Zoom G1 Four, G1X Four Patch memories
When using headphones, turn ON the MIC parameter of the cabinet effect. Patches 50—59 are empty by default.
Manufacturer names and product names mentioned in this patch list are trademarks or registered trademarks of their respective owners and do not indicate any affiliation with ZOOM CORPORATION.
All product and artist names are intended only to illustrate sonic characteristics that were used as reference in the development of this product.
PATCH No.
DRIVE
DRIVE & EFFECT
PATCH NAME COMMENT
10
MS HiGain
11
ZEP 1959
12
DreamBox
13
DZ DRIVE
14
Skater DRV
15
BGN Djent
16
GrungeMuff
17
RandyTrain
18
Hot Tweed
19
JS Boogie
20
JB Block
21
Corona Eye
22
Gold Drv
23
PantherWLK
24
DeluxeTrem
25
NV Clone
26
OctaveSolo
27
28
29
C Harmony
Barra
A Wah
This standard distortion sound uses MS 800.
This straight rock sound is inspired by the sound of Jimmy Page with Led Zeppelin.
This patch uses HG THRTTL for a smooth high-gain sound in the style of Dream Theater's John Petrucci.
This high gain sound uses DZ DRV.
Exhilarating drive sound using VioletDST.
This sharp djent sound that is suitable for drop tunings uses XtasyBlue and GoldDrive.
This 90's alternative rock sound features NYC Muff.
This 80's metal sound uses DIST Plus.
This lead tone combines GoldDrive and FD B-MAN.
Inspired by the lead sound of Joe Satriani, this patch uses DIST 1.
This uses Squeak to re-create Jeff Beck's Big Block sound.
This 80's sound uses CoronaTri.
Two GoldDrives are combined to make this warm overdrive sound.
This Dumble style overdrive sound uses Zen O.DRV.
This crunch sound uses the tremolo of the FD DLXR effect.
This uses CloneCho to create a sound based on the solo in Nirvana's Smells Like Teen Spirit.
This lead tone combines Octave with MS 800 and TS Drive effects.
This flanger sound uses MS 800 and VinFLNGR.
This auto-wah sound uses UK 30A and AutoWah effects.
This harmony sound uses HPS set to C. VinFLNGR is its secret ingredient.
PATCH No.
CLEAN & EFFECT
AMP MODELING
PATCH NAME COMMENT
30
GlitterCln
31
Comp Phase
32
POP Chorus
33
LushAcoust
34
HeavenSent
35
PadGuitar
36
Live Again
37
HotSpice
38
RandomFLTR
39
Bomb Basic
40
Lead BGN
41
MatchClean
42
ORG Glory
43
44
SummerHW
45
MonkeyRCT
46
Vibe Jimi
47
MK1 LEAD
48
Eruption
49
Rhapsody
Surf
Comp and ModDelay are used to create this glittering clean sound.
GrayComp and Phaser are used for this sound for playing disco funk rhythm guitar.
This combination of StereoCho and compressor effects is perfect for rhythmic chucking in pop music.
This acoustic guitar sound combines StereoCho and Plate for a wide reverb tone.
ReverseDL and Plate are used create this mystical sound.
Very wet sound, with autoswell, perfect for chord or single note for harmonic accompaniment evocative.
Plate reverb is added to a clean step filter sound.
Sitar sound using HotSpice.
A combination of RndmFLTR and NYC Muff creates this complex sound.
The sound explodes in response to the input.
This modern lead sound uses XtasyBlue and ModDelay.
This standard clean sound uses MATCH30.
This backing crunch sound uses ORG120 and is perfect for British-style rock.
This setting is inspired by the surf rock sound of The Beach Boys.
This crunch sound uses HW 100 to evoke Summertime Blues as played by The Who.
This powerful backing sound uses the VNTG mode of the Recti ORG effect.
This uses TheVibe and MS 1959 for a Jimi Hendrix style tone.
This lead tone uses BG MK1 to evoke the sound of early Santana.
Phaser and MS 800 are used to create the early sound of Van Halen.
TS Drive boosts UK 30A. The midrange provides a distinctive sound in the style of Brian May.
©2018 ZOOM CORPORATION Z2I-3502-01
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