Yamaha PSR-EW310, PSR-E373 Users Manual

Page 1
Setting UpReferenceAppendix
Before using the instrument, be sure to read “PRECAUTIONS” on pages 5-7.
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1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
FCC INFORMATION (U.S.A.)
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifica­tions not expressly approved by Yamaha may void your author­ity, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories
and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply
with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment gen­erates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee
* This applies only to products distributed by Yamaha Corporation of America.
COMPLIANCE INFORMATION STATEMENT
(Supplier’s declaration of conformity procedure)
Responsible Party : Yamaha Corporation of America
Address : 6600 Orangethorpe Ave., Buena Park, Calif. 90620
Telephone : 714-522-9011
Type of Equipment : Digital Keyboard
Model Name : PSR-E373, PSR-EW310, YPT-370
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including interference that may cause undesired operation.
* This applies only to products distributed by Yamaha Corporation of America. (FCC SDoC)
that interference will not occur in all installations. If this product is found to be the source of interference, which can be deter­mined by turning the unit “OFF” and “ON”, please try to elimi­nate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Elec­tronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distrib­uted by Yamaha Corporation of America or its subsidiaries.
(class B)
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For the AC adaptor
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
The model number, serial number, power require­ments, etc., may be found on or near the name plate, which is at the bottom of the unit. You should note this serial number in the space provided below and retain this manual as a permanent record of your purchase to aid identification in the event of theft.
Model No.
Serial No.
(bottom_en_01)
Explanation of Graphical Symbols
The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magni­tude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and main­tenance (servicing) instructions in the liter­ature accompanying the product.
IMPORTANT SAFETY INSTRUCTIONS
1 Read these instructions. 2 Keep these instructions. 3 Heed all warnings. 4 Follow all instructions. 5 Do not use this apparatus near water. 6 Clean only with dry cloth. 7 Do not block any ventilation openings. Install in accor-
dance with the manufacturer’s instructions.
8 Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
9 Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10 Protect the power cord from being walked on or
pinched particularly at plugs, convenience recepta­cles, and the point where they exit from the apparatus.
11 Only use attachments/accessories specified by the
manufacturer.
12 Use only with the cart , stand, tri-
pod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
13 Unplug this apparatus during
lightning storms or when unused for long periods of time.
14 Refer all servicing to qualified service personnel. Ser-
vicing is required when the apparatus has been dam­aged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate nor­mally, or has been dropped.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
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(UL60065_03)
Page 5

PRECAUTIONS

Power supply/AC adaptor
Do not open
Water warning
Fire warning
Battery
PLEASE READ CAREFULLY BEFORE PROCEEDING
Please keep this manual in a safe and handy place for future reference.
For the AC adaptor
WARNING
• This AC adaptor is designed for use with only Yamaha electronic instruments. Do not use for any other purpose.
• Indoor use only. Do not use in any wet environments.
CAUTION
• When setting up, make sure that the AC outlet is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch of the instrument and disconnect the AC adaptor from the outlet. When the AC adaptor is connected to the AC outlet, keep in mind that electricity is flowing at the minimum level, even if the power switch is turned off. When you are not using the instrument for a long time, make sure to unplug the power cord from the wall AC outlet.
For the instrument
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
• Do not place the power cord near heat sources such as heaters or radiators. Also, do not excessively bend or otherwise damage the cord, or place heavy objects on it.
• Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument.
• Use the specified adaptor (page 85) only. Using the wrong adaptor can result in damage to the instrument or overheating.
• Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.
• Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place on it any containers (such as vases, bottles or glasses) containing liquids which might spill into any openings. If any liquid such as water seeps into the instrument, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel.
• Never insert or remove an electric plug with wet hands.
• This instrument contains no user-serviceable parts. Do not open the instrument or attempt to disassemble or modify the internal components in any way. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.
• Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire.
• Follow the precautions below. Failure to do so might result in explosion, fire, overheating or battery fluid leakage.
- Do not tamper with or disassemble batteries.
- Do not dispose of batteries in fire.
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- Do not attempt to recharge batteries that are not designed to be
If you notice any abnormality
Power supply/AC adaptor
Location
Connections
Handling caution
charged.
- Keep the batteries separate from metallic objects such as necklaces, hairpins, coins, and keys.
- Use the specified battery type (page 85) only.
- Use new batteries, all of which are the same type, same model, and made by the same manufacturer.
- Always make sure all batteries are inserted in conformity with the +/- polarity markings.
- When the batteries run out, or if the instrument is not to be used for a long time, remove the batteries from the instrument.
- When using Ni-MH batteries, follow the instructions that came with the batteries. Use only the specified charger device when charging.
• Keep batteries away from small children who might accidentally swallow them.
• If the batteries do leak, avoid contact with the leaked fluid. If the battery fluid should come in contact with your eyes, mouth, or skin, wash immediately with water and consult a doctor. Battery fluid is corrosive and may possibly cause loss of sight or chemical burns.
• When one of the following problems occur, immediately turn off the power switch and disconnect the electric plug from the outlet. (If you are using batteries, remove all batteries from the instrument.) Then have the device inspected by Yamaha service personnel.
- The power cord or plug becomes frayed or damaged.
- It emits unusual smells or smoke.
- Some object has been dropped into the instrument.
- There is a sudden loss of sound during use of the instrument.
- If any cracks or breakages exist on the instrument.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:
• Use only the stand specified for the instrument. When attaching it, use the provided screws only. Failure to do so could cause
• Do not connect the instrument to an electrical outlet using a multipleconnector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
• When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it.
• Remove the electric plug from the outlet when the instrument is not to be used for extended periods of time, or during electrical storms.
damage to the internal components or result in the instrument falling over.
• Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum.
• Be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
• Do not place the instrument in an unstable position where it might accidentally fall over.
• Before moving the instrument, remove all connected cables, to prevent damage to the cables or injury to anyone who might trip over them.
• When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still flowing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet.
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
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• Do not insert a finger or hand in any gaps on the instrument.
• Never insert or drop paper, metallic, or other objects into the gaps on the panel. This could cause physical injury to you or others, damage to the instrument or other property, or operational failure.
• Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors.
• Do not use the instrument/d evice or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
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Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
Even when the [ ] (Standby/On) switch is in standby status (display is off), electricity is still flowing to the instrument at the minimum level.
When you are not using the instrument for a long time, make sure you unplug the power cord from the wall AC outlet.
Make sure to discard used batteries according to local regulations.
NOTICE
To avoid the possibility of malfunction/ damage to the product, damage to data, or damage to other property, follow the notices below.
Handling
• Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise. When you use the instrument along with an application on your smart device such as a smartphone or tablet, we recommend that you set “Airplane Mode” to on on that device in order to avoid noise caused by communication.
• Depending on the condition of surrounding radio waves, the instrument may possibly malfunction.
• Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration, damage to the internal components or unstable operation. (Verified operating temperature range: 5° – 40°C, or 41° – 104°F.)
• Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.
• Do not press the LCD screen with your finger because it is a sensitive, precision-made part. Doing so might cause an appearance abnormality, such as a stripe on the LCD, although this abnormality should disappear again within a short time.
Maintenance
• When cleaning the instrument, use a soft cloth. Do not use paint thinners, solvents, alcohol, cleaning fluids, or chemical-impregnated wiping cloths.
Saving data
• Some of the data of this instrument (page 51) are retained when the power is turned off. However, the saved data may be lost due to some failure, an operation mistake, etc. Save your important data onto an external device such as a computer (page 50).
Information
About copyrights
• Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use.
• This product incorporates and bundles contents in which Yamaha owns copyrights or with respect to which Yamaha has license to use others' copyrights. Due to copyright laws and other relevant laws, you are NOT allowed to distribute media in which these contents are saved or recorded and remain virtually the same or very similar to those in the product. * The contents described above include a computer
program, Accompaniment Style data, MIDI data, WAVE data, voice recording data, a score, score data, etc.
* You are allowed to distribute medium in which your
performance or music production using these contents is recorded, and the permission of Yamaha Corporation is not required in such cases.
About functions/data bundled with the
instrument
• Some of the preset songs have been edited for length or arrangement, and may not be exactly the same as the original.
• The bitmap fonts used in this instrument have been provided by and are the property of Ricoh Co., Ltd.
About this manual
• The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat different from those on your instrument.
• iPhone, iPad are trademarks of Apple Inc., registered in the U.S. and other countries.
• The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.
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About the Manuals

In addition to this Owner’s Manual, the following Online materials (PDF files) are available.
Drum Kit List
This contains detailed information of the Drum Kit Voices (Voice No. 242-263; page 70). When you select these Voices, various drum, percussion and SFX sounds listed here are assigned to each key.
MIDI Reference
This contains MIDI-related information, such as the MIDI Implementation Chart.
Computer-related Operations
This contains instructions about computer-related functions.
Smart Device Connection Manual
This explains how to connect the instrument to smart devices, such as smartphones, tablet devices, etc.
To obtain these manuals, access the Yamaha Downloads, and then enter the model name for searching the desired files.
Yamaha Downloads https://download.yamaha.com/
NOTE
• For a general overview of MIDI and how you can effectively use it,search for “MIDI Basics” (only in English, German, French and Spanish) on the website above.
Song Book (only in English, French, German and Spanish)
This contains music scores for the preset Songs (excluding the Demo Songs) of this instrument.
To obtain this SONG BOOK, access the Yamaha website and download it from the product web page.
Yamaha Global Site https://www.yamaha.com

Included Accessories

• Owner’s Manual (this book)
• AC adaptor
• Music rest
• Online Member Product Registration
*

Formats and functions

GM System Level 1
“GM System Level 1” is an addition to the MIDI standard which ensures that any GM-compati­ble music data can be accurately played by any GM-compatible tone generator, regardless of manufacturer. The GM mark is affixed to all software and hardware products that support GM System Level.
XGlite
As its name implies, “XGlite” is a simplified ver­sion of Yamaha’s high-quality XG tone genera­tion format. Naturally, you can play back any XG song data using an XGlite tone generator. However, keep in mind that some songs may play back differently compared to the original data, due to the reduced set of control parame­ters and effects.
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
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* May not be included depending on your particular locale. Check
with your Yamaha dealer.
Style File Format (SFF)
The Style File Format combines all of Yamaha’s auto accompaniment know-how into a single unified format.
USB
USB is an abbreviation for Universal Serial Bus. It is a serial interface for connecting a computer with peripheral devices. It allows “hot swapping” (connecting peripheral devices while the power to the computer is on).
Touch Response
The exceptionally natural Touch Response feature gives you maximum expressive con­trol over the level of the Voices.
Page 9
Thank you for purchasing this Yamaha Digital Keyboard! This instrument is loaded with various sounds, preset Songs and may convenient functions— so that even beginners can enjoy playing it right away. We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient functions of the instrument. We also recommend that you keep this manual in a safe and handy place for future reference.

Contents

About the Manuals................................................ 8
Included Accessories............................................ 8
Formats and functions .......................................... 8
Setting Up
Panel Controls and Terminals 10
Setting Up 12
Power Requirements .......................................... 12
Turning the Power On......................................... 13
Setting the Auto Power Off function.................... 13
Adjusting the Master Volume.............................. 14
Connecting Headphones or External Speaker ... 14
Using a Pedal ..................................................... 14
Using the music rest ........................................... 14
Display Items and Basic Operations 15
Display Items ...................................................... 15
Basic Operations ................................................ 15
Reference
Playing a Variety of Instrument Voices 16
Selecting a Main Voice ....................................... 16
Playing the “Grand Piano” .................................. 16
Using the Metronome ......................................... 16
Layering a Dual Voice......................................... 17
Playing a Split Voice in the Left Hand area ........ 17
Changing the Touch Response of the Keyboard
Applying Effects to the Sound............................. 18
Adding Harmony or Arpeggio ............................. 20
Playing the keyboard with two persons (Duo mode)
Playing Rhythm and Accompaniment (Style)
Fingering Type.................................................... 23
Setting the Fingering Type.................................. 23
Setting the Smart Chord Key.............................. 23
Playing Styles ..................................................... 24
Style Variations................................................... 25
Chord Types for Style Playback ......................... 26
Chords Heard When Smart Chord is Selected... 27 Looking Up Chords Using the Chord Dictionary
Using the Music Database.................................. 29
Registering a Style File....................................... 29
Changing the Tempo .......................................... 30
Playing Songs31
Listening to a Demo Song .................................. 31
Selecting and Playing Back a Song.................... 31
BGM Playback.................................................... 32
Song Fast Forward, Fast Reverse, and Pause... 32
Changing the Melody Voice................................ 32
A-B Repeat ......................................................... 33
Turning Each Part On/Off ................................... 33
Playing songs loaded from a computer
to this instrument............................................ 33
.... 18
... 28
Using the Song Lesson Feature 34
Keys To Success.................................................35
Phrase Repeat.....................................................37
Listening, Timing and Waiting .............................38
Learning How to Use “Touch” Control (Touch Tutor)
Hearing and Experiencing the Sound of the Chords (Chord Study) 41
Hear and experience a sound of a single chord..41 Hear and experience basic chord progressions ..41
Playing Chords along with Chord Progressions of a Song 42
Play the chords in combination with
“Waiting” of the Lesson function .....................42
Recording Your Performance 43
Track Structure of a Song....................................43
Quick Recording ..................................................43
Recording to a Specified Track ...........................44
Clearing a User Song ..........................................44
Memorizing Your Favorite Panel Settings45
Recalling Panel Settings from the Registration Memory Memorizing Panel Settings to the Registration Memory
Deleting the Registration Memory .......................46
Disabling Recall of Specific Items (Freeze).........46
Selecting an EQ Setting for your Favorite Sound
Playing an Device with the Built-in Speakers
Lowering the volume of a melody part
22
23
(Melody Suppressor function).........................49
Using with a Computer or Smart Device 50
Connecting to a computer ...................................50
Connecting a Smart Device.................................50
Backup and Initialization 51
Backup Parameters .............................................51
Initialization..........................................................51
The Functions 52
Appendix
Troubleshooting .............................................56
Song Book Sample.........................................58
Voice List ........................................................68
Standard Kit 1 List..........................................74
Song List .........................................................75
Style List .........................................................76
Music Database List.......................................78
Effect Type List...............................................80
Specifications.................................................84
Index ................................................................86
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
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..45
...46
47
48
Setting UpAppendix Reference
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Page 10

Setting Up

q
w
e
r
u
i
o
t
y
!1 !2 !3 !4 !5
!0
!6
!7
!8
@1 @2 @3
!9
@5
@6 @7 @8
@9
C1 C2 C3 C4 C5 C6
@4
@0

Panel Controls and Terminals

Setting Up
Front Panel
Style List
(page 76)
NOTE
• The illustrations and displays as shown in this manual are based on the PSR-E373.
• Please note that the PSR-EW310, PSR-E373 and YPT-370 have different numbers of keys: the PSR-EW310 has 76 keys, and the PSR-E373 and YPT-370 have 61 keys.
Song List
(page 75)
Display
(page 15)
Voice List
(page 68)
Music
Database List
(page 78)
As illustrated, each note of the keyboard has a specific note number and name (e.g., 036/C1), which is used in making various settings, such as Split Point (page 24).
PSR-E373, YPT-370: 036 (C1) – 096 (C6) PSR-EW310: 028 (E0) – 103 (G6)
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
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q [ ] (Standby/On) switch ....................page 13
#1 #2 #3
#4
#0
Rear Panel
w [MASTER VOLUME] dial ...................... page 14
e [DEMO] button......................................page 31
r [METRONOME] button.........................page 16
t [TEMPO/TAP] button ............................page 30
Panel Controls and Terminals
In the Lesson mode
y PA RT
In the Recording mode
y [REC TRACK 2] button.........................page 43
u [KEYS TO SUCCESS] button............... page 35
i [PHRASE REPEAT] button...................page 37
o [1 LISTENING 2 TIMING 3 WAITING] button
In the Song mode
!0 [A-B REPEAT] button ...........................page 33
!1 [REW] button ........................................page 32
!2 [FF] button ............................................page 32
!3 [PAUSE] button.....................................page 32
In the Style mode
!0 [ACMP ON/OFF] button........................page 24
!1 [INTRO/ENDING/rit.] button.................page 25
!2 [MAIN/AUTO FILL] button ....................page 25
!3 [SYNC START] button ..........................page 24
!4 [START/STOP] button...........................page 31
!5 [REC] button.........................................page 43
!6 [VOICE] button......................................page 16
!7 [SONG] button......................................page 31
!8 [STYLE] button .....................................page 24
!9
@0 [PORTABLE GRAND] button............... page 16
@1 [DSP] button .........................................page 18
@2 [ARTICULATION] button......................page 19
@3 [REGIST MEMORY] button .................. page 45
@4 [FUNCTION] button..............................page 52
@5 [MUSIC DATABASE] button.................page 29
@6 [DUAL] button.......................................page 17
@7 [SPLIT] button ...................................... page 17
@8 [HARMONY/ARPEGGIO] button..........page 20
@9 Drum illustrations for the Drum Kit....page 16
[L] button ..............................................page 38
[R] button ..............................................page 38
[REC TRACK 1] button.........................page 43
...............................................................page 38
Number buttons [0]–[9], [+/YES], [-/NO]
....page 15
Each of these indicates the drum or percussion instrument assigned to the corresponding key for “Standard Kit 1.”
#0 [SUSTAIN] jack .....................................page 14
#1 [PHONES/OUTPUT] jack...................... page 14
#2 [AUX IN] jack.........................................page 48
#3 [USB TO HOST] terminal* ....................page 50
* For connecting to a computer. For details, refer to “Com-
puter-related Operations” (page 8) on the website. When connecting, use an AB type USB cable of less than 3 meters. USB 3.0 cables cannot be used.
#4 DC IN jack .............................................page 12
Panel Setup (Panel Settings)
By using the controls on the panel, you can make various settings as described here. These settings of the instru­ment are together referred to as “panel setup” or “panel settings” in this manual.
The “Press and hold” Symbol
Buttons having this indication can be used to call up an alternate function when the relevant button is pressed and held. Hold down this button until the function is called up.
Setting Up
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Setting Up

2
1
DC IN jack (page 11)
AC outle t
AC
adaptor
WARN ING
WARN ING
Plug
The shape of the plug differs depending on your area.
Slide the plug as indicated.
CAUTION
NOTE
WARN ING
NOTICE

Power Requirements

Although the instrument will run either from an AC
Setting Up
adaptor or batteries, Yamaha recommends use of an AC adaptor whenever possible. An AC adaptor is more environmentally friendly than batteries and does not deplete resources.
Using an AC Adaptor
Connect the AC adaptor in the order shown in the illustration.
• Use the specified AC adaptor (page 85) only. Using the wrong AC adaptor can result in damage to the instrument or overheating.
• When using the AC adaptor with a removable plug, make sure to keep the plug attached to the AC adaptor. Using the plug alone can cause electric shock or fire.
• If the plug is accidentally removed from the AC adaptor, slide it back in until it clicks into place, t aking care to avoid touching any internal metal parts. To avoid electric shock, short circuit or damage, also be careful that there is no dust between the AC adaptor and plug.
Using Batteries
This instrument requires six “AA” size, Alkaline (LR6)/ Manganese (R6) batteries, or rechargeable nickel­metal hydride batteries (rechargeable Ni-MH batter­ies). The Alkaline batteries or rechargeable Ni-MH batteries are recommended for this instrument, since other types may result in poorer battery performance.
• When the batteries run out, or if the instrument is not to be used for a long time, remove the batteries from the instru­ment.
1 Make sure that the power of the instrument is off. 2 Open the battery compartment cover located on
the instrument’s bottom panel.
3 Insert the six new batteries, being careful to follow
the polarity markings on the inside of the com­partment.
• When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or mal­function occurs, immediately turn the power off and dis­connect the plug from the outlet.
• Follow the order shown above in reverse when disconnecting the AC adaptor.
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
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4 Replace the compartment cover, making sure that
it locks firmly in place.
Make sure to set the battery type correctly (page 13).
• Connecting or disconnecting the AC adaptor with batter­ies installed may turn the power off, resulting in loss of data being recorded or transferred at the time.
• When battery power becomes too low for proper opera­tion, the volume may be reduced, the sound may be dis­torted, and other problems may occur. When this happens, make sure to replace all batteries with new ones or already recharged ones.
Page 13
Setting Up
NOTE
NOTICE
CAUTION
NOTICE
PSR-EW310
PSR-E373, YPT-370
The lowest key
NOTICE
NOTE
• This instrument cannot charge the batteries. Use only the specified charger device when charging.
• Power will be automatically drawn from the AC adaptor if an AC adaptor is connected while batteries are installed in the instrument.
Setting the battery type
Depending on the battery type to be used, you may need to change the battery type setting on this instru­ment. Alkaline (and manganese) batteries are cho­sen by default. After installing new batteries and turning the power on, make sure to set the Battery Type appropriately (rechargeable or not) via Function number 061 (page 55).
• Failure to set the battery type may shorten the amount of the battery life. Make sure to set the battery type correctly.

Turning the Power On

1 Turn down the [MASTER VOLUME] dial to “MIN.”
2 Press the [ ] (Standby/On) switch to turn the
power on. The Voice name appears on the display. Adjust the volume as desired while playing the key­board.
3 Press and hold the [ ] (Standby/On) switch for
about a second to set the instrument to standby mode.
• Even when the [ ] (Standby/On) switch is in standby sta­tus, electricity is still flowing to the product at the mini­mum level. Remove the electric plug from the outlet when the instrument is not to be used for extended periods of time, or during electrical storms.
• Press only the [ ] (Standby/On) switch when turning the power on. Any other operations such as pressing the pedal are not allowed. Doing so may cause the instrument to malfunction.

Setting the Auto Power Off function

To prevent unnecessary power consumption, this instrument features an Auto Power Off function that automatically turns the power off if the instrument is not operated for a specified period of time. The amount of time that elapses before the power is automatically turned off is 30 minutes by default; however, you can change the setting.
To set the time that elapses before
Auto Power Off is executed:
Press the [FUNCTION] button several times until “AutoOff” (Function 060; page 55) appears, then use the [+/YES] or [-/NO] button to select the desired value.
Settings: OFF, 5, 10, 15, 30, 60, 120 (minutes) Default value: 30 (minutes)
To disable the Auto Power Off function:
Turn the power on while holding down the lowest key on the keyboard. A message “oFF AutoOff” appears briefly, then the instrument starts up with the Auto Power Off function disabled. The Auto Power Off function also can be disabled by selecting Off in Function number 060 (page 55).
• Depending on the instrument status, the power may not turn off automatically, even after the elapse of the specified period of time. Always turn off the power manually when the instrument is not in use.
• When the instrument is not operated for a specified period of time while connected to an external device such as an amplifier, speaker or computer, make sure to follow the instructions in the Owner’s Manual to turn off the power to the instrument and the connected devices, in order to pro­tect the devices from damage. If you do not want the power to turn off automatically when a device is con­nected, disable Auto Power Off.
Setting Up
• Generally, the data and settings are maintained even when the power is turned off with the Auto Power Off function. For details, see page 51.
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Page 14
Setting Up
CAUTION
Standard stereo phone plug
CAUTION
NOTICE
NOTE

Adjusting the Master Volume

To adjust the volume of the entire keyboard sound,
Setting Up
use the [MASTER VOLUME] dial while playing the keyboard.
• Do not use the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss.

Connecting Headphones or External Speaker

Connect a pair of headphones to the [PHONES/ OUTPUT] jack. This jack also functions as an exter­nal output. By connecting to a computer, keyboard amplifier, recorder, or other audio device, you can output the audio signal of this instrument to that external device. The speakers of this instrument are automatically shut off when a plug is inserted into this jack.

Using a Pedal

You can control three functions: Sustain, Articulation (page 19), and Arpeggio (page 21) as you play by pressing a footswitch (FC5 or FC4A; sold separately) plugged into the [SUSTAIN] jack. By default, Sustain is assigned, so that the sound can be heard for a long time even if you take your finger off the keyboard while pressing the foot switch, like a damper pedal on a piano. To use a function other than Sustain, use the function settings (Function 029; page 53).
• Plug or unplug the footswitch while the power is off. Also, do not press the footswitch when turning the power on. Doing so changes the polarity of the footswitch, resulting in reversed operation.
• The sustain function does not affect split voices (page 17) and style (automatic accompaniment; page 23).

Using the music rest

Insert the music rest into the slots as shown.
• Do not use the instrument or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss.
• Before connecting the instrument to other electronic com­ponents, turn off the power of all the components. Also, before turning any components on or off, make sure to set all volume levels to minimum. Otherwise, damage to the components or electrical shock may occur.
• To avoid possible damage to the external device, first turn on the power to the instrument, then to the external device. When turning off the power, do so in reverse order: first turn off the power to the external device, then to the instrument.
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Page 15

Display Items and Basic Operations

003
CmcertGP
001
Voice/Song/Style
This area indicates the Lesson related status is on.
Keys To Success (page 35)
Phrase Repeat (page 37) Chord Progression (page 42)
Indicates the Passing Status (page
36) of the Keys To Success lesson.
Lesson Indication
Harmony (
page 20
)
Arpeggio (
page 20
)
Dual (
page 17
)
Split (
page 17
)
DSP (
page 18
)
Duo (
page 22
)
Articulation (page 19)
Function status
Indicates the chord which is played on the Auto Accompa­niment range (page 24) of the keyboard, or specified via Song playback.
Normally indicates the current measure number of the cur­rent Style or Song. When the [FUNCTION] button (page 52) is in use, this indicates the Function number.
Indicates the current beat of playback.
Indicates notes currently being played. Indicates the melody and chord notes of a Song when the Song lesson function is in use. Also indicates the notes of a chord—either when playing a chord or when using the Dictionary function.
Chord
Measure or Function
Beat
Keyboard Display
027
003
C3
Indicates the on/off status of Song playback or target Track of Song recording (pages 33, 44).
Lit: Track contains data
Unlit: Track is muted or contains no data
Flashing: Track is selected as recording track
Appears when the A-B Repeat func­tion is active. (page 33)
Appears when the Auto Accompani­ment function is on. (page 24)
Song Track status
A-B Repeat
Auto Accompaniment
The illustration is of the PSR-E373.
(page 45)
Registration
Memory
Touch Response (page 18)
Strength Meter
is a meter that lights up accord­ing to the strength with which you play the keyboard.
(pages 18,
40)
represents the target strength when practicing with songs in the “Touch Tutor” cat­egory. (page 40)
Touch Indication
Voice selection mode
Song mode
Style mode
is not displayed alone. It is always displayed with or .
appears for functions whose settings can be changed
with the numeric buttons and [+/YES] / [-/NO] buttons.
Press number but­tons [0], [0], [3], or simply press [3].
Example: Selecting Voice 003,
Bright Piano.
Press briefly to increase.
Press briefly to decrease.

Display Items

Setting Up

Basic Operations

Before operating the instrument, it may be helpful to familiarize yourself with the basic controls below that are used to select items and change values.
Number buttons
Use the Number buttons to directly enter an item or value. For numbers that start with one or two zeroes, the first zeroes can be omitted.
[-/NO] and [+/YES] buttons
Press the [+/YES] button briefly to increase the value by 1, or press the [-/NO] button briefly to decrease the value by 1. Press and hold either button to continuously increase or decrease the value in the corresponding direction.
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Page 16

Playing a Variety of Instrument Voices

CncertGP
001
Voice name
The Voice shown here becomes the Main Voice for the instrument.
Voice number
Always appears on the display.
NOTE
Flute
134
Select the Voice you want to play
Tempo
090
Current Tempo value

Referenc e

In addition to piano, organ, and other “standard” keyboard instruments, this instrument has a large range of Voices that includes guitar, bass, strings, sax, trumpet, drums and percussion, and even sound effects—giving you a wide variety of musical sounds.

Selecting a Main Voice

Press the [VOICE] button.
1
The Voice number and name will be shown.
Reference

Playing the “Grand Piano”

When you want to reset various settings to default and simply play a Piano sound, press the [PORTA­BLE GRAND] button.
The Voice “001 Live!ConcertGrandPiano” will auto­matically be selected as the Main Voice.

Using the Metronome

is not displayed alone. It is always displayed with or . Refer to page 15.
Use the number buttons [0]–[9], [+/YES],
2
[-/NO] buttons to select the desired Vo ic e.
Refer to the Voice List on page 68.
Play the keyboard.
3
The instrument features a built-in metronome (a device that keeps an accurate tempo), convenient for practicing.
Press the [METRONOME] button to start
1
the metronome.
Press the [METRONOME] button again to
2
stop the metronome.
To c h a n ge the tempo:
Press the [TEMPO/TAP] button to call up the Tempo value, then use the number buttons [0]–[9], [+/YES], [-/NO].
Preset Voice Types
001–241 Instrument Voices (including sound effects).
242–263 (Drum Kit)
264–283
284–622 XGlite Voices (page 71)
000
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16
Various drum and percussion sounds are assigned to individual keys, from which they can be played. Details on the instrume nts and key assignments of each Drum Kit can be found in the Standard Kit 1 List on page 74 and “Drum Kit List” on the website (page 8).
Arpeggios are automatically reproduced by simply playing the keyboard (page 20).
One Touch Setting
The One Touch Setting feature automatically selects the most suitable Voice when you select a Style or Song (excepting the Song inputted from the [AUX IN] jack). Simply select Voice number “000” to activate this feature.
Press the [+/YES] and [-/NO] buttons simultaneously to instantly reset the value to the default tempo.
To set the Time Signature:
Press and hold the [METRONOME] button to call up “TimeSigN” (Functions 030; page 54), then use the number buttons, [+/YES] and [-/NO] buttons.
To set the Metronome Volume:
This can be set via Function number 032 (page 54).
Page 17
Playing a Variety of Instrument Voices
CncertGP
001
Appears when Dual is on
Two Voices will sound at the same time.
CncertGP
001
Appears when Split is on
Split Voice
Main Voice and Dual Voice
Split Point ... default setting: 054 (F#2)
036 (C1)
048 (C2)
060 (C3)
072 (C4)
084 (C5)
096 (C6)
Left hand area
Right hand area

Layering a Dual Voice

In addition to the Main Voice, you can layer a differ­ent Voice over the entire keyboard as a “Dual Voice.”
Press the [DUAL] button to turn Dual on.
1
Play the keyboard.
2
Press the [DUAL] button again to exit
3
from Dual.
To select a different Dual Voice:
Although turning on Dual will select a Dual Voice suitable for the current Main Voice, you can easily select a different Dual Voice by pressing and holding the [DUAL] button to call up “D.Voice” (Function 008; page 53), then using the number buttons [0]–[9], [+/ YES], [-/NO].

Playing a Split Voice in the Left Hand area

By dividing the keyboard into the two separate areas, you can play a different Voice between the Left hand and Right hand areas.
Press the [SPLIT] button to turn on Split.
1
The keyboard is divided into the Left hand and Right hand areas.
You can play a “Split Voice” on the Left hand area of the keyboard while playing a Main Voice and Dual Voice on the Right hand area of the key­board. The highest key for the Left hand area is referred to as the “Split Point” (Function 003; which can be changed from the default F#2 key.
Play the keyboard.
2
page 52
)
Reference
Press the [SPLIT] button again to exit
3
from Split.
To select a different Split Voice:
Press and hold the [SPLIT] button to call up “S.Voice” (Function 012; page 53), then use the number but­tons [0]–[9], [+/YES], [-/NO].
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Page 18
Playing a Variety of Instrument Voices
TouchRes
004
Medium
2
004
Appears when the Touch Response is not “Fixed.”
When you play softly.
When you play at medium strength.
When you play strongly.
NOTE
NOTE
Appears when the DSP is on.
DSPType
023
EnsDet
32
023
Current DSP type
Hold for longer than a second.

Changing the Touch Response of the Keyboard

The keyboard of this instrument is equipped with a Touch Response feature that lets you dynamically and expressively control the level of the Voices according to your playing strength.
Press the [FUNCTION] button several
1
times until “TouchRes” (Function 004; page 52) appears.
After a few seconds, the current Touch Response
Reference
appears.
Use the number buttons [1]–[4], [+/YES],
2
[-/NO] buttons to select a Touch Response setting between 1 and 4.
Touch Response
1Soft
2Medium
3Hard
4Fixed
Play the keyboard.
3
The strength meter will light according to the strength with which you play the keyboard.
Produces relatively high volume even with light playing strength. Best for players with a light touch who want to maintain a consis­tent, relatively loud volume.
Produces a fairly “standard” keyboard response.
The keys must be played very strongly to generate loud volume. This setting is best for a wide dynamic range and optimum expressive control of the sound, from pianis­simo to forti ssimo.
All notes are produced at the same volume no matter how hard the keyboard is played.

Applying Effects to the Sound

This instrument can apply various Effects as listed below to the instrument’s sound.
DSP
The DSP (digital signal processor) is an effect in which digital signal processing is applied to the sound to change it. When a Voice or Song that features a recommended DSP processing is selected, the DSP effect is applied to the Main Voice and Song part. DSP effect has effect variations, called DSP types. Please refer to page 82. You can also turn the DSP on / off and change the DSP type using the following procedure.
1 Press the [DSP] button to turn on the DSP.
• The DSP effect is only applied to the main voice. The DSP effect is not applied to voices added by the Dual function or voices in the left hand area that have been split.
• The DSP cannot be turned on during lessons.
When the DSP is turned on, the DSP type (page
82) appropriate for the current panel setting is automatically selected, but you can also select it yourself.
001
CncertGP
2 Hold down the [DSP] button for longer than a sec-
ond. After a few seconds, the current DSP type appears.
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18
• When the Touch Response is [Fixed], the strength meter is at fixed medium strength.
3 Use the number buttons [0]–[9], [+/YES], [-/NO]
buttons to select the desired type.
4 Play the keyboard. 5 Press the [DSP] button again to turn off the DSP.
Page 19
Playing a Variety of Instrument Voices
NylnGtrH
044
Appears when the S.Art Lite Voice is selected
NOTE
NOTE
Articulation
Articulation is an effect that reproduces the sounds of playing methods that are unique to specific acous­tic instruments. The Articulation effect is applied to the sound only while holding down the [ARTICULATION] button. The Articulation effect is enabled only for S.Art Lite Voices (Super Articulation Lite Voices). The S.Art Lite Voices are indicated by “***” in Voice List (page
68).
Examples of the Articulation effect
If you select a guitar voice, you can realistically reproduce the following guitar-specific playing tech­niques.
Example: Voice number 044 “S.Art Lite Nylon Guitar Harmonics”
If you play the keyboard while holding down the [ARTICULATION] button, a harmonics sound is pro­duced.
Example: Voice number 048 “S.Art Lite Distortion Guitar”
If you press the [ARTICULATION] button, a scratch­ing noise is produced.
When S.Art Lite Voices are selected, the appropriate articulation effect is automatically selected. When other Voices are selected, the modulation effect is automatically selected.
1 Press the [ARTICULATION] button while playing
the keyboard.
Adding the Articulation effect by using the pedal
If you assign the Articulation function to the pedal (foot switch) with “PdlFunc” (Function 029; page 53), you can apply the effect by pressing on the pedal.
• The Articulation effect is applied only to a Main Voice.
• S.Art Lite Voices sound differently depending on the keyboard range, velocity, touch, etc. Hence, if you turn on a Keyboard Harmony effect, and then change the transpose setting or change the Voice Settings, unexpected or undesired sounds may result.
Reverb
Adds the ambience of a club or concert hall to the sound. Although the best-suited Reverb type is called up by selecting a Song or Style, you can select another one via Function number 020 (page
53). When you select “oFF,” the Reverb effect is turned off. And you can also set the Reverb depth via Function number 021 (page 53).
Chorus
Makes the Voice sound richer, warmer and more spacious. Although the best-suited Chorus type is called up by selecting a Song or Style, you can select another one via Function number 022 (page
53). When you select “oFF,” the Chorus effect is turned off. You can also set the Chorus depth for Voices via Function numbers 007 (page 52), 011, 015 (page 53). The Chorus depth cannot be applied to the Styles or Songs.
Sustain
By turning on the Sustain parameter of Function number 024 (page 53), you can add a fixed, auto­matic sustain to the Main/Dual Voices played on the keyboard. Or, you can produce a natural sustain as desired with the footswitch (sold separately; page
14).
Reference
2 Release the [ARTICULATION] button to turn
Articulation off.
• Even if you turn on Sustain, there are some Voices to which sustain is not applied.
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Page 20
Playing a Variety of Instrument Voices
CncertGP
001
CncertGP
001
Appears when the Har­mony is turned on.
Appears when the Arpeggio is turned on.
or
NOTE
Harm/Arp
026
Trio
002
026
Current type
Hold for longer than a second.
NOTE

Adding Harmony or Arpeggio

You can add harmony or arpeggio notes to the Voice played on the keyboard. By specifying the Harmony Type, you can apply har­mony parts, such as duet or trio, or add tremolo or echo effects to the played sound of the Main Voice. Also, when the Arpeggio Type is selected, arpeggios (broken chords) are automatically played back when you simply play the appropriate notes on the key­board. For example, you could play the notes of a triad—the root, third, and fifth—and the Arpeggio function will automatically create a variety of interest­ing phrases. This feature can be used creatively in
Reference
music production as well as performance.
Press the [HARMONY/ARPEGGIO] but-
1
ton to turn on the Harmony or Arpeggio function.
When the Harmony or the Arpeggio is turned on, the most suitable one will be selected for the cur­rent Main Voice. If you want to select a specific type, select it by the operation steps 2 and 3 below.
• The Harmony effect can be added to only the Main Voice.
• When selecting a Voice number between 264 and 283, the Arpeggio function will automatically be turned on.
• When selecting a Harmony Type between 001 and 005, the harmony effect will only be added to your right-hand melody play if you turn on the Style (page 24) and press chords in the auto accompaniment range of the key­board.
Hold down the [HARMONY/ARPEGGIO]
2
button for longer than a second so that “Harm/Arp” (Functions 026; page 53) appears on the display.
After “Harm/Arp” is shown for a few seconds, the current type appears.
Use the number buttons [0]–[9], [+/YES],
3
[-/NO] buttons to select the desired type.
When you want to specify a Harmony Type, refer to the Harmony Type list on page 80; to specify an Arpeggio Type, refer to the Arpeggio Type list on page 81.
• When playing one of the Arpeggio Types 143 to 176, select the corresponding Voice below as the Main Voice.
143–173: Select a Drum Kit (Voice No.242–252). 174 (China): Select “StdKit1 + Chinese Perc.” (Voice
No.253).
175 (Indian): Select “Indian Kit 1” (Voice No.254) or
“Indian Kit 2” (Voice No.255).
176 (Arabic): Select “Arabic Kit” (Voice No.259).
Press a note or notes on the keyboard to
4
trigger the Harmony or Arpeggio.
When a Harmony Type is selected, a harmony part (for example, duet or trio) or an effect (for example, tremolo or echo) can be added to the played sound of the Main Voice. Also, when an Arpeggio Type is selected, arpeg­gios (broken chords) are automatically played back when you simply play the appropriate notes on the keyboard. The particular arpeggio phrase differs depending on the number of pressed notes and the area of the keyboard.
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
20
To turn the Harmony or Arpeggio off,
5
press the [HARMONY/ARPEGGIO] but­ton again.
Page 21
How to play the various Types
• Harmony Type 001 to 005
Press the right-hand keys while playing chords in the auto accompaniment range of the keyboard when Auto Accompaniment is on (page 24).
• Harmony Type 006 to 012 (Trill)
Hold down two keys.
• Harmony Type 013 to 019 (Tremolo)
Keep holding down the keys.
• Harmony Type 020 to 026 (Echo)
Play the keys.
• Arpeggio Type 027 to 176
Arpeggio function applies to the Main Voice and the Dual Voice.
Arpeggio function applies only to the split Voi ce.
When Split is off:
When Split is on:
• Arpeggio cannot be applied to the Split and Main/ Dual Voices simultaneously.
• Selecting a Voice number between 274 and 283 as the Main Voice will turn on Arpeggio and Split auto­matically.
The method of sounding the Harmony effect (01–26) differs depending on the selected type. For Types 01–05, turn the Auto Accompaniment on and play it by pressing a chord in the auto accompaniment section of the keyboard, then play some keys in the right-hand side to produce the Harmony effect. For Types 06–26, turning auto accompaniment on or off has no effect. However, it is necessary to play two notes simultane­ously for Types 06–12.
PdlFunc
029
Sustain
1
029
Arp Hold
2
029
Playing a Variety of Instrument Voices
To adjust the Harmony Volume:
This can be adjusted via Function number 027 (page
53).
To adjust the Arpeggio Velocity:
This can be adjusted via Function number 028 (page
53).
Holding the Arpeggio Playback via the Footswitch (Hold)
You can set the instrument so that Arpeggio play­back continues even after the note has been released, by pressing the footswitch connected to the [SUSTAIN] jack.
Press a [FUNCTION] button a number of
1
times until the “PdlFunc” (Function 029; page 53) item appears on the display.
After “PdlFunc” is shown for a few seconds, the current setting is shown.
Reference
NOTE
Use the number buttons [1]–[3], [+/YES],
2
[-/NO] buttons to select “Arp Hold.”
If you want to restore the footswitch function to sustain, select “Sustain.” If you want to use both hold and sustain functions, select “Sus+ArpH.”
Try play i n g the keyboard with Arpeggio
3
playback using the footswitch.
Even if you release the notes, Arpeggio playback will continue. To stop Arpeggio playback, release the footswitch.
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Page 22

Playing the keyboard with two persons (Duo mode)

Appears when the Duo is turned on.
Equivalent to C3
Duo Split Point
default setting: 066 (F#3)
Left Voice
Equivalent to C3 (PSR-E373, YPT-370)
Right Voice
Equivalent to C3 (PSR-EW310)
NOTE
NOTE
NOTE
NOTE
When the Duo mode is activated on this instrument, two different players can play the instrument simultaneously, with the same sound, over the same octave range—one per­son on the left and the other on the right. This is useful for learning applications, in which one person (a teacher, for example) plays a model performance and the other person watches and practices while sitting at the first person’s side.
Press a [FUNCTION] button several
1
times until the “DuoMode” (Function 048; page 55) item appears on the dis­play.
Use the [+/YES] button to select “on.”
2
Reference
The F#3 key becomes the Duo Split Point and the keyboard is divided into two sections: one for the left Voice and one for the right Voice.
001
CncertGP
Changing the Left Voice
To change only the Left Voice, select the desired Left Voice with “DuoLVc” (Function 049; page 55). If the Left Voice is different from the Right Voice, the Right Voice is shown on the display.
• Certain functions such as Lesson, Harmony/Arpeggio and Dual cannot be used in the Duo mode.
How sounds are output in the Duo mode
The performance sound of the left Voice will sound from the left speaker, and the performance sound of the right Voice will sound from the right speaker, in the initial Duo mode setting. This out­put setting can be changed from the “DuoType” setting (Function 055; page 55).
• In the Duo mode, the pan, volume and tonal characteris­tics of the stereo sound may differ from those in the nor­mal mode, due to the setting of DuoType = “Separate” (page 55). Particularly with Drum Kits, the difference may be more obvious, since each key of a Drum Kit features a different stereo pan position.
Using sustain in the Duo mode
Sustain can be applied to the left and right Voice
• The right Voice section and the left Voice section of the keyboard are both set to the same Voice (Main Voice).
• The Duo Split Point can be changed via Function number 050 (page 55) by holding down the [ACMP ON/OFF] but­ton for longer than a second.
One person should play the left Voice
3
section of the keyboard while the other plays the right Voice section.
To exit from Duo mode, select “oFF” via
4
“DuoMode” (Function 048; page 55) by
sections in Duo mode just as it normally is by using one of the following methods in the Duo mode like the usual mode.
• Press the foot switch (page 14) connected to the [SUSTAIN] jack.
• Set “Sustain” (Function 024; page 53) to on. Sustain is applied to all notes.
• Sustain cannot be applied independently to the left Voice
section and the right Voice section.
• While Sustain is on, the setting of hold is maintained even
when the power is turned off.
executing steps 1 and 2.
22
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
Page 23

Playing Rhythm and Accompaniment (Style)

FingType
017
SmartChd
1
017
S.ChdKey
SP0
018
This instrument includes an Auto Accompaniment feature that automatically plays appropriate “Styles” (rhythm + bass + chord accompaniment), controlled simply by playing root notes or chords with your left hand. You can select how you want to play the chords from two ways: “SmartChord,” which lets you play chords by playing a key with only one finger, and “Multi,” which lets you play them normally, with all the constituent notes.
Press the [Style] button to exit from the

Fingering Type

When playing the Styles, specify how to play chords in the Auto Accompaniment range via “FingType” (“Fingering Type” Function 017; page 53). With this instrument, you can choose from t wo fingering types.
“SmartChord” (Default setting)
You can play the Style by playing only the root note of a chord.
“Multi”
This is a way to play the Style by playing all notes of a chord. However, major, minor, seventh, and minor sevenths can also be easily played by pressing one to three keys.
For information about chords, refer to “Chord Types for Style Playback” (page 26) or use the Chord Dic­tionary function (page 28).
3
Fingering Type settings.

Setting the Smart Chord Key

If “SmartChd” is selected in the “FingType,” you need to set the keys of the Songs you want to play in advance. The specified key is called the Smart Chord Key.
Press the [FUNCTION] button until
1
“S.ChdKey” (Function 018; page 53) appears.
The current Smart Chord Key appears.
Reference

Setting the Fingering Type

Press the [FUNCTION] button several
1
times until “FingType” (Function 017; page 53) appears.
“FingType” is shown in the display for a few sec­onds, followed by the current Fingering Type.
Use the number buttons [0]-[9] or
2
[+/YES] and [-/NO] buttons to select “SmartChd” or “Multi.”
If “SmartChd” is selected, perform steps 3 and 4 below. If “Multi” is selected, skip steps 3 and 4.
Press the [+/YES] and [-/NO] buttons to
2
select the smart chord key that matches the score.
For example, when you want to play the music score below, you need to set the Smart Chord Key to “FL2” (2 flats) (page 27).
Press the [Style] button to exit from the
3
Smart Chord Key settings.
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23
Page 24
Playing Rhythm and Accompaniment (Style)
BritRock
001
Style Name
Style Number
Appears when Style mode is active.
16Beat
022
This icon appears when automatic accompaniment is on.
Split Point ... default setting: 054 (F#2)
Auto
Accompaniment
range
036
(C1)
048
(C2)
060 (C3)
072
(C4)
084 (C5)
096
(C6)
NOTE
Flashes when sync start is on.
Split Point
• Since the Pianist category Styles (197–205) have no rhythm parts, no sound will be produced if you start rhythm-only playback. When playing these Styles, make sure to carry out Steps 2–4 on this page.

Playing Styles

Press the [STYLE] button, then use the
1
number buttons [0]–[9], [+/YES], [-/NO]
022
16Beat
to select the desired Style.
The Style List is provided on the front panel, or in the Style List (page 76).
Reference
Press the [ACMP ON/OFF] button to turn
2
on the Auto Accompaniment.
Play a key in the Auto Accompaniment
4
range to start playback.
If “SmartChd” is selected, play the root note of a chord with your left hand. If “Multi” is selected, refer to page 26 for instructions on how to play. Play a melody with the right hand and chords with the left hand.
Press the [START/STOP] button to stop
5
playback.
With this operation, the area of the keyboard to the left of the Split Point (054: F#2) becomes the “Auto Accompaniment range” and is used only for specifying the chords.
You can add intro, ending and rhythm variations to Style playback by using “Sections.” For details, refer to page 25.
To play back the rhythm part only
If you press the [START/STOP] button (without pressing the [ACMP ON/OFF] button in step 2), only the rhythm part can be played back, and you can play a melody performance using the entire keyboard range.
NOTE
You can change the Split Point via Function num­ber 003 (page 52) by holding down the [ACMP ON/OFF] button for longer than a second.
• The strength meter (page 18) does not resp ond to play­ing in the Auto Accompaniment range.
Press the [SYNC START] button to turn
3
Synchro Start on.
This puts the Style playback in “standby” and Style starts playing back when you play the key-
24
board.
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
Adjusting the Style Volume
To adjust the volume balance between Style play­back and keyboard, you can adjust the Style Volume. This can be set via Function number 016 (page 53).
Page 25

Style Variations

MAIN A
Current Section
INTRO≥A
Split Point ... default setting: 054 (F#2)
Auto Ac comp a-
niment range
FILL A≥B
Each Style consists of "Sections" that allow you to vary the arrangement of the accompaniment to match the song you are playing.
INTRO
This is used for the beginning of the Song. When the Intro finishes, Style playback shifts to the Main sec­tion. The length of the Intro (in measures) differs depending on the selected Style.
MAIN
This is used for playing the main part of the Song. Playback of the Main section repeats indefinitely until another Section’s button is pressed. There are two variations (A and B), and the Style playback sound changes harmonically in response on the chords you play with your left hand.
AUTO FILL
This is automatically added before changing to Main A or B.
ENDING
This is used for the ending of the Song. When the Ending finishes, the Style playback stops automati­cally. The length of the Ending (in measures) differs depending on the selected Style.
Playing Rhythm and Accompaniment (Style)
Play a chord with your left hand to start
6
playback of the Intro.
For example, play a C major chord. If “SmartChd” is selected via “FingType” (Func­tion 017; page 53), refer to page 27. If “Multi” is selected via “FingType”, refer to page
26.
After the Intro finishes, play the key-
7
board according to the progression of the Song you are playing.
Play chords with your left hand while playing mel­odies with your right hand, and press the [MAIN/ AUTO FILL] button as necessary. The Section will change to Fill-in then Main A or B.
Press the [INTRO/ENDING/rit.] button.
8
ENDING
Reference
13
Same as Steps 1–3 in page 24.
Press the [MAIN/AUTO FILL] button to
4
select Main A or Main B.
Press the [INTRO/ENDING/rit.] button.
5
Now, you’re ready to start Style playback from the Intro section.
The Section switches to the Ending. When the Ending is finished, Style playback stops automat­ically. You can have the Ending gradually slow down (ritardando) by pressing the [INTRO/END­ING/rit.] button again while the Ending is playing back.
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Page 26
Playing Rhythm and Accompaniment (Style)
C
Cm
7
D
Dm
7
DM
7
E
Em
Em
7
EM
7
F
Fm
7
FM
7
G
7
G
Gm
7
A
Am
7
AM
7
B
Bm7B
BM
7
C
Cm

Chord Types for Style Playback

For users who are new to chords, this chart conveniently shows how to play common chords in the Auto Accom­paniment range of the keyboard. Since there are many useful chords and many different ways to use them musi­cally, refer to commercially available chord books for further details.
When Multi is selected, play the notes that make up the chord in the automatic accompaniment range. When Smart Chord is selected, play the root note “” in the automatic accompaniment range.
indicates the root note.
Major Minor Seventh Minor Seventh Major Seventh
Cm
Reference
Dm
C
7
D
7
E
7
CM
7
Fm
F
7
Gm
Am
• Inversions can be used as well as in “root” position—with the following exceptions:
• Inversions of the 7sus4 chords are not recognized if the notes are omitted.
• When playing a chord which cannot be recognized by this instrument, nothing is shown on the display. In such a case, only a specific
26
b
5, m7(11), 6, m6, sus4, aug, dim7, 7b5, 6(9), sus2
m7, m7
part, such as the rhythm, will be played.
When “Multi” is selected, major, minor, seventh, and minor sevenths can also be easily played by pressing one to three keys.
Easy Chords for root “C”
To play a major chord
Press the root note () of the chord.
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
To play a minor chord
Press the root note together with the nearest black key to the left of it.
A
7
C
To play a seventh chord
Press the root note together with the nearest white key to the left of it.
Bm
7
7
Cm
To play a minor seventh chord
Press the root note together with the nearest white and black keys to the left of it (three keys altogether).
GM
7
7
Page 27
Playing Rhythm and Accompaniment (Style)
NOTE

Chords Heard When Smart Chord is Selected

When you select Smart Chord and set Smart Chord Key based on the composition of the score (page 23), play the root note in the automatic accompaniment range. This lets you hear the respective chords below.
Key
Signature on
the music
score
No key signature
Smart
Chord Key
(Display)
FL7 C dim
FL6 C dim
FL5
FL4 C 1+5
FL3 C m
FL2 C m
FL1 C 7
SP0
(Default)
SP1 C
SP2 C
SP3
SP4 C
SP5 C dim
SP6 C dim
SP7
Root Note
Db Eb F# G# Bb
CDEFG AB
D
dim7
Eb
1+5
Db m
Db 7DEb mE
C m7
Db D dim Eb m
b5
Db D dim Eb 7E F mF#
D m7
Db
Db
dim7
Eb E dim F m
b5
Eb E dim F 7 F# G m G#
D 1+5
Db D m Eb
C
C
dim7
Db
dim
Db
dim
Db m7
b5
Db
1+5
Db mD
Db m
D m
D 7
D
D
D
dim7
Eb
dim7
Eb E m F
Eb
dim
Eb
dim
Eb m7
b5
Eb
1+5
Db 7DEb mE
C m7
Db D dim Eb m
b5
EF dim
E
dim7
E m7
b5
E 1+5 F
E m
E 7 F
EF dim
EF dim
E
dim7
F# 7GG# mA
F m7
F# G dim G# m
b5
F 1+5 F# G dim G# 7ABb mB
G m7
G# A dim Bb m
b5
F#
G 1+5
G# A dim Bb 7B
G#
G m
dim7
G# A m Bb
G 7
G#
G
dim
G#
G
dim
G# m7
b5
G
G#
dim7
1+5
F
F
dim7
dim7
F#
dim
F#
dim
F# m7
b5
F#
1+5
F# mG
F# m
F# 7GG# mA
F m7
F# G dim G# m
b5
F 1+5
F# G dim G# 7ABb mB
A
dim7
A m7
b5
A 1+5
A m
A 7
A
A
A
dim7
Bb m7
b5
Bb
1+5
Bb B dim
Bb B dim
Bb
dim7
Bb B m
Bb
dim
Bb
dim
Bb m7
b5
Bb
1+5
B
B
B
dim7
B m7
b5
B 1+5
B m
B 7
B
B
Reference
• The “1+5” chord indication on the instrument’s display is the same as that of a major chord.
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Page 28
Playing Rhythm and Accompaniment (Style)
Dict.
Hold for longer than a second.
Chord Type range Root range Keyboa rd
playing range
001
Dict.
Chord name (root and type)
Individual notes of chord (keyboard)
NOTE

Looking Up Chords Using the Chord Dictionary

The Dictionary function is useful when you know the name of a certain chord and want to quickly learn how to play it.
Press and hold the [1 LISTENING
1
2 TIMING 3 WAITING] button for longer than a second to call up “Dict.”
“Dict.” will appear in the display.
Reference
This operation will divide the entire keyboard into the three ranges as illustrated below.
• The range to the right of “ ”: Lets you specify the Chord Root, but produces no sound.
• The range between “ ” and “”: Lets you specify the Chord Type, but produces no sound.
• The range to the left of “ ”: Lets you play and confirm the Chord specified in the above two ranges.
Press the key labeled “M7” in the section
2-2.
between “ ” and “ .” The notes you should play for the specified chord (root note and chord type) are con­veniently shown in the display, both as notation and in the keyboard diagram.
Dict.
001
To call up possible inversions of the chord, press the [+/YES]/[-/NO] buttons.
As an example, learn how to play a GM7
2
(G major seventh) chord.
2-1.
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
28
Press the “G” key in the section to the right of “ ” so that the “G” is shown as the root note.
• About major chords: Simple major chords are usually indicated only by the root note. For example, “C” refers to C major. However, when specifying major chords here, make sure to select “M” (major) after pressing the root note.
• These chords are not shown in the Chord Dictionary func­tion: 6(9), M7(9), M7( mM7(9), mM7
Following the notation and keyboard dia-
3
b
5, 7b
#
11) , b
5, sus2
5, M7b
5, M7aug, m7(11),
gram in the display, try playing a chord in the range to the left of “ .”
When you’ve played the chord properly, a bell sound signals your success and the chord name in the display flashes.
To exit from the Chord Dictionary mode,
4
press one of these buttons; [VOICE], [SONG] or [STYLE].
Page 29
Playing Rhythm and Accompaniment (Style)
001
Jude Hey
NOTICE

Using the Music Database

If you have difficulty finding and selecting the desired Style and Voice, use this feature. From the Music Database, just selecting the favorite music genre calls up the ideal settings.
Press the [MUSIC DATABASE] button.
1
Both the Auto Accompaniment and Synchro Start are automatically turned on.
Use the number buttons [0]–[9], [+/YES],
2
[-/NO] to select the desired Music Data­base.
This operation calls up the panel settings such as Voice and Style that are registered to the selected Music Database. The category name of Music Database List is provided on the front panel, or in the Music Database List (page 78).
Play the keyboard as described in Steps
3
4–5 on page 24.

Registering a Style File

Style data created on another instrument or com­puter can be registered (loaded) to Style numbers 206–215, and you can play them just the same as the internal preset Styles.
Transfer the Style file (***.sty) from a
1
computer to this instrument by connect­ing this instrument and the computer.
For instructions, refer to “Computer-related Oper­ations” (page 8) on the website.
Press the [FUNCTION] button several
2
times until “StyleReg” (Function 057; page 55) appears.
StyleReg
057
After about two seconds, a registerable Style file name will appear in the display.
If necessary, select the desired Style by
3
using the [+/YES] or [-/NO] button.
Press the [0] button.
4
As the Load destination, “***Load To?” (***: 206–215) appears on the display. If desired, select a different number using the [+/YES] or [-/ NO] button.
Reference
Press the [0] button.
5
A confirmation message will appear. To cancel the operation, press the [-/NO] button.
Press the [+/YES] button to actually load
6
the file.
After a while, a message indicating completion of the operation appears.
• The load operation cannot be cancelled during execu­tion. Never turn off the power during the operation. Doing so may result in data loss.
Press the [STYLE] button, use the [+/YES]
7
or [-/NO] button to select a Style from 206–215, and then try playing it back.
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29
Page 30
Playing Rhythm and Accompaniment (Style)
090
Tempo
Current Tempo value

Changing the Tempo

Press the [TEMPO/TAP] button to call up the Tempo value, then use the number buttons, [-/NO] and [+/ YES] buttons to adjust the Tempo value.
Press the [+/YES] and [-/NO] buttons simultaneously to reset the value to the default tempo of the current Style or Song.
Reference
Using the Tap function
While a Song or Style is playing back, press the [TEMPO/TAP] button just twice at the desired tempo to change the tempo. While Song or Style playback is stopped, tap the [TEMPO/TAP] button several times to start playback at the tapped tempo—four times for a 4-beat Song or Style or three times for a 3-beat Song or Style.
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
30
Page 31

Playing Songs

These demonstration songs showcase the various sounds of the instrument.
Each of these songs has two variations: an easy one which even beginners can practice with ease, and another more challenging version.
We’ve collected various folk songs from around the world which have been handed down from through the generations, as well as famous classical pieces. Try playing the melody of these songs.
Enjoy performing a piece with Style accompaniment (automatic accompaniment data). (Keys to Success is designed so that you master playing the melody with your right hand first, and then learn the roots of the chords with your left hand.)
These songs feature solo instruments other than piano—letting you enjoy playing other instrumental voices along with orchestral accompaniment.
These included famous pieces from around the world along with well-known piano pieces. Enjoy the beautiful, resonant piano sound as you play solo or along with orches­tral backing.
Learn how to use expressive “touch” control while playing the keyboard according to the strength level displayed in the LCD.
Hear and experience the sound of chords and easy chord progressions while playing the keyboard according to the LCD display indications.
Learn how to play chords with Songs featuring simple, fundamental chord progressions.
Songs (User Songs) you record yourself.
Songs transferred from a computer (refer to “Computer-related Operations”—page 8).
NOTE
Elise 1
004
Song name
Song number
Appears when Song mode is active.
You can simply enjoy listening to the internal Songs, or use them with just about any of the functions, such as Lesson.
Song Category
The Songs are organized by category as listed below.

Listening to a Demo Song

Press the [DEMO] button to play the Demo Songs in sequence.
Reference
When the Demo Songs (Song numbers 001 to 003) are played back in sequence and the last Song (003) is finished, playback will repeat continuously, starting again from the first Song (001). To stop playback, press the [DEMO] button or the [START/STOP] button.
• You can select the next or previous Song in order by using the [+/YES]/[-/NO] buttons after pressing the [DEMO] button. The selection range is all Songs in the selected Demo Group (Function 058; page 55). For details, refer to page 32 about Demo Group.

Selecting and Playing Back a Song

Press the [SONG] button, then use the
1
Number buttons to select the desired Song.
Refer to the Song List (page 75).
Press the [START/STOP] button to start
2
playback.
To stop playback, press the [START/STOP] but­ton again.
To c h a n ge the tempo:
Refer to “Changing the Tempo” on page 30.
Adjusting the Song Vo l ume
To adjust the volume balance between Song play­back and keyboard, you can adjust the Song Volume. This can be set via Function number 019 (page 53).
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
31
Page 32
Playing Songs
Hold for longer than a second.
NOTE
Fast Reverse
During playback, press this button to rapidly return to an earlier point in the Song.
Fast Forward
During playback, press this button to rapidly skip ahead to a later point in the Song.
Pause
During playback, press this button to pause play­back, and press again to start from that point.
NOTE
NOTE

BGM Playback

With the default setting, pressing the [DEMO] button will play back only three internal Demo Songs repeatedly. This setting can be changed so that, for example, all internal Songs automatically play back, letting you use the instrument as a background music source.
Hold down the [DEMO] button for longer
1
than a second.
“DemoGrp” (Function 058; page 55) is shown in the display for a few seconds, followed by the cur-
Reference
rent repeat playback target.
Use the [+/YES] or [-/NO] button to select
2
a playback group.
Demo Preset songs (001–003)
Preset All preset songs (001–102)
User All User songs (155–159)
Download
• When User songs and Download songs data do not exist, Demo songs are played b ack.
Press the [DEMO] button to start play-
3
All songs transferred from a computer (160–)
back.
To stop playback, press the [DEMO] button again or press the [START/STOP] button.

Song Fast Forward, Fast Reverse, and Pause

Like the transport controls on an audio player, this instrument lets you fast forward (FF), rewind (REW) and pause (PAUSE) playback of the Song.
• When the A-B repeat (page 33) is specified, the Fast Reverse and Fast Forward will only work within the range between A and B.
• [REW], [FF] and [PAUSE] button cannot be used during Song playback by using the [DEMO] button.

Changing the Melody Voice

You can change a Song’s melody Voice to any other desired Voice.
Random Song Playback
When the Demo Group (above) is set to something other than “Demo,” the playback order via the [DEMO] button can be changed between numerical order and random order. To do this, press the [FUNCTION] button several times until “PlayMode” (Function 059; page 55) is called up, then select “Normal” or “Random.”
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
32
Select a Song.
1
Select the desired Voice.
2
Press and hold the [VOICE] button for
3
longer than a second.
“SONG MELODY VOICE” appears in the display for a few seconds, and the selected Voice replaces the Song’s original melody Voice.
• Selecting another Song will cancel the changed Melody Voice.
• You cannot change the melody Voice of a User Song.
Page 33
Playing Songs
AB
Repeat playback of this section
Appears when the [A-B REPEAT] button is pressed.
NOTE
NOTE
NOTE

A-B Repeat

You can play back only a specific section of a Song repeatedly by setting the A point (start point) and B point (end point) in one-measure increments.
Start playback of the Song (page 31).
1
When playback reaches to the point you
2
want to specify as the start point, press the [A-B REPEAT] button to set the A point.
When playback reaches to the point you
3
want to specify as the end point, press the [A-B REPEAT] button again to set the B point.
The specified A-B section of the song will now play repeatedly.
• You can also set the A-B Repeat function when the Song is stopped. Simply use the [REW] and [FF] buttons to select the desired measures, pressing the [A-B REPEAT] button for each point, then start playback.
• If you want to set the start point “A” at the top of the Song, press the [A-B REPEAT] button before starting playback.

Turning Each Part On/Off

As indicated above the panel buttons (shown below), Songs other than Song numbers 125 to 154 consist of two Parts, which can be turned on or off individu­ally by pressing the corresponding button, L or R.
020
FrereJac
010
When a User Song (numbe r 155-159; page
43) is selected
The L and R indicators light when the tracks contain data, and are unlit when a track is muted or contains no data.
When songs other than a User Song is
selected
The L and R indicators always light regardless of whether a track contains data or not.
By turning the left- and right-hand parts on or off dur­ing playback, you can listen to the Part (that is turned on), or practice the other part (that is turned off) on the keyboard.
• Selecting another Song will cancel the on/off status of the Part s.
Reference
To cancel repeat playback, press the
4
[A-B REPEAT] button.
To stop playback, press the [START/STOP] but­ton.
• The A-B Repeat function will be canceled when you select another Song.

Playing songs loaded from a computer to this instrument

By using a USB cable to connect the [USB TO HOST] terminal of this instrument to a computer, you can load song files from the computer. For details, refer to the “Using with a Computer or Smart Device” on page 50.
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
33
Page 34

Using the Song Lesson Feature

Keys To Success (Page 35)
Select the
Song you want
to learn.
Practice Step 1
Practice
Steps 2, 3, 4...
and so on.
Practice the
last Step.
You’re done!
Passe d
★★★
Passe d
Passe d
★★
Phrase Repeat (Page 37)
Phrase mark
Repeat playback of this section
Listening, Timing and Waiting (Page 38)
Select the Song you
want to learn.
Select the part you
want to work on (right
hand, left hand, both
hands).
Select lesson
1, 2, or 3.
Start the
lesson!
Use these convenient features to practice the preset Songs and improve your playing skills. The lessons are arranged for optimum, enjoyable learning, so select the one suit­able for you, and take your keyboard skills higher, step by step.
You can refer to the music score in the Song Book (free downloadable scores). To obtain the SONG BOOK, access the Yamaha website and download it from the product web page.
https://www.yamaha.com
You can select just the key phrases of the Song—the ones you like most or need to work on—and practice them one by one. This lesson is ideal for beginning players.
Reference
Each Song consists of several Steps. Each time you play all the way through the current Step, your performance will be evaluated. A score of “60” or more indicates that you passed this Step and you should try the next Step, which begins automatically. The passing status retry the Step later.
is saved, but you can go on to next Step even when you didn’t pass the Step, or you can
You can practice two or more phrases at once repeatedly by speci­fying them, as desired. This is ideal as a finishing practice before you try a last (finishing) Step to pass in the Keys to Success mode, or when you just want to practice the difficult phrase(s) repeatedly.
You can practice the preset Songs in three steps, independently for the right or left hand, or both hands together. This is ideal when you want to practice all the way through the Song with the selected part.
Lesson 1 (Listening) ....... Listen to the playback part you will play. Remember it as best as you can.
Lesson 2 (Timing) ........... Learn to play the notes with the correct timing. Even if you play wrong notes,
the correct notes will sound.
Lesson 3 (Waiting) .......... Learn to play the correct notes at the correct timing. The Song pauses until
you play the right note.
You can combine the Keys to Success lesson (page 35) with the Listening, Timing or Waiting lesson (page 38). If you feel it difficult to play the specific phrase in the Keys to Success lesson, use Listening, Timing or Waiting lesson to listen to the phrase, to practice only the timing to play, or to let the phrase pause until you play the cor­rect notes.
The passing status is not shown when the selected lesson playback starts in the Keys to Success mode.
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34
Page 35
Using the Song Lesson Feature
NOTE
Elise 1
004
Step01
Appears when Keys to Success is on
Lesson part
: Right-hand lesson : Left-hand lesson : Both-hands lesson
Current Step number
001
Step01
NOTE
In addition, various learning functions are provided for your enjoyable playing experience as follows:
Touch Tutor (page 40)
Lets you learn how hard or soft to play the keys for more expressive performances.
Chord Study (page 41)
Lets you hear and experience the sound of the chords to use styles efficiently.
Chord Progressions (page 42)
Lets you hear and experience standard chord progressions. Mastering the typical chord progressions in specific musical genres enables you to play a wider variety of songs with the Style function.

Keys To Success

In this lesson, you can practice individual phrases in the Song (with each Step) to effectively master the entire Song.
Prepare the Song Book.
1
Download the Song Book from the above web­site, or you can refer to the scores of some Songs at the end of this manual. The amount of Steps and lesson parts (which are pre-programmed) will differ depending on the Song. For details, refer to the Song Book.
Press the [START/STOP] button to start
• All preset Songs 004 to 102 other than 001–003 and 103–154 can be used with this mode, especially the “LEARN TO PLAY” category Songs.
Press the [SONG] button, then select a
2
Song for your lesson.
Here, select song “Für Elise (Basic)” from the “LEARN TO PLAY” category, then open the cor­responding page of the Song Book.
4
Lesson.
After the lead-in, playback of the current Step starts.
Reference
3
Press the [KEYS TO SUCCESS] button to engage this lesson.
The keyboard icon, “Step01” and lesson part (“R” or “L” or “LR”) appears on the display, indicating that you are to start this lesson from scratch. If you have already passed several Steps, the next Step number appears on the display.
• For your practice enjoyment, a special arrangement is applied to each Song. This is why playback tempo may be slower than original.
Practice the phrase in the current Step.
5
Referring to the notation in the Song Book and the keyboard indications shown on the display, play the notes.
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
35
Page 36
Using the Song Lesson Feature
Excellen
068
Displayed when you’ve passed the Step.
NOTE
NOTE
001
Step01
: Passed
No information: Not yet passed
✩✩ : There are one or more Steps not yet
passed in addition to the last Step
: Only last Step passed ★★ : All Steps passed other than last Step ★★★ : All Steps passed
NOTE
Confirm the evaluation in the current
6
Step.
When the current Step reaches the end, your per­formance will be evaluated and your score (from 0–100) is shown in the display.
Confirming the Passing Status
You can confirm the passing status of each Song simply by selecting a Song and each Step.
When Step is selected
Reference
A score between “0”–“59” indicates that you did not pass this Step and you should try the same Step again, which begins automatically. A score of “60”–“100” indicates that you passed this Step and you should try the next Step, which begins automatically.
• If the specified part is both hands, you cannot pass the Step until you play both hands, even if you play one of the hands well. Only a message such as “Left Part is cor­rect!” appears in the display.
Execute Step 02, 03, 04, and so on.
7
In the last Step of each Song, you will practice all the way through the Song. When you pass all Steps, the Keys to Success mode will automati­cally be turned off and playback stops.
• Even during lesson, you can select another Step by using the [+/YES]/[-/NO] buttons.
When Song is selected
004
Elise 1
001
Clearing the Passing Status
You can clear existing passing status entries for the entire Song or a specific Step of the Song.
To stop this Lesson, press the [KEYS TO
8
SUCCESS] button.
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36
To clear the passing status entries of all Steps:
Select the desired Song then hold down the [KEYS TO SUCCESS] button for longer than three seconds, with the Keys to Success mode disabled. A “Cleared” message will appear on the display.
To clear the passing status entry for a specific
Step:
Select the desired Song, enable Keys to Success, select the desired Step, then hold down the [KEYS TO SUCCESS] button for longer than three seconds. A “Cleared” message will appear on the display.
• This operation cannot be executed during playback.
Page 37
Using the Song Lesson Feature
NOTE
Phrase mark
Repeat playback of this section
REPEAT
P03
Appears when the Phrase Repeat function is on
Phrase number
NOTE

Phrase Repeat

You can practice a difficult phrase repeatedly by selecting a specific number of the Phrase Marks pre­programmed in the Preset Songs (excepting the Song numbers 001–003, 103–154). You can confirm the Phrase Mark location in the Song Book (page 8).
• Phrase Mark is a pre-programmed marker in certain Song data, which indicates a specific location in the Song.
Practicing only a single Phrase
During Song playback, press the [PHRASE REPEAT] button at the phrase you want to practice. The corre­sponding Phrase number will appear in the display and, after a lead-in, repeat playback will start. Turn off the L or R part (page 33), then practice the phrase which is turned off repeatedly until you are satisfied.
Practicing two or more Phrases
By setting Phrase A (as the start point) and Phrase B (as the end point), you can practice two or more Phrases repeatedly. During Phrase Repeat playback, press the [A-B REPEAT] button to assign the current Phrase to Phrase A. When playback reaches to the desired Phrase, press the [A-B REPEAT] button again to assign Phrase B. “A-B Rep” appears on the display, and Repeat playback between Phrases A and B starts. To cancel this setting, press the [A-B REPEAT] button again.
• You can set Phrases A and B also when playback is stopped by selecting the Phrase number via the [+/YES] and [-/NO] buttons.
• Specifying only Point A results in repeat playback between Point A and the end of the Song.
Reference
Even during repeat playback, you can select any other phrase number via the [+/YES] or [-/NO] but­ton, and you can return to normal playback by press­ing the [PHRASE REPEAT] button again.
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Page 38
Using the Song Lesson Feature
NOTE
NOTE
NOTE
RightLeft
BothHand
Left-hand
lesson
Right-hand
lesson
Both-hands
lesson
NOTE
NOTE
~~~~~~~~ ~~~~~~ ~~~~ ~~
Excellent! Very Good! Good OK
NOTE
NOTE

Listening, Timing and Waiting

Lesson 1—Listening
In this Lesson, you need not play the keyboard. The model melody/chords of the part you selected will sound. Listen to it carefully and remember it well.
Lesson 2—Timing
In this Lesson, simply concentrate on playing the notes with the correct timing. Even if you play wrong notes, the correct notes shown in the display will sound.
Lesson 3—Waiting
Reference
In this Lesson, try playing the correct notes shown on the display. The Song pauses until you play the right note, and playback tempo will change to match the speed at which you are playing at.
• If you want to keep a steady playback tempo maintained dur­ing Lesson 3: Waiting, set the Your Tempo parameter to OFF via the Function number 035 (page 54).
Press the [SONG] button then select a
1
Song for your lesson.
• The Song Lesson can be applied also to the Songs trans­ferred from a computer (page 50), but cannot be applied to the User Songs.
• Songs 125 to 154 are not compatible with the Listening, Timing and Waiting Lessons.
Press either or both the [R] and [L] but-
2
tons to select the part you want to prac­tice.
Press the [1 LISTENING 2 TIMING
3
3 WAITING] button to start playback of the Song Lesson.
Pressing this button repeatedly will change the Lesson number from 1: LISTENING 2: TIMING 3: WAITING off 1…. Press this button until the desired number is shown on the display.
• During playback, you can change the Lesson mode by pressing this button, and you can stop the Lesson at any time by pressing the [START/STOP] button.
• When you play the lesson song, the Main Voice changes to “000” (One Touch Setting; page 16).
When Lesson playback reaches to the
4
end, check your evaluation Grade on the display.
“2 Timing” and “3 Waiting” will evaluate your per­formance in four levels.
After the evaluation display has appeared, the lesson will start again from the beginning.
• When the melody Voice of the Song is changed, the key position shown in the display may be shifted (in octave units), depending on the selected Voice.
• The Dual or Split mode cannot be engaged during les­sons.
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38
• In this step, “No LPart” may appear, indicating that the current Song does not contain a left-hand part.
Stop the Lesson mode.
5
You can stop the Lesson mode at any time by pressing the [START/STOP] button.
Page 39
Using the Song Lesson Feature
Guide
036
NOTE
NOTE
Turni ng the Guide note off
When the “Guide” function is on, you can hear the Guide note while you are practicing with Lesson 3 (Waiting), and this is ideal when you are not sure of which keys to play next. The Guide note will sound slightly behind the timing to indicate the correct note, when you fail to play the correct note with the correct timing. When you play the correct note with the cor­rect timing, the Guide note will not sound and the playback continues. If you don’t want to hear the Guide note, turn the function to off in the following steps.
Press the [FUNCTION] button several
1
times until “Guide” (Function 036; page
54) appears.
Use the [+/YES] and [-/NO] buttons to
2
select the value “oFF.”
The default value of this function is “on” (Guide note will sound.)
• The Guide setting cannot be changed during the Lesson mode.
The Guide function can be used for all preset Songs, except Songs in categories “FAVORITE WITH STYLE” (left-hand part) and “CHORD PROGRES­SION,” and No.79.
Keys to Success with Listening, Timing or Waiting
You can combine the Keys to Success lesson (page
35) with the Listening, Timing or Waiting lesson (page 38).
Enable the Keys to Success lesson.
1
Refer to Steps 1–3 on page 35.
Select the desired Step via the [+/YES]/[-/
2
NO] buttons, then press the [1 LISTENING 2 TIMING 3 WAITING] button repeatedly to select the desired lesson.
The selected lesson playback starts under the Keys to Success mode. Practice the phrase of the current Step via the selected Lesson. As eval­uation for each Step, just “Timing is correct!” or “Your playing is correct!” appears, and the pass­ing status is not available.
To return to only the Keys to Success
3
mode, press the [1 LISTENING 2 TIMING 3 WAITING] button repeatedly until “StepXX” (XX: number) appears in the display.
To exit from the Lesson mode, press the
4
[KEYS TO SUCCESS] button.
Phrase Repeat with Listening, Timing or Waiting
With Phrase Repeat set to On, press the [1 LISTEN­ING 2 TIMING 3 WAITING] button once, twice or three times to start and use Lesson playback with Phrase Repeat. Pressing the same button again sev­eral times to exit from the Lesson mode stops play­back and allows use of just the Phrase Repeat mode.
Reference
• In this status, the evaluation function is not available.
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Page 40
Learning How to Use “Touch” Control
NOTE
TTutor01
103
003
TTutor01
103
Strength level (Target value)
: Soft
: Medium
: Hard
The notes to play are indicated in the graphic keyboard in the display.
: Soft
: Medium
: Hard
Target value: medium
Your touch: hard
Target value: medium
Your touch: medium
Target value: medium
Your touch: soft
NOTE
(Touch Tutor)
This learning feature lets you practice how hard or soft to play the keys for musical expression, referred to as “Touch” in this chapter, by playing back Song numbers 103 to 112 (in the “Touch Tutor” category). Playing back Songs from this category shows indi­cations for the appropriate playing strength. Try playing according to the level dis­played in the LCD as the Song progresses.
• Be sure to set the Touch Response parameter (page 18) to a value other than “Fixed.” When set to “Fixed,” th e To uc h Tut o r function is inactive.
Reference
112 in the “Touch Tutor” category by
Select a Song from Song numbers 103 to
1
executing Step 1 in “Selecting and Play­ing Back a Song” on page 31.
To play with the same Voice that is used in a per­formance data, select Voice number “000” (OTS; page 16). After this operation, please make sure to go back to the Touch Tutor display by pressing the [SONG] button.
Press the [START/STOP] button to play
2
back the selected Song.
When the following display appears, play
3
the keyboard along with the keyboard indi­cations shown in the display at the strength level displayed in the LCD.
Play while the strength level is shown.
Strength targets are indicated by “ ”. Your actual playing “Touch” is indicated by “ .” Try playing so that the indications below appear (as target values) while you play.
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40
The positions of “ ” and “ ” are displayed with a gap when your touch is softer or harder than the target value.
Your touch is harder than the target value (Target value: medium, your touch: hard)
Your touch is same as the target value
(Target value: medium, your touch: medium)
Your touch is softer than the target value
(Target value: medium, your touch: soft)
When the playing is accurate, the instrument evaluates the accuracy of the touch (velocity) and indicates the following evaluation results on the display. If you continue to play the keys accu­rately, your grade will gradually increase. If you continue to play the keys inaccurately, your grade will gradually decrease.
Great! > VeryGood > Good > OK
To stop the playback, press the [START/
4
STOP] button.
To exit from the Touch Tutor mode, select a Song from any other category, except “Touch Tutor.”
• This function cannot be used with Keys To Success.
Page 41
Hearing and Experiencing the Sound of
001
ChdStd01
113
the Chords (Chord Study)
You can hear and experience the sound of the chords used in a typical performance by playing back Song numbers 113 to 124 (in the “Chord Study” category). Song numbers 113 to 119 are very simple songs consisting of a single chord (C, Dm, Em, F, G, Am, Bm; respectively) played in various positions, letting you listen to and master the chords one by one. On the other hand, Song numbers 120 to 124 consist of several chords strung together in a pattern, for experiencing and understanding basic chord progres­sions. Hear and experience the sound of simple chords and progressions by playing back these Songs, and play the keyboard while following along with the keyboard indi­cations shown in the display.

Hear and experience a sound of a single chord

Select a Song from Song numbers 113 to
1
119 in the “CHORD STUDY” category by executing Step 1 in “Selecting and Play­ing Back a Song” on page 31.
Press the [START/STOP] button to play
2
back the selected Song.
Play the keyboard while looking at the
3
keyboard indications shown on the dis­play.
If you feel it difficult to play the notes, use the Waiting function (page 38) to have the Song automatically pause until you play the correct notes. Press the [1 LISTENING 2 TIMING 3 WAITING] button repeatedly until “WAITING” appears in the display. To exit from the Waiting function, press the same button again.
To stop the playback, press the [START/
4
STOP] button.

Hear and experience basic chord progressions

Select a Song from Song numbers 120 to
1
124 by pressing the [+/YES]/[-/NO] but- tons.
Press the [START/STOP] button to play
2
back the selected Song.
Play the keyboard while looking at the
3
keyboard indications shown on the dis­play.
Listen to the basic chord progression, and play along with the Song repeatedly until you can smoothly perform and play along with the chord changes.
If you feel it difficult to play the notes, use the Waiting function (page 38) to have the Song automatically pause until you play the correct notes. Press the [1 LISTENING 2 TIMING 3 WAITING] button repeatedly until “WAITING” appears in the display. To exit from the Waiting function, press the same button again.
To stop the playback, press the [START/
4
STOP] button.
Reference
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41
Page 42

Playing Chords along with Chord Progressions of a Song

C 1Note
CP9
The tonic pitch of the selected Song: C
The number of the keys to press : 1
Appears when Chord Progression is on.
NOTE
C 2Notes
CP9
NOTE
001
C 1Note
CP9
NOTE
C
D
bEbF#AbBb
DEFGAB
Root range
NOTE
NOTE
Song numbers 125 to 154 in the “Chord Progression” category are constructed from typi- cal chord progressions. You can listen to and get a feel for the chord progressions by playing back the Song and playing the keyboard while looking at the keyboard indications shown on the display. The number of keys that are indicated for you to play progress in sequence—from a single root note, to two notes, then three and four—getting you to gradually and naturally memorize the chords. Also, you can change the key of the Song, allowing you to practice the progressions in all keys for full mastery of the chords.
Select a Song from Song numbers 125 to
1
154 in the “Chord Progression” category by executing Step 1 in “Selecting and Playing Back a Song” on page 31.
Press the [PHRASE REPEAT] button.
2
Reference
After “CHORD PROGRESSION” scrolls across the display, the tonic pitch of the selected Song and the number of the keys to be pressed are shown.
• The initial key setting is C major or A minor.
Press the [+/YES]/[-/NO] buttons to select
3
the number of the keys to be played.
Each time the [+/YES] button is pressed, the number of the keys to press is increased from just one root note (1Note) to two notes (2Notes), three notes (3Notes) and four notes (All).
• The number of the keys to press can a lso be set by using the number buttons [1]–[4].
Press the [START/STOP] button to play
4
back the selected Song.
Play the keyboard while looking at the key-
5
board indications shown on the display.
To c h a n ge the key of a Song:
When Chord Progression is on, press one of the keys in the top octave (C5–B5; indicated to the right of “ROOT” on the panel, just above the keys) to change the tonic pitch of the Song.
For example, if you press the key D5 in the Song of C major, the key changes to D major.
• The key of a Song cannot be changed during playback.
The number of the keys to be played
Only one root note (1Note)
Press only the root note of the chord.
Two notes (2Notes)
Pres s t he 3 note, and understand the difference between major chords and minor chords.
Three notes (3Notes)
Pres s t he 5 note and the 3
Four notes (All)
Press all the notes that make up the chord. Very often, chords are played with just three notes; how­ever, another interval (such as a 7th) is sometimes added. Keep in mind that depending on the chord, there may be no 4
rd
interval of a chord along with the root
th
interval of a chord along with the root
rd
.
th
note.

Play the chords in combination with “Waiting” of the Lesson function

You can practice the playing the chords in combina­tion with “Waiting” (page 38) of the Lesson function by simply pressing the [1 LISTENING 2 TIMING 3 WAITING] button once.
6
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
42
• When you play the keyboard within the range of C5–B5, the notes will not sound.
Press the [PHRASE REPEAT] button again to turn the Chord Progression function off.
• Even if you play notes in octaves outside of the notes shown on the display (excluding the range of C5 change the key of a Song), as well as different inversions of the chords, the playback will progress.
B5, which are used to
Page 43

Recording Your Performance

001
User 1
EC
User Song Number
Flashes
NOTICE
NOTE
36 48
7260
Split Point ... default setting: 054 (F#2)
Auto Accompani-
ment range
NOTICE
You can record up to 5 of your performances as User Songs (User 1–5: Song numbers 155–159). The recorded User Songs can be played back on the instrument. The recorded User Song can be played back in the same way as the preset Songs.

Track Structure of a Song

You can record your performance to the following two tracks of a User Song individually or simultaneously.
Track 1:
Your melody performance is recorded to this track.
Track 2:
Your melody performance, or Style playback (Chord changes and Section changes), is recorded to this track.
Recording Data Capacity:
A total of approximately 10,000 notes can be recorded to the five User Songs.

Quick Recording

The operation is convenient for recording a new Song without having to specify a track.
Make the desired settings such as Voice
1
and Style settings.
If you want to record only the melody perfor­mance, turn ACMP off (page 24). If you want to record Style playback or Rhythm playback as well as melody performance, turn ACMP on (page 24).
Press the [REC] button to enter the
2
Record Ready mode.
This operation selects the lowest-numbered unre­corded User Song (“User 1”–“User 5”) as the recording target, if a User Song has not been speci­fied in advance or if Record Ready mode has been entered from the Style mode. If you want to select another Song, use the [+/YES] and [-/NO] buttons.
To exit from the Record mode, press the [REC] button again to stop flashing on the display.
• If all User Songs contain recorded data, “User 1 (Song Number 155)” will automatically be selected. In this case, since you will record over and erase any previ­ous data in “User 1,” we recommend that you save your important data to a computer (see page 51).
• ACMP cannot be turned on or off in this status while you can select another Style in this status by using the [STYLE] and Number bu ttons.
Play the keyboard to start recording.
3
If ACMP is turned on, you can independently record just the rhythm sound of Style playback by pressing the [START/STOP] button then chang­ing the Section (page 25).
Press the [START/STOP] button to stop
4
recording.
When using a Style, you can stop recording also by pressing the [INTRO/ENDING/rit.] button then waiting until playback ends.
• After Recording stops, a “Writing!” message is shown on the display for a while. Never attempt to turn the power off while this is shown in the display. Doing so can damage the internal memory and result in a loss of data.
To play back the recorded Song, press
5
the [START/STOP] button.
Reference
Limitations while Recording
• You cannot record the Reverb Level, metronome click, or the Transpose and Tuning settings.
• The following settings and buttons are not available, or if operated, the new settings cannot be recorded:
ACMP ON/OFF, Split Point, Reverb Type, Chorus Type, Harmony/Arpeggio Type, [FUNCTION] but­ton, [PORTABLE GRAND] button.
• You can record the DSP effect only to track 1.
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43
Page 44
Recording Your Performance
User Song
The L (TRACK 1) and R (TRACK 2) indicators light when the respective track contains data. They are unlit when the respective track contains no data. Even if a track contains data, it is unlit when the track is muted. In addition, they light when the respective track is selected as a Recording target.
The L (TRACK 1) and R (TRACK 2) indicators light when the respective track contains data. They are unlit when the respective track is muted, even if the track contains data.
ClrUser1
YES
Hold for longer than a second.
Sure?
YES

Recording to a Specified Track

Make the desired settings, such as those
1
of Voice or Style.
If you want to record the melody performance, turn ACMP off (page 24). If you want to record Style playback, turn ACMP on (page 24).
While holding down the [REC] button,
2
press the desired Track button 1 or 2 to engage the Record mode.
If you want to record Style playback, make sure to
Reference
select the Track 2. If you want to record melody performance, select either Track 1 or Track 2 as desired. The illustration below is the example when selecting Track 2.
The User Song appears on the display.
EC
User 1
001
When playing back the recorded song, pressing [REC TRACK 1] or [REC TRACK 2] button allows you to mute Track 1 or Track 2. Each time the but­ton is pressed, playback/mute is switched.

Clearing a User Song

Press the [SONG] button then select the
1
desired User Song by using the Number buttons.
Press and hold the [REC] button for lon-
2
ger than a second.
A confirmation message appears.
To cancel the operation, press the [-/NO] button.
If Track 2 is selected as Recording target for example and Track 1 contains already recorded data, L flashes and R lights in the display. Turning on or off R via the [TRACK 1] button will deter­mine whether you listen to a previously recorded Track or not while recording a new Track.
Press the [+/YES], [-/NO] buttons to
3
select the User Song you want to record.
Same as in Steps 3 to 5 (page 43) in
4
“Quick Recording.”
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44
Press the [+/YES] button.
3
A confirmation message appears again.
To cancel the operation, press the [-/NO] button.
Press the [+/YES] button to clear the
4
Song.
A “Writing!” message appears while the track is being cleared.
Page 45

Memorizing Your Favorite Panel Settings

Appears after [REGIST MEMORY] button is pressed.
NylnGtrH
01
Voice Name in MemoryRegistration Memory
Number
This instrument has a Registration Memory feature that lets you memorize your favorite settings for easy recall whenever they’re needed. Up to nine complete setups can be memorized and assigned to each number button 1–9. (Factory settings are recorded to 1-9 .)

Recalling Panel Settings from the Registration Memory

Press the [REGIST MEMORY] button.
1
“LoadNo.?” appears on the display.
LoadNo.?
Press one of the [1]–[9] buttons to call
2
up the panel settings you memorized.
The recalled Registration Memory number and the Voice Name in the Memory appear on the display.
Factory settings
Registration Memory Number
R01 S.Art Lite Nylon Guitar Harmonics
R02 S.Art Lite Steel Guitar Harmonics
R03 S.Art Lite Distortion Guitar
R04 S.Art Lite Slap Bass
R05 S.Art Lite Strings
R06 S.Art Lite Gospel Choir
R07 S.Art Lite Tenor Sax
R08 S.Art Lite Brass Section
R09 S.Art Lite Flute
Parameters that are memorized to Registration Memory
Style settings*
Style number, ACMP on/off, Style volume, Tempo, Main A/B, Fingering Type, Smart Chord Key
Voice settings
Main Voice settings: Voice number and all settings
of the related Functions Dual Voice settings: Dual on/off and all settings of the related Functions Split Voice settings: Split on/off and all settings of the related Functions
Effect settings:
, DSP on/off, DSP Type, Sustain on/off
Ty pe
Harmony/Arpeggio settings: Harmony/Arpeggio
on/off and all settings of the related Functions
Other settings:
the Function “DUO”, Pedal Function
* When a Song is selected, the Style settings cannot be
recorded or called up.
Voice Name in Memory
Reverb Type, Reverb level, Chorus
Tran s po se
, Split Point, All settings for
Reference
The Registration Memory number can be changed by pressing one of the other [1]–[9] but­tons. To exit from Registration Memory, press the [REGIST MEMORY] button.
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
45
Page 46
Memorizing Your Favorite Panel Settings
MemNo.?
Hold for longer than a second.
Flashes after the [REGIST MEMORY] button is pressed and held for longer than a second.
NOTICE
Hold for longer than a second.
Flashes after the [REGIST MEMORY] button is pressed and held for longer than a second.
Hold for longer than a second.
Reference

Memorizing Panel Settings to the Registration Memory

Make the desired settings such as those
1
for Voice and Style.
Press and hold down the [REGIST MEM-
2
ORY] button for longer than a second.
“MemNo.?” appears on the display.
Press one of the [1]–[9] buttons to mem-
3
orize the current panel settings.
If you select a Registration Memory number that already contains data, an “Overwr?” message appears in the display. To overwrite, press the [+/YES] button; to cancel, press [-/NO].
When memorizing is completed, “Mem OK” is displayed.
• If you select a Registration Memory number that already contains data, the previous data is deleted and overwritten by the new data.
• To restore all Registration Memories to the factory set­tings, execute Backup Clear operation.
• Do not turn off the power while memorizing settings to the Registration Memory, otherwise the data may be damaged or lost.
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
46

Deleting the Registration Memory

Hold down the [REGIST MEMORY] but-
1
ton for longer than a second.
“MemNo?” is shown in the display.
MemNo.?
Hold down the [1]–[9] buttons corre-
2
sponding to the Registration Memory number you want to delete for longer than a second.
“ClrRegX?” (“X” represents the Registration Memory number) is shown in the display.
Press the [+/YES] button to delete the
3
Registration Memory.
Press the [-/NO] button to can­cel deleting the Registration Memory. When deleted, the Registration Memory number on the screen disappears.

Disabling Recall of Specific Items (Freeze)

Registration Memory lets you recall all the panel set­ups you made with a single button press. However, there may be times that you want certain items to remain the same, even when switching Registration Memory setups. When you want to switch the Voice settings but still maintain the Style settings, for exam­ple, you can “freeze” only the Style settings and have those Style settings remain, even when you select another Registration Memory number. Select the items you want to freeze via Function numbers 045, 046 (page 54) and 047 (page 55)
Page 47

Selecting an EQ Setting for your Favorite Sound

MasterEQ
025
Speaker
1
025
Current Master EQ type
Six different master equalizer (EQ) settings let you create the optimum sound when lis­tening through different reproduction systems—the instrument’s internal speakers, headphones, or an external speaker system.
Press the [FUNCTION] button several
1
times until the “MasterEQ” (Function 025; page 53) item appears on the dis­play.
“MasterEQ” is shown in the display for a few sec­onds, and the current Master EQ type appears.
Use the [+/YES] or [-/NO] button to select
2
the desired Master EQ type.
Master EQ types
1 Speaker
2 Headphone
3 Boost Features more powerful sound.
4 Piano Optimum for piano solo performance.
5 Bright
6 Mild
Optimum for listening via the instru­ment’s built-in speakers.
Optimum for headphones, or for lis­tening via external speakers.
Lowers the mid range for a brighter sound.
Lowers the high range for a softer sound.
Reference
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47
Page 48

Playing an Device with the Built-in Speakers

CAUTION
NOTICE
Audio device (Smartphone. etc.)
Stereo-mini plug
NOTE
NOTE
• Before connecting, turn off the power of both this instrument and the external audio device. Also, before turning the power on or off, make sure to set all volume levels to minimum (0). Otherwise, damage to the devices, electrical shock, or even permanent hearing loss may occur.
You can output the sound of an audio device, such as a smartphone, with the built-in speakers of this instrument by connecting it via a cable. This lets you play the keyboard along with playback of your music player.
Adjust the volume balance between the
• To avoid damage to the external audio device and this instrument, first turn on the power to the external device, and then to the instrument. When turning off the power, first turn off the power to the instrument, and then to the external device.
Reference
Turn off the power for both the external
1
audio device and this instrument.
Connect the audio device to the instru-
2
ment’s [AUX IN] jack.
Use the cable which has the stereo-mini plug at one side for connecting to this instrument and the plug matching the output jack of the external audio device at the other side.
5
external audio device and this instrument.
Adjust the audio playback volume on the audio device, then adjust the entire volume by rotating the [MASTER VOLUME] control of the instru­ment.
• You can adjust the level of the input from the external audio device by calling up “AuxInVol” via Function num­ber 040 (page 54) and using the [0]–[9], [+/YES], [-/NO] buttons.
Play the keyboard along with the sound
6
of the audio device.
You can cancel or lower the volume of the melody part of audio playback. For details, refer to page
49.
After finishing the performance, stop
7
playback of the audio device.
• If you are using a computer or a smart device such as an iPhone/iPad, you can also connect it to the [USB TO HOST] terminal (see “Connecting to a Computer” on page 50).
Turn on the external audio device, then
3
this instrument.
Play back the connected external audio
4
device.
The sound of the audio device is output through the speakers of this instrument.
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Page 49
Lowering the volume of a melody
MelodySP
on
Appears when Melody Suppressor is on
Hold for longer than a second.
NOTE
SupprPan
C
044
L63 – C – R63
(Left – Center – Right)
NOTE
part (Melody Suppressor function)
When you output the audio sound of an external audio device or a computer connected to the [AUX IN] jack or the [USB TO HOST] terminal through this instrument, you can cancel or lower the volume of the melody part of audio playback. You can use the function to practice the melody part along with the audio playback.
Play back audio on the connected exter-
1
nal device.
Hold down the [FUNCTION] button for
2
longer than a second to call up “Melo­dySP.”
Press the [+/YES] button to select “on.”
3
• When the instrument is connected to the [USB TO HOST] terminal, and Audio Loop Back (page 54, Function 042) is set to OFF, the Melody Suppressor function cannot be used.
Playing an Device with the Built-in Speakers
Adjust the pan position of the sound to
2
be cancelled (lowered) by using the [+/ YES], [-/NO] buttons.
• Depending on the particular music content, the melody or vocal sound may not be canceled as expected even if the Melody Suppressor is turned on.
Reference
To cancel the Melody Suppressor func-
4
tion, select “oFF” via “MelodySP” (Func­tion 043; page 54) by executing steps 2 and 3.
When the melody or vocal sound may not be canceled (or lowered) as expected
Press the [FUNCTION] button several
1
times to call up “SupprPan” (Function 044; page 54) while the Melody Suppres­sor function is turned on.
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Page 50

Using with a Computer or Smart Device

USB cable
USB
terminal
instrumentcomputer
[USB TO HOST]
terminal
NOTE
• Files up to a total of about 1.4 MB can be transferred to this instrument.
• If you transfer a Style file to this instrument, you need to register it before using it on the instrument. For details, refer to “Registering a Style File” (page 29).
• Files transferred to the instrument are listed in the instru­ment in the order of symbol, number and alphabet.
NOTE
NOTE

Connecting to a computer

Connecting the [USB TO HOST] terminal of this instrument and the computer via a USB cable allows you to do the following.
Reference
When Storage Mode (Function 056; page 55) is set to on.
• File transfer (Song, Style, Backup)
When Storage Mode is set to off.
• Performance data communication by MIDI
• Audio data communication by USB
Simply by connecting the instrument and a computer via a USB cable, the instrument is recognized by the computer. However, a dedicated driver must be installed for audio data communication. For details, refer to “Smart Device Connection Manual” on the website (page 8).
• The volume for USB audio communication data cannot be adjusted with the [MASTER VOLUME] dial.
• While Storage Mode is set to on, you cannot play the instru­ment. Set Storage Mode to on, only when transmitting/receiv­ing files to/from a computer.
• While Storage Mode is set to off, not only your keyboard per­formance data but also automatic performance data (Style and User Song) are transmitted to the computer via MIDI.
• If you are using with a music production application, such as a DAW (Digital Audio Workstation), set “Loopback” (Function 042; page 54) to off. If this is instead set to on, a mix of the audio data and the sound of the instrument is sent to DAW, which may cause howling and unexpected loud sounds.
File transfer when Storage Mode is set to on
Operation method
Operate on a computer. Refer to “Computer-related Operations” on the website (page 8).
Files that can be transferred
• Song files (Extension: .MID) Song files created on other instruments or computers
can be transferred to this instrument. Note that user songs created with this instrument cannot be trans­ferred to a computer as a single file.
• Style files (Extension: .STY) This instrument does not have a function for creating
Style files, but you can import a style file created on another device. The maximum capacity per file is 50KB. Files that exceed the limit will not be recognized on this instrument.
• Backup files (Extension: .BUP)
* You can transfer the data of “Parameters backed up as
needed” (excluding “Passing Status of Keys to Suc­cess”) and “Parameters backed up when the power is turned off” on page 51 to the computer and save the data as a single backup file.

Connecting a Smart Device

By connecting a smart device such as an iPhone/ iPad to the instrument, you can take advantage of various functions. For details on connections, refer to the online PDF manual (page 8) “Smart Device Con­nection Manual.” For information about the compati­ble smart devices and application tools, access the following page: https://www.yamaha.com/kbdapps/
• If you are using the instrument with a music production appli­cation such as a DAW (Digital Audio Workstation), set “Loop­back” (Function 042; page 54) to off. If it is set to on, a mix of the audio data and the sound of the instrument is sent to DAW, which may cause howling and unexpected loud sounds.
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Page 51

Backup and Initialization

NOTE
PSR-EW310
PSR-E373, YPT-370
The highest white key
PSR-EW310
PSR-E373, YPT-370
The highest white key
and the three highest
black keys
NOTICE

Backup Parameters

The following Backup parameters will be maintained even if the power is turned off.
Parameters backed up as needed
• User Songs (page 43)
• Style Number 206–215 (page 29)
• Passing Status of Keys to Success (page 36)
Parameters backed up when the power is turned off
• Registration Memory (page 45)
• FUNCTION Settings: (page 52) Tuning, Split Point, Touch Response, Style Volume, Song Volume, Metronome Volume, Your Tempo, Demo Group, Demo Play Mode, Master EQ type, Sustain, Auto Power Off, Battery Type, Guide, Audio Loop Back, Fingering Type, [AUX IN] Audio Volume, [USB TO HOST] Audio Volume, Style Freeze, Transpose Freeze, Voice Freeze
In addition to the Backup parameters above, all the data (including Style data that have not been loaded) transferred from the connected computer will be maintained even if you turn off the power.
Backup parameters other than “Passing Status of Keys to Success” can be transferred and saved to a computer as a single Backup file (with the extension: .BUP). This backup file can be loaded to the instru­ment for future.
For details on using a computer with this instrument, refer to the online PDF manual (page 8) “Computer­related Operations.”

Initialization

You can initialize your original data via the following two methods.
Backup Clear
This operation initializes the backup parameters and the Registration Memories. While holding down the highest white key, press the [ ] (Standby/On) switch to turn the power on.
Reference
Flash Clear
This operation deletes all the Songs and Styles that have been transferred from a computer. Note that Style data registered to Style numbers 206–215 will be maintained. While simultaneously holding the highest white key and the three highest black keys, press the [ ] (Standby/On) switch to turn the power on.
Error during Backup Operation
When connecting to a computer with Storage Mode (Function 056; page 55) set to on, there may not be enough free space on the instrument to create a backup file for transferring to the computer. In this sit­uation, the error message “Not enough storage for backup” scrolls on the display. If you want to save a backup file to the computer, delete unnecessary Song files or Style files of the instrument to secure free space and set Storage Mode to off and back to on again. A backup file is created. If you do not save a backup file on the computer, there is no problem if an error message is displayed, and you can ignore the message.
• The size of a backup file varies depending on the amount of data stored on the instrument. The maximum capacity is about 620KB.
• Even if a backup file for transferring to a computer is not cre­ated, the backup data is retained in the instrument.
• Keep in mind that Backup Clear and Flash Clear also delete the data you have purchased. Be sure to save the important data to a computer.
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Page 52

The Functions

Transpos
00
001
Current value
Function number
Function name
Press several times as necessary
NOTE
Direct numeric entry.
•Increment value by 1.
•Yes
•On
Press simultaneously to recall the default setting.
• Decrement value by 1.
•No
•Off
The Functions settings provide access to a range of detailed instrument parameters such as Tuning, Split Point, Voices and Effects.
Press the [FUNCTION] button several
1
times until the desired item appears.
Set the value by using the number but-
2
tons [0]–[9], [+/YES], [-/NO].
Each time the [FUNCTION] button is pressed, the Function number increases one by one. To decrease the Function number by one, simulta­neously hold down the [FUNCTION] button and press the [-/NO] button briefly. Simply pressing only the [+/YES] or [-/NO] button does not change the Function number.
Reference
To exit from the Function settings, press
3
one of these buttons; [VOICE], [SONG] or [STYLE].
After a few seconds, the Function name may be replaced with the setting value depending on the selected Function.
• The Function number does not appear in the display dur­ing Song, Style or metronome playback. The beat value appears instead.
Function List
Function
Number
Overall
001 Transpose Transpos -12–12 00 Determines t he pitch of the instrument in semitone increments.
002 Tuning Tuning 427.0Hz–453.0Hz 440.0Hz
003 Split Point SplitPnt
004 Touch Response TouchRes
Main Voice (page 16)
005 Volume M.Volume 000–127 *
006 Octave M.Octave -2 – +2 * Determines the octave range for the Main Voice.
007 Chorus Dept h M.Chorus 000–127 *
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Function name Display Rang e/Settings
(C1–C6;
036–096 PSR-E373, YPT-370)/ 028–103 (E0–G6; PSR-EW310)
1 (Soft), 2 (Medium), 3 (Hard), 4 (Fixed)
Default
Valu e
Determines the fine tuning of the pitch of the entire instrument in approx. 0.2Hz increments.
Determines the highest key for the Split Voice and sets the Split “point”—in other words, the key that separates the Split (lower)
54 (F#2)
and Main (upper) Voices. The Split Point setting (page 17) and Accompaniment Split Point setting (page 24) are automatically set to the same value.
2 (Medium) Refer to page 18.
Determines the volume of the keyboard performance when per­forming along with a Song or a Style.
Determines how much of the Main Voice’s signal is sent to the Chorus effect.
Descriptions
Page 53
The Functions
Function
Function name Display Rang e/Settings
Number
Dual Voice (page 17)
008 Dual Voice D.Voice 001–622 * Determines the Dual Voice.
009 Volume D.Volume 000–127 * Determines the volume of the Dual Voice.
010 Octave D.Octave -2 – +2 * Determines the octave range for the Dual Voice.
011 Chorus Depth D.Chorus 000–127 *
Split Voice (page 17)
012 S plit Voice S.Voice 001–622 * Determines the Split Voice.
013 Vo lum e S.Volume 000–127 * Determines the volume of the Split Voice.
014 Octave S.Octave -2 – +2 * Determines the octave range for the Split Voice.
015 Chorus Depth S.Chorus 000–127 *
Style (page 23)
016 Style Volume StyleVol 000–127 100
017 Fingering Type FingType
018 Smart Chord Key S.ChdKey
Song (page 31)
019 Song Volume SongVol 000–127 100
Effects
020 Reverb Type Reverb
021 Reverb Level RevLevel 000–127 64
022 Chorus Type Chorus
023 DSP Type DSPType 01–38 * Determines the DSP Type (page 82).
024 Sustain Sustain ON/OFF OFF
025 Master EQ Type MasterEQ
Harmony/Arpeggio (page 20)
Harmony/
026
Arpeggio Type
027 Harm ony Volume HarmVol 000–127 * Determines the volume of the Har mony effect.
028 Ar peggio Velocity ArpVelo
Pedal (pages 19, 21)
029 Pedal Function PdlFunc
Harm/Arp
1 (SmartChord) 2 (Multi)
FL7 (7 Flats b) – SP0 (No Key Signature) – SP7 (7 Sharps #)
1–4 (Hall 1–4) 5 (Cathedral) 6–8 (Room 1–3) 9–10 (Stage 1–2) 11–12 (Plate 1–2) 13 (O ff)
1 (Chorus1) 2 (Chorus2) 3 (Chorus3) 4 (Flanger1) 5 (Flanger2) 6 (Off)
1 (Speaker) 2 (Headphone) 3 (Boost) 4 (Piano) 5 (Bright) 6 (Mild)
001–026 (Harmony) 027–176 (Arpeggio)
1 (Original) 2 (Key)
1 (Sustain) 2 (Arp Hold) 3 (Sus+ArpH) 4 (Articulation)
Default
Valu e
Determines how much of the Split Voice’s signal is sent to the Chorus effect.
Determines how much of the Split Voice’s signal is sent to the Chorus effect.
Determines the volume of the Style while a Style is selected (page 24).
Determines the method of chord detection in the Accompaniment
1
(SmartChord)
SP0 (No Key
Signature)
1 (Speaker)
1 (Sustain)
Section when playing with a Style.
Determines the Key Signature when the Fingering Type is set to “Smart Chord.” For example, if there are 2 sharps (#) in your music score, press the [+/YES]/[-/NO] buttons until “SP2” appears on the display.
Determines the volume of the Song when a Song is selected (page 31).
** Determines the Reverb type, including Off (page 82).
Determines how much of the Voice’s signal is sent to the Reverb effect.
** Determines the Chorus t ype, including Off (page 82).
Determines whether the Sustain function is on or off (page 19).
Determines what type of equalization is applied to the speaker output or headphone output for optimum sound in different listen­ing situations (page 47).
Determines whether the Harmony type or Arpeggio t ype is
*
selected.
Determines the Arpeggio velocity. If “Thru” is selected, arpeggios will be played back at a volume matching the strength at which
**
you play the keyboard. If “Original” is selected, arpeggios will be played back at their original volume regardless of your playing strength.
Sustain: Sustain will be produced while the pedal is held down. Arp Hold: Arpeggio playback will continue while the pedal is held
down.
Sus + ArpH: Sustain will be produced and Arpeggio playback will
continue while the pedal is held down.
Articulation: Articulation effect will be produced while the pedal is
held down.
Descriptions
Reference
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Page 54
The Functions
Function
Function name Display Rang e/Settings
Number
Metronome (page 16)
Time Signature
030
Numerator
Time Signature
031
Denominator
Metronome
032
Vol ume
Lesson (page 34)
033 Lesson Track (R) R-Part 01–16 01
TimeSigN 00–60 ** Determines the time signature of the Metronome.
TimeSigD
MetroVol 000–127 100 D etermines the volume of the Metronome.
Half note, Quarter note, Eighth note, Sixteenth note
Reference
034 Lesson Track (L) L-Part 01–16 02
035 Your Tempo YourTemp ON/OFF ON
036 Guide Guide ON/OFF ON
MIDI
037 Local Control Local ON/OFF ON
038 External Clock ExtClock ON/OFF OFF
039 Initial Send InitSend YES/NO
Audio (pages 48, 49, 50)
[AUX IN] Audio
040
Vol um e
[USB TO HOST]
041
Audio Volume
042 Audio Loop Back
043 Melody Supressor
044 Supressor Pan
Regist Freeze (page 46)
045 Style Freeze StyleFrz
046 Transpose Freeze TransFrz
AuxInVol 000–127
USBINVol 000–127
Loopback
MelodySP
SupprPan L63–C–R63
ON/OFF ON
ON/OFF OFF
ON/OFF OFF
ON/OFF OFF
Default
Valu e
** Determines the lengt h of each metronome beat.
Determines the guide track number for your right hand lesson. The setting is only effective for Songs in SMF format 0 transferred from a computer. Select a Song you want to use for the lessons, select the “RPart,” and then use the number buttons [0]–[9], [+/YES] and [-/NO] to select the channel you want to play back as the specified right­hand part. We recommend that you select channel 1 for the right­hand part.
Determines the guide track number for your left hand lesson. The setting is only effective for Songs in SMF format 0 transferred from a computer. Select a Song you want to use for the lessons, select the “L-Part,” and then use the number buttons [0]–[9], [+/YES] and [-/NO] to select the channel you want to play back as the specified left­hand part. We recommend that you select channel 2 for the left part.
This parameter is for Lesson 3 “Waiting.” When this is set to ON, playback tempo will change for matching the speed you are play­ing at. When this is set to OFF, playback tempo will be maintained regardless of the speed you are playing at.
Determines whether the Guide note sounds (ON) or not (OFF) during the “Waiting” lesson.
Determines whether the instrument’s keyboard controls the inter­nal tone generator (ON) or not (OFF). When you are recording your keyboard performance to the application software on the computer via MIDI, set this parameter to OFF.
Determines whether the instrument synchronizes to the internal clock (OFF) or an external clock (ON). When you are recording your keyboard performance to the application software on the computer via MIDI, set this parameter to ON.
Allows you to send the data of the panel settings to a computer. Press [+/YES] to send, or press [-/NO] to cancel. This operation should be done immediately after starting the Recording opera­tion on the computer.
Determines the volume of audio playback, input from the [AUX
50
IN] jack (page 48).
Determines the volume of audio playback, input from the [USB
100
TO HOST] terminal (page 50).
Determines whether Audio sound input from the [USB TO HOST] terminal is returned to the computer or not with the performance played on the instrument. If you want to output only the sound played on this instrument to the computer, set this parameter to OFF.
When you output the audio sound of an external audio device or a computer connected to the [AUX IN] jack or the [USB TO HOST] terminal through this instrument, select “ON” to cancel or lower the volume of the melody part of audio playback.
Determines the position of the playback sound of the external
C
audio device to be canceled or lowered (page 49).
When you want to call up the Registration Memory without over­writing the current Style setting, select “ON.”
When you want to call up the Registration Memory without over­writing the current Transpose setting, select “ON.”
Descriptions
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Page 55
The Functions
Function
Function name Display Rang e/Settings
Number
047 Voice Freeze VoiceFrz
Duo (page 22)
048 Duo Mode DuoMode
049 Duo L Voice DuoLVc 001–622 * Determines the voice in the left section.
050 Duo Split Point DuoPnt
051 Duo R Volume DuoRVol 000–127 * Determines the volume of the right section.
052 Duo L Volume DuoLVol 000–127 * Determines the volume of the left section.
053 Duo R Octave DuoROct -3 – +3 * Determines the pitch of the right section in octave units.
054 Duo L Octave DuoLOct -3 – +3 * Determines the pitch of the left section in octave units.
055 Duo Type DuoType
Storage
056 Storage Mode Storage
Style File
057 Style Register StyleReg 001–nnn
Demo (page 31)
058 Demo Group DemoGrp
059 Demo Play Mode PlayMode
Auto Power Off (page 13)
Auto Power Off
060
Time
Battery (page 12)
061 Battery Type Battery
* The appropriate value is automatically set for each Voice combination. ** The appropriate value is automatically set for each Song, Style or Arpeggio.
AutoOff
ON/OFF OFF
ON/OFF OFF
036–096 (C1–C6; PSR-E373, YPT-370)/ 028-103 (E0-G6; PSR-EW310)
1 (Balance) 2 (Separate)
ON/OFF OFF
1 (Demo) 2 (Preset) 3 (User) 4 (Download)
1 (Normal) 2 (Random)
OFF, 5/10/15/30/60/ 120 (minutes)
1 (Alkaline) 2 (Ni-MH)
Default
Valu e
When you want to call up the Registration Memory without over­writing the current Voice setting, select “ON.”
Select “ON” to divide the keyboard range into the left section and right section.
66 (F#3) Sets the boundary between the left section and right section.
This function is effective in Duo Mode (page 22). Balance: The performance sounds of the left section and the right
2 (Separate)
1 (Normal) Determines the repeat playback mode.
30 minutes
1 (Alkaline)
section will sound from both the left and right speakers. Separate: The performance sound of the left section will sound from the left speaker, and the performance sound of the right sec­tion will sound from the right speaker.
Select “ON” if you want the computer to recognize the instrument as storage when it is connected to the computer. When “ON” is selected, the operation of the instrument will be locked; for exam­ple, no sound will be produced when you play the keyboard. Select “OFF” if you want the computer to recognize the instru­ment as a MIDI device when it is connected to the computer. While Storage Mode is set to ON, you cannot play the instrument. Set Storage Mode to ON only when transmitting/receiving files to/ from a computer.
Select and register a Style file from flash files that are loaded from computer (page 29).
1 (Demo) Determines the repeat playback group.
Specifies the time that will elapse before the instrument’s power is automatically turned off.
Selects the type of batteries you have installed to this instrument. Alkaline: Alkaline battery/manganese battery Ni-MH: Rechargeable battery
Descriptions
Reference
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55
Page 56

Troubleshooting

Appendix

Problem Possible Cause and Solution
When the instrument is turned on or off, a popping sound is temporarily produced.
When using a mobile phone, noise is produced. Using a mobile phone in close proximity to the instrument may produce
Noise is heard from the instrument’s speakers or headphones when using the instrument with an application on a smart device.
There is no sound even when the keyboard is played or when a song or style is being played back.
The instrument does not respond when the instru­ment is operated.
Playing keys in the right hand area of the keyboard does not produce any sound.
Not all of the voices seem to sound, or the sound seems to be cut off.
The harmony doesn’t sound. The method of sounding the Harmony effect (001–026) differs depend-
Appendix
The Style or Song does not play back when the [START/STOP] button is pressed.
The ACMP ON indicator does not appear when the [ACMP ON/OFF] button is pressed.
The Style does not sound properly. Make sure that the Style Volume (page 53 Function 016) is set to an
The Style does not sound as you play a chord. If the Fingering Type (Function 017; page 53) is set to Multi, the following
The footswitch (for sustain) seems to produce the opposite effect. For example, pressing the foot­switch cuts off the sound and releasing it sustains the sounds.
The sound of the voice changes from note to note. This is normal. The AWM tone generation method uses multiple record-
This is normal and indicates that the instr ument is receiving electrical power.
interference. To prevent this, turn off the mobile phone or use it further away from the instrument.
When you use the instrument along with the application on your smart device, we recommend that you set “Airplane Mode” to “ON” on your smart device in order to avoid noise caused by communication.
Check that nothing is connected to the [PHONES/OUTPUT] jack on the rear panel. When a set of headphones is plugged into this jack, no sound is output.
Check the Local Control on/off setting. (See page 54 Function 037.) Make sure Local Control is set to ON.
Is Storage Mode set to ON? Make sure Storage Mode is set to OFF; refer to “Storage” on page 55 (Function 056).
When using the Dictionary function (page 28), the keys in the right hand area are used only for entering the chord root and type.
The instrument is polyphonic up to a maximum of 48 notes—including Dual voice, Split Voice, auto accompaniment, song, and Metronome. Notes exceeding this limit will not sound.
ing on the selected type. For Types 001–005, turn the Auto Accompani­ment on and play it by pressing a chord in the auto accompaniment section of the keyboard, then play some keys in the right-hand side to produce the Harmony effect. For Types 006–026, turning auto accom­paniment on or off has no effect. However, it is necessary to play two notes simultaneously for Types 006–012.
Is External Clock set to ON? Make sure External Clock is set to OFF; refer to “Function Settings” on page 54 (Function 038).
• Always press the [STYLE] button first when you are going to use any Style-related function.
• The ACMP ON indicator does not appear when the Duo mode is on.
appropriate level.
Is the Split Point set to an appropriate key for the chords you are play­ing? Set the Split Point to an appropriate key (page 52 Function 003). Is the “ACMP” indicator showing in the display? If it is not showing, press the [ACMP ON/OFF] button so that it does show.
conditions will occur.
• The auto accompaniment will sometimes not change when related chords are played in sequence (e.g., some minor chords followed by the minor seventh).
• Two-note fingerings will produce a chord based on the previously played chord.
• Playing two same root keys in the adjacent octaves produces accom­paniment based only on the root.
The polarity of the footswitch is reversed. Make sure that the footswitch plug is properly connected to the [SUSTAIN] jack before turning on the power.
ings (samples) of an instrument across the range of the keyboard; thus, the actual sound of the voice may be slightly different from note to note.
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Page 57
Troubleshooting
Problem Possible Cause and Solution
• The volume is too soft.
• The sound quality is poor.
• The rhythm stops unexpectedly or will not play.
• The recorded data of the song, etc. does not play correctly.
• The LCD display suddenly goes dark, and all panel settings are reset.
Power suddenly and unexpectedly turns off. This is normal and the Auto Power Off function may have been activated
When the instrument is turned on, power is turned off suddenly and unexpectedly.
The application on your smart device doesn’t rec­ognize the instrument.
The batteries are low or dead. Replace all six batteries with completely new ones, or use the included AC adaptor.
(page 13). If you need to disable the Auto Power Off function, select “Off” in the Function settings (Function 060; page 55).
The protection circuit has been activated due to over current. This may occur when an AC adaptor other than the one specified is used, or an AC adaptor is damaged. Use the specified adaptor (page 85) only. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha ser vice personnel.
Is Storage Mode set to ON? Make sure that Storage Mode is set to OFF; refer to “Function Settings” on page 55 (Function 056).
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
Appendix
57
Page 58

Song Book Sample

Für Elise
Für Elise is an all-time classical favorite. The beautiful, well-known melody is repeated a number of times. In each step you won’t be practicing alone. You have a wonderful orchestra to back you up! First, listen to the example a few times. It won’t be long before you’ll want to start playing it yourself!
Für Elise With Step Map
.......................................................................12
Song No.004
Basic
Warm-up Exercise - “The Semitone Mystery” ....................................14
Diligent Practice Time ................................................................15
Warm-up Exercise - “Basic Accompaniment” ..................................... 16
Diligent Practice Time ................................................................16
First Half Review ...................................................................... 17
Diligent Practice Time ................................................................17
Warm-up Exercise - “The Jump Competition” ....................................18
“EEEEE!” ................................................................................ 18
“Left! Right! Left! Right!” ............................................................ 19
Second Half Review ...................................................................19
Play the Whole Song! .................................................................19
L. v. Beethoven
This score is provided with the part of the song book (free downloadable scores). The song book contains not only the scores for all internal songs (excepting Songs 1–3) but also music terms and important points for your practice. To obtain this SONG BOOK, access the Yamaha website and download it from the product web page.
Yamaha Global Site https://www.yamaha.com
* The Song book is provided in English, French, German and Spanish.
This example introduces part of the English song book.
Appendix
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Page 59
Song Book Sample
Before Playing...
Sit Correctly Finger Numbering
Sit near the middle of the keyboard.
Reading the Score
The Keyboard, Staff Lines, and Clef
Treble clef
Bass clef
Time Signatures and Counting Time
4/4 time 2/2 time 2/4 time
3/4 time 6/8 time 9/8 time
1 octave
2 black keys 3 black keys
Accidentals
(Sharp) Raise a semitone
B
(Flat) Lower a semitone
N
(Natural) Return to normal pitch
Key signature
Clef
Time signature
Notes and Rests
BDEFGACBDEFGA BDCEFGAC BDEFGACBDEFGACC
M
i d d l e
Whole note
Dotted half note
Half note
Dotted quarter note
Quarter note
Eighth note
Sixteenth note
5
 
 
3
2
4
1
1
Left Right
1234
Whole note rest
Dotted half note rest
Half note rest
Dotted quarter note rest
Quarter note rest
Eighth note rest
Sixteenth note rest
3
2
4
5
Appendix
 
   
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
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Page 60
Song Book Sample
Play with both hands as if gently telling a story. It might help to sing or hum the melody as you play.
Similar melody lines and rhythms are repeated in this song, so there aren’t as many sections to practice as
you might think. Enjoy learning each section as you build proficiency.
Für Elise
Song No.004
Basic
With Step Map
From here...
Song No.004
Appendix
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
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Page 61
...to here From here...
...to here
Für Elise
Song No.004
Basic
Song Book Sample
Song No.004 Für Elise Basic
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
Appendix
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Page 62
Song Book Sample
Für Elise
Song No.004
Basic
Warm-up Exercise - “The Semitone Mystery”
Let’s start with a warm-up exercise using three fingers of the right hand.
We’ll start by ascending and descending the white and black keys. Check out the
illustrations until you understand how the fingers are supposed to move, then get
started!
You’ll find it easier to play if you bend your fingers slightly.
Right
Go back to the beginning and play it again.
Song No.004 Für Elise Basic
r
o
f
t
h
d
i
e
s
s
e
u
s
r
e
g
n
i
F
x
e
r
c
i
s
e
M
i d d
l e
C
E
M
i d d l e
C
A E
Appendix
M
i d d l e
C
ABCD
Tip-toe
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
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Für Elise
Song No.004
Basic
Diligent Practice Time
Right! Now that we’re warmed up let’s try playing along with the orchestra in 3/4 time.
The melody will be built up little by little.
Compare each line... notice that many of the shapes formed by the notes are very similar.
Short break
Almost done
E
Song Book Sample
Song No.004 Für Elise Basic
Appendix
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
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Page 64
Song Book Sample
Für Elise
Song No.004
Basic
Warm-up Exercise - “Basic Accompaniment”
And now a warm-up exercise for the left hand.
It’s important to spread your fingers widely from the start.
Don’t play the black keys too strongly.
Diligent Practice Time
Connect the notes smoothly, as if the left hand were passing them to the right hand. You’ll be able to play
smoothly if you move the left hand into position for the next phrase as soon as it finishes playing the first
phrase.
Song No.004 Für Elise Basic
Left hand
Appendix
M i d d l e
AEAE
C
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
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Page 65
Song No.004 Für Elise Basic
Für Elise
Song No.004
Basic
Diligent Practice Time
OK, let’s begin the second half!
You’ll be able to play the melody nicely if you lift your fingers from the keyboard between the slurs.
It might be easier to grasp the key release timing if you sing along with the melody.
Don’t panic and play too strongly where the left hand has to play short notes.
First Half Review
You’ve reached the halfway step! Have you learned all the material provided in the preceding steps?
Now let’s go back and play through all the first-half exercises. If you find that you’re having trouble
playing any of the material, go back and review the steps using the Step Map as a guide.
Always have left-hand finger 5 ready to play the next note!
Song Book Sample
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
Appendix
65
Page 66
Song Book Sample
Für Elise
Song No.004
Basic
Warm-up Exercise - “The Jump Competition”
The first note has a staccato dot.
Spread your fingers wide and jump quickly to the next note!
“EEEEE!”
The only note in this step is E!
Make the connection between the left and right hands as smooth as possible.
Song No.004 Für Elise Basic
Left hand
h
t
i
o
n
w
l
y
s
i
h
t
y
a
l
p
n
a
c
u
o
Y
t
h
e
s
e
f
i
n
g
e
r
s
!
Appendix
Jump to the next E!
And again!
M
i d d l e
EEE
C
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
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Left
Right
Für Elise
Song No.004
Basic
“Left! Right! Left! Right!”
Play “D E” repeatedly, alternating the left and right hands.
Have the next hand ready in position to play D so you won’t have to rush.
Second Half Review
Try playing all the way through the second half.
As we did after the first half, if there are places you can’t play with confidence go back and review the steps.
Play the Whole Song!
This is the finishing step!
Don’t be afraid of making mistakes. Just concentrate on playing the entire song from start to finish.
Practice this with the lessons learned in each step in mind, and gradually you’ll master the whole song.
Song Book Sample
Song No.004 Für Elise Basic
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
Appendix
67
Page 68

Voice List

Maximum Polyphony
The instrument has 48-note maximum polyphony. This means that it can play a maximum of up to 48 notes at once, regardless of what functions are used. Auto accompaniment uses a number of the available notes, so when auto accompaniment is used the total number of available notes for playing on the keyboard is correspondingly reduced. The same applies to the Split Voice and Song functions. If the maximum polyphony is exceeded, earlier played notes will be cut off and the most recent notes have priority (last note priority).
Panel Voice List
Bank Select
Voice
MSB
No.
(0–127)
1 0 115 1 Live! Concert Grand Piano 2 0 112 1 Grand Piano 3 0 112 2 Bright Piano 4 0 112 7 Harpsichord 5 0 112 4 Honky Tonk Piano 6 0 112 3 MIDI Grand Piano 701133CP80
8 0 118 5 Cool! SuitcaseEP 9 0 118 6 JazzChorusEP
Appendix
10 0 120 5 PhaseEP 11 0 119 5 Cool! TremoloEP 12 0 121 5 Cool! ElectricPiano 13 0 117 5 StageEP 14 0 114 5 Cool! Galaxy Electric Piano 15 0 113 6 Hyper Tines 16 0 112 5 Funky Electric Piano 17 0 112 6 DX Modern Electric Piano 18 0 114 6 Venus Electric Piano 19 0 112 8 Clavi 20 0 113 8 WahClavi
21 0 118 19 Cool! Organ 22 0 117 19 Cool! Rotor Organ 23 0 112 17 Jazz Organ 1 24 104 49 17 Jazz Organ 1+RotaryFast 25 0 113 17 Jazz Organ 2 26 104 50 17 Jazz Organ 2+RotaryFast 27 0 112 19 Rock Organ 28 0 120 19 Octave Shift Organ 29 0 114 19 Purple Organ 30 0 112 18 Click Organ 31 0 116 17 Bright Organ 32 0 127 19 Theater Organ 33 0 121 20 16'+2' Organ 34 0 120 20 16'+4' Organ 35 0 113 20 Chapel Organ 36 0 112 20 Pipe Organ 37 0 112 21 Reed Organ
38 0 112 22 Musette Accordion 39 0 113 22 Traditional Accordion 40 0 113 24 Bandoneon 41 0 113 23 Modern Harp 42 0 114 23 Blues Harp 43 0 115 23 Harmonica
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
68
LSB
(0–127)
MIDI
Program
Change#
(1–128)
PIANO
E.PIANO
ORGAN
ACCORDION
Voice Name
NOTE
• The Voice List includes MIDI program change numbers for each voice. Use these program change numbers when playing the instrument via MIDI from an external device.
• Program change numbers are often specified as numbers “0–127. For these cases, it is necessary to subtract 1 from the intended pro­gram change number to select the appropriate sound, because this list uses a “1–128” numbering system. For example, to select pro­gram change number 38 in the list below, transmit program change number 37.
• Some voices may sound continuously or have a long decay after the notes have been released while the sustain pedal (footswitch) is held.
Bank Select
Voice
MSB
No.
(0–127)
44 8 96 1
45 8 96 2
46 8 97 1
47 8 97 2 S.Art Lite Steel Guitar Slide *** 48 8 96 6 S.Art Lite Distortion Guitar *** 49 0 116 25 Dynamic Nylon Guitar 50 0 118 30 Dynamic Overdriven 51 0 121 31 Dynamic Distortion Guitar 52 0 122 25 Nylon Guitar 53 0 112 25 Classical Guitar 54 104 25 26 Steel Guitar 55 0 112 26 Folk Guitar 56 0 112 27 Jazz Guitar 57 0 117 28 60s Clean Guitar 58 0 113 26 12Strings Guitar 59 0 112 28 Clean Guitar 60 0 127 28 Wah Guitar 61 0 113 27 Octave Guitar 62 0 112 29 Muted Guitar 63 0 112 30 Overdriven Guitar 64 0 112 31 Distortion Guitar 65 0 127 31 Wah Distortion Guitar
66 8 96 18 S.Art Lite Slap Bass *** 67 0 116 34 Dynamic Electric Bass 68 0 112 34 Finger Bass 69 0 112 33 Acoustic Bass 70 0 112 35 Pick Bass 71 0 112 36 Fretless Bass 72 0 112 37 Slap Bass 73 0 121 40 Funk Bass 74 0 112 39 Synth Bass 75 0 113 39 Hi-Q Bass 76 0 113 40 Dance Bass
77 8 96 50 S.Art Lite Strings *** 78 0 117 50 Live! Strings 79 104 23 49 Studio Strings 80 0 112 49 Strings 81 0 112 50 Chamber Strings 82 0 115 50 Marcato Strings 83 0 113 50 Slow Strings 84 0 112 45 Tremolo Strings 85 0 112 51 Synth Strings
LSB
(0–127)
MIDI
Program
Change#
(1–128)
GUITAR
S.Art L ite Nylon Guitar Harmonics ***
S.Art L ite Steel Guitar Harmonics ***
S.Art L ite Nylon Guitar Slide ***
BASS
STRINGS
Voice Name
Page 69
Voice List
Bank Select
Voice
MSB
No.
(0–127)
86 0 112 46 Pizzicato Strings 87 0 116 46 Orchestra Pizzicato Strings 88 0 113 41 Sweet! Violin 89 0 112 41 Violin 90 0 112 43 Cello 91 0 112 44 Contrabass 92 0 112 47 Harp 93 0 112 56 Orchestra Hit
94 8 96 55 S.Art Lite Gospel Choir *** 95 0 112 53 Choir 96 104 12 54 Gospel Hmm 97 104 13 54 Gospel Wow 98 0 113 53 Vocal Ensemble 99 0 112 55 Air Choir
100 0 112 54 Vox Human a
101 8 96 83 S.Ar t Lite Tenor Sax *** 102 0 122 67 Sax Section 103 0 117 67 Sweet! Tenor Sax 104 0 112 67 Tenor Sax 105 0 112 66 A lto Sa x 106 0 112 65 Soprano Sax 107 0 112 68 Baritone Sax 108 0 114 67 Breathy Tenor Sax 109 0 116 66 Small Sax Section
110 0 112 72 Clarinet
111 0 112 69 Oboe
112 0 112 70 English Horn
113011271Bassoon
114 0 112 57 Trumpet
115 0 127 57 Distortion Trumpet
116 0 112 58 Trombone
117 0 113 58 Trombone Section
118 0 112 60 Muted Trumpet
119 0 112 61 French Horn 120 0 112 59 Tuba
121 8 96 57 S.Ar t Lite Brass Section *** 122 0 117 63 Live! Brass 123 0 112 62 Brass Section 124 0 113 62 Big Band Brass 125 0 116 62 Octave Brass 126 0 113 63 80s Brass 127 0 119 62 Mellow Horns 128 0 115 63 Funky Brass 129 0 114 63 Techno Brass 130 0 112 63 Synth Brass
131 8 96 74 S.Art Lite Flute *** 132 0 114 74 Sweet! Flute 133 0 115 74 Sweet! Classical Flute 134 0 112 74 Flu te 135 0 112 73 Piccolo 136 0 112 76 Pan Flute 137 0 112 75 Recorder 138 0 112 80 Oca rina
139 104 20 91 Gemini 140 104 21 91 Hands Up! 141 0 112 81 Square Lead
LSB
(0–127)
MIDI
Program
Change#
(1–128)
CHOIR
SAXOPHONE
TRUMPET
BRASS
FLUTE
SYNT H
Voice Name
Bank Select
Voice
MSB
No.
(0–127)
142 0 112 82 Sawtooth Lead 143 0 108 82 RS Tech Saw 144 0 112 88 Under Heim 145 0 112 85 Portatone 146 0 115 82 Analogon 1 147 0 119 82 Fargo 1 148 104 53 82 Analogon 2 149 104 54 82 Fargo 2 150 0 112 86 Voice Lead 151 0 121 82 Funky Lead 152 0 118 89 Sweet Heaven 153 0 121 89 Dream Heaven 154 0 113 89 Symbiont 155 0 112 99 Stardust 156 0 112 101 Brightness 157 0 112 92 Xenon Pad 158 0 112 95 Equinox 159 0 112 89 Fantasia 160 0 113 90 Dark Moon 161 0 113 101 B ell Pad 162 0 126 90 RS Analog Pad 163 0 116 91 RS Short Resonance
164 0 112 12 Vibraphone 165 0 113 12 Jazz Vibes 166 0 112 13 Marimba 167 0 112 14 Xylophone 168 0 112 115 Steel Drums 169 0 112 9 Celesta 170 0 112 11 Mus ic Box 171 0 112 15 Tubular Bells 172 0 112 48 Timpani
173 0 112 106 Banjo 174 0 0 111 Fi d dl e 175 0 0 110 Bagpipe 176 0 0 16 Du lcimer 1 177 0 35 16 Dulcimer 2 178 0 96 16 Cimbalom 179 0 121 16 Santur 180 0 97 108 Kanoon 181 0 98 106 Oud 182 0 96 106 Rabab 1830 0109Kalimba 184 0 113 21 Harmonium 1 (Single Reed) 185 0 114 21 Harmonium 2 (Double Reed) 186 0 115 21 Harmonium 3 (Triple Reed) 187 0 114 105 Tanpura 188 0 96 112 Pungi 189 0 117 74 Bansuri 1900 0105Sitar 1 191 0 32 105 Detuned Sitar 192 0 35 105 Sitar 2 193 0 0 112 Shehnai 194 0 97 106 Gopichant 195 0 116 117 Tabl a 19 6 0 115 111 E r H u 197 0 118 74 Di Z i 198 0 116 10 6 P i Pa 199 0 113 108 Gu Zheng 200 0 40 47 Yang Qin 201 0 120 111 Morin Khuur
LSB
(0–127)
MIDI Program Change#
(1–128)
PERCUSSION
WORLD
Voice Name
Appendix
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Voice List
Bank Select
Voice
MSB
No.
(0–127)
202 0 124 74 Suling 203 0 0 107 Shamisen 204 0 0 108 Koto 205 0 96 108 Taisho-kin
206 Octave Piano 207 Piano & Strings 208 Piano Pad 209 Octave Harpsichord 210 Tiny Electric Piano
211 Electric Piano Pad 212–––Full Organ 213 Octave Jazz Guitar 214 Octave Strings 215 Orchestra Section 216 Octave Pizzicato Strings 217 Strings Session 218 Brass Tutti 219 Orchestra Tutti 220 Octave French Horns 221 Octave Harp 222 Orchestra Hit & Timpani 223 Octave Choir 224 Jazz Brass Section 225 Jazz Section 226 Ballroom Sax Ensemble 227 Ballroom Brass
Appendix
228 Flute & Clarinet 229 Trumpet & Trombone 230 Fat Synth Brass 231 Octave Lead 232 Super 5th Lead
233 0 0 121 Fret Noise 234 0 0 122 Breath Noise 235 0 0 123 Seashore 236 0 0 124 Bird Tweet 1 237 0 0 125 Telephone Ring 1 238 0 0 126 Helicopter 239 0 0 127 Applause 240 0 113 116 Hand Clap 241 0 0 128 Gunshot
242 127 0 88 Power Kit 243 127 0 1 Standard Kit 1 244 127 0 2 Standard Kit 2 245 127 0 9 Room Kit 246 127 0 17 Rock Kit 247 127 0 25 Electronic Kit 248 127 0 26 Analog Kit 249 127 0 113 Dance Kit 250 127 0 33 Jazz Kit 251 127 0 41 Brush Kit 252 127 0 49 Symphony Kit 253 126 0 128 StdKit 1 + Chinese Perc. 254 126 0 40 Indian Kit 1 255 126 0 115 Indian Kit 2 256 126 0 55 StdKit 1 + Indonesian Perc. 1 257 126 0 56 StdKit 1 + Indonesian Perc. 2 258 126 0 57 StdKit 1 + Indonesian Perc. 3 259 126 0 37 Arabic Kit 260 126 0 41 Cuban Kit
LSB
(0–127)
SOUND EFFECTS
MIDI
Program
Change#
(1–128)
DUAL*
DRUM KITS
Voice Name
Bank Select
Voice
MSB
No.
(0–127)
261 126 0 1 SFX Kit 1 262 126 0 2 SFX Kit 2 263 126 0 113 Sound Effect Kit
264 Concerto 265 Latin Rock 266 Brass Section 267 Piano Ballad 268 Synth Sequence 269 Guitarist 270 Pickin' 271 Spanish 272 Funky Clavi 273 Harpeggio 274 Finger Bass Left 275 Combo Jazz Left 276 Paul's Bass Left 277 Trance Bass Left 278 Acid Bass Left 279 Piano Ballad Left 280 Salsa Piano Left 281 Piano Arpeggio Left 282 Guitar Arpeggio Left 283 Strum Left
* When you select a Voice of the DUAL category, two voices
sound at the same time.
** Selecting a Voice number between 264 and 283 will turn
on Arpeggio.
*** S.Art Lite voice (page 19)
LSB
(0–127)
MIDI Program Change#
(1–128)
ARPEGGIO**
Voice Name
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XGlite Voice List
Bank Select
Voice
MSB
No.
(0–127)
284 0 0 1 Grand Piano 285 0 1 1 Grand Piano KSP 286 0 40 1 Piano Strings 287 0 41 1 Dream 288 0 0 2 Bright Piano 289 0 1 2 Bright Piano KSP 290 0 0 3 Electric Grand Piano 291 0 1 3 Electric Grand Piano KSP 292 0 32 3 Detuned CP80 293 0 0 4 Honky Tonk Piano 294 0 1 4 Honky Tonk Piano KSP 295 0 0 5 Electric Piano 1 296 0 1 5 Electric Piano 1 KSP 297 0 32 5 Chorus Electric Piano 1 298 0 0 6 Electric Piano 2 299 0 1 6 Electric Piano 2 KSP 300 0 32 6 Chorus Electric Piano 2 301 0 41 6 DX + Analog Electric Piano 302 0 0 7 Harpsichord 1 303 0 1 7 Harpsichord KSP 304 0 35 7 Harpsichord 2 305 0 0 8 Clavi 306 0 1 8 Clavi KSP
307 0 0 9 Celesta 308 0 0 10 Glockenspiel 309 0 0 11 Music Box 1 310 0 64 11 Music Box 2
311 0 0 12 Vibraphone 312 0 1 12 Vibraphone KSP 313 0 0 13 Marimba 314 0 1 13 Marimba KSP 315 0 64 13 Sine Marimba 316 0 97 13 Balimba 317 0 98 13 Log Drums 318 0 0 14 Xylophone 319 0 0 15 Tubular Bells 320 0 96 15 Church Bells 321 0 97 15 Carillon
322 0 0 17 Drawbar Organ 1 323 0 32 17 Detuned Drawbar Organ 324 0 33 17 60s Drawbar Organ 1 325 0 34 17 60s Drawbar Organ 2 326 0 35 17 70s Drawbar Organ 1 327 0 37 17 60s Drawbar Organ 3 328 0 40 17 16+2'2/3 Organ 329 0 64 17 Organ Bass 330 0 65 17 70s Drawbar Organ 2 331 0 66 17 Cheezy Organ 332 0 67 17 Drawbar Organ 2 333 0 0 18 Percussive Organ 1 334 0 24 18 70s Percussive Organ 335 0 32 18 Detuned Percussive Organ 336 0 33 18 Light Organ 337 0 37 18 Percussive Organ 2 338 0 0 19 Rock Organ 339 0 64 19 Rotary Organ 340 0 65 19 Slow Rotary Organ 341 0 66 19 Fast Rotary Organ
LSB
(0–127)
MIDI
Program
Change#
(1–128)
XG PIANO
XG CHROMATIC
XG ORGAN
Voice Name
Voice List
Bank Select
Voice
MSB
No.
(0–127)
342 0 0 20 Church Organ 1 343 0 32 20 Church Organ 3 344 0 35 20 Church Organ 2 345 0 40 20 Notre Dame 346 0 64 20 Organ Flute 347 0 65 20 Tremolo Organ Flute 348 0 0 21 Reed Organ 349 0 40 21 Puff Organ 350 0 0 22 Accordion 351 0 0 23 Harmonica 1 352 0 32 23 Harmonica 2 353 0 0 24 Tango Accordion 1 354 0 64 24 Tango Accordion 2
355 0 0 25 Nylon Guitar 1 356 0 25 25 Nylon Guitar 3 357 0 43 25 Velocity Guitar Harmonics 358 0 96 25 Ukulele 359 0 0 26 Steel Guitar 360 0 35 26 12-string Guitar 361 0 40 26 Nylon & Steel Guitar 362 0 41 26 Steel Guitar with Body Sound 363 0 96 26 Mandolin 364 0 0 27 Jazz Guitar 365 0 32 27 Jazz Amp 366 0 0 28 Clean Guitar 367 0 32 28 Chorus Guitar 368 0 0 29 Muted Guitar 369 0 40 29 Funk Guitar 370 0 41 29 Muted Steel Guitar 371 0 45 29 Jazz Man 372 0 0 30 Overdriven Guitar 373 0 43 30 Guitar Pinch 374 0 0 31 Distortion G uitar 375 0 40 31 Feedback Guitar 1 376 0 41 31 Feedback Guitar 2 377 0 0 32 Guitar Harmonics 1 378 0 65 32 Guitar Feedback 379 0 66 32 Guitar Harmonics 2
380 0 0 33 Acoustic Bass 381 0 40 33 Jazz Rhythm 382 0 45 33 Velocity Crossfade Upright Bass 383 0 0 34 Finger Bass 1 384 0 18 34 Finger Bass Dark 385 0 40 34 Bass & Distorted Electric Guitar 386 0 43 34 Finger Slap Bass 387 0 45 34 Finger Bass 2 388 0 65 34 Modulated Bass 389 0 0 35 Pick Bass 390 0 28 35 Muted Pick Bass 391 0 0 36 Fretless Bass 1 392 0 32 36 Fretless Bass 2 393 0 33 36 Fretless Bass 3 394 0 34 36 Fretless Bass 4 395 0 0 37 Slap Bass 1 396 0 32 37 Punch Thumb Bass 397 0 0 38 Slap Bass 2 398 0 43 38 Velocity Switch Slap 399 0 0 39 Synth Bass 1 400 0 40 39 Techno Synth Bass
LSB
(0–127)
MIDI Program Change#
(1–128)
XG GUITAR
XG BASS
Voice Name
Appendix
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Voice List
Bank Select
Voice
MSB
No.
(0–127)
401 0 0 40 Synth Bass 2 402 0 6 40 Mellow Synth Bass 403 0 12 40 Sequenced Bass 404 0 18 40 Click Synth Bass 405 0 19 40 Synth Bass 2 Dark 406 0 40 40 Modular Synth Bass 407 0 41 40 DX Bass
408 0 0 41 Violin 409 0 8 41 Slow Violin 410 0 0 42 Viola
411 0 0 43 Cello 412 0 0 44 Contrabass 413 0 0 45 Tremolo Strings 414 0 8 45 Slow Tremolo Strings 415 0 40 45 Suspense St rings 416 0 0 46 Pizzicato Strings 417 0 0 47 Orchestral Harp 418 0 0 48 Timpani
419 0 0 49 Strings 1 420 0 3 49 Stereo Strings 421 0 8 49 Slow Strings 422 0 35 49 60s Strings 423 0 40 49 Orchestra 1 424 0 41 49 Orchestra 2 425 0 42 49 Tremolo Orchestra
Appendix
426 0 45 49 Velocity Strings 427 0 0 50 Strings 2 428 0 3 50 Stereo Slow Strings 429 0 8 50 Legato Strings 430 0 40 50 Warm Strings 431 0 41 50 Kingdom 432 0 0 51 Synth Strings 1 433 0 64 51 Synth Strings 4 434 0 0 52 Synth Strings 2 435 0 0 53 Choir Aahs 436 0 3 53 Stereo Choir 437 0 32 53 Mellow Choir 438 0 40 53 Choir Strings 439 0 0 54 Voice Oohs 440 0 0 55 Synth Voice 1 441 0 40 55 Synth Voice 2 442 0 41 55 Choral 443 0 64 55 Analog Voice 444 0 0 56 Orchestra Hit 1 445 0 35 56 Orchestra Hit 2 446 0 64 56 Impact
447 0 0 57 Trumpet 448 0 32 57 Warm Trumpet 449 0 0 58 Trombone 1 450 0 18 58 Trombone 2 451 0 0 59 Tuba 452 0 0 60 Muted Trumpet 453 0 0 61 French Horn 1 454 0 6 61 French Horn Solo 455 0 32 61 French Horn 2 456 0 37 61 Horn Orchestra 457 0 0 62 Brass Section 458 0 35 62 Trumpet & Trombone Section 459 0 0 63 Synth Brass 1
LSB
(0–127)
MIDI
Program
Change#
(1–128)
XG STRINGS
XG ENSEMBLE
XG BRASS
Voice Name
Bank Select
Voice
MSB
No.
(0–127)
460 0 20 63 Resonant Synth Brass 461 0 0 64 Synth Brass 2 462 0 18 64 Soft Brass 463 0 41 64 Choir Brass
464 0 0 65 Soprano Sax 465 0 0 66 Alto Sax 466 0 40 66 Sax Section 467 0 0 67 Tenor Sax 468 0 40 67 Breathy Tenor Sax 469 0 0 68 Baritone Sax 470 0 0 69 Oboe 471 0 0 70 English Horn 472 0 0 71 Bassoon 473 0 0 72 Clarinet
474 0 0 73 Piccolo 475 0 0 74 Flute 476 0 0 75 Recorder 477 0 0 76 Pan Flute 478 0 0 77 Blown Bottle 479 0 0 79 Whistle 480 0 0 80 Ocarina
481 0 0 81 Square Lead 1 482 0 6 81 Square Lead 2 483 0 8 81 LM Square 484 0 18 81 Hollow 485 0 19 81 Shroud 486 0 64 81 Mellow 487 0 65 81 Solo Sine 488 0 66 81 Sine Lead 489 0 0 82 Sawtooth Lead 1 490 0 6 82 Sawtooth Lead 2 491 0 8 82 Thick Sawtooth 492 0 18 82 Dynamic Sawtooth 493 0 19 82 Digital Sawtooth 494 0 20 82 Big Lead 495 0 24 82 Heavy Synth 496 0 96 82 Sequenced Analog 497 0 0 83 Calliope Lead 498 0 65 83 Pure Lead 499 0 0 84 Chiff Lead 500 0 0 85 Charang Lead 501 0 64 85 Distorted Lead 502 0 0 86 Voice Lead 503 0 0 87 Fifths Lead 504 0 35 87 Big Five 505 0 0 88 Bass & Lead 506 0 16 88 Big & Low 507 0 64 88 Fat & Perky 508 0 65 88 Soft Whirl
509 0 0 89 New Age Pad 510 0 64 89 Fantasy 511 0 0 90 Warm Pad 512 0 0 91 Poly Synth Pad 513 0 0 92 Choir Pad 514 0 66 92 Itopia 515 0 0 93 Bowed Pad 516 0 0 94 M etallic Pad 517 0 0 95 Halo Pad
LSB
(0–127)
XG SYNTH LEAD
MIDI Program Change#
(1–128)
XG REED
XG PIPE
XG SYNTH PAD
Voice Name
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Voice List
Bank Select
Voice
MSB
No.
(0–127)
518 0 0 96 Sweep Pad
519 0 0 97 Rain 520 0 64 97 Harmo Rain 521 0 65 97 African Wind 522 0 66 97 Carib 523 0 0 98 Sound Track 524 0 27 98 Prologue 525 0 0 99 Crystal 526 0 12 99 Synth Drum Comp 527 0 14 99 Popcorn 528 0 18 99 Tiny Bells 529 0 35 99 Round Glockenspiel 530 0 40 99 Glockenspiel Chimes 531 0 41 99 Clear Bells 532 0 42 99 Chorus Bells 533 0 65 99 Soft Crystal 534 0 70 99 Air Bells 535 0 71 99 Bell Harp 536 0 72 99 Gamelimba 537 0 0 100 Atmosphere 538 0 18 100 Warm Atmosphere 539 0 19 100 Hollow Release 540 0 40 100 Nylon Electric Piano 541 0 64 100 Nylon Harp 542 0 65 100 Harp Vox 543 0 66 100 Atmosphere Pad 544 0 0 101 Brightness 545 0 0 102 Goblins 546 0 64 102 Goblins Synth 547 0 65 102 Creeper 548 0 67 102 Ritual 549 0 68 102 To Heaven 550 0 70 102 Night 551 0 71 102 Glisten 552 0 96 102 Bell Choir 553 0 0 103 Echoes 554 0 65 103 Big Pan 555 0 0 104 Sci-Fi
556 0 0 78 Shakuhachi 557 0 97 105 Tamboura 558 0 0 106 Banjo 559 0 28 106 Muted Banjo
560 0 0 113 Tinkle Bell 561 0 96 113 Bonang 562 0 97 113 Altair 563 0 98 113 Gamelan Gongs 564 0 99 113 Stereo Gamelan Gongs 565 0 100 113 Rama Cymbal 566 0 0 114 Agogo 567 0 0 115 Steel Drums 568 0 97 115 Glass Percussion 569 0 98 115 Thai Bells 570 0 0 116 Woodblock 571 0 96 116 Castanets 572 0 0 117 Taiko Drum 573 0 96 117 Gran Cassa 574 0 0 118 Melodic Tom 1 575 0 64 118 Melodic Tom 2 576 0 65 118 Real Tom
MIDI
Program
LSB
Change#
(0–127)
(1–128)
XG SYNTH EFFECTS
XG WORLD
XG PERCUSSIVE
Voice Name
Bank Select
Voice
MSB
No.
(0–127)
577 0 66 118 Rock Tom 578 0 0 119 Synth Drum 579 0 64 119 Analog Tom 580 0 65 119 Electronic Percussion 581 0 0 120 Reverse Cymbal
582 64 0 1 Cutting Noise 1 583 64 0 2 Cutting Noise 2 584 64 0 4 String Slap 585 64 0 17 Flute Key Click 586 64 0 33 Shower 587 64 0 34 Thunder 588 64 0 35 Wind 589 64 0 36 Stream 590 64 0 37 Bubble 591 64 0 38 Feed 592 64 0 49 Dog 593 64 0 50 Horse 594 64 0 51 Bird Tweet 2 595 64 0 56 Maou 596 64 0 65 Phone Call 597 64 0 66 Door Squeak 598 64 0 67 Door Slam 599 64 0 68 Scratch Cut 600 64 0 69 Scratch Split 601 64 0 70 Wind Chime 602 64 0 71 Telephone Ring 2 603 64 0 81 Car Engine Ignition 604 64 0 82 Car Tires Squeal 605 64 0 83 Car Passing 606 64 0 84 Car Crash 607 64 0 85 Siren 608 64 0 86 Train 609 64 0 87 Jet Plane 610 64 0 88 Starship 611 64 0 89 Burst 612 64 0 90 Roller Coaster 613 64 0 91 Submarine 614 64 0 97 Laugh 615 64 0 98 Scream 616 64 0 99 Punch 617 64 0 100 Heartbe at 618 64 0 101 Footsteps 619 64 0 113 Machine Gun 620 64 0 114 Laser Gun 621 64 0 115 Explosion 622 64 0 116 Firework
MIDI Program
LSB
Change#
(0–127)
(1–128)
XG SOUND EFFECTS
Voice Name
Appendix
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
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Page 74

Standard Kit 1 List

A1
B1
C2
D2
E2
C#1
D#1
C1
D1
E1
F1
G1
G#1
F#1
A#1
C#2
D#2
F2
G2
A2
B2
F#2
G#2
A#2
C#3
D#3
C3
D3
E3
• For drum kits other than Standard Kit 1, refer to “Drum Kit List” on the website (page 8).
Appendix
The lowest key
Voice No. 243
Standard Kit 1
C
1
C#
1
D
1
D#
1
E
1
F
1
F#
1
G 1 Snare Soft
G# 1Sticks
A 1 Bass Drum Soft
A# 1 Open Rim Shot
B 1 Bass Drum Hard
C 2 Bass Drum
C# 2 Side Stick
D 2 Snare
D# 2 Hand Clap
E 2 Snare Tight
F 2 Floor Tom L
F# 2 Hi-Hat Closed
G 2 Floor Tom H
G# 2 Hi-Hat Pedal
A2 Low Tom
A# 2 Hi-Hat Open
B 2 Mid Tom L
C 3 Mid Tom H
C# 3 Crash Cymbal 1
D 3 High Tom
D# 3 Ride Cymbal 1
E 3 Chinese Cymbal
Seq Click H
Brush Tap
Brush Swirl
Brush Slap
Brush Tap Swirl
Snare Roll
Castanet
F3
G3
A3
B3
C4
D4
E4
F4
G4
A4
B4
C5
D5
E5
F5
G5
A5
B5
C6
Voice No. 243
Standard Kit 1
F 3 Ride Cymbal Cup
F# 3 Tambourine
F#3
G 3 Splash Cymbal
G# 3Cowbell
G#3
A 3 Crash Cymbal 2
A# 3Vibraslap
A#3
B 3 Ride Cymbal 2
C 4 Bongo H
C# 4 Bongo L
C#4
D4 Conga H Mute
D# 4 Conga H Open
D#4
E4 Conga L
F4 Timbale H
F# 4 Timbale L
F#4
G 4 Agogo H
G# 4 Agogo L
G#4
A 4 Cabasa
A# 4 Maracas
A#4
B 4 Samba Whistle H
C 5 Samba Whistle L
C# 5Guiro Short
C#5
D 5 Guiro Long
D# 5 Claves
D#5
E 5 Wood Block H
F 5 Wood Block L
F# 5Cuica Mute
F#5
G 5 Cuica Open
G# 5 Triangle Mute
G#5
A 5 Triangle Open
A# 5Shaker
A#5
B 5 Jingle Bells
C6 Bell Tree
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
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Song List

Song No. Song Name
001 Demo 1 (Yamaha Original) 002 Demo 2 (Yamaha Original) 003 Demo 3 (Yamaha Original)
004 Für Elise (Basic) (L. v. Beethoven) 005 Für Elise (Advanced) (L. v. Beethoven) 006 Twinkle Twinkle Little Star (Basic) (Traditional) 007 Twinkle Twinkle Little Star (Advanced) (Traditional) 008 Turkish March (Basic) (W.A. Mozart) 009 Turkish March (Advanced) (W.A. Mozart)
010 Ode to Joy (Basic) (L. v. Beethoven) 011 Ode to Joy (Advanced) (L. v. Beethoven) 012 The Entertainer (Basic) (S. Joplin) 013 The Entertainer (Advanced) (S. Joplin) 014 Londonderry Air (Basic) (Traditional) 015 Londonderry Air (Advanced) (Traditional) 016 The Last Rose of Summer (Basic) (Traditional) 017 The Last Rose of Summer (Advanced) (Traditional) 018 Amazing Grace (Basic) (Traditional) 019 Amazing Grace (Advanced) (Traditional)
020 Frère Jacques (Traditional) 021 Der Froschgesang (Traditional) 022 Aura Lee (Traditional) 023 London Bridge (Traditional) 024 Sur le pont d'Avignon (Traditional) 025 Nedelka (Traditional) 026 Aloha Oe (Q. Liliuokalani) 027 Sippin’ Cider Through a Straw (Traditional) 028 Old Folks at Home (S. C. Foster) 029 Bur y Me Not on the Lone Prairie (Traditional) 030 Old MacDonald Had A Farm (Traditional) 031 Santa Lucia (A. Longo) 032 If You’re Happy and You Know It (Traditional) 033 Beautiful Dreamer (S. C. Foster) 034 Greensleeves (Traditional) 035 Kalinka (Traditional) 036 Holdilia Cook (Traditional) 037 Ring de Banjo (S. C. Foster) 038 La Cucaracha (Traditional) 039 Funiculi Funicula (L. Denza) 040 Largo (from the New World) (A. Dvořák) 041 Brahms’ Lullaby (J. Brahms) 042 Liebesträume Nr.3 (F. Liszt) 043 Pomp and Circumstance (E. Elgar) 044 Chanson du Toreador (G. Bizet) 045 Jupiter, the Bringer of Jollity (G. Holst) 046 The Polovetsian Dances (A. Borodin) 047 Die Moldau (B. Smetana) 048 Salut d'Amour op.12 (E. Elgar) 049 Humoresques (A. Dvořák)
Symphony No.9 (from the New World - 4th movement)
050
(A. Dvořák)
051 O du lieber Augustin (Traditional) 052 Mar y Had a Little Lamb (Traditional) 053 When Irish Eyes Are Smiling (E. R. Ball) 054 Little Brown Jug (Traditional) 055 Ten Little Indians (Traditional) 056 On Top of Old Smoky (Traditional) 057 My Darling Clementine (Traditional) 058 Oh! Susanna (S. C. Foster) 059 Red River Valley (Traditional) 060 Turkey in the Straw (Traditional)
TOP PICK
LEARN TO PLAY
FAVOR IT E
FAVORITE WITH STYLE
Song No. Song Name
061 Muffin Man (R. A. King) 062 Pop Goes the Weasel (Traditional) 063 Grandfather’s Clock (H. C. Work) 064 Camptown Races (S. C. Foster) 065 When the Saints Go Marching In (Traditional) 066 Yankee Doodle (Traditional) 067 Battle Hymn of the Republic (Traditional) 068 I’ve Been Working on the Railroad (Traditional) 069 American Patrol (F. W. Meacham) 070 Down by the Riverside (Traditional)
071 Sicilienne/Fauré (G. Fauré) 072 Swan Lake (P. I. Tchaikovsky) 073 Grand March (Aida) (G. Verdi)
074 Serenade for Strings in C major, op.48 (P. I. Tchaikovsky) 075 Pizzicato Polka (J. Strauss II) 076 Romance de Amor (Traditional) 077 Menuett BWV Anh.114 (J. S. Bach) 078 Ave Verum Corpus (W. A. Mozart) 079 Radetzky Marsch (J. Strauss I)
080 Wenn ich ein Vöglein wär (Traditional) 081 Die Lorelei (F. Silcher) 082 Home Sweet Home (H. R. Bishop) 083 Scarborough Fair (Traditional) 084 My Old Kentucky Home (Traditional) 085 Loch Lomond (Traditional) 086 Silent Night (F. Gruber) 087 Deck the Halls (Traditional) 088 O Christmas Tree (Traditional) 089 090 091 Jesus bleibet meine Freude (J. S. Bach) 092 Prelude op.28-15 “Raindrop” (F. Chopin) 093 Noctur ne op.9-2 (F. Chopin) 094 Etude op.10-3 “Chanson de L'adieu” (F. Chopin) 095 Romanze (Serenade K.525) (W. A. Mozart) 096 Arabesque (J. F. Burgmüller) 097 La Chevaleresque (J. F. Burgmüller) 098 Für Elise (L. v. Beethoven) 099 Turkish March (W.A. Mozart) 100 24 Preludes op.28-7 (F. Chopin)
101 Annie Laurie (Traditional) 102 Jeanie with the Light Brown Hair (S. C. Foster)
Song No. Special Appendix
103–112 TTutor01–TTutor10
113–124 ChdStd01–ChdStd12
125–154 Maj1234–min1476
• Some songs have been edited for length or for ease in learning, and may not be exactly the same as the original.
• A song book (free downloadable scores) is available that includes scores for all internal songs (excepting Songs 1–3). To obtain this SONG BOOK, access the Yamaha website and download it from the product web page.
https://www.yamaha.com
INSTRUMEN T MASTER
PIANO REPERTOIRE
Sonata Pathétique 2nd Adagio Cantabile (L. v. Beethoven) Ave Maria/J. S. Bach - Gounod (J. S. Bach / C. F. Gounod)
TOUCH TUTOR
CHORD STUDY
CHORD PROGRESSION
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
Appendix
75
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Style List

Style
No.
1 BritPopRock 2 8BeatModern 3 Cool8Beat 4 Happy8Beat 5 Shake8Beat 6 BoyBandPop 7SweetPop 8 ContemporaryRock
9 StadiumRock 10 70sRock 11 H a r d Ro c k 1 12 60sGuitarPop 13 8BeatAdria 14 60s8Beat 15 8B eat 16 OffBeat 17 Folkro ck 18 60sRock 19 Ha rdRock 2 20 RockShuffle 21 8BeatRock
Appendix
22 16Beat 23 DancehallPop 24 CinematicPop 25 PopShuffle 26 GuitarPop 27 16BeatUptempo 28 KoolShuffle 29 HipHopLight
30 70sGlamPiano 31 EpicDivaBallad 32 OrchestraRockBallad 33 PianoBallad 34 LoveSong 35 6/8ModernEP 36 6/8SlowRock 37 OrganBallad 38 PopBallad 39 16BeatBallad
40 ClubBeat 41 SkyPop 42 AgagBeat 43 Electronica 44 FunkyHouse 45 RetroClub 46 USHipHop 47 MellowHipHop 48 Chillout
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
76
Style Name
8BEAT
16BE AT
BALLAD
DANCE
Style
No.
49 EuroTrance 50 Ibiza 51 SwingHouse 52 Clubdance 53 ClubLatin 54 Garage 1 55 Garage 2 56 TechnoParty 57 UKPop 58 HipHopGroove 59 HipShuffle 60 HipHopPop
61 ModernDisco 62 70sDisco 63 LatinDisco 64 SaturdayNight 65 DiscoHands
66 BigBandFast 67 BigBandBallad 68 AcousticJazz 69 AcidJazz 70 JazzClub 71 Swing 1 72 Swing 2 73 Five/Four
74 Dixieland
75 Ragtime
76 BluesRock 77 UK Soul 78 JustR&B 79 WorshipAcoustic1 80 WorshipAcoustic2 81 WorshipRockBallad 82 Soul 83 DetroitPop 84 60sRock&Roll 85 6/8Soul 86 CrocoTwist 87 Rock&Roll 88 ComboBoogie 89 6/8Blues
90 CountryPop 91 CountrySwing 92 Country2/4 93 Bluegrass
94 BrazilianSamba 95 BrazilianBossa
Style Name
DISCO
SWING&JAZZ
R&B
COUNTRY
LATIN
Style
No.
96 Bachata 97 CubanSon 98 Guajira 99 BossaNova
100 Forro
101 Sertanejo 1 102 Sertanejo 2 103 Baião 104 TangoArgentino 105 CumbiaPeruana 106 CumbiaColombiana 107 Vallenato 108 Joropo 109 Parranda
110 Merengue
111 ReggaetonPop
112 Reggaeton
113 Tijuana
114 PasoDuranguense
115 CumbiaGrupera
116 BaladaBanda
117 MexicanMambo
118 M am b o
119 Sa l s a 120 Beguine 121 Reggae
122 Hawaiian 123 CelticDance 124 ScottishReel 125 4/4Standart 126 Rumba2/4 127 Saeidy 128 WehdaSaghira 129 IranianElec 130 Emara ti 131 AfricanGospelReggae 132 HighLife1 133 AfricanGospel 134 Makossa 135 ModernAfrobeat 136 HighLife2 137 OrganHighLife 138 IgboHighLife 139 SocaCalypso 140 Azonto 141 IndianPop 142 Bhangra 143 Bhajan 144 BollyMi x 145 Tamil 146 Kerala
Style Name
WORLD
Page 77
Style List
Style
No.
147 GoanPop 148 Rajasthan 149 Dandiya 150 Q awwali 151 FolkHills 152 ModernDangdut1 153 Keroncong 154 ModernDangdut2 155 DangdutUmum 156 DangdutSlowLegend 157 Dangdut3/4 158 KoploRampak 159 LanggamModern 160 DangdutJawa 161 Congdut 162 VietnamesePopBallad 163 Vietnamese6/8Ballad 164 XiQingLuoGu 165 YiZuMinGe 166 JingJuJieZou
167 VienneseWaltz 168 EnglishWaltz 169 Slowfox 170 Foxtrot 171 Q uicks tep 172 Tango 173 Pasodoble 174 Samba 175 ChaChaCha 176 Rumb a 177 J ive
178 U S M arc h 179 6 /8March 180 GermanMarch 181 Po lka Pop 182 OberkrainerPolka 183 Tarantella 184 Showtune 185 ChristmasSwing 186 ChristmasWaltz
187 ItalianWaltz 188 SwingWaltz 189 JazzWaltz 190 ValsMexicano 191 CountryWaltz 192 OberkrainerWalzer 193 Musette
194 Learning2/4
Style Name
BALLROOM
TRADITIONAL
WALTZ
CHILDREN
Style
No.
195 Learning4/4 196 Learning6/8
197 S tride 198 PianoSwing 199 PianoBoogie 200 Arpeggio
201 Habanera 202 SlowRock 203 8BeatPianoBallad 204 6/8PianoMarch 205 PianoWaltz
Style Name
PIANIST
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
Appendix
77
Page 78

Music Database List

MDB No. MDB Name
1 Jude Hey
2 Jumping
3 WrldRock
4 All OK
5YourTune
6USA Surf
7 JustCall
8Get Home
9 GtrWheel
10 IWa sBor n
11 Sailing
12 BluJeans
13 Holiday
14 Imag ine
15 Marriage
16 WiteS hde
17 NowNever
18 Hard D ay
19 USA Pie
20 Norway
21 YesterBd
22 A Magic
Appendix
23 UR Shape
24 Love Me
25 Ideal
26 SweetPop
27 Just Way
28 Speed
29 Cheerful
30 SwftShke
31 Watches
32 PrtTmLvr
33 S Party
34 MoonShdw
35 NikitSng
36 GirlsMne
37 Radio
38 Attempt
39 OnAStr ng
40 WhatWant
41 ThankFor
42 Tmbourin
43 RubyGirl
44 TopWorld
45 TeachSng
46 Each Min
47 ShakenUp
48 CrocRock
49 HurryLov
50 Champion
51 Jailhous
ALL TIME HITS
POP & ROCK
MDB No. MDB Name
52 Rock&Rll
53 HonkyTnk
54 JustU&Me
55 LveSmile
56 Wish I
BALLA D
57 StayWith
58 DontMiss
59 HiBallad
60 Red Lady
61 IvoryAnd
62 TheWorld
63 Paradise
64 Whisper
65 Woman
66 CndleWnd
67 Fly Away
68 Love You
69 SavingAl
70 InTheDrk
71 Say You
72 Way Were
73 Inspirng
OLDIES
74 Diana's
75 Tonight
76 SandLter
77 No Rain
78 Ghetto
79 PrettyWm
80 Sherry
81 Sally's
DANCE & DISCO
82 SkyStars
83 Bad Love
84 PokerPop
85 FevrNite
86 StyAlive
87 Westerly
88 Run Free
89 DISCO
90 JoelLife
91 Coupled
92 SingBack
93 Janeiro
94 BoomRoom
95 DontHide
96 RewCraig
97 LondonRU
98 WerUBeen
99 MkeMusic
100 10 ,2 Sun
101 Trus t
MDB No. MDB Name
102 M arieC lb
SWING & JAZZ
103 Moon Of
104 Pa trol
105 R hythm
106 Ca tSwin g
107 Misbehav
108 Sa fari
109 SoWhatIs
110 TimeGone
111 Ta st e H ny
112 Tw o Fo ot
113 B l k& W ht e
114 E n te r Ra g
115 TakeFour
116 Birdland
117 M i st y F ln
COUNTRY
118 OnTheRd
119 BlueSong
120 InMyMind
121 RoadHome
122 Gr eenGrs
123 EverN eed
124 Lucille
125 Tennesse
LATIN
126 Lo veAmor
127 Brasil
128 Chr yPink
129 MyShadow
130 Bo saWave
131 Dn tWorr y
132 I' m Po la
133 Mambo Jm
134 On e No te
135 PasoCani
136 Beguine
137 Tijuana
138 Pun tuali
139 Cielito
140 The Liar
141 Un frgivn
ENTERTAINMENT
142 Raindrop
143 Califrag
144 CatMe mry
145 MyPrince
146 Showbiz
147 Ji nglBe l
148 Si lentN t
149 Ch ristms
150 Favo rite
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
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MDB No. MDB Name
151 RedRdolf
152 Moon Wlz
153 AroundWd
WALTZ & TRAD
154 DadClock
155 RockBaby
156 SomeLara
157 Doodah!
158 Dreamer
159 Bir thday
160 Sunshine
161 Tex Rose
162 The Polka
163 Yankee's
164 DanubeWz
165 D'a mor
166 Reine de
167 MnchHaus
168 Comrades
169 Van Maas
170 ClariPka
Music Database List
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
Appendix
79
Page 80

Effect Type List

Harmony Types
No. Harmony Type Description
001 Duet
002 Trio
003 Block
004 Country
005 Octave
006 Trill 1/4 note
007 Trill 1/6 note
008 Trill 1/8 note
009 Trill 1/12 note
010 Trill 1/16 note
011 Trill 1/24 note
012 Trill 1/32 note
013 Tremolo 1/4 note
014 Tremolo 1/6 note
Appendix
015 Tremolo 1/8 note
016 Trem ol o 1/ 12 no te
017 Trem ol o 1/ 16 no te
018 Tremolo 1/24 note
019 Tremolo 1/32 note
020 Echo 1/4 note
021 Echo 1/6 note
022 Echo 1/8 note
023 Echo 1/12 note
024 Echo 1/16 note
025 Echo 1/24 note
026 Echo 1/32 note
If you want to sound one of the harmony types 01–05, play keys to the right side of the Split Point
while playing chords in the left side of the keyboard after turning Auto Accompaniment on. One, two
or three notes of harmony are automatically added to the note you play. When playing back a Song
that includes chord data, harmony is applied whichever keys are played.
If you keep holding down two different notes, the notes alternate (in a trill)
continuously.
(The trill speed differs depending on the selected type.)
If you keep holding down a note, the note is repeated continuously.
(The repeat speed differs depending on the selected type.)
If you play a note, echo is applied to the note played.
(The echo speed differs depending on the selected type.)
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Arpeggio Types
Arpeggio No. Arpeggio Name
027 UpOct 028 DownOct 029 UpDwnOct 030 SynArp1 031 SynArp2 032 SynArp3 033 SynArp4 034 SyncEcho 035 PulsLine 036 StepLine 037 Random 038 Down&Up 039 SuperArp 040 AcidLine 041 TekEcho 042 VelGruv 043 Planet 044 Trance1 045 Trance2 046 Trance3 047 ChordAlt 048 SynChrd1 049 SynChrd2 050 Syncopa 051 Hybrid1 052 Hybrid2 053 Hybrid3 054 Hybrid4 055 Hybrid5 056 PfArp1 057 PfArp2 058 PfArp3 059 PfArp4 060 PfClub1 061 PfClub2 062 PfBallad 063 PfChd8th 064 EPAr p 065 PfShufle 066 PfRock 067 Clavi1 068 Clavi2 069 RocknPf 070 70RockPf 071 SlowflPf 072 SoulPf 073 ChordUp 074 ChdDance 075 LatinRck 076 Salsa1 077 Salsa2 078 Reggae1 079 Reggae2 080 Reggae3 081 6/8R&B 082 Gospel 083 BalladEP 084 Strum1 085 Strum2 086 Strum3 087 Strum4 088 Pickin1 089 Pickin2 090 Funky
Arpeggio No. Arpeggio Name
091 GtrChrd1 092 GtrChrd2 093 GtrChrd3 094 GtrArp 095 FngrPck1 096 FngrPck2 097 CleanGtr 098 Slowfl 099 Samba1 100 Samba2 101 Spanish1 102 Spanish2 103 Harp1 104 Harp2 105 F ngrBa s1 106 F ngrBa s2 107 F ngrBa s3 108 CoolFunk 109 SlapBass 110 AcidBas1 111 AcidBas2 112 FunkyBas 113 C m b Ja zB 1 114 C m b Ja zB 2 115 C m b Ja zB 3 116 NewR&BBs 117 HipHopBs 118 S m o ot h Bs 119 D r ea m Ba s 120 Tranc eBs 121 LatinBas 122 St rings1 123 St rings2 124 St rings3 125 St rings4 126 St rngDw n 127 St rngUp 128 OrcheStr 129 Jupiter 130 Pi zz1 131 Pi zz2 132 Br asSec1 133 Br asSec2 134 Br asSec3 135 FunkBras 136 So ulReed 137 Di scoLd 138 Sm oothPd 139 Perc Arp 140 Ethnic 141 Cresendo 142 Di scoCP 143 Perc 1 144 Perc 2 145 R& B 146 Funk1 147 Funk2 148 Funk3 149 So ul 150 ClscHip 151 Sm ooth 152 Ne wGospl 153 Cm bJazz1 154 Cm bJazz2
Effect Type List
Arpeggio No. Arpeggio Name
155 Bebop 156 JazzHop 157 FolkRock 158 Unpluggd 159 Hi pHop 160 Tranc e 161 Dr eam 162 2 S tep 163 ClubHs1 164 ClubHs2 165 EuroTek 166 House 167 Ib iza1 168 Ib iza2 169 Ib iza3 170 Garage 171 Samba 172 Af rican 173 La tin 174 China 175 In dian 176 Ar abic
• When playing one of the Arpeggio Types 143 to 176, select the corresponding Voice below as the Main Voice.
143–173: Select a Drum Kit (Voice
No.242–252).
174 (China): Select “StdKit1 + Chinese
Perc.” (Voice No.253).
175 (Indian): Select “Indian Kit 1” (Voice
No.254) or “Indian Kit 2” (Voice No.255).
176 (Arabic): Select “Arabic Kit” (Voice
No.259).
Appendix
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
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Effect Type List
NOTE
Reverb Types
No. Reverb Type Description
01–04 Hall 1–4 Concert hall reverb.
05 Cathedral Rich reverb simulating the acoustics of a cathedral. Good for pipe organ sounds.
06–08 Room 1–3 Small room reverb.
09–10 Stage 1–2 Reverb for solo instruments.
11–12 Plate 1–2 Simulated steel plate reverb.
13 Off No effe ct.
Chorus Types
No. Chorus Type Description
1–3 Chorus 1–3 Conventional chorus program with rich, warm chorusing.
4–5 Flanger 1–2 This produces a rich, animated wavering effect in the sound.
6 O ff No effec t.
• Some Styles/Songs may have types that are not listed above.
• The Reverb/Chorus Type is reset when you select another Style/Song.
DSP Types
No. DSP Type Description
01 Dual Rotary Speaker Bright Slow
02 Dual Rotary Speaker Bright Fast
03 Rotary Speaker Slow
04 Rotary Speaker Fast
Appendix
05 Small Stereo Distortion Stereo distor tion for guitar. Setting for distortion sound.
06 Small Stereo Overdrive Stereo distortion for guitar. Setting for overdrive sound.
07 Small Stereo Vintage Amp Stereo distortion for guitar. Setting for vintage sound.
08 British Combo Classic British combo amp simulator. Setting for classic sound.
09 British Combo Top Boost British combo amp simulator. Setting for "TOP BOOST" sound.
10 British Combo Heavy British combo amp simulator. Setting for heavy sound.
11 British Legend Blues British stack amp simulator. Setting for blues sound.
12 British Legend Heavy British stack amp simulator. Setting for heavy sound.
13 British Legend Clean British stack amp simulator. Setting for clean sound.
14 Stereo Amp Sim Crunch
15 Stereo Amp Sim Blues
16 Chorus 1
17 Chorus 3
18 Chorus 4
19 Chorus 5
20 Celeste 2 A 3-phase LFO adds modulation and spaciousness to the sound.
21 Symphonic Adds more stages to the modulation of Celeste.
22 Flanger1 Creates a sound similar to that of a jet airplane.
23 Vintage Phaser Stereo
24 Phaser Cyclically modulates the phase to add modulation to the sound.
25 E-Piano Phaser Cyclically modulates the phase to add modulation to the sound. For electric piano.
26 Auto Wah Cyclically modulates the center frequency of a wah filter.
27 Auto Wah + Distortion Distortion can be applied to the output of Auto Wah.
28 Clavi Touch Wah Clavinet Touch Wah
29 Tremolo
31 Guitar Tremolo
32 Ensemble Detune Chorus effect without modulation, created by adding a slightly pitch-shifted sound.
Simulates a rotary speaker.
Stereo amp simulator.
Conventional chorus program with rich, warm chorusing.
This simulates an analog phaser, giving a strong vintage flavor to the sound. It is effective in stereo.
Rich Tremolo effect with both volume and pitch modulation.30 E-Piano Tremolo
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
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Effect Type List
No. DSP Type Description
33 Tempo Auto Pan Tempo-synchronized auto pan.
34 Echo Two delayed sounds (L and R), and independent feedback delays for L and R.
35 Cross Delay The feedback of the two delayed sounds is crossed.
36 Compressor Medium Compressor with medium setting.
37 3Band EQ A mono EQ with adjustable LOW, MID, and HIGH equalization.
38 Harmonic Enhancer Adds new harmonics to the input signal to make the sound stand out.
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
Appendix
83
Page 84

Specifications

Product Name Digital Keyboard
Dimensions (W x D x H )
Weight
Keyboard
Display
Panel Language English
Tone Generation
Polyphony (max.) 48
Preset Number of Voices
Compatibility GM/XGlite
Types
Functions
Preset
External Styles 10
Other Features
Compatibility Style File Format (SFF)
Preset Number of Preset Songs
Recording
Form at
Lesson
USB Audio (USB TO HOST) 44.1 kHz, 16 bit, stereo Registration
Memory
Overall Controls
Miscellaneous PIANO Button Yes (Portable Grand Button) Storage Internal Memory Approx. 1.4 MB
Connectivity
Amplifiers 2.5 W + 2.5 W Speakers 12 cm x 2
Number of Keys 61 76 Touch Response Soft, Medium, Hard, Fixed Type LCD Backlight Yes Language English
Tone Generation Technology
DSP 38 types Reverb 12 types Chorus 5 types Master EQ 6 types Dual Yes Split Yes Sustain Yes Harmony 26 types Arpeggio 150 types Melody Suppressor Yes Articulation Yes (11 Super Articulation Lite Voices) Number of Styles 205 Fingering Smart Chord, Multi finger
Style Control
Music Database 170 One Touch Setting
(OTS)
Number of Songs 5 Number of Tracks 2 Data Capacity Approx. 10,000 notes Playback SMF Formats 0 & 1 Recording Original File Format
Number of Buttons 9
Metronome Yes Tempo Range 11–280 Transpose -12 to 0, 0 to +12 Tuning 427.0–440.0–453.0 Hz (approx. 0.2 Hz increments) Duo Yes
DC IN 12 V Headphones/Output Standard stereo phone jack (PHONES/OUTPUT) Sustain Pedal Yes AUX I N Yes (S ter eo mini j ack) USB TO HOST Yes
Appendix
Size/Weight
Control Interface
Voi c es
Effects
Accompaniment Styles
Songs (MIDI)
Functions
Storage and Connectivity
Sound System
PSR-E373, YPT-370 PSR-EW310
945 mm x 369 mm x 118 mm
(37-3/16” x 14-1/2” x 4-5/8”)
4.6 kg (10 lb 2 oz)
(not including batteries)
(241 Panel Voices + 22 Drum/SFX kits + 20 Arpeggio +
ACMP ON/OFF, SYNC START, START/STOP, INTRO/ENDING/rit.,
(including Touch Tutor: 10, Chord Study: 12, Chord Progression: 30)
KEYS TO SUCCESS, Lesson 1–3 (Listening, Timing, Waiting),
Phrase Repeat, A-B Repeat, Chord Dictionary, Touch Tutor,
Chord Study, Chord Progression
1151 mm x 369 mm x 118 mm
(45-5/16” x 14-1/2” x 4-5/8”)
(not including batteries)
AWM Stereo Sampling
622
339 XGlite Voices)
MAIN/AUTO FILL
Ye s
154
5.4 kg (11 lb 14 oz)
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
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Specifications
Power Supply
Included Accessories
Separately Sold Accessories (May not be available depending on your area.)
* The contents of this manual apply to the latest specifications as of the publishing date. To obtain the latest manual, access the Yamaha
website then download the manual file. Since specifications, equipment or separately sold accessories may not be the same in every locale, please check with your Yamaha dealer.
Power Supply
Power Consumption 5 W (When using PA-130 AC adaptor) Auto Power Off Yes (Time can be set)
AC Adaptor
Batteries
Users within U.S or Europe: PA-130 or an equivalent recommended
by Yamaha
Others: PA-3C,PA-130 or an equivalent recommended by Yamaha
Six 1.5 V “AA” size alkaline (LR6), manganese (R6) or six 1.2 V “AA” size Ni-MH rechargeable batteries (HR6)
• Music rest
• Owner’s Manual
• AC adaptor *1 (PA-130 or an equivalent recommended by Yamaha)
• Online Member Product Registration
*1: May not be included depending on your particular area. Please check
with your Yamaha dealer.
• AC adaptor:
Users within U.S or Europe: PA-130 or an equivalent recommended by
Yamaha
Others: PA-3C, PA-130 or an equivalent recommended by Yamaha
• Keyboard stand: L-2C
• Headphones: HPH-50/HPH-100/HPH-150
• Footswitch: FC4A/FC5
Appendix
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
85
Page 86

Index

A
A-B Repeat ..............................33
AC Adaptor ..............................12
Accessories .............................85
ACMP ...................................... 24
Arpeggio .................................. 20
Arpeggio Type .........................81
Arpeggio Velocity..................... 53
Articulation............................... 19
audio........................................ 48
Audio data communication
by USB .................................50
Audio Device ...........................48
Auto Accompaniment...............23
Auto Accompaniment range ....24
AUTO FILL...............................25
Auto Power Off................... 13, 55
AUX IN.....................................48
B
Backup Clear ...........................51
Backup Parameters .................51
Batteries................................... 12
Battery Type....................... 13, 55
Beat ......................................... 15
BGM ........................................32
Appendix
C
Chord................................. 15, 26
Chord Dictionary......................28
Chord Progressions .................42
Chord Study............................. 41
Chorus ..................................... 19
Chorus Type ......................53, 82
Clear (Backup parameters)......51
Clear (User Song) ................... 44
computer.................................. 50
Computer-related Operations ....8
D
Demo................................. 31, 55
Display..................................... 15
Drum Kit List..............................8
DSP ......................................... 18
DSP Type................................. 82
Dual Voice ..........................17, 53
Duo..........................................22
E
Effect Type List ........................ 80
Effects...................................... 18
ENDING .................................. 25
External Clock .........................54
F
Fast Forward ........................... 32
Fast Reverse ........................... 32
Fingering Type......................... 23
Flash Clear.............................. 51
Footswitch ......................... 14, 21
Function List............................ 52
Functions................................. 52
G
GM System Level 1 ................... 8
Grade ...................................... 38
Guide Note .............................. 39
H
Harmony ................................. 20
Harmony Type................... 21, 80
Headphones............................ 14
I
Initial Send .............................. 54
Initialization ............................. 51
INTRO ..................................... 25
iPad ......................................... 50
iPhone ..................................... 50
K
Key Transpose .................... 52
Keyboard Display .................... 15
Keys To Success ..................... 35
L
Lesson..................................... 34
Listening.................................. 38
Local Control ........................... 54
M
MAIN ....................................... 25
Main Voice............................... 16
Master EQ ............................... 47
Measure .................................. 15
Melody Suppressor ................. 49
Metronome .............................. 16
MIDI Basics ............................... 8
MIDI Reference ......................... 8
Multi......................................... 23
Music Database ...................... 29
Music Database List................ 78
music rest................................ 14
O
One Touch Setting................... 16
P
Part.......................................... 33
Passing Status ........................ 36
Pause...................................... 32
Pedal........................................14
Phrase Repeat........................ 37
Pitch Transpose .................. 52
Pitch Tuning ........................ 52
Playback ................................. 32
Portable Grand.........................16
Power Requirements................12
R
Random playback ................... 32
Recording................................ 43
Recording (track) .................... 44
Registration Memory............... 46
Reverb .....................................19
Reverb Level ........................... 53
Reverb Type ...................... 53, 82
rhythm..................................... 24
rit............................................. 25
S
Sections .................................. 25
Smart Device .......................... 50
Smart Device Connection
Manual................................... 8
SmartChord ............................ 23
Song ....................................... 31
Song Book ................................ 8
Song Book Sample ................. 58
Song Category........................ 31
Song List................................. 75
Specifications.......................... 84
Split Point..................... 17, 24, 52
Split Voice.......................... 17, 53
Standard Kit 1 List ...................74
Storage Mode ......................... 55
Strength meter .........................18
Style........................................ 23
Style File ............................. 8, 29
Style List ..................................76
Sustain............................... 14, 19
Synchro Start .......................... 24
T
Tap function ............................ 30
Tempo ..........................16, 30, 31
Time Signature.........................16
Timing ..................................... 38
Touch Response ......................18
Touch Tutor ............................. 40
Track ....................................... 43
Transpose ............................... 52
Troubleshooting....................... 56
Tuning ..................................... 52
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
86
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U
USB TO HOST ........................50
User Songs..............................43
V
Voice........................................16
Voice List .................................68
Volume..................................... 14
Volume (Dual Voice) ................53
Volume (Harmony)...................53
Volume (Main Voice)................ 52
Volume (Metronome)...............54
Volume (Split Voice) ................53
W
Waiting.....................................38
X
XGlite......................................... 8
Y
Your Tempo..............................54
Index
PSR-E373, PSR-EW310, YPT-370 Owner’s Manual
Appendix
87
Page 88
Information for users on collection and disposal of old equipment and used batteries:
These symbols on the products, packaging, and/or accompa nying documents mean that u sed electrical and electronic products and batteries should not be mixed with general household waste. For proper treatment, recover y and recycling of old products and used batteries, pleas e take them to applicable co llection points, in accordance with your national legislation.
By disposing of these products and batteries correctly, you will help to save valuable resources and prevent any potential negative effects on human health and the environment which could otherwise arise from inappropriate waste handling.
For more information about collection and recycling of old products and batteries, please contact your local municipality, your waste disposal service or the point of sale where you purchased the items.
For business users in the European Union:
If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for fur ther information.
Information on Disposal in other Countries outside the European Union:
These symbols are only valid in the European Union. If you wish to discard these items, please conta ct your local authorities or dealer and ask for the correct method of disposal.
Note for the battery symbol (bottom two symbol examples):
This symbol might be used in combination with a chemical symbol. In this c ase it complies with the requirement set by the EU Batter y Directive for the chemical involved.
(weee_battery_eu_en_02)
Page 89
LIMITED 1-YEAR WARRANTY ON
PORTABLE KEYBOARDS
(NP, PSRE, PSREW, PSRF, PSRI, PSS, SHS, EZ, DGX230, DGX530,
YPG AND YPT SERIES)
Thank you for selecting a Yamaha product. Yamaha products are designed and manufactured to provide a high level of defect-free performance. Yamaha Corporation of America (“Yamaha”) is proud of the experience and craftsmanship that goes into each and every Yamaha product. Yamaha sells its products through a network of reputable, specially authorized dealers and is pleased to offer you, the Original Owner, the following Limited Warranty, which applies only to products that have been (1) directly purchased from Yamaha’s authorized dealers in the fifty states of the USA and District of Columbia (the “Warranted Area”) and (2) used exclusively in the Warranted Area. Yamaha suggests that you read the Limited Warranty thoroughly and invites you to contact your authorized Yamaha dealer or Yamaha Customer Service if you have any questions.
Coverage: Yamaha will, at its option, repair or replace the product covered by this warranty if it becomes defective, malfunctions or
otherwise fails to conform with this warranty under normal use and service during the term of this warranty, without charge for labor or materials. Repairs may be performed using new or refurbished parts that meet or exceed Yamaha specifications for new parts. If Yamaha elects to replace the product, the replacement may be a reconditioned unit. You will be responsible for any installation or removal charges and for any initial shipping charges if the product(s) must be shipped for warranty service. However, Yamaha will pay the return shipping charges to any destination within the USA if the repairs are covered by the warranty. This warranty does not cover (a) damage, deterioration or malfunction resulting from accident, negligence, misuse, abuse, improper installation or operation or failure to follow instructions according to the Owner’s Manual for this product; any shipment of the product (claims must be presented to the carrier); repair or attempted repair by anyone other than Yamaha or an authorized Yamaha Service Center; (b) any unit which has been altered or on which the serial number has been defaced, modified or removed; (c) normal wear and any periodic maintenance; (d) deterioration due to perspiration, corrosive atmosphere or other external causes such as extremes in temperature or humidity; (e) damages attributable to power line surge or related electrical abnormalities, lightning damage or acts of God; or (f) RFI/EMI (Interference/noise) caused by improper grounding or the improper use of either certified or uncertified equipment, if applicable. Any evidence of alteration, erasing or forgery of proof-of-purchase documents will cause this warranty to be void. This warranty covers only the Original Owner and is not transfera ble.
In Order to Obtain Warranty Service: Warranty service will only be provided for defective products within the Warranted Area.
Contact your local authorized Yamaha dealer who will advise you of the procedures to be followed. If this is not successful, contact Yamaha at the address, telephone number or website shown below. Yamaha may request that you send the defective product to a local authorized Yamaha Ser vicer or authorize return of the defective product to Yamaha for repair. If you are uncertain as to whether a dealer has been authorized by Yamaha, please contact Yamaha’s Service Department at the number shown below, or check Yamaha’s website at www.Yamaha.com problem(s) requiring service, together with the original or a machine reproduction of the bill of sale or other dated, proof-of-purchase document describing the product, as evidence of warranty coverage. Should any product submitted for warranty service be found ineligible therefore, an estimate of repair cost will be furnished and the repair will be accomplished only if requested by you and upon receipt of payment or acceptable arrangement for payment.
. Product(s) shipped for service should be packed securely and must be accompanied by a detailed explanation of the
Limitation of Implied Warranties and Exclusion of Damages: ANY IMPLIED WARRANTIES, INCLUDING
WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE SHALL BE LIMITED IN DURATION TO THE APPLICABLE PERIOD OF TIME SET FORTH ABOVE. YAMAHA SHALL NOT BE RESPONSIBLE FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES OR FOR DAMAGES BASED UPON INCONVENIENCE, LOSS OF USE, DAMAGE TO ANY OTHER EQUIPMENT OR OTHER ITEMS AT THE SITE OF USE OR INTERRUPTION OF PERFORMANCES OR ANY CONSEQUENCES. YAMAHA’S LIABILITY FOR ANY DEFECTIVE PRODUCT IS LIMITED TO REPAIR OR REPLACEMENT OF THE PRODUCT, AT YAMAHA’S OPTION. SOME STATES DO NOT ALLOW LIMITATIONS ON HOW LONG AN IMPLIED WARRANTY LASTS OR THE EXCLUSION OR LIMITATION OF INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THE ABOVE LIMITATION OR EXCLUSION MAY NOT APPLY TO YOU. This Warranty gives you specific legal rights, and you may also have other rights which vary from state to state. This is the only express warranty applicable to the product specified herein; Yamaha neither assumes nor authorizes anyone to assume for it any other express warranty.
If you have any questions about service received or if you need assistance in locating an authorized Yamaha Servicer, please contact:
CUSTOMER SERVICE
6600 Orangethorpe Avenue, Buena Park, California 90620-1373
Do not return any product to the above address without a written Return Authorization issued by YAMAHA.
Yamaha Corporation of America
Telephone: 800-854-1569
www.yamaha.com
© 2020 Yamaha Corporation of America.
Page 90
Page 91
For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below.
NORTH AMERICA
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Toronto, Ontario M1S 3R1, Canada Tel: +1-416-298-1311
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Avenue, Buena Park, CA 90620, U.S.A. Tel: +1-714-522-9011
CENTRAL & SOUTH AMERICA
MEXICO
Yamaha de México, S.A. de C.V.
Av. Insurgentes Sur 1647 Piso 9, Col. San José Insurgentes, Delegación Benito Juárez, México, D.F., C.P. 03900, México Tel: +52-55-5804-0600
BRAZIL
Yamaha Musical do Brasil Ltda.
Rua Fidêncio Ramos, 302 – Cj 52 e 54 – Torre B – Vila Olímpia – CEP 04551-010 – São Paulo/SP, Brazil Tel: +55-11-3704-1377
ARGENTINA
Yamaha Music Latin America, S.A., Sucursal Argentina
Olga Cossettini 1553, Piso 4 Norte, Madero Este-C1107CEK, Buenos Aires, Argentina Tel: +54-11-4119-7000
PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A.
Edificio Torre Davivienda, Piso: 20 Avenida Balboa, Marbella, Corregimiento de Bella Vista, Ciudad de Panamá, Rep. de Panamá Tel: +507-269-5311
EUROPE
THE UNITED KINGDOM/IRELAND
Yamaha Music Europe GmbH (UK)
Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, U.K. Tel: +44-1908-366700
GERMANY
Yamaha Music Europe GmbH
Siemensstrasse 22-34, 25462 Rellingen, Germany Tel: +49-4101-303-0
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Europe GmbH, Branch Switzerland in Thalwil
Seestrasse 18a, 8800 Thalwil, Switzerland Tel: +41-44-3878080
AUSTRIA/CROATIA/ HUNGARY/ROMANIA/SLOVAKIA/ SLOVENIA
Yamaha Music Europe GmbH, Branch Austria
Schleiergasse 20, 1100 Wien, Austria Tel: +43-1-60203900
POLAND
Yamaha Music Europe GmbH Sp.z o.o. Oddział w Polsce
ul. Wielicka 52, 02-657 Warszawa, Poland Tel: +48-22-880-08-88
BULGARIA
Dinacord Bulgaria LTD.
Bul.Iskarsko Schose 7 Targowski Zentar Ewropa 1528 Sofia, Bulgaria Tel: +359-2-978-20-25
MALTA
Olimpus Music Ltd.
Valletta Road, Mosta MST9010, Malta Tel: +356-2133-2093
NETHERLANDS/BELGIUM/ LUXEMBOURG
Yamaha Music Europe, Branch Benelux
Clarissenhof 5b, 4133 AB Vianen, The Netherlands Tel: +31-347-358040
DMI27
CZECH REPUBLIC
(For European Countries) Importer: Yamaha Music Europe GmbH Siemensstrasse 22 -34, 25462 Rellingen, Germany
FRANCE
Yamaha Music Europe
7 rue Ambroise Croizat, Zone d'activités de Pariest, 77183 Croissy-Beaubourg, France Tel: +33-1-6461-4000
ITALY
Yamaha Music Europe GmbH, Branch Italy
Via Tinelli N.67/69 20855 Gerno di Lesmo (MB), Italy Tel: +39-039-9065-1
SPAIN/PORTUGAL
Yamaha Music Europe GmbH Ibérica, Sucursal en España
Ctra. de la Coruña km. 17,200, 28231 Las Rozas de Madrid, Spain Tel: +34-91-639-88-88
GREECE
Philippos Nakas S.A. The Music House
19th klm. Leof. Lavriou 190 02 Peania – Attiki, Greece Tel: +30-210-6686260
SWEDEN
Yamaha Music Europe GmbH Germany filial Scandinavia
JA Wettergrensgata 1, 400 43 Göteborg, Sweden Tel: +46-31-89-34-00
DENMARK
Yamaha Music Denmark, Fillial of Yamaha Music Europe GmbH, Tyskl and
Generatorvej 8C, ST. TH., 2860 Søborg, Denmark Tel: +45-44-92-49-00
FINLAND
F-Musiikki Oy
Antaksentie 4 FI-01510 Vantaa, Finland Tel: +358 (0)96185111
NORWAY
Yamaha Music Europe GmbH Germany ­Norwegian Branch
Grini Næringspark 1, 1332 Østerås, Norway Tel: +47-6716-7800
ICELAND
Hljodfaerahusid Ehf.
Sidumula 20 IS-108 Reykjavik, Iceland Tel: +354-525-5050
CYPRUS
Nakas Music Cyprus Ltd.
Nikis Ave 2k 1086 Nicosia Tel: + 357-22-511080
Major Music Center
21 Ali Riza Ave. Ortakoy P.O.Box 475 Lefkoşa, Cyprus Tel: (392) 227 9213
RUSSIA
Yamaha Music (Russia) LLC.
Room 37, entrance 7, bld. 7, Kievskaya street,
/
Moscow, 121059, Russia Tel: +7-495-626-5005
OTHER EUROPEAN COUNTRIES
Yamaha Music Europe GmbH
Siemensstrasse 22-34, 25462 Rellingen, Germany Tel: +49-4101-303-0
Yamaha Music Gulf FZE
JAFZA-16, Office 512, P.O.Box 17328, Jebel Ali FZE, Dubai, UAE Tel: +971-4-801-1500
AFRICA
MIDDLE EAST
TURKEY
Yamaha Music Europe GmbH Merkezi Almanya Türkiye İstanbul Şubesi
Mor Sumbul Sokak Varyap Meridian Business
1.Blok No:1 113-114-115 Bati Atasehir Istanbul, Turkey Tel: +90-216-275-7960
ISRAEL
RBX International Co., Ltd.
P.O Box 10245, Petach-Tikva, 49002 Tel: (972) 3-925-6900
OTHER COUNTRIES
Yamaha Music Gulf FZE
JAFZA-16, Office 512, P.O.Box 17328, Jebel Ali FZE, Dubai, UAE Tel: +971-4-801-1500
ASIA
THE PEOPLE’S REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co., Ltd.
2F, Yunhedasha, 1818 Xinzha-lu, Jing an-qu, Shanghai, China Tel: +86-400-051-7700
HONG KONG
Tom Lee Music Co., Ltd.
11/F., Silvercord Tow er 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: +852-2737-7688
INDIA
Yamaha Music India Private Limited
P-401, JMD Megapolis, Sector-48, Sohna Road, Gurugram-122018, Haryana, India Tel: +91-124-485-3300
INDONESIA
PT. Yamaha Musik Indonesia (Distributor)
Yamaha Music Center Bldg. Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: +62-21-520-2577
KOREA
Yamaha Music Korea Ltd.
11F, Prudential Tow er, 298, Gangnam-daero, Gangnam-gu, Seoul, 06253, Korea Tel: +82-2-3467-3300
MALAYSIA
Yamaha Music (Malaysia) Sdn. Bhd.
No.8, Jalan Perbandaran, Kelana Jaya, 47301 Petaling Jaya, Selangor, Malaysia Tel: +60-3-78030900
SINGAPORE
Yamaha Music (Asia) Private Limited
Block 202 Hougang Street 21, #02-00, Singapore 530202, Singapore Tel: +65-6740-9200
TAI WAN
Yamaha Music & Electronics Taiwan Co., Ltd.
2F., No.1, Yuandong Rd., Banqiao Dist., New Taipei City 22063, Taiwan (R.O.C.) Tel: +886-2-7741-8888
THAILAND
Siam Music Yamaha Co., Ltd.
3, 4, 15, 16th Fl., Siam Motors Building, 891/1 Rama 1 Road, Wangmai, Pathumwan, Bangkok 10330, Thailand Tel: +66-2215-2622
VIETNAM
Yamaha Music Vietnam Company Limited
15th Floor, Nam A Bank Tower, 201-203 Cach Mang Thang Tam St., Ward 4, Dist.3, Ho Chi Minh City, Vietnam Tel: +84-28-3818-1122
OTHER ASIAN COUNTRIES
https://asia-latinamerica-mea.yamaha.com/ index.html
OCEANIA
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
Level 1, 80 Market Street, South Melbourne, VIC 3205 Australia Tel: +61-3-9693-5111
NEW ZEALAND
Music Works LTD
P.O.BOX 6246 Wellesley, Auckland 4680, New Zealand Tel: +64-9-634-0099
COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN
https://asia-latinamerica-mea.yamaha.com/ index.html
Head Office/Manufacturer: Yamaha Corporation 10-1, Nakazawa-cho, Naka-ku, Hamamatsu, 430-8650, Japan
Page 92
Yamaha Global Site
https://www.yamaha.com/
Yamaha Downloads
https://download.yamaha.com/
Manual Development Group
© 2020 Yamaha Corporation
Published 06/2020 POTY*.*-**A0
VDH1500
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