QUADRAVERB PLUS MIDI IMPLEMENTATION
!
!
SYSTEM EXCLUSIVE FORMAT
!
The QuadraVerb MIDI System Exclusive message format is as follows:
!
F0 System exclusive status
00 00 0E Alesis manufacturer id#
02 Quadraverb id#
cc Opcode
dd Data
: :
: :
F7 End-Of-Exclusive
!
OPCODES:
!
01 - MIDI Editting
!
F0 00 00 0E 02 01<function#><page#>< value1>< value2>< value3>F7
!
<function#> = 1=reverb, 2=delay, 3=pitch, 4=eq, 7=config, 8=mix, 9=mod,
10=name
!
<page#> = 0..n where n is the maximum page # for the selected
function
<value1-3> = new parameter value in the following format:
!
Data: B7 B6 B5 B4 B3 B2 B1 B0 (MSB)
A7 A6 A5 A4 A3 A2 A1 A0 (LSB)
!
Sent: 0 A7 A6 A5 A4 A3 A2 A1 <value1>
0 A0 B7 B6 B5 B4 B3 B2 <value2>
0 B1 B0 0 0 0 0 0 <value3>
!
All parameters to be edited must be sent in this format (12 MIDI bytes),
regardless of the number of bits required to transmit the value of the parameter. When
the QuadraVerb receives this message, it will edit the specified parameter to the new
value and display it. If the function and page selected does not exist in the current
configuration, the command will be ignored. If the value received is out of range for the
parameter selected, the range will be limited to a legal value. The function and page
numbers for each parameter are shown in the next section.
!
!
!
02 - MIDI Data Dump F0 00 00 0E 02 02 <program#> <data> F7
!
<program#> = 0..99 selects individual programs
= 100 selects the edit buffer
= > 100 selects all 100 programs
<data> is in a packed format in order to optimize data transfer. Eight MIDI bytes are
used to transmit each block of 7 QuadraVerb data bytes. If the 7 data bytes are looked at
as one 56-bit word, the format for transmission is eight 7-bit words beginning with the
most significant bit of the first byte, as follows:
!
SEVEN QUADRAVERB BYTES:
0: A7 A6 A5 A4 A3 A2 A1 A0
1: B7 B6 B5 B4 B3 B2 B1 B0
2: C7 C6 C5 C4 C3 C2 C1 C0
3: D7 D6 D5 D4 D3 D2 D1 D0
4: E7 E6 E5 E4 E3 E2 E1 E0
5: F7 F6 F5 F4 F3 F2 F1 F0
6: G7 G6 G5 G4 G3 G2 G1 G0
!
TRANSMITTED AS:
0: 0 A7 A6 A5 A4 A3 A2 A1
1: 0 A0 B7 B6 B5 B4 B3 B2
2: 0 B1 B0 C7 C6 C5 C4 C3
3: 0 C2 C1 C0 D7 D6 D5 D4
4: 0 D3 D2 D1 D0 E7 E6 E5
5: 0 E4 E3 E2 E1 E0 F7 F6
6: 0 F5 F4 F3 F2 F1 F0 G7
7: 0 G6 G5 G4 G3 G2 G1 G0
!
There are 147 bytes sent for a single data dump, which corresponds to 128 bytes
of program data. There are 14,629 bytes sent for a 100 program dump, which
corresponds to 12,800 bytes of program data. The location of each parameter within a
program is shown in the next section.
!
When the QuadraVerb receives a data dump message, the display reads:
!
LOADING
MIDI DATA ...
!
Should the Quadraverb's MIDI input buffer overflow, the display will read:
!
MIDI INPUT
BUFFER OVERFLOW
!
This message will remain on the display until any button is pressed.
!
03 - MIDI Dump Request
F0 00 00 0E 02 03 <program#> F7
!
<program#> = 0..99 selects individual programs
= 100 selects the edit buffer
= > 100 selects all 100 programs
!
When this message is received, a MIDI data dump will be initiated, and the
display will read:
!
MIDI DATA DUMP
IN PROGRESS
!
Upon completion of the dump, the display will return to its previously displayed
page.
!
INDIVIDUAL PARAMETER LOCATION FUNCTION AND PAGE VALUES
!
The following lists give the parameter locations and ranges for each of the effects in each
of the configurations. The parameter associated with a particular function and page may
be dependent on both the current configuration, and the current mode of the effect (e.g.,
chorus, phase, etc.). In conditions where a page relates to different parameters depending
on the mode of the effect, the parameters are listed in tables under each mode. All
parameters are offset binary values. This means that a signed parameter with a range of
-99 to +99 in the display is actually stored as 0 for -99, 99 for 0, and 198 for +99.
!
REVERB (FUNCTION 1)
!
!
CONFIGURATION 0, 5, & 6:
page
0 (type) 0 (PLATE 1) 1 (ROOM 1) 2 (CHAMBER 1) 3 (HALL 1) 4
(REVERSE 1)
1 0-3 (INPUT 1) 0-3 (INPUT 1) 0-3 (INPUT 1) 0-3 (INPUT 1) 0-3 (INPUT 1)
2 0-1 (INPUT 2) 0-1 (INPUT 2) 0-1 (INPUT 2) 0-1 (INPUT 2) 0-1 (INPUT 2)
3 0-198 (IN MIX) 0-198 (IN MIX) 0-198 (IN MIX) 0-198 (IN
MIX) 0-198 (IN MIX)
4 1-140 (PREDLY) 1-140 (PREDLY) 1-140 (PREDLY) 1-140
(PREDLY) 1-140 (PREDLY)
5 1-198 (PRE MIX) 1-198 (PRE MIX) 1-198 (PRE MIX) 1-198 (PRE
MIX) 1-198 (PRE MIX)
6 0-99 (DECAY) 0-99 (DECAY) 0-99 (DECAY) 0-99
(DECAY) 0-99 (REV TIME)
7 0-8 (DIFFUSION) 0-8 (DIFFUSION) 0-8 (DIFFUSION) 0-8
(DIFFUSION) 0-8 (DIFFUSION)
8 0-8 (DENSITY) 0-8 (DENSITY) 0-8 (DENSITY) 0-60 (LOW
DEC) 0-8 (DENSITY)
9 0-60 (LOW DEC) 0-60 (LOW DEC) 0-60 (LOW DEC) 0-60 (HIGH
DEC) 0-60 (LOW DEC)
10 0-60 (HIGH DEC) 0-60 (HIGH DEC) 0-60 (HIGH DEC) 0-1 (GATE
ON) 0-60 (HIGH DEC)
11 0-1 (GATE ON) 0-1 (GATE ON) 0-1 (GATE ON) 0-99 (GATE
HLD)
12 0-99 (GATE HLD) 0-99 (GATE HLD) 0-99 (GATE HLD) 0-99 (GATE
REL)
13 0-99 (GATE REL) 0-99 (GATE REL) 0-99 (GATE REL) 0-99 (GATE
LEV)
14 0-99 (GATE LEV) 0-99 (GATE LEV) 0-99 (GATE LEV)
!
!
!
CONFIGURATION 1:
page
0 (type) 0 (PLATE 1) 1 (ROOM 1) 2 (CHAMBER 1) 3 (HALL 1) 4
(REVERSE 1)
1 0-2 (INPUT 1) 0-2 (INPUT 1) 0-2 (INPUT 1) 0-2 (INPUT 1) 0-2 (INPUT 1)
2-14 same as configuration 0
!
CONFIGURATION 2, 3 & 7:
Not used
!
CONFIGURATION 4:
page
0 (type) 0 (PLATE 2) 1 (ROOM 2) 2 (CHAMBER 2) 3 (HALL 2) 4
(REVERSE 2)
1 0-1 (INPUT) 0-1 (INPUT) 0-1 (INPUT) 0-1 (INPUT) 0-1 (INPUT)
2 1-140 (PREDLY) 1-140 (PREDLY) 1-140 (PREDLY) 1-140
(PREDLY) 1-140 (PREDLY)
3 1-198 (PRE MIX) 1-198 (PRE MIX) 1-198 (PRE MIX) 1-198 (PRE
MIX) 1-198 (PRE MIX)
4 0-99 (DECAY) 0-99 (DECAY) 0-99 (DECAY) 0-99
(DECAY) 0-99 (REV TIME)
5 0-8 (DIFFUSION) 0-8 (DIFFUSION) 0-8 (DIFFUSION) 0-8
(DIFFUSION) 0-8 (DIFFUSION)
6 0-8 (DENSITY) 0-8 (DENSITY) 0-8 (DENSITY) 0-60 (LOW
DEC) 0-8 (DENSITY)
7 0-60 (LOW DEC) 0-60 (LOW DEC) 0-60 (LOW DEC) 0-60 (HIGH
DEC) 0-60 (LOW DEC)
8 0-60 (HIGH DEC) 0-60 (HIGH DEC) 0-60 (HIGH DEC) 0-1 (GATE
ON) 0-60 (HIGH DEC)
9 0-1 (GATE ON) 0-1 (GATE ON) 0-1 (GATE ON) 0-99 (GATE
HLD)
10 0-99 (GATE HLD) 0-99 (GATE HLD) 0-99 (GATE HLD) 0-99 (GATE
REL)
11 0-99 (GATE REL) 0-99 (GATE REL) 0-99 (GATE REL) 0-99 (GATE
LEV)
12 0-99 (GATE LEV) 0-99 (GATE LEV) 0-99 (GATE LEV)
!
DELAY (FUNCTION 2)
!
CONFIGURATION 0:
page
0 (type) 0 (MONO) 1 (STEREO) 2 (PING-PONG)
1 0-1 (INPUT 1) 0-1 (INPUT 1) 0-1 (INPUT 1)
2 0-198 (IN MIX) 0-198 (IN MIX) 0-198 (IN MIX)
3 1-800 (DELAY) 1-400 (L DELAY) 1-400 (DELAY)
4 0-99 (FEEDB) 0-99 (L FEEDB) 0-99 (FEEDB)
5 1-400 (R DELAY)
6 0-99 (R FEEDB)
!
CONFIGURATION 1, 5:
page
0 (type) 0 (MONO) 1 (STEREO) 2 (PING-PONG)
1 0-198 (IN MIX) 0-198 (IN MIX) 0-198 (IN MIX)
2 1-800 (DELAY) 1-400 (L DELAY) 1-400 (DELAY)
3 0-99 (FEEDB) 0-99 (L FEEDB) 0-99 (FEEDB)
4 1-400 (R DELAY)
5 0-99 (R FEEDB)
!
CONFIGURATION 2:
page
0 (type) 0 (MONO) 1 (STEREO) 2 (PING-PONG)
1 0-1 (INPUT) 0-1 (INPUT) 0-1 (INPUT)
2 1-1500 (DELAY) 1-750 (L DELAY) 1-750 (DELAY)
3 0-99 (FEEDB) 0-99 (L FEEDB) 0-99 (FEEDB)
4 1-750 (R DELAY)
5 0-99 (R FEEDB)
!
!
CONFIGURATION 3:
page
0 (type) 0 (MONO) 1 (STEREO) 2 (PING-PONG) 3 (MULTI-TAP)
1 0-1 (INPUT) 0-1 (INPUT) 0-1 (INPUT) 0-1 (INPUT)
2 0-198 (IN MIX) 0-198 (IN MIX) 0-198 (IN MIX) 0-198 (IN
MIX)
3 1-1500 (DELAY) 1-750 (L DELAY) 1-750 (DELAY) 0-7 (TAP
NUMBER)
4 0-99 (FEEDB) 0-99 (L FEEDB) 0-99 (FEEDB) 1-1493 (TAP DELAY)
5 1-750 (R DELAY) 0-99 (TAP VOLUME)
6 0-99 (R FEEDB) 0-198 (TAP PAN)
7 0-99 (TAP FB)
8 0-99 (MASTER FB)
!
CONFIGURATION 4:
Not used
!
CONFIGURATION 6:
page
0 (type) 0 (MONO) 1 (STEREO) 2 (PING-PONG)
1 0-198 (IN MIX) 0-198 (IN MIX) 0-198 (IN MIX)
2 1-720 (DELAY) 1-320 (L DELAY) 1-320 (DELAY)
3 0-99 (FEEDB) 0-99 (L FEEDB) 0-99 (FEEDB)
4 1-320 (R DELAY)
5 0-99 (R FEEDB)
!
CONFIGURATION 7:
page
0 0-2 (SAMPLE PLAYBACK)
1 0-150 (SAMPLE START)
2 0-155 (SAMPLE LENGTH)
3 0-1 (AUDIO TRIG)
4 0-2 (MIDI TRIG)
5 0-127 (MIDI LOW LIMIT)
6 0-127 (MIDI BASE NOTE)
7 0-127 (MIDI HI LIMIT)
!
!
PITCH (FUNCTION 3)
!
CONFIGURATION 0 & 3:
page
0 (type) 0 (M CHORUS) 1 (S CHORUS) 2 (M FLANGE) 3 (S
FLANGE) 4 (DETUNE) 5 (PHASER)
1 0-1 (INPUT) 0-1 (INPUT) 0-1 (INPUT) 0-1 (INPUT) 0-1 (INPUT) 0-1
(INPUT)
2 0-1 (WAVE) 0-1 (WAVE) 0-99 (SPEED) 0-99 (SPEED) 0-198 (TUNE) 0-99
(SPEED)
3 0-99 (SPEED) 0-99 (SPEED) 0-99 (DEPTH) 0-99 (DEPTH) 0-99 (DEPTH)
4 0-99 (DEPTH) 0-99 (DEPTH) 0-99 (FBACK) 0-99 (FBACK)
5 0-99 (FBACK) 0-99 (FBACK) 0-1 (TRIGGER) 0-1
(TRIGGER)
!
CONFIGURATION 1:
page
0 0-99 (SEPARATION)
1 0-1 (MOTOR)
2 0-1 (SPEED)
!
CONFIGURATION 2 & 7:
Not used
!
CONFIGURATION 4:
page
0 (type) 0 (CHORUS OFF) 1 (CHORUS ON)
1 0-1 (WAVE)
2 0-99 (SPEED)
3 0-99 (DEPTH)
!
CONFIGURATION 5:
page
0 1-300 (RING MOD SPECTRUM)
1 0-198 (RING MOD OUT MIX)
2 0-198 (RING MOD DEL/REV MIX)
!
CONFIGURATION 6:
page
0 0-1 (RESONATOR GATE MODE)
1 0-99 (RESONATOR DECAY)
2 0-60 (RESONATOR 1 TUNE)
3 0-60 (RESONATOR 2 TUNE)
4 0-60 (RESONATOR 3 TUNE)
5 0-60 (RESONATOR 4 TUNE)
6 0-60 (RESONATOR 5 TUNE)
!
!
EQ (FUNCTION 4)
!
CONFIGURATION 0 & 4:
page
0 20-999 (LOW FREQUENCY)
1 0-560 (LOW BOOST/CUT)
2 200-9999 (MID FREQUENCY)
3 20-255 (MID BANDWIDTH)
4 0-560 (MID BOOST/CUT)
5 2000-18000 (HIGH FREQUENCY)
6 0-560 (HIGH BOOST/CUT)
!
CONFIGURATION 1:
page
0 0-26 (HIGH ROTOR LEVEL)
!
CONFIGURATION 2:
page
0 0-28 (16Hz)
1 0-28 (32Hz)
2 0-28 (62Hz)
3 0-28 (126Hz)
4 0-28 (250Hz)
5 0-28 (500Hz)
6 0-28 (1KHz)
7 0-28 (2KHz)
8 0-28 (4KHz)
9 0-28 (8KHz)
10 0-28 (16KHz)
!
!
!
CONFIGURATION 3:
page
0 20-999 (LOW FREQUENCY)
1 0-560 (LOW BOOST/CUT)
2 20-500 (LOW MID FREQUENCY)
3 20-255 (LOW MID BANDWIDTH)
4 0-560 (LOW MID BOOST/CUT)
5 200-9999 (MID FREQUENCY)
6 20-255 (MID BANDWIDTH)
7 0-560 (MID BOOST/CUT)
8 2000-18000 (HIGH MID FREQUENCY)
9 20-255 (HIGH MID BANDWIDTH)
10 0-560 (HIGH MID BOOST/CUT)
11 2000-18000 (HIGH FREQUENCY)
12 0-560 (HIGH BOOST/CUT)
!
CONFIGURATION 5, 6 & 7:
Not used
!
!
CONFIGURATION (FUNCTION 7)
!
page
0 0-4 (CONFIGURATION)
0: EQ>PCH>DL>REVERB
1: LESLIE>DL>REVERB
2: GRAPHIC EQ>DELAY
3: 5BAND EQ>PCH>DLY
4: 3 BAND EQ>REVERB
5: RING>DL>REVERB
6: RESONATOR>DL>REVERB
7: SAMPLING
!
MIX (FUNCTION 8)
!
CONFIGURATION 0:
page
0 (type) 0 (PRE-EQ) 1 (POST-EQ)
1 0-99 (DIRECT) 0-99 (MAST FX)
2 0-99 (MAST FX) 0-99 (EQ)
3 0-99 (PITCH) 0-99 (PITCH)
4 0-99 (DELAY) 0-99 (DELAY)
5 0-99 (REVERB) 0-99 (REVERB)
!
CONFIGURATION 1:
page
0 0-99 (MAST FX)
1 0-99 (LESLIE)
2 0-99 (DELAY)
3 0-99 (REVERB)
!
CONFIGURATION 2:
page
0 0-99 (MAST FX)
1 0-99 (EQ)
2 0-99 (DELAY)
CONFIGURATION 3:
page
0 (type) 0 (PRE-EQ) 1 (POST-EQ)
1 0-99 (DIRECT) 0-99 (MAST FX)
2 0-99 (MAST FX) 0-99 (EQ)
3 0-99 (PITCH) 0-99 (PITCH)
4 0-99 (DELAY) 0-99 (DELAY)
!
CONFIGURATION 4:
page
0 (type) 0 (PRE-EQ) 1 (POST-EQ)
1 0-99 (DIRECT) 0-99 (MAST FX)
2 0-99 (MAST FX) 0-99 (EQ)
5 0-99 (REVERB) 0-99 (REVERB)
!
CONFIGURATION 5:
page
0 0-99 (MAST FX)
1 0-99 (DIRECT)
2 0-99 (RING MOD)
3 0-99 (DELAY)
4 0-99 (REVERB)
!
CONFIGURATION 6:
page
0 0-99 (MAST FX)
1 0-99 (DIRECT)
2 0-99 (RESONATOR)
3 0-99 (DELAY)
4 0-99 (REVERB)
!
CONFIGURATION 7:
page
0 0-99 (DIRECT)
1 0-99 (SAMPLE)
!
MOD (FUNCTION 9)
!
CONFIGURATION 0-6:
page
0 0-126 (MOD 1 SOURCE)
1 0-? (MOD 1 TARGET)
2 0-198 (MOD 1 AMPLITUDE)
3 0-126 (MOD 2 SOURCE)
4 0-? (MOD 2 TARGET)
5 0-198 (MOD 2 AMPLITUDE)
6 0-126 (MOD 3 SOURCE)
7 0-? (MOD 3 TARGET)
8 0-198 (MOD 3 AMPLITUDE)
9 0-126 (MOD 4 SOURCE)
10 0-? (MOD 4 TARGET)
11 0-198 (MOD 4 AMPLITUDE)
12 0-126 (MOD 5 SOURCE)
13 0-? (MOD 5 TARGET)
14 0-198 (MOD 5 AMPLITUDE)
15 0-126 (MOD 6 SOURCE)
16 0-? (MOD 6 TARGET)
17 0-198 (MOD 6 AMPLITUDE)
18 0-126 (MOD 7 SOURCE)
19 0-? (MOD 7 TARGET)
20 0-198 (MOD 7 AMPLITUDE)
21 0-126 (MOD 8 SOURCE)
22 0-? (MOD 8 TARGET)
23 0-198 (MOD 8 AMPLITUDE)
!
CONFIGURATION 7:
Not used
!
Modulation target values are dependent on the current configuration and mode of a
program. The most significant nibble determines the function being modulated as
follows:
!
0XH: REVERB MOD
1XH: DELAY MOD
2XH: PITCH MOD
3XH: EQ MOD
4XH: MIX MOD
5XH: MULTI-TAP MOD (Configuration 3 only)
6XH: " " " " " " " " "
!
The possible modulation targets within each of the above is as follows:
!
REVERB CONFIGURATION 0,1,4,5,6 (nothing in 2, 3, & 7):
!
Target PLATE ROOM CHAMBER HALL REVERSE
00H IN MIX IN MIX IN MIX IN MIX IN MIX
01H PREDLY PREDLY PREDLY PREDLY PREDLY
02H PRE MIX PRE MIX PRE MIX PRE MIX PRE MIX
03H DECAY DECAY DECAY 0DECAY REV TIME
04H DIFFUSION DIFFUSION DIFFUSION DIFFUSION DIFFUSION
05H DENSITY DENSITY DENSITY LOW DEC DENSITY
06H LOW DEC LOW DEC LOW DEC HIGH DEC LOW DEC
07H HIGH DEC HIGH DEC HIGH DEC HIGH DEC
!
DELAY CONFIGURATION 0,1 (nothing in 4 & 7):
!
Target MONO STEREO PING-PONG
10H IN MIX IN MIX IN MIX
11H DELAY L DELAY DELAY
12H FEEDB L FEEDB FEEDB
13H R DELAY
14H R FEEDB
!
CONFIGURATION 3:
!
Target MONO STEREO PING-PONG MULTI-TAP
10H IN MIX IN MIX IN MIX IN MIX
11H DELAY L DELAY DELAY TAP 1 DELAY
12H FEEDB L FEEDB FEEDB TAP 2 DELAY
13H R DELAY TAP 3 DELAY
14H R FEEDB TAP 4 DELAY
15H TAP 5 DELAY
16H TAP 6 DELAY
17H TAP 7 DELAY
18H TAP 8 DELAY
50H TAP 1 VOLUME
51H TAP 2 VOLUME
52H TAP 3 VOLUME
53H TAP 4 VOLUME
54H TAP 5 VOLUME
55H TAP 6 VOLUME
56H TAP 7 VOLUME
57H TAP 8 VOLUME
58H TAP 1 PANNING
59H TAP 2 PANNING
5AH TAP 3 PANNING
5BH TAP 4 PANNING
5CH TAP 5 PANNING
5DH TAP 6 PANNING
5EH TAP 7 PANNING
5FH TAP 8 PANNING
60H TAP 1 FEEDBACK
61H TAP 2 FEEDBACK
62H TAP 3 FEEDBACK
63H TAP 4 FEEDBACK
64H TAP 5 FEEDBACK
65H TAP 6 FEEDBACK
66H TAP 7 FEEDBACK
67H TAP 8 FEEDBACK
68H MASTER FEEDBACK
!
CONFIGURATION 2,5,6:
!
Target MONO STEREO PING-PONG
10H DELAY L DELAY DELAY
11H FEEDB L FEEDB FEEDB
12H R DELAY
13H R FEEDB
!
PITCH CONFIGURATION 0 & 3 (nothing in 2 & 7):
!
Target M CHORUS S CHORUS M FLANGE S FLANGE DETUNE
PHASER
20H SPEED SPEED SPEED SPEED DETUNE
SPEED
21H DEPTH DEPTH DEPTH DEPTH DEPTH
22H FBACK FBACK FBACK FBACK
!
!
!
CONFIGURATION 1:
Target
20H SEPARATION
21H MOTOR
22H SPEED
!
CONFIGURATION 4:
Target
20H SPEED
21H DEPTH
!
CONFIGURATION 5:
Target
20H SPECTRUM SHIFT
21H RING OUTPUT MIX
22H DEL/REV IN MIX
!
CONFIGURATION 6:
Target
20H RESONATOR DECAY
!
EQ CONFIGURATION 0 & 4 (nothing in 5, 6, & 7):
Target
30H LOW FREQUENCY
31H LOW BOOST/CUT
32H MID FREQUENCY
33H MID BANDWIDTH
34H MID BOOST/CUT
35H HIGH FREQUENCY
36H HIGH BOOST/CUT
!
CONFIGURATION 1:
Target
30H HIGH ROTOR LEVEL
!
CONFIGURATION 2:
Target
30H 16Hz
31H 32Hz
32H 62Hz
33H 126Hz
34H 250Hz
35H 500Hz
36H 1KHz
37H 2KHz
38H 4KHz
39H 8KHz
3AH 16KHz
!
!
!
!
!
!
!
!
CONFIGURATION 3:
Target
30H LOW FREQUENCY
31H LOW BOOST/CUT
32H LOW MID FREQUENCY
33H LOW MID BANDWIDTH
34H LOW MID BOOST/CUT
35H MID FREQUENCY
36H MID BANDWIDTH
37H MID BOOST/CUT
38H HIGH MID FREQUENCY
39H HIGH MID BANDWIDTH
3AH HIGH MID BOOST/CUT
3BH HIGH FREQUENCY
3CH HIGH BOOST/CUT
!
MIX CONFIGURATION 0:
Target PRE-EQ POST-EQ
40H DIRECT MAST FX
41H MAST FX EQ
42H PITCH PITCH
43H DELAY DELAY
44H REVERB REVERB
!
CONFIGURATION 1:
Target
40H MAST FX
41H LESLIE
42H DELAY
43H REVERB
!
CONFIGURATION 2:
Target
40H MAST FX
41H EQ
42H DELAY
!
CONFIGURATION 3:
Target
40H DIRECT
41H MAST FX
42H PITCH
43H DELAY
!
CONFIGURATION 4:
Target
40H DIRECT
41H MAST FX
42H REVERB
!
CONFIGURATION 5:
Target
40H DIRECT
41H MAST FX
42H RING MOD
43H DELAY
44H REVERB
!
CONFIGURATION 6:
Target
40H DIRECT
41H MAST FX
42H RESONATOR
43H DELAY
44H REVERB
!
!
NAME (FUNCTION 10)
!
CONFIGURATION 0-4:
page
0 32-127 (1st DIGIT NAME)
1 32-127 (2nd DIGIT NAME)
2 32-127 (3rd DIGIT NAME)
3 32-127 (4th DIGIT NAME)
4 32-127 (5th DIGIT NAME)
5 32-127 (6th DIGIT NAME)
6 32-127 (7th DIGIT NAME)
7 32-127 (8th DIGIT NAME)
8 32-127 (9th DIGIT NAME)
9 32-127 (10th DIGIT NAME)
10 32-127 (11th DIGIT NAME)
11 32-127 (12th DIGIT NAME)
12 32-127 (13th DIGIT NAME)
13 32-127 (14th DIGIT NAME)
!
!
PARAMETER ADDRESSES WITHIN PROGRAMS
!
The following addresses are relative to the first address of a program. These addresses
assume that the data has been unpacked into byte values. Blank locations should be left
0.
!
00 LOW EQ FREQ MSB
01 LOW EQ FREQ LSB / 16Hz
02 LOW EQ AMP MSB / 32Hz
03 LOW EQ AMP LSB / 62Hz
04 MID EQ FREQ MSB / 126Hz
05 MID EQ FREQ LSB / 250Hz
06 MID EQ BANDWIDTH / 500Hz
07 MID EQ AMP MSB / 1KHz
08 MID EQ AMP LSB / 2KHz
09 HIGH EQ FREQ MSB / 4KHz
0A HIGH EQ FREQ LSB / 8KHz
0B HIGH EQ AMP MSB / 16KHz
0C HIGH EQ AMP LSB
0D LESLIE HIGH ROTOR LEVEL / TAP 1 DELAY MSB
0E LOW MID EQ FREQ MSB
0F LOW MID EQ FREQ LSB
10 LOW MID EQ BANDWIDTH
11 LOW MID EQ AMP MSB
12 LOW MID EQ AMP LSB
13 HIGH MID EQ FREQ MSB
14 HIGH MID EQ FREQ LSB
15 HIGH MID EQ BANDWIDTH
16 HIGH MID EQ AMP MSB
17 HIGH MID EQ AMP LSB
18 SAMPLE START / TAP 1 DELAY LSB
19 SAMPLE LENGTH / TAP 1 VOLUME
1A PITCH MODE
1B PITCH INPUT
1C LFO WAVEFORM
1D LFO SPEED
1E LFO DEPTH / RESONATOR DECAY
1F SAMPLE PLAYBACK MODE / TAP 1 PAN
20 PITCH FEEDBACK
21 DETUNE AMOUNT / SAMPLE PITCH
22 LESLIE SEPARATION / TAP 1 FEEDBACK
23 LESLIE MOTOR / SAMPLE REC AUDIO TRIG /
TAP 2 DELAY MSB
24 LESLIE SPEED / SAMPLE MIDI TRIG /
TAP 2 DELAY LSB
25 TRIGGER FLANGE / RES MIDI GATE
26 SAMPLE MIDI BASE NOTE / TAP 2 VOLUME
27 DELAY MODE
28 DELAY INPUT
29 DELAY INPUT MIX
2A DELAY MSB / LEFT DELAY MSB / TAP 2 PAN
2B DELAY LSB / LEFT DELAY LSB /TAP 2 FEEDBACK
2C FEEDBACK / LEFT FEEDBACK / TAP 3 DELAY MSB
2D RIGHT DELAY MSB / TAP 3 DELAY LSB
2E RIGHT DELAY LSB / TAP 3 VOLUME
2F RIGHT FEEDBACK / TAP 3 PAN
30 SAMPLE LOW MIDI NOTE / TAP 3 FEEDBACK
31 SAMPLE HIGH MIDI NOTE / TAP 4 DELAY MSB
32 REVERB MODE / TAP 4 DELAY LSB
33 TAP 4 VOLUME
34 REVERB INPUT 1 / TAP 4 PAN
35 REVERB INPUT 2 / TAP 4 FEEDBACK
36 REVERB INPUT MIX / TAP 5 DELAY MSB
37 REVERB PREDELAY / TAP 5 DELAY LSB
38 REVERB PREDELAY MIX / TAP 5 VOLUME
39 REVERB DECAY / TAP 5 PAN
3A REVERB DIFFUSION / TAP 5 FEEDBACK
3B REVERB LOW DECAY / TAP 6 DELAY MSB
3C REVERB HIGH DECAY / TAP 6 DELAY LSB
3D REVERB DENSITY / TAP 6 VOLUME
3E REVERB GATE / TAP 6 PAN
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3F REVERB GATE HOLD / TAP 6 FEEDBACK
40 REVERB GATE RELEASE / TAP 7 DELAY MSB
41 REVERB GATED LEVEL / TAP 7 DELAY LSB
42 RING MOD SHIFT MSB / TAP 7 VOLUME
43 RING MOD SHIFT LSB / TAP 7 PAN
44 CONFIGURATION
45 PRE (00), POST (01), POST PANNING (10), POST TREMOLO (11)
46 DIRECT LEVEL / EQ LEVEL
47 MASTER EFFECTS LEVEL
48 PITCH LEVEL / LESLIE LEVEL / RING MOD LEV
49 DELAY LEVEL
4A REVERB LEVEL
4B RESONATOR PITCH 1 / TAP 8 DELAY MSB
4C RESONATOR PITCH 2 / TAP 8 DELAY LSB
4D RESONATOR PITCH 3 / TAP 8 VOLUME
4E RESONATOR PITCH 4 / TAP 8 PAN
4F RESONATOR PITCH 5 / TAP 8 FEEDBACK
50 MOD 1 SOURCE
51 MOD 1 TARGET
52 MOD 1 AMPLITUDE
53 MOD 2 SOURCE
54 MOD 2 TARGET
55 MOD 2 AMPLITUDE
56 MOD 3 SOURCE
57 MOD 3 TARGET
58 MOD 3 AMPLITUDE
59 MOD 4 SOURCE
5A MOD 4 TARGET
5B MOD 4 AMPLITUDE
5C MOD 5 SOURCE
5D MOD 5 TARGET
5E MOD 5 AMPLITUDE
5F MOD 6 SOURCE
60 MOD 6 TARGET
61 MOD 6 AMPLITUDE
62 MOD 7 SOURCE
63 MOD 7 TARGET
64 MOD 7 AMPLITUDE
65 MOD 8 SOURCE
66 MOD 8 TARGET
67 MOD 8 AMPLITUDE
68 MULTITAP MASTER FEEDBACK
69 MULTITAP NUMBER
6A 1ST DIGIT NAME
6B 2ND DIGIT NAME
6C 3RD DIGIT NAME
6D 4TH DIGIT NAME
6E 5TH DIGIT NAME
6F 6TH DIGIT NAME
70 7TH DIGIT NAME
71 8TH DIGIT NAME
72 9TH DIGIT NAME
73 10TH DIGIT NAME
74 11TH DIGIT NAME
75 12TH DIGIT NAME
76 13TH DIGIT NAME
77 14TH DIGIT NAME
78 RING MOD OUTPUT MIX
79 RING MOD DEL/REV MIX
7A PAN SPEED
7B PAN DEPTH
7C-7F (blank)
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