
AUX1 OUT |
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LEFT |
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BALANCED +4dBu OUT |
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L NE IN (UNBAL) |
LINE IN (UNBAL) |
LINE IN (UNBAL) |
LINE IN (UNBAL) |
CH9-10 N LEFT) |
CH13 14 N (LEFT) |
AUX2 OUT |
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NSERT |
INSERT |
INS RT |
INS RT |
CH12 11 N R GHT) |
CH16-15 N R GHT) |
PHO ES |
R GHT |
SECONDARY POWERED SPEAKERS |
BALANCED +4dBu OUT |
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GUITAR |
BASS |
DAT PLAYER |
CD PLAYER |
DRUM MACHINE |
HOOK |
UP |
MIXING IN SURROUND WITH GHIBLI 16(FX)
CENTER CHANNEL
MIC 1 |
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MIC 2 |
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MIC 3 |
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MIC 4 |
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LTO |
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GHIBLI 16 |
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16-CHANNEL M XING CONSOLE |
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2 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
CH5 LEFT N (MONO) CH7 LEFT IN (MONO) |
CENTER & |
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SURROUND OUT |
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3 |
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3 |
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3 |
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3 |
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M C IN (BAL) |
MIC N (BAL) |
MIC IN (BAL) |
M C IN (BAL) |
CH6 RIGHT IN |
CH8 RIGHT IN |
AUX1 OUT |
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LEFT CHANNEL |
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LEFT |
RIGHT CHANNEL |
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BALANCED +4dBu OUT |
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L NE IN (UNBAL) |
LINE N (UNBAL) |
LINE IN (UNBAL) |
L NE IN (UNBAL) |
CH9 10 IN (LEFT) |
CH13-14 N (LEFT) |
AUX2 OUT |
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INSERT |
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NSERT |
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INSERT |
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INSERT |
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CH12-11 IN (RIGHT) |
CH16-15 N (RIGHT) |
PHONES |
RIGHT |
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BALANCED +4dBu OUT |
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SURROUND CHANNEL |
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SURROUND CHANNEL |
3
3. QUICK START
This is the fastest way to get something out from your GHIBLI 16(FX) if you have a keyboard and a microphone.
Plug the microphone into Channel 1 MIC IN. Turn down GAIN, AUX and LEVEL controls. Put the EQ controls on center position.
Keep MAIN MIX LEVEL control on mid position. Turn on your GHIBLI 16(FX).
Sing or speak in to the microphone with normal volume and adjust the GAIN control so that the Master LED Meter stays around "0" and never exceed 10.
If you like, you can add some equalization at this stage. Connect speakers and amplifiers and turn them ON.
Turn up Channel 1 fader to "0" and the LEFT/RIGHT main fader to one quarter Connect your stereo keyboard into channel 5/6 and turn on the channel Level on mid position.
Here you are. It is your first mix with your GHIBLI 16.
SPOTLIGHT |
4. CONTROL ELEMENTS |
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For your better understanding of the complete operational possibilities of your GHIBLI 16(FX), we have divided this part of the Manual in five different sections:
a.PATCHBAY: Including all Input and Output sockets
b.MIC INPUT: Describing the functions of the Microphone input strip
c.STEREO INPUT: Describing the 10 input channels strip
d.MASTER SECTION
e. DSP SECTION |
MIC 1 |
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MIC 2 |
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MIC 3 |
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MIC 4 |
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LTO |
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CH5 L FT IN (MONO |
CH7 |
EFT IN MONO |
SURROUND OUT |
GHIBLI 16 |
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16 |
HANN L |
IX NG CO SOLE |
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CENTER & |
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M C N BAL) |
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M C N (BAL) |
MIC IN (BAL) |
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MIC IN (BAL) |
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RIGHT N |
AUX1 OUT |
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PATCHBAY ( |
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LEFT |
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L NE IN UNBAL) |
INE N UNBAL) |
EFT) |
AUX2 OUT |
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BALA CED + dBu OUT |
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NSERT |
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INSERT |
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INS RT |
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IN ERT |
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CH 2 |
1 IN R GHT) |
CH16 |
5 IN RIG T) |
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R GHT |
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H RD |
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H RD |
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H RD |
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ARD |
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DSP |
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OW CUT |
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OW CUT |
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LOW CUT |
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LOW CUT |
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SO T |
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S FT |
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S FT |
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OFT |
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V BRAFLANGE |
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B PASS COMP DE |
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B PASS COMP DE ES |
YPASS COMP DE ES |
BYPASS COMP DE ES |
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ROCKAB LLY |
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GAIN |
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GAIN |
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GA N |
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GA N |
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B GSTAGE |
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LANGER |
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CL P |
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CL P |
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CL P |
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CHORUS |
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M C 0 |
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M C 0 |
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MIC 0 |
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MIC 0 |
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INE 20 |
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INE 20 |
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PRESETS |
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H1 KGHz |
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H1 KGHz |
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H1 KGHz |
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PEAK |
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FX LEVEL |
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REVERB LEVEL |
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MIC INPUT |
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OPERAT NG |
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STEREO INPUT |
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KHz |
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M D |
1KHz |
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BASS ENHANCER |
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6 0 |
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LOW |
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80Hz |
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0 B |
AUX1 |
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AUX1 |
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PHONES |
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R ght |
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0dB |
EVEL |
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0dB |
EVEL |
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0 B |
AUX2 |
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AUX2 |
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AUX2 |
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AUX2 |
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D |
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F |
post |
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post |
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post |
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post |
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ce t |
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PAN |
ce t |
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PAN |
c n e |
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PAN |
c nt |
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0dB |
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0dB |
AUX1 |
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eft |
Right |
Left |
R ght |
Le t |
Right |
Left |
R ght |
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MASTER |
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pre |
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p e |
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CH |
MUTE |
CH |
MUTE |
CH |
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MUTE |
CH |
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MUTE |
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10 |
8 |
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ON |
ON |
ON |
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ON |
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0 B |
LEVEL |
dB |
LEVEL |
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dB |
LEVEL |
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0dB |
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LEVEL |
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0dB EVEL |
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0dB |
EVEL |
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4 |
8 |
+10 |
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+ 0 |
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+ 0 |
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8 |
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+ 0 |
8 |
+10 |
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2 |
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3 |
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4 |
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MAIN MIX LEVEL |
9-12 |
13-16 |
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